jackson's - watercolour catalogue - 2015

W A T E R C O L O U R C A T A L O G U E2 0 1 5

Welcome to our all-new watercolour catalogue! We're excited to present a watercolour-only catalogue which we hope you'll find invaluable during painting sessions.

With this new format we are able to list even more of the watercolour painting materials that we offer. There is also a selection of fascinating watercolour painting articles fresh from our blog, and a glossary that will help you to sort your single pigments from your secondary colours once and for all.

In the Colour section you will find the world's finest paints including the likes of Holbein, Winsor & Newton, Sennelier and Daniel Smith and our increasingly popular Jackson's brand of watercolours. You will also find an array of student colour and specialised colour such as Dr. Ph Martin's Hydrus and Radiant ranges.

Our Surfaces section offers more choice than ever. As well as our 100% cotton and woodfree papers, there are panels and special watercolour grounds that allow you to paint with watercolour on a multitude of surfaces.

The Brushes section includes measurements and technical details on our selection of world-famous brands and in-house designs, helping you to make the most informed purchases possible. Whether you're looking for a broad mop, a fine rigger or a springy flat, you'll be spoilt for choice.

Finally, our Studio section has everything else : easels, accessories, brush cleaners and more. This section contains the items you'll soon wonder how you ever worked without.

If you're seeking more inspiration, or want to share the fruits of your creativity, Jackson's can help again! Thousands of artists interact each week with our blog which features artist interviews, product reviews and reports on exhibitions across the UK. We are also on Facebook, Twitter, Instagram, Pinterest, Youtube, Flickr and Google Plus – each platform has a dedicated and proactive community waiting to hear from you. Look out for our monthly Facebook competitions, an opportunity to win hundreds of pounds worth of art materials!

Any thoughts about Jackson's? Drop us a line at: [email protected]

Call us on 020 7254 0077 or order on our website, by fax or by post.

See back page for further information.

H O W T O O R D E R

We do not stock all products at each shop, and we advise you to please call first if you are after a specific product. Jackson's reserve the right to alter prices at any time. E&OE. All prices are shown inclusive of VAT.

Fulham Arch 66 Station Approach London SW6 3UH

020 7384 3055

9–5:30 Mon–Fri 9–5 Saturday

Dalston 1 Farleigh Place Dalston London N16 7SX

020 3772 0132

9–5:30 Mon-Fri 10–6 Saturday

V I S I T O U R S H O P S

4MM SPACE

4MM SPACE

C O N T E N T SColour Watercolour / Gouache / Mediums / Coloured Pencils / Pens / Pencils

Surface Paper / Blocks / Watercolour Pads / Cartridge Pads

Brushes Sable / Squirrel / Synthetic / Sets

Studio Palettes / Storage / Easels / Accessories / Mount Cutters / Framing / DVDs / Books

Glossary Glossary / Pigment Guide / Key Guide

ArtGrid App . . . . . . . . . . . . . . . . . . . . . 113Blocks . . . . . . . . . . . . . . . . . . . . . . . . 65-66Books . . . . . . . . . . . . . . . . . . . . . . . 120-123Box Easels . . . . . . . . . . . . . . 108-109Bronze Powder. . . . . . . . . . . . . . . . 34Brush Cases . . . . . . . . . . . . . . . . . . 106Brush Cleaner . . . . . . . . . . . . . . . . . 43Brush Sets . . . . . . . . . . . . . . . . 96-97Brush Washers . . . . . . . . . . . . . . . 110Cartridge Paper . . . . . . . .70-73Charcoal . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51Chinese Brushes.. . . . . . . . . . . .94

Clutch Pencils . . . . . . . . . . . . . . . . .50Colour Wheels . . . . . . . . . . . . . . . . 112Coloured Pencils . . . . . 44-48Composition Tools . . . . . . . . 112Display Easels . . . . . . . 108-109Drawing Board . . . . . . . . . . . . . . . . 111DVDs . . . . . . . . . . . . . . . . . . . . . . . . . . 116-119Easels . . . . . . . . . . . . . . . . . . . . . . 108-109Erasers . . . . . . . . . . . . . . . . . . . . . . . 110-111Field Easels . . . . . . . . . . . . 108-109Fixative . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43Framing . . . . . . . . . . . . . . . . . . . . . . . . . . . 115

Gift Vouchers . . . . . . . . . . . . . . . . 130Gouache . . . . . . . . . . . . . . . . . . . . 36-39Graphite Pencils . . . . . . . . . . . . .50Indian Ink . . . . . . . . . . . . . . . . . . . . . . . . .49Knives . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 110Lightbox . . . . . . . . . . . . . . . . . . . . . . . . . . 112Markers . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33Masking Fluid . . . . . . . . . . . . . . . . . . 42Masking Tape . . . . . . . . . . . . . . . . 110Mediums.. . . . . . . . . . . . . . . . . . . . 40-41Mounting . . . . . . . . . . . . . . . . . . . . . . . . . 114Pads . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67-73

Paint Boxes. . . . . . . . . . . . . . . . . . . . 105Palettes . . . . . . . . . . . . . . . . . . 102-105Paper Board . . . . . . . . . . . . . . 63-64Paper Sheets . . . . . . . . . . . . 56-63Paper Stretcher . . . . . . . . . . . . . . 111Pencil Cases . . . . . . . . . . . . . . . . . . 106Pencil Sharpeners . . . . . . . . . . 111Pens . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .49Portfolios . . . . . . . . . . . . . . . . . . . . . . . 107Primers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .41Putty Rubbers . . . . . . . . . . . . . . . . . 111Ruling Pens.. . . . . . . . . . . . . . . . . . . . . 43

Sable Brushes . . . . . . . . . . .78-81, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94,96Scissors . . . . . . . . . . . . . . . . . . . . . . . . . . . 110Sketchbooks . . . . . . . . . . . . . 67-73Squirrel Brushes . . . . . . 82, 95Storage Boxes . . . . . . . . . . . . . . . 109Synthetic Brushes . .83-93,. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97Varnish . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43

P R O D U C T I N D E X

Ampersand . . . . . . . . . . . . . . . . . . . . . .64Arches . . . . . . . . . . . . . . . . . 58, 65, 67Aristo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .49Biyomap . . . . . . . . . . . . . . . . . . . . . . . . 107Blockx . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21Bockingford . . . . . . 60, 65, 67Canson . . . . . . . . 63, 64, 66, 67Caran d'Ache . . . . . . . . . . . . . . . . . . 44Clairefontaine . . . . . . . . 66, 107Coates . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51Colour Wheel . . . . . . . . . . . . . . . . . . 112Conte a Paris . . . . . . . . . . . . . . . . . . . . 51Crescent . . . . . . . . . . . . . . . . . . . . . . . . . . . 63Cretacolor . . . . . . . . . .47, 50, 51Da Vinci . . . . . . 42, 80, 84, 85.. . . . . . . . . . . . . . . . . . . . . . . . . . . . 92, 94, 96Daler-Rowney . . . . . . . . . 24, 40.. . 41, 42, 43, 51, 63, 64, 69.. . . . . . . . . . . . . . . . 70, 72, 81, 86, 97Daniel Smith . . . 12, 13, 31, 41Daylight Company . . . . . . . . 112Derivan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34

Derwent . . . . . . . . . . . . . . . 46, 51, 73. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106, 111Dynasty . . . . . . . . . . . . . . . . . . . . . .91, 97Dr. Ph. Martin's . . . . . . . . . . . . . . . 34Escoda . . . . . . . . . .42, 79, 81, 89.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .93, 96Faber-Castell . . . . . . . . . . 45, 49 . . . . . . . . . . . . . . . . . . . . . . . 50, 51, 110, 111Fabriano . . . . . 57, 61, 65, 67 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69, 70, 73Frank Herring . . . . . . . . . . . . . . . . 102Frisk . . . . . . . . . . . . . . . . . . . . . . . . . . 42, 110General Pencil Co. . . . .48, 51Global Leather. . . . . . . . . . . . . . . 106Golden . . . . . . . . . . . . . . . . 20, 40, 42Goldline . . . . . . . . . . . . . . . . . . . . . 69, 73Hahnemuhle . . . . . .66, 69, 73Handover . . . . . . . . . . . . . . . . . . 93, 110Holbein . . . . . . . . . . . 6, 7, 36, 105Isabey . . . . . . . . . . . . . . . . . . . . . . . . 79, 82Jackson's . . . . .10, 40, 41, 43 . 49, 58, 59, 66, 67, 69, 70

.. . 71, 78, 82, 85, 87, 92, 94

.. . 95, 97, 106, 108, 109, 110Jakar . . 51, 106, 108, 111 , 114John Pike . . . . . . . . . . . . . . . . . . . . . . . 102Keba . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 111Khadi . . . . . . . . . . . . . . . . . . . . . . . . . 62, 68Koh-I-Noor . 42, 48, 50, 110Kuretake . . . . . . . . . . . . . . . . . . 30, 94Langton . . . . . . . . . . . . . . . . . . . . .65, 68Lascaux . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43Logan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 114Lyra . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47Mabef . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109Maimeri . . . . . . . . . . . . . . . . . . . . . . . . . . . 25Manuscript . . . . . . . . . . . . . . . . . . . . . .49Mapac . . . . . . . . . . . . . . . . . . . . 106, 107Maped . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 114Masquepen . . . . . . . . . . . . . . . . . . . . . 42Mijello . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102Millford . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .61Moleskine . . . . . . . . . . . . . . . . . .69, 70Nitram . . . . . . . . . . . . . . . . . . . . . . . . 51, 110

Old Holland . . . . . . . . . . . . . . . 22, 23Pebeo . . . . . . . . . . . . . . . . . . . . . . . 42, 103Pentel . . . . . . . . . . . . . . . . . . . . . . . . 49, 50Pilot . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .49Princeton . . . . . . . . . . . . . . . . . . 83, 93Pro Arte . . . . . . . . 43, 81, 82, 85.. . . . . .88, 93, 94, 96, 97, 106Raphael . . . . . . . . . . . . . . . . . . . . . . 79, 97Rembrant . . . . . . . . . . . . . . . . . . . . 18, 19Rhodia . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70Rosemary & Co . 80, 82, 97Saunders Waterford . . . . . . 56.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65, 67Schmincke . . . . . . . . . . .14, 15, 34.. . . . . . .37, 40, 41, 42, 43, 105Sennelier . . . . . . . . . . . . . . . . . . . . . 16, 17Shin Han . . . . . . . . . . . . . . . . . . . . 29, 39Shirley Trevena . . . . . . . . . . . . . . 97Snowdon.. . . . . . . . . . . . . . . . . . . 70, 73St. Petersburg . . . . . . . . . . . . . . . . . 28Stabilo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .49Staedtler . . . . . . . . . . . . . . . . . . . 49, 111

Stil lman & Birn . . . . . . . . . . . . . . . . 71Stonehenge . . . . . . . . . . . . . . . . . . . . . 73Strathmore . . . . . . . . . 61, 68, 73The Master’s . . . . . . . . . . . . . . . . . . . 43Turner . . . . . . . . . . . . . . . . . . . . . . . 26, 27Uni Pin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .49Winsor & Newton . . . . . . . . .8, 9. . .32, 33, 38, 40, 41, 51, 69,. . 72, 79, 81, 82, 85, 86, 90,. . . . . . . . . . . . . . . . . . . . 97, 108, 109, 111Wolff ’s . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51Zest-it . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42Zig . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .49

B R A N D I N D E X

Go to www.jacksonsart.com for more details.

V I E W O U R O T H E R R A N G E S O N L I N E

4–53

54–75

76–99

100–123

126–129

C O L O U R

Watercolour offers a unique combination of spontaneity, lightness of touch and intensity of colour that makes for a truly versatile medium. It's a simple combination of pigment, water and gum that inspires a vast range of expression and textures, easily produced in both luminous transparent glazes and fine opaque detail. An expansive array of delicately balanced colour variations are available, with scope for exceptional clarity and the bravest of experimentation - many ranges including exciting effects and unusual pigments that are exclusive to watercolour.

C O N T E N T SWatercolour

Gouache

Mediums

Coloured Pencils

6–35

36–39

40–43

44–48

Sketching Pens

Graphite Pencils

Charcoal

49

50

51

6 J A C K S O N ' S A R T S U P P L I E S · W A T E R C O L O U R 2 0 1 5

W A T E R C O L O U R

K E YSeries Pr ice bands no . � - �

Pigment index Colour index name for example P W6

Lightfastness � Fug it ive � Fair � Good � E xcel lent

Transparency � Transparent � S emi Transparent � S emi Opaque � Opaque

Staining � S t aining

Granulation � Granulat ing

Extended Pigment Index P[0 1 ] : P O7 3 PR 25 4 P V 19 P[0 2] : PY 15 4 PY 150 PY 1 10 P[0 3] : P O7 3 PR 25 4 PY 1 10 P[N A] : not avala ible

Limited colours S ome tube/tub s izes are only aval ib le in cer t a in colours marked a s shown

H O L B E I N A R T I S T S ’ W A T E R C O L O U R

C O L O U R S

O r d e r C o d e S e r i e s £ R R P £ O u r P r i c eW B 5 � 7. 6 0 4 . 5 0W B 5 � 8 . 4 2 5 . 0 0W B 5 � 9 . 6 0 5 . 7 0W B 5 � 1 1 . 1 0 6 . 6 0W B 5 � 1 3 . 3 2 7. 9 0W B 5 � 2 0 . 3 5 1 1 . 8 0

O r d e r C o d e S e r i e s £ R R P £ O u r P r i c eW B 1 5 � 1 3 . 0 1 7. 7 0W B 1 5 � 1 5 . 7 1 9 . 2 0W B 1 5 � 1 8 . 7 7 1 1 . 0 0W B 1 5 � 2 1 . 6 8 1 2 . 7 0W B 1 5 � 2 5 . 4 0 1 4 . 9 0W B 1 5 � 3 3 . 0 5 1 9 . 4 0

5 M L T U B E S 1 5 M L T U B E SA wonderful range of watercolours that originate from Japan.Their characteristics suit both European and traditional Japanese watercolour techniques. An artist recently told us: 'I love Holbein watercolours. The strength of colour and the clarity is excellent'. The quality is seen throughout the range of 108 colours. No dispersing agents are used in manufacture, permitting greater colour density and brush control.

010 · Crimson Lake� PR 1 7 7 PR 12 2 P V 19 � �

025 · Brilliant Pink� PR 20 9 P W6 � �

042 · Cadmium Yellow Light� PY 3 5 � �

039 · Aureolin� PY 15 4 PY 1 75 PY 150 � �

031 · Jaune Brilliant No.1� P O20 PY 3 7 P W6 � �

067 · Permanent Green No. 2� PY 74 PY5 3 P G7 � � �

060 · Viridian� P G 18 � � �

152 · Green Grey� P G 1 7 P G 2 3 PBk6 � �

101 · Peacock Blue� P G7 PB 15 � � �

090 · Cobalt Blue� PB2 8 � �

098 · Indigo� PB 15 PBk6 PR 12 2 � �

175 · Bright Violet Luminous� BV 7 BV 15 � � �

006 · Pyrrole Rubin� PR 26 4 � �

009 · Perm. Alizarin Crimson� P V 19 PBr25 � �

026 · Shell Pink� P O7 3 P W6 � � �

016 · Cadmium Red Orange� PR 10 8 � � �

041 · Cadmium Yellow Pale� PY 3 5 � �

032 · Jaune Brilliant No 2� PR 10 8 P O20 P W6 � �

070 · Cadmium Green Deep� PY 3 5 P G7 P G 18 � �

061 · Viridian Hue� P G7 � �

079 · Shadow Green� PBk3 1 � �

105 · Manganese Blue Nova� PB 15 � �

091 · Cobalt Blue Hue� PB2 9 PB 15 � � �

116 · Lavender� P V 15 PB2 9 P W6 � � �

170 · Bright Rose Luminous� BV 1 1 A B 8 3 � � �

008 · Perylene Maroon� PR 1 79 � � �

011 · Carmine� PR 8 3 � � �

017 · Cadmium Red Purple� PR 10 8 � � �

047 · Brilliant Orange� P O7 3 P O62 � � �

040 · Cadmium Yellow Lemon� PY 3 5 � �

046 · Greenish Yellow� PY 150 P G7 PBr25 � �

064 · Emerald Green Nova� PY 3 P G7 P W6 � � �

102 · Marine Blue� PB 16 � � �

104 · Horizon Blue� PB 15 P G7 P W6 � �

115 · Permanent Violet� P V 2 3 � �

113 · Mars Violet� PR 10 1 P V 2 3 PBr7 � �

012 · Rose Madder� PR 8 3 � �

015 · Cadmium Red Deep� PR 10 8 � �

038 · Permament Yellow Orange� PY 74 PY8 3 P O7 3 � � �

048 · Gamboge Nova� P[0 2] � � �

074 · Olive Green� PY 150 P G7 PBr25 � �

062 · Hooker's Green� P G7 PY 1 10 PY 150 � � �

096 · Compose Blue� PB 15 P W6 � �

112 · Mineral Violet� PB2 9 PR 12 2 PBr25 � �

135 · Indian Red� PR 10 1 � � �

022 · Scarlet Lake� P[0 1 ] � �

014 · Cadmium Red Light� PR 10 8 � �

04 4 · Cadmium Yellow Orange� PR 10 8 � �

037 · Permanent Yellow Deep� PY 74 PY8 3 � �

07 7 · Leaf Green� PY 15 4 P G7 � �

078 · Bamboo Green� P G 36 � � �

095 · Verditer Blue� PB2 8 P W6 � �

110 · Cobalt Violet Light� P V47 � �

130 · Light Red� PR 10 1 � �

013 · Opera� BV 10 PR 12 2 � �

018 · Vermillion� PR 10 8 � � �

043 · Cadmium Yellow Deep� P O20 PY 3 5 � �

036 · Permanent Yellow Light� PY 74 PY8 3 � �

108 · Phthalo Blue (Red Shade)� PB 15 � � �

107 · Phthalo Blue (Yellow Shade)� PB 15 � � �

050 · Imidazoline Yellow� PY 15 4 � � � �

049 · Isoindolinone Yellow Deep� PY 1 10 � � �

142 · Quinacridone Gold� P O 4 8 PY 150 � � �

120 · Quinacridone Violet� P V 19 � �

027 · Quinacridone Scarlet� PR 20 9 � � �

119 · Quinacridone Magenta� PR 12 2 � � �

066 · Permanent Green No. 1� PY 3 PY5 3 P G7 � �

063 · Cobalt Green� P G 18 PB2 8 P W6 � �

106 · Cobalt Turquoise Light� PB2 8 � �

092 · Cerulean Blue� PB 3 5 � �

103 · Royal Blue� PB60 � �

117 · Lilac� PR 12 2 P V 2 3 P W6 � �

134 · Burnt Sienna� PBr7 � � �

019 · Vermillion Hue� P[0 3] � � �

035 · Permanent Yellow Lemon� PY 3 5 PY 74 PY 1 1 1 � �

033 · Lemon Yellow� PY 3 P W6 � � �

093 · Ultramarine Light� PB2 9 � �

133 · Burnt Umber� PBr7 � � �

030 · Naples Yellow� PY 3 5 PY42 P W6 � � �

07 1 · Compose Green N.1� PY 3 P G7 P W6 � �

094 · Ultramarine Blue Deep� PB2 9 � �

075 · Sap Green� PY 150 P G7 PR 12 2 � � �

097 · Prussian Blue� PB2 7 � � �

007 · Pyrrole Red� PR 25 4 � �

005 · Quinacridone Red� P V 19 � � �

065 · Terre Verte� P G 1 7 P G 2 3 � �

099 · Turquoise Blue� P G7 PB 15 P W6 � �

069 · Cadmium Green Pale� PY 3 5 P G 18 � �

041 · Imidazoline Lemon� P 1 75 � � �

141 · Imidazoline Brown� PBr25 � �

7O R D E R N O W · 0 2 0 7 2 5 4 0 0 7 7 · J A C K S O N S A R T . C O M


C O L O U R S C O N T I N U E D

Plastic Case SetContains 24 half pans .Code: WBSPN697RRP : £ 259.13Price: £129.00

Travel Set Contains 12 x 5ml tubes . Code: WB12TRVRRP : £ 176.7 7Price: £88.00

Plastic Case Set Contains 8 half pans .Code: WBSPN689RRP : £ 82 .7 7Price: £ 41.00

Palm Box SetContains 12 half pans .Code: WBSPN691RRP : £ 166.4 6Price: £83.00

Porcelain Case SetContains 12 half pans .Code: WBSPN693RRP : £ 236.39Price: £118.00

Plastic Case SetContains 18 half pans .Code: WBSPN694RRP : £ 207.7 7Price: £103.00

Palm Plastic Case SetContains 36 half pans .Code: WBSPN698RRP : £ 397. 24Price: £197.00

S E T S

Set of 18Contains 18 x 5ml tubes . Code: WHWC18RRP : £99. 20Price: £50.00

Set of 30Contains 30 x 5ml tubes . Code: WHWC30RRP : £ 195.89Price: £98.00 I U S E D I T

B E C A U S E I K N O W I T I S

G O O D Q U A L I T Y

151 · Yellow Grey� PY42 PBk 9 P W6 � �

137 · Peach Black� PBk1 � � �

003 · Titanium White� P W6 � �

129 · Umber� PBr7 � � �

157 · Neutral Tint� PBk6 PB 15 P V 19 � �

139 · Vandyke Brown� NBr 8 � �

156 · Payne's Grey� PBk6 PB 15 PR 12 2 � � �

136 · Sepia� PBr7 PBk6 � � �

155 · Davy's Grey� PBr7 PBk6 P W6 � �

138 · Ivory Black� PBk 9 � �

153 · Grey of Grey� PBk6 P W6 � � �

034 · Yellow Ochre� PY42 � �

140 · Lamp Black� PBk6 � �

002 · Chinese White� P W6 � �

190 · Gold� P W 20 � �

191 · Silver� P W 20 � � �

132 · Raw Sienna� PY4 3 � � �

131 · Raw Umber� PBr7 � � �

8 J A C K S O N ' S A R T S U P P L I E S · W A T E R C O L O U R 2 0 1 5


W I N S O R & N E W T O N P R O F E S S I O N A L W A T E R C O L O U R

C O L O U R S

5 M L T U B E S 1 4 M L T U B E SThese professional watercolour paints are a familiar presence in the majority of watercolour painters' studios.No wonder, as Winsor & Newton have been manufacturing their colours since 1832, and the quality of the paint enjoys an international reputation.

