irish arts & entertainment, irish music special

ONCE To Open at the Pantages

Hollywood on March 15

Details on Page 5

Sensational Group

Comes to Pepper-

dine; PLUS: Inter-

view With Joanie Madden

Interview & Story on Page 9

Aer Lingus Launch Gala at

LA’s City Club Coverage on Page 8

Interview with Celtic Singer

Loreena McKennitt Interview on Page 7

Celtic Faire at FAIRPLEX in

Pomona on March 19 & 20

Jousting, Irish Music, Food & More!Coverage starts on Page 3

Our Special

MARCH IRISH MUSIC

Edition!

Coverage starts on 1Saint Patrick’s Day Events Start on Page 16

MARCH 2016

VOLUME XXIII - ISSUE 3

Irish Arts & Entertaniment


Celtic Faire Set For Fairplex on Saturday,

March 19 & 20

Celebrate with Food, Beer & Entertainment

Celtic Faire returns to Fairplex March 19 & 20 for its annual weekend celebration. Whether you are Irish, Scottish, Welsh (or something completely different!), this year’s festival has plenty of activities that will allow guests to step into the past and explore the rich Celtic traditions through music, dance, food, drinks, entertainment, crafts, games, gifts and hands-on activities.

As the festival draws near, Fairplex will transform into a Celtic village, filled with shopping areas, country games and pubs. Guests will enjoy:

Jousting - Join us as we relive the excitement of expert horsemanship, rousing knight games, thrilling hand-to-hand combat, classical dressage and the thrill of full contact jousting as we demonstrate that chivalry is still alive and living in the hearts of the Imperial Knights!

Celtic and Irish Music - A wide variety of musical styles will be showcased by popular local Irish and Celtic bands, including traditional Irish music, Celtic Bluegrass Fusion, Modern Irish Rock, Irish Punk and World Punk. These bands will surely have every guest present stomping their feet, clapping and singing at the top of their lungs.

Sheepherding - Watch and learn about the art of sheepherding through demonstrations and a display of the many different breeds of dogs that interact with sheep in their daily lives, while experts will be on hand to answer questions about the work and pastime of sheepherding.

CONTINUED ON PAGE 14


Introduction To Our Irish Music Special Issue By Jim McDonough

This short introduction will also serve as my Publisher’s Letter for March. On behalf of myself and all the great team that help us each issue, we want to wish all of our Advertisers, Friends and Readers a very Happy Saint Patrick’s Day! We hope this issue helps you find some grand and interesting music and places to go that will enhance your celebrations for the Great Saint’s Great Day! Irish Americans and sentimental and traditional Irish Music have had a strong bond for almost two hundred

Irish Arts &

Entertainment

The opinions expressed by ourcolumnists are their own and do

not necessarily reflect the opinionof the Irish Arts & Entertainment

or its Editor and staff.

PUBLISHER &

MANAGING EDITOR

James M. McDonough

SALES REPRESENTATIVE

Patrick WeldBrian Boylan

WRITERS

Barbara SingerMaryPat Tuxbury

Patrick Weld

LAYOUT & DESIGN

Shea Newkirk

RESIDENT ARTIST

Adrien Rain Burke

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Congratulations! Nicole Fossier as our February Winner! Nicole found our AD and CLONE:

The Irish Arts & Entertainment ad was on both pages 19 and 21 of last months edition.Look for this months AD CLONE to win!

“Happy St. Patrick’s Day” To All our Friends and Customers

Exciting Opportunity We are expanding!

Are you a creative self starter?

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Full or Part Time, Hourly or Weekly Base with bonus and commissions.

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years! The Irish Music genre has come a long way in America since those first Irish Tunes written and loved by Irish Americans as far back as Colonial times held sway. In the space permitted, we offer you but a glimpse of the depth and insights that a few artists have sha-red with us.

We were extremely lucky for this issue as we got to commiserate with three of the most in-teresting and talented ladies that we have ever met: Loreena McKennitt, Joanie Madden and Orla Boylan; in all three cases, we will be posting more of these conversations in our Special Digital St. Patrick’s Day issue.

ON OUR COVERIrish Actress

Fionnula Flanagan with Aer Lingus Cabin Crew


Back By Popular Demand, the Perfect Irish Musical for St. Patrick’s Week!

ONCE Comes to Hollywood Pantages

Opens On March 15 For A Limited Return Engagement

The Irish Musical ONCE, winner of eight Tony Awards® including BEST MUSICAL and winner of the 2013 GRAMMY® Award winner for Best Musical Theater Album, is celebrating its Hollywood Pantages Premiere with a limited four-week engagement; July 15 through August 10, 2014.

ONCE tells the story of an Irish musician and a Czech immigrant drawn together by their shared love of music. Over the course of one fateful week, their unexpected friendship and collaboration evolves into a powerful but complicated romance, heightened by the raw emotion of the songs they create together. Brought to the stage by an award-winning team of visionary artists and featuring an ensemble cast of gifted actor/musicians, ONCE is a musical celebration of life and love: thrilling in its originality, daring in its honesty... and unforgettable in every way.

LoreenaLoreenaLoreenaLoreenaLoreenaLoreenaMcKennittMcKennittMcKennittMcKennittMcKennittMcKennittMcKennittMcKennittMcKennittTrioTrioTrio

MAR 13RENÉE AND HENRY SEGERSTROM CONCERT HALL

Don’t miss the award-winning Celtic composer and singer in an atmospheric evening of music and tales inspired by her exotic travels in pursuit of the history of the Celts.

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Irish Talent and Spirit at Santa Barbara

Film International Festival

Honors to Saoirise Ronan and Director Lenny AbrahamsonDingle IFF Showcases Animated Short FilmsBy Barbara Singer

This year’s 31st annual Santa Barbara Internatio-nal Film Festival (SBIFF) opened with gusto and anticipation of an exci-ting schedule of over 200 films and nightly tributes for 11 days including 52 world premieres. Festival Director Roger Durling,

a true film lover, welcomed the spirited crowd at Santa Barbara’s his-toric Arlington Theatre.

Since the SBIFF is a major city event for Santa Barbara, Mayor Hele-ne Schneider traditionally addresses first nighters. This year Mayor Schneider acknowledged guests to the city from Dingle, Ireland, who were present to showcase Irish Animated Short films from Dingle’s International Film Festival represented by Maurice Galway, Director of the Dingle International Film Festival with a selection of handpic-ked shorts from top Irish animators.

Dingle, located in County Kerry, on the West Coast of Ireland boasts beautiful landscapes, beaches, a lively fishing harbor and is a popular tourist destination, which can be expensive to stay in. With a lot of similar aspects, Dingle became the Sister City of Santa Barbara, CA in 2003. Everyone knows Santa Barbara, on the West Coast of the Uni-ted States, as a beautiful beach city with a great harbor, often expensi-ve for accommodations, yet immensely popular to visit. They share an abundance of agriculture and recreation. Both Sister Cities continued to have good international relationship.

The SBIFF opened with the U.S. premiere of “The Little Prince” from director Mark Osbourne, which has already grossed 100 million wor-ldwide box office. One of thelead voices and contributors to the film is actor Jeff Bridges, a resident of Santa Barbara, who proudly introduced the film with the director and actress Mackenzie Foy.

A major part of the SBIFF is the tributes to actors and directors that have distinguished themselves by their body of work. This year’s tri-butes went to: Johnny Depp (Maltin Modern Master), Michael Ke-

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A Conversation With

Canadian Celtic

Music Sensation

Loreena McKennitt

IA&E: Good Morning, Loreena, we appreciate your time and the opportunity to talk with you.

Loreena: Well, it is always good to speak about our music.

IA&E: A quick back story, you were one of the first Celtic Artists that we interviewed and had on our cover when we started our paper, maybe around 1993.

Loreena: That sounds about right, I have a little memory of that. (The LA Shows)

IA&E: I have a copy someplace, I’ll try to find it, it was a nice cover and story. Anyhow, we would like you to tell our readers a bit about your upcoming show at the Segerstrom Center in Orange County next month. I’ve read that it is a smaller show, a trio, so what can you share about it with us?

Loreena: On past tours, we toured with a full band in large concert halls around the world. The music and stories then were in pursuit of Celtic history, from China and Mongolia to central Turkey and Ireland, This time it will be different; first we are a trio but instead of the band. i’ll be with guitarist Brian Hughes and cellist Caroline Lavelle.*This tour is also set for smaller venues and a more intimate atmosphere. Irish history, famine stories, we haven’t been to the west coast for quite some time and I’m looking forward to being back particularly during a time of year when the weather back home in Canada is still quite inhospitable.

IA&E: I heard when I called earlier that you were having a snow storm! It’s about 80 here, hottest February on record. We will be happy to share our weather. You know and work with so many great musicians; was it hard to pick who makes up the trio.

Loreena: No, we have worked together for so long that it was an easy choice.

IA&E: Do either of them do vocals?

Loreena Yes, Brian sings with me and he has a wonderful voice. Also, Caroline play a passion packed cello. The cello is an instru-ment that can emulate the emotion of the human voice more than



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AER LINGUS TO INAUGURATE DIRECT FLIGHTS TO DUBLIN FROM

LAX IN EARLY MAY

On February 18 the Los Angeles IRISH and IRISH AMERICAN COMMUNITY as well as Los Angeles civic and business leaders came together to celebrate the launch of Aer Lingus’ upcoming nonstop service from Los Angeles to Dublin during an elegant and well attended reception at The City Club of Los Angeles.

