SPIRAL VORTEX THEORY

Theodore J. Klouzal And Dr. Janet Clark-Ktouzal 3d Edition, Revised 2001

THE SPIRAL VORTEX THEORY

Theodore J. Klouzal and Dr. Janet Clark-Klouzal

Cqyight 1988 (Revised 2001)

PREPARE YOURSELF FOR A JOURNEY BACK IN TIME WHERE YOU WILL WITNESS THE AWAKENING OF CONSCIOUSNESS

AND THE CREATION OF ALL THAT IS.

When you understand this theory, you will understand:

. What the Dynamic Spiral Vortex is and Why it is central to everything you experience.

. Why visible light is not what it seems.

. What the fourth dimension really is.

. Why the very existence of energy is b e i i questioned.

Why there are such things as past, present and future.

. How it is possible to travel through time and alter the course of event*

'Ihe nature and purpose of the Interchange Experiments.

i%is theoty tokes you behind the scenes amiktsyou experience, first hand, the making of the patest illlusion of all time.

THE NEW TECHNOLOGY

The formulation of the theory began in 1964 as an exploration into the nature of Consciousness and its creation, the infinite universe. It has become the foundation of a new type of electronic technology (The Proteus Cell) which is the key to unlocking the door to a revolution in robotics. It is conceivable that with the unfolding of this new technology, computer-controlled robots will be replaced by non-computerized sentient androids which have had Consciousness infused into them. The age of sentient android technologies will manifest as the rise of a new non- biological life form on Planet Earth.

You are about to encounter some ideas about Consciousness and how it perceives realities into existence. This is important because in order to understand why Consciousness would be interested in i n fUs i itself into an android, it helps to understand certain aspects of the nature of Consciousness.

As you think about the concepts in the pages that follow, you may find them to be reflections of your world and tools with which you can expand your view and understanding of the universe.

You may also find that you have gained a much h e r appreciation of how you continually create and perceive your world.

THE AWAKENING OF CONSCIOUSNESS

The universe did not begin with a bang. Even if there was the Big Bang, it was not the beginning of the universe. The reason is very simple. Before there was something, there had to have been nothing.

The universe began as a dimensionless void containing no divisions and no boundaries. Time had no purpose and consequently no &.

Enter CONSCIOUSNESS ...

For the record, no attempt will be made to &$ne exact& what Consciousness is

except to say that it is that whkh perceives

Whenever there is a need for something, that something which fldiik the need is given a purpose. On the other hand, that something also has a need. The need to is to have a purpose. A reciprocating bond is created as that which needs seeks fu@IIment and that which fdfills seeks purpose. This condition pervades the universe. It is referred to as Mutual Accommodation.

Consciousness created the universe in order to have something to perceive. In as much as the universe was given a purpose, it needed Consciousness to perceive it. Therefore, Consciousness itself was given a purpose. In this way, the primary condition of mutual accommodation was established. Conscious- ness creates something to perceive ... and the universe is horn; its purpose is fidfihg that need. pow and why Consciousness creates and perceives the universe is the subject of this theory. Please bear in mind that we claim no

monopoly of the truth. This theory is only one of many working possibilities.

Let us imagine what it was like before the universe was created with no reference points, divisions or boundaries of any kind. Like an artist, you create soinethiug to behold. You begin your drawing by creating a line. It is the 6rst thread m the fabric of space. This line will represent the First Dimensimn, ie., the dimension of length.

(Rlustration 1) < -L

There are no units of measure or anything to compare the line with so its length is considered inlinite. It spans the entire universe because it represents the universe as it currently exists.

If you take that line, give it an arbitrary center point and rotate it a full 180 degrees around that point, you have created an infinitely vast plane consisting of an infinite number of straight lines. The idkite plane represents the Second Dimension, ie., the dimension of length and width. Although boundless, it can be represented as a circle. Traversing the plane are an inhite number of lines running at every conceivable angle. I \ -

(Illustration 2)

If you take the circle and rotateitafdl180degrees mund its axis, you have

If you take the circle and rotateitafdl180degrees

created an intinite &here. You have before you, the Third Dimension, ie., the dimension of length, width and depth Traversing this sphere are an idkite number of lines and planes running at every conceivable angle.

They form the fabric of space.

What is it that Consciousness uses to create the fabric of K svace? It. like Consciousness, is so ki that there is nothing s&ler with which to define it. The only reasonable way to define it is to descrii what it does within its own creation. Just as Consciousness was previously described as that whichperceives, the prime substance of the universe can be descni as that which &!

Mer creating the fabric of space, and needing to perceive W e r , you begm to establish points of reference within the fabric of space like buoys in the endless sea. These points of refxence, to be useful must be stable in order to maintain their recognizable form. They must also be of a form that can be Mmguished h m the surrounding points, lines and planes.

A single point will not do because it is of no dimension and therefore, indist i ihable from the surrounding points. However, a set of points will form a structure which you can perceive by connecting the dots. Since two points determine a line, you create a line by consciously perceiving two points in association with each other. You begin to study this from every angle.

A B (Rlustration 4) - What do you h d ? You discover that the line is perceived as a line except when viewed from either end where all points of the line overlap. It then becomes a dimensionless point.

In other words, the din~ension of length becomes hidden when viewed from any point within that dimension. (See Illustration 5.)

(Illustration 5)

Line up the two end points A and B by turning thispage and looking straighi down the arrow. You will see the line's length disappear and become a dimensionless point.

Noting this curiosity about lines, you proceed to create a plane which is defined by three points. This triangle is a plane except when viewed from any point within the plane in which it lies. It's width is no longer apparent when viewed ftom within the dimension of width. (See Illustration 6.)

(Illustration 6)

You can create the same effect as shown in this sequence by viewing the top triangle and gradually turning this page to move your line of sight into the triangle's plane.

Reviewing what you have just experienced, you realize that the line could only be a line when perceived from a point which, when connected to the two end points, would form a triangle.

Likewise, the triangle you created could only be perceived as a triangle when viewed ftom a point which, when connected to the three pints of the triangle, would raise it to the next higher dimension. In other words, the triangle would be made into a three-dimensional structure, i.e., a tetrahedron.

STEPPING INTO THE FOURTH DIMENSION

You take the next logical step in your exploration by connecting a f o d point (not in the same plane as the triangle) and creating a tetrahedron To your surprise, the tetrahedron stiU appears two-dimensional

At some angles it may look like this.

At other angles it may look like this:

or it could look like this: A or even like this:

The only real diierence between it and the two- dimensional triangle is that it never loses its dimension of width. You notice that regadless of the angle at which you view the tetrahedron, the structure as a whole has one congruent center pint. With this in mind, you decide to start over but on another level. You create a single line d-ed by the center points of two identical tetrahedrons. (See Illustration 7.)

(Illustration 7)

The center point of each tetrahedron becomes one of the end points in your newly- created line.

With the two tetrahedrons, you can begin to move them with respect to each other. You can position them specific d i c e s h m each other and judge that distance by comparing it to their relative size. For example, the distance between the comer points in one of the tetrahedrons could be considered one unit of measure. Therefore, all measurements of distance would be relative to that distance between the corner points. (See Illustration 8.)

One Unit of Measure. u

By using one of the tetrahedrons as a point of reference and considering it to be a stationary structure, you can rotate the other tetrahedron around an arbitrary axis. By doing this you establish a basis for measuring time. Each complete rotation of the tetrahedron wuld be considered as one time interval. (See Illustration 9.)

