inês martins - architecture portfolio

INÊS MARTINSWORK SAMPLES

2

INÊS DE OLIVEIRA MARTINS www.cargocollective.com/inesmartins

I am native from Faro, Portugal in March 88. I moved to Lisbon in 2006 and I have been living here ever since, with an exciting pause for a semester in Rome.

I have always been a passionate for Lego and drawing but my very first contact with architecture came with the opportunity of getting involved in my family’s house rehab in 2002. Thereby I decided to ingress arts high school and then architecture university.

My interests in history and heritage guided me to Rome in 2009, where I strengthened my acquaintances and started the research for my master thesis ‘Building in Built: Intersticial Spaces of the antique Saldanha’s property, in Lisbon’, completed in 2011.

Besides arts education, I pratice sports since childhood; at first acrobatic gymnastics for competition during a decade, and lately running in amateur mode. I believe that stay active helps me being strong, determined, focused in the target.

[email protected] 925630455 Av Dr Julio Almeida Carrapato n19 8000 - 081 Faro, PORTUGAL

3

EDUCATION

2013 ARCHITECT nº21233 recognized by the Portuguese Order of Architects 2011 MASTER IN ARCHITECTURE (final average 16/20)

Universidade Técnica de Lisboa-Faculdade de Arquitectura. Lisbon, Portugal Final project&thesis: “Building in Built.Intersticial Spaces of the antique Saldanha’s property, in Lisbon” final grade: 19/20 very good

2009 EXCHANGE PROGRAM Università degli Studi di Roma TRE-Facoltá di Archittetura. Rome, Italy2006 HIGH SCHOOL IN ARTS (final average 17/20)

Escola Secundária de Tomás Cabreira. Faro, Portugal

PROFESSIONAL EXPERIENCE

2013 Volunteer Architect- Architects Without Borders Portugal (ASF-P), housing repairs Architect - project for a house rehab in Pechão, Portugal2012 Intern - Orgânica-Arquitectura, Lda. Lisbon, Portugal (9months) Collaborator – APC Projectos Lda. Tavira, Portugal2011 Assistant – Lisbon Design Biennal EXD11-Useless. Lisbon, Portugal2008 Assistant and Guide - Exibition ‘Peter Zumthor: Buildings and Projects 1986-2007’. Lisbon, Portugal

ACADEMIC ACTIVITIES

2013 Honorable Mention - Desafios Urbanos’12 competition. Guimarães, Portugal2012-13 Volunteer - Just A Change (JAC), housing repairs. Lisbon, Portugal2012 Course - Adobe Photoshop+Illustrator+Indesign (30h) 2011 Publication - Drawings and photographs in “Colecção in situ, Cadernos de Viagem - Viagem de Estudo Le Corbusier, França e Suíça 2009” (CECFA edition, FA-UTL) ISBN:987-972-9346-15-62010 Organization - Conferences Once Upon a Place (FA-UTL & Trienal Arquitectura Lisboa) 2009 Participant - Architecture International Congress at Oporto - AICO (DARCO Magazine) Organization and Participant – Field trip: Le Corbusier, France and Switzerland (FA-UTL)2008 Participant - VI International Seminary of Architecture: “Architecture and cosmology” (FA-UTL) Course - Grafisoft Archicad (26h)

SKILLS

languages PORTUGUESE Native ENGLISH Good in written, understanding and spoken (C1 level) ITALIAN Good in written, understanding and spoken

software Windows & Mac OSX Microsoft Office Grafisoft Archicad, Autodesk Autocad, Vectorworks Adobe Photoshop, Indesign & Illustrator Artlantis Studio, Rhinoceros

technical Modelling Freehand drawing social good in organization and problem solving, natural leader, teamworker

likes reading, travelling, running, cooking, farming

4

INÊS DE OLIVEIRA MARTINS www.cargocollective.com/inesmartins

Sou natural de Faro, Portugal em Março de 88. Mudei-me para Lisboa em 2006 e tenho vivido aqui desde então, com uma desafiante pausa durante um semestre em Roma.

Sempre fui apaixonada por Legos e desenho mas o meu primeiro contacto com o mundo da arquitectura veio com a oportunidade de estar directamente envolvida na reabilitação da casa de família em 2002. Depois disto decidi frequentar o ensino em Artes e mais tarde ingressei na Faculdade de Arquitectura.