Starting May 4th, Aer Lingus will operate four weekly flights between LAX and Dublin International Airport, representing a new and convenient way to travel to Ireland and connect to destinations across Britain and Continental Europe. The exciting news about the upcoming service has prompted great interest among Irish nationals residing in Southern California and Irish Americans, both groups are eager to visit Ireland. There is also great interest for the new air service mounting among Southern California’s Irish organizations, businesses and in the entertainment industry at large in particular. Demand for the Emerald Isle has been impressive especially within the movie industry, with an extensive network of actors, crew, producers, directors and backroom staff working in Tinseltown and all hailing from Ireland.

On hand for the gathering were The Consul General of Ireland, Mr. Philip Grant , The Honorary Consul General, Mr. Finbar Hill with his wife Carmel. The event held on the 51ST Floor of the City National Bank building (555 S. Flower) at the amazing City Club was attended by some renowned Irish movie names from both sides of the Atlantic including the very talented award winning actress Fionnula Flanagan (See Cover). Johnny O’Callaghan, LA based stage and film actor known for his Award winning play and upcoming film. “Who’s Your Daddy” was also on hand for the festivities. Other entertainment luminaries in attendance were Olivia Tracey, actress, television personality and Former Miss Ireland and Brian Carmody, Producer of the Tony Award Winning Broadway Musical ONCE.

Aer Lingus e x e c u t i v e s welcomed those in attendance and

extolled the Irish Airline and the new service. Jeff Wright, Director of Sales, North America, Aer Lingus said, “Our operation of the Los Angeles route will strengthen Ireland’s ties with Southern California and encourage Ireland’s development as a hub for Europe. Los Angeles of course is home to entertainment industry and Ireland has been extremely supportive of movie production.” The reception itself was a real treat and a great representation of grand Irish Hospitality with a seemingly unending supply of h’orse dvoours and a full hosted bar featuring imported Irish favorites and California wines! The event was organized for Aer Lingus by the O’Neill Group of Newport Beach, CA under the able direction of Deirdre O’Neill Machin. More: www.aerlingus.com Use this link to plan your next trip: http://bit.ly/1nJShGi

JOHN CONNOLLY and TRACY JOHANSSON/ (Aer Lingus cabin crew) In middle is Chloe Agnew, She is a

former Celtic Woman singer. Photo credit: Dean Machin

Olivia Tracy and Tara Sinnot, Maker Studios. Photo Credit: Dean Machin

Finbar Hill, Irish Honorary Consul based in the LA Area

and Dr. John Gordon Harold. Photo Credit: Dean Machin


CHERISH THE LADIES IN CONCERT IN LATE MARCH

Concert Set for Smothers Theatre, Pepperdine University, in Malibu, CA We had the good fortune to talk to Joanie Madden, a founding member of one of the absolute best and ar-guably the most distinctive traditional Irish group in America or Ireland. The Grammy-winning, Cherish the Ladies has been together for over 30 years of music ma-king. They are so distinctive because they were the first all-women Celtic music ensemble.The Irish Music roots in the group are deep and the dedication to their craft is evidenced by not just the longevity of this band but the superb quality of their music; be it in a concert or on a CD! Cherish The Ladies have toured the US, Ireland and scores of venues throug-

hout the world bringing their particular blend of Celtic, Folk and Irish Music to appreciative audiences.

Under the leadership of All-Ireland flute and whistle champion Joanie Madden, the leader of the band, named by The Irish Voice as one of the Top 25 most influential Irish Americans of the past quarter century, Cherish the Ladies has achieved well deserved world wide acclaim. In concerts, the evening tbecomes an enchanting Irish experience that includes a spectacular blend of virtuoso instrumental talents, beautiful vocals, captiva-

ting arrangements, and stunning step dancing, combining all the facets of Irish culture into an emotional and witty performance.

Joining the Ladies at Pepperdine will be the wonderful voices of The Ennis Sisters from Ne-wfoundland, legendary fiddler Liz Carroll and the incredible dancing of Garrett Coleman, Ju-lie Fitzgerald, and Jason Oremus, former princip-al dancer of Riverdance.

Cherish the Ladies Tuesday, March 22, 2016 at 8 p.m. Smothers Theatre, Pepperdine University, 24255 Pacific Coast Highway, Malibu, CA www.cherishtheladies.com

Irish Arts & EntertanimentCONTINUED FROM PAGE 6aton, Rachel McAdams and Mark Ruffalo-“Spotlight” (American Rivera Award), Sylvester Stallone (Montecito Award), Rooney Mara (Cinema Vanguard Award), Virtuosos Award to actors with noteworthy performances in the year’s films, Variety Artisans Award (behind the scenes talent) and to the Outstanding Directors of the Academy Award nominated films.

Among the tributes are Outstanding Performers of the year Award, which were presented to Brie Larson (“Room”) and Saoirse Ronan (“Brooklyn”). Roger Durling executive director of the SBIFF related that “Saoirse and Brie are two of the best performers of the year. They’re both such young performers, but the level of maturity and depth of range in both of them really impressed me this year.” Brie Larson was the focus of the distressing story “Room” by Irish director Lenny Abrahamson, where a young girl is abducted, imprisoned and impregnated in a 10 X 10 room raising a boy alone. He has never left the room and she plots their escape, which on exiting opens a new world for the child of 5 years old. Larson has received numerous awards for her role and is nominated for an Academy Award for the film. The other Outstan-ding Performance of the Year is Irish actress Saorise Ronan, who stars in John Crowley’s ”Brooklyn” as the young innocent Irish immigrant trying to make a life for herself in 1950’s Brooklyn. She falls in love and marries an American man; soon a family tragedy draws her back to Ireland and she is faced with the decision to stay at home or return to Brooklyn. Ronan was born in New York and returned to Ireland as a child, where she grew up. She received the New York Film Critics Circle Award and has been nominated for an Academy Award. Soon she will be making her Broadway debut in “The Crucible.” She told the SBIFF. “I am so proud of where I came from and so proud to be the product of two people brave enough to go over to New York.”

Irish director Lenny Abrahamson (“Room”) shared the stage with the other Oscar nominated directors to receive the Best Director of the Year Award. He was moved by Emma Donoghue’s novel and was determined to make the film, “What sold me on the material was how all these emoti-ons illustrated deeper themes about parenting.” The screenplay written by Donoghue reflects the story from the boy’s point of view, the way Jack sees things after he escapes from the room.” Abrahamson, Larson and the boy, Jacob Tremblay. have all been nominated for Oscars.

Irish Animated Shorts had their own category at the SBIFF with 13 animations brought by Maurice Galway from the Dingle IFF, some with Irish themes others with universal themes. Galway participate in a Q & A session following the screenings. “Deadly” (Aidan McAteer) won The Best Animated Short at The Animation Ireland Awards in Animation Dingle 2015, “Coda” (Alan Holly) was named Best Animated Short Film 2015 by Vimeo and was short listed for an Academy Award, while the others are by top animators and animation studios in Ireland. The Dingle International Film festival takes place March 17-20, 2016. www.dinglefilmfestival and Animation Dingle is presented March 18-19, 2016 www.animationadingle.com.

While in Santa Barbara, the Dingle International Film Festi-val presented The Peck Family with The Gregory Peck Award to celebrate his birth Centenary. Gregory Peck, born April 5, 1916 an important year in Irish history, was related to republi-can Thomas Ashe important to The 1916 Easter Rising and his grandmother Catherine Ash was from Minard near Dingle. The Gregaory Peck Award is based on the Aglish Pillar from Minard and is kept in the National Museum of Ireland. Past recipients of The Gregory Peck Award have been: Laura Dern, Gabriel Byr-ne, Jim Sheridan, Jean-Jacques Beineix and Stephen Frears.

Find out more information about the Santa Barbara Internatio-nal Film Festival at www.sbiff.org.

www.constantcontact.com/index.jsp?pn=irishnewsusa


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Orla Boylan, Irish Soprano

By Jim McDonough

The Irish Arts and Entertainment usually has the “Luck of the Irish” with usmost of the time and the past few weeks have been exceptional in the good fortune department. Our latest coup, a sit down interview with Orla Boylan, one of the most gifted dramatic sopranos and operatic personali-ties now alive on the Mortal Coil! Orla Boylan was in town for a quick stop to visit her brother, famed Celtic Artist, Brian Boylan. who is now a South Bay resident and good friend. The Irish siblings are both native to Skerries just north of Dublin. Singer Boylan still lives there when not working all over Europe for extended Opera Seasons and on her regular travels around the world to sing, The beautiful talented and unpretentious Orla had just finished a stint in Salt Lake City recording with the Mormon Tabernacle Choir and wanted to spend some off time with her brother and nieces.