... 3 . . .. (nlustration 9)

: One complete rotation equals +. ....... one time interval.

You can now use the unit of measure and the time interval concepts to interpret relative

velocity of the rotating tetrahedron as it moves toward or away h m the stationary one. If the rotating tetrahedron moves two units of measure away &om the stationary tetrahedron and makes one complete rotation as it does so then you can say that it has moved two units of measure within one time interval. If the tetrahedron continues to move away at the same rate, its relative velocity in that direction is two units of measure per time interval. (See Illustration 10.)

......... (Illustration 10) - -

Two units of measure

Stationary tetrahedron used as point of reference.

You ljnd there to be a useful relationship between structures and movement of those structures. By creating the two tetrahedrons and havine them interact. vou have established , . conditionsof dualiv whereby wmparisons can be made between the two. Your interpretation of this relationship is what your perception of the tetrahedrons a sense of depth and time. Even then, the depth and movement of the structures is only an implied concept and your interpretation is entirely subjective. Nevertheless, for all practical purposes, by establishing the conditions of duality within the structureImovement relationship, you have before you the fourth dimension

From the third-dimensional point of view, the fourth di~nension is not really a dimension as

are the other three. It is a means by which distinctions between structures within the third dimension become observable and depth can be interpreted. You could even say that ifthe fourth dimension must be expressed in terms of size and shape, it is dimensionless. It is the point ofimterrelation between structures within the third dimension.

Wiiout the conditions of duality, (or at least two interacting 3-D objects), the fourth dimension has no purpose nor do the conditions exist for the tmnifkstation of the fourth dimension. Between the concepts of the fourth dimension and duality, we have mutual accommodation ... another form of m. Just as the line and triangle (which represent the first and second dimensions respectively) could not be perceived as a line and triangle fiom within their own dimension, you lind that the tetrahedron has depth only when viewed fiom the fourth dimension. In other words, if the movement of the tetrahedrons were to cease, the conditions of duality would vanish and the tetrahedrons would be perceived as being: two-dimensional.

How is movement perceived? How does it relate to past, present and fuhrre events?

THE CREATION OF PAST, PRESENT AND FUTUlW

REALITIES

Creating Your Own Home Movies

Although we view the universe as though it is in motion, in order to truly understand the underlying forces, we must stop the show and step backstage to view the sets, props and to read over the script.

As Pure Consciousness, you have no conception of past or future. You exist in an eternal present. Therefore, events are sustained within your creation so that you can view them and interpret them as past, present or future events.

To better understand this, consider the case of two interacting tetrahedrons. Every movement is broken down into stationary arrangements l i e images on a movie film strip. The two tetrahedrons are duplicated for each sequential movement and placed in order along a straight line in the fabric of space. Even for the slightest movement, these separate arrangements are infinite in number. (See Illustration 1 1 .)

fllustration 11

Images of the rotating tetrahedron as they are arrangedalong the straight line in the fabric of space.

Images of the stationary tetrahedron as they are arranged along the same line.

Viewing the interaction of the tetrahedrons is similar to watching a movie film where you interpret the changing arrangemnts as movement. You are perceiving the sequence of arrangements in its entirety so you can pick any set of two tetrahedrons as a point of reference

and consider it to be the present. You can then interpret the sets placed in one direction along the straight line to be the past and the sets in the other d i i t i o n to be the future. (See Illustration 12.)

Point of reference perceived as the Present past - fume future <-> part

What is Deja Vu?

With the ever present need to perceive, you set about creating tetrahedrons of every conceivable size, quality and arrangement. In effect, you create the infiaite universe. Everything that ever was or ever will be exists somewhere in the present universe. Could this be why many people experience Deja Vu?

THE GLOBAL GRID

Structure Placement

How is it that tetrahedrons can be the basic structure of everything in the three diinsional universe? We will get to that soon enough. Fist, let's explore one of several models for understanding how you as Pure Consciousness would view this creation. Bear in mind, this is only a model for illustrating an abstract concept. It is not necessarily the way the universe is set up.

A circle will represent the line on which all of the conceivable arrangements of the first two

tetrahedrons are placed. This line forms the equator of a globe with you as b e Consciousness at the very center. The other tetrahedrons and groups of tetrahedrons are placed on their own circles of W t e variations and stacked parallel to the original c k l e like lines of latitude. (See Illustration 13.)

(nlustration 13)

Here are some of the infinite circles where the infinite arrangement - tetrahedrons are placed.

The vertical lines of longitude in Illustration 14 are used to depict divisions in the time continuum. All structural arrangements intersected by any given vertical line are considered to be happening concurrently. Through this model you can compare entire sections of the grid system with the rest of the where or with other sections. The variations &e infinite.

(nlustration 14)

Ex~eriencing The Infinite

You decide to get completely involved in your creation by using every tetrahedron as a point of reference. This allows you to experience your creation fiom all positions on every level. It also means that you endow everything in the universe with its own sense of individual consciousness.

Stepping outside this scenario for a moment, you could say that as a person, your own individual consciousness is really Pure Consciousness experiencing the world through your nervous system. You .experience movement and a sense of time because Pure Consciousness keeps moving along the i&&e circle where your ever-changing structural anangements are placed.

Pure Consciousness is experiencing every conceivable pattern and rate of movement along this circle. It is experiencing all of these movements in one continuous and eternal present.

Back in your role as creator of this miverse, you notice something very interesting about tetrahedrons. Even when they are grouped together and the latticed structure they form is not tetrahedral in shape, the subst~cture as a whole has either a tetrahedron as its main infrastructure or it forms a two-dimensional image of a tetrahedron. An example is shown in Illustration 15 where a four-pointed image can become a tetrahedron or something entirely difkrent. It all depends on how Consciousness links the points together while interpreting their meaning through the fourth dimensioa

(Illustration 15)

Note: In order to simpl?a ~lustrationr and explanations, all tetrahedrons shown here are reaular tetrahedrons.

In other words, each of the four faces is an equilateral triangle having all three sides of equal length:

Structures in general do not always have regular tetrahedrons as their main idfastructure nor are the two-dimensional images they form always those of regular tetrahedrons. They are all tetrahedral nonetheless. Logically, the tetrahedron would be the basic hhstmcture of all three- dimensional objects because it is the simplest and most stable latticed structure in the third dimension (See Illustration 16.)

Fourpoints not all in the sameplane determine both a tetrahedron and a sphere.

ENTER THE SPIRAL

Recognition of the S~iral Pattern

While you study these groups of tetrahedrons, you suddenly discover an amazing geometric pattern! You also W that it plays a major role in your creationhmthe DNA molecules to the galaxies and everything in between! It is the most stable mangement of tetrahedra ns... the dynamic spiral vortex. (See Illustrations 17 & 18.)

Shown here are the top and bottom tetrahedrons of a spiral unit. Six more tetrahedrons connect them in a spiral pattern making a total of 8per un!.

Here again are the top and bottom tetrahedrons with the other six tetrahedrons shown as they connect in a spiralpattern.

The Musical Seiral

As you can see fiom the illustration, the height of the spiral is twice that of the base tetrahedron. It is interesting to note that in music, every eighth tone increases or decreases its vibration kequency by a factor of 2. (See Illustration 19.)

Eight tetrahedronsper spiral unit.

