introduction to genre thoery
TRANSCRIPT
This is a list of features from a
film.
O A city which is overrun by crime
O A hero who is living on the edge
O A female character who needs rescuing
O An explosionO A chase with cool
carsO A villain trying to
take over a city
What genre is the film from?
Learning Objectives
• To be able to identify generic conventions (Level 3)
• To be able to apply genre theory to specific films
(Level 4)
• To understand uses and gratifications theory (Level
3)
• To be able to apply uses and gratifications theory to
genre (Level 4)
‘genre is a recurring type of category text as defined by structural thematic and/or functional criteria’.
David Duff, Modern Genre Theory (1999)
What is Genre?
Rick Altman provides four meanings of genre. Genre as:
• a blueprint • structure
• a label• a contract
Steve Neale describes genre theory as ‘systems of orientations, expectations and conventions that circulate
between industry text and subject.’
•To
be a
ble
to identi
fy g
eneri
c co
nventi
ons
(Level 3
)•
To b
e a
ble
to a
pply
genre
theory
to s
peci
fic
film
s (L
evel 4
)•
To u
ndersta
nd u
ses a
nd g
ratifi
catio
ns th
eory
(Level 3
)•
To b
e a
ble
to a
pply
use
s and g
ratifi
catio
ns th
eory
to g
enre
(Le
vel 4
)
What are the benefits of using genres to both industry and audience?
IndustryCost-
effective
Use the same sets,
costumes and props
Easier to sell the film
Established audiences
Success on the back of
others
Formulaic – films already have established elements
Easier to develop
Associated stars bring in audiences.
•To
understa
nd u
ses a
nd g
ratifi
catio
ns th
eory
(Level 3
)•
To b
e a
ble
to a
pply
use
s and g
ratifi
catio
ns th
eory
to g
enre
(Le
vel 4
)
•To
be a
ble
to identi
fy g
eneri
c co
nventi
ons
(Level 3
)•
To b
e a
ble
to a
pply
genre
theory
to s
peci
fic
film
s (L
evel 4
)
Audience
Each genre gives a set of gratifications.
Horror scares people. Comedy
makes them laugh.
It is easier to choose which films to
watch.
Audiences are reassured by
familiar form and content.
Audiences enjoy seeing
how conventions
can be pushed and
challenged.
It helps measure
films against
each other.
•To
understa
nd u
ses a
nd g
ratifi
catio
ns th
eory
(Level 3
)•
To b
e a
ble
to a
pply
use
s and g
ratifi
catio
ns th
eory
to g
enre
(Le
vel 4
)
•To
be a
ble
to identi
fy g
eneri
c co
nventi
ons
(Level 3
)•
To b
e a
ble
to a
pply
genre
theory
to s
peci
fic
film
s (L
evel 4
)
Genre & IdeologyFor the following genres, outline the ideology that you
would associate with each one.
Genre Ideology
Action Masculinity is to be championed. Violence and destruction are acceptable. There is a strong sense of right and wrong. One person can make a difference. You do not have to be perfect to be a hero.
Comedy
Horror
Rom-com
Thriller
Western
Genre plays an
important part in a
film’s appeal to a
target audience. This is
linked to ideology.
•To
understa
nd u
ses a
nd g
ratifi
catio
ns th
eory
(Level 3
)•
To b
e a
ble
to a
pply
use
s and g
ratifi
catio
ns th
eory
to g
enre
(Le
vel 4
)
•To
be a
ble
to identi
fy g
eneri
c co
nventi
ons
(Level 3
)•
To b
e a
ble
to a
pply
genre
theory
to s
peci
fic
film
s (L
evel 4
)
Criticism of genre:
It is limiting for directors/writers as there must be certain criteria adhered to.
Some argue that films do not occupy specific genre’s and these labels are outdated for most modern films.
The organic nature of film’s form and content prohibits them from being categorised in any meaningful way.
•To
understa
nd u
ses a
nd g
ratifi
catio
ns th
eory
(Level 3
)•
To b
e a
ble
to a
pply
use
s and g
ratifi
catio
ns th
eory
to g
enre
(Le
vel 4
)
•To
be a
ble
to identi
fy g
eneri
c co
nventi
ons
(Level 3
)•
To b
e a
ble
to a
pply
genre
theory
to s
peci
fic
film
s (L
evel 4
)
Daniel Chandler: Conventional definitions of genres tend to be based on the notion that they constitute particular conventions of content and/or form, which are shared by the texts which are regarded as belonging to them.
Mind map the following genres for the list of conventions below.• Horror
• Science Fiction• Drama
• War• Crime• Fantasy
Form Content
Iconography Theme
Mise-en-scene Narrative
Cinematography Setting
Editing Ideologies
•To
understa
nd u
ses a
nd g
ratifi
catio
ns th
eory
(Level 3
)•
To b
e a
ble
to a
pply
use
s and g
ratifi
catio
ns th
eory
to g
enre
(Le
vel 4
)
•To
be a
ble
to identi
fy g
eneri
c co
nventi
ons
(Level 3
)•
To b
e a
ble
to a
pply
genre
theory
to s
peci
fic
film
s (L
evel 4
)
Steve Neale:Genres are instances of repetition and difference. Difference is absolutely essential to the economy of genre: mere repetition would not attract an audience
Can you think of any examples of films which have stretched or challenged the ideas of the genre they
belong to?