Os meus interesses por história e património guiaram--me até Roma, em 2009. Durante o intercâmbio fortaleci os meus conhecimentos e iniciei a pesquisa para a minha tese de mestrado ‘Construir no Construído. Espaços Intersticiais no antigo Morgadio dos Saldanha, em Lisboa’, concluída em 2001.

Para além da educação artística sou também praticante de desporto desde a infância; fui ginasta acrobata de competição durante uma década e recentemente voltei a competir, desta vez como corredora amadora. Acredito que o desporto ajuda a manter-me forte, determinada, focada nos objectivos.

[email protected] 925630455 Av Dr Julio Almeida Carrapato n19 8000 - 081 Faro, PORTUGAL

5

EDUCAÇÃO

2013 ARQUITECTA nº21233 reconhecida pela Ordem dos Arquitectos Portuguesa2011 MESTRADO EM ARQUITECTURA (média final 16/20)

Universidade Técnica de Lisboa-Faculdade de Arquitectura. Lisboa, Portugal Projecto final&tese: “Construir no Construído. Espaços intersticiais no antigo Morgadio dos Saldanha, em Lisboa” classificação: 19/20 muito bom

2009 PROGRAMA DE INTERCÂMBIO Università degli Studi di Roma TRE-Facoltá di Archittetura. Roma, Italia2006 ENSINO SECUNDÁRIO EM ARTES (final average 17/20)

Escola Secundária de Tomás Cabreira. Faro, Portugal

EXPERIÊNCIA PROFISSIONAL

2013 Arquitecta Voluntária- Arquitectos Sem Fronteiras Portugal (ASF-P), reparação de habitações Arquitecta - projecto de reabilitação de uma casa em Pechão, Portugal2012 Estagiária - Orgânica-Arquitectura, Lda. Lisboa, Portugal (9meses) Colaboradora – APC Projectos Lda. Tavira, Portugal2011 Assistente – Lisbon Design Biennal EXD11-Useless. Lisboa, Portugal2008 Assistente e Guia - Exposição ‘Peter Zumthor: Buildings and Projects 1986-2007’. Lisboa, Portugal

ACTIVIDADES ACADÉMICAS

2013 Menção Honrosa - concurso Desafios Urbanos’12. Guimarães, Portugal2012-13 Voluntária - Just A Change (JAC), reparação de habitações. Lisboa, Portugal2012 Curso - Adobe Photoshop+Illustrator+Indesign (30h) 2011 Publicação - Desenhos e fotografias em “Colecção in situ, Cadernos de Viagem - Viagem de Estudo Le Corbusier, França e Suíça 2009” (edição CECFA, FA-UTL) ISBN:987-972-9346-15-62010 Organização - Conferences Once Upon a Place (FA-UTL & Trienal Arquitectura Lisboa) 2009 Participante - Architecture International Congress at Oporto - AICO (DARCO Magazine) Organização e participante – Viagem de estudo: Le Corbusier, France and Switzerland (FA-UTL)2008 Participante - VI International Seminary of Architecture: “Architecture and cosmology” (FA-UTL) Curso - Grafisoft Archicad (26h)

COMPETÊNCIAS

linguísticas PORTUGUÊS Native INGLÊS Good Boa em escrita, compreensão e conversação (nível C1) ITALIANO Boa em escrita, compreensão e conversação

software Windows & Mac OSX Microsoft Office Grafisoft Archicad, Autodesk Autocad, Vectorworks Adobe Photoshop, Indesign & Illustrator Artlantis Studio, Rhinoceros

técnicas Maquetes Desenho à mão levantada sociais organizada, grande capacidade de resolução de problemas, liderança e trabalho em equipa

gosta de ler, viajar, correr, cozinhar, agricultura

6

p r o f e s s i o n a l

Cavalinho’s Fabric rehab _ Guimarães,Portugal (open competition) honorable mention honorable mHouse in Pechão _ Olhão,Portugal (main drawings and execution project)House in a cube (architecture challenge) 2nd placeArea of Campo das Cebolas _ Lisbon,Portugal(collaborator in open competition)Shopping Center in Talatona _ Luanda,Angola (collaborator in main drawings)Chiesanuova Graveyard park _ Prato,Italy (collaborator in open competition) Houses in Campolide _ Lisbon,Portugal (concept and main drawings)Rehab of Quatro Àguas Wharfage _ Tavira,Portugal (collaborator in detail drawings)