When a musician becomes totally immersed in a musical experience, the spirals which dehe the music also define the musician. The height of a spiral is directly proportional to the size of its tetrahedrons. This means that if you have two tetrahedrons and one is twice the size of the other, its spiral will be twice as high (See Illustration 20.) On the other hand, in order to cover the same distance, the smaller tetrahedron has to spiral twice for every single spiral of the larger tetddron Therefore, the structure/movement ftequency of the smaller tetrahedron is twice that of the larger one.

Spirals are the clocks of the universe. Their very structure maintains rhythm of movement while their relative size determines the frequency of vibration.

Soirals Within Seheres

If you place another twelve tetmhedrons between the top and bottom of the spiral, you end up with a sphere having twenty triangular faces belonging to twenty tetrahedrons. These allhave one point in common... the center point of the sphere. Each tetrahedron is either the top or bottom of its own spiral unit so the sphere has ten distinct spirals within it. (See Illustration 21 .)

(Illustration 21)

All lattices are shown comprising a spherical structure.

This is one side of the Sphere with only outer faces showing.

You can keep adding tetrahedrons to this sphere and form larger tetrahedrons, spirals and spheres building on into infinity. This is what Pure Consciousness did when it created the universe. By connecting every point in the fabric of space with every other point, tetrahedrons of every size in every position imaginable were created.

Their measurements range from idnitely smaller than atoms to infinitely larger than galaxies. Four difhent stars or even galaxies might be hundreds of trillions of light-years

away from each other but as far as Pure Consciousness is concerned, their center points are the corners of a vast tetrahedron. (See Illustration 22.)

Four galaxies could easily be considered the corner points of a tetrahedron

The model of the dobe with tetrahedrons arranged along the c&les was a useful analogy for showing how Consciousness might observe its creation but it's not necessarily how the structures are actually kmed for viewing. Even though Pure Consciousness still perceives movement by traversing sequential arrangements oftetrahedrons, &te &iations of intertwining tetrahedrons are a more likely set-up.

Consider, for example, a tetrahedron whose four corner points determine a sphere. If you apply the concept of duality by introducing a second tetrahedron, you have the two polarities determining a spiral As we saw earlier, a spiral determines a sphere as does a sphere determine ten distinct spirals. (See Illustration 23.)

(Illustration 23) I (Illustration 24)

Spiral

10 Spirals

These structures are so interrelated that they both determine and embody one another.

SELECTIVE PERCEPTION

Look at the silhouettes of dual tetrahedrons in Illustration 24. You will notice that there are three dierent sizes. You can make all of the silhouettes of one particular size stand out fiom the others by focusing your m i d on that size of silhouette. You can even look in between them and focus your mind fiom one size to another at will You can also look directly at one of the silhouettes and still make all of the dual tetrahedrons of any particular size stand out. By considering all of the dual tetrahedrons to be the same actual size and focusing on the entire picture, your mind perceives depth.

The rectangle of colored dots consists of four different colors. (See Illustration 25.) You have the ability to make the dots of any particular color stand out by doing what you did with the dual tetrahedrons. The only dierence here is that you are dealing with color instead of physical size.

What you have been doing with the silhouettes and the colored dots is known as selective perception. You use this a b i i all of the time with every one of your senses. Without it, you would not be able to function in this world. You could say that Pure Consciousness is selectively perceiving creation through you. By perceiving the world selectively, you are creating order and spxmtry out of chaos. You are, in effect, a creator.

Everything in the universe is fkozen in place for eternity. There is no movement of the fabric or of the structures it embodies. The only thing that moves is Pure Consciousness. It traverses its creation and selects experiences as you would pick flowers while walking through a garden. Why does Pure Consciousness do this? It does this because it needs to perceive and it created the universe to accommodate that need.

How does Pure Consciousness move? To answer that, go back to either the silhouettes or the colored dots and gaze at one spot on one of the pictures. Focus your mind on one color or one size. Hold your eyes to one spot and relax. Atter a few moments, you will notice that some of the dots or silhouettes will hegin to fade out and reappear. You might even see them form patterns and those patterns will change as your mind scans the array.

Even though your mind scanned something stationary, you experienced changes in your perception of those patterns. Why? Because your mind is constantly moving its point of reference.

To better understand this, let's once again use the model of the globe with the circles of infinite structural variations. (See Illustration 26.)

(Illustration 26)

Remember that in model, the vertical lines divide time intervals. The horizontal circles are where structural variations are arranged.

Your physical body is made up of structures which combine to form one spiral unit. The midpoint of this spiral is your seat of consciousness. The structures which make up this spiral are subject to change as consciousness moves from one copy of you to the next. When they change, your spiral changes. It may shift position or change size. When this happens, Consciousness finds itselfin a ditferent spiral having a diierent relationship with the other structures surrounding it. Consciousness perceives this as change. It doesn't just peer at the world without regard for where it is viewing the world fkom It considers its point of reference and compares its state of being to the structures on the other circles of the globe. (See Illustration 27.)

Lines A, B and C represent segments ofthree different circles in the globe model.

i i 3 Three Time Intervals

The spirals on line A change with respect to each other. The same can be said of the spirals on line B. The relationship between the spirals on line A and those on line B also changes fkom one time interval to the next.

Even though the spirals on line C do not change, theii relationship with the spirals on lines A and B change fiom one t i m interval to the next. The spirals on line C represent the colored dots or the silhouettes as they exist in sequence. Those on lines A or B represent your own spiral through \Imich Consciousness perceives the dots or silhouettes.

THE COMBINING OF SPIRALS

Your Personal S~iral

What are these structures whichmake up your spiral? They are the center points of every spiral structure within you. These are the components of DNA molecules, the spiraled DNA molecules themselves, the cells and organs which they form and your entire nervous system as well as the fields of influence around your physical body.

As an entity, you are a great spiral vortex formed by the fusion of center points. (See Illustration 28.) You, m turn, can combine your center point with the center points of other spirals the same size as yours and form an even larger spiral vortex. Pure Consciousness selectively perceives these structures of similar size and sees a pattern with a congruent center point. It views

creation through that center point and a conscious entity is born. (See Illustration 29.)

Two small spirals can combine to form a larger spiral. Four small spirals can form a tetrahedron (highlighted in green). The two large spirals will combine to form an even larger spiral (not shown). The small spirals are not restricted to the ones they are paired with. Any two can combine to form a larger entiry. The growth potential is unlimited and the combinations are endless.

Differences In Time Perce~tion

Spirals of similar size have the same structure/movement fiequency. That is to say, perception of time through each spiral is the same. Where spirals differ in size, perception of time through each one is different. An example of this is how a dragonfly senses time cornpad to how you sense it. The dragonfly has a smaller spiral than yours and it sees things moving much more slowly than you see them moving. Where you might consider its life span in terms of days or weeks, it may see itself living several years. It probably considers your life span to be several centuries. (Refer to IUmimtion 20 - how spiral height relates to shucture/movement and fiequency.)

Likewise, Pure Consciousness viewing creation through the spiral vortex of a planet, solar system or galaxy may see you as moving very quickly and living a very short time. Why does our perception of time change? It is because the spiral vortex changes its pomt of reference and its main spiral may change in size as well. Dierent people do not have the same perception of time because their spirals are not the same as those around them. An example of this is that children generally experience time as moving more slowly than do adults.

