important 19th 20th century drawings and watercolors
DESCRIPTION
Important 19th 20th Century Drawings and WatercolorsTRANSCRIPT
IMPORTANT 19TH & 20TH CENTURY DRAWINGS AND WATERCOLORS
THURSDAY, OCTOBER 20, 1977 AT 2 RM. SOTHEBY RARKE BERNET INC • NEW YORK
I-
Sotheby Parke Bemet Inc •Newark980Madison Avenue -New York 10021 -(212)4^2-3400
Sotheby Rarke Bemet Inc
John L. Marion, Chairman
OTHER AUCTION ROOMSNew YorkPB-Eighty Four
A Division of Sotheby Parke Bernet Inc.
John D. Block. Director
1 7 1 East 84 Street
New York, N.Y. 10028
Telephone: (212)472-3583
California
Sotheby Parke Bernet • Los AngelesPeter McCoy, President
7660 Beverly Boulevard.
Los Angeles. California 90036Telephone: (213)937-5130
Telex: Los Angeles 677120Telegrams: Ahinitio, Los Angeles
REPRESENTATIVESNew England
Patricia Ward232 Clarendon Street
Boston, Mass. 02 116Telephone: 161 7) 247-2851
SouthwestFlo CraJy
Galleria Post Oak5015 Westheimer RoadHouston, Texas 77056
Telephone: (713) 623-0010
Mid Atlantic
Leffert Lefferls
9 West Washington Street
Middleburg, Virginia 2 2 1 1
7
Telephone: (703) 687-6395
Northern California
Andrea Cornel di Socehran
210 Post Street
San Francisco, California 94108Telephone: (415) 986-4982
SUBSIDIARIESSotheby Parke Bernet
International Realty Corp.Charles H. Seilheimer, President
980 Madison AvenueNew York, N.Y. 10021
Telephone: (212) 472-3465
Sotheby Parke BernetStamp Auction Co., Inc.
Andrnf Levitt, President
158 Deer Hill AvenueDanbury, Connecticut 06810Telephone: (203) 743-4458
ADMINISTRATIONPreside)!!
Finance & Administration
Special Sales & Real Estate
Appraisals & Estates
Director of Sales, Fine Arts
Communications & PromotionDirector of Sales, Decorative Arts
Treasurer
Controller
PB-84, Director
House Counsel
Secretary of the Corporation
EXPERT DEPARTMENTSAfrican & Oceanic Art
American Decorative Arts & Furniture
American Folk Art
American Indian Art
American Paintings
Antiquities & Islamic Art
Books and Manuscripts (American)
Books and Manuscripts (European)
Chinese Art
Contemporary Paintings
English Furniture
European Furniture
European & Chinese Export Porcelain
European Works of Art & Ceramics
Impressionist & Modern Paintings
Japanese Art
Japanese Netsuke & Into
Jewelry
Miniatures & Paperweights
Modern Paintings, Drawings & Sculpture
19th Centur>' European Paintings
19th & 20th Century Works of Art
Old Master Paintings
Photographs
Pre-Columbian Art
Prints (Old Master)
Prints ( 19th & 20th Centur>')
Rugs and Carpets
Russian Art
Silver, Vertu, WatchesTapestries, Coins, Musical Instruments
JOHN L. MARIONARNOLD M. KAGANEDWARD LEE CAVEC. HUGH HILDESLEYDAVID J. NASHTHOMAS E. NORTONROBERT C. WOOLLEYALAN M. FORSTERHOWARD WEISSJOHN D. BLOCKTHEODORE N. KAPLAN, ESQ.
NANCY A. FORSTER
RICHARD M. KERESEYWILLIAM W. STAHLNANCY DRUCKMANELLEN NAPIURAPETER B. RATHBONEGRETE MEILMANRICHARD M. KERESEYTHOMAS P. CLARKEANTHONY FAIRJAMES J. LALLYIAN DUNLOPLINDA R. SILVERMANGERALD BLANDTHIERRY MILLERANDLETITIA ROBERTSARMIN ALLENJOHN L. TANCOCKHERMINE CHIVIAND. MARTIN LORBERLORNA C. KELLYDENNIS SCIOLI
PAUL A. RUSSOSARAH D. COFFINMARY-ANNE MARTINSHARY E. GROSSMANJUDITH LANDRIGANBARBARA E. DEISROTHBRENDA J. AUSLANDERANNE HORTONCLAUDIA GIANGOLAMARC E. ROSENRUTH M. ZIEGLERJOHN EDELMANNGERARD HILLKEVIN L. TIERNEYDAVID E. TRIPP
472-3426
472-3434472-3431472-3454472-3590472-3424472-3503472-3443472-3441472-3568472-3476472-3426
472-3521472-3511472-3512472-3522472-3551472-3551472-3521
472-3594472-3593472-3516472-3543472-3543472-3513472-3514472-3517472-3507472-3547472-3548472-3525472-3525472-3421472-3422472-3532472-3545472-3546472-3537472-3509472-3541472-3595472-3523472-3437472-3437472-3451472-3619472-3531472-3508
SALES CONDUCTED BY: PETER C. WILSON, C.B.E. JOHN L. MARIONEDWARD LEE CAVE C. HUGH HILDESLEY ROBERT C. WOOLLEY JOHN D. BLOCKJAMES J. LALLY MARC E. ROSEN DENNIS J. SCIOLI JAN ANDERSENJOHN EDELMANN EUNICE S. CARROLL KNUT HOFF, JR. LORNA C. KELLY
MH ^l^~!
:?d'-
SALE NUMBER 4031
IMPORTANT 19TH & 20TH CENTURYDRAWINGS AND WATERCOLORS
EXHIBITION
From Saturday, October 1 5 to Wednesday, October 1 9, 1 977 at 1 P.M.
Galleries open 1 A.M. to 5 P.M. Tuesday through Saturday
Private viewing Monday, October 17 by appointment only.
For appointment or any additional information obout this sale, please
telephone The Modern Paintings and Drawings Department (direct lines
212/472-3545 ond 472-3546).
PUBLIC AUCTION
THURSDAY, OCTOBER 20, 1977 at 2 P.M.
SOTHEBY PARKE BERNET INC.
980 Madison Avenue (76th-77th Streets)
New York 10021 212/472-3400Cable: Parkgal, New York
Telex: New York 232643
Recorded Announcement of Qurren^ So\g% and Exhibifions, 24 hours a day. 21 2-472-3555
Cover Illustration: Lot 176
IMPORTANT19TH & 20TH CENTURY
DRAWINGS AND WATERCOLORS
Including works by
CASSATTCEZANNECHAGALLDUBUFFETERNSTFEININGERGAUGUINGONTCHAROVAKLEE
KUPKALEGERMAGRITTEMATISSEMIROMODIGLIANIMONETMOOREMORANDINOLDEPICASSOPISSARROSEGONZACSIGNACTANGUY
Property of various owners • including
MR. AND MRS. ALAN JAY LERNER • NEW YORKARTHUR MURRAY • HONOLULUNEW YORK HEALTH AND HOSPITALS CORPORATION/BELLEVUE HOSPITAL CENTER • NEW YORKESTATE OF BARBARA WESCOTT • ROSEMONT, NEW JERSEY
Public Auction • Thursday Afternoon • October 20, 1977 at 2 p. m,
SOTHEBY PARKE BERNET INC. • NEW YORK
BOARD OF DIRECTORSJohn L. Marion, Chairman
EXECUTIVE COMMITTEEEdward Lee Cave C. Hugh Hildesley Arnold M. Kagan
David J. Nash Thomas E. Norton Robert C. Woolley
DIRECTORSArmin B. Allen John D. Block Alan M. Forster
William T. French Richard M. Keresey James J. Lally
Judith Landrigan D. Martin Lorber Peter McCoy
Mary-Anne Martin Frederick A. Melhado Thierry Millerand
Marc E.Rosen Dennis J. Scioli John L. Tancock
Kevin L. Tierney Jesse D. Wolff
ASSISTANT DIRECTORSAlfred Bristol Eunice S. Carroll Thomas P. Clarke Nancy A. Forster
Joseph J. Kuntz Alexis C. Manice Richard D. Murrell
ADMINISTRATIVE DEPARTMENTS
Advertising
Appraisals
Art Transport Service
Bids and Sales Records
Catalogue Production & Editorial
Catalogue Subscription
Consignment Advisory Services
Customer Advisory Service
Decorative Arts Representative
Estate Division
Exhibitions Decorator
Facilities & Security'
International Offices Liaison
Inventory Control, Decorative Arts
Inventor>' Control, Paintings
Museum Services
Personnel
Quintina Colio
Samuel T. Blaisdell
Suzanne Nixon
Eunice S. Carroll
Harriet F. Walley
Helen F. Wellner
Annette Benda
Jane WyethElsbeth Van Tets
Alexis C. Manice
Alfred Bristol
Edward F. McGovernWathena Slaughter
Suzanne Zaret
Irene Taurins
Susan L. Brody
Cheryl Lincoln
472-3417
472-3452
472-3468472-3435472-3415472-3414
472-3419472-3486
472-3570472-3453
472-3489472-3491
472-3460472-3501
472-3535472-3478
472-3479
APPRAISALSThe charge for appraising works of art, collections, the contents of houses, estates and
all types of personal property, including jewelry, is IViVc up to a value of 550,000 and
19?^ on any amount in excess. Appraisals may be done for insurance, estate, family divi-
sion or other purposes (excluding gift tax).
