intonation

30
+ English Stress and Intonation Ms. Quiñones, Lehigh University English Intonation

Upload: candice-q

Post on 06-May-2015

1.430 views

Category:

Health & Medicine


3 download

TRANSCRIPT

Page 1: Intonation

+

English Stress and IntonationMs. Quiñones, Lehigh University

English Intonation

Page 2: Intonation

+

Overview• Stress• Tone• Pitch

Page 3: Intonation

+

Stress

Page 4: Intonation

+Intonation Units

An 'intonation unit' is a piece of utterance, a continuous stream of sounds, bounded by a fairly perceptible pause. (Celik)

This is also known as a “thought group” Ex. “the very special man” or “pedaled quickly” or

“which was late”

Page 5: Intonation

+Intonation and Stress

’Stress' applies to individual syllables, and involves, most commonly, loudness, length, and higher pitch (Roach, 1983:73)

Page 6: Intonation

+Stress

More Information, Less Predictability = Higher Stress on that Word

The word(s) that informs the hearer the most is usually the most emphasized. These are called “content” words

Page 7: Intonation

+Stress: Content & Function Words

verbs

nouns

adjectives

adverbs

question words (wh-, how)

modal auxiliaries

articles

conjunctions

prepositions

pronouns

Content Words Function Words

Page 8: Intonation

+Types of Stress

There are 4 main types of stress Unmarked tonic stress Emphatic stress Contrastive stress New information stress

Page 9: Intonation

+Tonic Stress

An intonation unit almost always has one peak of stress, which is called 'tonic stress', or 'nucleus'.

Tonic stress is almost always found in a content word in an utterance’s final position.

Ex. Tonic syllable is underlined: I'm going. I'm going to London. I'm going to London for a holiday.

Page 10: Intonation

+Emphatic Stress

One reason to move the tonic stress from the final position is to assign an emphasis to a content word, usually a modal auxiliary, an intensifier, an adverb, etc.

Compare the following examples adapted from Roach (1983:144). i. It was very BOring. (unmarked)

ii. It was VEry boring. (emphatic) i. You mustn't talk so LOUDly. (unmarked)

ii. You MUSTN'T talk so loudly. (emphatic)

Page 11: Intonation

+Intensifying Adverbs and Modifiers

indeed

utterly

absolute

terrific

tremendous

awfully

terribly

great

grand

really

definitely

truly

literally

extremely

surely

completely

barely

entirely

very (adverb)

very (adjective)

quite

too

enough

pretty

far

especially

alone

only

own

-self

Page 12: Intonation

+Contrastive Stress

In contrastive contexts, any word or syllable can receive the tonic stress. Key word = contrast.

Consider the following examples: a) Do you like this one or THAT one?

b) I like THIS one.

Consider the following sentences and their meanings: She played the piano yesterday. (It was her who...) She played the piano yesterday. (She only played (not

harmed) ...) She played the piano yesterday. (It was the piano that...) She played the piano yesterday. (It was yesterday...)

Page 13: Intonation

+New Information Stress

In a response given to a wh-question, the new information supplied is stressed. a) What's your NAME

b) My name's GEORGE. a) Where are you FROM?

b) I'm from WALES. a) Where do you LIVE

b) I live in BONN a) When does the school term END

b) It ends in MAY. a) What do you DO

b) I'm a STUdent. 

Page 14: Intonation

+

Tone

Page 15: Intonation

+Types of Tones

fall

low-rise

high-rise

fall-rise

Page 16: Intonation

+Example- Types of Tones

Page 17: Intonation

+Fall (A Falling Tone)

signals a sense of finality, completion, belief in the content of the utterance, and so on.

A speaker, with a falling tone, also indicates he is done speaking, and offers a chance (turn-taking) for the addressee to respond. The choice to respond lies with the addressee

Page 18: Intonation

+Uses of Falling Tone

Simple statements: I'll report you to the HEADmaster

Referring expressions: I've spoken with the CLEAner.

Questions that begin with wh-questions: Where is the PENcil?

Imperative statements: i) Go and see a DOCtor.

ii) Take a SEAT.

Page 19: Intonation

+Uses of Falling Tone

Requests or orders: i) Please sit DOWN

ii) Call him IN. Exclamations: Watch OUT!

Yes/No questions and tag questions seeking or expecting confirmation: a) You like it, DON'T you?

b) YEES.

In a Yes/No question, speaker knows or assumes they know the answer: a) Have you MET him?

b) YES.

Page 20: Intonation

+Low Rise (A Rising Tone)

This tone is used in genuine 'Yes/No' questions where the speaker is sure that he does not know the answer, and that the addressee knows the answer.

Consider the following question uttered with a rising tone, the answer of which could be either of the three options: A) Isn't he NICE? B) i) Yes.

ii) No.iii) I don't know.

Page 21: Intonation

+Low Rise

Other examples which are uttered with a rising tone are: Do you want some COFfee? Do you take CREAM in your coffee?

Page 22: Intonation

+High Rise (A Rising Tone)

If the tonic stress is uttered with higher pitch, we may think that the speaker is asking for a repetition or clarification, or indicating disbelief. a) I'm taking up TAxidermy this autumn.

b) Taking up WHAT? (clarification) a) She passed her DRIving test.

b) She PASSED? (disbelief)

Page 23: Intonation

+Fall Rise (followed by Fall)

Fall-rise signals dependency, continuity, and non-finality (Cruttenden, 1986:102) Generally used in 'dependent' clauses such as those

involving adverbs, subordinate clauses, compound sentences, and so on.

It generally occurs in sentence non-final intonation units.

Consider the following (the slash indicates a pause): Private enterPRISE / is always EFficient. A quick tour of the CIty / would be NICE. PreSUmably / he thinks he CAN. Usually / he comes on SUNday.

Page 24: Intonation

+Combinations

Fall-rise + Low Rise Typically this tone pattern involves a dependent

clause followed by a Yes/No question. If I HELPED you / would you try aGAIN? Despite its DRAWbacks / do you favor it or NOT?

Fall + Fall When the speaker expects or demands agreement

It's a bit TOO good to be true / ISN'T it?

When reinforcing w/ adverbials as an expression of after-thought. Ann said she'd help as much as she COULD / NATUrally.

Page 25: Intonation

+Pitch and Pitch Range (Key)

Page 26: Intonation

+Pitch Range

High

Low

Page 27: Intonation

+High Pitch

Used for exclamation contrastivity the act of echoing/repeating –

may involve a genuine attempt to recover unrecognized, unheard information, or to indicate disbelief, disappointment and so on

Page 28: Intonation

+Low Pitch

Co-reference, Appositives used to indicate co-referential, additional or

supplementary information.

Non-defining Relative Clauses non-defining relative clauses, parenthetical

statements expressions of dis/agreement, reduced clauses etc.

Statements of Opinion short statements of opinion, involving clarification,

certainty/uncertainty, are attached to propositional statements

Page 29: Intonation

+

Questions?

Page 30: Intonation

+References

“Teaching English Intonation to EFL/ESL Students” by Mehmet Celik. Published in The Internet TESL Journal, Vol. VII,

No. 12, December 2001 Available: http://iteslj.org/Techniques/Celik-

Intonation.html