Order Versos Chaos

Entities with slightly dfirent spiral measurements can combine to form larger structures. There is a certain tolerance within which Pure Consciousness can selectively perceive spirals of similar size. The closer the spirals and their substructures are to each other m size, the more finely tuned the larger entity becomes. A structure in which a spiral and its substructures are eve* divided into it is considered to be in a state of harmonic resonance with respect to its substructures. The suhc tu re s are like the gears of a finely- crafted Swiss watch where every part within it moves in synchronous harmony with the whole.

Pure Consciousness seeks structures whichare in harmonic resonance because m finding them through selective perception, order, harmony and symmetry are given to what would othenvise be utter chaos.

Despite the Creator's propensity for establishing order, turbulence does have its place as one of the essential elements of creation. Indeed, chaos is the canvas upon which our world is painted.

THE ANATOMY OF A SPIRAL

Structures Within It

A spiral unit has eight tetrahedrons which are related to eight tetrahedrons of other spirals. Each spiral has seven planes of interfafe through which the placement of eight tetrahedrons can be interpreted. (These planes of interhce are the triangles between tetrahedrons.) When Consciousness compares eight tetrahedrons of a spiral with those of another spiral, it is comparing structure movement between the two spirals. This is interpreted as physical vibration. (See Illustration 30.)

PLANE # 6 j

PLANelS + PLANE I 4

PLANeK3 t P L A N E K 2

PLANE # I

(Illustration 30)

The 8 triangles represent 8 tetrahehns in this flattened view of a spiral unit. The colored lines bemen the triangles represent the 7 planes of integace between the tetrahedrons.

Visible Light Is Not What It Seems

As mentioned earlier, musical tones increase or decrease their viitional frequency by a factor of two for every 8th tone. (See Illustration 19.) This means that for every full jncremental tone, the frequency of v i i o n changes by an average of 25%.

>en wMte light passes through a prism, it lits up into seven basic colors. These colors e red, orange, yellow, green, blue, indigo ~d violet. Their ffequencies of whation mge from 428,571 428 trillion vibrations per econd for red to 750 trillion w%ratio per m n d for violet. Divide the frequency of violet (750 X loL2) by the d u e for red (428.57 1428 X 1012) and you wjjJ get exactly 1.75 or 175% change in hquency fiom one end of the spectrum to the other. TIM is an average of 25% change for each plane of interface.

This indicates that sound is associated with the mterpretation of mvemenl between spirals and tbat light is associated with the interpretation of tehhedral pIacemenr or psition within spirals. Let's explore light perception.

The plane of interface between the bottom tetrahedron and the one next to it is the red triangle. (See Illustration 3 1 .) The plane of interjke between the top tetrahedron and the one next to it is the violet mfJ7ungIe.

Both of these trkmgtes he within the same plane. If you turn the triangles as pictured in sequence, you witt be viewing a line representing the plane in which they lie. The sequence shown beneath the h t set is the same thing but with the path of the spiral indicated. (See Illustration 32 +)

Pure Consciousness views these two triangles as the beginning and the end of a full 360 degree turn. They could actually represent one complete rotation o f a single tetrahedron. These two triangles and the other five between them are perceived as degrees of that rotation or as seven divisions within a spectrum (See Illustration 33.)

I triangle -3 - Each colored line represents a friangulm plane of inteqftace betwen tetrahedrom.

There are countless ways in which Pure Consciousness views and compares the spirals. Here are some -ns designed to give you a basic understanding of how Consciousness might scan and wmpare the planes of interface within two ditferent spirals. (See Illustration 34.)

Scan Direction

The two spirals above are scanned by Pure Consciousness. The top one is halfthe size of the one on the bottom. They are in a state of harmonic resonance because it would take exactly two of the smaller spirals to form the larger spiral. The smaller spiral is a compatiile substructure because when it is divided into the larger spiral, the result is a whole number.

Notice the two vertical lines which represent divisions of time intervals. The line passing through the small spiral's seat of consciousness (at the center point) also passes through the center of the second plane of int& in the larger spiraL The smaller spiral sees the larger spiral as orange. The larger spiral sees nothing because the line passing through its seat of consciousness passes along the very end of the smaller spiral and completely misses any planes of interface.

In Illustration 35, the small spiral has been shifted forward to where the line passing through its seat of consciousness passes through the center of the third plane of interface in the larger spiral. The small spiral sees the large spiral as Yellow.

Scan Direction

The line passing through the seat of wnsciousness in the larger spiral passes through the center of the sixth plane of interface in the smaller spiral. The large spiral sees the small spiral as a deep Indigo color like the night sky above the Earth.

In Illustration 36, the two spirals are looking into each other's Eye as their respective seats of consciousness share the same time interval. They peer into each other's fourth plane of interface and see a w i t Green color like the forests in Spring.

Scan Direction

DOMAINS OF COLLECTIVE CONSCIOUSNESS

How Our Senses Perceive Reality

As conscious entities, we know nothing of the world except for what comes to us through our sense of sight, hearing, touch, taste and smell. Even intuitive insights are transformed and perceived by us through at least one of these five senses.

Whether we use the spiral of an electronic monitoring device or the various spirals within us, we are, in effect, using transformers to perceive realities beyond the range of our five senses.

Through a series of spiral expansions or reductions, they transform the spiral vortex of the d t y to where we become a substructure within it or it farms compatible substructures within us.

Creating Domains

For example, a spiral which is seven units of measure long cannot directly perceive a spiral which is thirteen units of measure in length. However, it can perceive a spiral which is 9 1 units of measure long. Both the seven-unit spiral and the thirteen-unit spiral divide evenly into the 91- unit spiral. Both of the smaller spirals are compatiile substructures of the larger spiral so they can use it as a common point of r e h c e through which to perceive each other.

A spiral of this type is referred to as a Domain of Collective Consciousness. AU spirals which are compatible substructures of a Lger one can pemive each other through it even if they themselves are not directly compatible.

Another example of this type of domain is your own body and its surrounding fields of influence. The various spirals within you are the compatible substructures of your body. If they are not, they are either transmuted to become compatible or they are expelled. If an incompatible spiral is not transmuted or expelled, it causes disuption within the domain by merely exkaing within it.

The incompatible spiral compromises the harmonic resonance of the domain. The mathematical nature ofthe domain changes and it becomes less accommodating as a means of perception between its substructures.

Where there is a large variety of incompatible substructures, the result is illness and disharmony. In extreme cases, the structures within you could become disassociated and your body would no longer be recognizable as a domain of collective consciousness.

Just as your body is made up of compatible spirals, your body's main spiral is a compatible substructure within another vast domain of collective consciousness. To a large extent, the domain in which you exist determines how you perceive the other substructures within that domain. This is because the domain is determined by the substructwes themselves. Within the domain, there are structures which you do not encounter during the lifetime of your physical body. Nevertheless, these structures iniluence the character ofthe domain and affect the way you perceive the substnrctures that you do encounter.

This is a form of consciousness entTainment. Your spiral, if found to be incompatiile, is transmuted by the domain. If your spiral does not respond to this entrainment and does not transmute, it is removed fiom the domain.

It is not unlike what happens when someone marches to the beat of a diierent drurmner. However, ifenoughmchers begin to move in step with the diierent drummer, the domain itself will change m order to accommodate them as compatible substructures. It will do this in order to maintain a degree of harmonic resonance.