A flat rate can be arranged in certain circumstances. The minimum fee is S500, and
traveling expenses are additional.
A partial rebate of our fee will be made on any property subsequently consigned to
us for sale within a year of our appraisal. Further information may be obtained from
Miss Marjorie CrodeUe, (212) 472-3452.
CATALOGUES AND PRICE LISTS
Catalogues, prepared by the expert departments involved, are published for all auction
sales. These may be purchased singly or by annual subscription.
Printed Usts recording the prices of all lots sold are also available. Single copies are
S2.00 each.
The Sotheby Parke Bernet Newsletter, which lists sales held in New York, London, Los
Angeles and elsewhere, is available for $3.00 per year (S5.00 overseas).
Catalogue subscription rates include the price lists and the Neusletler.
Catalogues, price lists, and detailed information on subscriptions are available at the
galleries or by writing to the Subscription Department. (Please specify sale number
when ordering. ) For further information: Mrs. Helen F. Wellner, (212)472-3414.
ADVICE TO PROSPECTIVE BUYERS AND SELLERS
INSPECTION OF PROPERTY, VISITS
Prospective sellers who wish advice and auction price estimations on their property
should contact the appropriate department(s) or the consignment advisor. Miss Annette
Bencla, (212) 472-3419.
Photographs may be submitted or arrangements made to bring property to the
galleries. The Decorative Arts Counter (4th floor, 980 Madison Avenue, open Mon-day-Friday, 10 am to 5 pm) provides a free inspection and auction price estimation
service and coordinates with the various expert departments. It is always advisable to
telephone before coming in.
Visits to advise clients and evaluate propert>' can be arranged. The usual fees for
such initial visits are:
Manhattan S25.00
Other boroughs of New York Ciry S50.00
New York Metropolitan Area S 100.00
Elsewhere in North America S2 50.00
Traveling expenses are extra and the fee is refundable in the event of consignment
for sale by Sotheby Parke Bernet within one year from the date of the visit.
STANDARD COMMISSION RATESFOR SELLERS
Standard commissions for selling fine art property at auction are:
25% of the first Sl,000of the sale price of each lot;
20% of the next $4,001 of the sale price of each lot;
(from S 1,000 and including 55,000)
15% of the next 510,000 of the sale price of each lot;
(from 55,001 and including 5 1 5,000)
12Vi% of such portion of the sale price of each lot
as is in excess of 515,000
There is a minimum commission of 535 charged for each lot sold.
There are no commissions (buyer premiums) added to the hammer price.
BIDDINGSuccessful bidders attending the auction are required to sign a bid confirmation card
upon the fall of the hammer and will not be permitted to take delivery of purchases until
their checks have cleared unless they have previously established credit or made pay-
ment arrangements.
As a convenience to clients who cannot attend a sale in person, Sotheby Parke
Bernet will, if so instructed, execute written order bids' on their behalf, without addi-
tional cost. Order bidders should use the Bid Form' provided in the catalogue and note
the 'Advice to Order Bidders' printed on each form. Telephone bids must be confirmed
in writing or by cable. Sotheby Parke Bernet will not be responsible for errors or failure
to execute bids.
Lots are bought for order bidders at the lowest possible price (which may be below
the order bid price) subject to other bids and reserves. For further information: Miss
Eunice S. CarroU, (212) 472-3435.
REMOVAL OF PROPERTYUnless different arrangements have been agreed upon, all purchases must be removed
by the buyer by 5 pm on the third day following the sale. Purchases not so removed may
be turned over to a Ucensed warehouse, for removal and storage at the expense and risk
of the purchaser.
Clients are advised that packing and/or handling of purchased lots by our employees
is undertaken solely as a courtesy for the convenience of clients; and in the case of
fragile articles, it will be undertaken at the sole discretion of the Gallery.
Although we recommend the use of professional packers, books and small articles
which are not fragile can be packed on our premises, and, at our sole discretion, can be
sent by mail or other carrier for a nominal charge. Prints and drawings in glazed frames
cannot be handled iq this manner. Charges for packing, insurance, and freight are pay-
able by the purchaser. For further information: Miss Suzanne Nixon, (212) 4"'2-3468.
Copyright - Sotheby Parke Bernet Inc. 1977
Not Responsible for Typographical Errors or Omissions BD^/7
CONDITIONS OF SALEThis printed catalogue, as amended by any posted notices or oral announcements during
the sale, constitutes Sotheby Parke Bernet Inc's (the "Galleries") and the "Consignor's"
entire statement relative to the property listed herein. The following Conditions of Sale,
any glossary contained herein and the accompanying Terms of Guarantee set forth
herein are the complete terms and conditions on which all property listed herein shall be
offered for sale, sold or purchased. The property will be offered and sold by the
Galleries as agent for the Consignor.
1. The authenticity of the Authorship of property listed in the catalogue is
guaranteed as specifically stated in the Terms of Guarantee. Except as so specifically pro-
vided in the Terms of Guarantee" with respect to authenticity of Authorship, all
properr>' is sold "as is" and neither the Galleries nor the Consignor makes any war-
ranties or representations of any kind or nature with respect to, nor shall they be held
responsible or liable for, the correctness of the catalogue or other description of the
physical condition, size, quality, rarity, importance, provenance, exhibitions, literature
and historical relevance of the property and no statement in the catalogue or made at the
sale or in the bill of sale or invoice or elsewhere shall be deemed such a warranty or
representation or an assumption of hability with resi>ect thereto. Prospective bidders
should inspect the property before bidding to determine its condition and whether or
not it has been repaired or restored. The Galleries and the Consignor make no
representation or warranty' expressed or implied as to whether the purchaser acquires
any reproduction rights in the property.
2. The Galleries reserves the right to withdraw any property at any time before
actual sale.
3. Unless otherwise announced by the auctioneer at the time of sale all bids are per
lot as numbered in the printed catalogue.
4. The Galleries reserves the right to reject a bid from any bidder. The highest bid-
der acknowledged by the auctioneer shall be the purchaser. In the event of any dispute
between bidders, the auctioneer shall have sole and final discretion either to determine
the successful bidder or to re-offer and resell the article in dispute. If any dispute arises
after the sale, the Galleries' sale record shall be conclusive in all respects.
5. If the auctioneer determines that any opening bid is not commensurate with the
value of the article offered, he may reject the same and withdraw the article from sale,
and if, having acknowledged an opening bid, he decides that any advance thereafter is
not sufficient amount he may reject the advance.
6. On the fall of the auctioneer's hammer, the highest bidder shall be deemed to
have purchased the offered lot in accordance with all of the conditions set forth herein
and thereupon (a) assumes full risk and responsibilirv' therefor, (b) will sign a confirma-
tion of purchase thereof, and (c) will thereupon {jay the full purchase price therefor or
such part as the Galleries may require. All properr>- shall be removed from the Galleries
by the purchaser at his expense not later than three (3) days following its sale and, if not
so removed, may be sent by the Galleries to a public warehouse for the account, risk and
expense of the purchaser. If the foregoing conditions or any other applicable conditions
herein are not complied with, in addition to other remedies available to the Galleries
and the Consignor by law, including without limitation the right to hold the purchaser
liable for the bid price, the Galleries, at its option may either (a) cancel the sale, retain-
ing as liquidated damages all payments made by the purchaser or (b) resell the property
on three (3) days notice to the purchase and for the account and risk of the purchaser,
either publicly or privately, and in such event the purchaser shall be liable for the pay-
ment of deficiency plus all of the costs, including warehousing, the expense of both
sales, and the Galleries' commission on both sales at its regular rates and all other
charges due hereunder and incidental damages.
7. AH lots marked with immediately preceding the lot number are being offered
subject to a reserve, which is the confidential minimum price below which such lot will
not be sold. The Galleries may implement such reserves by bidding through its
representatives on behalf of the Consignor. In certain instances, the Consignor may pay
the Galleries less than the standard commission rate where a lot is "bought-in " to
protect its reserve. Where the Consignor is indebted to or has a monetary guarantee
from the Galleries, and in certain other instances, the Galleries or affiliated companies
may have an interest in the offered lots and the proceeds therefrom other than their
commissions, and may bid therefor to protect such interests by a representative or
agent.
8. Unless exempted by law from the payment thereof, the purchaser will be re-
quired to pay the combined New York State and local sales tax. The rate of such
combined tax is 8 per cent if within New York Ciry and ranges from 4 per cent to 8 per
cent if outside New York City but within New York State.
Deliveries outside of New York State may be subject to the compensating use tax of
another state and, where a duty of Collection is imposed upon them by law, the
Galleries will require payment of such taxes.
TERMS OF GUARANTEEThe Galleries guarantees the authenticity of Authorship of each lot contained in this
catalogue on the terms and conditions set forth below.
1. Definition of Authorship
"Authorship" means the idenury of the creator, the period, culture, source of origin of
the property, as the case may be, as set forth in the BOLD TYPE HEADING of such
catalogue entry.