a c a d e m i c

Seniors support in Carmo Farm _ Lisbon,Portugal(graduation project)Urban rehab of Saldanha’s property _ Lisbon,PortugalCultural Center in Caxias Royal farm _ Oeiras,PortugalSocial Center in Quartaccio _ Rome,ItalyCollective housing in Ajuda _ Lisbon,PortugalUniversity’s coffee esplanade _ Lisbon,Portugal (academic competition)Emergency housing in Ajuda _ Lisbon,PortugalErasmus Library in Santos _ Lisbon,PortugalDead poets society Headquarters _ Lisbon,PortugalAjuda’s Botanic Garden new entrance _Lisbon,PortugalHopper House _ Vila Nova Mil Fontes,Portugal

2013

2012

2011

2010

2009

2008

2007

2006

A R C H I T E C T U R EW O R K S

7

I N D U S T R I A Lcavalinho’s fabric rehab Guimarães

R U R A Lh o u s e r e h a b Pechão

WORKSAMPLES

S E N I O Rday center and residence

Lisbon

H A B I Tconcept house in a cube

R I T U A Lcrematory in Chiesanuova

Prato

E M E R G E N C Yp r o t o t y p e h o u s e

Lisbon

RECOMMENDATIONL E T T E R

9

15

25

19

21

31

35

8

open space and occupation modules

9

I N D U S T R I A LCAVALINHO’S FABRIC REHAB, GUIMARÃES

desafios urbanos’12 competition 2013 Honorable Mentionwith DianaFeio, RitaMedina and SusanaSantos

4,50

0

6,30

0

1,100

7,500 1,500 1,5003,000

3,00

0

3,00

0

3,00

0

3,50

04,

000

3,000

projec

tos

investigação

arte

s pl

ástic

as

danç

a / te

atro

DE QUÊ

work

shop

s

colaborações

conferências

formações

performances

outros eventos

ciclos

O QUÊ

informática / programação

design

arquitectura

cinema / fotografia

engenharia

gestão

indústrias

maximumconstruction

manufactoryconstruction

housingoccupation

gradualdensification

publicgarden

horizontal articulation

temporary residence& in productive mood

short/long term housing individual orcolective

centralstreet

lightventilation

acess

basic template

vertical communication

minimum


mutualgardens

T0 +1T4T3T2T0

housing, coffee shop, canteen

HOSPITAL EGAS MONIZ

EGA'S PALACEhouse museum and archive

MONTE DO CARMO'A PALACEday center and residence

PROGRAM

location: Av. D. Afonso Henriques, Guimarães - Portugal

Responding to Guimarães nomination for European

Capital of Culture several culture spots were created

in the city: Arts Platform, ASA Fabric, Memory House,

among others. Those infrastructures will certainly

attract new population groups for different periods of

time: artists, students, professionals and their families.

The proposal is called HOUSE IT and begins with the

skeleton of a Tissue Fabric (now deactivated) and fills

it with houses that can be assembled and dissembled

to answer the needs of this new population. The origin

of the project is the maxim ‘easy building and by your

own hands’.

The existent buildings were maintained and the

proposal only indicates small demolitions in order to

clarify form and volume.

The intervention would be flexible and mutable.

Each floor of the antique fabric functions as an

appropriable open space in which the

intervention only occurs in the façade and with the

aperture of four skylights to illumination. Therefor the

public would appropriate the building for all kind of

activities and would progressively occupy it with the house

containers. Industry turns obsolete. Obsolete turns Public.

Public turns House.

The main proposed program is housing although it is

complemented by fixed functions: parking, storehouse,

workshop, canteen, coffees and an extensive external

public area that remains in all phases of construction.