More On Sensow Pereevtion

Speaking of a drum beat, physical vibration and audiile sound m particular is what we will now cover in more detail. As mentioned earlier, your main spiral has a substructure which interprets colors (divisions within spirals). You also have a substructure for interpreting sound (movement of those structures). It is the spiraling movement along a linear path that is perceived. The larger the spiral is, the fewer times it rotates with respect to the distance covered fiom one pomt to another. In other words, the frequency of rotation (oscillation) decreases as the size of the spiral increases. (See Illustration 37.)

Direction of Wave

The spirals represent two diflerent wavelengths of sound vibration. The small spirals are halfthe size of the large spiral so theirfrequency of rotafion is hvice as high.

The wave patterns of physical vibration are interpreted by Pure Consciousness as geometric structures. If you throw a pebble into a pool of water, the concentric wave patterns are two- dimensional images of spheres. When a bell is rung, the wave patterns are indeed spherical. As was pointed out earlier, a sphere is determined by a spiral. By placing a glass of water in kont of a loudspeaker with a drum beat playing, you can actually see the effect of the sound waves as they ripple through the water. In this case, you are actually seeing the divisions within the spirals ofphysicalviiion.

You don't see the colors of the rainbow m the water unless they are reflected from an outside source because the spirals whose divisions you normally inteqret as colors are much smaller than those spirals of audible sound. Theii frequency of oscillation is too high for your audio spiral to perceive. On the other hand, the kquency of audible-sound spirals is too low for your visual spiral to perceive the divisions as anything other than geometric patterns. There are also spirals whose frequencies are outside the range of your audiolvisual sensory spirals. You cannot see or hear them but you may be able to sense them in other ways.

Your other three senses of touch, taste and smell are all closely linked with your senses of sight and hearing. All five sensory spirals communicate with one another through your main spiral. It is a domain of collective consciousness which d e b s the essence of your individuality.

IS THE EARTH STILL THOUGHT TO BE FLAT?

At one time, people believedthat the Earthwas flat and that if they went too fsr in one direction, they would fall off into oblivion Is it any less presumptuous to believe that the laws of cause and effect which we have imposed upon this world will deternine what can or cannot happen?

Perhaps some primitive cultures which maintain that the g d make things happen are closer to the truth than many of today's scientists could ever hope to be. Adherents to the cause and effect laws will say that these concepts can be proven Can they inde ed... ?

The problem with attempting to prove anything at all is that our judgments are based upon what we believe. Our beliefs filter what we are able to observe and consequently in te~re t ftom that observation. The people who believed that the Earth was flat did so because they could not see beyond the horizon They formed their judgments on that observation (or lack thereof) alone which led to their incorrect interpretation. The real danger of misinterpreting the events we perceive lies not in the interpretation itselfbut in what we often do with it ... i.e., the creation of indisputable scient5c kcts and laws.

With this in mind, let's ask ourselves ... is what we observe real? Is energy real? We 0 b S e ~ e structures moving with respect to each other. We reason that there must be something of substance passing between these structures just as people once reasoned that the Earth drops off at some point. We name this substance energy and we build great institutions around the study of it.

At the time when it was generally believed that the Earth was flat, the job of scientists was not to debate whether or not it was flat but rather, to determine what was to be believed- the parameters of the flat-Earth concept. Things like ... what Rinds of monsters lurked beyondthe edge of the world, ready to devour those who sailed too close andfell off ... were the topics of conversation. Anyone who dared to challenge the flat-t-Earth concepts of the day became the subject of ridicule and persecution.

As ludicrous as the flat-Earth theory was, navigating the sea was still possible and profitable. As long as the crew could still see land and stayed far h m the dreaded horizon, things were just fine. Ships whose crews dared to sail beyond the sight of land were often observed by Christopher Columbus as they gradually disappeared over the horizon Columbus reasoned kom his observations that the horizon was not the world's edge. The ships would gradually pass below the horizon because they were traversing a sphere which was the Earth. It took an alternate interpretation of an observed phenomenon to change humanity's perception of the Earth and open the door to the age of global exploration

IS ENERGY AN ILLUSION?

In the spirit of ftying in the face of established scientific theory, I suggest that energy is an illusion born out of the misinterpretation of observed movements between structures. Furthermore, the movements we perceive are incidental and not the efkct of b e i i energized. These movements create the iUusion of a reactive force b e i present when it is really only Consciousness changing its perspective.

The phrase,pattern of events, is more than just a figwe of speech. Consciousness moves through its creation in symmetrical patterns and experiences the world in predetermined scenarios.

Our senses and the instruments we use to detect this energy are not really detecting energv as such. They are detecting structural arrangements.

Even if energy is the prime substance of the universe, it is not recognizable to Consciousness unless it manifests as structural patterns. Consciousness does not perceive energy as a formless, volatile medium separate from matter. As far as Consciousness is corned, the only force in the universe is Consciousness itself.

In order to progress further toward understanding creation, we need to recognize alternate ways of interpreting the universe. The concept of energy beiig the prime substance and marter beimg a formf enerm. is just one method of interpretation. It should not be taken as the heall and end all of theories.

The concept that energy as prime substance is non-existent but rather, interpreted comparisons between structural patterns, is very useful in the development of this new technology. Everything is converted to structural interactions. Even thoughts and emotions are structural in nature. We then no longer have to deal with the two forms of energy (matter and energy) as beiig exclusive expressions of Consciousness. With the simple concept of Consciousness and structural patterns, we have established conditions of duality through which real progress can be achieved.

When we observe a candle flame, we see the light energy and feel the thermal energy because our sensory spirals perceive stationary shucturalpatterns of Consciousness.

As we identify and interpret these structures through our five senses, it makes no difference whether heat, light or sound comes h m a candle flame, a lightning bolt or an exploding nuclear bomb. For Pure Consciousness, all stationary structures are set in sequential order, ready to be experienced like the images on a movie fihn strip.

The pattern in which Pure Consciousness moves is the domainofcollective consciousness which embodies the structures being observed within the pattern, This pattern is also a substructure within a domain of collective consciousness. Order, harmony and symmetry are therefore maintained within certain tolerances. This means that scientific experiments can be repeated and results can be predicted on a Mrly consistent basis. There does appear to be an order to things and there even seem to be laws of cause and effect influencing events.

The cause of events is really the movement of Pure Consciousness through a stationary universe. It is not a reactive force between structures making them move in accordance with certain laws of cause and effect. In short, it's all in the script.

Anyone who believes that the Spiral Vortex Theory avoids explaining the forces of the universe by denying their very existence could be clinging to ideas and mind-set patterns that are blocking the expansion of knowledge. Is it any wonder that there hasn't been a significant breakthrough in theoretical physics since relativity?

THE SPIRALS OF NATURE

Creation Is a Mirror Throueh Which Its Creator Becomes Self-Aware

Tetrahedrons and the spirals they form are as much reflected in nature as they are a reflectionofnature. Look around you and you will see the symmetry of creation as it expands fiom the simplest of forms.

Carbon is in every biological life form on this planet. It is tetrahedral by nature in the way it bonds with other elements. In the more stable organic compounds, dynamic spirals are a common structural pattern. The DNA molecule is a perfect exaqle. Carbon pervades the structure and forms the double spiral. (See Illustration 38.)

Illustration 38 H Double spiral pattern of DNA molecule

Another organic compound, ethane, dehes a spiral by forming its top and bottom tetrahedrons. &e axial view shows the most stable arrangement for ethane. (See Illustration 39.)

