· in 1945 bela bartok described mikrokosmos as a cycle of 153 pieces for piano written for...

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SYNCOPATION 1 from Mikrokosmos book 1 BÉLA BARTÓK 1881-1945 © Copyright 1940 by Hawkes & Son (London) Ltd Definive corrected edion © 1987 by Hawkes & Son (London) Ltd All rights reserved www.boosey.com In 1945 Bela Bartok described Mikrokosmos as a cycle of 153 pieces for piano wrien for “didacc” purposes, seeing them as a series of pieces in many different styles, represenng a small world, or as the “world of the lile ones, the children”. Styliscally Mikrokosmos reflects the influence of folk music on Bartok’s life and the rhythms and harmonies employed create music that is as modern today as when the cycle was wrien. The 153 pieces making up Mikrokosmos are divided into six volumes arranged according to technical and musical difficulty. Mikrokosmos (The Definive Edion) Volumes 1-6 are available from The Shop at Boosey.com

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Page 1:  · In 1945 Bela Bartok described Mikrokosmos as a cycle of 153 pieces for piano written for “didactic” purposes, seeing them as a series of pieces in many different styles, representing

MiKROKOSMOS_1_TEXT.qxp 8/10/09 13:26 Page 16

SYNCOPATION 1from Mikrokosmos book 1

BÉLA BARTÓK1881-1945

© Copyright 1940 by Hawkes & Son (London) LtdDefinitive corrected edition © 1987 by Hawkes & Son (London) LtdAll rights reserved

www.boosey.com

In 1945 Bela Bartok describedMikrokosmos as a cycle of 153 pieces forpiano written for “didactic” purposes, seeing them as a series of pieces in many different styles, representing a small world, or as the “world of the little ones,the children”. Stylistically Mikrokosmos reflects the influence of folk music onBartok’s life and the rhythms and

harmonies employed create music that is as modern today as when the cycle was written. The 153 pieces making up Mikrokosmos are divided into six volumes arranged according to technical and musical difficulty.

Mikrokosmos (The Definitive Edition)Volumes 1-6 are available fromThe Shop at Boosey.com

Page 2:  · In 1945 Bela Bartok described Mikrokosmos as a cycle of 153 pieces for piano written for “didactic” purposes, seeing them as a series of pieces in many different styles, representing

IN LYDIAN MODEfrom Mikrokosmos book 2

BÉLA BARTÓK1881-1945

© Copyright 1940 by Hawkes & Son (London) LtdDefinitive corrected edition © 1987 by Hawkes & Son (London) LtdAll rights reserved

Page 3:  · In 1945 Bela Bartok described Mikrokosmos as a cycle of 153 pieces for piano written for “didactic” purposes, seeing them as a series of pieces in many different styles, representing

HOMMAGE Á J.S.Bfrom Mikrokosmos book 3

BÉLA BARTÓK1881-1945

© Copyright 1940 by Hawkes & Son (London) LtdDefinitive corrected edition © 1987 by Hawkes & Son (London) LtdAll rights reserved

Page 4:  · In 1945 Bela Bartok described Mikrokosmos as a cycle of 153 pieces for piano written for “didactic” purposes, seeing them as a series of pieces in many different styles, representing

IN FOLK SONG STYLEfrom Mikrokosmos book 4

BÉLA BARTÓK1881-1945

© Copyright 1940 by Hawkes & Son (London) LtdDefinitive corrected edition © 1987 by Hawkes & Son (London) LtdAll rights reserved

Page 5:  · In 1945 Bela Bartok described Mikrokosmos as a cycle of 153 pieces for piano written for “didactic” purposes, seeing them as a series of pieces in many different styles, representing

BOATINGfrom Mikrokosmos book 5

BÉLA BARTÓK1881-1945

© Copyright 1940 by Hawkes & Son (London) LtdDefinitive corrected edition © 1987 by Hawkes & Son (London) LtdAll rights reserved

Page 6:  · In 1945 Bela Bartok described Mikrokosmos as a cycle of 153 pieces for piano written for “didactic” purposes, seeing them as a series of pieces in many different styles, representing
Page 7:  · In 1945 Bela Bartok described Mikrokosmos as a cycle of 153 pieces for piano written for “didactic” purposes, seeing them as a series of pieces in many different styles, representing

FROM THE DIARY OF A FLYfrom Mikrokosmos book 6

BÉLA BARTÓK1881-1945

© Copyright 1940 by Hawkes & Son (London) LtdDefinitive corrected edition © 1987 by Hawkes & Son (London) LtdAll rights reserved

Page 8:  · In 1945 Bela Bartok described Mikrokosmos as a cycle of 153 pieces for piano written for “didactic” purposes, seeing them as a series of pieces in many different styles, representing
Page 9:  · In 1945 Bela Bartok described Mikrokosmos as a cycle of 153 pieces for piano written for “didactic” purposes, seeing them as a series of pieces in many different styles, representing
Page 10:  · In 1945 Bela Bartok described Mikrokosmos as a cycle of 153 pieces for piano written for “didactic” purposes, seeing them as a series of pieces in many different styles, representing