She shared with us her first exceptional experience in the operatic world. She loves to sing and since a child she had been singing in church, school, choirs but she was also just a regular Irish kid. Always studious, she had plans on being a Bio-Chemest and earning a PhD. At any rate, she found herself with her voice teacher in Milan in 1995 . The pair sat together almost deliriously happy, “..she and her singing teacher sat laughing in disbelief in the La Scala opera house waiting room. The Irish cell biologist had just won Milan’s prestigious ASLICO* singing competition!” Over the past twenty years, her career as one of the foremost dramatic sopranos has soared. Boylan has sung many times at La Scala where her journey began and all over Europe. This Summer and Spring she will be singing in Florence for several months. She has sung throughout Ireland and Britain at the wor-



Liam Neeson to be Honoured in Dublin at the

2016 IFTA Awards on April 9th

The Irish Film & Television Academy has announced that acclaimed Irish Actor Liam Neeson will be honored with the Irish Academy (IFTA) Award for his ‘Outstanding Contribution to Cinema’ at the 2016 annual IFTA Film & Drama Awards, taking place at the Mansion House, Dublin on Saturday, April 9 The President of Ireland, Michael D Higgins will officially present the Award at the Ceremony on behalf of the Academy, the entire Irish film industry and his community of peers and friends, both North and South. Born in Ballymena, County Antrim, Ireland, to Katherine and Bernard Neeson, Liam Neeson has established himself as a world renowned and outstanding actor of his generation. Neeson has worked with some of the greatest filmmakers in the world; Martin Scorsese, Steven Spielberg, George Lucas, John Boorman, Neil Jordan, Kathryn Bigelow, Christopher Nolan and Oliver Hirschbiegel among many others, and has collaborated multiple times with some of these directors. He has received international Award recognition for various roles through his ability to depict real-life characters such as Michael Collins, Alfred Kinsey and Oskar Schindler – with the latter role universally acknowledged as an ‘exceptional’ performance.

He has also been entrusted to deliver iconic roles and fictional characters in numerous major blockbuster franchises such as Star Wars and Batman and the enormously successful blockbuster trilogy Taken. His distinctive voice has also given life to animated characters including the Lion ‘Aslan’ in the Chronicles of Narnia, and he has narrated many international documentaries including the recent Irish series ‘1916’, a project close to Neeson’s heart. In his home country of Ireland, Neeson is acknowledged as one of its most successful actors, beloved by Irish audiences and industry alike. His international achievement and status has made him an inspiring figure for young Irish actors and filmmakers. Alongside his work in major blockbuster movies, Neeson has always stayed connected with home productions, making at least seven Irish movies over the years and lending his distinctive voice to narrating important Documentaries. He has collaborated with Irish Director Neil Jordan across three films including the epic and much loved ‘Michael Collins’ for which he won numerous awards along with a Golden Globe nomination. The film celebrates its 20th anniversary this year.

Liam Neeson, responding to the news said: “I am honored and humbled to be recognized by the Irish Academy with this award, especially when I am following in the footsteps of an illustrious group of Irish filmmakers before me such as Boorman, Jordan, O’Hara and Sheridan. I look forward to coming to

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Ireland and Celtic Music

A Small country punching well above their weight!By True Thomas the Storyteller“Never get one of those cheap tin whistles. It leads to much harder drugs like pipes and flutes.” –Anon.The skirling sound of a penny whistle, the drone of the pipes, strums of a harp, or that unique sound of an Irish sin-ger; there is nothing like Celtic music. Irish music, in particular, has been a key part of the national identity of the Irish people. In fact, the national symbol of Ireland is a harp, and it’s the only country in the world that has chosen a musical instrument as its national symbol.

You see that same harp on the side of Guinness bottles, and on the money as well (The Trinity College Harp, aka Brian Boru’s Harp at Trinity College in Dublin.) It is an early Irish harp, or wire strung cláirseach, dating from around the 14th Century. So it’s a bit newer than the last Emperor of Ireland, (Brian Bóruma mac Cennétig) who lived till 1015, AD. In any case, the Celts have never let facts get in the way of a good story.

The traditional style of music played by the Irish probably arrived in Ireland about 2000 years ago, and was probably influenced by music from the middle-east. Once the Celts landed in Ireland, though, the spirit of the land and of the people became unique, and distilled into a heady brew indeed. In truth, if you want songs of war, sadness, rebellion, wit, or love, the Celts do them with fine style; this music is an essential part of our culture. So much so that, in ancient days, Bards, Seanachies, Harpers, and performers often had a sacred and protected role in early Celtic society. One of the key reasons why Celtic music is so unique is that very same culture. For hundreds of years, music, songs, stories, and knowledge was passed on orally. Oral tradition is at the heart of the Celtic wellspring. It was said that a traditional bard was able to recite 200 forms of meter and rhyme, entertain for 3 months while never repeating himself, and if they were a bard with patron, they would know the lineage of everyone around them nine generations back. It was said that it took twenty years to hone such a skill set as this.

This powerful mnemonic training and gift for music and speech, by the way, is one of the reasons why Europe was mainly Christianized by Irish missionaries. They came from a tra-dition of powerful rhetoric and discourse.

The music travels with the Celts wherever they go. The Harp, for instance is an ancient instrument, with a long lineage. Just was we have soundtracks for movies today, often times ancient storytellers had professional and well respected and paid traditional harpist to accompany them.

After Ireland came under threat from outside invaders, many of the poets, bards, musicians, and harpers fled. The invaders well knew the power of soul of Ireland, the songs, stories and music of its people. Their instruments and vocal stylings travelled with them, as well as their heritage. Irish Fiddle, Penny Whistle, Bodhran, Pipes, and vocal style traditions of sean nós, Caoineadh, and Irish (and other Celtic Nations) styles of dance are still celebrated and shared and taught to this very day.

Despite the invasions, and the long, troubled history of Ireland, that river of oral tradition has travelled through time to this very day. In fact, it wasn’t until 1762 that most Irish folk tunes started to get written down.

People had been learning them by ear and passing them on, copying, tweaking, and sha-ring them from person to person, on quiet hills, or at grand Craic sessions. That process has shaped the music, making it potent and keeping it powerfully emotive and alive. And, of course, if you are steeped in that music and tradition, you might grow up to be famous musicians, writers, and artists! And the Celts have more than a few. Creatively, and especi-ally musically, the Celts, and Ireland in particular, punch well above their weight, and that musical soul of the Celts is still very alive, vibrant and rebellious to this very day. Sláinte!

True Thomas is a Traditional Celtic Storyteller,Based in S. California, and available for your next event!www.truethomas.com, on FB as True Thomas the Storyteller.

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ld’s leading Opera Houses such as Sydney and Covant Garden. She has been the star attraction with the Irish National Symphony and many more prestigious orchestras. “I had never imagined a career as a singer,” the down to earth diva told us, “It was only a hobby that suddenly became more serious. I’m still quite surprised that it has gone this well! Takes a bit to get used to it, but I’m getting there.”

Writers note: Boylan is dead serious about her feelings; she is an open book and one of, if not the most humble talent that I’ve ever met! Meeting her for the first time was an amazing experience; af-ter an hour I started thinking of her as a friend. In a forthcoming issue, we will publish a much more in depth feature on her. We just could not pass up the opportunity to include her in this Irish Music Special.

More Info: http://www.aslico.org/en/aslico/chi_siamo.htm & www.orlaboylan.com

CONTINUED FROM PAGE 11Dance Demos - Since dancing is an integral part of the Irish and Scottish communities, watch as trained dancers demonstrate the difference and the art of Irish and Scottish Country Dance. Complete with costumes and traditional accessories, both styles of dance are performed by local dance schools as a

demonstration to an important part of the Irish and Scottish heritage.

Food - Everyone loves good food, so come out and enjoy traditional corned beef and cabbage, smashed baked potatoes, Guinness Shepherd’s Pie and Fish-N-Chips. Hours for Celtic Faire are 10 a.m. to 6 p.m.

on Saturday and Sunday. General admission is $10, ages 6-12 $5, ages 5 and younger are free. For more information about this event, a complete schedule of events and to purchase tickets, visit : www.celticfaireatfairplex.com

CONTINUED FROM PAGE 3


Scottish Fest USA


202 NEWPORT CENTER DRIVE, NEWPORT BEACH 92660 www.muldoonspub.com 949 640 4110 facebook

PMS 7504 PMS 465

Live Music All Day & Night !

2 Bands ~ No Cover !

Dancing !!!

~Thursday March 17th~

Also: Sunday, M

arch 13th @ 1pm

Muldoon’s Sexiest Kilt Contest

enter to win great prizes & bragging rights!

Fun for the whole family ~ Live irish Trad Music

by Craic in the stone! Plus Irish Step Dancers!Epic St. Patrick’s Day Party!

Doors Open

9am ~ Delicious F

ood & Drinks !!!

any other. IA&E: Back to your mention of the history, can you tell us more about f that portion of the show? Loreena: Well we draw the songs and the stories deeply from Irish Roots and History, from the Irish Famine years, to Rebellions and the Struggles after 1916. The Civil War in 1921. It will be moving and powerfully done. We want to convey on this tour a sense of an older modality, a more intimate purpose of connecting with our fans. IA&E: What inspires you the most?

Loreena: The connection with the music and all people. We are all the same and that shared sense of humanity is important; to share the experience of the music and hearing it together.

IA&E: Thanks, it really shows in your music, that caring. To shift gears. What else is essential for you to accomplish. We are interested in the cause you champion.