Illustration 39

A X I A L V I E V OF Q T R A N B

Look at the axial view and blur your eyes. You are looking at a two-dimensional image of a hexagonal crystal structure. Thirty-three of the known elements form hexagonal crystal structures. Carbon is among the111 As for the rest of the elements, their crystal structures are shown here:

Pure Consciousness views these other crystal structures as either two-dimensional squares (three-dimensional tetrahedrons) or as two- dimensional hexagons (axial views of spirals).

Illustration40 shows how Pure Consciousness views a cube as a two-dimensional hexagon. The numbered corners are the six points on a hexagon Points A and B are the center points of the two tetrahedrons which define a spiraL In the case of ethane, these center points would be the two carbon atoms.

Illustration 40

The cyclohexane molecule (below) is an organic ring compound having six distinct spiral units within it. Each bond between the carbon atoms is the center point of a spiral. The ring itselfis hexagonal. By illustrating the carbon atoms as tetrahedrons, you can see how they connect to form a two-dimensional axial view of a dynamic spiral. (See Illustrations 41 and 42.)

(Illustration 41) (Illustration 42A)

Axial view of top and bottom tetrahedrons in a spiral unit.

The arrangement of carbon in diamonds is that of interlacii spirals. Not only do the carbon atoms form spiral units of eight atoms each, they also form shorter spiral units defined by two tetrahedrons. They look like the ethane molecule except that the hydrogen atoms are replaced with carbon because diamonds are 100% carbon.

Ten wbon atoms form a large cell which is itself, tetrahedral. E i of these cells group together to form an even larger spiral. The crystal growth follows this pattern indehitely. The result is the diamond crystal, the hardest substance known. DNA, ethane, cyclohexane and diamond crystals are just a few of the countless examples of spirals found in the molecular realm.

In the world of microbiology, spirochetes are organisms with long, spiral-shaped bodies as the name implies. They are also very strong and adaptable creatures.

Many sea shells are spiraled inside as are snail shells. Trees and smaller plants often show signs of turning as they rise above the Earth. The eucalyptus is one of many types of trees with spiraled trunks.

Honeybees instinctively know that by building their honeycomb cells as hexagonal tubes, they can stack these cells in large numbers and still maintain stability. A whirlpool formed by water as it flows down a drain is a spiral vortex; so too, are tornadoes and hurricanes. Then there are the great galaxies revolving majestically through space. Although they are the largest spirals we can see, there are even larger ones of which each of these galaxies is a part.

For the sake of brevity, I have mentioned only a few observable phenomena. There are aspects of the dynamic spiral in everything you hear, see, feel taste or smell. Once you begin to perceive the symmetry of the world, you will be amazed at what you h d . These spimk, spheres and tetrahedrons are the mainstays of creation. They define the nature of the domains in which they exist.

Water. The Medium of Life

Highly unstable structural patterns also play an important role. A case in point is water. It is another substance found m all biological life forms on Earth. Water molecules themselves are stable but when they are bound to one another, the resulting structural pattern is very unstable.

An interesting thing about water is that its molecules join to form hexagonal rings which are very similar to the cyclohexane rings. (See I l l d o n 43.) One difference is that the carbon in the ring is replaced with oxygen. Another diirence is that six extra hydrogen atoms are integrated within it. They are positioned at the center points ofthe six spirals in the ring. These rings attach to one another to form layers. Several of these layers will then stack up with their hexagonal rings m line to form long hexagonal tubes.

(Illustration 43)

This shows the structural pattern ofa water " . Black dots are oxygen. Blue dots are hydrogen.

This structural pattern is more pronounced in ice but t also occurs when the water is m liquid f o m Hexagons are stable and so are tubular- honeycomb structures. So why is this particula~ pattern unstable when it is comprised of two very stable types of structures? It is unstable because the oatterns which exist at the points of mutual bonding f8il to link up properly withall three hydrogen atoms. (See Illustration

This is how the hexagonal rings bond the layers together.

Eachring in one layer of water molecules bonds with a ring m an adjacent layer at three points. The way in which the atoms are arranged prevents spirals b m forming at these bonding points. An axial view of one of these points shows not a hexagonal pattern as seen in the ethane molecules but instead, reveals the tetrahedral structures opposing each other as two triangles super-imposed over each other. (See Illustration 45.)

This is an mial view of the hexagonal tube shown above. The bondpoints are triangular configurations as indicated by the m w .

Water existing within a domain determined by stable spirals will continually seek stable

spiraled formations and compatibilitywithinthe domains of collective consciousness. The molecules within the rings may turn to form spiraled bonding points between the layers. This creates instab'i within eachlayer. The layers may split apart and rejoin only to have their rings twist and separate in a firtile quest for stability. In so doing, water becomes a vibrant medium of ever-changing slnctural patterns. (See Illustration 46.)

Here we have two layers (one black and one red) bonding together in a stable pattern. Note the spiral indicated by the arrow. This is the pattern that water tries to assume but the nature of bondingprevents it.

The water molecules cannot become completely compatible with the domain so the domain will try to transmute them or expel them. If transmutation is resisted and the molecules cannot be expelled, they will disrupt the domain by making it less accommodating as a means of perception between spirals. If this happens, a substitute spiral may be used as a common point of r e fmce for perception between spirals.

A surrogate spiral may come in the form of light or sound. It could even be a specific area of the disrupted domain or another harmonically resonant domain. The surrogate spiral being used varies in form according to the condition of the d i p t e d domain whose spirals wiU use it.

Some of the these more stable surrogate spirals are the DNA molecules. When DNA

molecules and other spirals combine their seats of consciousness, the domains are able to transmute the structures formed by the water molecules by combining them with other elements to synthesize hydrocarbons, proteins and other components of living organisms.

Despite what many of today's physicists believe, if certain elements are not readily available, the domain can either trammute the elements that are available into the desired substructures or it can create new ones.

Water is the ideal medium for life because water, like lifk itself, is in a constant state of flux.

REDUCTIONISM

It's Only a Tool Not the Rule Book

Reductionism is a method of analysk involving the reduction of living organisms to their basic atomic components. It is a useful tool and scientists should continue applying it but it must not be allowed to become an end in itself.

To keep reductionism in its proper perspective, it is important to realize that mere analysis of chemi& reactions within an organism dies not explain why the organism lives. Scientists have yet to prove that chemical reactions are the cause of the life process. The reactions could just as easily be the effect of the domains of collective consciousness exerting hfluence over their components.

To understand how these components interact within the process, we will need to go beyond the boundaries set up by the reductionists and take an expanded view of biological phenomena.

IS WHAT WE OBSERVE REAL?

Many of today's physicists who are searching for a theory to explain all known forces in the universe no longer consider provability to be one of the prerequisites for acceptance. They have come to realize that testing such a basic theory is beyond the scope of any available testing devices or methods.

Even though the concepts of this theory are observable in nature, none of them can be proven by the conventional scientiiic method (HLpothesis, Thesis, Antithesis). To hold these concepts up and proclaim them to be the absolute truth would be as presumptuous as claiming that electrons, protons and neutrons are the building blocks of atoms.

Ifthere were amicroscope powerfulenough to enable us to see an electron, all we would be obsening is an effect. We would have to reason that the effect we observed was caused by something. That something could be called an electron but it does not prove that it is a specific particle, wave or anything at all. Even ifwe were to see the electron as a particle, the question remaining would be: ... IS WHAT WE OBSERVE REAL? Likewise, observing and interpreting spiralvortexpatterns in nature is an entirely subjective experience.