2. Guarantee Coverage
Subject to the exclusions of (i) attributions of paintings, drawings or sculpture executed
prior to 18"'0, and (ii) periods or dates of execution of the properr>', as explained in
Paragraph 5 below, if within five (5) years from the date of the sale of any lot, the
original purchaser of record tenders to the Galleries a purchased lot in the same condi-
tion as when sold through the Galleries and it is established that the identification of
Authorship (as defined above) of such lot as set forth in the BOLD TYPE HEADINGof the catalogue description of such lot (as amended by any posted notices or oral an-
nouncements during the sale) is not substantially correct based on a fair reading of the
catalogue including the terms of any Glossary contained herein, the sale of such lot will
be rescinded and the original purchase price refunded.
3. Non-Assignability
It is specifically understood that the benefits of this Guarantee are not assignable and
shall be applicable only to the original purchaser of the lot from the Galleries and not to
the subsequent owners or others who have or may acquire an interest therein.
4. Sole RemedyIt is further specifically understood that the remedy set forth herein, namely the re-
scission of the sale and refund of the original purchase price paid for the lot, is exclusive
and in lieu of any other remedy which might otherwise be available as a matter of law.
5. Exclusions
The Guarantee covers only the correctness of description of Authorship (as defined in I
above) as identified in the BOLD TYPE HEADING of the catalogue item but does not
extend to (i) the identity of the creator of painting, drawings and sculpture executed
before 18"0 unless these works are determined to be counterfeits, as this is a matter of
current scholarly opinion which can change, (ii) the identification of the periods or dates
of execution of the property which may be proven inaccurate by means of scientific
processes not generally accepted for use until after publication of the catalogue, or (iii)
titles or other identification of offered lots or descriptions of physical condition and size,
quality, rarity, importance, provenance, exhibitions and hterature of historical
relevance, which information normally appears in lower case type below the BOLDTYPE HEADING identifying the Authorship. Although our best judgment is used in
attributing paintings, drawings and sculpture created prior to 18"0 through the appro-
priate use of glossary terms, and due care is taken to insure the correctness of the sup-
plemental material which appears below the BOLD TT^PE HEADING of each entry in
the catalogue, the Guarantee does not extend to any possible errors or omissions
therein. CS7/77
IMPORTANT INFORMATION FOR PROSPECTIVE BIDDERS
Please note Article 7 of the Conditions of Sale dealing with the subjects of "reserves" and the Galleries' 'interest in
offered lots other than normal selling commissions. " The following definitions of terms and explanations of policies
on these subjects and the implementation thereof are provided for your information and guidance.
•RESERVE"
Definition: A "Reserve" is the confidential minimum price agreed between the seller and the Galleries, below which
the lot will not be sold. On unsold lots, less than full commission will be paid to the Galleries.
Policy: All lots marked with immediately preceding the lot number are being offered subject to a reserve. Our stan-
dard advice to sellers is that reserves be set at a percentage of the median of the estimates, generally somewhat below
the low estimate shown in the estimate sheet provided with this catalogue. In no case do we permit a reserve to exceed
the high estimate shown in the estimate sheet. Unsold lots, i.e., those which do not meet their reserve, are omitted
from the price lists issued following sales.
Implementation: The Galleries as agent for the seller protects reserves, that is, places bids during the auction if and whenthe highest outstanding bid at any time during the sale is below the reserve on the lot being offered.
"OWNED PROPERTY "
Definition: "Owned property" is property which, at the time it is offered for sale at auction, is owned solely or partially
by the Galleries or an affiliate of the Galleries (and in the sale of which the Galleries is acting as a principal and not an
agent).
Policy: The purchase of property by the Galleries for sale at auction is an insignificant part in the Galleries' overall
business. Direct purchases are only made at the request of a client and, in these cases, only after standard commissionsales or guaranteed minimum price sales have been rejected by the client. Reserve prices of property owned by the
Galleries are set on the same or a lower basis than property sold for other consignors, that is, reserves usually will be
set below the low pre-sale estimates provided with this catalogue and in no case will they be higher than the low esti-
mates. Any owned property which is unsold at the auction will be omitted from the price lists following the sale. All
property owned by the Galleries will be identified in the catalogue as "Property of Sotheby Parke Bernet Inc. " or a
similar recognizable designation. In some cases, the prior source of property will be identified, e.g., "Property from
the Estate ofJohn Doe sold by order of the present owner Sotheby Parke Bernet Inc."
Implementation: Representatives of the Galleries will make no bids on behalf of the Galleries for property owned by the
Galleries except to protect a reserve placed by the Galleries as owner. Bidding by the Galleries to protect reserves onproperty owned by the Galleries is effected in the same way as bidding to protect reserves on property consigned by an
outside seller.
12/76
LIST OF ARTISTS
ALECHINSKY, PIERRE (Belgian: B. 1927) 174
BERMAN, EUGENE (Russian-French.- 1899-1974) . . . 146, 147
BOUDIN, EUGENE LOUIS (French: 1824-1898) . 102, 103, 104
CASSAH, MARY (American: 1844-1926) 112
CEZANNE, PAUL (French: 1 839-1 906) 1 05
CHAGALL, MARC (Russian-French: B. 1887) 135A, 142
DELVAUX, PAUL (Belgian: B. 1897) 1 56, 1 57
DIX, OnO (German: 1891-1969) 122
DUBUFFET, JEAN (French: B. 1901) 175, 176
DUCHAMP, MARCEL (French: 1887-1968) 116
DUFY, RAOUL (French: 1 887-1 953) 1 37A, 1 39, 1 40
ERNST, MAX (German: 1891-1976) 159
FEININGER, LYONEL (American: 1 871 -1 956)
123, 124, 125, 126, 127, 128, 1 28A
GAUGUIN, PAUL (French: 1848-1903) 1 05A
GLEIZES, ALBERT (French: 1881-1953) 120
GONTCHAROVA, NATALIA (Russian: 1881-1962) 1 22A, 122B
GORKY, ARSHILE (Armenian-American: 1904-1948) 166
GROSZ, GEORGE (American: 1893-1959) 144, 145
KLEE, PAUL (Swiss: 1879-1940) 1 29, 1 29A, 1 30, 1 31
KUPKA, FRANZ (Czech-French: 1871-1957) . 119, 121, 121A
DE LA FRESNAYE, ROGER (French: 1 885-1 925) 118
LEGER, FERNAND (French: 1881-1955) 115, 164, 165
LOISEAU, GUSTAVE (French: 1865-1935) 109
MAGRIHE, RENE (Belgian: 1898-1967) 160
MAILLOL, ARISTIDE (French: 1 861 -1 944) Ill
MAN RAY (American: 1 890-1 976) 1 58
MARINI, MARINO (Italian: B. 1901) 170
MAHA (ROBERTO ECHAURREN) (Chilean: B. 1917) 179
MATISSE, HENRI (French: 1869-1954) 138
MIRO, JOAN (Spanish: B. 1 893) 1 53, 1 73A
MODIGLIANI, AMEDEO (Italian: 1884-1920) 132, 133
MONET, CLAUDE (French: 1840-1926) 110
MOORE, HENRY (British: B. 1 898) 1 67, 1 68
MORANDI, GIORGIO (Italian: 1890-1964) 171, 172
NICHOLSON, BEN (British: B. 1894) 173
NOLDE, EMIL (German: 1867-1956) 143
PASCIN, JULES (American: 1885-1930) 134, 135
PICASSO, PABLO (Spanish: 1881-1973)
113, 140A, 141, 177, 178, 1 78APISSARRO, CAMILLE (French: 1830-1903) .... 106, 107, 108
REDON, ODILON (French: 1 840-1 91 6) 114
SEGONZAC, ANDRE DUNOYER DE (French: 1884-1974) 137
SIGNAC, PAUL (French: 1863-1935) 136
SOUVERBIE, JEAN (French: B. 1 891 ) 117
STEINBERG, SAUL (American: B. 1914) 180
SUTHERLAND, GRAHAM VIVIAN (British: B. 1903) 169
TANGUY, YVES (French: 1900-1955) 152
TCHELITCHEW, PAVEL (Russian: 1898-1957)
148, 149, 161, 162
TOULOUSE-LAUTREC, HENRI DE (French: 1864-1901) .. 101
WOLS (WOLFGANG SCHULTZE) (German: 1913-1951) . .
154, 155
ZADKINE, OSSIP (Russian-French: 1890-1967) .... 150, 151
AFTERNOON SESSION
Thursday October 20 at 2 P.M.
CATALOGUE NUMBERS 101 to 180
101
Property of Various Owners
HENRI DE TOULOUSE-LAUTRECIE JOCKEY
Stamped with monogram
Pencil on buff paper 6 % X 4 V2 inches
17 X 11.5 cm
Nofe. This work is accompanied by a photo-certificate from
Mme. M. G. Dorfu dated Paris, February 15, 1977 in which
she states that it will be included in a forthcoming supple-
ment to her Toulouse-Lautrec catalogue raisonne.
