introduction paragraph for long composition

44
Canada . . . . CAD 7.50 Malaysia. . . MYR 10.00 Singapore. . . SGD 7.50 UK . . . . . GBP 3.75 India . . . . . INR 85.00 Brazil . . . BRL 10.55 Trinidad . . TTD 36.00 Affirming Sanatana Dharma and Recording the Modern History of a Billion-Strong Global Religion in Renaissance October/November/December, 2004 US $5.95 INTERNATIONAL Feature Story: The Amazing Adventure of Thirty Million Hindus at the Ujjain Festival 18 Issues: Spiritual Leaders at the Mela Speak Out on Organ Donation, Gay Marriage and More 30 Tradition: How the Devas and Asuras Churned the Ocean for the Chalice of Immortality 34 Honor: Pichai Sivacharya—One of India’s Foremost Priests Is Our 2004 Hindu of the Year 40 Revival: Nominal Muslims of Central Java Are Returning to the Hinduism of Their Ancestors 52 Temple: Atlanta Area Hindus Dedicate Siva Temple 66 LIFESTYLE Women: Commentator Madhu Kishwar Explores the Complex Hindu Interpretation of Sita 36 Insight: Visiting a Hindu Temple—the Illustrated Esoterics and Protocol of Worship 41 Medicine: Exploring the Impact of Diet and Lifestyle on Type 2 Diabetes 49 Craftsmanship: Swamimalai’s Bronze Artisans Create Larger-than-Life Statues of Indian Saints 50 Animals: Other Creatures Live a Surprisingly Complex Emotional and Social Life 54 Teens: Five Hindu Youths Share Their Sense of Personal Identity in a Multi-Ethnic World 58 Testimony: Young Ramya Gopal Reports on the Ritu Kala, Girls’ Coming of Age Ceremony 59 Environment: Artificial Decorative Powders, Such as Kumkum, May Be Bad for Health 60 Worship: How Vermont’s Backwoods Was Introduced to the Elephant-Headed God, Ganesha 62 OPINION In My Opinion: The Ethics of Stem Cell Research 9 Publisher’s Desk: What is True Success? 10 Letters 12 From the Vedas: Our duty to Preach Dharma 16 DIGESTS www.hinduismtoday.com Letters to the editor, subscription and editorial inquiries may be sent to Hinduism Today, 107 Kaholalele Road, Kapaa, Hawaii 96746-9304 USA, [email protected]. HINDUISM TODAY (issn# 0896-0801), July/August/September, 2004, Volume 26, No. 3. Editorial: 1-808-822-7032 (ext. 227); sub- scriptions, copy or bulk orders: (from USA or Canada:) 1-800-850-1008 or (from all countries) 1-808-240-3108, [email protected]; advertising: 1-888-464-1008, [email protected]. All-department fax: 1-808-822-4351. HINDUISM TODAY is published quarterly by Himalayan Academy, a nonprofit educational institution; Satguru Sivaya Subramuniyaswami, Founder; Satguru Bodhinatha Veylanswami, Publisher; Paramacharya Palaniswami, Editor- in-Chief. USA subscriptions: us $35/1 year, $65/2 years, $95/3 years, $155/5 years, $1,001/lifetime. Contact us for international rates. In India: Central News Agency Limited, 4E/4 Jhandewalan Extn., New Delhi 110055, Tel (011) 367-0534, E-mail: [email protected]. For permission to publish a HINDUISM TODAY article, call 1-808-822-7032 (ext. 227) or fax 1-808-822-4351. Printed in USA. © 2004 himalayan academy, 107 kaholalele road, kapaa, hawaii 96746-9304 usa. all rights reserved. thomas kelly thomas kelly october/november/december, 2004 Hindu Year 5106 Tarana, the Year of Safe Passage COVER: Two Hindu girls prepare their oil lamps for the evening worship of the Shipra River at Ujjain’s Kumbha Mela festival; (above) Naga Babas, yogi ascetics, are poised at the river’s edge awaiting the auspicious moment for their sacred bath. www.gurudeva.org Diaspora 6 Quotes & Quips 14 Digital Dharma 86 YEARS 1979–2004 H I N D U I S M T O D A Y

Upload: connor

Post on 16-Nov-2014

1.671 views

Category:

Documents


0 download

DESCRIPTION

Learn the three main parts to a great introduction paragraph and evaluate sample introductions to see if they have all three parts.