The range is available in a whole array of formats, from half pans to full pans, giant pans to 5ml and 14ml tubes, and some colours are also available in 37ml tubes. This means that painters, from those who work on a grand scale to those who specialise in highly intricate miniatures, have all been taken into consideration, and can work with paints that perfectly suit their own working methods

3MM SPACE







Extended Pigment Index P [0 1 ] : PY 150 PR 20 9 P[0 2] : P G 2 3 P G 18 PB2 8 P[0 3] : P G 36 PY 1 10 P[0 4] : PY 1 10 P G 36 P[05 ] : PY6 5 PB 15 : 6 PR 10 1 P[06] : PY42 PR 10 1 P[07 ] : PR 206 P V 19 PY 150 P[0 8] : PBr7 PR 10 1 PY42 P[0 9] : PBk6 P V 19 PB 15 P[10] : PB 15 PBk6 P V 19 P[1 1 ] : PB 15 PBk6 P V 19 P[12] : P G 1 7 PBk6 PBk19 P W5 P[N A] : not avai lable


O r d e r C o d e S e r i e s £ R R P £ O u r P r i c eW W 5 � 5 . 9 0 4 . 4 0W W 5 � 6 . 4 5 4 . 8 0W W 5 � 6 . 7 0 5 . 0 0W W 5 � 8 . 8 0 6 . 6 0

O r d e r C o d e S e r i e s £ R R P £ O u r P r i c eW W 1 4 � 1 1 . 3 5 8 . 5 0W W 1 4 � 1 2 . 9 0 9 . 7 0W W 1 4 � 1 4 . 8 0 1 1 . 0 0W W 1 4 � 1 7. 9 5 1 3 . 4 0

O r d e r C o d e S e r i e s £ R R P £ O u r P r i c eW W H � 5 . 9 0 4 . 4 0W W H � 6 . 4 5 4 . 8 0W W H � 6 . 7 0 5 . 0 0W W H � 8 . 8 0 6 . 6 0

O r d e r C o d e S e r i e s £ R R P £ O u r P r i c eW W 3 7 � 2 0 . 4 0 1 5 . 2 0W W 3 7 � 2 2 . 9 0 1 7. 1 0W W 3 7 � 2 6 . 3 5 1 9 . 6 0W W 3 7 � 3 1 . 8 5 2 4 . 0 0

O r d e r C o d e S e r i e s £ R R P £ O u r P r i c eW W L � 1 8 . 7 5 1 3 . 0 0W W L � 2 0 . 8 0 1 4 . 4 0W W L � 2 3 . 9 5 1 6 . 6 0W W L � 2 9 . 1 5 2 0 . 5 0

O r d e r C o d e S e r i e s £ R R P £ O u r P r i c eW W F � 7. 2 0 5 . 4 0W W F � 8 . 2 0 6 . 1 0W W F � 8 . 7 5 6 . 6 0W W F � 1 2 . 3 0 9 . 2 0

H A L F P A N S3 7 M L T U B E S ( C O L O U R S M A R K E D � O N L Y )

L A R G E P A N S ( C O L O U R S M A R K E D � O N L Y )F U L L P A N S ( C O L O U R S M A R K E D � O N L Y )

347 · Lemon Yellow� PY5 3 � � � �

7 19 · Winsor Green (Blue Shade)� P G7 � � � � �

106 · Cadmium Scarlet � PR 10 8 � � �

587 · Rose Madder Genuine� PR 9 � � � � �

025 · Bismuth Yellow � PY 18 4 � � �

692 · Viridian� PB 18 � � � � � �

319 · Indian Yellow� P O62 PY 13 9 � � �

4 48 · Opera Rose� PR 12 2 � � �

709 · Winsor Blue (Red Shade)� PB 15 � � � � � �

745 · Yellow Ochre Light � PY4 3 � �

086 · Cadmium Lemon � PY 3 5 � � �

721 · Winsor Green (Yellow Shade) � P G 36 � � �

111 · Cadmium Yellow Deep � PY 3 5 PR 10 8 � � �

466 · Perm. Alizarin Crimson� PR 206 � � � � �

010 · Antwerp Blue� PB2 7 � � � � �

74 4 · Yellow Ochre� PY4 3 � � � � �

722 · Winsor Lemon� PY 1 75 � � �

089 · Cadmium Orange � PY 3 5 PR 10 8 � �

004 · Alizarin Crimson� PR 8 3 � � � � �

180 · Cobalt Blue Deep� PB74 � � �

730 · Winsor Yellow� PY 15 4 � � � � � �

190 · Cobalt Turquoise� PB2 8 PB 36 � � �

724 · Winsor Orange � P O62 � �

479 · Permanent Carmine� P[N A] � � �

263 · French Ultramarine� PB2 9 � � � � � �

348 · Lemon Yellow Deep � PY 159 � � �

184 · Cobalt Green� P G50 � � �

723 · Winsor Orange (Red Shade)� P O7 3 � � �

502 · Permanent Rose� P V 19 � � � � � �

667 · UItramarine (Green Shade)� PB2 9 � � �

422 · Naples Yellow� P W6 PBr24 � � �

150 · Chinese White� P W4 � � �

64 4 · Titanium White Opaque� P W6 � � �

016 · Aureolin� PY4 0 � � � �

178 · Cobalt Blue� PB2 8 � � � � � �

425 · Naples Yellow Deep� PBr24 � � �

653 · Transparent Yellow� PY 150 � � � �

603 · Scarlet Lake � PR 18 8 � � �

118 · Cadmium Yellow Pale � PY 3 5 � � �

094 · Cadmium Red � PR 10 8 � � � �

545 · Quinacridone Magenta� PR 12 2 � �

649 · Turner's Yellow� PY2 16 � �

637 · Terre Verte � P[0 2] � � � �

097 · Cadmium Red Deep � PR 10 8 � � �

489 · Permanent Magenta� P V 19 � � � �


552 · Raw Sienna� P[06] � � � � � �

267 · New Gamboge� P[0 1 ] � � � � �

460 · Perylene Green� PBk3 1 � � �

726 · Winsor Red� PR 25 4 � � � � �

192 · Cobalt Violet� P V 1 4 � � � �

707 · Winsor Blue (Green Shade)� PB 15 � � � � � �

108 · Cadmium Yellow � PY 3 5 P O20 � � �

459 · Oxide of Chromium� P G 1 7 � � � � �

576 · Rose Doré� PY97 P V 19 � � � �

491 · Permanent Mauve� P V 16 � � � �

140 · Cerulean Blue (Red Shade)� PB 3 5 � � � �

672 · Ultramarine Violet� P V 15 � � � �

548 · Quinacridone Red � PR 20 9 � �

526 · Phthalo Turquoise � PB 16 � �

503 · Permanent Sap Green� P[0 4] � � � � � �

4 47 · Olive Green� P[05 ] � � � �

379 · Manganese Blue Hue� PB 15 � � � �

321 · Indanthrene Blue� PB60 � �

311 · Hooker's Green� P[0 3] � � � � �

294 · Green Gold� PY 12 9 � �

137 · Cerulean Blue� PB 3 5 � � � � � �

731 · Winsor Yellow Deep� PY6 5 � � �

725 · Winsor Red Deep� PR 26 4 � � �

733 · Winsor Violet� P V 2 3 � � � � �

191 · Cobalt Turquoise Light� P G50 � � �

638 · Terre Verte (Yellow Shade)� P G 2 3 � � �

25

9O R D E R N O W · 0 2 0 7 2 5 4 0 0 7 7 · J A C K S O N S A R T . C O M


285 · Gold Ochre � PY42 � � �


059 · Brown Ochre � PBr7 � � �

056 · Brown Madder � PR 206 � � � �

076 · Burnt Umber� [P 0 8] � � � � �

331 · Ivory Black� PBk 9 � � � �

381 · Magnesium Brown � PY 1 19 � �

537 · Potter's Pink� PR 2 3 3 � � �

676 · Van Dyke Brown� PR 10 1 PBk6 � � � �

337 · Lamp Black � PBk6 PBk7 � �

074 · Burnt Sienna� PR 10 1 � � � � �


609 · Sepia� PBk6 PR 10 1 � � �

386 · Mars Black� PBk1 1 � � � �

362 · Light Red� PR 10 2 � �

470 · Perylene Violet � P V 2 9 � �

322 · Indigo� P[0 9] � � � �

217 · Davy's Grey� P[12] � � �

678 · Venetian Red � PR 10 1 � � �

125 · Caput Mortuum Violet� PR 10 1 � � � � �

465 · Payne's Grey� P[10] � � � � � �

317 · Indian Red� PR 10 1 � � �

554 · Raw Umber� PBr7 � � � � � �

430 · Neutral Tint� P[1 1 ] � � � �

547 · Quinacridone Gold� P[07 ] � � � � �

S E T S

Painting BoxContains 10 x 5ml tubes & 1 x ser ies 16 sable brush.Code: W WSPBRRP : £69.00Price: £39.00

Compact Set Contains 14 x half pans & 1 x ser ies 16 sable brush.Code: W WS02RRP : £73.00Price: £ 46.00

Field Box SetContains 12 half pans , 1 x pocket brush, 1 x ar tists' sponge & 1 x 35ml capacit y water bot tle .Code: W WS01RRP : £7 7.00Price: £ 49.00

Lightweight Sketcher's BoxContains 12 x 5ml tubes .Code: W WSGRRP : £7 7.00Price: £ 49.00

Heav y weight Enamelled BoxContains 12 x full pans .Code: W WS07RRP : £ 120.00Price: £76.00

Lightweight Sketcher's BoxContains 24 x half pans .Code: W WS03RRP : £ 125.00Price: £79.00

C U S T O M E R R E V I E W S

New Gamboge 'This is a great colour by Winsor and Newton, this colour has a deep depth and I love it. The whole Winsor and Newton range is great for new artists and professionals like myself, try it, it may be more expensive but if you want those professional looking paintings you will not be sorry.'

Rose Madder Genuine'All of the paints are my favourite colours, in big sizes which work out so much cheaper in the long run. Rose madder is very transparent and I use it all the time as it's a pure pigment.'

Naples Yellow 'Good colour for mixing with other earthy tones, great for paintings of rocks, stones, brickwork etc.'

Transparent Yellow 'I thought this might just be "another yellow", but bought it on a friend's recommendation as a mixing colour, to make up a mini field kit of just three primaries. I have found it a remarkable 'all rounder' yellow which produces good oranges, greens and greys. Much more versatile than Lemon or Cadmium.'

A L L F I R S T C L A S S

Lemon Yellow 'I always use this and find it excellent for mixing greens.'

Cadmium Red Deep

'I'm not going to repeat my comments as this applies to all of the products bought. These are professional products using the correct pigments. As such the depth and concentration is excellent, when compared to the cheaper amateur 'hue' products which are not always a proper pigment.'

S E T S

I N F OSpecial Edition ColoursYou can f ind a var iet y of specia l edit ion W insor & New ton Profes sional Water Colours on our website .

1 0 J A C K S O N ' S A R T S U P P L I E S · W A T E R C O L O U R 2 0 1 5








Extended Pigment Index P [N A] : not avala ible


J A C K S O N ' S A R T I S T W A T E R C O L O U R

C O L O U R S

103 · Lemon Yellow� PY 3 � �

135 · Cadmium Yellow Deep� PY 3 5 � �

166 · Bright Red� P[N A] �

199 · Quinacridone Purple� PR 12 2 � �

257 · French Ultramarine Blue� PB2 9 � �

280 · Viridian� P[N A]

356 · Raw Umber� PBr7 � �

417 · Warm Sepia� PBr7 PBk7 � �

107 · Aureolin� PY4 0 � �

141 · Cadmium Yellow Orange� PY 3 5 P O20 � �

17 1 · Quinacridone Red Orange� PR 20 9 � �

204 · Permanent Magenta� P V 19 � �

261 · Prussian Blue� PB2 7 � �

282 · Hooker's Green� PY8 3 P G 36 �

362 · Burnt Sienna� PBr7 � �

424 · Payne's Grey� P V 19 PB 15 :1 PBk7 � �


149 · Red Orange� P O 4 3 PY8 3 � �

175 · Cadmium Red Purple� PR 10 8 � �

213 · Cobalt Violet Light Hue� P V 16 PR 12 2 P W6 � �

264 · Cerulean Blue� PB2 8 � �

284 · Cadmium Green� P G7 PY 3 5 � �

374 · Red Ochre� PR 10 2 � �

433 · Neutral Tint� PB60 PBk7 PR 20 9 �

118 · Jackson's Yellow Light� PY 15 3 � �

151 · Cadmium Red Orange� PR 10 8 � �

182 · Jackson's Red� PR 25 4 �

218 · Cobalt Violet Deep Hue� PR 12 2 P V 16 � �

269 · Phthalocyanine Blue� PB 15: 3 � �

293 · Permanent Sap Green� PB2 9 PY 15 3 � �

382 · Venetian Red� PR 10 1 � �

4 45 · Ivory Black� PBk 9 � �

121 · Indian Yellow� PY 15 4 PY 15 3 � �

156 · French Vermillion� PR 242 � �

187 · Genuine Carmine� NR4 � �


273 · Indigo� PB 15:1 PBk7 � �

315 · Yellow Ochre� PY4 3 � �

394 · Burnt Umber� PBr7 � �

467 · Lamp Black� PBk 9 PY4 3 � �

129 · Naples Yellow� PY 3 5 P W6 P W4 � �


194 · Alizarin Crimson� PR 20 9 PY8 3 PR 1 79 � �

249 · French Ultramarine Light� PB2 9 � �

27 7 · Phthalocyanine Green Deep� PB 15: 3 P G7 � �

348 · Raw Sienna� PBr7 � �

402 · Van Dyke Brown� PBk7 PR 10 1 � �

47 1 · Chinese White� P W4 � �

O r d e r C o d e S e r i e s £ R R P £ O u r P r i c eW J 2 1 � - 5 . 2 0W J 2 1 � - 5 . 8 0W J 2 1 � - 6 . 7 0W J 2 1 � - 8 . 1 0W J 2 1 � - 9 . 0 0

O r d e r C o d e S e r i e s £ R R P £ O u r P r i c eW J F � - 2 . 9 0W J F � - 3 . 1 0W J F � - 3 . 6 0W J F � - 3 . 8 0W J F � - 4 . 4 0

2 1 M L T U B E S F U L L P A N SWe are extremely proud of our professional quality watercolour.Our paint offers luminous pure colour that rivals the world's finest brands. Jackson's Artist Watercolour is bound with Sudanese Kordorfan gum Arabic and then mixed with honey which adds a lustre to the colours. The result is a consistency that really enhances the painting experience.

S E T S

3 MM SPACE

Diagonal Metal Tin SetContains 12 x Jackson's Ar tist Watercolour full pans .Code: AMBF 12 X APrice: £30.00

Set of 12 Full PansMetal t in with fold out palet te , and space to store brushes etc . Code: WJS12FPrice: £ 4 4.00

Set of 18 Full PansMetal t in with fold out palet te , and space to store brushes etc . Code: WJS18FPrice: £60.00

Set of 24 Full PansMetal t in with fold out palet te , and space to store brushes etc . Code: WJS24FPrice: £74.00

1 1O R D E R N O W · 0 2 0 7 2 5 4 0 0 7 7 · J A C K S O N S A R T . C O M


J A C K S O N ' S A R T I S T W A T E R C O L O U R

Quinacridone Purple'Superb, bright paint. For this price extraordinary value, too.'

Cadmium Yellow Deep 'These paints are excellent value for money, the colours are clear and the paint flows from the tube at just the right consistency.'

French Vermillion 'Excellent! The pigment is strong, the paint flows nice and evenly and the transparency is very good. I think that I will be using these paints in the future.'

Cadmium Red Light 'Good fresh true colour, behaves as well as more expensive brands.'

Cobalt Blue 'Having recently started experimenting in watercolour, I soon found my expensive 5ml tube of W&N Cobalt Blue running down. This amazing colour from Jacksons is a superb and worthy replacement at a very affordable price. Thank you Jackson's!'

Cobalt Violet Light Hue'Wonderful.'

Prussian Blue 'This is good quality paint with a strong pigment. Washes well and for the price, excellent value. I'll be buying more.'

French Ultramarine 'Nice and soft keeps its colour when mixed with a medium.'

Ivory Black 'Jackson's paints have a wonderful consistency to them, they mix extremely well with the water and the colour is true.'



D A N I E L S M I T H E X T R A F I N E W A T E R C O L O U R


C O L O U R S

Daniel Smith watercolours are loved by so many artists the world over, and it's not hard to see why.A staggering 228 colours in their range combine ancient hues with the most modern of developments in colour. One artist told us "Daniel Smith watercolours are the best you can find on the market".