Memento is a conventional thriller in terms of plot – Protagonist seeks revenge against his wife’s murderer. Yet the narrative style creates the generic divergence in being told backwards.
•To
understa
nd u
ses a
nd g
ratifi
catio
ns th
eory
(Level 3
)•
To b
e a
ble
to a
pply
use
s and g
ratifi
catio
ns th
eory
to g
enre
(Le
vel 4
)
•To
be a
ble
to identi
fy g
eneri
c co
nventi
ons
(Level 3
)•
To b
e a
ble
to a
pply
genre
theory
to s
peci
fic
film
s (L
evel 4
)
Sub-GenresHorror
Science fiction
Comedy Action
• Slasher• Creature
Feature• Hauntings• Zombies• Vampires• Supernatura
l• Gothic• B-Movie• Psychologica
l
• Alien Invasion
• Comic Book• Virtual
Reality• Outer Space• Fairy Tales• Cyborgs/ Robots• Lost World• Post-
apocalyptic• Futuristic• Star Wars
• Buddy• Coming of
Age• Fish out of
water• Slapstick• Screwball• Teen• Stoner• Parody/
Spoof• Black
Comedy
• Cop• Blockbuster• Comic Book• Epic• Family• Heist• James Bond• Espionage• Swashbuckl
er• Treasure
Hunt• Samurai• Prison• Martial Arts
Texts often exhibit the conventions of more than one genre.
Alien bears the iconography of a Science Fiction film (setting, props, characters), but the stylistic approach of a Horror – extreme close-ups and heavy use of low-
key lighting to unsettle audience.
Hybrids
•To
understa
nd u
ses a
nd g
ratifi
catio
ns th
eory
(Level 3
)•
To b
e a
ble
to a
pply
use
s and g
ratifi
catio
ns th
eory
to g
enre
(Le
vel 4
)
•To
be a
ble
to identi
fy g
eneri
c co
nventi
ons
(Level 3
)•
To b
e a
ble
to a
pply
genre
theory
to s
peci
fic
film
s (L
evel 4
)
Watch the trailer for Cloverfield and decide what genres/sub-genres it is a
hybrid of.
•To
understa
nd u
ses a
nd g
ratifi
catio
ns th
eory
(Level 3
)•
To b
e a
ble
to a
pply
use
s and g
ratifi
catio
ns th
eory
to g
enre
(Le
vel 4
)
•To
be a
ble
to identi
fy g
eneri
c co
nventi
ons
(Level 3
)•
To b
e a
ble
to a
pply
genre
theory
to s
peci
fic
film
s (L
evel 4
)
https://www.youtube.com/watch?v=WKG_-UeONNw
Uses & Gratifications
Pick 3 of the genres that we have looked at so far and break down the uses and gratifications that you think
an audience would get from these films.
Information • finding out about relevant events and conditions in immediate
surroundings, society and the world• seeking advice on practical matters or opinion and decision
choices• satisfying curiosity and general interest• learning; self-education• gaining a sense of security through knowledge
Personal Identity • finding reinforcement for personal values• finding models of behaviour• identifying with valued other (in the media) • gaining insight into one's self
McQuail, Denis (1987) Mass Communication Theory: An
Introduction
•To
understa
nd u
ses a
nd g
ratifi
catio
ns th
eory
(Level 3
)•
To b
e a
ble
to a
pply
use
s and g
ratifi
catio
ns th
eory
to g
enre
(Le
vel 4
)
•To
be a
ble
to identi
fy g
eneri
c co
nventi
ons
(Level 3
)•
To b
e a
ble
to a
pply
genre
theory
to s
peci
fic
film
s (L
evel 4
)
Uses & Gratifications
Pick 3 of the genres that we have looked at so far and break down the uses and gratifications that you think
an audience would get from these films.
Integration and Social Interaction • gaining insight into circumstances of others; social empathy• identifying with others and gaining a sense of belonging• finding a basis for conversation and social interaction• having a substitute for real-life companionship• helping to carry out social roles• enabling one to connect with family, friends and society
Entertainment • escaping, or being diverted, from problems• relaxing• getting intrinsic cultural or aesthetic enjoyment• filling time• emotional release• sexual arousal
McQuail, Denis (1987) Mass Communication Theory: An
Introduction
•To
understa
nd u
ses a
nd g
ratifi
catio
ns th
eory
(Level 3
)•
To b
e a
ble
to a
pply
use
s and g
ratifi
catio
ns th
eory
to g
enre
(Le
vel 4
)
•To
be a
ble
to identi
fy g
eneri
c co
nventi
ons
(Level 3
)•
To b
e a
ble
to a
pply
genre
theory
to s
peci
fic
film
s (L
evel 4
)