TRANSCRIPT

Page 1: Introduction Paragraph for Long Composition

Long Composition: Introduction Name

Date

Three Parts: Attention Catcher, Bridge, and Thesis. At least 3 sentences, but better at 5 or more. It

depends on the length of the essay and time allotted.

Purpose: The introduction should be designed to attract the reader’s attention and focus the

attention on the main idea of the essay’s focus.

1. ATTENTION CATCHER. The introduction begins with an attention catcher which captures the

reader’s attention and piques their curiosity.

Examples:

A Startling Statement

This statement evokes the readers’ curiosity. They want to read on because they want to know what

you’re talking about. Your statement should be sensibly connected to your thesis. If you use this

type of AC, follow it with a sentence or two of elaboration of further description, explanation, or

discussion.

Anecdote

An anecdote is a very short story that illustrates a point. Be sure your anecdote is short, to the point,

and relevant to your topic. This can be a very effective opener for your essay, but use it carefully.

A Statement of Issue

A few sentences explaining your topic in general terms can lead the reader gently to your thesis.

Each sentence should become gradually more specific, until you reach your thesis.

2. BRIDGE. If the attention catcher was only a sentence or two, add one or two more sentences that

will lead the reader from your opening to your thesis statement.

3. THESIS. Finish the paragraph with your thesis statement. The thesis shows that your introduction is

over and states the main idea that you will supply evidence for. The thesis is basically the theme of

your essay. It’s your opinion of an issue or idea. (Thesis = Issue + Opinion)

Page 2: Introduction Paragraph for Long Composition

Sample Introduction Paragraphs

A. “We May Be Through With the Past, But the Past Ain’t Through With Us.” What is in the past is in

the past. We cannot erase or edit anything that’s happened in the past. Yet, despite our inability to

control it, human life revolves around it. Our pasts control the events, the actions, and the habits of

our present. Our past is reflected in us every day.

B. No one is able to see the world through the same set of eyes. Therefore, each person interprets

everything slightly different from the next person. A playwright has the difficult task of uniting an

audience’s perspective so it can see what he or she wants it to see. In Long Day’s Journey Into Night,

through setting, lighting, and stage direction, Eugene O’Neill focuses us on the flaws of each

member of the Tyrone family and their inability to tell the truth to themselves.

C. “RETARD!!! YOU’RE SO GAY! WHY DON’T YOU GO HANG YOURSELF!?” One way or another, we have

all been caught saying these phrases to another person, mostly taking it as a joke between friends.

But, what about the person who doesn’t take it jokingly? What about the person who is prosecuted

by taunts and teasing constantly and is being told these things literally? We are all guilty of this. At

one point and time, we have taken granted the feelings of another individual and ridiculed them so

we could get a laugh and feel good about ourselves. The rights of this individual have been violated

and scarred by the constant jokes of who they are. Is there a set of unlisted rights that a person has

that every human subconsciously knows about, but purposely ignores? I believe there is.

D. Brittany and Madonna kissed? As I read the article about their socking lip lock, one reporter’s view

caught my eye. He regarded it as a desperate attempt to make up for lost record sales on the

musicians’ latest albums. Wow! The music industry sure has changed in the last decade. Instead of

judging with our ears, publicity suggests that Americans today cannot judge music without their

eyes as well. It is impossible to ignore the media attention given to musicians today for reasons

other than would be expected. Their music may be unheard, but their image rings loud and clear.

What is responsible for this recent shift in musical appeal?

Evaluate the following introductions.