Extended Pigment Index P[0 1 ] : PY5 3 PY 13 8 PY 3 P[0 2] : PR 1 7 7 P V 19 PR 1 4 9 P[0 3] : P G 18 PB2 9 PR 1 7 7 P[0 4] : PB2 9 P G 18 P O7 3 P[05 ] : PB2 8 PB 36 P W4 P[06] : P G 36 PY 3 PY 150 P O 4 8 P[07 ] : PY5 3 P G 36 PY 151 P[0 8] : P O 4 8 PY 150 P G7 P[0 9] : PY 150 PY 3 P G 36 P[10] : P O 4 8 PY 3 PB2 7 P[1 1 ] : PB2 9 P O 4 8 PY 150 P[12] : PY97 PB2 9 PBr7 P[13] : P O 4 8 PY 150 PR 20 9 P[1 4] : PBk6 P V 19 PB 15 P[N A] : not avala ible


0184 · Cad. Yellow Medium Hue� PY5 3 PY 151 � � � �

0040 · Hansa Yellow Deep� PY6 5 � � �

0187 · Transparent Pyrrol Orange � P O7 1 � � � �

0075 · Perylene Red� PR 1 7 8 � � �

0006 · Aureolin� PY4 0 � � �

0060 · New Gamboge� PY97 PY 1 10 � � � �

0064 · Organic Vermilion� PR 18 8 � � � �

0154 · Bismuth Vanadate Yellow � PY 18 4 � � � �

0165 · Lemon Yellow� PY 1 75 � � �

0133 · Permanent Yellow Deep� PY 1 10 � � �

0088 · Quinacridone Coral� PR 20 9 � � � �

0041 · Hansa Yellow Light� PY 3 � � � �

0039 · Hansa Yellow Medium� PY97 � � � �

0126 · Pyrrol Orange� P O7 3 � � � �

0085 · Pyrrol Scarlet� PR 25 5 � � � �

0215 · Azo Yellow� PY 151 � � �

0216 · Mayan Orange� P[N /A] � � �

0221 · Cad. Yellow Deep Hue� PY5 3 PY8 3 � �

0223 · Quinophthalone Yellow� PY 13 8 � � �

0212 · Mayan Yellow� PY2 2 3 � �

0218 · Isoindoline Yellow� PY 13 9 � � �

0219 · Cadmium Red Scarlet Hue� PY5 3 PR 25 4 � � �

0224 · Anthraquinoid Scarlet H.� PR 16 8 � � �

0222 · Cad. Red Medium Hue� PY5 3 PR 25 4 � � � �

007 1 · Permanent Orange� P O62 � � �

0076 · Perylene Scarlet� PR 1 4 9 � � � �

0045 · Indian Yellow� PY97 PY 150 � � � �

0066 · Perinone Orange� P O 4 3 � � � �

0084 · Pyrrol Red� PR 25 4 � � � �

0118 · Titanium White� P W6 � � �

0009 · Buff Titanium� P W6:1 � � � �

0185 · Perm. Alizarin Crimson� P[0 2] � � � �

0095 · Quinacridone Pink� P V42 � � � �

0094 · Quinacridone Violet� P V 19 � � � �

0101 · Rose of Ultramarine� PB2 9 P V 19 � � � � �

0057 · Moonglow� P[0 3] � � � � �

0179 · Sodalite Genuine� P[N A] � � � � �

0034 · French Ultramarine� PB2 9 � � � � �

0206 · Cerulean Blue� PB 3 5 � � � �

0196 · Blue Apatite Genuine� P[N A] � � �

0112 · Viridian� P G 18 � � � �

0079 · Phthalo Green [Y. Shade]� P G 36 � � � �

0062 · Nickel Titanate Yellow� PY5 3 � � �

0072 · Permanent Red� PR 1 70 F 3RK 70 � � �

0167 · Rhodonite Genuine� P[N A] � � � �

0092 · Quinacridone Rose� P V 19 � � � �

0073 · Permanent Violet� PR 8 8 � � �

0174 · Imperial Purple� P V 19 PB2 9 � � � �

0188 · Shadow Violet� P[0 4] � � � �

0138 · Lapis Lazuli Genuine� P[N A] � � �

0119 · Phthalo Blue [Red Shade]� PB 15 � � � �

0051 · Manganese Blue Hue� PB 15 � � � � �

0183 · Lunar Blue� PBk1 1 PB 15 � � � � �

0078 · Phthalo Green [B. Shade]� P G7 � � �

0210 · Diopside Genuine� P[N A] � � � �

0069 · Permanent Red Deep� PR 1 70 � � �

0020 · Carmine� PR 1 76 � � �

0090 · Quinacridone Magenta� PR 20 2 � � � �

0201 · Perylene Violet� P V 2 9 � � �

0108 · Ultramarine Violet� P V 15 � � � � �

0115 · Cobalt Blue Violet� P V 19 PB2 8 � � � �

0202 · Smalt Genuine� P[N A] � � �

0211 · Mayan Blue Genuine� P[N A] � � � � �

0150 · S.B. Turquoise Genuine� P[N A] � � �

0163 · Amazonite Genuine� P[N A] � � �

0128 · Prussian Green� PB2 7 PY97 � � � �

0042 · Hooker's Green� P[06] � � � �

0091 · Quinacridone Red� P V 19 � � � �

0100 · Rose Madder Genuine� NR 9 � � � �

0127 · Pyrrol Crimson� PR 26 4 � � �

0030 · Cobalt Violet� P V4 9 � � � �

0203 · Amethyst Geniune� P[N A] � � � � �

0186 · Kyanite Genuine� P[N A] � � �

0173 · Verditer Blue� P[05 ] � � � �

007 7 · Phthalo Blue [G. Shade]� PB 15 � � � �

0028 · Cobalt Teal Blue� P G50 � � � �

0029 · Cobalt Turquoise� PB 36 � � �

0104 · Terre Verte� P G 18 PBr7 � � �

0026 · Cobalt Green� P G50 � � � �

0220 · Cadmium Orange Hue� PY5 3 P O7 3 PY8 3 � � �

0005 · Anthraquinoid Red� PR 1 7 7 � � �

0198 · Opera Pink� PR 12 2 � � � �

0132 · Quinacridone Fuchsia� PR 20 2 � � �

0031 · Cobalt Violet Deep� P V 1 4 � � � �

0019 · Carbazole Violet� P V 2 3 � � � �

0043 · Indathrone Blue� PB60 � � � �

0025 · Cobalt Blue� PB2 8 � � � �

0082 · Prussian Blue� PB2 7 � � � � �

0080 · Phthalo Turquoise� PB 15 P G 36 � � � �

0027 · Cobalt Green Pale� P G 19 � � �

0142 · Cascade Green� PBr7 PB 15 � � � � �

0070 · Permanent Green� PY 3 P G7 � � �

0214 · Mayan Violet� P V5 8 � � � �

0164 · Purpurite Genuine� � � � �

0225 · Quinacridone Purple� P V5 5 � � � �

0217 · Mayan Red� PR 2 8 7 � � � �

0004 · Alizarin Crimson� PR 8 3 � � � �

0148 · Potter's Pink� PR 2 3 3 � � � �

0008 · Bordeaux� P V 3 2 � � �

0107 · Ultramarine Red� P V 15 � � �

0200 · Sugilite Genuine� P[N A] � � � �

0046 · Indigo� PB60 PBk6 � � � �

0106 · Ultramarine Blue� PB2 9 � � � � �

0021 · Cerulean Blue Chromium � PB 36 � � � � �

0105 · Ultramarine Turquoise� PB2 9 P G7 � � � � �

0169 · Fuchsite Genuine� P[N A] � �

0195 · Jadeite Genuine� P[N A] � � � �

0155 · King Green Turquoise Gen.� P[N A] � � �

0208 · Spring Green� P[07 ] � � �

0213 · Mayan Dark Blue � PB 8 2 � � �

0149 · Malachite Genuine � P[N A] � � �

0023 · Chinese White� P W4 � � �

0192 · Cad. Yellow Light Hue� P[0 1 ] � � �

0058 · Naples Yellow� P W4 PY97 PR 10 1 � � �

1 5 M L T U B E S

O r d e r C o d e S e r i e s £ R R P £ O u r P r i c eW D N � 1 1 . 2 5 9 . 5 0W D N � 1 2 . 9 9 1 1 . 1 0W D N � 1 5 . 1 0 1 2 . 9 0W D N � 1 7. 9 5 1 5 . 3 0W D N � 2 2 . 5 0 1 9 . 2 0W D N � 2 4 . 9 5 2 1 . 5 0

5 M L T U B E S ( C O L O U R S M A R K E D � O N L Y )

O r d e r C o d e S e r i e s £ R R P £ O u r P r i c eW D N 5 � 5 . 9 9 5 . 1 0W D N 5 � 6 . 7 0 5 . 7 0W D N 5 � 7. 4 0 6 . 3 0W D N 5 � 8 . 9 9 7. 7 0




0067 · Permanent Green Light� PY 3 P G7 � � �

0197 · Green Apatite Genuine� P[N A] � � � � �

0139 · Green Gold� P[0 9] � � � �

0180 · Zoisite Genuine� P[N A] � � � �

0146 · Yavapai Genuine � P[N A] � � �

0147 · Burgundy Yellow Ochre � PY4 3 � � �

0117 · Terre Ercolano� PBr7 PR 10 1 � � � �

0151 · Burgundy Red Ochre� PR 10 2 � � �

0047 · Italian Burnt Sienna� PBr7 � � �

0056 · Mont. Amiata Nat. Sienna� PBr7 � � � �

0161 · Tiger's Eye Genuine� P[N A] � � �

0178 · E-F Brown Iron Oxide� PBr 6 � � �

0111 · Venetian Red� PR 10 1 � � � �

0121 · G. Greenish Raw Umber � PBr7 � � �

0182 · Lunar Violet� P V 15 PBk1 1 � � � �

0112 · Viridian� P G 18 � � �

4043 · Duochrome Turquoise� P W 20 P W6 � � �

4036 · Duochrome Adobe� P W 20 P W6 � � �

4048 · Duo. Tropic Sunrise� P W6 � � �

4003 · Interference Gold� P[N A] � � �

4025 · Pearlescent White� P W 20 P W6 � � �

4018 · Iridescent Goldstone� P[N A] � � �

4020 · Iridescent Russet� P[N A] � � �

4009 · Iridescent Antiq. Copper� P[N A] � � �

0099 · Rich Green Gold� PY 12 9 � � � �

0063 · Olive Green� P[12] � � � �

0114 · Yellow Ochre� PY4 3 � � �

0143 · Minnesota Pipeston� P[N A] � � �

0170 · Burnt Yellow Ochre� PR 10 2 � � � �

0086 · Quin. Burnt Orange� P O 4 8 � � � � �

0145 · Sedona Genuine B� P[N A] � � �

0162 · Burnt Tiger's Eye Genuine� P[N A] � � � �

0011 · Burnt Umber� PBr7 � � � � �

017 7 · E-F Red Iron Oxide � PBr 6 � � �

0103 · Sepia� PBr7 PBk 9 � � � � �

0038 · Graphite Gray� PBk10 � � �

404 4 · Duochrome Cabo Blue� P W 20 P W6 � � �

4047 · Duo. Autumn Mystery� P W6 � � �

4049 · Duo. Lapis Sunlight� P W6 � � �

4004 · Interference Green� P[N A] � � �

4034 · Iridescent Moonstone� P[N A] � � �

4016 · Iridescent Copper� P[N A] � � �

4032 · Iridescent Ruby� P[N A] � � �

4010 · Iridescent Antique Gold� P[N A] � � �

0194 · Perylene Green� PBk3 1 � � � �

0024 · Chromium Green Oxide � P G 1 7 � � � �

0061 · Nickel Azo Yellow� PY 150 � � � �

0054 · Mars Yellow� PY42 � � �

0122 · Italian Venetian Red� PR 10 1 � � �

014 4 · Goethite Brown Ochre� PY4 3 � � � �

0205 · Garnet Genuine� P[N A] � � � �

0033 · Deep Scarlet� PR 1 75 � � �

0136 · English Red Ochre� PR 10 1 � � �

0191 · Piemontite Genuine� P[N A] � � � � �

0166 · Mummy Bauxite� P[N A] � � � �

0209 · Sicklerite Genuine� P[N A] � � �

0065 · Payne's Gray� PB2 9 PBk 9 � � � � �

0229 · Neutral Tint S1� P[1 4] � � � �

4030 · Duochrome Aquamarine� P W 20 P W6 � � �

4038 · Duo. Cactus Flower� P W 20 P W6 � � �

4045 · Duo Violet Fantasy� P W6 � � �

4005 · Interference Lilac� P[N A] � � �

4014 · Iridescent Blue-Silver� P[N A] � � �

4017 · Iridescent Gold� P W 20 P W6 � � �

4021 · Iridescent Scarab Red� P[N A] � � �

4011 · Iridescent Antique Silver� P[N A] � � �

0190 · Serpentine Genuine� P[N A] � � � �

0175 · Sap Green Deep� P[10] � � � �

0123 · Verona Gold Ochre� PY4 3 � � �

0096 · Raw Sienna� PBr7 � � � � �

0158 · Hematite Burnt Scarlet � P[N A] � � � �

0135 · Italian Deep Ochre� PY4 3 � � �

0093 · Quinacridone Sienna� P[13] � � � � �

017 1 · Roasted French Ochre � PR 10 2 � � � �

0172 · Fired Gold Ochre � PR 10 2 � � �

0010 · Burnt Sienna� PBr7 � � � �

0157 · Hematite Violet� P[N A] � � � �

004 4 · Indian Red� PR 10 1 � � � �

0098 · Raw Umber Violet� PBr7 P V 19 � � � �

0110 · Van Dyke Brown� PBr7 � � �

0003 · Lamp Black� PBk6 � � �

4029 · Duochrome Oceanic� P W 20 P W6 � � �

4042 · Duochrome Emerald� P W 20 P W6 � � �

4031 · Duochrome Hibiscus� P W 20 P W6 � � �

4046 · Duochrome Arctic Fire� P W6 � � �

4006 · Interference Red� P[N A] � � �

4022 · Iridescent Sunstone� P[N A] � � �

4023 · Iridescent Topaz� P W 20 P W6 � � �

4027 · Iridescent Electric Blue� P[N A] � � �

0102 · Sap Green� P[0 8] � � � � �

0181 · Rare Green Earth� P[N A] � � �

0199 · Bronzite Genuine� P[N A] � � �

0131 · Transparent Yellow Oxide � PY42 � � �

0189 · Red Fuchsite Genuine� P[N A] � � �

0176 · E-F Yellow Iron Oxide� PBr 6 � � �

0152 · Quinacridone Deep Gold� P O 4 8 PY 150 � � � �

0087 · Quin. Burnt Scarlet� PR 206 � � � �

0068 · Permanent Brown� PBr25 � � �

0130 · Transparent Red Oxide � PR 10 1 � � �

0137 · English Red Earth� PR 10 1 � � �

0141 · Lunar Red Rock� PR 10 1 � � � �

0097 · Raw Umber� PBr7 � � � �

0207 · Black Tourmaline� P[N A] � � �

4040 · Duochrome Green Pearl� P W 20 P W6 � � �

4035 · Duo. Desert Bronze� P W 20 P W6 � � �

4041 · Duochrome Violet Pearl� P W 20 P W6 � � �

4001 · Interference Blue� P[N A] � � �

4007 · Interference Silver� P[N A] � � �

4012 · Iridescent Aztec Gold� P[N A] � � �

4019 · Iridescent Jade� P[N A] � � �

4033 · Iridescent Sapphire� P[N A] � � �

0124 · Phthalo Yellow Green� PY 3 P G 36 � � �

0109 · Undersea Green� P[1 1 ] � � � � �

0134 · French Ochre� PY4 3 � � �

0089 · Quinacridone Gold� P 0 4 9 � � � � �


0050 · Lunar Earth� PBr1 1 � � �

0116 · Pompeii Red� PBr7 � � � �

0059 · Naphthamide Maroon� PR 1 7 1 � � �

0129 · Transparent Brown Oxide � PR 10 1 � � �

0204 · Burnt Bronzite Genuine� P[N A] � � �

0156 · Hematite Genuine� P[N A] � � � � �

0193 · Bloodstone Genuine � P[N A] � � � �

0048 · Ivory Black� PBk 9 � � � �

4039 · Duochrome Blue Pearl� P W 20 P W6 � � �

4037 · Duo. Saguaro Green� P W 20 P W6 � � �

4026 · Duochrome Mauve� P W 20 P W6 � � �

4002 · Interference Copper � P[N A] � � �

4024 · Pearlescent Shimmer� P W 20 P W6 � � �

4015 · Iridescent Bronze� P[N A] � � �

4028 · Iridescent Garnet� P[N A] � � �

4008 · Iridescent Antiq. Bronze� P[N A] � � �

M I N E R A L

P I G M E N T

UN

IQU

E









Extended Pigment Index P[0 1 ] : P W6 PY5 3 PBr24 P[0 2] : P W6 P W4 PR 242 PY42 P[0 3] : PB 15 :1 PBr7 PBk 9 P[0 4] : PR 242 PBr7 PBk 9 P[05 ] : PR 12 2 PB60 PBk7 P[06] : I r iodin goldpear l P [07 ] : PR 10 1 PB2 9 PBk7 P[0 8] : PBk6 PB 15 : 6 PB 15 : 2 P[0 9] : I r iodin Ruti l S i lber P[N A] : not avai lable


S C H M I N C K E H O R A D A M W A T E R C O L O U R

O r d e r C o d e S e r i e s £ R R P £ O u r P r i c eW S 1 5 � 9 . 0 2 7. 3 0W S 1 5 � 1 0 . 6 1 8 . 5 0W S 1 5 � 1 3 . 3 4 1 0 . 7 0W S 1 5 � 1 6 . 6 3 1 3 . 4 0

O r d e r C o d e S e r i e s £ R R P £ O u r P r i c eW S H � 4 . 0 8 3 . 4 0W S H � 5 . 0 2 4 . 2 0W S H � 5 . 5 7 4 . 8 0W S H � 6 . 4 8 5 . 5 0

O r d e r C o d e S e r i e s £ R R P £ O u r P r i c eW S 5 � 4 . 5 1 3 . 7 0W S 5 � 5 . 3 0 4 . 4 0W S 5 � 6 . 6 7 5 . 5 0W S 5 � 8 . 3 3 6 . 9 0

O r d e r C o d e S e r i e s £ R R P £ O u r P r i c eW S F � 6 . 1 2 5 . 0 0W S F � 7. 5 1 6 . 1 0W S F � 8 . 3 8 6 . 8 0W S F � 9 . 7 2 7. 9 0

1 5 M L T U B E S

H A L F P A N S

5 M L T U B E S

F U L L P A N S

These are an impressive range of watercolours that continually excite artists as more and more discover the pleasures of painting with them.Among the range are 110 colours, 69 single pigment hues. This means mixing clean bright colour is effortless. The paints are bound with Kodorfan Gum Arabic from the southern Sahara. Due to the natural source of the binder, the Arabic does tend to differ slightly year on year, but Schmincke are dedicated to continually testing the ingredients to ensure the finest balance is achieved for watercolour performance.