Provanance
Estate of Waiter Fletcfier, New York
[See illustration]
102
EUGENE LOUIS BOUDINLES VIEUX POIRIERS DE VASONY
Signed and dated 1854
Charcoal and pastel on
pale gray paper, laid down 1 8 Vs X 2 1 3/4 inches
46 X 55.5 cm
Note: This work will be included in the forthcoming catalogue
raisonne of Boudin's watercolors and drawings, now in prep-
aration by Robert Schmit.
Provenance
Atelier Eugene Boudin (Sale: Paris, Hotel Drouot,
March 20-21, 1899, no. 27)
[See illustration]
J
[ 103 ]
Property of Mr. and Mrs. Alan Jay Lerner • New York
EUGENE LOUIS BOUDIN103 SCENE DE LA PLAGE
With stamped initials and dated 1 870
Watercolor and pencil on buff paper,
affixed to a tissue paper mount
55/8 X 103/4 inches
14.2 X 27.4 cm
Note: This work will be included in the forthcoming cat-
alogue raisonne of Boudin's watercolors and drawings, now
in preparation by Robert Schmit.
[See illustration]
[ 104 ]
Property of Various Owners
EUGENE LOUIS BOUDIN04 LES BATEAUX A VOILE A SCHEVENINGEN
Signed, stamped with initials and dated Scheveningen'76
Watercolor, gouache and pencil on tan paper,
laid down on board and affixed
to a mat (sight) 8 Vz x 12 inches
21.5 X 30.5 cm
Nofe- This work wili be included in the forthcoming cot-
o/ogue raisonne of Boudin's wotercolors and drawings, nowin preparation by Robert Schmit.
[See illustration]
)^
PAUL CEZANNE105 ETUDE DE BAIGNEURS
Pencil-on paper, laid down 8 X 5 y4 inches
20.5 X 13.5 cm
^- -m^-
Executed c/rca 1875-78
Provenonce
Paul Guillaume, Paris
Albert Sarraut, Paris
Sale: Paris, Hotel Drouot, December 3, 1964, no. 6
Exh;b/fecy
Paris, Galerie Bernheim-Jeune, Cent Q'mqxjan^e Ans
de Dessins, 1952-53
Literaiure
cf. L. Venturi, Cezanne Son Art — Son Oeuvre,
1936, nos. 260, 389, 390, 393
Adrien Chappuis, The Drawings of Paul Cezanne,
1973, no. 425 (illus.)
[See illustration]
[ 105 ]
Property of Mr. and Mrs. David P. HeilnerBlue Hill, Maine
I05A PAUL GAUGUINTETE D'UNE FEMME TAHITIENNE
Watercolor 121/4 x 7 % inches
31 X 18.7 cm
Executed c/rco 1895-1903
Provenance
Collection M. Lucien Gurraud
M. Knoedler & Co., Inc., New York, 1 957
Liierafure
Charles Morice, Paul Gauguin, 1919, p. 59, illus.
John Rewald, Gauguin Drawings, 1958, no. 94,
[See illustration]
[ 105A ]
Property from the Collection of
Mrs. Maurice Newton * New York
CAMILLE PISSARRO106 MARCHE A POINTOISE
Signed and dated '82
Gouache and pastel on linen,
laid down on paper 1 4 ys x lOVs inches
36.5 X 27 cm
Provenance
Acquired from the artist
Durand-Ruel, New York
[See color plate]
•^
^"^j''
I
Hi
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107
Property of Arfhur Murray • Honolulu
CAMILLE PISSARRO107 PAYSANNE AHACHANT SA MARMOTTE
Signed with initials
Pastel on pale pink paper 121/8 X 9 1/4 inches
31 X 23.5 cm
Provenance
Estate of Mrs. Eva Lutyens, London (Sale: Sotheby's,
June 22, 1966, no. 2, illus. in catalogue)
£xh/b/ted
London, The Matthiesen Gallery, Camille Pissarro,
1950, No. 54
[See illustration]
I 108 ]
Property from the Estate of the
lafe Mrs. William F. Peter • Lake forest. III.
CAMILLE PISSARRO08 LA VEILLEE
Signed and dated 1890
Gouache on paper,
mounted on board 1 Vs X 8 Vi inches
27 X 21.5 cm
Provenance
Collection Durand-Ruel, Paris
LUerafure
Georges Lecomte, L'Art Impressionnisfe d'apres la
collection privee de M. Durand-Ruel, 1 892, pp. 85-
86 (description of this work); cf. illus. facing p. 80
(etching by A.-M. Lauzet after this work)
Exhibifed
The Art Institute of Chicago, Treasures of Chicago
Collectors, 1961
[See color plate]
[ 109]
Property of Another Owner
GUSTAVE LOISEAU109 LES FALAISES A POURVILLE
With atelier stamp
Watercolor and pencil
[See illustration!
93/4 X 13 inches
25 X 33 cm
Property from the
Bernhard Foundation, Inc. • New York
CLAUDE MONET110 LA FALAISE A SAINTE ADRESSE
Signed
Pastel, laid down on paper 8 7/8x11 3/8 inches
22.5 X 29 cm
Nofe- This work will be included in Daniel Wildenstein's
forthcoming Monet catalogue raisonne.
Executed circa 1 882
Provenance
Jeanne Castel, Paris
Jean Metthey, Paris
Bianchini Gallery, New York, 1 966
[See color plate]
[ no ]
i
I
[in- recfo ]
Property of Various Owners
ARISTIDE MAILLOL111 NU DEBOUT and NU ACCROUPI:
\ V A DOUBLE-SIDED DRAWING
./ Signed with monogram, recto
Pencil on buff paper 12% x 9 74 inches
32.5 X 23.4 cm
[See illustrations of both sides]
[111- verso]
i< i=^»t ^'^/'/rz,.^^^.
-V^-SJ* - ")..
12
MARY CASSATT112 A WOMAN WRITING
Signed
Pencil 71/2 X 10 inches
19 X 25.3 cm
Note. According to Adelyn Breeskin this drawing is dated
circa 1896. It will be included in the supplement to her
Mary Cassati catalogue raisonne, now in preparation.
[ See illustration]
' JNi^
XLy. ^
V\
[ 113 ]
PABLO PICASSO113 ETUDE DE QUATRE NUS
Signed
Pencil on bufF paper,
affixed to a mount 5 Vs X 7 % inches
13 X 20 cm
Note. This drawing is closely related fo two major oits of
autumn, 1906. The two figures at the left appear in Deux
Femmes Nues, in the collection of the Museum of Modern
Art, New York, and three of the figures can be found in
Tro/s Nus, at the Barnes Foundation, Merion, Pa. The latter
painting, according to Pierre Daix (v.i.) is close to the first
studies for the landmark Demo/se//es d'Avignon.
Executed in 1906
Provenance
Collection Berggruen, Paris
Literafure
Christian Zervos, Pablo Picasso, vol. 22, 1970, no.
461, illus. p. 162; cf. vol. 1, 1957, nos. 349 and
366 for related oils
Pierre Daix and Georges Boudaille, Picasso 1900-
1906 Caialogue raisonne de I'oeuvre peint, 1966,
no. XVI. 20, p. 325, illus. (as Efuc^es de Nus); cf.
nos. XVI. 15 and XVI.32 for related oils
[See illustration]
ODILON REDON14 L'APPARITION
Signed
Charcoal on buff paper,
mounted on board
20 y4 X 1 2 3/8 inches
51 .5 X 31 .5 cm
Nofe. To be included in Daniel
Wildensfein's forthcoming Redon
catalogue raisonne.
Provenance
Swetzoff Gallery, Boston, 1952
[See illustration]
[ 114 ]
FERNAND LEGER15 CONTRASTE DE FORMES ( LE REVEILLE-MATIN)
Signed with initials and dated '13
Gouache 21 Ya x 18 inches
55 X 45.7 cm
Note. A photo-certificate from Daniel-Henry Kahnweiler
dated Paris May 7, 1976 accompanies this work.
Provenance
Galerie Louise Leiris, Paris
Sidney Janis Gallery, New York
Galerie Claude Bernard, Paris
[See color plate]
^
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/
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^LWr/^mm'p^A^j^ "Tl i
[ 115 ]
[ 116]
Property of the New York City Health and Hospitals
Corporation, Bellevue Hospital Center • New York
MARCEL DUCHAMPI 116 'LE CELIBAT BROIE SON CHOCOLAT LUI-MEME'
Signed, titled and dated 1913
Pen and sepia ink on buff paper 5 V4 x BVa inches
1 3.5 X 21 cm
Provenance
Pierre Matisse, New York, 1 950
Exhibited
Philadelphia Museum of Art; New York, The Mu-
seum of Modern Art; The Art Institute of Chicago,
Amorce/ Duchamp Exhibhion, 1973-74, checklist
only
[See illustration]
":&
>
Property of Various Owners
JEAN SOUVERBIE117 A TABLE
Signed and dated '26
Pencil
[See illustration]
ROGER DE LA FRESNAYE118 TETE CUBISTE
With atelier stomp
Pencil
Provenance
Estate of the artist
Paule Caillac, Paris
[See illustration]
8 'A X 1 3 inches
21 X 33 cm
7V2 X 4 % inches
19 X 12 cm
[ 117]
[ 118 ]
FRANZ KUPKA119 COMPOSITION
With stamped signature, verso
Gouache on buflF paper 9x7 inches
23 X 18 cm
Noie A photo-certificate from Andree Martinel-Kupko doted
Paris, December 17, 1976 accompanies this work. She states
that this work was executed in connection with a series used
to illustrate the text of on article by Louis Arnould-Gremilly,
"De I'Orphisme a propos des tentatives de Kupka", in la Vie
des Letfres (Par^. October, 1921).