10

internal courtyard

11

185.65

182.65

12

facade

13

4,50

0

6,30

0

1,100

7,500 1,500 1,5003,000

3,00

0

3,00

0

3,00

0

3,50

04,

000

3,000

projec

tos

investigação

arte

s pl

ástic

as

danç

a / te

atro

DE QUÊ

work

shop

s

colaborações

conferências

formações

performances

outros eventos

ciclos

O QUÊ


design

arquitectura

cinema / fotografia

engenharia

gestão

indústrias

maximumconstruction


housingoccupation


publicgarden




centralstreet

lightventilation

acess

basic template


minimum


mutualgardens

T0 +1T4T3T2T0

4,50

0

6,30

0

1,100

7,500 1,500 1,5003,000

3,00

0

3,00

0

3,00

0

3,50

04,

000

3,000

projec

tos

investigação

arte

s pl

ástic

as

danç

a / te

atro

DE QUÊ

work

shop

s

colaborações

conferências

formações

performances

outros eventos

ciclos

O QUÊ


design

arquitectura

cinema / fotografia

engenharia

gestão

indústrias

maximumconstruction


housingoccupation


publicgarden




centralstreet

lightventilation

acess

basic template


minimum


mutualgardens

T0 +1T4T3T2T0

14

frontal view

15

R U R A LH O U S E R E H A B , O L H Ã O

A rural property located downhill about 3km from the

coast and with great views: south to the ocean and

north to the mountain. The main house is a typical

stone and whitewash construction from 1940’ and a

posterior expansion from the 70’s without material or

architectural value.

The aim of the project was to draw a fully accessible

house for a couple, responding both the needs for

agricultural familiar production support and social

areas for private recreation.

The primary construction was maintained and

converted to private areas: a library in the vaulted

rooms, the principal bedroom and the access to

the guestroom in the 1st floor (rehab of the 70’s

construction). The 1st floor room and the terrace

allow enjoying the landscape. The expansion focused

in the social and technical areas: the living room works

as the bridge from old to new and hosts also the hall

function. Then a new volume appears drawing an

L with the existing old house; in the intersection are

collocated all the technical areas, leaving the point

of the L and the 180º view for the kitchen and

dinning room (preferential social areas in this project).

The permanence in the exterior, contacting with the

garden and the animals was also privileged as a

complement to the internal areas. Therefore the

house wouldn’t work without the covered terraces

contiguous to the social areas, functioning as living

rooms and supporting principal percourses.

location: Sítio do Arrunhado, Pechão - Portugal

16

north view

17

south elevation

6.

7.

8.

12.

9.

10.

11.

12.

5. 4.

2. 1.3.

groundfloor:1.parking area 2.library 3.hall 4.bedroom5.private bathroom 6.living room 7.social toilet 8.laundry room9.storage 10.kitchen 11.dining room 12.covered outdoor spaces

1st floor: guestroom & bathroom; terrace

legend: balck-maintain, yellow-demolish, red-construction

18

ground floor view

19

The challenge was to create a small house inside a cube.

Starting from a cubic volume with 7meters side and

considering the external surface as the concrete cover

that borders the house. The interior was subdivided in

wood cubic modules that draw and give form to the

spaces since the mainly rooms until their furniture.

1. hall 2. dining room 3. kitchenette 4. bedroom

5. bathroom 6. living room 7. workspace

I N H A B I TH O U S E I N A C U B E

AC Space architecture challenge 2012 2nd place

+ 3.75

1.

5.

6.

7.

2.4.

6.

4. 2.

3.

20

general proposal

1.

2.

3.

4.

6.

8. 9.

10.

7.

5.

existent: 1. ingress 2. chapel 3. graveyard expansion: 4. new ingress 5. parking 6. reception 7. new buildings for graves 8. crematorium 9. staff ingress 10. secondary ingress

21

R I T U A LCHIESANUOVA GRAVEYARD, PRATO

european competition 2012for Orgânica-arquitectura Lda with CarlosPaulo and SofiaSilva