Loreena: I think family and community are one of the top priorities for me. Military families and assisting them. We run a center here and I spend a lot of time on that. It is in Stratford and called the Falstaff Family Centre. the Centre focuses on the needs of families




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ON SALE NOW! • MARCH 15 - 20 ON SALE NOW! • APRIL 5 - 10


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KATIE MCNALLY AND NEIL PEARLMAN

The vibrant musical tra-ditions of Scotland and Cape Breton take on new life in the hands of Katie McNally (“the new face of Scottish fiddling in Ame-rica” - Living Tradition) and Neil Pearlman (“a tre-mendous pianist” -BBC Radio Scotland). Based in

Boston, MA, this young musical couple is making waves internati-onally with their fresh approaches to traditional forms. Just retur-ned from recording a brand new album at the legendary Lakewind Sound in Cape Breton, Nova Scotia, Katie and Neil will put on a high energy show that is not to be missed! Katie and Neil, joined by violist Shauncey Ali, recently travelled to Cape Breton to record a trio album slated for release in Spring 2016. Under the guidance of producer Wendy MacIsaac (Beolach, Mary Jane Lamond), McNal-ly has curated a collection of tunes that will draw inspiration from raw, mid-century recordings of Cape Breton fiddlers both in Nova Scotia and Massachusetts and be sculpted by the creative energy of the Boston acoustic music scene.Katie has performed and taught fiddle courses in the U.S., Canada, Spain, Scotland, England, and France. A member of the cross genre fiddle super-group Childsplay since 2009, she appears on their CD and concert video release, “As the Crow Flies,” produced by legen-dary Irish fiddler, Liz Carroll. McNally performs regularly as a so-loist and has collaborated in the past with guitarist Eric McDonald and all-woman trad group, Long Time Courting. In the fall of 2012, she accompanied famed Galician bagpiper Carlos Núñez on his first North American tour to promote the release of his Sony Mas-terworks double album, “Discover.” Called “a force to be reckoned with” by WGBH’s Brian O’Donovan, Neil is recognized in many Celtic music circles for his unique approach to the piano. Rooted in traditional Cape Breton piano styles, Neil brings in ideas from many other genres and the result is an exciting new sound that remains true to its traditional roots. It was this fresh approach that led legendary Cape Breton fiddler Jerry Holland to say “watching Neil’s hands on the piano was like watching two spiders on crack!” Neil grew up performing Scottish music and dance with his family band Highland Soles, and has gone on to work with many of the top Celtic artists performing today, including Natalie MacMaster, Alasdair Fraser and more. This magically talented duo will be per-forming in the Los Angeles area in late March at the Coffee Gallery Backstage in Altadena.

More online: www.albasedge.comwww.neilpearlman.com www.coffeegallery.com


Friday, March 5 @ 10:00pm The Whooligans The Auld Dubliner 71 S. Pine Avenue Long Beach, CA www.aulddubliner.com

Saturday, March 12 See Ad and Feature this issue Irish Heritage Parade from 2:pm to 3:pm Runs down Pine Avenue in Long Beach Free Festival starts at 3:00pm in Promenade Park. www.irishheritageparade.com

Saturday, March 12 22nd. Annual Irish Event! St. Patrick’s Day Celebration Hosted by the Irish Center of Southern California Entertainment by Ken O’Malley & the Twilight Lords and the Cleary School of Irish Dance Dinner and Dancing silent Auction Drawing for a Trip to Ireland Door Prizes Donation: $75. The Hilton Hotel 100 W. Glenoaks, Glendale, CA Reservations; please call: Mary Dempsey: 626 337-0075 E-Mail: [email protected] www.irishcenter.org

Sunday, March 13Loreena McKennitt Celebrated world artist in a rare and personal concert! Segerstrom Center for the Arts 600 Town Center Drive Costa Mesa, CA Tickets start at $49 714 556-2787 and at the Box Office www.SCFTA.org

Sunday, March 13 2:00pm to 4:00pm Second Sunday Irish

SocialAll are welcome!Thanks to Pastor Fr Michael Gleeson.. Sr Alicia is the coordinator. The purpose for these gatherings is to have fun, talk about the ould country, a bit of singing, a bit of dancing, etc so please try to attend once in awhile. St Cornelius Church Hall 5500 E. Wardlow Road, Long Beach, CA 90808

Sunday, March 13 2:00pm to 5:00pm Family Day The Whooligans Trio and Irish Dancers The Red Leprechaun4000 E Anaheim St, Long Beach, CA 90804 562 343-5560 www.redleprechaun.com

Shows In March BLUE DEUX Amazing fiddle & guitar duo, Bluegrass, Americana and Irish traditional! Muldoon’s House Irish Band! Sunday 3/13 from 6-8:pm Sunday 3/20 from 6-8:pm Wednesday 3/30 from 7-9:pm Muldoon’s Irish Pub 202 Newport Center Dr, Newport Beach, CA 949 640-4110 www.muldoonspub.com

Tuesday, March 15 @ 8:00pm PATRICK BALL / CELTIC HARP & STORY ..a stellar solo performance. http://www.patrickball.com/ Patrick Ball is one of the premier Celtic harp players in the world and a captivating spoken word artist. Tickets only $18. The Coffee Gallery Backstage

2029 N Lake Ave, Altadena, CA 91001 626 398-7917www.coffeegallery.com

Tuesday, March 15 through Sunday, March 20 “ONCE” Winner of Eight Tony Awards including BEST MUSICAL, ONCE is a truly original Broadway experience. Featuring an impressive ensemble of actor/musicians who play their own instruments onstage, ONCE tells the enchanting tale of a Dublin street musician who’s about to give up on his dream when a beautiful young woman takes a sudden interest in his haunting love songs. 2 Hours and 15 minutes Including Intermission Ages 10 and Up Children under 5 not admitted. Everyone must have a ticket.Pantages Theatre6233 Hollywood Blvd. Los Angeles, CA 90028 TICKETS: 800 982-2787 Performance Schedule: Tuesday - Friday at 8pm Saturday at 2pm & 8pm Sunday at 1pm & 6:30pm USE CODE “IRISH” when ordering online for a great discount Online: HollywoodPantages.com Ticketmaster.com In Person Hollywood Pantages Box Office (opens daily at 10am) and all Ticketmaster Outlets More online: http://hollywoodpantages.com/once

Thursday, March 17thCelebrate St. Paddy’d Day ALL DAY

Great Food and Live Bands Van Dieman’s band with Gilman Carver from 10am!!!! Then local band The Droppers will play from 5pm. Muldoon’s Irish Pub 202 Newport Center Dr, Newport Beach, CA 949 640-4110 www.muldoonspub.com

Thursday, March 17 St. Patrick’s Day Celebrations in SoCal!! The Fourth Annual St. Patrick’s Day Celebration at BUZZFEED’S #1 Irish Pub The Shamrock Live on stage: The Dublin Rogues Pipe Bands, DJ and a lot more! The Shamrock Irish Pub & Eatery39252 Winchester Rd. #145, Murrieta, CA. 951.696.5252 www.theshamrockirishpubandeatery.com Thursday, March 17 St. Patrick’s Day Red Leprechaun’s Annual Celebration! Incredible food at LA’s only true Irish American Gastro Pub!4000 E Anaheim St, Long Beach, CA 90804 562 343-5560 www.redleprechaun.com

Thursday, March 17 Paddy’s Day O’Brien’s Pub 23rd. & Wilshire Santa Monica The Praties The Shenanigans DJ @ 9:00pm O’Brien’s Irish Pub 2226 Wilshire Blvd. Santa Monica, CA 310 829-5303 www.obriensla.com

California - Irish Community Calendar - By Date

Concerts • Musical Events • Classes • Irish Dance • Socials • Special Events • Theatre





Thursday March 17th Auld Dubliner Saint Patrick’s Day From NOON till MIDNIGHT! Irish Music The Whooligans and Friends The Auld Dubliner 71 S. Pine Avenue Long Beach, CA www.aulddubliner.com www.kenomalley.com

Thursday March 17th Paddy’s Day 10th Annual Irish Pub Crawl

on the Big RED Bus!Starts at 11:00am to 2:00pm You do the drinking we’ll do the driving! There is no better way to enjoy St Patrick’s Day than on the Big RED Bus! (Loading at10:45am) Breakfast Time: 10-10:45am (Beer or Irish Coffee included with breakfast. Ticket Includes: Irish Pubs w/ no lines or cover charge + drink specials Cruising the

coastline on a topless Double-Decker Bus St Paddy’s day SWAG for all passengers A credit card is needed to hold the reservation, but only for authorization. Cash only is accepted the day of the event. Cancellations: No refundsReservations Needed: Please call 562-888-2870 or email [email protected] to reserve your spot for our most popular event of the year!

