improvisation
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Improvisation. Creativity, a systems view, Anarchy and Zen. Dan Conway [email protected]. What we’re going to cover today. Put improvisation in a wider framework: Creativity. Examine historical ideas about creativity. Look at the idea of ‘Swarm Intelligence’. - PowerPoint PPT PresentationTRANSCRIPT
ImprovisationCreativity,a systems view,Anarchyand Zen.
What we’re going to cover today• Put improvisation in a wider framework: Creativity.• Examine historical ideas about creativity.• Look at the idea of ‘Swarm Intelligence’.• Complexity, emergent behaviour.• Systems theory.• Inputs into the improvising ‘system’.• What can Distributed Cognition tell us about
improvisation?• Concepts of Flow.• Concepts of Zen.• Concepts of Punk.
What is creativity?•“Mental processes that lead to solutions,
ideas, conceptualizations, artistic forms… …that are unique and novel” – Johnson Laird, 1988.
•“…the ability to come up with ideas or artefacts that are new, surprising and valuable’ – Boden 2004.
Mention: Time, Mendel.
Mihaly Csikszentmihalyi•Creativity comes about through a system
consisting of at least these three elements:▫A culture that contains symbolic rules.▫A person who brings novelty into this
sumbolic domain.▫A field of experts who recognise and
validate that innovation.
Improvisation…
•Almost impossible – Borgo, 2006.•One learns ‘intuitively’ – Bailey.• ‘…no language to describe it’ – Bailey.•“…we don’t have the language to talk
about.” – Jerry Garcia• ‘…intrinsically collaborative and
inherently ephemeral.’ – Borgo, 2006.• ‘…extremely difficult to study empirically’
– Csikszentmihalyi, 2003.
Can it be taught / analysed / measured?
Whitmer’s ‘General Principles’• Don’t look forward to a finished and complete
entity. The idea must always be kept in a state of flux.
• An error may only be an unintentional rightness.• Do not get too fussy about how every part of the
thing sounds. Go ahead. All processes are at first awkward and ‘funny’.
• Polishing is not at all the important thing; strive instead for a rough go-ahead energy.
• Do not be afraid of being wrong; just be afraid of being uninteresting.
Organ ImprovisationHultberg, 2000
Edition Extempor-isation
Expansion Instant Composition
Interpretation Improvisation
(free)
Borgo (2006) says:•Actual processes:
▫Making ‘offers’▫Revoicing▫Shelving
Common elements / emergent themes•Grammar.•Adaptation.•Perpetual Novelty (p21 bongo).•Variety.•Innovation / Experimentation.•Decentralised.•Overlapping authority.
Historic perspective
Philosopher reading, Rembrandt, 1631.
The Thinker, Rodin, 1902.
The individual genius / artist / inventor / scientist / author.
But let’s look closer at the ‘group’
Starlings:https://www.youtube.com/watch?v=XH-groCeKbE
Fish:https://www.youtube.com/watch?v=xYl4m0xFcCU
“…where is the spirit of the hive?” - Maurice
Maeterlink
Super-organism
Swarm
Swarm intelligence•Devolving rules to lower levels.•Making rules simple.•Creating autonomous agents.
▫More robust▫More flexible▫More responsive▫Decentralised
•Entity is bigger than composer / player.•Outside of control of composer / player.
“…the music needs something to
happen…”
But if you make the rules really simple, doesn’t that result in simple outcomes?
Complexity• The three body problem https://www.youtube.com/watch?v=f_w6JprsXK8• Non-linear and unpredictable. An engineer
may be searching through a problem space and find something that solves a completely DIFFERENT problem – and then go develop that.• Nonlinearity: Small effects may have large
outcomes, large effects can sometimes be absorbed (p15 Borgo).
‘Stigmergy’•Indirect Interaction.•Where an agent does not communicate
directly with other agents, but instead affects the environment – which other agents respond to.
Emergent behaviour•Non-linear dynamics.•Novelty •The unexpected.•Requiring attention.•Increased consciousness of the moment.•Things not possible for an individual.
“… magic.”-Jerry Garcia
General Systems Theory
Ludwig von Bertalanffy– Austrian/American Biologist Kenneth Boulding
– English/American economist and Social Scientist.
Palo Alto Center for Advanced Study in the Behavioral Sciences
Systems theory• 1950’s. • Ecological consciousness.• Holistic thinking.• Emergent behaviour.• The need to address the increasingly ‘silo-ed’ nature of knowledge. • Specialisation.• Networked systems.• Less reductive.• Cross-disciplinary.• Bio-psycho-socio-cultural.• ‘General Systems Theory’ - An attempt to make a ‘theory of
everything’.• Kind of failed…
BUT…
‘All models are wrong. Some models are useful’.