C O L O U R S

101 · Titanium Opaque White� P W6 � � �

207 · Vanadian Yellow� PY 18 4 � � �

212 · Chrome Yellow Light� PY 15 3 PY 15 5 � � �

214 · Chrome Orange� P O62 � � �

360 · Permanent Red Orange� P O62 PR 242 � � �

345 · Dark Red� PR 1 70 � � �

353 · Permanent Carmine� P V 19 � � �

495 · Ultramarine Violet� P V 15 PB2 9 � � � �

494 · Ultramarine Finest� PB2 9 � � � �


509 · Cobalt Turquoise� P G50 � � � �

530 · Sap Green� PY 15 3 P G7 � � �

515 · Olive Green� PB 15 P G8 � � �

221 · Jaune Brilliant Dark� P W6 PY5 3 PBr24 � � �

102 · Permanent Chinese White� P W4 � � �

224 · Cadmium Yellow Light� PY 3 5 � � �

225 · Cadmium Yellow Medium� PY 3 5 � � �

228 · Cadmium Orange Deep� P O20 � � � �

349 · Cadmium Red Light� PR 10 8 � � � �

357 · Alizarin Crimson� PR 8 3:1 � � � �

352 · Magenta� P V42 � � � �

482 · Delft Blue� PB60 � � �

486 · Cobalt Blue Tone� P W4 PB2 9 � � � �

491 · Paris Blue� PB 15 PB 15 :1 PB2 7 � � �

510 · Cobalt Green Turquoise� PB 36 � � � �

526 · Permanent Green� PY 15 5 P G7 � �

535 · Cobalt Green Pure� P G 19 � � � �

229 · Naples Yellow� P[0 1 ] � � � �

206 · Titanium Yellow� PY5 3 � � �

208 · Aureolin Modern� PY 151 � � �

220 · Indian Yellow� PY 1 10 PY 15 4 � � � �

218 · Translucent Orange� P O7 1 � � �

347 · Cadmium Red Middle� PR 10 8 � � � �

358 · Madder Lake Deep� PR 8 3:1 PR 1 7 7 � � � �

367 · Purple Magenta� PR 12 2 � � �

498 · Dark Blue Indigo� PB60 � � � �

487 · Cobalt Blue Light� PB2 8 � � �

484 · Phthalo Blue� PB 15:1 � � �

528 · Prussian Green� P G7 PB 60 � �

524 · May Green� PY 151 P G7 � � �

512 · Chromium Oxide Green� P G 1 7 � � � �

656 · Yellow Raw Ochre� PY42 / PY4 3 � � � �

215 · Lemon Yellow� PY 3 � � �

216 · Pure Yellow� PY 15 4 � � �

226 · Cadmium Yellow Deep� PY 3 5 P O20 � � �

361 · Permanent Red� PR 242 P O62 � � �

363 · Scarlet Red� PR 25 4 � � �

354 · Madder Red Deep� P V 19 PR 1 79 � � �

368 · Quinacridone Violet� P V 19 � � �

485 · Indigo� PB 15:1 PB66 � � �

496 · Ultramarine Blue� PB 15 PB2 9 � � � �

479 · Helio Cerulean� PB 15: 3 � � � �

519 · Phthalo Green� P G7 � �

521 · Hooker's Green� PB 15: 3 P G7 PY42 � � �

516 · Green Earth� PBr7 P G7 � � � �

667 · Raw Umber� PBr7 � � � �

211 · Chrome Yellow Lemon� PY 1 75 � � �

209 · Translucent Yellow� PY 150 � � � �

213 · Chrome Yellow Deep� PY6 5 � � �

348 · Cadmium Red Orange� P O20 � � � �

366 · Deep Red� PR 1 79 � � �

356 · Rose Madder� PR 8 3:1 PR4 8:4 � �

474 · Manganese Violet� P V 16 � � �

480 · Mountain Blue� P W5 PB2 9 P G7 � � �

481 · Cerulean Blue Tone� P W4 PB 15 : 3 � � �

511 · Chrome. Ox. Green Brilliant � P G 18 P G7 � � � �

533 · Cobalt Green Dark� P G 26 � � � �

525 · Olive Greenish Yellow� P O62 P G 36 � � �

655 · Yellow Ochre� PY42 � � �

223 · Cadmium Yellow Lemon� PY 3 5 � � �

210 · Gamboge Gum Modern� PY 150 PY 15 3 � � � �

227 · Cadmium Orange Light� P O20 � � � �

365 · Vermillion� PR 25 5 � � �

350 · Cadmium Deep Red� PR 10 8 � � � �

351 · Ruby Red� P V 19 � � �

476 · Mauve� P V 2 3 � � �

488 · Cobalt Blue Deep� PB74 � � � �

478 · Helio Blue Reddish� PB 15:6 PB 15 : 2 � � �

499 · Cobalt Cerulean� PB 36 � � � �

514 · Helio Green� P G 36 � � � �

475 · Helio Turquoise� PB 16 � � �

534 · Permanent Green Olive� P O62 P G7 � � �

536 · Green Yellow� PY 150 PBk7 � � �

659 · Titanium Gold Ochre� PBr24 � � � �




660 · Raw Sienna� PBr7/ PY4 3 � � � �

662 · Sepia Brown Tone� P[0 4] � � � �

652 · Walnut Brown� PBr3 3 � � � �

782 · Neutral Tint� P[05 ] � � �

785 · Neutral Grey� P[05 ] � � �

783 · Schmincke Payne's Grey� P[07 ] � � � �

787 · Payne's Grey Bluish� P[0 8] � � �

663 · Sepia Brown� P[0 3] � � � �

649 · English Venetian Red� PR 10 1 � � � �

230 · Naples Yellow Reddish� P[0 2] � � �

666 · Pozzuoli Red� PR 10 1 PR 206 � � � �

654 · Gold Brown� PY6 5 PBr41 � � �

645 · Indian Red� PR 10 1 PR 206 � � � �

661 · Burnt Sienna� PR 10 1 PBk 9 � � � �

669 · Van Dyke Brown� PY 15 3 PBr7 PBk7 � � �

648 · Translucent Brown� PBr41 � � �

668 · Burnt Umber� PBr7 � � � �

670 · Madder Brown� PR 206 � � �

S E T S

12 Half Pan Metal Box SetIncludes a retractable da Vinci brush.Code: WSS12HRRP : £6 3.19Price: £52.00

48 Half Pan Metal Box Set Code: WSS 48HRRP : £ 2 18.7 1Price: £175.00

12 x 5ml TubeMetal Box SetCode: WS74112RRP : £69.89Price: £57.00

10 x 15ml TubeMetal Box SetCode: WS74510RRP : £ 105.96Price: £86.00

8 Half PanTravel Metal Box SetA compact set with an integrated water container.Code: WSS8HRRP : £7 1 .8 3Price: £58.00

24 Half PanMetal Box SetCode: WSS24HRRP : £ 116.5 4Price: £93.00

786 · Charcoal Grey� PBk7 � � �

940 · Brilliant Red Violet� P V 1 � � �

781 · Lamp Black (Blue Black)� PBk6 � � �

910 · Brilliant Blue Violet� P V 3 � � � �

780 · Ivory Black� PBk 9 � � �

894 · Silver� P[0 9] � � � �

893 · Gold� P[06] � � � �

930 · Brilliant Purple� PR 8 1 : 2 � � �

S E T S

L O V E L Y

D E E P

R I C H

C O L O U R



S E N N E L I E R E X T R A F I N E W A T E R C O L O U R







Extended Pigment Index P[0 1 ] : PY 3 PY 150 PBr2 3 PBr7 P[0 2] : P W6 PY42 PBk1 1 PR 10 1 P[N A] : not avai lable


O r d e r C o d e S e r i e s £ R R P £ O u r P r i c eW N H � 4 . 9 5 3 . 8 0W N H � 5 . 5 0 4 . 3 0W N H � 5 . 9 5 4 . 5 0W N H � 7. 5 0 5 . 8 0

O r d e r C o d e S e r i e s £ R R P £ O u r P r i c eW N F � 5 . 9 5 4 . 5 0W N F � 6 . 5 0 5 . 0 0W N F � 6 . 9 5 5 . 3 0W N F � 9 . 9 5 7. 5 0

H A L F P A N S F U L L P A N S

These watercolours are synonymous with the great French Impressionists, and this direct link with practicing artists continues today.Blind tests and surveys are carried out with artists to ensure that the paint is exactly how we would want it. 100% French honey not only preserves the paint but also maintains a smooth, lustrous consistency. Artists have told us they find Sennelier watercolours 'a joy to use' and they 'love Sennelier watercolour tubes [as] they never dry out'. The finest Kordofan gum Arabic is used to bind the paint.

O r d e r C o d e S e r i e s £ R R P £ O u r P r i c eW N 2 1 � 9 . 9 5 7. 5 0W N 2 1 � 1 1 . 5 0 8 . 8 0W N 2 1 � 1 2 . 9 5 9 . 8 0W N 2 1 � 1 4 . 9 5 1 1 . 0 0

O r d e r C o d e S e r i e s £ R R P £ O u r P r i c eW N 1 0 � 5 . 9 5 4 . 5 0W N 1 0 � 6 . 5 0 5 . 0 0W N 1 0 � 6 . 9 5 5 . 3 0W N 1 0 � 9 . 9 5 7. 5 0

2 1 M L T U B E S 1 0 M L T U B E S

116 · Titanium White � P W6 � �

574 · Primary Yellow� PY 74 �

587 · Yellow Sophie� PY9 3 �



566 · Naples Yellow Deep� PBr24 � �

919 · Caput Mortuum� PR 10 1 � �

576 · Nickel Yellow� PY5 3 � �

578 · Sennelier Yellow Light� PY 15 3 � �

703 · Payne's Grey� P V 19 PB 15 :1 PBk7 � �


517 · Indian Yellow� PY 15 4 PY 15 3 � �

559 · Aureoline� PY4 0 � �

561 · Yellow Lake� PY 150 � �

535 · Cadmium Lemon Yellow� PY 3 5 � �

567 · Naples Yellow� PY 3 5 P W6 P W4 � �

395 · Blue Indanthrene� PB60 � �

309 · Cobalt Deep� PB7 2 �


695 · Alizarin Crimson Lake� PR 8 3 � �


689 · Alizarin Crimson� PR 20 9 PY8 3 PR 1 79 � �

675 · French Vermillion� PR 242 � �

499 · Perylene Brown� PR 20 9 PY8 3 PR 1 79 � �

612 · Scarlet Laquer� PR 18 8 � �


691 · Rose Dore Madder� PR 25 5 � �

619 · Bright Red� �

640 · Red Orange� P O 4 3 PY8 3 � �


641 · Sennelier Orange� P O7 3 �

645 · Chinese Orange� PY 150 PR 20 9 PBr2 3 � �

636 · Sennelier Red� PR 25 4 �

913 · Cobalt Violet Deep Hue� PR 12 2 P V 16 � �

308 · Indigo� PB 15:1 PBk7 � �

905 · Red Violet� P V 16 � �

690 · Rose Madder Lake� P V 19 � �

67 1 · Helios Purple� PR 12 2 � �

659 · Opera Rose� PR 8 1 :1 �

903 · Blue Violet� P V 15 � �

911 · Cobalt Violet Light Hue� P V 16 PR 12 2 P W6 � �

917 · Dioxazine Purple� P V 2 3 � �



856 · Cobalt Green� PB 36 � �

341 · Phthalocyanine Turquoise� PB 15: 3 P G7 � �

899 · Forest Green� PBk7 P G7 PY42 � �

213 · Green Earth� PBr7 � �

819 · Sap Green� PB2 9 PY 15 3 � �

813 · Olive Green� PY 150 P G 36 PBr2 3 �

805 · Phthalo Green Light� P G7 PY 15 3 � �

809 · Hooker's Green� PY8 3 P G 36 �

87 1 · Bright Yellow Green� P G7 PY 3 � �

815 · Chromium Oxide Green� P G 1 7 � �

688 · Crimson Lake� PR 20 9 PR 1 4 6 PR 206 �

679 · Quinacridone Red� PR 20 9 � �

635 · Carmine� P V 19 � �


579 · Sennelier Yellow Deep� PY8 3 PY 15 3 � �


837 · Viridian Green� P G 18 P G7 � �

847 · Emerald Green� P G 36 � �

807 · Phthalo Green Deep� PB 15: 3 P G7 � �

817 · Sennelier Green� P G 36 � �

823 · Cadmium Green Light� P G7 PY 3 5 � �

312 · Ultramarine Light � PB2 9 � �

305 · Cerulean Blue (Red Shade)� PB2 8 � �

399 · Blue Sennelier� PB 15:6 � �

843 · Turquoise Green� P G50 �

326 · Phthalocyanine Blue� PB 15: 3 � �

34 4 · Cinerous Blue� PB 15: 3 P W4 � �

322 · Royal Blue� PB 15:6 P W6 PB2 9 � �

302 · Cerulean Blue� PB2 8 � �

315 · Ultramarine Deep� PB2 9 � �

314 · French Ultramarine Blue� PB2 9 P V 15 � �

599 · Quinacridone Gold� PR 10 1 PY 150 PR 206 �

257 · Gold Ochre� PY 1 19 PY42 PY8 3 � �

4 45 · Brown Pink� PY 150 P G7 PBr2 3 �

565 · French Ochre� P[0 1 ] � �

254 · Light Yellow Ochre� PY42 PY 150 � �


857 · Brown Green� PY 12 9 �

699 · Perm. Alizarin Crimson Dp.� PR 206 �


C O L O U R S





709 · Sennelier Grey� P W6 PBk 9 P G 1 7 � �


203 · Greenish Umber� PB 60 PBk7 PY8 3 � �


707 · Light Grey� P W6 PB2 9 PBk7 � �

931 · Neutral Tint� PB60 PBk7 PR 20 9 �

753 · Lamp Black� PBk 9 PY4 3 � �

407 · Van Dyke Brown� PBk7 PR 10 1 � �

435 · Transparent Brown� PBk7 PR 10 1 � �

4 40 · Warm Sepia� PBr7 PBk7 � �

705 · Warm Grey� P[0 2] � �


4 43 · Raw Sepia� PBr7 PBk7 � �

Set of 12 x 10ml TubesCode: WNS13 1611RRP : £ 59.95Price: £ 45.00

Pocke Set of 12 Half PansCode: WNS13 1605RRP : £ 49.96Price: £38.00

Set of 48 Half PansCode: WNS13 1607RRP : £ 195.95Price: £150.00

Set 12 Half PansCode: WNS13 1613RRP : £ 49.95Price: £ 35.00

Aqua Mini Set of 8 Half PansCode: WNS13 1619RRP : £ 29.95Price: £15.00

Set of 24 Half PansCode: WNS13 1606RRP : £9 4.95Price: £70.00

Set of 6 Half PansCode: WNS13 1608RRP : £ 17.95Price: £13.00

Set of 14 Full PansCode: WNS13 1615RRP : £ 89.95Price: £68.00

Travel Set of 8 x 10ml Tubes with BrushCode: WNS13 1642RRP : £ 4 4.95Price: £32.00

S E T S

U N I Q U E

H O N E Y

F O R M U L A

S E T S









Extended Pigment Index P[N A] : not avai lable


R E M B R A N D T P R O F E S S I O N A L W A T E R C O L O U R

C O L O U R S

O r d e r C o d e S e r i e s £ R R P £ O u r P r i c e W R H � 4 . 2 7 2 . 5 0W R H � 5 . 3 4 2 . 8 0W R H � 6 . 4 0 3 . 1 0

O r d e r C o d e S e r i e s £ R R P £ O u r P r i c e W R 5 � 4 . 2 7 2 . 5 0W R 5 � 5 . 3 4 2 . 9 0W R 5 � 6 . 4 0 3 . 2 0

H A L F P A N S5 M L T U B E SRembrandt watercolours are very transparent, which allows for each layer of applied colour to have an impact.Rembrandt watercolours are made by the Dutch paint makers Royal Talens, who have an excellent reputation for making paints for amateurs and professionals alike. 3 MM SPACE


27 1 · Cadmium Yellow Medium� PY 3 5 � �

238 · Gamboge� PY 150 P O 4 8 � �

303 · Cadmium Red Light� PR 10 8 P O20 � �

321 · Perm. Madder Lake Light� PR 25 4 P V 19 � �

567 · Permanent Red Violet� P V 19 � � �

503 · French Ultramarine� PB2 9 � � �

583 · Phthalo Blue Red� PB 15 � � �

640 · Bluish Green� P G7 PB 15 � � �

675 · Phthalo Green� P G7 � � �


378 · Transparent Oxide Red� PR 10 1 � �


701 · Ivory Black� PBk6 � � �

112 · Transparent Titanium White� P W6 � �

269 · Azo Yellow Medium� PY 15 4 P O62 � �

223 · Naples Yellow Deep� PBr24 PY5 3 P W6 � �

370 · Permanent Red Light� PR 25 5 PY 15 4 � �

331 · Madder Lake Deep� PR 8 3 � �

325 · Permanent Madder Purple� PR 26 4 P V 19 � �

506 · Ultramarine Deep� PB2 9 � � �

576 · Phthalo Blue Green� PB 15 � � �

633 · Permanent Yellow. Green� PY 15 4 P G7 � �

645 · Hooker Green Deep� P G7 PY 150 � �

227 · Yellow Ochre� PY4 3 PY42 � �

324 · Permanent Madder Brown� PR 26 4 PR 10 1 � �

426 · Transparent Oxide Brown� PR 10 1 � �

702 · Lamp Black� PBk6 PBk 9 � �


210 · Cadmium Yellow Deep� PY 3 5 P O20 � �

224 · Naples Yellow Red� PY42 P O 4 3 P W6 � �

314 · Cadmium Red Medium� PR 10 8 � �

326 · Alizarin Crimson� PR 8 3 � �

539 · Cobalt Violet� P V 1 4 � � �

512 · Cobalt Blue Ultramarine� PB2 9 P W6 � �


662 · Permanent Green� P G7 PY 15 4 � �

64 4 · Hooker's Green Light� P G7 PY 150 � �

231 · Gold Ochre� PY4 3 � �

339 · Light Oxide Red� PR 10 1 � �

416 · Sepia� PBk7 PR 10 1 � �

254 · Permanent Lemon Yellow� PY 18 4 � �

270 · Azo Yellow Deep� PY 15 4 P O 4 3 � �

211 · Cadmium Orange� P O20 PY 3 5 � �

37 7 · Permanent Red Medium� PR 25 5 � �

336 · Permanent Madder Lake� PR 26 4 P V 19 � � �

532 · Mauve� P V 19 PB 15 � � �

511 · Cobalt Blue� PB2 8 � � �

585 · Indanthrene Blue� PB60 � � �


623 · Sap Green� PY 150 P G7 � �

265 · Transparent Oxide Yellow� PY42 � �


403 · Vandyke Brown� PR 10 1 PBk7 � �


242 · Aureoline� PY 150 � �

266 · Permanent Orange� P O7 3 PY 15 4 � �


318 · Carmine� PR 26 4 P V 19 � �

568 · Permanent Blue Violet� P V 19 PB 15 � � �

534 · Cerulean Blue� PB 3 5 � � �

533 · Indigo� PB 15 PBk6 � �

610 · Cobalt Green� P G 26 � � �

620 · Olive Green� P G7 PY 150 P V 19 � �

234 · Raw Sienna� PY4 3 � � �

347 · Indian Red� PR 10 1 PR 26 4 � �

708 · Payne's Grey� PBk6 PB 15 � �

268 · Azo Yellow Light� PY 15 4 � �

24 4 · Indian Yellow� PY 15 4 P O 4 8 � �

311 · Vermillion� PR 25 5 PY 15 4 � �

37 1 · Permanent Red Deep� PR 25 4 � �

366 · Quinacridone Rose� P V 19 � � �

507 · Ultramarine Violet� P V 15 � � �

535 · Cerulean Blue Phthalo� PB 15 P W6 � �

522 · Turquoise Blue� PB 15 P G7 � � �

616 · Viridian� P G 18 � � �

629 · Green Earth� P G 2 3 � � �



7 15 · Neutral Tint� PBk6 P V 19 � �



12 Half Pan Luxur y Pocket Box SetCode: WR08614RRP : £ 5 3.57Price: £ 31.00

48 x Half Pan Metal SetCode: WR8649RRP : £ 160.68Price: £101.00

12 Half Pan Metal Box SetCode: WR38611RRP : £ 5 3.57Price: £36.00

22 Half Pan Traditional Wooden Box SetCode: WR40004RRP : £ 141 .4 6Price: £99.00

28 Half Pan Professional Wooden Box SetCode: WR40003RRP : £ 2 12 .18Price: £136.00

24 x Half Pan Metal SetCode: WR8623RRP : £96.37Price: £65.00

12 x 5ml Tubes Traditional Wooden Box SetCode: WR40005RRP : £ 141 .4 6Price: £101.00

42 Half Pan Master Wooden Box SetCode: WR40002RRP : £ 4 82 . 23Price: £354.00

S E T S

G R E A T P R O D U C T A T

A G R E A T P R I C E


6 MM SPACE

Permanent Lemon Yellow'I bought twelve Rembrandt watercolour half pans to fill a small travel box and I am very happy with them. Rich, transparent colours, they are nice to use either on their own or mixed. They are also very reasonably priced compared to other brands, but are still just as good quality-wise. I am going to buy a few extra colours to try on my next order.'

Cadmium Yellow Lemon 'Lovely bright genuine Cadmium Lemon at half the price of some rivals.'

Cerulean Blue 'I was given a small empty metal watercolour half pan box as a gift so I ordered some Rembrandt half pans just to fill it, as they appeared to be the cheapest artist grade paints. They seem to be very good quality, with nice, strong colours and good transparency. It doesn't take much water to get them going, either. If you are looking for artist-quality paints and are on a tight budget, Rembrandt watercolours are a good choice.'