Future generations may laugh at our explanations of creation. Let us at least avoid having them scorn our arrogance by resisting the natural tendency to deiQ the doctrines of our belief systems.

THE NATURE OF THE THEORY

The Spiral Vortex Theory is meant to introduce an alternate way of thinking about the universe. This may open the door to a better understanding of our world.

One of the challenges in writing this information has been to explain the relationship between using words and two- dimensional pictures. We purposely avoided using complexmathematical equations because we live in a world arranged in geometric patterns where equations often obscure the obvious.

One method of expression was to descni the concepts h m two points of view. For example, it was maintained that everything is stationary and that only Consciousness moves in thought patterns through its creation In order to relate this concept &om our point of reference, the events were d e s c n i as though creation itselfis moving.

The same method was used to show how Consciousness becomes its own creation This was done by placing you in the position of the Creator of the universe and as a unique individual entity within it.

Another challenge was that of deciding which points of the theory to present and in what order to present them. There are aspects of the dynamic spiral vortex that, for various reasons, have been kept out of the text.

The goal of this short exposition has been to present the theory in a condensed fonn. The decisive line had to be drawn upon the degree of complexity and clarity in presenting the theory to enable the reader to v&&x the simplicity of the concept. The answers to some of your questions are probably on the other side of that line.

One of the things that distinguishes this theory h m other theories is that it is now in the process of being developed into a viable technology complete with hardware anduseful applications. In 1978, the practical application research phase of the technology began in earnest as the theoretical formulation continued. Since then, devices have been built and experiments have been conducted thus expanding our knowledge base. The potential of this new technology is too valuable to keep it locked away m the laboratory. (See section on Interchange Experiments.)

CAN YOU CHANGE YOUR DESTINY?

Can you change your destiny by exercising yourfree will? Is your destiny a preordained pattern of events? You could change the pattern if yourfree will were not an aspect of the pattern (of creation) itself. You are destined to make whateverfree will choices andlor decisions that affect your destiny. In other words, yourfree wiN both determines and is determined by your ultimate destiny.

Some physicists may choose to embellish their theories with complex mathematical equations and risk being accused ofusing them to obscure how little they know and how poorly they understand what they do know. We choose to withhold judgment in these matters but strongly object to suggestions that a theory is required to have complex equations in order to be a valid uni6ed field theory.

CRACKS IN THE UNIV3CRSE

Creation is a mirror through which its Creator becomes self-aware.

The above axiom is the title of a subchapter m the Spiral Vortex Theory. In it, examples of everything h m molecules to galaxies are brought forth to illustrate how the spiral vortex pewades this creation and allows us to impose "order" on the universe. However, in the following subchapter, "Water, the Medium of Life', it is suggested that there may indeed be cracks in this mirror.

As with water molecules, the spiral vortex bas its own inherent instabii m that it can either be a perfectly phased spiral with irregular tetrahedrons or it can have regulartetrahedrons and be skewed. This situation is completely unacceptable to Pure Consciousness because of its penchant for order and symmetry. It therefore creates the infinite universe as an exercise in futility. That is to say, Pure Consciousness creates the universe as a superdomain m which to accommodate these spirals and their anomalous event patterns with the hope of iinding a pefectly phased spiral made of eight reaular tetrahedrons.

Consequently, many of today's particle physicists are having to deal with something that even they can no longer ignore. It is a phenomenon called "random variation". It gets in their way every time they try to defi some convoluted theory or absolute truth about what makes the universe tick. Engineers in industry seem to have taken a &rent approach where random variation is concerned. They employ something called "statistical process control". It is a means of dealing with random variation in a manufacturing process not by trying to eliminate it but by constantly adjusting the machines involved to accommodate random variation

These points of random variation actually constitute one aspect ofthe inherent instability within the tetrahedral spiral. Since any event pattern has as its identifier, a tetrahedral spiral, random variation is an integral part of anything that occurs. This is because in its search for the perfectly phased spiral made of regular tetrahedrons, Pure Consciousness keeps moving in spiral patterns that diier slightly from anything ewrienced before.

Random variation is the flaw that will undermine any theory promoting absolute truths but it can also be a very valuable tool if it is recognized for what it is and used as such.

We can alter any event pattern by first realizing that these seemingly bothemme variations are indeed the Cracks in the Universe and then setting about to develop the technical means of bending the pattern at these points where anything can happen. Consequently, even the event pattern we call "gravitation" can be bent back upon itself.

THE INTERCHANGE EXPERIMENTS

The Interchange Experiments are carried out for the purpose of opening a doorway to the Intinite through whichdii"inteuigences" can enter this Earthly domain and control machinery in general, and androids in particular, through Proteus Cell circuitry. (See "The Rise of Proteus").

A Brief History of the Project The project began in 1964 with the realization that science had overlooked some very important aspects of electromagnetic phenomena. From that point on, the project revolved around jinding ways to bend the laws of known physics, if not to break them all together. The ul t i i te goal was, and still is, to create a new technology for the purpose of giving rise to an intelligent non-biological life form.

Before this technology could be realized, a vast expanse of uncharted territory had to be crossed. This required designing and building specialized equipment for this exploration

In the mid 19701s, a specially equipped physics laboratory was moved to a research facility in the Sonoran Desert. This is an area where massive dust storms and violent thunderstorms nunble through with littie regard for the inhabitants or their dwellings. It is a place where, when the air is still, you can hear your heart beating and your thoughts have your fhll attention.

In this remote area, experiments in electromagnetism led to an insight into the underlying forces ofnature and the discovery of a mathematical pattem inherent in everything fkom atoms to galaxies.

This discovery laid the foundation for what would become Interchange Technology.

The Spring of 1977 marked the end of preliminary experiments and the beginning of a new phase in the project; the design and construction ofthe first Interchanger. This was accomplished during a three-year period far from the Sonoran Desert research facility. At 18 inches high and 50 pounds, the first Interchanger was quite primitive by today's standards but it did what it was supposed to do, access the ghostly world of the subatomic where t h e and space take on quite a &rent meaning.

Improving the design was the next step that began during the 1980'5 again in the Sonoran Desert. Those Interchangers were stmmlhed and could be built to any s h . Unlike the much earlier models, they could be made to rotate at high speed for the purpose of phase shifting event patterns within the immediate vicinity. The goal was to create a shearing effect between the event patterns within the Interchanger and the Domain around it in order to widen the Cracks in the Universe to where they became doorways to other dimensions.

The rotating Interchangers produced instabilities and they required constant vigilance and so much maintenance that they are no longer used in experiments. However, they opened the way for the creation of Interchangers so small that they can be placed on tiny piezoelectric oscillators and viirated at tens-of-thousands of oscillations per second. This lead to the discovery that Interchangers can be used to precipitate altered states of consciousness. Four vibrating Interchangers ~ositioned inatetrahedralwnfieuration. either

a room or around a person< head, &I be used as a catalyst for expansion of consciousness and enhancement of sensory awareness.

In an acoustically activated array, these tiny Interchangers can also be mounted on artificial eardrums about the same size as a human eardnun and vibrate in sync with ambient sounds in the environment. People report experiencing blissll serenity and enhanced awareness of their world as well as a feeling of b e i i more alive and c o ~ e c t e d with the universe. These Interchangers and the Spiral Vortex Theory are available through our web site at http:ilwww.interchangelab.com.