Provenance
Galerie Karl Flinker, Paris
[See illustration]
ALBERT GLEIZES
20 COMPOSITION CUBISTE
Signed and dated '23
Gouache 141/2 X 1 1 inches
37 X 28 cm
[See illustration]
[ 119 ]
I 120 1
FRANZ KUPKA121 ETUDES POUR LOCALISATIONS DE MOBILES GRAPHIQUES
Signed
Pastel on laid paper, affixed to a mount 13 x 12% inches
33 X 31 .5 cm
Note- The fheme Localisations de mobiles graphiques (Organization of Graphic Motifs),
which cluminates in two oils dated 1912-13, has been described by Morgit Rowell as
follows:
The phrase localisations de mobiles graphiques' is developed in two stages in Kupka's
writings. The terms 'mobile' and mobile graphique' occur for the first time in his J970-
J J manuscript. They are defined as the outer expression of the artist's inner motivations
(or motives) and identified as 'motifs-mobiles' (motive-motifs) as opposed to ' motif-sujets'
(subject motifs) or the motif derived from a subject in the perceived world. For Kupka,
there is no necessity to look for subject matter in perceived objects. The artlsfs slightest
gesture, his style or approach to painting express an intelligence, a mentality, a vision
and this is sufficient.
In the same text, Kupka defines the phrase 'localisations des motifs-mobiles graph-
iques,' a concept which he will develop more extensively in the years these pictures
were done. In his 1912-13 manuscript, Kupka devotes three to four hand-written pages
to this concept which we will attempt to summarize here:
In our inner visions, fragments of images float before our eyes. In order to capture
these fragments, we unconsciously trace lines between them and by thus setting up a
network of relationships, we arrive at a coherent whole. These lines drawn to organize
our visions are like 'stereoscopic bridges' between fragments in space. . . . The lines
of this network define points in space and directions. They provide the scaffolding of
the image; they capture the rhythmic relationships between impressions. And this is
the real subject of the painter: the lyrical or tragic schema of nature poeticized or
dramatized. Details, forms, figures, objects may subsequently be added to articulate the
image further.
Executed in 1912
Provenance
Galerie Karl Flinker, Paris
Saidenberg Gallery, New York
Exhibifed
New York, Royal Marks Gallery, Kupka Exhibition: Oils, Wafercolors andWoodcuts, 1 976
[See color plate]
[ 121 ]
.^J**-^'
FRANZ KUPKA21 A ETUDES POUR LOCALISATIONS DE MOBILES
GRAPHIQUES: A DOUBLE-SIDED DRAWING
Signed, redo
Charcoal and pastel
Note. See note to the preceding lot.
Provenance
13 5/8x12 3/4 inches
34.6 X 32.5 cm
Exhibifed
New York, Royal Marks Gallery, Kupka Exhibifion:
Oils, Watercolors and Woodcuts, 1 976
Literature
cf. Margit Rowell, Catalogue for the exhibition
Franiisek Kupka: A Retrospective, New York, The
Solomon R. Guggenheim Museum, 1975, pp. 198-
1 99, illus. figs. 1 05 and 1 06 (related oils)
Samuel G. Haddad, New York [See illustration of recto]
I 122 ]
OTTO DIX
122 RUE VERSAILLES
Signed and titled; also inscribed Rue Versailles, Billi
Moniigues and numbered 1335/21 verso
Gouache on paper 111/2x11 1/4 inches
29.2 X 28.5 cm
No>e A pencil sketch of the some subject appears verso.
According to Dr. H. H. Klihm, executor of the Otto Dix estate,
this work was executed in 1912-19)4.
Provenance
Richard L. Feigen & Company, Chicago, 1964
Mr. and Mrs. Robert B. Mayer, Chicago
[See color plate]
NATALIA GONTCHAROVA122A FLEURS RUSSES
Signed
Watercolor 1 72 X 6 Vi inches
26.7 X 16.6 cm
[See illustration]
[ 122A ]
NATALIA GONTCHAROVA122B PAYSAGE RUSSE
Signed
Watercolor
Executed circa 1916
[See illustration^
1 y2 X 6 % inches
26.7 X 17.2 cm
*drv;ije^ : i..A'-«,-r .-. ^
PtJt M + 'i '
[ 123 ]
123
Property of Mrs. Annamarie Balchan andMrs. Grefchen Scanlan • New York
LIONEL FEININGERANKUNFT EINES SEGLERS
Signed, titled, dated 7 9 34 and inscribed Dear old
Frilz!
Pen and India ink with
watercolor on buff paper 7 Vs X 11 % inches
19.5 X 29.5 cm
Note: This and the following five lots are part of a group
of drawings and Feininger memorabilia inherited from
Frederick (Fritz) Strothmann, a life-long friend of the artist.
Provenance
Acquired from the artist
Frederick Strothmann (father of the present owners)
[ See illustration]
r -^-.-
4--^Kc^A»i:i-
i . ^.«, V.Miw
\
-tJr'oX^
to[ 124 ]
[PROPERTY OF MRS. ANNAMARIE BALCHAN AND MRS. GRETCHEN SCANLAN,
continued]
LIONEL FEININGER124 CLIPPER SHIP WITH YELLOW SAILS
Signed; also dedicated To dear old Friiz, '23. Sepi.
1 942' , from Leo on the verso
Pen and India ink with watercolor
on buflF laid paper 9'/? x 12 74 inches
24 X 31 cm
Nofe. See note to the preceding lot.
Provenonce
Acquired from the artist
Frederick Strothmonn (father of the present owners)
[See illustration]
[ 125 1
[PROPERTY OF MRS. ANNAMARIE BALCHAN AND MRS. GRETCHEN SCANLAN,
continued]
LIONEL FEININGER
125 SEASCAPE WITH BLUE MOUNTAINS
Signed and dated 17. ix. 46.; also dedicated To dear
old FrUz, with affectionaie good wishes. 23. sepf.
1946 on the verso
Wotercolor with pen and India ink
on buff paper 7% x 10% inches
19.5 X 27.5 cm
Note- See note to lot 123.
Provenance
Acquired from the artist
Frederick Strothmann (father of the present owners)
[See illustration]
n
.-c-_. . • . L'
<jl'U'--
X'.y
y
•11,1 :.
1 / I''iii'il '^^^
Xy
/f / '/
__^*^;^g:^_:!i^JSir?L: V^^'^^
M26 1
[PROPERTY OF MRS. ANNAMARIE BALCHAN AND MRS. GRETCHEN SCANLAN.confinued]
LIONEL FEININGER126 FIGURE BY THE SEA
Signed and Inscribed alien Frifz!
Pen and India ink
on buflF paper 9 Vs X 1 1 Vs inches
23.3 X 29.5 cm
Note: See note fo lot 1 23.
Provenance
Acquired from the artist
Frederick Strothmann (father of the present owners)
[See illustration]
I 127 ]
[PROPERTY OF MRS. ANNAAAARIE BALCHAN AND MRS. GRETCHEN SCANLAN,
eonfinued]
LIONEL FEININGER
127 FOUR GHOSTIES
Pen and India ink
with watercolor 3 Vs X 6 % inches
8 X 17.5 cm
Nofe. On the verso is a personal note from the artist to
Mr. Strothmann and his wife.
Provenance
Acquired from the artist
Frederick Strothmann (father of the present owners)
[See illustration]
[PROPERTY OF MRS. ANNAAAARIE BALCHAN AND MRS. GRETCHEN SCANLAN,continued]
LIONEL FEININGER128 THREE GHOSTIES
Signed
Pen and India ink with watercolor
on laid paper 4 % X 6V4 inches
1 1 .5 X 1 6 cm
128
Note. See note to lot 123.
Provenance
Acquired from the artist
Frederick Strothmann (father of the present owners)
[See illustration]
i f
129
[PROPERTY OF MRS. ANNAMARIE BALCHEN AND MRS. GRETCHEN SCANLAN,con/inued]
LYONEL FEININGER128A LEHERS AND MEMORABILIA
A group of letters from Lyonel Feininger to Frederick
Strothmonn dating from August 24, 1939 to Decem-ber 18, 1955, containing four India ink and water-
color sketches of "Ghosties," and four woodcuts,
three with hand coloring
Nofe. See note to lot 123.
Provenonce
Acquired from the artist
Frederick Strothmonn (father of the present
owners)
Property of Various Owners
PAUL KLEE
129 DUELL
Signed; also titled, dated 1938 and numbered E 19on the mount
Brush and black gouache on paper,
affixed to a mount 7x11 inches
18 X 28 cm
[See illustration]
PAUL KLEE
129A FLORA NOCTIS
Signed; also titled, dated 1939 and numbered Aii
on the mount
Gouache on paper,
affixed to a mount 1 1 Ys x 8 Va inches
29.5x21 cmProvenance
Sidney Janis Gallery, New York, 1 956
Exhiiifed
New York, Sidney Janis Gallery, A Selection of
20th Century Paintings 1905-1955, 1956, no. 13
(no catalogue)
New York Sidney Janis Gallery, 10th Anniversary
Exhibition, 1958, no. 33, illus.