Cadmium Red Light 'Genuine Cadmium, not a Hue. Almost as good as Winsor & Newton, but half the price.'

Cobalt Violet 'Perfect (very) transparent pinkish violet with graining pigment - great for rich, yet gentle, effects and applications. Hard to find among other professional watercolour brands. I would recommend it to anyone.'


G O L D E N Q O R P R O F E S S I O N A L W A T E R C O L O U R


C O L O U R S

1 1 M L T U B E SYou may not have realised that as well as making some of the world's finest acrylic paints, Golden now make an exceptional range of watercolours too.QoR's exclusive binder (Aquazol) provides a greater density of colour than conventional watercolour, offering vivid depth of colour with every brushstroke. In the range are 83 high intensity colours that offer good resistance to cracking and flaking in comparison to other watercolours. 3 MM SPACE







Extended Pigment Index P[0 1 ] : PB 15 : 3 PBk7 P V 19 P[0 2] : P G 36 PR 10 1 PY 150 P[0 3] : PBk7 P G7 PR 10 1 PY42 P[0 4] : PR 10 1 PY 150 PBk7 P[05 ] : PY42 PR 12 2 PB 15 : 3 P[06] : PB 15 : 3 PBk7 P V 19 P[N A] : not avala ible


O r d e r C o d e S e r i e s £ R R P £ O u r P r i c eW Q 1 1 � 1 2 . 9 5 1 0 . 4 0W Q 1 1 � 1 5 . 9 5 1 2 . 8 0W Q 1 1 � 1 7. 9 5 1 4 . 4 0W Q 1 1 � 1 9 . 9 5 1 6 . 0 0

S E T S

Introductor y Set 6 Ear th Colours 5ml tubes .Code: WQSET0002RRP : £ 29.95Price: £24.00

Introductor y Set 12 Colours 5ml tubes .Code: WQSET0010RRP : £ 5 4.95Price: £ 4 4.00



100 · Nickel Yellow� PY5 3 � �

105 · Cadmium Yellow Primrose� PY 3 5 � � �

110 · Hansa Yellow Light� PY 3 � � �

115 · Bismuth Vanadate Yellow� PY 18 4 � �

120 · Cadmium Yellow Light� PY 3 5 � � �

150 · Permanent Gamboge� PY42 P V 19 PY 150 � � �

155 · Quinacridone Gold� P O 4 8 PY 150 � � �

125 · Hansa Yellow Medium� PY 7 3 � �


135 · Aureolin Modern� P W6 PY 150 � �

140 · Nickel Azo Yellow� PY 150 � � �

145 · Indian Yellow� PY 7 3 PY 150 PR 206 � �

200 · Pyrrole Red Light� PR 25 5 � � �

205 · Quinacridone Red Light� PR 207 � �

210 · Pyrrole Red Medium� PR 25 4 � �

160 · Quinacridone Gold Deep� P O 4 8 � � �

165 · Quinacridone Burnt Orange� PR 206 � �

170 · Cadmium Yellow Deep� PY 3 5 � � �

175 · Diarylide Yellow� PY8 3 �

215 · Cadmium Red Medium� PR 10 8 � � �

220 · Cadmium Red Deep� PR 10 8 � � �

225 · Pyrrole Red Deep� PR 26 4 � �

230 · Permanent Scarlet� PR 16 8 � �


240 · Perm. Alizarin Crimson� PR 1 7 7 � �

180 · Cadmium Orange� P O20 � � �

185 · Transparent Pyrrole Orange� P O7 1 � �

195 · Cadmium Red Light� PR 10 8 � � � �

260 · Quinacridone Crimson� PR 12 2 PR 206 � �


275 · Ultramarine Pink� P V 15 � � �


285 · Cobalt Violet� P V4 9 � �


295 · Dioxazine Purple� P V 2 3 � �

305 · Indigo� P[0 1 ] � � � �

310 · Ultramarine Blue� PB2 9 � � � �

315 · French Ultramarine Blue� P V 15 PB2 9 � � �

320 · Cobalt Blue� PB2 8 � � � �

330 · Cerulean Blue Chromium� PB 36:1 � � �

335 · Indanthrone Blue� PB60 � �

340 · Prussian Blue� PB2 7 � � � �

345 · Phthalo Blue (Green Shade)� PB 15: 3 � � �

350 · French Cerulean Blue� PB 36 � � � �

355 · Manganese Blue� P G7 PB 15 : 3 � � �

360 · Cobalt Teal� P G50 � � �

365 · Phthalo Turquoise� PB 15: 3 P G7 � � �

405 · Terre Verte� P G 2 3 � � �

410 · Chromium Oxide Green� P G 1 7 � � �

415 · Bohemian Green Earth� P[0 3] � � � �

370 · Cobalt Turquoise� PB 36 � � �

375 · Phthalo Green (Blue Shade)� P G7 � � �

380 · Viridian Green� P G 18 � � � �

385 · Permanent Green Light� P G7 PY 3 � � �

420 · Olive Green� PR 10 1 PY 18 4 P G7 � � �

425 · Green Gold� PY 12 9 � �

430 · Titan Buff� P W6:1 � �

435 · Naples Yellow� PBr24 PBk7 P W4 �

4 40 · Yellow Ochre Natural� PY4 3 � � �

4 45 · Transparent Yellow Oxide� PY42 � � � �

390 · Cobalt Green� P G 26 � �

395 · Hooker's Green� PY 150 PB 60 PR 12 2 � �

400 · Sap Green� P[0 2] � � �

450 · Raw Sienna Natural� PY4 3 � �

455 · Transparent Red Oxide� PR 10 1 � � � �

460 · Mars Orange Deep� PR 10 1 � � �

465 · Venetian Red� PR 10 1 � � �

470 · Burnt Sienna Natural� PBr7 � � � �

475 · Transparent Brown Oxide� PR 10 1 � � � �

480 · Burnt Umber Natural� PBr7 � � � �

485 · Raw Umber Natural� PBr7 � � � �

490 · Sepia� P[0 4] � � � �

495 · Van Dyke Brown� PR 10 1 � � � �

520 · Neutral Tint� P[05 ] � � � �

500 · Carbon Black� PBk7 � � �

505 · Ivory Black� PBk 9 � � � �

510 · Payne's Gray� P[06] � � �

525 · Ardoise Gray� PBk19 � � �

540 · Iridescent Gold Fine� P[N A] � �

545 · Iridescent Pearl Fine� P[N A] � �

550 · Iridescent Silver Fine� P[N A] � �



B L O C K X W A T E R C O L O U R

C O L O U R S

O r d e r C o d e S e r i e s £ R R P £ O u r P r i c eW X 1 5 � 1 0 . 2 5 8 . 9 0W X 1 5 � 1 1 . 9 5 1 0 . 3 0W X 1 5 � 1 5 . 9 5 1 3 . 8 0W X 1 5 � 1 9 . 4 5 1 6 . 8 0

O r d e r C o d e S e r i e s £ R R P £ O u r P r i c eW X L � 1 7. 2 5 1 4 . 9 0W X L � 1 8 . 3 0 1 5 . 8 0W X L � 2 3 . 9 0 2 1 . 0 0W X L � 2 9 . 1 0 2 5 . 5 0

1 5 M L T U B E S G I A N T P A N S

184 · Zinc White� P W4 � � � �

186 · Titanium White� P W6 � � � �

316 · Nickel Yellow� PY5 3 � � � �

112 · Naples Yellow� P[0 1 ] � � � �

314 · Lemon Yellow� PY 18 4 � � �

212 · Blockx Yellow� PY 3 � � �

311 · Cadmium Yellow Pale� PY 3 5 � � �

313 · Primary Yellow� PY 15 4 � � � �

363 · Golden Green� PY 15 4 P G 36 � � �

114 · Naples Yellow Reddish� P[0 2] � � � �

317 · Indian Yellow� PY 15 4 P 07 3 � � � �

216 · Gamboge� PY6 5 � � � �

312 · Cadmium Yellow Orange� P 0 20 � � �

218 · Permanent Orange� P O62 � � � �

220 · Pyrrolo Vermilion� P O7 3 � � � �

321 · Cad Red Orange� P 0 20 � � �

425 · Pyrrolo Red� PR 25 5 � � � �

327 · Blockx Red� PR 25 4 � � � �

323 · Cadmium Red� PR 10 8 � � � �

325 · Cadmium Purple� PR 10 8 � � � �

326 · Quinacridone Red� PR 20 9 � � � �

322 · Rose Pale Lake� P V 19 � � � �

324 · Rose Lake� P V 19 � � � �


328 · Crimson Lake� PR 26 4 � � � �

329 · Quinacridone Magenta� PR 12 2 � � � �

332 · Magenta� P V 19 � � � �

233 · Dioxazine Mauve� P V 2 3 � � �

235 · Manganese Violet� P V 16 � � �

431 · Cobalt Violet� P V 1 4 � � �


453 · Cerulean Grey� PB 3 5 � � �

451 · Cerulean Blue� PB 3 6 � � � �

454 · Cyanine Blue� PB2 8 PB 15 :1 � � � �


455 · Cobalt Blue Dark� PB74 � � �

251 · French Ultramarine Blue Lt.� PB2 9 � � � �

253 · French Ultramarine Blue Dp.� PB2 9 � � � �


255 · Indanthrene Blue� PB60 � � �

154 · Blockx Blue� PB 15:1 � � � �

152 · Primary Blue� PB 15: 3 � � �

456 · Turquoise Blue� PB 36 � � � �

256 · Indigo� P[0 3] � � � �

175 · Payne’s Grey� P[0 4] � � �

463 · Turquoise Green� PB 36 � � � �

262 · Chrome Green� P G 1 7 � � � �

163 · Blockx Green� P G7 � � � �

362 · Permanent Green� PY 15 4 P G7 � � �

461 · Cobalt Green� P G50 � � �

165 · Phthalo Green� P G 36 � � � �

261 · Viridian� P G 18 � � � �

161 · Green Earth� P G 2 3 � � �

361 · Sap Green� PY 15 4 P G7 � � � �

164 · Hooker’s Green� PBr7 P G7 � � �

365 · Olive Green� P[05 ] � � � �

113 · Gold Ochre� PBr7 � � �

117 · Italian Earth� PBr7 � � �

111 · Yellow Ochre� PY42 � � � �

213 · Transparent Mars Yellow� PY42 � � � �

141 · Burnt Sienna Light� PBr7 PBk1 1 � � �

143 · Burnt Sienna Deep� PBr7 � � � �

123 · Light Red� PR 10 2 � � �

121 · Venetian Red� PR 10 2 � � �

224 · Transparent Mars Red� PR 10 1 � � � �

242 · Transparent Mars Brown� PR 10 1 � � � �

142 · Van Dijck Brown� PBr7 � � � �


14 4 · Sepia� PBr7 PBk1 1 � � �

17 7 · Neutral Tint� P[06] � � � �

17 1 · Ivory Black� PBk 9 � � �


K E YSee previous page

Extended Pigment Index P[0 1 ] : P W4 PY 3 5 PY42 P[0 2] : P W4 PY 3 5 PY42 P O20 P[0 3] : PB2 9 PB 15 PBk 9 P[0 4] : PBk1 1 PB2 9 PB 15 :1 P [05 ] : PY 15 4 P G7 P V 19 P[06] : PBk1 1 PB 15 P V 19 P[N A] : not avala ible

A R T I S T C O M M E N T S

'I love the moistness of the paint, the clarity of hue (rich colour of the pigment), the beautiful granulation of colours such as cerulean blue, ultramarine blue, manganese violet, cobalt green, cobalt violet and so on that help provide texture for my landscape painting. I’m sure that is because of the stone ground method.'

'My reason for writing this is simply to say this, your Blockx pans are a pure pleasure to use. They give up their colour with ease and lend themselves to beautiful even washes. Please accept my thanks for producing such worthwhile paints and please keep up the good work.'

Belgian Paint makers Blockx enjoy an enviable reputation, with fans including the late great Salvador Dali.The most intense and brilliant pigments, which always can be diluted but never improved.



O L D H O L L A N D C L A S S I C W A T E R C O L O U R

O r d e r C o d e S e r i e s £ R R P £ O u r P r i c eW H 6 � 5 . 7 7 4 . 9 0W H 6 � 6 . 2 2 5 . 4 0W H 6 � 6 . 8 8 6 . 0 0W H 6 � 9 . 0 8 7. 9 0W H 6 � 9 . 8 5 8 . 6 0W H 6 � 1 7. 5 6 1 5 . 3 0

O r d e r C o d e S e r i e s £ R R P £ O u r P r i c eW H H � 5 . 7 7 4 . 9 0W H H � 6 . 2 2 5 . 4 0W H H � 6 . 8 8 6 . 0 0W H H � 8 . 4 4 7. 4 0W H H � 9 . 6 4 8 . 4 0W H H � 1 2 . 6 5 1 1 . 0 0

O r d e r C o d e S e r i e s £ R R P £ O u r P r i c eW H 1 8 � 9 . 4 9 8 . 3 0W H 1 8 � 1 1 . 4 2 1 0 . 1 0W H 1 8 � 1 2 . 1 6 1 0 . 6 0W H 1 8 � 1 7. 4 0 1 5 . 2 0W H 1 8 � 1 9 . 5 7 1 7. 1 0W H 1 8 � 3 4 . 8 5 3 1 . 0 0

6 M L T U B E S

H A L F P A N S

1 8 M L T U B E SOld Holland's Classic Watercolours were developed after their well-known Oil Paint range, and benefit from the paint-maker's firm belief that maximum colour strength is the number one priority.The screen-printed labels cleverly show the undertone of the colour – much more relevant to watercolour painters than the colour as it appears out of the tube, as watercolours tend to be so heavily diluted during the painting process. The vast range of 168 colours includes opaque colours, super transparent (you can identify these as their names are suffixed with 'lake') and semi-transparent, as well as regular transparent colour. The variation in transparency available lends a greater potential for depth in your work.

C O L O U R S

001 · Titanium� P[N A]

002 · Tinting Zinc� P[N A]

003 · Transparent Chinese White� P[N A]

004 · Opaque White� P[N A]

005 · Mixed White� P[N A]

006 · Old Holland Yellow Light� P[0 1 ] � �

008 · Old Holland Yellow Deep� P[0 2] � �

007 · Old Holland Yellow Medium� P W4 PY 74 PR 10 8 � �

103 · Brilliant Yellow Light� P W4 PY8 3 P O7 3 � �

106 · Brilliant Yellow� P W4 PY8 3 P O7 3 � �

109 · Brilliant Yellow Reddish� P[0 3] � �

112 · Naples Yellow Reddish Extra� P W4 PY5 3 P O 3 4 � �

115 · Flesh Tint� P W4 PY 120 PR 2 1 4 � �

118 · Indian Yell. Green Lake Extra� PY 15 3 PY 151 PY 12 9 � �

119 · Cobalt (Aureolin) Yell. Lake� PY4 0 � �

121 · Nickel Titanium Yellow� PY5 3 � �


010 · Scheveningen Yell. Lemon� PY 3 5 � �


012 · Scheveningen Yellow Light� PY 74 PB 15 : 3 P W4 � �

014 · Scheveningen Yell. Medium� PY 120 � �

013 · Cadmium Yellow Medium� PY 3 5 � �

015 · Scheveningen Yellow Deep� PY8 3 � �

016 · Cadmium Yellow Deep� PY 3 5 PR 10 8 � �

124 · Gamboge Lake Extra� PY 15 3 PY 151 � �

127 · Indian Yellow Orange Lake� PY 15 3 PY 151 PR 251 � �

130 · Indian Yellow Brown Lake� PY 15 3 PY 151 PR 10 1 � �

133 · Old Holland Red Gold Lake� PY 15 3 PY 151 � �

136 · Golden Barok Red� P O6 5 � �

139 · Cadmium Yellow Extra Deep� PR 10 8 � �

142 · Cadmium Yellow Orange� PR 10 8 � �

018 · Scheveningen Orange� PY8 3 P O 4 3 � �

017 · Cadmium Orange� PR 10 8 � �

145 · Coral Orange� P O67 � �

020 · Cadmium Red Scarlet� PR 10 8 � �

019 · Scheveningen Red Scarlet� P O 3 4 � �

148 · Vermillion Extra� PR 251 � �

151 · Old Holland Bright Red� PR 16 8 � �


154 · Cadmium Red Medium� PR 10 8 � �

157 · Scarlet Lake Extra� PR 16 8 � �


026 · Scheveningen Purp. Brown� PR 1 75 � �


160 · Carmine Lake Extra� PR 1 7 7 P V 19 PBr2 3 � �

163 · Alizarin Crimson Lake Extra� PR 1 7 7 P V 19 PBr2 3 � �

028 · Madder (Crim.) Lake Deep� PR 8 3:1 � �

038 · Cobalt Blue Deep� PB74 � �

247 · Old Holland Cyan Blue� PB 15: 2 P W4 � �


253 · Kings Blue Deep� PB2 9 P W4 � �

256 · Kings Blue Light� PB2 9 P W4 � �

040 · Scheveningen Blue Light� P W4 PB 15 : 3 � �

259 · Old Holland Blue Grey� B2 9 P V 2 3 PBk7 P W4 � �

262 · Cobalt Blue Turquoise Light� P G50 � �

265 · Turquoise Blue Deep� PB 15: 3 P G7 P W4 � �

266 · Cobalt Green Turquoise� P G 19 P G 26 P G50 � �

267 · Cobalt Green Deep� P G 26 � �

047 · Viridian Green Deep� P G 18 PB2 9 � �

046 · Viridian Green Light� P G 18 PY 3 � �

268 · Cobalt Green� P G50 � �

049 · Scheveningen Green Deep� P G7 � �

048 · Scheveningen Green� P G 36 � �

27 1 · Permanent Green Deep� P G 36 � �


27 7 · Permanent Green Light� P G 36 PY 3 P W4 � �

280 · Old Holland Bright Green� P G 36 PY 3 PB 15 : 3 � �

045 · Cadmium Green Deep� PY 3 5 P G 18 � �

04 4 · Cadmium Green Light� PY 3 5 P G 18 P W4 � �

043 · Cinnabar Green Light Extra� PY 3 5 P G 18 PB2 9 � �

283 · Old Holland Yellow Green� P[0 4] � �

286 · Old Holland Green Light� PY 3 PY 74 P G 36 � �

289 · Permanent Green� PY 74 PB 15 : 3 P W4 � �

292 · Sap Green Lake Extra� P[05 ] � �

295 · Old Holland Golden Green� PY 12 9 � �

298 · Old Holland Golden Gr. Dp.� PY 12 9 P G 36 � �


051 · Cinnabar Green Deep Extra� P G 18 PY 3 P W4 PBr7 � �







Extended Pigment Index P[0 1 ] : P W4 PY 74 PY4 3 PB2 9 P[0 2] : P W4 PY4 3 P V 74 PR 10 1 P[0 3] : P W4 PY5 3 P O 3 4 P O7 3 PY8 3 P[0 4] : PY 3 PY 74 P G 36 P W4 P[05 ] : PY 15 3 PY 151 P G7 PY42 PBk7 P[06] : PY 12 9 PB 60 P G7 PBr7 PR 10 1 P [07 ] : P G 2 3 P G7 PB 15 : 2 PBr7 PBk7 P[0 8] : PB7 3 P V 2 3 P V 19 PR 1 12 P[0 9] : P W4 P V 2 3 PB2 9 PBk7 P[10] : PB 15 P V 19 PR 259 PBr7 P[1 1 ] : P G 2 3 P W4 PBr7 PBl7 P W6 P[N A] : not avai lable