HOSPITAL EGAS MONIZ



PROGRAM

buildings

5

EMPTY SPACES BETWEEN THE PROGRAM VOLUMES

PERCORSI NEL TEMPIO CREMATORIO

SPAZI PER IL PUBLICO

PERCORSO DEI DOLENTI

PERCORSO DEL SALME

PERCORSO DELLE CENERI

DISTRIBUZIONE DEL PROGRAMA

CAFFETTERIA

SALA CERIMONIERE

SALE PER IL RITO

AREA DELLA CREMAZIONE, PREPARAZIONE E CONSEGNA DELLECENERI

AREA TECNICA E IMPIANTI

CIRCOLAZIONE NEL PARCO CIMITERIALE

PERCORSI ESISTENTI

PERCORSI PROPOSTI

INGRESSO AL PARCO CIMITERIALE

5





PERCORSO DEL SALME



CAFFETTERIA

SALA CERIMONIERE

SALE PER IL RITO




PERCORSI ESISTENTI

PERCORSI PROPOSTI


5





PERCORSO DEL SALME



CAFFETTERIA

SALA CERIMONIERE

SALE PER IL RITO




PERCORSI ESISTENTI

PERCORSI PROPOSTI


circulation in the park:existant coursesproposal courses

entrances

walls plants

location: Via Montalese, Prato - Italy

The program required the expansion of a traditional catholic graveyard creating a park, a crematorium and a new ingress.From the drawing resultant of the existent buildings,the courses and the graves a grid was established. This grid was reinvented and used to draw the expansion: part rigid/symmetric, part organic. The resultant park shows different heights and vegetal species that result in different shades of privacy and reclusion. The existent traditional graveyard remains as it is: rigid, austere. Although the expansion is designed with fluidity, less construction and more freedom to roam, reflect, worship.The crematorium is located underground, accessible by an incision in park and illuminated by courtyards. The volumes of the building came above the ground in different heights but the only ones visible and accessible directly from the park are those corresponding to the social areas: the coffee and the ceremonial room.The program for the crematorium was developed in order to make possible the corps, the family and the staff courses to coexist perfectly and the accompaniment of the corps by the family until the moment of the cremation.

22

Roofing50mm drainage layer with pebble; geotextile filter; 100mm XPS insulating; bituminous film;regularization cement with inclination; 300mm reinforced concrete; 12,5+12,5mm doblepasterboard finishing white ink with fixation in aluminiumExternal wall300mm reinforced concrete with pigments and notchs; waterproff and respirable film;80mm XPS insulating; 50mm mineral wool insulating; 15mm pasterboard finishing white inkwith fixation in aluminiumInternal floor5mm stroked cement with glazed finishing; 30mm regularization cement; waterproof film;80mm filling with ligthweight concrete; 300mm reinforced concrete; 80mm XPS insulating;insulating filter; 250mm tout venantExternal floor60mm cement blocks with grit in the joins; 15mm nesting layer; 30mm regularization cement;bituminous film; 300mm reinforced concrete; insulating filter; 250mm tout venant

ritual rooms detail

23

23

23

23

23

5





PERCORSO DEL SALME



CAFFETTERIA

SALA CERIMONIERE

SALE PER IL RITO




PERCORSI ESISTENTI

PERCORSI PROPOSTI


voids between function volumes courses in the crematory temple: public spaces family course corpse course ashes course

5





PERCORSO DEL SALME



CAFFETTERIA

SALA CERIMONIERE

SALE PER IL RITO




PERCORSI ESISTENTI

PERCORSI PROPOSTI


5





PERCORSO DEL SALME



CAFFETTERIA

SALA CERIMONIERE

SALE PER IL RITO




PERCORSI ESISTENTI

PERCORSI PROPOSTI


5





PERCORSO DEL SALME



CAFFETTERIA

SALA CERIMONIERE

SALE PER IL RITO




PERCORSI ESISTENTI

PERCORSI PROPOSTI


5





PERCORSO DEL SALME



CAFFETTERIA

SALA CERIMONIERE

SALE PER IL RITO




PERCORSI ESISTENTI

PERCORSI PROPOSTI


5





PERCORSO DEL SALME



CAFFETTERIA

SALA CERIMONIERE

SALE PER IL RITO




PERCORSI ESISTENTI

PERCORSI PROPOSTI


23

CafeteriaStorage roomKitchenToilets

Ceremonial roomStorage roomToilets

Reception (hall)Ritual roomdivisible in 2small rooms

Cremation roomFamily roomsPreparation of the ashesDelivery of the ashes (hall)

Cold room for corpsRoom for corpsBalneary

24

Monte do Carmo Palace

25

Building in Built: Intersticial Spaces of the antique Saldanha’s property, in Lisbonmaster thesis abstract

The city’s greatest resource is it’s ground. Buildingshave a cycle of life that allows recycling that territory, constantly creating new opportunity spaces. Some of those are interstitial spaces in between properties and buildings. Concerning the development of society it’s required to adapt the urban physical structure; in a continuous process of building in built. This involves acting in pre-existing sceneries, changing shapes and, therefore, their ways to communicate meanings and memories.

The value assigned to the city (the esteem in which it is inhabited) is a key issue in today’s interventions regarding potential relationships with the context (whether or not heritage) and its conservation as a bond of memory. Enhancing existing meanings by bringing together different times and ideals of building could be an approach in order to increase the public esteem.