Friday, March 18 @ 7:00pmCeltic Echos Presents Hoolie in the Kitchen !!! Join us a great evening of Celtic fun: jigs, reels, pub songs, favorite Irish ballads,the occasional haunting air - and general Tom Foolery (the Irish call that good Craic!) You’ll feel like you’ve been invited into our kitchen for a grand Irish good time!!! Advance tickets $18 general admission; $15 for seniors/military/students. Tickets at the door $20. Congregational Church of La Jolla. 1216 Cave StPurchase on line at: www.lajollaucc.org

Saturday, March 19 @ 10:00pm The Whooligans The Auld Dubliner 71 S. Pine Avenue Long Beach, CA www.aulddubliner.com

Saturday and Sunday,March 19 & 20 Celtic Festival at FAIRPLEX Sligo Rags, Anerican Wake, Quel Bordel, and many more Celtic Bands. Pomona, CA www.fairplex.com See ad and feature this issue

Most Thursdays Early Solo Show with Irish Balladeer Ken O’Malley The Auld Dubliner 71 S. Pine Avenue Long Beach, CA www.aulddubliner.com www.kenomalley.com

The Shamrock Irish Pub and Eatery 39252 Winchester Rd. #145, Murrieta, CA. 951 696.5252 Live Music Every Weekend Ope Mic, Karaoke & Comedy Every Week too! www.theshamrockirishpubandeatery.com

Tuesday, March 22 @ 8:00pm Cherish the LadiesThe first all-women Celtic music ensemble delivers a spectacular concert every time! Pepperdine Center for the Arts 24255 Pacific Coast Highway, Malibu, CA 90263 STickets Only: $20-$40Box Office: 310 506 4522 Monday - Friday, Noon to 5 PM and two hours prior to show time! http://arts.pepperdine.edu/performances/cherishtheladies.htm

Special Event Wednesday, March 23 1916 Easter Rising Commemoration 7:00pm The Red Leprechaun 4000 E Anaheim St, Long Beach, CA 90804 562 343-5560 www.redleprechaun.com

MULDOON’S 14th ANNUAL

Starts at 1

Sunday, March 13th

KILT CONTEST

Calling All Kilts!

$25 Muldoon’s GIFT CARD for all who enter

Dancing, Bagpipes & Live MusicFUN FOR ALL THE FAMILY!

1st, 2nd & 3rd Place

Both Ladies & Gents Welcome

EMAIL [email protected] TO SIGN-UP CONTINUED ON PAGE 29


Dublin Magic

By Greg Patrick

“Only to a magician is the world forever fluid, infinitely mutable and eternally new.

Only he knows the secret of change, only he knows truly that all things are crouched in

eagerness to become something else, and it is from this universal tension that he draws his

power” - Peter S. Beagle

Streetlamps by the grand Georgian houses cast their iridescent shimmer upon the cobblestones, like

vassals lining a prince’s walk, casting tribute at his feet or like apparitional warpaint on the embattled street, ..lit in intervals by firelight..

beckoning to men’s desire for it’s immolation kindred to the moth’s to the flame.. as a figure composed and reflective as a monk before immolation.. perhaps one of

the rebels, staggered back coughing from the barrage of gunfire, standing alone amid the throng in silhouette against a foreground of flame oblivious to the passerby that streamed past, walking in somnambulist’s slow-motion..His face and the great house’ facades were lit in intervals by the artillery that echoed deafeningly in the alleys of the urban warzone.. Not all can be an island, one with rebellion at the heart and song at the soul around a sea of storm..a world devoid of magic, haunted by one who dreamed in song and vision..he stood as ever he had on stage before an expectant or disenchanted and departing audience.. what new trick to conjure..? He did not feel of the people..he was an enigmatic and mysterious presence to be held in awe not in anything akin to familiarity.. He only concerned himself with the illusions of escapism and theatre not the realities of their lives..Just unseen props to distracted eyes..the tears, pub laughter, wakes and embraces..A pang sometimes of regret or cra-ving but he was concerned about what new trick he could craft..Couldn’t linger too long… Aloof so long in hermitage of his study brooding over ways to conjure wonders that would ever be enigma to the crowd..to ever transcend their awareness..the art of magic..illusion..artifice..trickery.. He turned away from the crowds of the city, the individual faces and stories behind the sadness, smiles, or anger.. Reality was their lot..Magic was his. Until one day one of them showed him true magic..if ever truth and magic could be one.. The face he saw in the crowd on that day that the leaves from the Autumn-reddened tress fell like red dreams as if haling her in the crimson light . eyes impossibly startlingly green..How? The same sense of wonder was his then as if he was audience merely and uninitiated in anything akin to the magic arts..eyes gleam in counterspell and sudden-ly he is conscious then of being just another nameless face among myriads..A passing glance..and as if suddenly standing before the stage in lingering wonder after a disap-pearance he pauses in lost searching thought..till he is shoved aside impatiently and he staggers to regain his stride.. He stands then before the marquee at the Magic Theatre with a feeling of being out of place..mist gathers, rain falls...the stage-illusionist’s hand falls to his side like a yielded sword after a lost battle… He thinks of her.. The trees had shed their leaves..the boulevard seems haunted.. It was Easter..he strolled by the Liffey kicking emptybottles in his path.. The theatre is closed for the holiday.. A solitary walk by the Liffey ..his sigh as one with the wind rippling it’s dark surface.. Gunshots? A familiar face then in a city of strangers..a familiar race then.. for life..for desires..some desires in windows..some that money can’t buy that make one pause.. He never thought to run for something..he could always make something appear..any-thing.. it was his trademark..what he did..None did it better.. A creative soul he knew not the desire to destroy.. but to imagine and then create..The trees by whose red falling leaves like red debris of dreams broken, he first saw her.. caught fire then like great torches..and he remembered her as a nomad’s gaze would be

haunted by a mirage..he stood motionless as burning leaves fell around him like a tribu-te to a sad dark prince returned. A moment of startling recognition in someone’s eyes, a former audience member he had once called onto the stage, now fell face-forward to stray bullets with a last cry and another collapsed to their knees by their side, cradling the head and sobbing..He didn’t feel like a magician then..didn’t feel like anyone..powerless..helpless..There was almost an expectant hush as he rolled up his sleeves in his way, as he did on the stage at a challenge from the crowd, from a heckler..”Now let’s see some real magic!” There was something ancient in the gesture as if a druid of a clan being massacred was looked to for some trick he could conjure..”anything wizard..just save us..You’re a magician aren’t you..?” He strode then, not fit to appear on the stage, haggard, disheveled. He looked beyond them..to her..”You’re a magician aren’t you..?” The phantom words seemed to echo in the alleyways like gunshots..”aren’t you..? Do something..do something..” He ran then..limbs ungainly, unathletic to her.. He fell to his knees to her.. “Drop!” Through the lantern-illuminated rain, red streaks of volleys appeared.. He held her protectively as if to render her invisible to their aim, dissolve form and face to their guns..Felt her heart beat in synchrony with his own against the rhythym of marching drums..her sides heaving.. ”What’s your name lass?.” “What?”..”Your name..Please..I must know..” When she answered he repeated it like the title of a song re-quested to a soloist busker on a long walk home from the theatre as the bell tolls..He repeated it like an incantation.. The mist, as if from an overturned cauldron, came as if willed..as if conjured protecti-vely..He raised a warding palm in slowmotion as if in the act of keeping that abbotoir of fire at bay..The embrace like the frail bastion of a sandcastle against a rising tide..his untrembling hand like the gauntleted and sword-armed fist of a knight confronting a dragon for a last battle.. as if he had now mastery of another magic among magics.. As if the wild firelight and shadows ceased their dance and were granted one form and face to mingle with the passerby, he strode through the smoking burning ruins as if they were harmless props.. holding back coughing..making his entrance..as if called onto the stage the applause for the magician preceding him stinging his ears..his lips whispering a soundless incantation..the explosions of return fire when the smoke cleared..in the aftermath of the artillery that tore the rebel bastion like the mauling of a dragon lent the ventriloquism of a battlecry to his heart.. His eyes burnt with a dark lightless fire with a counterspell to wield against the fires before him..As if with weary sleepless eyes he had pored over a library of magic spells to find just the right one.. blowing the dust off an ancient volume.. he paused like a rebel before a firing squad.. The book opens seeping light like a door ajar.. Likewise his bright eyes open to defy a rival magic.. Might would make right..the rule of tyrants..but it’s practitioners were a blundering awkward lot..like the ogre of nightmare.. Easily fooled.. His smile was that of the fox, one of mocking beckoning guile before advancing hounds and huntsmen trying to draw them away from his own..“You want to kill my own hunters? Let’s see how fast you can really move..how fast you can think..” He cast off his dark cloak revealing one of showman’s crimson that would catch the sta-gelight dramatically as advancing forms materialized through the clearing smoke like theatre curtains parting.. Draw their eyes and fire away from those fleeing around him.. The steeple bells tolled around him in alarm..each ring like a depth charge in his soul in synchrony with each step with grim finality.. There was a time to bow to a crowd and time to make a stand for them.. His was a humble theartre in Dublin..no patrons of the gentry or royalty..he was not accustomed to bowing to them..nor would he.. He had fallen to his knees before one who ruled his heart at a glance..her hat had come off like a doffed helm and a crimson cascade of hair fell as grandly a heart in love and he held her as if he alone could shied her like a guardian angel shielding a rebel angel’s soul from the fires and evil she sought to escape from.. His gaze keen as a rapier blade drawn and coat billowing in the fire-stirred gusts was cast aside with a matadorian flourish blowing away across the cobbles.. An expectant hush befell..more unnerving than the echoing explosions..as if all the combatants wai-ted..who would dare the next act.. He had felt the concealed revolvers holstered at her sides.. Knew why she ran..knew