George E. P. Box
Systems view•Consider the Environment•Consider the Group
So where is the music coming from?
Environmental aspects – Cultural scripts• Indian improvisation.
▫ All music part improvised/part structured.▫ The very aim of playing a raga is to update/change the structure.▫ Rasa = poetical soul of piece, flavour.▫ Opening onto the Cosmos.
• Spanish improvisation (Flemenco).▫ Designed to accompany dancer.▫ No technical discussion at all. ▫ Totally abstract terms used.
• Jazz▫ Idiomatic▫ Non-idiomatic▫ Ossified because of breakdown of system – Hubs have become too powerful? Borgo, 2006.
• Rock and 60s Psychedelia.▫ Shift of market from single to album allowed artists more room to be creative and experiment.▫ Long solos.▫ Bands like The Grateful Dead cultivated an expectation of unpredictable, unstable
performances.▫ Indian music!!!! ▫ Spirituality! ▫ Altered states of consciousness.
Role of the audience•Uniquely interactive with artists.•Average faces are more attractive.•Normalising.•Success of an idea or performance is
decided upon between the artist and the audience.
•Social system.
Tension between expected (normative) and novel.
Distributed cognition•“The Distributed Cognition approach
emphasises the distributed nature of cognitive phenomena across individuals, artefacts and internal and external representations in terms of a common language of 'representational states' and 'media'.” - Rogers, 1997
Distributed cognition•Includes the role of artifacts.
▫Eg: calculator, eyeglasses, instruments, texts
•Representational states of information.•Language.•Writing and scores – augmented memory.•Emergent behaviour•Augment our abilities via the presence of
others.•Achieve things a single person cannot do.
Our tools are now part of us…
Stockhausen story about flow
Is there time for this?
Mihaly Csikszentmihalyi - Flow• Intense and focused concentration on the present
moment.• Merging of action and awareness.• A loss of reflective self-consciousness.• A sense of personal control or agency over the
situation or activity.• A distortion of temporal experience, one's
subjective experience of time is altered.• Experience of the activity as intrinsically
rewarding, also referred to as autotelic experience.
Group flow•‘…extremely difficult to study empirically.’
- Csikszentmihalyi.• ‘Defies analysis’ – Bailey.
Jerry Garcia (The Grateful Dead)“It’s sort of stumbling into this area where there’s
a lot of energy and a lot of something happening and not a lot of control. So that the sense of individual control disappears and you are working at another level entirely. Sometimes this feels to me as though you don’t really think about what is happening. Things just flow.”
“…after 25 years of exploring some of these outer limits of musical weirdness this is stuff that we pretty much understand intuitively but we don’t have the language to talk about.”
Zen
Zen Koans•A monk asked Tozan when he was
weighing some flax: `What is Buddha?' •Tozan said: `This flax weighs three
pounds.'
H
John Cage•“Graphic scores require musicians to take on
hair-raising complexities of interpretation. A musician thus becomes collaborator with the composer , who shifts some of the responsibility to other and lets go of a piece of his own ego self-image. The composer gives up a piece of control. No performance is ever like another and no idea of perfection is possible or desired. The audience is asked to accept uncertainty and chance – to be open to ‘whatever’.”
Larson, 2012
4’33“The hall is one body, one mind. Everybody is awake and full of questions.
What is this silence? Why is it so riveting?
And what do we make of it?
Larson, 2012
Emergent themes•Spontaneous.•Ego-less. •Responsive.•Open to possibilities.•Trying to ‘un-learn’ old habits.•Full attention.•Moment to moment.•Consciousness that is not self-centred.
Commonalities: Zen, Punk, Improv
•Attention (Provost)• ‘Sense of Moment’
(Provost)•Non-heirarchal
(Warner)
Anarchy in the bandroom•Decentralised.•Rhizomatic.•No dominance or Multi-dominance.• ‘Democratic’.•Deleuze and Guittari’s: ‘The Dividual’
Prevost in Monson, Fischlin, Heble 2004.
“…a collectivity which cannot be reduced to the individuality of its members or to some leviathan meta-subject which encompasses them all…”
-Deleuze and Guittari
Features of improvisation…• Expectations are different.• More interaction with audience than any other form.• Normalisation via feedback.• Anathema to professionalism (but not for ‘Dead-heads’).• More focussed on the ‘now’.• Augmented / additional
▫ Perception▫ Cognition▫ Memory
• A way of dealing with the complexity of the modern world?• Can be manifested in different ways – often invisible to one
another. Eg: John Zorn hiring musicians for personality.
