ihdtv/dv meeting workshop to further the development and use of “extreme quality internet video”
TRANSCRIPT
IHDTV/DV Meeting Workshop
To further the development and use of “extreme quality Internet video”.
IHDTV/DV Goals
Review the state-of-the-art of Internet HDTV and DV via presentations by vendors and institutions who have active pilots or deployment plans for sending "extreme quality" video over Internet links.
IHDTV/DV Goals
Discuss the necessary "next steps" toward deployment of a robust Internet-based infrastructure for both real-time and on-demand access to such extreme-quality video content.
IHDTV/DV Goals
Identify "missing pieces" for various classes of applications using extreme-quality Internet video.
Mari Maeda
Program Manager
Information Technology Office
DARPA
Technologiesfor the Next Generation Internet
CineWave
What is CinéWave?
• Complete system for uncompressed Standard Definition (SD) and High Definition (HD) content creation and editing.
• Macintosh only product, based around a PowerMac G4.
• 100% QuickTime Compliant• Editing, compositing, painting, tracking,
rotoscoping, chromakey, and 3D DVE
• Base System Includes:– TARGA Ciné Engine PCI Card– Final Cut Pro– Commotion Pro– Hollywood FX Silver
“To Store” and “To Deliver”
Dr. Igor S. Alexandrov
DC Industry Dynamics July 14, 1999 – The First Public Digital Movie Demonstration
1999 – First Digital Movie Projector (TI) 2000 – First DC Movie Camera (Sony) July 2000 – First Digital Movie Loaded to Digital Projector through Internet
(Cisco Systems) November 2000 – First Digital Movie Delivered to Movie Theatre through
Satellite (Boeing) Year 2000: 32 Digital Movie Theatres Opened
17 – Europe, 10 – USA, One – in Framingham (General Cinemas Complex) January 2000 – Motion Picture Industry Established a Committee
to Build New DC Standards October 2000 – Matsushita, Sony, Toshiba and Hitachi Agreed to Form
a Joint Venture for Home Server and Personal Video Recorder Market October 2000 – Boeing Created “Connexion by Boeing”
SM
November 17, 2000 – Digital Movie Delivered over Satellite January22, 2001 – Miramax Started Internet Digital Movie Distribution
http://www.guineverethemovie.com
Type of Distribution and User Profiles
Recent Technology: Physical Delivery $3,000 per Copy to Print, 3,000 Copies, 500 Movies, $4.5B per Year
$2,000 per Delivery, 600,000 Deliveries, $1.2B per Year
Satellite Network (Point-to-Multipoint) High-Resolution New Movies to Movie Theatres (Country and World
Wide) Terrestrial and Satellite Network with Local Distribution Centers
HDTV and SDTV Movies to Hotels, Airplanes (International Flights), Cruise Ships
HDTV and SDTV Pre-recorded Lectures and other Educational Materials
Terrestrial Network Directly High-resolution and Mid-resolution Movies to Movie Theatres and
Hotels HDTV and SDTV Movies to Hotels, End-users Home TV and Home
Theatres HDTV and SDTV Pre-recorded Lectures and other Educational
Materials Medical and Other Images
Security Infrastructure and iHDTV
Categories of Applications
Publishing Issues
Collaboration Issues
Access Management
Protocol Support
Internet2 Middleware Program
• Security Infrastructure and iHDTV• First
iHDTV Workshop, January 2001• RL "Bob"
Morgan, rlmorgan@ washington.edu
Publishing Security Issues• Access rights management
• who can do what operations on which resources
• expressing and enforcing policy/contract requirements ...
• ... at scalable cost
• manual per-user/per-resource settings don't scale
• Content Protection
• enforcing access/use policy after content arrives at consumer ...
• Discovery, Contextualization
• applying user context to search/retrieval:
• ... find me items about broncos (and I hate football)
• ... find me copy of X that I have rights to access
• recent work in IETF C15N BoF
Internet2 Middleware Initiative
• Develop, promote infrastructure services for I2• networks • organized April 1999, producing "tightly-linked vapor" ... • some joint projects with Educause
• Directory projects • EduPerson schema: common HigherEd directory attributes • LDAP Recipe: promote best practice for HE LDAP deployments • Dir of Dirs: promote linked white pages directories
• HE-PKI • promote standards, adoption of PKI in HE • coordinate with US Federal PKI, state govts
• Shibboleth • inter-institutional Web access control • linking per-institution web authentication services • working with OASIS XML-Security TC on industry standards in this space • supported by IBM
Internet HDTV – “DELIVERING REALISM”
David Richardson
Michael Wellings
University of Washington
www.washington.edu/hdtv
KING-5DTV
Broadcast
National Association of Broadcasters
UW
PNWGP
KIN
G5-
TV
Video Switcher
SonyProduction
Stage
OC-48c PoS over Enron λ
Possible Next Steps
Pushing the system: multi-stream server,PC-based decoding
Interactivity: exploring latency vs. quality
Scaling the system: QoS, multicast, differentdata rates
Uncompressed HDTV over IP
Colin Perkins, Ladan Gharai
USC Information Sciences Institute
Gary Goncher
Tektronix
Why uncompressed HDTV?
• To avoid compression artifacts and loss– For example during editing/post-production
• To avoid latency in interactive use– MPEG encoders can add several frames worth of delay
• Because we can… :-)
• Implications– How much data?
• 720p: progressive, 60 fps, 1280x720, 20 bits/sample• 1080i: interlaced, 30 fps, 1920x1080, 20 bits/sample
– Resulting media stream is 1.485 Gbps• Compare to 19.4 Mbps compressed
Planned demonstration• Aim to demonstrate between ISI and UW, over the DARPA
SuperNet/Abilene backbone
Tektronix/DARPA UNAS
Network InterfaceAccess Engine
Video InterfaceAccess Engine
HD1601 A/D Formatter
SMPTE292M
OC-48c
HD Source
HD Monitor
Tektronix/DARPA UNAS
Network InterfaceAccess Engine
Video InterfaceAccess Engine
HD1602 D/ASMPTE292M
Router
OC-48c
Router
Audio embed
Audio
Video
cPCI chassis with POS/PHY3 backplane
Flavors of High Definition VideoFlavors of High Definition Video
• 480 P - Will be dirt cheap480 P - Will be dirt cheap• 720 P - Efficient Distribution Format720 P - Efficient Distribution Format• 1080 I - GP, Smooth motion, economical1080 I - GP, Smooth motion, economical• 1080 P/24F - Motion Picture Aesthetic1080 P/24F - Motion Picture Aesthetic• 1080 P >30 F - Archival Master1080 P >30 F - Archival Master
Vertical Lines Pixels Across Aspect Ratio Picture Rate
1080 1920 16:9 60i,30P,24P
720 1280 16:9 60P,30P,24P
480 704 16:9, 4:3 60P,60i, 30P, 24P
480 640 4:3 60P,60i, 30P, 24P
ATSC Compression Formats under DTV
ATSC Compression Rates
Format Raw Data Rate10 Bit 4:2:2
Ratio
480/60i 184Mbps 9.5:1
480/60P 368Mbps 19:1
720/60P 1106Mbps 28.5:1
1080/60i 1244Mbps 64:1
ATSC Channel Capacity (current spec)
Format Data Rate Compressed Max#Chs / 19.5Mbps
480/601 184Mbps 3 to 8Mbps 4
480/60P 368Mbps 6 to 10Mbps 3
720/60P 1106Mbps 14 t0 16Mbps 1
1080/60i 1244Mbps 18 Mbps 1
IHDTV/DV Meeting Workshop
www.hdtv.org
