ITAL 30Il linguaggio figurativo nell’artesimbolo, metafora, e allegoria

martedì 8 novembre 2011

Aurélie TichouxVictoriya LevinaCarina LivotiEloise Horn

HarvardArt MuseumsHarvardArt Museums

Albrecht DürerGerman (1471 - 1528)Adam and Eve, 1504PrintEngravingsheet: 25.1

Andrea MantegnaThe Lamentation over the Dead Christ c. 1490Tempera on canvas

Maître de l'ÉchevinageReconstruction of the temple of Jerusalem from Guillaume de Tyr, Histoire d'OutremerManuscript illumination

Apollo Belvedere (copy) Roman copy (ca. 130 AD) probably of the original Apollo Patroos by Leochares (ac.370-320 BC)marble

Cornelis CortNetherlandish (1533 - 1578)Sight, 1561PrintEngraving

Cornelis CortNetherlandish (1533 - 1578)Hearing, 1561PrintEngraving

Cornelis CortNetherlandish (1533 - 1578)Touch, 1561PrintEngraving

Cornelis CortNetherlandish (1533 - 1578)Taste, 1561PrintEngraving

Cornelis CortNetherlandish (1533 - 1578)Smell, 1561PrintEngraving

Unknown Artist after Hendrick GoltziusNetherlandish (1558 - 1617)The Physician as Godfrom Allegory of the Medical Profession, 1587Engraving

Unknown Artist after Hendrick GoltziusNetherlandish (1558 - 1617)The Physician as an Angelfrom Allegory of the Medical Profession, 1587Engraving

Unknown Artist after Hendrick GoltziusNetherlandish (1558 - 1617)The Physician as Manfrom Allegory of the Medical Profession, 1587Engraving

Unknown Artist after Hendrick GoltziusNetherlandish (1558 - 1617)The Physician as the Devilfrom Allegory of the Medical Profession, 1587Engraving

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Piet MondrianDutch (1872 - 1944)Composition with Blue, Black,

Yellow, and Red, 1922PaintingOil on canvas