impress and express

39
Impressionism and Expressionism

Upload: university-of-sunderland

Post on 20-May-2015

750 views

Category:

Education


0 download

TRANSCRIPT

Page 1: Impress and Express

Impressionism and

Expressionism

Page 2: Impress and Express

Pierre - Auguste RenoirLe Moulin de la Galette - 1876

Page 3: Impress and Express

• Impressionism was a 19th-century movement that began as a loose association of Paris-based artists whose independent exhibitions brought them to prominence in the 1870s and 1880s.

Page 4: Impress and Express

• The name of the movement is derived from the title of a Claude Monet work, Impression, Sunrise (Impression, soleil levant), which provoked the critic Louis Leroy to coin the term in a satiric review published in Le Charivari.

Page 5: Impress and Express

• They also took the act of painting out of the studio and into the modern world. Previously, still life’s and portraits as well as landscapes had usually been painted indoors.

Page 6: Impress and Express

Pierre - Auguste RenoirLa Grenouillere – 1869

Page 7: Impress and Express

Characteristics of Impressionist Paintings

• Radicals in their time, early Impressionists broke the rules of academic painting.

• They began by giving colours, freely brushed,

primacy over line.

Page 8: Impress and Express

Mary CassattMrs. Cassatt reading to her grandchildren -1888

Page 9: Impress and Express

Characteristics of Impressionist Paintings

• The Impressionists found that they could capture the momentary and transient effects of sunlight by painting en plein air. (outdoors)

Page 10: Impress and Express

Claude MonetHaystacks at sunset, frosty weather 1891

Page 11: Impress and Express

• Painting realistic scenes of modern life, they emphasized vivid overall effects rather than details. They used short, "broken" brush strokes of pure and unmixed colour, not smoothly blended, as was customary, in order to achieve the effect of intense colour vibration.

Page 12: Impress and Express

Edgar DegasThe Pedicure - 1873

Page 13: Impress and Express

George Whistler Nocturne: blue and silver –Chelsea - 1871

Page 14: Impress and Express

Characteristics of Impressionist Paintings

• Open composition, emphasis on light in its changing qualities

• The play of natural light is emphasized. Close attention is paid to the reflection of colours from object to object.

• The inclusion of movement as a crucial element of human perception and experience, and unusual visual angles

Page 15: Impress and Express

Edouard Manet Argenteuil -1874

Page 16: Impress and Express

The Impressionists relaxed the boundary between subject and background so that the effect of an Impressionist painting often resembles a snapshot, a part of a larger reality captured as if by chance.

Page 17: Impress and Express

Berthe MorisotEugene Manet and His daughter in the garden at Bougival -1881

Page 18: Impress and Express

• Photography was gaining popularity, and as cameras became more portable, photographs became more candid. Photography inspired Impressionists to capture the moment, not only in the fleeting lights of a landscape, but in the day-to-day lives of people.

Page 19: Impress and Express

• The rise of the impressionist movement can be seen in part as a reaction by artists to the newly established medium of photography.

• The taking of fixed or still images challenged

painters by providing a new medium with which to capture reality.

Page 20: Impress and Express

Whistler JamesNocturne in grey and gold: Chelsea snow - 1876

Page 21: Impress and Express

Impressionistic Painters • Frédéric Bazille, (1841-1870)• Gustave Caillebotte (who, younger than the others, joined forces with them in the mid

1870s), (1848-1894)• Mary Cassatt (American-born, she lived in Paris and participated in four Impressionist

exhibitions), (1844-1926)• Paul Cézanne (although he later broke away from the Impressionists), (1839-1906)• Edgar Degas (a realist who despised the term Impressionist, but is considered one, due to his

loyalty to the group), (1834-1917)• Armand Guillaumin, (1841-1927)• Édouard Manet (who did not regard himself as an Impressionist, but is generally considered

one), (1832-1883)• Claude Monet (the most prolific of the Impressionists and the one who most clearly

embodies their aesthetic), [17] (1840-1926)• Berthe Morisot, (1841-1895)• Camille Pissarro, (1830-1903)• Pierre-Auguste Renoir, (1841-1919)• Alfred Sisley, (1839-1899)

Page 22: Impress and Express

Expressionism

Page 23: Impress and Express

• Expressionism was a cultural movement originating in Germany at the start of the 20th-century as a reaction to positivism and other artistic movements such as naturalism and impressionism.

Page 24: Impress and Express

• It sought to express the meaning of "being alive” and emotional experience rather than physical reality. It is the tendency of an artist to distort reality for an emotional effect; it is a subjective art form.

Page 25: Impress and Express

Edvard MunchThe Scream (1893)

Page 26: Impress and Express

Characteristics of Expressionist Paintings

• Expressionism worked with arbitrary colors as well as jarring compositions.

• In reaction and opposition to French

Impressionism which focused on rendering the sheer visual appearance of objects, Expressionist artists sought to capture emotions and subjective interpretations:

Page 27: Impress and Express

Wassily KandinskyOn White II - 1923

Page 28: Impress and Express

Characteristics of Expressionist Paintings

• It was not important to reproduce an aesthetically pleasing impression of the artistic subject matter; the Expressionist's focused on capturing vivid emotional reactions through powerful colors and dynamic compositions instead.

Page 29: Impress and Express
Page 30: Impress and Express

• Expressionistic style is present when the artist

or designer is seeking to evoke a maximum emotional response from the viewer.

Page 31: Impress and Express

"The Cabinet of Dr. Caligari" a silent film by Robert Wiene, 1920

Page 32: Impress and Express

Realism

Page 33: Impress and Express
Page 34: Impress and Express
Page 35: Impress and Express
Page 36: Impress and Express

Witness( Copying Vermeer)

Page 37: Impress and Express
Page 38: Impress and Express
Page 39: Impress and Express