301 · Hookers Green Lake Deep� PY42 P G7 PBk7 � �

304 · Hookers Green Lake Light� PY42 PR 10 1 P G7 � �

307 · Olive Green Dark� P[06] � �

052 · Green Earth� P G 2 3 � �

310 · Green Umber� P[07 ] � �

313 · Naples Yellow Extra� PY42 PR 10 1 P W4 � �

316 · Naples Yellow Deep Extra� PBr24 � �

319 · Mars Yellow� PY42 � �

053 · Yellow Ochre Light� PY4 3 � �

027 · Madder (Geranium) Lake Lt.� PR 1 7 7 PR 16 8 PBr2 3 � �

022 · Scheveningen Red Light� PR 1 12 � �

054 · Yellow Ochre Deep� PY4 3 � �

055 · Gold Ochre� PY4 3 � �

166 · Burgundy Wine Red� PR 1 7 7 � �

024 · Scheveningen Red Deep� PR 2 1 4 � �

169 · Scheveningen Red Medium� PR 1 12 � �

172 · Rose Dore Madder Lake� PR 1 7 7 PBr2 3 PR 16 8 � �


178 · Ruby Lake� PR 20 9 � �

029 · Scheveningen Rose Deep� P V 19 � �

181 · Old Holland Magenta� PR 12 2 � �

184 · Royal Purple Lake� P V42 � �

187 · Ultramarine Red Pink� PR 259 � �

030 · Scheveningen Violet� P V 19 � �

032 · Cobalt Violet Dark� PB73 PV23 PV19 � �

199 · Ultramarine Violet� P V 15 � �

190 · Manganese Violet Reddish� P V 16 � �

031 · Cobalt Violet Light� P[0 8] � �

193 · Old Holland Bright Violet� P V 19 P V 2 3 � �

196 · Manganese Violet Blueness� PB 15 P V 2 3 � �

202 · Dioxazine Mauve� P V 2 3 � �

205 · Old Holland Blue Violet� PB 15 P V 2 3 � �

208 · Old Holland Violet Grey� P[0 9] � �

211 · Neutral Tint� P[10] � �

214 · Payne’s Grey� PB2 9 PBk 9 � �

217 · Old Holland Blue Deep� PB2 9 P V 2 3 PBk7 �

220 · Old Deft Blue� PB60 � �

034 · Parisian (Prussian) Blue� PB2 7 � �

223 · Old Holland Blue� PB 15:6 � �

232 · Carribean Blue� PB 16 � �

042 · Cobalt Blue Turquoise� PB 3 6 � �

226 · Scheveningen Blue Deep� PB 15: 2 � �

229 · Blue Lake� PB 15: 2 � �

033 · Indigo Extra� PB 15: 3 PR 1 7 7 PBk 9 � �

035 · Scheveningen Blue� PB 15: 3 � �

235 · Cerulean Blue Deep� PB 36 � �


238 · Cerulean Blue Light� PB 3 5 � �

241 · Manganese Blue Deep� PB 3 3 P V 16 � �

041 · Manganese Blue� PB 3 3 � �

24 4 · Ultramarine Blue Deep� PB2 9 � �

036 · Ultramarine Blue� PB2 9 � �

037 · French Ultramarine Light� PB2 9 � �

065 · Persian (Indian) Red� PR 10 1 � �


340 · Old Holland Light Red� PR 10 2 � �


343 · Flesh Ochre� PY42 PR 1 12 PR 10 2 � �

063 · English Red� PR 10 1 � �

062 · Red Ochre� PR 10 2 � �

060 · Yellow Ochre Burnt� PR 10 2 � �

059 · Yellow Ochre Half Burnt� PR 10 2 � �

337 · Mars Orange Red� PY42 PR 10 1 � �

334 · Trans. Oxide Red Lake� PR 10 1 � �

331 · Italian Brown Pink Lake� PY42 PR 10 1 � �

328 · Trans. Oxide Yellow Lake� PY42 � �

325 · Old Holland Yellow Brown� PY 1 19 PY95 PY 74 � �

058 · Brown Ochre Light� PBr7 � �

057 · Raw Sienna Deep� PBr7 � �

349 · Red Umber� PBr7 � �

067 · Brown Ochre Deep� PR 10 2 � �

056 · Raw Sienna Light� PBr7 � �

322 · Italian Earth� PBr7 � �

066 · Caput Mortuum Vl. (Mars)� PR 10 1 � �

346 · Mars Brown� PY42 PR 10 1 PBk1 1 � �

07 1 · Warm Sepia Extra� PBr7 PBk 8 PR 1 7 7 � �

068 · Deep Ochre� PR 10 2 � �



352 · Old Holland Ochre� PBr7 � �

355 · Sepia Extra� PBr7 PBl9 � �

072 · Van Dyck Brown (Cassel)� PY42 PR 10 1 PBl9 � �

358 · Davy’s Grey� P[1 1 ] � �

361 · Old Holland Warm Grey Lt.� P W4 PBr7 PBl7 � �

370 · Mars Black� P[N A]

075 · Scheveningen Intense Blck.� P[N A]

073 · Scheveningen Warm Grey� P W6 PBr7 PBl9 P W4 � �

364 · Old Holland Cold Grey� P W4 PB2 9 PBl7 � �

074 · Ivory Black� P[N A]

367 · Vine Black� P[N A]

Metal Tin SetContains 15 x 6ml tubes .Code: WH15073RRP : £98.5 3Price: £79.00

12 Half Pans SetContains 12 half pans .Code: WHS12HRRP : £ 80.58Price: £65.00

S E T S

S E T S

E X C E L L E N T P A I N T



D A L E R - R O W N E Y A R T I S T S ' W A T E R C O L O U R

C O L O U R S

H A L F P A N S1 5 M L T U B E S

5 M L T U B E S

Daler-Rowney Artist watercolours are a professional grade range that use the finest modern and traditional pigments.Each colour is precisely formulated to offer great performance and permanence, maximising on the tinting strength of each individual colour. These paints will not leave any hard lines at the edge of a wash. No expense is spared in the making of these 80 colours.







Extended Pigment Index P[N A] : not avala ible


O r d e r C o d e S e r i e s £ R R P £ O u r P r i c eW D H � 5 . 7 5 3 . 4 0W D H � 8 . 5 0 4 . 9 0

O r d e r C o d e S e r i e s £ R R P £ O u r P r i c eW D 5 � 5 . 7 5 3 . 4 0W D 5 � 8 . 5 0 4 . 9 0

O r d e r C o d e S e r i e s £ R R P £ O u r P r i c eW D 1 5 � 1 1 . 7 5 6 . 8 0W D 1 5 � 1 6 . 5 0 9 . 6 0

634 · Naples Yellow� PR 10 8 PY 3 5 P W6 � �

601 · Aureolin� PY4 0 � �

643 · Indian Yellow� PY 15 3 � �

526 · Cadmium Red Pale Hue� PR 25 4 P O7 3 � �

504 · Cadmium Red Deep Hue� PR 26 4 PR 25 4 � �




157 · Transparent Turquoise� P G7 PB 15 : 3 � �

379 · Terre Verte Hue� P G 18 PY42 PBk1 1 � �

373 · Green Gold� PY 12 9 � �

261 · Transparent Red Brown� PR 206 � �

264 · Vandyke Brown� PBr7 PBk7 � �

637 · Nickel Titanate Yellow� PY5 3 � �

612 · Cadmium Yellow� PY 3 5 � �

615 · Cadmium Orange� P O20 PY 3 5 � �

588 · Vermillion � PR 25 5 � �

529 · Perylene Red� PR 1 79 � �


127 · Indigo� PB 15 PBk7 P V 19 � �

116 · Cobalt Blue Deep� PB7 2 � �

325 · Cobalt Green Deep� PB 36 � �

367 · Oxide of Chromium Green� P G 1 7 � �


421 · Perylene Maroon� PR 1 79 � �

250 · Warm Sepia� PBr7 PBk1 1 PR 10 1 � �


620 · Cadmium Yellow Hue� PY 74 PY 15 3 � �

619 · Cadmium Orange Hue� P O62 PY6 5 � �

501 · Cadmium Red� PR 10 8 � �

515 · Alizarin Crimson� PR 8 3:1 � �

417 · Cobalt Magenta� P V 1 4 � �

139 · Phthalo Blue (RS)� PB 15 � �

137 · Permanent Blue� PB2 9 � �

154 · Phthalo Turquoise� P G7 PB 15 : 3 � �

353 · Hooker's Green Light� P G7 PY 15 3 � �

667 · Raw Sienna� PY42 PR 10 1 � �

523 · Indian Red� PR 10 1 � �

063 · Neutral Tint� PR 10 1 PBk1 1 PB2 9 � �



633 · Warm Orange� P O7 3 � �

503 · Cadmium Red Hue� PR 25 4 PY 74 � �

525 · Alizarin Crimson Hue� PR 20 9 PR 1 79 � �


140 · Phthalo Blue Green Shade� PB 15: 3 � �

123 · French Ultramarine� PB2 9 � �

382 · Viridian Hue� P G 18 � �

378 · Vivid Green� PY 13 8 P G7 � �

221 · Burnt Sienna� PR 10 1 � �

411 · Mars Violet� PR 10 1 � �

065 · Payne's Grey� PBk7 PB2 9 � �

629 · Bismuth Yellow� PY 18 4 � �

618 · Cadmium Yellow Deep Hue� PY 3 PY6 5 � �

535 · Permanent Red� PR 25 4 P O7 3 � �


509 · Carmine� PR 1 70 � �

413 · Permanent Mauve� P V 2 3 � �

121 · Manganese Blue Hue� PB 15: 3 P W5 � �

155 · Cobalt Turquoise Red Shade� PB 36 � �

361 · Phthalo Green� P G7 � �

375 · Sap Green� PY 15 3 P G7 PR 10 1 � �

527 · Light Red� PR 10 1 � �



001 · Chinese White� P W5 P W6 � �

664 · Permanent Yellow� PY 13 8 � �

640 · Gamboge Hue� PY 3 PY 15 3 � �

506 · Cadmium Red Pale� PR 10 8 � �


537 · Permanent Rose� P V 19 � �


111 · Coeruleum� PB 3 5 � �

156 · Cobalt Turquoise (GS)� PB 36 � �

354 · Hooker's Green Dark� PY 3 P G7 P V 19 � �

363 · Olive Green� PY 15 3 P G7 PR 26 4 � �





25



M A I M E R I B L U A R T I S T W A T E R C O L O U R

C O L O U R S

O r d e r C o d e S e r i e s £ R R P £ O u r P r i c e W M 1 5 � 7. 9 6 6 . 8 0W M 1 5 � 1 0 . 1 5 8 . 6 0W M 1 5 � 1 2 . 4 0 1 0 . 5 0W M 1 5 � 1 7. 8 6 1 5 . 2 0

O r d e r C o d e S e r i e s £ R R P £ O u r P r i c e W M H � 5 . 6 5 4 . 8 0W M H � 6 . 8 5 5 . 8 0W M H � 7. 9 6 6 . 8 0W M H � 8 . 9 9 7. 7 0

1 5 M L T U B E S H A L F P A N S


098 · Indian Yellow� PY 13 9 PY42 � �

053 · Avignon Orange� PR 206 � �

105 · Naples Yellow Light� P W4 PY97 PY42 � �

054 · Cadmium Orange� P O20 � �

106 · Naples Yellow Reddish� P W6 PY42 PR 10 1 � �


109 · Nickel Titanate Yellow� PY5 3 � �


110 · Permanent Orange� P O62 � �


112 · Permanent Yellow Lemon� PY 1 75 � �

114 · Permanent Yellow Deep� PY 13 9 P V4 9 � �

174 · Crimson Lake� PR 206 PR 25 4 � �

116 · Primary Yellow� PY97 � �

181 · Garnet Lake� PR 8 8 � �

125 · Orange Lake� P O 4 3 � �

182 · Rose Lake� P V 19 � �

128 · Golden Lake� P V4 9 � �


131 · Yellow Ochre� PY42 PR 10 1 PBl9 � �



250 · Transparent Mars Red� PR 10 1 � �

251 · Permanent Red Light� PR 16 8 � �

270 · Dragon's Blood� PBr7 PR 20 9 � �

253 · Permanent Red Deep� PR 1 7 7 � �


256 · Primary Red Magenta� P V 19 � �

296 · Green Earth� P G 2 3 P G 1 7 � �

261 · Tiziano Red� PR 20 9 � �

316 · Cobalt Green Light� P G50 � �


317 · Cobalt Green Deep� P G50 � �

263 · Sandle Red� PR 25 4 �

322 · Cupric Green Light� P G 36 � �

324 · Cupric Green Deep� P G7 � �

348 · Viridian� P G 18 � �

325 · Hooker's Green� P G7 � �

350 · Turquoise Green� PB 16 � �

331 · Olive Green� P G 1 7 � �

358 · Sap Green� P V4 9 P G 36 � �

338 · Permanent Green Yellowish� PY97 P G 36 �

359 · Berlin Blue� PB 15:1 � �

339 · Permanent Green Light� PY 1 75 P G 36 � �

368 · Cerulean Blue� PB 36 � �

340 · Permanent Green Deep� PY 1 75 P G7 � �

373 · Cobalt Blue Light� PB2 8 � �

374 · Cobalt Blue Deep� PB2 8 � �

409 · Green Blue� P G7 PB 15 : 3 � �

37 7 · Faience Blue� PB60 � �

422 · Indigo� PB2 7 PBk7 � �


4 40 · Ultramarine Violet� PB 15 � �


4 49 · Cobalt Violet� PB 1 4 � �

400 · Primary Blue Cyan� PB 15: 3 � �

460 · Mineral Violet� P V 16 � �


463 · Permanent Violet Blueish� P V 2 3 � �

465 · Permanent Violet Reddish� PR 12 2 P V 2 3 � �


473 · Verzino Violet� PR 12 2 � �


47 7 · Transparent Mars Brown� PR 10 1 � �

514 · Payne's Grey� PB2 9 PBk 9 � �

484 · Vandyke Brown� PBr7 PBk 9 � �

535 · Ivory Black� PBk 9 PBr7 � �

486 · Sepia� PBk 9 PBr7 � �

537 · Carbon Black� PBk7 � �

488 · Brown Stil de Grain� PR 10 1 P G 36 � �

560 · Neutral Tint� PB2 9 PBk7 � �

3 MM SPACE

Set of 6 x 15ml TubesCode: WMSET 1RRP : £ 4 5.50Price: £ 36.00

Set of 12 Half PansCode: WM12HPRRP : £ 114.00Price: £90.00

Set of 24 Half PansCode: WM24HPRRP : £ 169.12Price: £134.00

S E T S

L O V E L Y

V I B R A N T

C O L O U R



A hand-crafted artist quality watercolour from the Italian paint makers Maimeri. The brand has a loyal following among Jackson’s customers and consistently gets 5 star ratings on our website. 'Great quality. Beautiful colour.'



T U R N E R W A T E R C O L O U R

C O L O U R S

Turner watercolours are a professional grade range of paint that hail from Japan. There are 59 single pigment colours in a range of 86, which makes colour mixing without achieving muddy shades easier. Pigments are ground with uniform fineness and blended without fillers.3 MM SPACE







Extended Pigment Index P[0 1 ] : P V 2 3 PR 12 2 P W6 PY42 P[0 2] : P W6 PY42 PR 10 1 PBk7 P[N A] : not avai lable


1 5 M L T U B E S

O r d e r C o d e S e r i e s £ R R P £ O u r P r i c eW T N 1 5 � 4 . 3 5 3 . 3 0W T N 1 5 � 5 . 0 5 3 . 8 0W T N 1 5 � 6 . 3 5 4 . 8 0W T N 1 5 � 8 . 0 5 6 . 1 0


001 · Chinese White� P W4 P W 7 � �

310 · Citrus Yellow� P W6 PY 3 PY42 � �

096 · Turner's Yellow� PY 18 4 PBr24 � �

030 · Maya Yellow� P[N A] � �

025 · Cadmium Lemon� PY 3 5 � �

094 · Hansa Lemon� PY 3 � �

026 · Permanent Lemon� PY 10 9 � �

024 · Permanent Yellow� PY 15 4 � �

023 · Cadmium Yellow� PY 3 5 � �

029 · Transparent Yellow� PY 150 PY 10 9 � �

028 · Aureolin Hue� PY 10 9 PY 150 � �


07 1 · Quinacridone Gold� PY 150 PR 20 9 P V 19 � �


085 · Light Red� PBr7 PR 10 1 � �

086 · Indian Red� PR 10 1 � �


087 · Transparent Red Oxide� PR 10 1 � �

075 · Raw Sienna� PBr7 PY42 � �

312 · Tumeric� PY 74 PY42 PR 10 1 � �

095 · Indian Yellow� PY 10 9 PY 1 10 PY 150 � �

022 · Permanent Gamboge� PY 150 PY 1 10 PY 10 9 � �

021 · Permanent Yellow Orange� PY 1 10 � �


093 · Pyrrole Orange Red Shade� P O7 3 � �

017 · Cadmium Scarlet� PR 10 8 � �

016 · Permanent Scarlet� PR 18 8 � �


327 · Cinnabar� P W6 PR 10 1 PR 25 4 � �

014 · Pyrrole Red� PR 25 4 � �


018 · Turner Red� PR5 PR 18 8 � �

080 · Van Dyke Brown� PBr7 PY42 � �


07 7 · Raw Umber� PBr7 PY42 � �

082 · Mars Violet� PR 10 1 � �

083 · Brown Madder� PR 1 75 � �


092 · Napthol Red� PR5 � �

090 · Permanent Crimson� PR 1 7 7 � �

084 · Turner Maroon� PBr25 P V 19 PR 12 2 � �

091 · Rose Madder Hue� PR 18 7 � �


323 · Wine Red� PR 1 4 P V 2 3 � �

012 · Rose Red� P V 19 � �

019 · Maya Red� P[N A] � �

069 · Opera Red� BV 1 1 PR 12 2 � �

011 · Natural Rose Madder� NR 9 � �

063 · Cobalt Violet� P V47 � �

359 · Pale Wisteria� P W6 PR 10 1 P V 2 3 � �


064 · Manganese Violet� P V 16 � �

362 · Purple Gromwell� P[0 1 ] � �

061 · Dioxazine Violet� P V 2 3 � �



054 · Ultramarine� PB2 9 � �


059 · Cobalt Blue Deep� PB74 � �

053 · Cobalt Blue� PB 36 � �

052 · Cerulean Blue� PB 36 � �

056 · Phthalo Blue Red Shade� PB 15 � �

055 · Phthalo Blue Green Shade� PB 15 � �

353 · Deep Indigo� PB2 9 PB 15 P G7 PY 3 � �


045 · Phthalo Turquoise� PB 16 � �

046 · Manganese Blue Hue� PB 15 � �

051 · Turquoise Blue� PB2 8 � �

04 4 · Cobalt Turquoise� PB 36 P G50 � �

350 · Freshwater� P W6 PY42 PB 15 � �

058 · Maya Blue� PB 8 2 � �

042 · Phthalo Green Blue Shade� P G7 � �

043 · Viridian� P G 18 � �

040 · Cobalt Green� P G50 � �

346 · Evergreen� PY42 PB 15 PR 10 1 � �

041 · Phthalo Green Yellow Shade� P G 36 � �

033 · Hooker's Green� P G 36 PY 1 10 � �

035 · Sap Green� P G 36 PY 1 10 � �

036 · Chrome Oxide Green� P G 1 7 � �

031 · Turner Yellow Green� P G7 PY 10 9 � �

039 · Terre Verte Hue� PBr7 PY42 PB 15 � �

340 · Sprout� P W5 PY42 P G7 � �

342 · Moss� PY42 PY 74 PB 15 � �

038 · Olive Green� P G7 PY 1 10 PR 10 1 � �

037 · Green Gold� PY 12 9 � �

073 · Naples Yellow� P W6 PBr24 � �

332 · Clove� P[0 2] � �

070 · Transparent Yellow Oxide� PY42 � �






079 · Sepia� PBk6 PR 10 1 � �

004 · Davy's Grey� P G 1 7 PBk6 P W6 � �

005 · Neutral Tint� PB 15 PR 12 2 PBk6 � �

306 · Charcoal Blue Shade� PBk7 PB 15 P V 2 3 � �

307 · Charcoal Red Shade� PBk7 PR 10 1 � �

308 · Charcoal� PBk7 � �

006 · Mars Black� PBk1 1 � �

097 · Indigo� PBk6 PR 12 2 PB 15 � �

007 · Paynes Grey� PB 15 PBk6 P V 19 � �

373 · Antique Gold� P[N A] � �

381 · Antique Silver� P[N A] � �

401 · Pearl White� P[N A] � �

405 · Pearl Yellow� P[N A] � �

409 · Pearl Red� P[N A] � �



422 · Pearl Black� P[N A] � �

470 · Gold Light� P[N A] � �

47 1 · Gold Deep� P[N A] � �

472 · Silver� P[N A] � �

473 · Gold Orange� P[N A] � �

419 · Pearl Indigo� P[N A] � �

413 · Pearl Green� P[N A] � �

475 · Copper� P[N A] � �

474 · Bronze� P[N A] � �

S E T S

Set of 12 ColoursCode: W TN15S12RRP : £ 4 8.15Price: £32.00

Set of 24 coloursCode: W TN15S24RRP : £ 10 1 .50Price: £68.00

Set of 18 ColoursCode: W TN15S18RRP : £75.50Price: £50.00

B E A U T I F U L S T R O N G S H A D E

Permanent Yellow Orange'Beautiful colour and the paint works well with other watercolours.'