Poetry

Corn

er

Irish Arts & Entertanimentwhat would happen if they found her today with them.. The shadows of the pursuing Blacks and Tans loomed over.. His last magic trick.. Dumb-witted audience of simple-tons he sneered..eyes accustomed and trained, like the surgeons in the audience…never to miss a detail..they were schooled for years and years..not to miss anything.. likewise to men who were drilled and drilled to never miss a detail or move.. in searches.. A look of wonder on her face..Unarmed?..How..? Then at his reassuring smile..a familiar face of posters hastened past in the rain..a comprehension..I know your face..Magician.. How? I never tell anyone how.. Never..But a truth behind deception was betrayed in a look that said why he did it.. How..? I’m a magician..I take that secret to my grave..to my grave.. “Nothing on her..This isn’t the one” Their eyes glared at him.. They shoved her aside roughly.. “Get up..We’re going to search you” Behind the looming figures he heard a single shot and the one kneeling mourning the fallen ceased their crying..And a mind brooding over a spell, like one scanning over an arsenal of strategy made a final choice for a last stand..His face betrayed no emotion, no guile.. “Hey, he looks familiar..I think I saw his face on a poster..” “A wanted poster..?” “I don’t think so..for a show maybe..?” He soundlessly mouthed “run” to her..Their eyes met..He knew magic then..He felt awkward when their eyes first met..he cursed himself later that he hadn’t conjured some rose or some gift when he paused mid-stride at first sight..Now he smiled..”A last enchantment lass..then..farewell”.. there was truth to it..Everything seemed magic..the city seemed a beautiful and enigmatic wonder.. cast in resplendent crimson light by artillery rounds..and the Liffey itself seemed to burn, like liquid flame..His breath steamed in valediction like a smoking gun in the chill air..It’s tone of a man in love.. A city of dreams..of magic. How he would miss it.. He knew it was over..as if by a ven-triloquist’s art the statues of warriors and orators seemed to chant his name..like an audience before the curtain falls..pleading for a last trick..”One more!” “One more!” He rose as if in reply to the chanting..his hands were deceptively languid as he raised them from his sides.. The hands of the others were accustomed to the quick draw of firearms in the urban warzone.. But he was a magician..a conjurer.. Their eyes never followed.. The act was perfect.. There was no applause.. For once he didn’t need it..He seemed to hear in ghostly echo the words he often heard in awe-inspired tones..the question he was asked again and again..”How did you do that..” ..”How did you do that..?” after his silhouette in the stagelight was like a dark question mark as he bowed to the applause.. The deafening shriek of artillery shells like all the clan banshees of Ireland bemoaning the slain and the blinding explosions would not come between their farewell..for there were ways and words known by heart and as he pivoted towards her for a last look of Orphean valediction..expressive eyes offered their song like an endearment betrayed and bespoke by gaze alone heard across a crowded room..in pantomime like a stradi-varian chord his hand extended outward from his heart to her as he turned back to the fire, smiling in that cryptic way, half sad at the aloofness of mystique.. But gone in that moment was the mystery..he had conveyed all to her..there was no deception..an awkward farewell to magic.. He appeared a man then..like any other.. But that..was an illusion.. He wasn’t… His gaze keen as a rapier blade drawn and coat billowing in the fire-stirred gusts was cast aside with a matadorian flourish blowing away across the cobbles.. An expectant hush befell..more unnerving than the echoing explosions..as if all the combatants wai-ted..who would dare the next act.. One standing, his hands ceased from tearing her clothes and their eyes met like two duelist’s blades sparking.. before his eyes met hers..and never strayed from them even as a gun was raised over her shoulder his fist entwined in her hair.. and she no more than a shield to the butcher.. He drew a rapier blade.. The thug smiled gloatingly..a mere trick..”Shadow-fencing? I’ve seen it.. Harmless..” “Harmless?” his voice like a lion’s purr in the primal dark.. “Not the way I do it..” he slashed at the soldier’s shadow alone as he cocked the gun.. He clutched his chest and gasped dropping the weapon as a red gash opened on his chest.. Again shadow was slashed..and he recoiled letting go of her hair.. a cut opening on his face.. He groped for another revolver as if ghosts mauled him.. He screamed as he stumbled back towards the Liffey cuts opening all over him.. On the

brink of the river he looked up then.. The magician advanced like a black knight after a dragon.. He placed his hand protec-tively over her shoulder and cast his cloak over her.. Before raising his prop sword like a rifle.. Any last words..? How di.. I never tell anyone.. hudya..” he stuttered.. “Those are your last words..? Fancy learning to read before learning to use a gun..Your kind never do..” He grabbed for his gun then shrieked as cuts opened,,as if he were raked by a tiger’s claws.. and as if he were fired on in short proximity his clothes caught fire.. and staggered backwards screaming into the Liffey to extinguish it but weighed down by arms disappeared into the cold dark waters..They stood side by side then..eyes meeting.. a moment in time like us all.. A vulpine smile tugged at his lips at the memory..”Now for my last act..” The eyes that looked beyond the fallen soldiers into her eyes had the same look of won-der that he saw mirrored in his own eyes as he stood before the crowd after a trick.. a poem written on the city skyline, against a burning dawn, she seemed crowned in fire..He closes his eyes as he does when reaching into his hat on stage.. he envisions himself like a ghost approaching his poster before the closed theatre and tracing a heart in blood before and the words the “great” as the rain washes it away distorting the colours and image too like a carnival funhouse image..then it appears again like a painting in fastforward and he sees her picture next to his on the poster..the letters reform at his beckoning..He turns away and his eyes open to the present.. Sharpshooters on the rooftop aim at him as he stands with smoking gun.. He turns to his “assistant”..I am the magician of Dublin..I can make anything disappear.. He shoves her away into the mist..”Run”..”Disappear!” He turns to the men of the roof smiles un-bowed.. A smile that said “you’ll never know how I did it..” Years later a fashionable woman pushed a carriage along and paused to sigh after others escorted along the way..The shadow by her side spoke.. “Excuse me Miss..?” Her eyes looked up and before a gasp of startling recognition her eyes were drawn to a silver nec-klace dangling in his hand like a hypnotist’s gem… “I believe you dropped this..” “The chain trailed from his hand like his words steaming in the chill air..like a smoking gun.. “I lost this..centuries ago..” “Centuries..?” “It feels that way..years ago..” “It was torn from my neck as a man fell over the bridge..” Her eyes looked over the Liffey envisioning the nightmarish scene.. Then her eyes sought him again..”How did you..?” “I never tell that Miss..You know that..” As if a slain warrior was granted one return to visit a mortal lover in the world of the living..he stood like an apparitional presence..smiled faintly..eyes sad then.. Like a king of hearts reshuffled into a gambler’s deck he disappeared into the crowd crossing the bridge over the Liffey in the sunset as if back to the mists of legends he had strayed from..as if he was never there..

About Greg Patrick

A dual-citizen of Ireland and the US, Greg Patrick is an Irish/Armenian traveler poet and the son of a Navy man. Also a son of the Traveling People. He is a former Hu-manitarian Aid Worker. Patrick also cared and trained with great horses for many years. About one of his favorite places, Pa-trick states, “I love the wilds of Connemara and Galway in the rain and I have written many stories there.” Well traveled since he was young; Patrick spent his youth in the South Pacific and Europe. He currently

resides in Galway, Krakow, and sometimes the states. He now writes and travels full time.


CELEBRATES IRISH FILM

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FILMS AND SHORTS IN SOUTHERN CALIFORNIA.

TICKETS ON SALE APRIL 1ST

FOR MORE INFORMATION VISIT NEWPORTBEACHFILMFEST.COM

Who’s Your Daddy

JOHNNY O’CALLAGHAN’S one man show Who’s Your Daddy? chroni-cling the adoption of his Ugandan son has played to Sold Out houses in LA, New York, Edinburgh and Toronto. The show opens in Dublin, Ireland this fall. The movie version is in development, optioned by Olympus Pictures, and expected to hit screens in 2017.

The play and film tells the true and hilarious story of Johnny O’Callaghan’s life being saved by a star-ving Ugandan orphan. The story takes place when the LA actor’s personal relationship ended abruptly. Heartbroken, he agreed to help a friend film a no bud-get documentary about AIDS orphans in Uganda on the border of The Congo and Rwanda. The play fol-lows Johnny’s nine-month gripping adventure where he wakes up to his highest potential and becomes a father. Johnny O’Callaghan confronts and exposes so-cial and racial issues. Breaking through the stigma of single fatherhood and the near impossibility of adopting an African AIDS orphan, Johnny’s voice strikes a resounding funny and touching chord in the hearts of all audiences.

