indonesia (socio-cultural setting)
TRANSCRIPT
Socio-Cultural Setting:
Indonesia
Reported by:
Eva Mae Navaja
(Crim. 2-C, Group 4)
Socio-Cultural Setting:
Indonesia
Way of Life
Men and women who live incities generally adopt Westerndress. Regionally, there are manystyles of traditional dress, butmost women wear a sarong
Socio-Cultural Setting:
Indonesia
(wrap around skirt or dress) anda kebaya, a fitted blouse. Whenparticipating in ceremonies, menoften wear a batik shirt and asarong skirt, along with asongkok, a black Muslim cap.The most popular sports in
Socio-Cultural Setting:
Indonesia
Indonesia are badminton andsoccer. Tennis has also gained agrowing following. Several formsof martial arts, including formsthat use sticks and knives, arepopular in Java and Sumatra.
Socio-Cultural Setting:
Indonesia
Rice is the staple food of mostIndonesian dishes and itspreparation varies betweenregions. The hot, spicy food fromthe Padang region can be foundin specialized Padang restaurantsthroughout most of Indonesia.
Socio-Cultural Setting:
Indonesia
Sundanese food is served inWest Java, while most placeshave a local specialty, such asgrilled fish and seafood inMakassar. Traditional Indonesiandrinks include an alcoholic wine(tuak) made from the red sugar
Socio-Cultural Setting:
Indonesia
of a palm tree. Islam forbids theconsumption of alcohol,however, so most Indonesiansdrink weak black tea with food.In cities, bottled water ispopular.
Socio-Cultural Setting:
Indonesia
Social Issues
Indonesian society hasexperienced a profound shift inthe location of wealth. For muchof the period sinceindependence in 1949, wealthwas concentrated in rural areas,
Socio-Cultural Setting:
Indonesia
particularly beyond Java. Therural elite prospered throughtheir control of land and throughtheir success as crop exporters.With industrialization in andaround the larger cities,however, the wealth has shifted
Socio-Cultural Setting:
Indonesia
to urban areas of Java and Bali.Wealth is now derived frommanufacturing, infrastructureprojects, and the services sector.
Socio-Cultural Setting:
Indonesia
A skewed pattern of incomedistribution is a growing problemin Indonesia, with manyIndonesians living in poverty,especially in rural areas. In 1996the wealthiest 10 percent ofIndonesians accounted for 30.3
Socio-Cultural Setting:
Indonesia
percent of spending, while thepoorest 10 percent accounted for3.6 percent of the country’s totalspending. Overall inequality islower in Indonesia than innearby Thailand, the Philippines,or Malaysia, or Malaysia, largely
Socio-Cultural Setting:
Indonesia
because Indonesia’s wealthiestare still a very small proportionof the population.
Socio-Cultural Setting:
Indonesia
Indonesia also has largedifferences in incomedistribution among its provinces.The provinces with the largestshares of the gross domesticproduct (GDP) are EastKalimantan, Jakarta, and Riau:
Socio-Cultural Setting:
Indonesia
East Kalimantan and Riau arerich in natural resources, andJakarta is successful in industryand services. The poorestprovinces are all in easternIndonesia: East Nusa Tenggara,West Nusa Tenggara, andSoutheast Sulawesi.
Socio-Cultural Setting:
Indonesia
Many young villagers continueto leave the rural areas for thecity, leaving many villages withconcentrations of older people.In the cities, rapid growth hasstrained services andinfrastructure beyond their
Socio-Cultural Setting:
Indonesia
limits, and most new migrants,unable to afford adequatehousing, drift to ramshacklesquatter settlements. Housingfor other Indonesians—in citiesand in villages—is little better.
Socio-Cultural Setting:
Indonesia
Culture
Indonesian culture mixes thetraditions of many civilizationsand religions, includingHinduism, Buddhism, Islam,Southeast Asian, Polynesian,Chinese, Arabic, and Dutch. Since
Socio-Cultural Setting:
Indonesia
independence, the arts inIndonesia have been influencedby domestic politics. During the1950s and 1960s the left-leaningInstitute for People’s Culture(also known as Lekra) was veryinfluential. With the backing of
Socio-Cultural Setting:
Indonesia
Sukarno, Indonesia’s firstpresident, Lekra strongly resistedAmerican cultural influence andfavored socialist realism in art.After the 1965 attempt tooverthrow Sukarno and theascension to power of Suharto in
Socio-Cultural Setting:
Indonesia
1966, there were widespreadkillings of many Indonesians,including members of the artisticelite. Many artists went intoexile and others, such as theprominent author PramoedyaAnanta Toer, were jailed. The
Socio-Cultural Setting:
Indonesia
government fostered some ofthe traditional arts of Indonesiabut maintained a close watch onmany independent strands ofcontemporary art. Permits wererequired before plays could bestaged and books were banned
Socio-Cultural Setting:
Indonesia
with little explanation. As aresult, during the Suharto yearstensions permeated the arts inmodern Indonesia, whileIndonesian artists in exile werean aging but active presence.Suharto stepped down in May
Socio-Cultural Setting:
Indonesia
1998, and artistic activity hasflowered in Indonesia under hismore liberal successors.
Socio-Cultural Setting:
Indonesia
Source:
Microsoft ® Encarta ® 2009. © 1993-2008 Microsoft
Corporation. All rights reserved.
Socio-Cultural Setting:
Indonesia
Terima Kasih!!!
Socio-Cultural Setting
as we
Understanding
Socio-Cultural
Communityfor
establish a
Republic of the Philippines
CAPIZ STATE UNIVERSITY
Dumarao Satellite College, Dumarao, Capiz
Theme: “Understanding Better the Political, Economic & Socio-Cultural Setting of Southeast Asian Nations for
Peace, Prosperity & People”
March 09, 2015 (8:00-11:30 am)
Campus Library