Hartford, Wadsworth Atheneum, 20th Century Eu-
ropean Paintings, 1965, no. 5 (checklist only)
[See color plate]
[ 129A ]
Property from the Estate of the
Late Barbara Wescott • Rosemonf/ N.J.
PAUL KLEE
130 FRUCHT DER KUSTE
Signed; also titled, dated 1933, numbered H 14 and
marked I! on the mount
Oil on paper 9 '74 x 1 1 % inches
23.5 X 30 cm
Provenonce
Mayor Gallery, Ltd., London
Edward Le Bas, London, 1966
Exhibiied
London, Leicester Museum and Art Gallery, Exhibi-
Hon of Confemporary Art, 1 936
London, Leicester Galleries, Paul Klee, 1941
Trenton, New Jersey State Museum, From New Jer-
sey Collections, 20th Century Painting & Sculpture,
1972
Summit (N.J.) Art Center, Wescott Co//ecf/on, 1974,
no. 34
[See color plate]
Wtfi
[ 130 ]
h
[ 131 1
II'
Property of Another Owner Property of Robert Anglund • Weston, Conn.
PAUL KLEE
131 SCHLAFENDE KATZE
Signed and dated 1905; also dated 1905 and num-
bered 26 on the mount and on the reverse of the
mount
Watercolor and pencil on paper,
laid down on board 3 y4 X 5 Vi inches
8.2 X 14 cm
Provenance
Galerie Georges Moos, Geneva
[See illustration]
AMEDEO MODIGLIANI132 FEMME AUX MAINS JOINTES
Signed
Pencil 17 X 1 Ye inches
43 X 26.5 cm
Note: A brief half-length figure study of a seated man,
done in pen and sepia ink, appears on the verso.
This work is accompanied by a photo-certificate from
Arthur Pfannstiel dated Hamburg, December 16, 1962, in
which he proposes that the model may have been Beatrice
Hastings.
Executed 1915-16
Provenance
Galerie de I'Abbaye, Paris
Mr. and Mrs. J. D. Stuchell, New York
[See illustration]
A
/
1
[ 132 ]
[ 133 ]
133
Property of Various Owners
AMEDEO MODIGLIANIPORTRAIT D'HOMME DEBOUT andHOMME NU ASSIS: A DOUBLE-SIDED DRAWING
Signed and inscribed, recto
Pencil on buff paper (sight) 1 6 1/2 X 9 3/4 inches
42 X 25 cm
Note: A letter from Jacques Lipchitz in which he discusses-
this drawing will be provided to the purchaser.
Executed 1916-17
Provenance
Paul Gardner, Kansas City, 1 955
[See illustration of both sides]
[ 1 33-verso ]
Ji I[ 134 ]
JULES PASCIN134 QUATRE FEMMES
With atelier stamp; also bears Succession Pascin
stamp, verso
Pen and India ink, watercolor and pastel
on buff paper (sight) 8V2 x 7 V2 inches
21.5 X 19 cm
Note. On the verso is a small sketch of a mother and child,
done in pen and India ink.
Executed circa 1920
[See illustration]
JULES PASCIN35 MODELE ASSIS
With atelier stamp; also bears Succession Pascin
stamp, verso
Watercolor, pastel and pencil
on thin buff paper
Executed ciVco 1925
[See illustration]
11x8 inches
28 x 20.3 cm
/
/
/
\
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, "i I
^.^
\
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/
[ 135 ]
Property of Leon Harris * Dallas
MARC CHAGALL135A VASE DE FLEURS
Signed
Gouache 2] Va x 1 7 inches
51 .5 X 43 cm
Note. According to Mme Ida Meyer-Chagall this work was
executed in the south of France in 1938-41.
Provenance
Estate of Emil J. Arnold, New York (Sale: Parke
Bernet, October 1 8, 1 973, no. 26)
[See color plate]
5.ffl
[ 135A ]
^' ••» jr*' J <>\mjJ( i-
[ 136 ]
Property of Various Owners
<.i'VrvR/o
PAUL SIGNAC136 ST. MALO
Signed, titled and dated St. Malo juillei '30
Watercolor and pencil 1 1 74 x 17% inches
28.5 X 44 cm
Provenance
Galerie Lucie Weill, Paris
Exhibited
Paris, Galerie Lucie Weill, Paul Signac - Dessins,
Pastel Aquarelles, 1965, no. 28
[ See illustration]
ANDRE DUNOYER DE SEGONZAC137 FERME DANS LA VALLEE DU MORIN
Signed
Watercolor with pen and India ink
on paper, laid down on panel 21 % x 30 74 inches
55.3 X 77 cm
Executed circa 1935
Provenonce
Galerie Sagot Le Garrec, Paris
[See color plate]
[ 137A ]
RAOUL DUFY137A LA SIRENE
Signed
Gouache on heavy wove paper 23 % x 1 8 % inches
59.5 X 47.7 cm
Provenance
Acquired from the artist, circa 1 930
[See illustration]
[ 138 ]
HENRI MATISSE138 TETE DE FEMME
Signed and dated '51
Charcoal 20 72 X 16 inches
52 X 40.5 cm
Note A photo-certificate from Mme Marquerite Dulhuit
dated Paris, 26-2-68, accompanies this work.
Provenance
Albert Loeb & Krugier Gallery, New York
[See illustration]
•^r '^
«rtt ^̂o> <ni
>
I 139 1
RAOUL DUFY39 MARINE AVEC RUINES ET FONTAINE
Signed
Gouache and watercolor
with pencil
Provenonce
Golerie des Etats-Unis, Cannes
[See illustration]
13x191/2 inches
33 X 49.5 cm
RAOUL DUFY40 LE CHATEAU DE CHENONCEAUX
Signed, titled and dated 1937
Gouache on buflF paper 193/4 X 25 3/4 inches
50 X 65.5 cm
[See illustration]
#A,f^^f^,1>;
«»Rt^|
%ii^7^^^y
rv. {••N •
'i4
;/- -
40 ]
[ 140A ]
PABLO PICASSO140A LE JOUEUR DE FLUTE
Dated Paris 28 Octobre XXXII; also signed at a later
date
Pen and India ink1 2 '72 X 10 inches
31.5 X 25.5 cm
Nofe. A photo-certificate from Claude Picasso accompaniesthis work.
Provenonce
Gallery D'Audrecht, The Hague
E. J. van Wisselingh, Amsterdam, 1 957
[See illustration]
PABLO PICASSO141 NU A LA TERRASSE
Signed and dated Cannes 16 Juillet XXXIII
Watercolor and India ink on paper,
mounted on board 15% x 20 inches
40 X 51 cmProvenance
Paul Rosenberg, Paris
J. K. Thannhauser, New York, 1 934Dr. Herschel Carey Walker, New York
[ 141 ]
Exhibited
Hartford, The Wadsworth Atheneum, 20ih Century European
Paintings from the Carey Walker Foundation with additions
from the Walker Collection, 1 965, no. 1 6
[ See color plate]
Property from the Estate of the
Late Margaret Wells Marcus * Houston
MARC CHAGALL142 LE COUPLE AU BOUQUET DE FLEURS ET AU
PANNIER DE FRUITS
Signed and dated '950
Gouache, watercolor and
India ink 30 x 22 1/4 inches
76.2 X 56.5 cm
[See color plate]
1^
/#»-'
>^^: '.u."!
Property of Various Owners
EMIL NOLDE143 TULPEN
Signed
Watercolor 1 8 74 x 1 3 % inches
46.5 X 35 cm
Note: A photo-cerfificafe dated September 1, 1977 from Dr.
Martin Urban of the Nolde Stiftung in Seebull accompanies
this lot. In an accompanying letter he furnishes a date of
1947-50.
Provenance
Emil Nolde Collection, Seebull
Frank Perls Gallery, Beverly Hills
[See color plate]
J.
[ 143 ]
it
is
\
V
Vr.
4-
GEORGE GROSZ144 STUDIES OF A WOMAN UNDRESSING
Signed
Pastel, watercolor and ink
on buff paper
Executed in 1940
[ 144 ]
241/2 X 18 72 mzUes
62 X 47 cm
Provenance
Marc Sandler, Pittsburgh
Literafure
Herbert Bittner, ed., George Grosz, 1960, illus.
pi. 95
[See illustration]
v<k> ' •
•^^-z^
in[145]
GEORGE GROSZ145 FEAST AND FAMINE
Signed and dated 1936
Watercolor
Provenonce
Erich Cohn, New York
[See illustration]
18 X 23 78 inches
45.7 \ 58.7 cm
^^^?r>.
^
[ 146]
Property of Colonel Harold H. Sims,
U.5.AJ. Rtd. * San Antonio
EUGENE BERMAN" 146 PORTRAIT OF GERTRUDE STEIN WITH
ARMS CROSSED
Signed and dated 20 sept 1 929
Pen and India ink on buff paper 24^/8 x 19 inches
62.5 X 48.2 cm
Provenance
Gertrude Stein, Paris, 1946 (gift to the present
owner)
[See illustration'
'•^^^^^
[ 147]
[PROPERTY OF COLONEL HAROLD H. SIMS, continued]
EUGENE BERMAN147 PORTRAIT OF GERTRUDE STEIN
Signed, dated 1929 and inscribed G.S.