It’s a unique opportunity to bring awareness of pivotal issues of our times; in this case the plight of Ugandan AIDS orphans. The spirit of this play dis-solves barriers of racism and old paradigm beliefs around fatherhood and the stigma of HIV. JOHNNY O’CALLAGHAN just completed CAGED at Theatre Banshee and will perform at the Hammer Museum for Bloomsday 2016. He also teaches meditation and has a therapy practice in the Holly-wood Hills. O’Callaghan began acting in Ireland with the Belfast Youth and Community Theatre, to unite Protestant and Catholic actors. The New The-atre School followed in Boston. After graduation he quickly became a mem-ber of Actors Equity. The North American premier of Conor McPherson’s Rum and Vodka followed in New York, LA and Toronto leading to recor-dings with NBC and HBO. Other Off-Broadway successes include Howie The Rookie and the sold out hit Ladies and Gents in the toilets of Central Park at The Irish Arts Center. The Hostage at The Irish Repertory Theatre. Regionally he played the gigolo Anatol in the classic The Affairs of Anatol by Arthur Schnitzler, The Lonesome West, The Live Full Monty. He joined the sci-fi world by recurring as Niam on the TV series Startgate Atlantis. Other film and TV credits include Joyce Carol Oates’ We Were The Mul-vaneys, CBS’ The Agency with Beau Bridges, the Independent hit Clutch, the CBS movie of the week Deep In My Heart with Anne Bancroft, Haven’t We Met Before with Nicolette Sheridan and Marin Scorsese’s Gangs of New York. He most recently completed the miniseries ZOS Zone of Separation and Forest for Comedy Central. He has played the role of Stephen Dedalus in Bloomsday on Broadway. For more information check out johnnyocallaghan.com, follow him on facebook and instagram.


The Celtic Camera

A) A talented pair to be sure; pictured here at The Wilde Thistle are World renowned operatic sensation Orla Boylan and her big brother Celtic Artist Brian Boylan!

B) Erin and Katie at the Irish Import Shop in Hollywood! Stocking Irish goodies to the rafters getting ready for Paddy’s Day is a family business for the grand-daughter and daughter of Dublin native and owner. Anne Colburn

C) Irish TRaditional Band, The Praties on a fine Saturday night last fall at The Wilde Thisle in Palms

D) LA based Celtic Artist, Steve O’Loughlin has created dozens of murals for Schools, libraries, public parks, churches and private commissions. A recent Altarpiece for Holy Nativity Church in Westchester is pictured here. Easter is soon upon us and it a wonderful year to see this magnificent work!. O’Loughlin combines Celtic elements into the public art, which has become a staple of his artistic style.

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The 2007 Academy Award-winning film, ONCE, was written and directed by John Carney, and starred Glen Hansard and Markéta Irglová, with original music and lyrics by Mr. Hansard and Ms. Irglová.

ONCE is based on the Academy Award-winning film Irish film by the same name which was released to great reviews and audience appreciation in 2006. (See story on page___) The show features the Academy Award-winning music and lyrics of Glen Hansardand Markéta Irglová, a book by award-winning Irish playwright & screenwriter, Enda Walsh(Penelope, Hunger, The New Electric Ballroom), direction by the acclaimed Scottish director of Black Watch, John Tiffany, movement by Steven Hoggett (Black Watch, American Idiot) and music supervision and orchestrations by Martin Lowe (Mamma Mia!). The set and costume design are by five time Tony Award winner Bob Crowley (The Coast of Utopia, Mary Poppins), lighting design is by Tony winner Natasha Katz (Aida, The Coast of Utopia), and sound design is by Clive Goodwin. The ONCE tour cast will feature Stuart Ward (Guy), Dani De Waal (Girl), Ray Bokhour(Da), Matt Deangelis (Švec), John Gardner (Eamon), Donna Garner (Baruš ka), Evan Harrington (Billy), Ryan Link (Emcee), Benjamin Magnuson (Bank Manager), Alex Nee(Andrej), Erica Swindell(Ex-Girlfriend), Kolette Tetlow (Ivanka), Claire Wellin(Réza), Estelle Bajou, Stephen McIntyre, Zander Meisner, Tina Stafford, Tiffany Topoland Matt Wolpe. ONCE is produced by Barbara Broccoli, John N. Hart Jr., Patrick Milling Smith, Frederick Zollo, Brian Carmody, Michael G. Wilson, Orin Wolf, and Executive Producer Robert Cole, in association with New York Theatre Workshop.

Individual tickets for ONCE are available for purchase at www.HollywoodPantages.com or www.Ticketmaster.com or by phone at 1-800-982-2787. Tickets may also be purchased in person at the Hollywood Pantages Box Office and all Ticketmaster outlets.

The Hollywood Pantages is located at 6233 Hollywood Boulevard, just east of Vine Street, and the box office opens daily at 10am except for holidays.

For tickets or more information about the Los Angeles engagement of ONCE, please visit the official website for Hollywood Pantages Theatre: www.HollywoodPantages.com.

CONTINUED FROM PAGE 5and children in Perth County, Ontario, near my home.

IA&E: We can close with this. You sort of wrote the book , early in your career on how to be indepen-dent and successful while creating great music. What do you think of the current state of the Music Business overall with downloads and the like.

Loreena: It has certainly changed and the opportunities that I had, was blessed with, are no longer there. I understand change and I am not against innovation but it creates a whole new set of challenges for the artists. I don’t think that the peo-ple who ran (or now run) the music industry ever really appreciated or respected those who created the music (the product). Now it has all collapsed, there is no viable business model anymore. We are entering into (an) unknown experiment at the present time. Not just in music but society. I just gave a talk that touches on a lot of this that is on Youtube.

IA&E :We’ll find it. Thank you again, we are really looking forward to seeing you again.

MORE ABOUT THE CONCERT and LOREENA McKENNITT: McKennitt was one of the very first artist to add various elements of other traditional music together. McKennitt’s stamp on Celtic or World Music** is at the forefront of a a growing interest in music with a Celtic underpinning. Loreena McKennitt’s eclectic Celtic blend of pop, folk and world music has sold more than 14 million McKennitt is Canadian but has Irish roots. Her Celtic heart, however, has led her far from Eire. On some tracks on “The Visit” - “All Souls Night” being the best example - she sprinkled sounds reminiscent of India and the Russian steppes, reasoning that the ancient Celts migrated from eastern regions and just might have employed such colors and tones. Joined by two of her long-time musical collaborators, guitarist Brian Hughes and cellist Caroline Lavelle, this atmospheric evening features music and stories inspired by Loreena’s exotic travels in pursuit of the history of the Celts – from China and Mongolia to central Turkey and Ireland, while interlacing the mystical Irish poems of Yeats and such classical writers as Shakespeare and Tennyson. McKennitt adds historic relevance to today by including references to the time of the time of the Irish famine (1840s) to the present. McKennitt has performed in some of the world’s most respected and historic concert venues, from Carnegie Hall to the famous Alhambra Palace in Granada, Spain In addition to her musical career, McKennitt has been recognized for a number of noteworthy philanthropic initiatives. In 1998, she founded the Cook-Rees Memorial Fund for Water Search and Safety, and she was instrumental in the transformation of a 1929 neo-Gothic school into the Falstaff Family Centre, a charitable organization focused on families and children. McKennitt is a Member of the Order of Manitoba (2003) and the Order of Canada (2004), and in 2013 she was appointed Knight of the National Order of Arts and Letters of the Republic of France. As a privacy dvocate, she won a landmark privacy case in the U.K. She has also been awarded four honorary degrees for her non-musical endeavors. Ed Notes:*It is this trio formation that earned Loreena a 2012 Grammy nomination for Troubadours on the Rhine and tour performances including Sergestrom Hall will feature many of the songs from the album. **The genre is actually quite broad. Small companies have sprung up to internationally market albums by obscure folkies from Ireland and Scotland. Major labels handle artists as diverse as the Chieftains (traditional folk), Clannad (folk-pop) and Enya (whose moody-modern approach actually has an Irish foundation). Gaelic Storm have demonstrated the appeal for Irish Roots/Rock-Folk and Fun

Music and have captured the hearts of a hugh following.



Impressive Array of IRISH MUSIC Just In Time for St. Patrick’s Month!

Accuradio’s St. Paddy’s Party Channel Adds Real Emerald Isle Revelry to March

Shamrocks and green beer are all well and good, but the real heart of an Irish celebration beats in the music, the way it holds us together through thick and thin.

AccuRadio, the fastest-growing webcaster* knows how to channel the Irish spirit. It also knows partiers don’t want to dig for the perfect reel or ballad. They want to find the heartwarming and authentically raucous with just a few clicks. That’s why the platform provides fourteen Irish- and Celtic-themed chan-nels—and why its curators have distilled the most fun and rowdy selections into its “St. Paddy’s Party” channel.

While only some of us have roots traceable to these cultures, many Americans feel a striking affinity with Celtic music. “Even people with no con-nection to Irish, Gaelic, or Scottish cultures are still likely to find these channels easy on the ears,” explains AccuRadio Executive Vice President for Programming Paul Maloney. “Much of American modern music has roots in Irish music,” he notes. “Since Irish people immigrated in great numbers not that long ago, the people and their music have an outsized influence on contemporary American culture.”

The webcaster’s Celtic channels were originally conceived and programmed by Emmy-nominated Irish singer-songwriter Michael Londra, cur-rently on US tour with his wildly popular ensemble, Celtic Fire. This is no exception: AccuRadio relies on human curators, not algorithms, to craft tailor-made listening experiences. Its dozen human curators are expert radio programmers who are superfans of their genres.