But then again…•Maybe this is all bullshit.•According to Deitrich (2008) Creativity is
NOT:▫Divergent thinking (coming up with more
and more options for a problem).▫Right brain▫Altered States▫De-focussed Attention.
What do you think?
Thank you.
references• Awad, E. M. (1985). Systems analysis and design: McGraw-Hill Professional.• Bailey, D. (1980). Improvisation: its nature and practice in music: Da Capo Pr.• Borgo, D. (2006). Sync or Swarm: Musical improvisation and the complex
dynamics of group creativity Algebra, Meaning, and Computation (pp. 1-24): Springer.
• Buchanan, I., & Swiboda, M. (2004). Deleuze and music: Edinburgh University Press.• Checkland, P. (1999). Systems thinking, systems practice: includes a 30-year
retrospective. • Dietrich, A. (2007). Who's afraid of a cognitive neuroscience of creativity? Methods,
42(1), 22-27. • Hargreaves, D., Miell, D., & MacDonald, R. (2012). Musical imaginations. • Larson, K. (2012). Where the Heart Beats: John Cage, Zen Buddhism, and the
Inner Life of Artists: Penguin Press.• Mazzola, G., Park, J., & Thalmann, F. (2011). Musical creativity: Springerverlag Berlin
Heidelberg.• Monson, I., Fischlin, D., & Heble, A. (2004). The other side of nowhere: Jazz,
improvisation, and communities in dialogue: Wesleyan.• Sawyer, R. K. (2003). Group creativity: Music, theater, collaboration: Psychology Press.• Warner, B. (2003). Hardcore Zen: Punk Rock Monster Movies & the Truth About Reality:
Wisdom Publications.• Warner, B. (2007). Sit Down and Shut Up: Punk Rock Commentaries on Buddha, God,
Truth, Sex, Death, and Dogen's Treasury of the Right Dharma Eye: New World Library.
Awesome!!
Fascinating!!
And… cool additional resources• Starlings Gibralta: https://www.youtube.com/watch?v=ecF0oIgmUfU• Students with lasers: https://www.youtube.com/watch?v=rK7fOx9ySiM• Animal behaviour: https://www.youtube.com/watch?v=z_uq2krsnfI• STARLINGS (from 2 minutes) : https://www.youtube.com/watch?v=XH-groCeKbE• STARLINGS Better! From 1:45 - https://www.youtube.com/watch?v=eakKfY5aHmY• FISH!!!: https://www.youtube.com/watch?v=xYl4m0xFcCU• Stanford Prof on ant intelligence: https://www.youtube.com/watch?v=jEGV4ZSP22A• 3 body problem sonified: https://www.youtube.com/watch?v=f_w6JprsXK8• Systems Biology: https://www.youtube.com/watch?v=bnKhzRpXPvM• Non-linearity demonstration – two metal rulers: https://www.youtube.com/watch?v=zC3K5rnTwnE• And simulated:
https://www.youtube.com/watch?v=InBBFF0j040&list=SP0EA72A880AD5776B&index=6• Pendulum: https://www.youtube.com/watch?v=yVkdfJ9PkRQ• Metronomes: http://www.youtube.com/watch?v=kqFc4wriBvE (best youtube comment ever: “From Steve Reich
to Third Reich”. Hilar.)• Virtual block creatures: https://www.youtube.com/watch?v=bBt0imn77Zg• Genetically modified sound: https://www.youtube.com/watch?v=-I6GAt4abio• Cool little synths: http://vimeo.com/66202532• http://en.wikipedia.org/wiki/Conway%27s_Game_of_Life• Psychedelic Pixel Level Automata: https://www.youtube.com/watch?v=A2G7yhGMaDY• Cool physics guy’s channel – lots of good stuff:
https://www.youtube.com/user/khyar?feature=watch• Interactive Universe Simulator: http://universesandbox.com/
Oh, and some music…•Grateful dead:
https://www.youtube.com/watch?v=gsJnBWIyzaA
•Miles Davis: https://www.youtube.com/watch?v=LVFLYz0SdKg
•Alvin Lucier: https://www.youtube.com/watch?v=B14Pspjok78
•Jean Roupech: https://www.youtube.com/watch?v=sPbPWju8BsE
•Now Now Fest: https://www.youtube.com/watch?v=MuV1iJobLMw
•Stockhausen: https://www.youtube.com/watch?v=fS13kVqzV1I