Burnt Umber 'Very pleased with this item good quality.'

Van Dyke Brown'Very good for a fairly inexpensive paint.'

Ultramarine'So far so good. Nice paint and worth considering at this price.'

Rose Red'Cannot fault anything I've ever bought.'

Ultramarine 'Great price for a 15ml tube of PB29.'

Turquoise Blue 'An absolutely beautiful colour. I'm searching for a replacement for Lukas Manganese Blue PB 33 ( now banned) & this is the nearest I've come across. A lovelier colour than any Cerulean I've tried & at this price.'

Cobalt Turquoise'I just love the vibrancy of Daniel Smith watercolours and this one certainly knocks your socks off.'

Hooker's Green'Would buy from again 10/10.'

Terre Verte Hue'Lovely colour, just as good as W&N and very much cheaper. Will be trying other colours by this maker.'

Green Gold'Having ordered a large selection of Turner Artists Watercolours I can say they are a pleasure to use, with nice, strong colours and good consistency. Good strong colour.'

Paynes Grey 'Very nice unique shade.'









Extended Pigment Index P[0 1 ] : PY42 PY 3 5 P O20 P W4 P[N A] : not avala ible


C O L O U R S

100 · Zinc White� P W4 � �

209 · Naples Yellow� P[0 1 ] � �

226 · Titan� P O 36 � �


324 · Quinocridone Rose� PR 12 2 � �


507 · Turquoise Blue� PB 15: 3 P G7 � �

704 · Oxide of Chromium� P G 1 7 � �

418 · Raw Umber� BY 3 2 PBr7 PBk7 �


312 · Vermillion� PR4 PY 1 � �

218 · Yellow Ochre� PY4 3 PY 1 � �

320 · Orange Lake� P O 1 7 � �

322 · Rose� PR 8 1 � �


519 · Azure Blue� PB 15: 3 P G7 � �

7 19 · Pan Green Original� P G7 � �

805 · Neutral Black� PR 18 7 PB 15 PBk7 � �

510 · Blue-Lake� PB 1 � �


311 · Shakhnazarskaya Red� PR 10 2 � �

318 · Scarlet� PR 2 PR4 � �

325 · Claret� PR 12 � �

513 · Blue� PBk7 PB 15 P V 3 �

503 · Ceruleum Blue� PB 3 5 � �

524 · Indanthrene Blue � PB60 �

806 · Voronezhskaya Black� PBk 8 � �

214 · Lemon� PY 1 � �

216 · Golden Ochre� PY 3 P O 13 �

309 · Red Ochre� PR 10 2 � �

323 · Ruby� PR 1 70 � �

609 · Quinacridone Lilac� P V 19 � �

509 · Bright-Blue� PB 15: 3 � �

7 18 · Yellow Green� P G7 PY 3 � �

725 · Russian Green� P G8 � �

413 · Sepia� PR 10 2 PR 18 7 PBk7 � �

215 · Hanza Yellow� PY 1 � �

217 · Golden Deep� P O62 � �


319 · Carmine Hue� PR 18 7 � �

608 · Violet Rose� P V 2 � �


7 17 · Green Light� PY 3 5 P G7 � �

727 · Olive Green� P G 1 7 PY 1 PBk7 � �

516 · Indigo� PBk7 PB 15 P V 3 � �

201 · Cadmium Yellow Medium� PY 3 5 � �


321 · English Red� PR 10 1 � �

313 · Madder Lake Red Lake� PR 18 7 � �

607 · Violet� P V 3 � �

518 · Prussian Azure� PB2 7 �

412 · Mars Brown� PBr 6 � �

812 · Payne's Grey� PBk7 PB 15 P V 3 � �

7 13 · Emerald Green� P G7 � �

O r d e r C o d e S e r i e s £ R R P £ O u r P r i c eW P F � 2 . 6 5 1 . 5 0W P F � 3 . 6 0 2 . 1 0

F U L L P A N S

S E T S

S T . P E T E R S B U R G W H I T E N I G H T S A R T I S T S ' W A T E R C O L O U R

St. Petersburg White Nights watercolour is something of a hidden gem – great value luminous colour.These paints, as the name suggests, hail from Russia, and although consistency may not be as uniform as other brands, the colour is still a joy to work with. Available as individual full pans and in sets.

3 MM SPACE

3 MM SPACE

Set of 12 Full PansCode: WPS12SRRP : £ 28.4 0Price: £15.30

Set of 24 PansCode: WPS24CB RRP : £ 4 6.75Price: £26.00

Set of 24 PansCode: WPS24PRRP : £ 58.02Price: £30.00

Set of 36 PansCode: WPS36PRRP : £ 8 3.00Price: £ 43.00



S H I N H A N P R E M I U M W A T E R C O L O U R

O r d e r C o d e S e r i e s £ R R P £ O u r P r i c eW P R 1 5 � 8 . 5 0 4 . 2 0W P R 1 5 � 9 . 5 5 4 . 7 0W P R 1 5 � 1 1 . 0 5 5 . 5 0W P R 1 5 � 1 4 . 3 0 7. 9 0W P R 1 5 � 1 9 . 7 5 9 . 8 0

1 5 M L T U B E S Shin Han paints hail from Korea and have been developed using optical science.

The 72 colours in the range were carefully developed based on the Munsell System, Natural Colour System and the Ostwald System, three separate analyses on colour harmony.

C O L O U R S

503 · Crimson Lake� PR 8 3 � �


507 · Carmine� PR 8 3 � �

508 · Rose Madder� PR 8 3 � �

512 · Permanent Red� PR 20 9 � �

514 · Brown Madder� PR 8 3 PY8 3 � �

516 · Scarlet Lake� PR4 8:1 PR 9 � �

518 · Opera� BR 1 � �


521 · Shell Pink� PR 9 P W6 � �


527 · Vermillion� PR 10 8 P O20 � �

528 · Vermillion Hue� P O 16 � �

531 · Cadmium Red Orange� P O20 � �

533 · Brilliant Orange� P 0 16 � �


535 · Permanent Yellow Orange� PY8 3 P O 13 � �



547 · Permanent Yellow Deep� PY8 3 � �

548 · Permanent Yellow Light� PY 1 � �

553 · Lemon Yellow� PY8 1 � �

555 · Naples Yellow� PY 3 5 P W6 � �

558 · Jaune Brilliant No. 2� P O20 P W6 � �

560 · Greenish Yellow� PY 12 9 � �

562 · Olive Green� PY8 3 P G8 � �

564 · Leaf Green� PY 74 P G7 P W6 � �

566 · Permanent Green No. 1� P G7 � �

567 · Permanent Green No. 2� P G7 � �

57 7 · Green Deep� PY 3 P G7 � �

575 · Hooker's Green� P G8 � �

579 · Cobalt Green� PY5 3 P G7 � �

581 · Viridian� P G7 � �


583 · Emerald Green Nova� P G7 P W6 � �

589 · Sap Green� P G8 � �

584 · Peacock Green� P G7 PB 15 : 3 � �


603 · Marine Blue� PB 15: 3 � �

609 · Peacock Blue� PB 15: 3 � �

611 · Horizon Blue� PB 15:4 P W6 � �

614 · Blue Grey� PB 15: 3 P W6 � �

615 · Verditer Blue� PB2 8 P W6 � �

617 · Cerulean Blue Hue� PB 15: 3 � �


619 · Cobalt Blue Hue� PB2 9 � �




626 · Royal Blue� PB2 7 � �

629 · Indigo� PB66 � �

643 · Permanent Violet� P V 3 � �

645 · Mineral Violet� P V 2 3 � �

649 · Lilac� PR 12 2 P V 2 3 P W6 � �

631 · Lavender� PB2 8 P V 15 P W6 � �

652 · Bright Violet� BV 1 1 � �

654 · Bright Rose� BR 12 � �


663 · Light Red� PR 10 1 � �


667 · Brown� PR 10 1 � �

668 · Brown Red� PBr25 � �


670 · Raw Umber� PR 10 1 � �

67 1 · Raw Sienna� PR 10 1 � �


679 · Van Dyke Brown� NBr 8 � �

557 · Jaune Brilliant� P O20 PY 74 P W6 � �

586 · Green Pale� P G7 P W6 � �

681 · Sepia� PR 10 1 PBk1 1 � �


67 7 · Umber� PBr7 � �


647 · Cobalt Violet Light� P V 1 4 � �

650 · Purple Grey� PR 12 2 P W6 � �

687 · Neutral Tint� PB66 PBk1 1 � �


691 · Grey� PBk7 P W6 � �

690 · Davy's Grey� PBk3 1 P G 1 7 P W6 � �

598 · Turquoise Blue� P G7 PB2 8 P W6 � �

685 · Peach Black� PBk1 � �


600 · Blue Pale� PB 15 P W6 � �

S E T S

Set of 24 TubesContains 24 x 15ml tubes .Code: WPRSET24RRP : £ 13 1 .30Price: £65.00

Set of 32 TubesContains 32 x 15ml tubes .Code: WPRSET32RRP : £ 16 4.15Price: £80.00


G R E A T

V A L U E

QU

ALI

TY




10 · White� �

50 · Pale Aqua� �

34 · Dark Pink� �

56 · Marine Green� �

40 · Lemon Yellow� �

64 · Blue� �

20 · Black� �

30 · Cadmium Red� �

31 · Scarlet Red� �

32 · Red� �

33 · Orange� �

51 · May Green� �

52 · Ocean Green� �

53 · Mid Green� �

54 · Olive Green� �

55 · Green� �

35 · Carmine Red� �

36 · Wine Red� �

37 · Deep Pink� �

38 · Deep Violet� �

139 · Purple� �

57 · Turquoise Green� �

58 · Ever Green� �

61 · Cornflower Blue� �

62 · Cobalt Blue� �

63 · Persian Blue � �

42 · Bright Yellow� �

43 · Mid Yellow� �

44 · Light Brown � �

46 · Brown� �

47 · Dark Brown� �

66 · Menthol Violet� �

67 · Deep Blue� �

90 · Gold� �

91 · Bluish Gold� �

95 · Silver � �

K U R E T A K E G A N S A I T A M B I J A P A N E S E W A T E R C O L O U R

C O L O U R S

E X T R A L A R G E P A N S









O r d e r C o d e S e r i e s £ R R P £ O u r P r i c eW G T M C � 2 . 4 0 2 . 2 0

Large Pan SetContains 12 colours .Code: WGTSET 12RRP : £ 20.06Price: £17.20

Large Pan SetContains 24 colours .Code: WGTSET24RRP : £ 38. 2 1Price: £34.50

Large Pan SetContains 36 colours .Code: WGTSET36RRP : £ 58.85Price: £53.00

Large Pan SetContains 18 colours .Code: WGTSET 18RRP : £ 28.68Price: £26.00

S E T S

L O V E L Y

T E X T U R E

G O O D

C O L O U R

Traditional Japanese watercolours for professional artists and crafters alike.These extra large pans (4.5 x 2.5cm) of brilliant, luminous, high-performance paints are ideal for sketching, illustration, sumi-e, manga, calligraphy and more. The range includes a good selection of vivid colours with creamy consistencies.



D A N I E L S M I T H W A T E R C O L O U R S T I C K S

C O L O U R S

S I N G L E S T I C K S

K E YSee previous page Extended Pigment Index P[0 1 ] : PR 1 7 7 P V 19 PR 1 4 9 P[0 2] : P G 18 PB2 9 PR 1 7 7 P[0 3] : P O 4 8 PY 150 P G7 P[0 4] : PB2 9 P O 4 8 PY 150 P[05 ] : P O 4 8 PY 150 PR 20 9 P[N A] : not avala ible

O r d e r C o d e S e r i e s £ R R P £ O u r P r i c eW D N S � 1 1 . 2 5 9 . 7 0

0027 · Buff Titanium� P W6:1 � � �

0043 · Bismuth Vanadate Yellow� PY 18 4 � � �

0050 · Hansa Yellow Light� PY 3 � � �

0019 · Aureolin� PY4 0 � �

0006 · Hansa Yellow Medium� PY97 � � �

0047 · Hansa Yellow Deep� PY6 5 � � �

0011 · New Gamboge� PY97 PY 1 10 � � �

0049 · Pyrrol Orange� P O7 3 � � �

0041 · Organic Vermilion� PR 18 8 � � �

0002 · Quinacridone Coral� PR 20 9 � � �

0045 · Pyrrol Red� PR 25 4 � � �


0039 · Alizarin Crimson� PR 8 3 � � �

0010 · Perm. Alizarin Crimson� P[0 1 ] � � �

0042 · Opera Pink� PR 12 2 P[N A] � � �


0040 · Imperial Purple� PB2 9 P V 19 � � �

0021 · Carbazole Violet� P V 2 3 (R S) � � �

0033 · Moonglow� P[0 2] � � � �

0034 · Sodalite Genuine� P[N A] � � � �

004 4 · Indanthrone Blue� PB60 � � �

0038 · Ultramarine Blue� PB2 9 � � � �

0003 · French Ultramarine� PB2 9 � � � �

0008 · Cobalt Blue� PB2 8 � � � �

0017 · Phthalo Blue GS � PB 15 � � �

0048 · Phthalo Blue RS� PB 15 � � �

0022 · Cerulean Blue Chromium� PB 36 � � � �

0032 · Cobalt Teal Blue� P G50 � � �

0051 · Phthalo Turquoise� PB 15 P G 36 � � �

0046 · Permanent Green Light� PY 3 P G7 � � �

0007 · Phthalo Green BS� P G7 � � �

0026 · Phthalo Green YS� P G 36 � � �

0001 · Sap Green� P[0 3] � � � �

0035 · Serpentine Genuine� P[N A] � � �

0016 · Undersea Green� P[0 4] � � � �

0028 · Rich Green Gold� PY 12 9 � � �

0025 · Nickel Azo Yellow� PY 150 � � �

0018 · Yellow Ochre � PY4 3 � � �

0024 · Raw Sienna� PBr7 � � � �

0012 · Quinacridone Gold� P O 4 8 PY 150 � � � �

0005 · Quin. Burnt Orange� P O 4 8 � � � �

0023 · Quinacridone Sienna� P[05 ] � � � �

0015 · Quin. Burnt Scarlet� PR 206 � � �

0036 · Piemontite Genuine� P[N A] � � � �

0037 · Hematite Genuine� P[N A] � � � �

0009 · Burnt Sienna� PBr7 � � �


0031 · Graphite Gray� PBk10 � � �


0013 · Lunar Black� PBk1 1 � � � �


3 MM SPACEC U S T O M E R R E V I E W S

Yellow Ochre'I purchased 5 Daniel Smith watercolour sticks recently from Jackson's. The colours I bought were French Ultramarine, Burnt Sienna, Yellow Ochre, Aureolin, and Serpentine Genuine. I was very impressed with them. The colour is both strong and vibrant. I soon found through experimentation that the sticks are great for producing textures and dry brush effects, espiecially on not, or rough surfaced papers. You can also use them like watercolour pans, and they also work well for wet on wet techniques. I would certainly recommend Daniel Smith watercolour sticks to any watercolourist.'

Rich Green Gold'Excellent product that I prefer to cut and fit on an empty pan.'

Quinacridone Gold

'Great quality of colour and performance.'

Quinacridone Sienna 'Chopped it up and put it into an empty half pan and it works a treat. No other watercolour manufacturer makes this colour.'

I L O V E T H I S P R O D U C T

I T I S V E R Y I N T E N S E

A N D R I C H

Daniel Smith watercolour sticks have proved to be quite a hit among our community.When wet you can really achieve the boldest of colour applications. The watercolour sticks can also be used dry, or semi-dry to build up texture. One artist told us she found them 'very intense and rich'.



W I N S O R & N E W T O N C O T M A N W A T E R C O L O U R

C O L O U R S

Cotman paints are the perfect range of colours for students, amateurs and those on a budget. 40 shades of transparent colour that still allow for vibrant, clean colour mixes. As one artist told us, Cotman are 'good student quality paints, always consistent'. They are available in tubes, pans and a variety of sets.

O r d e r C o d e S e r i e s £ R R P £ O u r P r i c eW C 8 � 2 . 6 0 2 . 0 0

O r d e r C o d e S e r i e s £ R R P £ O u r P r i c eW C 2 1 � 5 . 4 5 4 . 1 0

O r d e r C o d e S e r i e s £ R R P £ O u r P r i c eW C H � 2 . 2 0 1 . 7 0

8 M L T U B E S 2 1 M L T U B E S

H A L F P A N S

346 · Lemon Yellow Hue� PY 1 75 �

095 · Cadmium Red Hue� PR 1 4 9 PR 25 5 � �

398 · Mauve� PR 12 2 P V 2 3 �

327 · Intense Blue (Phthalo)� PB 15 � � �

314 · Hooker's Green Light� PY 13 9 PB 15 P G7 � �

362 · Light Red� PR 10 1 � �


119 · Cadmium Yellow Pale Hue� PY 1 75 PY6 5 � �

098 · Cadmium Red Deep Hue� PR 25 4 PR 18 8 � �

231 · Dioxazine Violet� PB2 3 � �


599 · Sap Green� PY 13 9 P G 36 PR 10 1 � �

317 · Indian Red� PR 10 1 � �

465 · Payne's Gray� PBk7 PB2 9 PB 15 � �

266 · Gamboge Hue� PY 150 PR 20 9 �

003 · Alizarin Crimson Hue� PR 206 �

660 · Ultramarine� PB2 9 � � �

329 · Intense Green (Phthalo)� P G 36 � �

552 · Raw Sienna� PR 10 1 PY42 � �

076 · Burnt Umber� PBr7 PY42 � �


109 · Cadmium Yellow Hue� PY97 PY6 5 � �

502 · Permanent Rose � P V 19 � � �

179 · Cobalt Blue Hue� PB2 9 P W5 � �

696 · Viridian Hue� P G7 � � �

74 4 · Yellow Ochre� PY42 � �

676 · Vandyke Brown� PBr7 PR 10 1 � �


090 · Cadmium Orange Hue� PY8 3 P O 4 3 �

580 · Rose Madder Hue� PR 206 �

139 · Cerulean Blue Hue� PB 15 � �

235 · Emerald� P G7 PY 1 75 �

554 · Raw Umber� PBr7 PY42 � �

609 · Sepia� PBk7 PBr7 � �

103 · Cadmium Red Pale Hue� PY6 5 PR 25 5 � �

54 4 · Purple Lake� P V 19 � �

654 · Turquoise� PB 15 P G7 � �

312 · Hooker's Green Dark� PY 13 9 PB 15 P G7 � �


322 · Indigo� PBk7 PB2 9 PB 15 � �

Set of 12 x 8ml TubesCode: WCS37 7RRP : £ 38.50Price: £22.50

Set of 16 Half Pans & 3 x 8ml TubesCode: WCS375RRP : £ 38.50Price: £22.50

Set Pocket Plus Box Set Contains 12 half pans .Code: WCS373RRP : £ 19.75Price: £11.50

Set of 24 Half PansCode: WCS376RRP : £ 4 3.75Price: £25.50

Field Plus Set 12 Half Pans with AccessoriesCode: WCS374 RRP : £ 38.50Price: £22.50

Compact Set Contains 14 half pans .Code: WCS01RRP : £ 27.00Price: £15.90

S E T S









S E T S



K E YSee previous page Extended Pigment Index P[0 1 ] : P G 1 7 PBk6 PBk19 P W5 P[N A] : not avai lable

W I N S O R & N E W T O N W A T E R C O L O U R M A R K E R S

C O L O U R S

346 · Lemon Yellow Hue� � �

119 · Cadmium Yellow Pale Hue� � �

109 · Cadmium Yellow Hue� � �

266 · Gamboge Hue� � �

090 · Cadmium Orange Hue� � �

103 · Cadmium Red Pale Hue� � �

098 · Cadmium Red Deep Hue� � �

461 · Pale Rose� � �

003 · Alizarin Crimson Hue� � �

502 · Permanent Rose� � �

545 · Quinacridone Magenta� � �

398 · Mauve� � �

401 · Mid Blue� � �

514 · Phthalo Blue (RS)� � �

541 · Prussian Blue Hue� � �

515 · Phthalo Blue (GS)� � �

139 · Cerulean Blue Hue� � �

654 · Turquoise� � �

522 · Phthalo Green� � �

521 · Phthalo Green (YS)� � �

312 · Hooker's Green Dark� � �

311 · Hooker's Green� � �

599 · Sap Green� � �

74 4 · Yellow Ochre� � �

552 · Raw Sienna� � �

074 · Burnt Sienna� � �

061 · Burnt Red� � �

554 · Raw Umber� � �

076 · Burnt Umber� � �

609 · Sepia� � �

095 · Cadmium Red Hue� � �

322 · Indigo� � �

465 · Payne's Gray� � �

331 · Ivory Black� � �

337 · Lamp Black� � �

231 · Dioxazine Violet� � �

O r d e r C o d e S e r i e s £ R R P £ O u r P r i c eW W M K � 3 . 9 9 3 . 4 0

S I N G L E M A R K E R S Traditional watercolour paint in a twin tipped marker pen.These markers combine drawing techniques seamlessly with traditional watercolour painting.