Even after the official party is over and hangovers subside, St. Paddy’s Party listeners often dig deeper into the history of Celtic sounds and check out the other channels dedicated to Celtic music. They include Radio Celt, Calling All Pipers, Celtic Legends, Celtic Love Songs, Celtic Men, Celtic Women, Celtic Rock, Easy Celtic Pickin’s, First Fiddle, Progressive Celtic, Songs of the Sea, and Traditional Celtic. AccuRadio’s St. Patrick’s Day channels: http://www.accuradio.com/featured/stpats

to Dublin to celebrate with our home industry and with my colleagues and friends.” Neeson’s most recent projects include Taken, the final instalment of the blockbuster trilogy, and Run All Night, directed by Jaume Collet-Serra, which were released in 2015. Liam can be next seen in Silence, directed by Martin Scorsese and A Monster Calls in which he co-stars alongside Felicity Jones and Sigourney Weaver. Both movies are set for a 2016 release. In 2014, Neeson appeared in Seth MacFarlane’s comedy A Million Ways to Die in the West as well as the hit comedy Anchorman 2: The Legend Continues. In that same year, he also starred in Scott Frank’s crime thriller A Walk among the Tombstones, director Jaume Collet-Serra’s Non-Stop, and in writer/director Paul Haggis’ romantic drama Third Person. Liam lent his voice to a number of animated features in 2014 including: The Nut Job, produced by Open Road Films and directed by Peter Lepeniotis; Phil Lord’s hugely successful The Lego Movie; and the animated adaptation of Kahlil Gibran’s book The Prophet, where Neeson was joined by John Krasinski and Salma Hayek. In 2012, Neeson reprised his role as unstoppable CIA operative Bryan Mills in Taken 2, the successful follow-up to the 2008 hit crime thriller Taken. He also starred in Peter Berg’s actioner Battleship, appeared in The Dark Night Rises for director Christopher Nolan, played Zeus in the blockbuster Wrath of the Titans, and starred in Joe Carnahan’s thriller The Grey, which topped the box office in its opening weekend. Neeson made his Broadway debut in 1993 receiving a Tony® Award nomination in the Roundabout Theater’s revival of Eugene O’Neill’s 1921 drama Anna Christie, co-starring Natasha Richardson. He also received a Tony Award nomination for Arthur Miller’s The Crucible in 2002 in the part of Proctor.



www.constantcontact.com/index.jsp?pn=irishnewsusa



Saturday, March 26 @ 9:00pmThe Whooligans O’Malley’s on Main Seal Beach, CA

Saturday, March 26 6:pm to 8:pm Gaelic League presents: Talks and Entertainment to commemorate The Rising! Accompanied by music, poetry & film clips The Wilde Thistle Café Palms/ Los Angeles

Monday, March 28 @ 8:00pm KATIE MCNALLY AND NEIL PEARLMAN The vibrant musical traditions of Scotland and Cape Breton The Coffee Gallery Backstage2029 N Lake Ave, Altadena, CA

91001 626 398-7917www.coffeegallery.com

Saturday, April 16 6:pm to 8:pm Gaelic League presents: Eoin Mac Néill /Freedom of Thought The Wilde Thistle Café Palms/ Los Angeles SAVE THE DATES

Sunday, April 24 Watch Here Details TBA Irish Spotlight Newport Beach Film Festival and After-Party at Muldoon’s Irish Pub http://newportbeachfilmfest.com

Sunday, April 24, 2016 @ 2:00pm Centennial Commemoration

of Easter Monday Rising As part of the worldwide commemorations to mark the centenary of the 1916 Rising, M. Finbar Hill, Hon. Consul General of Ireland and Regional Bishop David G. O’Connell of the Archdiocese of Los Angeles invite you to participate in a special commemoration at St. Cornelius Catholic Church in Long Beach, California. History shows that The Easter Rising was the forerunner to IRELAND’s Freedom and Independence following almost 600 years of foreign domination. Ireland was the first modern nation to cast off the bonds of colonialism taking its inspiration

from the United States. Music and program Produced and Directed by Ken O’Malley St. Cornelius Catholic Church 5500 E Wardlow Rd Long Beach, CA 90808

THE HARP INN IRISH PUB Great Entertainment Every Night!

Karaoke, Pub Quiz, Open Mic & Live Music Harp Inn Irish Pub 130 E. 17th St. Costa

Mesa www.harpinn.com

O’Brien’s Irish Pub The Sports Pub with the Irish Heart!

Sunday Evenings LA area’s Only OPEN Irish Session Drop by for dinner & stay for

the Craic! 7:30pm or so... Join the fun! CHECK OUT THE GROUP

O’Brien’s Irish Pub & Restaurant 2226 Wilshire Blvd (at 23rd.) Santa Monica, CA

310 829-5303 www.obriensla.com


The Celtic

Camera

The Irish Are Rising in LA

Would you like some Irish language and culture with your tea?March is the month of the Irish. St. Patrick’s Day has us all getting decked out in green. What do you do if you want to learn more about being irish than just dressing in green? Good news. There’s an organization for that. Conradh na Gaeilge (sounds like Kunra na Gaylgu), otherwise known as The Gaelic League has been in existence in Ireland since 1893, preserving and promoting Irish language and culture. It was instrumental in saving the language and inspiring a revival in Irish literature and music. Indeed many of those who were inspired by the revival also took part in the 1916 Rising that led to Ireland finally breaking free of British colonial rule. The Los Angeles branch of the Gaelic League is just over a year old now and is here for those in Los Angeles who really want to experience Gaelic culture. That means Scottish, Irish, and Manx (from the Isle of Man, an island between Ireland and England where the cats have no tails) languages and cultures are within your reach right here in LA. At The Wilde Thistle Café in Culver City, on any given Sunday, you will hear live music, see people break into Irish dance or talk to each other in Irish, Scottish, or Manx. A Gaelic choir tunes up in the early morning here. Games in Gaelic, a book club, and a conversation group are also part of the activities on any given Sunday.Classes for beginners are free. The Manx self-study group is beginning to string sentences together. That is no small acheivement considering that this was a language that had been declared dead not too long ago. Now it coming back with strength. Just in case that wasn’t enough to spark your interest, on one Saturday a month, you can learn why 2016 is so important to the Irish in a series of talks and entertainment lined up to mark the centenary of THE 1916 RISING, a rebellion which led to Ireland shaking off English Colonial rule in most of the country.So Tulach Ard, as Outlanders would say or Buail Isteach (Drop in) as the Irish would say or Caghlaa obbyr aash (A change is as good as a rest) as you might hear on the Isle of Man: you can get your Gaelic on right here in LA. Gaelic Sundays:11:00am Gaelic Choir & Gàidhlig/Manx group12:00 Irish 11:00 Irish 32:00 Irish 63:00 Book Club3:00 - 6:00 Irish Dance Session

Saturdays Talks and Entertainment to commemorate The Rising6pm – 8pm at The Wilde Thistle Cafe Los AngelesAccompanied by music, poetry & film clips.

March 26th: Towards Revolution / Free and GaelicApril 16th : Eoin Mac Néill /Freedom of ThoughtMay 21st: Seán Mac Diarmada / Irish in AmericaJune 18th: Women’s Role / Cultural RevivalJuly: BreakAugust 20th: Dúbhghlas de hÍde /The Start of the RevivalSeptember 17th : After 1916 / The GaeltachtOctober 15th: Oscar Wilde / Irish as a Living LanguageNovember 19th: Play – TRANSLATIONS by Brian FrielDecember 17th : Reimagining Ireland / LessonsIRISH IMMERSION WEEKEND (off-site): 29, 30 April & 1 MayContact: [email protected] for more details

A) Dublin resident Director Lenny Abrahamson at SBIFF

B) Santa Barbara Mayor Helene Schneider at the Santa Barbara In-ternational Film Festival in Febru-ary, acknowledging guests to the city from Dingle, Ireland.

C) Irish Actress Saoirise Ronan was honored for her role in “Brooklyn”

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CONVENIENT LOCATIONS: • Burbank • Pasadena

• Silverlake • North Hollywood

Cleary Irish Dance

Fun For All Ages!

if you can walk,

you can dance

Enrollment for new students is on-going!

www.clearyirishdance.com • (818) 886-3459 • email: [email protected]

SAVE THESE DATES... Both events open to the public, and free of charge!

• St. Ambrose Spring Feis: Mother’s Day Weekend May 7th & 8th Sheraton Fairplex Pomona, CA • 24th Annual St. Ambrose Fall Feis: September 24th & 25th Westin LAX, Los

EVERY SUNDAYOpen Irish Session - Starts @ 7:30 PM

EVERY MONDAYTeam Trivia - Starts @ 9:00 PM

$150 in Cash Prizes!


2016

Buy Tickets at CelticFaireAtFairplex.com1101 W. McKinley Ave., Pomona, CA 91768

• Shopping, food and pubs

• Traditional dancing • Irish rock bands and traditional Celtic music

• Jousting demonstrations• Sheepherding demonstrations

Admission:$10 adults, $5 ages 6-12

Ages 5 and younger free with paying adult

Celebrate All Things CelticMarch 19-20

10 a.m. to 6 p.m.

irish arts & entertainment, irish music special

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