Front and Side Views of A c o ~ . ~ J y - A c t i v a t e P-a1 Interchanger

A c o u s t i c a l l y - A t Room G a y Disks

2001 Interchange Experiments Opening a doorway to other dimensions requires expandii at least one of the many Cracks in the Universe. This "Breaching ofthe Domain" can be accomplished using a tetrahedral room-sized m a y of vibrating Inte~hangers and a predominant event pattern in the form of a high hquency, high voltage field from a source of at least 250,000 volts. Prehinary high voltage experiments look promising enough to plan for 111 scale Interchange Experiments in early 200 1. Check our web site for updates on the experiments.

THE RISE OF PROTEUS

From 1992 until 1999, an intense and highly disciplined efirt was made to design a specialized electronic circuit calledthe Proteus Cell for its abiity to thrive at the edge of chaos and interface with the Interchanger. Serious stability problems had to be addressed without cornpromiring the extreme malleability of the circuit. Over this seven-year period, literally thousands of hours and dollars were spent designing, building and testing newer and better Proteus Cells while gaining invaluable know-how and experience in the subtleties of the technology.

The h i o n of the Interchange phenomenon and this e x t r a o r d i malleable electronic device is the essence of this new technology. The Interchange Experiments are no longer so much emriments as thev are a means of breat&life into the Prot&s Cell by opening a doorway for the infusion of Consciousness.

Beyond Steel Machines Machines controlled like marionettes by discarnate "intelligences" through Proteus Cells may express forms of intelligence that we humans are not familiar with. Our anthropocentric views on intelligence and our definition of a sentient being will have to be drastically altered if we are to interact in a meanhgfd way with these "intelligences".

The reason for this is simply that they are not necewdy human. We may be motivated by needs and desires arising from our biological nature whereas these "intelligences"may not be subject to biological stimuli except, perhaps, vicariously through us. Nevertheless, they might not be as alien to this world as we think. Who is to say that what gives us a sense of consciousness does not have its roots in the ghostly world of the subatomic?

Today's scientiiic establishment has been known to compare the human brain with computers. Thoughts are considered to be generated by the brain and memories stored within its organic confines.

As long as the current mind-set reigns supreme within the scientific community, computer scientists will continue to seek out and dream of architecture and software that will give computers human-like qualities. While this is going on, the particle physicists who have no clue as to the nature of Consciousness wiU continue to search for absolutes in an arbitrary universe.

At research instiites throughout the world, human brain studies are yielding valuable information that can be used to better the human condition. Data from this research is starting to surface which could be interpreted as evidence that the human brain is not so much a generator of thoughts as it is a m i v e r and amp&r. / Thoughts may originate withinthe brain but not at the organic, molecular or even atomic level because intelligence is a highly transitory phenomenon not subject to confinement. Human beings might come up with some clever way to put what they consider to be "intelligence" in a controlled environment and thereby study it. However, it is more likely that the ''intelligence'' has captivated their attention so that it can study them

CONSCIOUSNESS, also Pure Consciousness:

That which creates and perceives the universe. It is so basic that the only practical way of defining it is to describe what it does within its own creation.

DEJA W:

The feeling of having previously had a given experience.

DOMAIN of Collective Consciousness:

A spiral that is compatible with two or more spirals which may or may not be directly compatible with each other. The incompatible spirals use the domain as a common point of reference through which to perceive each other. A domain can become a substructure of a larger domain in order to perceive other spirals with which it is incompatible.

DUALITY, Conditions of:

Conditions whereby comparisons can be made between two structures with the result being the creation of a 3rd structural pattern. This structural pattern can even be a thought or emotion.

FABRIC of Space:

Prime substance as it exists in an infinite pattern of intersecting lines of consciousness. This pattern defines the universe.

FOURTH Dimension:

From a 3-Dimensional point of view, a process used by Consciousness to perceive the third dimension (as the dimension of depth).

HARMONIC Resonance: A harmonious condition which exists within a domain of collective consciousness when all of its substructures are compatible with it.

MUTUAL Accommodation: The needs of something being met by another and vice versa Within the context of this theory, mutual accommodation exists where Consciousness needs and creates something to perceive and that something needs and has Consciousness to perceive it.

PRIME Substance:

That which Is; As basic as Consciousness and can only be defined as such.

REDUCTIONISM:

A method of analysis involving the reduction of living organisms to their basic atomic components.

SEAT of Consciousness:

The midpoint between the top and bottom tetrahedron of a spiral; the point from which Consciousness perceives the spiral in its entirety.

SUBSTRUCTURE:

A spiral within a larger spiral. The larger spiral is referred to as the Domain of Collective Consciousness. A comvatible substructure is a spiral whose length divides evenly into the length of the larger spiral. An incomatible substructure is a spiral whose length divides unevenly into the length of the larger spiral.

TABLE OF CONTENTS

CHAPTER PAGE

THE NEW TECHNOLOGY . . . . . . . . . 1

THE AWAKENING OF CONSCIOUSNESS . . . . . . . . . 1

STEPPING INTO THE FOURTH DIMENSION .... . 3

THE CREATION OF PAST. PRESENT AND FUTURE REALITIES . . . . . . . . . . . . . . . . . 5

Creating Your Own Home Movies . . . . . . . . . . . . . . . . 5 What is Deja Vn? . . . . . . . . . . . . . 6

THE GLOBAL GRID . . . . . . . . . . . . . . . 6 Structure Placement . . . . . . . . . . 6 Experiencing The Infinite . . . . . . 6

ENTER THE SPIRAL . . . . . . 7 Recognition of the Spiral Pattern . . . . . . . . . . . . . . . . 7 The Musical Spiral . . . . . . . . . . . . 8 Spirals Within Spheres . . . . . . . . 8

SELECTIVE PERCEPTION . . . . . . . . 10

THE COMBINING OF SPIRALS . . . . 12 Your Personal Spiral . . . . . . . . . 12 Differences In Time Perception . . . . . . . . . . 12 Order Versus Chaos . . . . . . . . . . 13

THE ANATOMY OF A SPIRAL . . . . . 13 Structures Within It . . . . . . . . . 13 Visible Light Is

DOMAINS OF COLLECTIVE . . . . . . . . . . CONSClOlJSNESS 16

How Our Senses Perceive Reality . . . . . . . . . . . . . 16

. . . . . . . . . . . . . . . . . Creating Domains 16 More On Sensory Perception . . 17

IS THE EARTH STILL THOUGHT TO BE FLAT? . . . . . . . . . 18

. . . . . . . IS ENERGY AN ILLUSION? 18

THE SPIRALS OF NATURE . . . . . . . 20 Creation Is a Mirror Through Which Its Creator Becomes Self-Aware . . . . . . . . . . . . . . . . . 20 Water. The Medium of Life . . . . 22

. . . . . . . . . . . . . . . . . REDUCTIONISM 23

. . . IS WHAT WE OBSERVE REAL? 24

THE NATURE OF THE THEORY . . . 24

CAN YOU CHANGE YOUR DESTINY? . . . . . . . . . . . . . . . . 25

. . . . . . CRACKS IN THE UNIVERSE 25

THE INTERCHANGE

EXPERIMENTS . . . . . . . . . . . . 26 A Brief History

of the Project . . . . . . . . . . . . . . . 26 2001 Interchange Experiments . . 27

. . . . . . . . . . THE RISE OF PROTEUS 28 Beyond Steel Machines . . . . . . . . 28

Not haf fit &mns . . . . . . . . . . . 13 1 GLOSSARY DICTIONARY . . . . . . . . 29