introductory jazz guitar concepts

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Introductory Jazz Guitar Concepts Title 1. -Introduction to Jazz Guitar 2. -Introduction to Modes 3. -Modes Overview 4. -Ionian Mode 5. -Dorian Mode 6. -Phrygian Mode 7. -Lydian Mode 8. -Mixolydian Approach and Bebop Scale 9. -Aeolian Mode 10. -Locrian Mode 11. -Mode Improvisation Examples 12. -Tritone Substitutions 13. -Outlining Changes 14. -2-5-1 Progression 15. -2-5-1-6 Progression 16. -2-5-1 and 2-5-1-6 Comping 17. -Scat Vocals Jazz and Blues 18. -Jazz Blues Chord Substitutions 19. -Chord Soloing 20. -Walking Bass 21. -Combining Chords and Walking Bass 22. -Adding Chromatics to Your Vocabulary 23. -Singing While Practicing Part 1 24. -Singing While Practicing Part 2 25. -Turnaround Licks 26. -Staccato Phrasing 27. -Playing Ahead or Behind the Beat 28. -Coloring of Chord Shapes 29. -Thoughts on Fingerings 30. -Strong and Weak Beats 31. -Rhythmic Comping 32. -Approaching Changes 33. -2-5-1 Minor

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Page 1: Introductory Jazz Guitar Concepts

Introductory Jazz Guitar ConceptsTitle

1. -Introduction to Jazz Guitar

2. -Introduction to Modes

3. -Modes Overview

4. -Ionian Mode

5. -Dorian Mode

6. -Phrygian Mode

7. -Lydian Mode

8. -Mixolydian Approach and Bebop Scale

9. -Aeolian Mode

10. -Locrian Mode

11. -Mode Improvisation Examples

12. -Tritone Substitutions

13. -Outlining Changes

14. -2-5-1 Progression

15. -2-5-1-6 Progression

16. -2-5-1 and 2-5-1-6 Comping

17. -Scat Vocals Jazz and Blues

18. -Jazz Blues Chord Substitutions

19. -Chord Soloing

20. -Walking Bass

21. -Combining Chords and Walking Bass

22. -Adding Chromatics to Your Vocabulary

23. -Singing While Practicing Part 1

24. -Singing While Practicing Part 2

25. -Turnaround Licks

26. -Staccato Phrasing

27. -Playing Ahead or Behind the Beat

28. -Coloring of Chord Shapes

29. -Thoughts on Fingerings

30. -Strong and Weak Beats

31. -Rhythmic Comping

32. -Approaching Changes

33. -2-5-1 Minor