The project is developed in the interstitial spaces of the antique Saldanha’s property, in Rua da Junqueira. A local historical, formal and socio-cultural analysis identified the objectual entities responsible for creating mental images and memories of that place. These elements were then reinterpreted with a contemporary regard and used to link different times of construction.

The effective use of the city’s interstitial spaces could be a strategy for urban densification in centers and neighborhoods lacking constructing land.

S E N I O RSALDANHA’S PROPERTY, LISBON

graduation project and master thesis 2011under the orientation of PedroBeloRavara and PauloPereira


HOSPITAL EGAS MONIZ



PROGRAM

location: Tv Boa-Hora, Lisbon - Portugal

26

model of Ega’s Palace (1st plan), residence and day center (2nd plan) - 1:200general plan of the intervention and identification of 1.200 model - 1:500

27

Eagles’ Farm(convertetd to business center)

Public GardenPrivate Urban Gardens

Ega’s Palace (converted to museum and

national archive)New facilities for investigation

Carmo’s Farm (converted to day center)New facilities for elderly residence

Egas Moniz HospitalExternal spaces reformulatedIntegration of a public passageLiberation of the chapel

the masterplan incorporates 4 distinct zones: Eagles’ Farm, Ega’s Palace, Camo’s Farm and Egas Moniz Hospital

the project for Carmo’s Farm rehab was developed in 3 different heights that follow the hill, each one with buildings and external spaces:1. lower level - public Canteen and open garden2. Residence fol elder people and hostipal users3. upper level - Carmo’s palace converted to Day Center

28

model of the day center (palace) and part of the residence - 1:50

29

ground floor

1st floor

2nd floor

3rd floor

overview

axonometry legend: orange - private rooms/ blue - tecnical areas/ green - social areas

ground floor canteen residence reception / living room / support services (terapy, hairdresser, layndry) / access to the palace1st floor single and double bedrooms day center reception / lockers / workshop /living room /staff room2nd floor single bedrooms workshops / library / rest room /kitchen and storage 3rd floor single bedrooms

construction sistem: wood reticulated structure covered with wood panels; foundations in concreete and coperture in zincabove: detail of a residence room and in/out material transitions

30

1,25m 1,65m

12m18,3m

1

2

30sq meters

2

composition of a prototype composition of a bedroom

bed

wardrobe

table

prototype detail

31

E M E R G E N C YHOUSING IN A STOREHOUSE, LISBON

academic 2008

1,25m 1,65m

12m18,3m

1

2

30sq meters

2

possible locationstorehouse in Ajuda81 people living in 1530 sq meters

City LocationLisbon, Portugal

possible location: Calçada da Ajuda, Lisbon - Portugal

1,25m 1,65m

12m18,3m

1

2

30sq meters

2

1 prototype house(30sq meters)

18 people could live in 220sq meters of land

1 storehouse(12sq meters)

x6

1,25m 1,65m

12m18,3m

1

2

30sq meters

2

The demand was simple: how to quickly lodge a large amount of people in case of an emergency?The habitation module was defined with 30sq meters for 3 people and the principal concerns were to create a functional room for each person that combined bed, storage and some workspace. To ensure the privacy of each habitant was very important, specially considering the hard circumstances of an earthquake, a war of some other emergent situation.The 30sq meters modules could be arranged in groups of 6 with 6 storehouses for larger goods of those in need. The degrees of privacy were respected: a central street gives access to the storehouses hall and two lateral galleries for houses access.The hypothetical local to implant these quick houses was a large storehouse in Lisbon that could be used to create a high-density dormitory with one single contact with the street.

32

possible structure4&1/2 blocks =

27 prototypes

distribution systemgallery

1 aggregation block6 prototype houses + 6 storehouses

1 prototype house3 private bedrooms + public areas



aggregation sistem

33





have a storehouse

remove the central part

obtain a central street

implant the houses

in case of emergency 81 people could be quickly rehoused in a 20.81m lot with a single street access

1,25m 1,65m

12m18,3m

1

2

30sq meters

21 public pedestrian

Central Streetconnects with themain street, the galleries and the storehouses

2 semi-private

Galleriespermit the access to the houses

[email protected]/inesmartins

inês martins - architecture portfolio

Documents

lisbon final grade

architecture final average

portugal final projectthesis

architecture university

arts final average

fautl isbn

borders portugal asfp

viagem viagem