Pen and India ink on buff paper 25% X 19 inches
65.5 x48.2 cm
Provenance
Gertrude Stein, Paris, 1946 (gift to the present
owner)
[See illustration]
v>
•'^
Property from the Estate of the
Late Barbara Wescott • Rosemont, N.J.
PAVEL TCHELITCHEW148 HAND INTO TREE (STUDY FOR HIDE AND SEEK)
Signed and dated '39
Pen and India ink with wash 1 % X 15 inches
27.5 X 38 cm
Provenance
Durlacher Bros., New York, 1967
Exhibited
New York, Gallery of Modern Art, Pavel Tchelif-
chew, 1964, no. 228
Summit (N.J.) Art Center, Wescott Co//ecf/on, 1974,
no. 69
[See illustration]
[PROPERTY FROM THE ESTATE OF THE LATE BARBARA WESCOTT, continued]
PAVEL TCHELITCHEW149 FIGHTING BOYS (STUDY FOR HIDE AND SEEK)
Signed and dated 1939
Pen and dark brown ink
with wash
Provenance
17% X 10% inches
44 X 27.5 cm
[ 149 ]
Monroe Wheeler, New York (gift to the present
owner)
Literature
Parker Tyler, Yesterday's Children, 1944, illus.
[See illustration]
Property of the New York City Health and Hospitals
Corporation, Bellevue Hospital Center • New York
OSSIP ZADKINEI 150 MINOTAUR
Signed and dated '43
Pen and India ink on buflf paper 1 8 x 23 % inches
45.7 X 60.5 cm
Provenance
Mrs. John Stephen, Greenwich, Conn, (gift of the
artist)
[See illustration]
150 ]
[PROPERTY OF THE NEW YORK CITY HEALTH ANDHOSPITALS CORPORATION, confinued]
OSSIP ZADKINE151 EUROPA
Signed and dated '43
Pen and India ink
on buff paper 17% x 24% inches
45.5 X 60.5 cm
Provenance
Mrs. John Stephen, Greenwich,
Conn, (gift of the artist)
Exhibited
San Francisco Museum of Art,
Oss/'p Zadkine, 1944 (lent by the
artist)
[ See illustration 1
Property of Another Owner
YVES TANGUY52 COMPOSITION
Signed and dated '43
Pen and India ink 171/4x11 s/s inches
43.7 X 29.5 cm
Provenance
Brook Street Gallery, London
Auslonder Gallery, New York
Le Monde Galleries, New York
Lester Avnet, New York (Sale: Sotheby Parke Ber-
net, March 1 7, 1 976, lot 1 32, illus.)
Exhibited
New York, Albert Loeb and Krugier Gallery, 6e//-
mer and fhe Surrealisis, 1968, no. 89 in the cat-
alogue
[See illustration]
Property of Peter Joralemon • Tonopah, Nevada
JOAN MIRO153 THREE CHARACTERS FROM A GREEK TRAGEDY
Brush and India ink with pastel on paper,
laid down on board 19 78 x 25 V4 inches
48.5 x64 cm
Nofe; A photo-certificate from Pierre Matisse dated NewYork, March 10, 1976 accompanies this work, in which he
provides a date of February, 1934.
Provenance
Acquired from the artist
Pierre Matisse Gallery, New York, 1 934
Dorothy Rieber Joralemon (mother of the present
I 152 ]owner)
[See color plate]
'-iMl^m^^mry^i
[ 153 ]
it' J . . • 4 5(S.r;
u}o-^
Property of Various Owners
WOLS154 ANIMAUX SOU MARINS
Signed
Watercolor with pen and India ink
on buff paper 6 % X 8 V2 inches
17x 21.5 cm
Provenance
Galerie Drouant-David, Paris, 1958
[See illustration]
[ 154 ] WOLS155 L'OEUF MAUVAIS
Signed
Pen and India ink with watercolor
on blue-green paper
Provenonce
Galerie Drouant-David, Paris, 1958
[See illustration]
6% X 5 inches
17 X 12.7 cm
PAUL DELVAUX56 CROQUIS
Blue ink and wash on paper,
aflRxed to a mount 6% X 5 Vb inches
1 6 X 1 3 cm
Nofe.- A photo-certifrcafe from Claude Spaak dated Paris,
April 8, 1976 accompanies this work, for which he provides
a date of 1936.
Provenance
Acquired from the artist
Claude Spaak, Choisel, 1976
Galerie Octave Negru, Paris
[See illustration]
[ 155 ]
B
PAUL DELVAUX157 DEUX FEMMES
India ink and watercolor
No»e. A letter from the artist to Claude Spook doted No-vember 22, 1949 appears on the verso. Delvoux lived with
the Spook fomily ot Choisel, near Poris, for several months
in early 1949.
Provenance
Acquired from the artist
Claude Spaak, Choisel
[See illustration]
6 1/4 X 9 'A inches
1 6 X 23.5 cm
#
[ 158 ]
Property of Mr. and Mrs. Gifford Phillips
Santa Monica, Calif.
MAN RAY158 INQUIETUDE II
Signed and dated 1920; also signed, titled and dated
1920-65
Mixed media collage on paper 25 Vi x 19% inches
65 X 50 cm
Provenance
Cordier and Ekstrom, Inc., New York
Exhibiied
The New York Cultural Center, Man Ray, 1974-75,
no. 184
[See illustration]
[ 159 ]
Property of Another Owner
MAX ERNST159 OISEAU PARMI LES FEUILLES
Signed
Frottage on paper 7 X 9 '74 inches
18 X 23.5 cm
Nofe. This work will be included in the forthcoming MaxErnst catalogue raisonne, now in preparation by WernerSpies.
Executed circo 1 945
Provenonce
Brook Street Gallery, London
[ See color plate]
Property of Mr. and Mrs.
Bart F. McLaughlin • West Lake Village, Calif.
RENE MAGRITTE160 'LA CLEF DES CHAMPS'
Signed; also titled and dated 1 948, verso
Gouache 1 8 % x 14 inches
46.7 X 35.5 cm
Provenance
Acquired from the artist
Copley Gallery, Beverly Hills, 1 948
[See color plate]
[ 160
[ 161 ]
61
Property from the Estate of the
Late Barbara Wescoft * Rosemont, N.J.
PAVEL TCHELITCHEWTCHAIKOWSKY
Signed, dated 1949 and numbered VIII
Pastel on buff paper 1 2 X 8 % inches
30.5 X 22.5 cm
Provenance
Durlacher Bros., New York, 1 951
Exhibited
New York, Durlacher Bros., Tcfie/itchew, 1951
New York, Gallery of Modern Art, Pavel Tchelii-
chew, 1964, no. 301, p. 67 in catalogue
[See illustration]
[PROPERTY FROM THE ESTATE OF THE LATE BARBARA WESCOTT, continued]
PAVEL TCHELITCHEW162 SPIRAL HEAD
Signed, dated 1950 and numbered III
Casein on blue paper 1 9 Vs x 13 inches
50 X 33 cm
Provenance
Durlacher Bros., New York, 1 95
1
Exhibited
Summit (N.J.) Art Center, Wescott Collection, 1974,
no. 71
'See illustration]
[ 162 ]
Property of Another Owner
FERNAND LEGER164 PROJET PEINTURE MURALE
Signed with initials; also numbered M. N° 2
Brush and India ink with gouache
on buff paper 1 9 % X 25 5/8 inches
50.5 X 65 cm
Nofe. This work bears a certificate of authentication from
NacJio Leger on the verso.
Executed mid-1940's
[See illustration]
Property of Bruce Gregory • Sarasota, fla.
FERNAND LEGER
165 COMPOSITION
Signed with initials and dated '46; also bears signed
dedication dated 1950
Gouache with brush and India ink
on orange paper 12% x9% inches
32.5 X 25 cm
Provenance
Acquired from the artist by the present owner, 1 950
[See illustration]
[ 166 ]
Property of Various Owners
ARSHILE GORKY166 UNTITLED
Ink on orange paper,
laid down on masonite 1 3 % X 18 mches
35.5 X 45.5 cm
Note- A MS cerfifrcafe by Agnes Gorky Phillips dated No-
vember 27, 1961 in which she provides a date of 1941, is
affixed to the reverse of the mount.
[See illustration]
I 167]
HENRY MOORE167 RECLINING FIGURES (STUDIES FOR SCULPTURE)
Signed and dated '39
Pencil, pen and ink, colored
crayons and watercolor on paper,
laid down on board
Provenance
Leicester Galleries, London
Dr. N. J. de Mather, London
Marlborough Fine Art, Ltd., London
1 'A X 1 7 mches
25.7x43.2 cm
Exhibited
London, Leicester Galleries, Henry Moore Exhibi-
tion, 1940, no. 82 in the catalogue
London, Marlborough Fine Art, Drawings and
Watercolors, 1 967, no. 53 in the catalogue
Literature
Kenneth Clark, Henry Moore Drawings, 1974, pi.
XXV, illus. in color
ISee color plate]
HENRY MOORE168 STUDY FOR FAMILY GROUP
Signed and dated '51
Watercolor and mixed media 1 1 72 X 9 1/4 inches
29.2 X 23.5 cm
Note A phofo-certificafe signed by the artist and datedJanuary, 1974 accompanies this work.
Provenance
Acquired from the artist, 1953Anton Schutz, Scarsdale, N.Y., 1972
Exhibifed
Toronto, Art Gallery of Ontario, Henry Moore Cen-tre Opening Exhibifion, 1 974
[See illustration]
[ 169 1
GRAHAM SUTHERLAND169 STUDY FOR HEAD
Signed with initials and dedicated: To Le Roux &
Philippa, a souvenir of May 1 8fh 7 953 in friendship
Wotercolor and charcoal 12% x 10% inches
31 .5 X 27.5 cm
Executed in 1 953
Provenance
Mr. and Mrs. LeRoux Smith LeRoux, London (gift of
the artist)
McRoberts and Tunnard, Ltd., London
Lester Avnet, New York (Sale: Sotheby Parke Ber-
net, March 1 7, 1 976, lot 1 29, illus.)
[See illustration]
MARINO MARIN!170 CAVALLO E CAVALIERE
Signed twice, dated 1955 and inscribed with dedi-
cation
Oil with brush and India ink
on buff paper
Provenance
Acquired from the artist
[See illustration]
34 X 241/2 inches
86.5 X 62.3 cm
[ 170 ]
GIORGIO MORANDi171 NATURA MORTA
Signed
Watercolor and pencil
on buff paper 6 y4 X 7 % inches
16 X 19.7 cm
[ 171 ]
Nofe: A photo-certificafe from the artist dated Bologna,
June 16, 1961 accompanies this work.
Executed in 1 956
Provenance
Acquired from the artist by the present owner, 1 956
[See illustration]
[ 172 ]
172
Property from the Estate of the
Late Barbara Wescott • Rosemont, N.J.
GIORGIO MORANDINATURA MORTA
Signed
Watercolor and pencil
Executed in 1 959
71/4 X 10 5/8 inches
18.5x 27 cm
Provenance
World House Galleries, New York
Monroe Wheeler, New York
Exhibited
Trenton, New Jersey State Museum, American and
European Drawings, Pastels, Prints and Watercolors
from New Jersey Collectors, 1 972
[See illustration]
[PROPERTY FROM THE ESTATE OF THE LATE BARBARA WESCOTT, continued]
BEN NICHOLSON173 LINEAR WITH BLUE
Mixed media on irregularly shaped paper
121/4 x 9 % inches
31 X 25 cm
Provenonce
Andre Emmerich Gallery, Inc., New York
[See illustration]
[ 173 ]
Property of Another Owner
JOAN MIRO173A L'EPOUVANTE DE L'OISEAU PORTE-MALHEUR
Signed; also signed, titled and dated
1 965, verso
India ink, watercolor and pastel 35 V2 x 25V2 inches
90 X 65 cmProvenance
Galerie Maeght, Paris
[See color plate]
^-nL^-4,
"*^,^a
[ 173A ]
[ 174]
Property of fhe Hon. Jack Faxon • Detroit
PIERRE ALECHINSKY174 UNTITLED
Signed and dated '65
Ink and wash 1 6 Vi X 2 1 % inches
41 .5 X 55.5 cm
Note. This is one of a set of four drawings entitled Family
Album.
Exhibited
Washington, D.C., National Gallery, I 9th and 20ih
Century European Drawings, (circulating exhibition
organized by the American Federation of Arts),
1965-66, no. 1, illus.
New York, Solomon R. Guggenheim Museum, Euro-
peon Drawings, 1966, no. 2
[See illustration]
Property of Various Owners
JEAN DUBUFFET175 QUATRE TETES OU BUSTES
Signed with initials and doted '62
Gouache 193/4 X 26 'A inches
50 x67 cm
Literature
hAax Loreou, Catalogue des Travaux de Jean
Dubuffet, Fascicule XX: L'Hourloupe I, 1966, no. 41,
illus. p. 26
[See color plate]
JEAN DUBUFFET176 LA CONGRATULE
Signed with initials and dated '62
Gouache 20% x 27 74 inches
50.8 X 69.2 cm
Provenance
Galerie Claude Bernard, Paris
Liferature
Max Loreau, Cafalogue des Travaux de Jean
Dubuffet, Fascicule XIX: Pans Circus, 1965, no.
434, illus. p. 197
[See color plate and cover]
[ 176 ]
PABLO PICASSO177 DEUX NUS
Signed, dated 14.7.62 and numbered I
Pencil and pastel 9 72 x 12% inches
24 X 32 cm
Provenance
Galerie Louise Leiris, Paris
Galerie Berggruen, Paris
Contemporary Art Establishment, Paris
Literafure
Christian Zervos, Pablo Picasso, vol. 20, 1968, no,
316, illus. p. 129
[See illustration]
iVt^L.^
li
[ 178 ]
PABLO PICASSO178 ECUYERE ET LION (CIRQUE I)
Signed, dated 23.9.68 and numbered I
Pencil
PABLO PICASSO178A FEMME ASSISE EN COSTUME DE CHEVAL
91/2x12 1/4 inches
24 X 31 cm
Signed and dated 2.1 .64
Charcoal on buff paper 291/2 X 241/2 mches
75 X 62 cm
Note: This work will be included in a forthcoming volume
of the Zervos catalogue devoted to the works of 1968,
now in preparation by Editions Cahiers d'Arf.
Provenance
Galerie Louise Leiris, Paris
Saidenberg Gallery, New York, 1975
[See illustration]
Nofe; This drawing is executed on the verso of an early
proof impression of the linoleum cut Toros en Vallauris,
1960, Bloch no. 1291.
Provenance
Picasso Arts, New York
Liferafure
Christian Zervos, Pablo Picasso, vol. 24, 1971, no.
8, illus, p. 5
[See illustration]
p
[ 178A ]
A
[179]
MATTA179 LES PARTICIPANTS
Signed and titled
Colored crayons and pencil 19 x 26 inches
48.2 X 66 cm.
[See illustration]
[ 180 ]
SAUL STEINBERG
180 EAST HAMPTON
Signed
Mixed media
Provenance
Aldis Browne, New York, 1973
[See illustration]
1 4 y2 X 23 inches
37 X 58.5 cm
[ END OF SALE ]
Sothebv Parke Bemet Inc. Estimates (U.S.$)
980 Madison Avenue, New York, N. Y. 10021
Telephone 212 472-3435, 3436, 3440
NOTE: As a con\'enience to its clients, Sotheby Parke
Bemet Inc. furnishes pre-sale estimates for all property
included in the auctions. These estimates are our approx-
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ble auction values.
As provided for in the "Conditions of Sale" and as ex-
IMPORTANT 19TH & 20TH CENTURYDRAWINGS AND WATERCOLORSSALE 4031 • THURSDAY • OCTOBER 20, 1977
plained in the "Important Information For Prospective
Bidders", all the property should be assumed to have re-
serves . In no case, where a reserve exists, will it exceed the
range of estimates quoted below. There are no commis-
sions (buyers premiums) added to the hammer price.
101 $800/1200
102 2000/3000
103 6000/8000
104 2000/3000
105 3000/5000
105A 8000/10000
106 30000/35000
107 4000/6000
108 10000/15000
109 800/1000
110 8000/12000
111 3000/4000
112 3500/4500
113 5000/7000
114 14000/18000
115 30000/40000
116 4000/6000
117 500/700
118 1000/1500
119 $3000/4000
120 3000/5000
121 12000/15000
121 A 5000/7000
122 7000/9000
122A 1800/2500
122B 1800/2500
123 2000/3000
124 2000/3000
125 2800/3500
126 1400/1800
127 1200/1500
128 1500/2000
128A 2000/3000
129 5000/6000
129A 40000/60000
130 35000/45000
131 5000/7000
132 5000/7000
133 $8000/12000
134 1000/1500
135 2000/3000
135A 28000/35000
136 5000/7000
137 12000/16000
137A 8000/12000
138 7000/9000
139 5000/7000
140 8000/10000
140A 10000/14000
141 25000/30000
142 20000/25000
143 18000/25000
144 1800/2500
145 7000/10000
146 800/1000
147 800/1000
148 600/800
149 $1000/1500
150 800/1200
151 800/1200
152 7000/9000
153 8000/12000
154 4000/6000
155 3000/5000
156 1800/2500
157 3000/4000
158 2000/3000
159 7000/9000
160 40000/50000
161 4000/5000
162 4000/6000
163 No lot
164 6000/8000
165 4000/6000
166 7000/9000
167 12000/15000
168 $10,000/12,000
169 1400/1800
170 6000/9000
171 6000/8000
172 6000/8000
173 4000/6000
173A 45000/55000
174 1400/1800
175 18000/25000
176 30000/35000
177 14000/18000
178 6000/8000
178A 8000/10000
179 1800/2500
180 4000/6000
NOT RESPONSIBLE FOR TYPOGRAPHICAL ERRORS OR OMISSIONS
SALE 4031
SOTHEBY PARKE BERNET INC.
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Date.
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