3 MM SPACE

W I N S O R & N E W T O N P R O F E S S I O N A L W A T E R C O L O U R S T I C K S

C O L O U R S

64 4 · Titanium White� P W6 � �

347 · Lemon Yellow Hue� PY5 3 � � �

730 · Winsor Yellow� PY 15 4 � � �

016 · Aureolin� PY4 0 � � �

109 · Cadmium Yellow Hue� PY97 pY6 5 � �

267 · New Gamboge� PY 150 PR 20 9 � �

319 · Indian Yellow� P O62 PY 13 9 � �

090 · Cadmium Orange Hue� PY8 3 P O 4 3 �

603 · Scarlet Lake� PR 18 8 � � �

095 · Cadmium Red Hue� PR 1 4 9 PR 25 5 � �

548 · Quinacridrone Red� PR 20 9 � �

725 · Winsor Red Deep� PR 26 4 � �


502 · Permanent Rose� P V 19 � � �

4 46 · Opera Rose� PR 12 2 �

545 · Quinacridone Magenta� PR 12 2 �

489 · Permanent Magenta� P V 19 � � �

672 · Ultramarine Violet� P V 15 � � �

733 · Winsor Violet� P V 2 3 � �

263 · French Ultramarine� PB2 9 � � �


709 · Winsor Blue (Red Shade)� PB 15 � � �

010 · Amtwerp Blue� PB2 7 � �


137 · Cerulean Blue� PB 3 5 � � �

379 · Manganese Blue Hue � PB 15: 3 � � �

191 · Cobalt Turquoise Light� PB2 8 PB 36 � �

7 19 · Winsor Green (Blue Shade)� P G7 � � �

696 · Viridian Hue� P G7 � � �

637 · Terre Verte� P G 2 3 P G 18 PB2 8 � � �

460 · Perylene Green � PBk3 1 � �

311 · Hooker's Green� PY 1 10 P G 36 � � �

503 · Permanent Sap Green� P G 36 PY 1 10 � � �

4 47 · Olive Green � PB 15:1 PY6 5 � � �


74 4 · Yellow Ochre� PY4 3 � �

552 · Raw Sienna� PY42 PR 10 1 � � �

547 · Quinacridone Gold� PR 206 P V 19 PY 150 � �


317 · Indian Red� PR 10 1 � �

554 · Raw Umber� PBr7 � � �

076 · Burnt Umber� PBr7 PR 10 1 PY42 � �

676 · Van Dyke Brown� PR 10 1 PBk6 � � �

609 · Sepia� PBk6 PR 10 1 � �

322 · Indigo� PBk6 P V 19 PB 15 � � �

465 · Payne's Gray � PB 15 PBk6 P V 19 � � �


217 · Davy's Grey� P[0 1 ] � �

O r d e r C o d e S e r i e s £ R R P £ O u r P r i c eW W S T � 5 . 9 0 5 . 0 0W W S T � 6 . 4 5 5 . 4 0W W S T � 6 . 6 5 5 . 6 0W W S T � 8 . 8 0 7. 4 0

S I N G L E S T I C K S Watercolour sticks are square sticks of dry watercolour that can be used wet or dry, for drawing and painting techniques.Their square shape makes it easy to apply marks of varying thicknesses. They are highly pigmented and lightfast.



D E R I V A N L I Q U I D P E N C I L

S C H M I N C K E A Q U A B R O N Z E P O W D E R

D R . P H . M A R T I N ' S H Y D R U S W A T E R C O L O U R

O r d e r C o d e C o l o u r s £ R R P £ O u r P r i c eW M H 1 5 S 1 S e t 1 5 6 . 9 5 5 2 . 0 0W M H 1 5 S 2 S e t 2 5 6 . 9 5 5 2 . 0 0

O r d e r C o d e C o l o u r s £ R R P £ O u r P r i c eW M H 3 0 S 1 S e t 1 8 4 . 9 5 7 7. 0 0W M H 3 0 S 2 S e t 2 8 4 . 9 5 7 7. 0 0

S E T S

Hydrus 15ml Bottle SetsEach set contains the 12 colours l isted above in 15ml bot tles .

Hydrus 30ml Bottle SetsEach set contains the 12 colours l isted above in 30ml bot tles .

Liquid Pencil allows you to create graphite pencil effects using a cream consistency paint which can be applied with a brush or nib. There are 6 graphite shades with differing colour undertones. Each shade is available in a permanent or re-wettable, erasable formula.

These bronze powders are made to add metallic effects to your gouache or watercolour painting.To use simply mix with water – the more water you use the less shiny and opaque the metal effect will appear. Available in 5 different shades.

These vibrant Hydrus watercolours are the fully lightfast range from the esteemed brand. The colours use the finest pigments to create a liquid watercolour that rivals many other artist grade watercolours. The pipette bottles make it easy to use Hydrus in technical pens and airbrushes.3 MM SPACE

C O L O U R S

C O L O U R S

C O L O U R S S E T 1

C O L O U R S S E T 2

01H · Hansa Yellow Light �

13H · Hansa Yellow Deep�

PBL · Permanent Blue�

02H · Gamboge�

14H · Yellow Ochre�

PGY3 · Permanent Grey 3�

1 · Rich Gold�

03H · Cadmium Red�

15H · Permanent Red�

PGY9 · Permanent Grey 9�

0 4H · Deep Red Rose�

20H · Alizarin Crimson�

PR · Permanent Red�

2 · Pale Pale Gold�

05H · Quinacridone Magenta�

16H · Cobalt Blue�

P SE · Permanent Sepia�

06H · Phthalo Green�

2 2H · Payne's Grey�

PY · Permanent Yellow�

3 · Pale Gold�

07H · Phthalo Blue�

23H · Sap Green�

RBL · Rewettable Blue�

08H · Ultramarine�

18H · Viridian Green�

RGY3 · Rewettable Grey 3�

5 · Silver�

09H · Cobalt Violet�

17H · Indian Red�

RGY9 · Rewettable Grey 9�

10H · Venetian Brown�

24H · Burnt Umber�

RR · Rewettable Red�

4 · Copper�

11H · Carbon Black�

19H · Burnt Sienna�

RSE · Rewettable Sepia�

12H · White�

2 1H · Sepia�

RY · Rewettable Yellow�

O r d e r C o d e S e r i e s £ R R P £ O u r P r i c eW M H 3 0 � 7. 5 0 7. 0 0

3 0 M L B O T T L E S

O r d e r C o d e S e r i e s £ R R P £ O u r P r i c eW M H 1 5 � 4 . 9 5 4 . 6 0


O r d e r C o d e S e r i e s £ R R P £ O u r P r i c eG D V L 5 0 � 9 . 8 0 7. 8 0


O r d e r C o d e S e r i e s £ R R P £ O u r P r i c eM S P Q � 8 . 9 3 7. 7 0



1 . Golden Absorbent Ground

7. Winsor & New ton Granulation Medium

2. Schmincke Aqua Primer Coarse

8. Sea Salt

3. Schmincke Aqua Modelling Paste Fine

9. Winsor & New ton Lif ting preparationLef t with / Right without

4. Masque Pen Masking Fluid

10. Schmincke Aqua Pasto

5. Schmincke Aqua ShineLef t with / Right without

11 . Winsor & New ton Ox Gall LiquidLef t with / Right without

6. Winsor & New ton Permanent MaskingLef t with / Right without

12. Jackson's Gum Arabic

1 2


U S I N G W A T E R C O L O U R M E D I U M S

3

4 5 6

7 8 9

10 11 12


H O L B E I N A R T I S T ' S D E S I G N E R G O U A C H E

G O U A C H E

C O L O U R S

1 5 M L T U B E S 4 0 M L T U B E S ( C O L O U R S M A R K E D � O N L Y )The Japanese paint maker Holbein offer a range of 89 colours in their designer gouache range.The pigment is ground more finely than some other brands, with no opacifiers added therefore the opacity is 100% natural and the colours are at their brightest.









O r d e r C o d e S e r i e s £ R R P £ O u r P r i c eW B G 1 5 � 7. 9 1 4 . 6 0W B G 1 5 � 9 . 2 3 5 . 4 0W B G 1 5 � 1 1 . 2 7 6 . 6 0W B G 1 5 � 1 3 . 0 1 7. 6 0W B G 1 5 � 1 6 . 3 7 9 . 5 0W B G 1 5 � 2 2 . 5 4 1 3 . 1 0

O r d e r C o d e S e r i e s £ R R P £ O u r P r i c eW B G 4 0 � 1 5 . 9 1 9 . 3 0

501 · Alizarin Crimson� PR 8 3 �

506 · Cadmium Red Purple� PR 10 8 �

521 · Permanent Yellow Deep� PY 1 �

528 · Naples Yellow� PY 3 5 PY42 P W6 �

550 · Terre Verte� P G 1 7 P G 2 3 �

54 4 · Cadmium Green Pale� PY 3 PY 3 5 P G7 �

554 · Turquoise Green� P G7 P W6 �

562 · Cerulean Blue� PB 3 5 �

564 · Ultramarine� PB2 9 �

586 · Iris� P V 2 3 BV 7 BV 15 PB2 9 �

588 · Rose Violet� PR 12 2 �

603 · Burnt Sienna� PR 10 8 PBr7 �

622 · Grey No.3� PBr7 PBk7 P W6 �

645 · Silver� P W 20 P W6 �

502 · Carmine� PR5 �

505 · Cadmium Red Deep� PR 10 8 �

523 · Cadmium Yellow� PY 3 5 �

529 · Naples Yellow Italian� PY 3 7 PY42 P W6 �

549 · Viridian� P G 18 �

540 · Leaf Green� PY 1 PY 3 P G7 �

551 · Cobalt Green Pale� P G 18 PB2 8 P W6 �

574 · Ash Blue� PB2 9 P V 2 3 PBk7 P W6 �

565 · Ultramarine Deep� PB2 9 �

581 · Violet� BV 15

583 · Cobalt Violet� P V4 9 PB2 9 �

604 · Burnt Umber� PBr7 �

621 · Grey No.2� PR 10 1 PY42 PBk7 P W6 �

646 · Brilliant Silver� P W 20 P W6 �

509 · Pure Red� PR 1 70 �

504 · Cadmium Red� PR 10 8 �

520 · Permanent Yellow� PY 1 �

530 · Jaune Brilliant No.1� P O20 PY 3 7 P W6 �

547 · Cyprus Green� PY 3 P G7 PB 15 �

542 · Permanent Green Deep� PY 3 P G7 �

560 · Ice Blue� PY 3 P G7 PB 15 �

570 · Aqua Blue� PB 15 P W6 �

568 · Katsura Blue� PB 1 7 �

582 · Magenta� BV 15

587 · Lilac� P V 2 3 P W6 �

605 · Chinese Orange� P O20 PBr 6 �

620 · Grey No.1� PBr1 1 PBk7 P W6 �

641 · Pearl Gold� P W 20 �

507 · Flame Red� PR 9 �

508 · Brilliant Orange� P[N A]

524 · Cadmium Yellow Lemon� PY 3 5 �

531 · Jaune Brilliant No.2� P O20 PY42 P W6 �

548 · Dark Green� P G 36 PB2 7 �

541 · Permanent Green Light� PY 3 P G7 �

569 · Cobalt Turquoise� PB2 8 �

573 · Smalt Blue� PB2 9 P V 2 3 P W6 �

572 · Navy Blue� PB2 9 P G7 �

585 · Rose� BR 1 BV 7 BV 1 1

527· Yellow Ochre� PY42 PY4 3 �

600 · Sepia� PBr 6 PBk7 �

631 · Zinc White� P W5 �

643 · Rich Gold� P W 20 P W6 �

510 · Brilliant Pink� PR 20 9 P W6 �

525 · Cadmium Yellow Orange� PR 10 8 �

526 · Lemon Yellow (Primary)� PY 3 �

553 · Moss Green� PY42 P G8 �

552 · Cadmium Green Deep� PY 3 PY 3 5 P G7 �

545 · Emerald Green� PY 3 P G7 �

561 · Turquoise Blue� PB 15 PB 3 5 P G7 P W6 �

57 1 · Pure Blue (Primary)� PB 1 7 �

566 · Prussian Blue� PB2 7 �

584 · Opera� BR 1 BV 1 BV 1 1

601 · Raw Sienna� PY4 3 �

606 · Ivory Black� PBk7 �

630 · Permanent White� P W6 � �

64 4 · Brilliant Gold� P W 20 P W6 �

503 · Geranium� PR60 �

522 · Permanent Yellow Orange� PY6 �

532 · Marigold� PY8 3 �

546 · Olive Green� PY 1 P G8 �

543 · Cadmium Green� PY 3 PY 3 5 P G7 �

555 · Ash Green� P G7 PY42 PBk7 P W6 �

567 · Peacock Blue� PB 15 P G7 �

563 · Cobalt Blue� PB2 8 �

580 · Blue Violet� BV 1

589 · Pink� BV 10 P W6 �

602 · Raw Umber� PBr7 �

607 · Jet Black� PBk1 � �

640 · Pearl White� P W 20 �

642 · Pearl Copper� P W 20 �

S E T S

Ar tist Gouache Set12 x 15ml tubes . Code: X WGBSET3RRP : £ 87.06Price: £51.00

Ar tist Gouache Set 18 x 5ml tubes . Code: WBGS703RRP : £65.13Price: £36.00


G O U A C H E

The optimal amount of ox gall is added to the premium Schmincke Horadam Watercolours for controlled flow even on absorbent watercolour papers. Another of the unique characteristics of Horadam is that the tube paint is fully reusable after it has dried on a palette because Horadam use the same formulation for the paint in both tubes and pans.

Cadmium Yellow fulfils the function of primary yellow. Mixed with a little bit of red it will glow in the warmest tones. Lemon Yellow mixes clear greens.

Cadmium Red Light is almost an orange hue. This corresponds to its mixing properties. In the colour circle Permanent Carmine is most close to primary red. Permanent Carmine. To achieve clear violet shades we recommend mixing with.

Phthalo Green is a very interesting mixing colour. It increases the range of cool green mixing possibilities. It is also well suited to painting doors, windows and the ocean in the Mediterranean. Permanent Green Olive is also very useful for mixing. The addition of different earth colours produces lively and natural green shades.The addition of different earth colours produces lively and natural green shades.

The earth colours were chosen based on their position in the colour circle: Yellow Ochre is a more yellow tone – also suited for sand and walls. English Venetian Red as a reddish tone is often used for roof tiles and red brick. Sepia Brown is a blackish dark brown with a lively character which very often can replace black at least in mixtures with blue.

There are also 2 blues a cooler one (Prussian Blue) and a warmer variant (Ultramarine Blue). They differ considerably even though they are very close to each other in the colour circle.

Like white, not everyone approves of using black watercolour. In mixtures, Ivory Black normally dirties other shades, mixed with blue it is often used to paint bad weather situations.

C O R E C O L O U R S A N D O T H E R I N F O

S C H M I N C K E H O R A D A M G O U A C H E

C O L O U R S

102 · Titanium Whiteffl P W6 � �

103 · Zinc Whiteffl P W4 � �


222 · Vanadium Yellow� PY 18 4 � �


226 · Cadmium Yellow Hue� PY 15 4 � �

228 · Cadmium Yellow Middle� PY 3 5 � �


642 · Raw Umberffl PBr7 PY42 � �

O r d e r C o d e S e r i e s £ R R P £ O u r P r i c eW B S 1 5 ffl 6 . 2 4 5 . 4 0W B S 1 5 � 7. 2 7 6 . 3 0W B S 1 5 � 9 . 1 9 7. 9 0W B S 1 5 � 1 1 . 6 2 1 0 . 0 0W B S 1 5 � 1 4 . 2 8 1 2 . 3 0

1 5 M L T U B E S Schmincke Horadam Gouache possesses excellent flow properties.It is rewettable and can be applied to all types of absorbent and non-absorbent surfaces including paper, board and canvas. Schmincke Gouache can be mixed with other rewettable gouache ranges including Winsor and Newton Designer Gouache.

232 · Cadmium Yellow Deep� P O20 � �

234 · Cadmium Orange Hue� P O62 � �

236 · Cadminum Orange� P O20 � �

340 · Vermilion Hue� PR 25 5 � �

342 · Cadminum Red Hue� PR 242 � �

34 4 · Cadmium Red Light� PR 10 8 � �

346 · Cadmium Red Middle� PR 10 8 � �


350 · Scarlet Red� PR 25 4 � �

352 · Carmine� P V 19 � �

354 · Madder Deep Lake� PR 8 3 :1 � �

356 · Madder Red Dark� P V 19 PR 1 79 � �

358 · Purple Magenta� PR 12 2 � �


460 · Violet� P V 2 3 � �

462 · Delft Blue� PB60 � �

464 · Ultramarine Blue� PB2 9 � �

466 · Cobalt Blue Deep� PB74 PB2 8 � �


470 · Cobalt Blue Light� PB2 8 � �

472 · Dark Blue Indigo� PB60 � �

474 · Helio Blue� PB 15: 3 � �


478 · Helio Turquoise� PB 16 � �

520 · Helio Green Bluish� P G7 � �

522 · Chrom. Oxide Green Brill� P G 18 � �

524 · Helio Green Yellowish� P G 36 � �

526 · Cobalt Green Light� P G 19 � �

528 · Cobalt Green Deep� P G 26 � �


532 · Olive Green� P G 36 P O62 � �

640 · Titanium Gold Ochre� PBr24 � �

64 4 · Raw Siennaffl PY 1 19 PBk 9 � �

646 · English Redffl PR 10 1 � �

648 · Burnt Siennaffl PR 10 1 PBr7 PBr3 3 � �

650 · Burnt Umberffl P[0 1 ] � �

652 · Vandycke Brownffl P G 2 3 PBk7 PBr7 � �

785 · Neutral Grey� P O62 PR 25 5 PB 60 � �

787 · Ivory Blackffl PBk1 PBk 9 � �


Extended Pigment Index P[0 1 ] : PR 25 4 PY42 PR 10 1 PBr7 Pbk1 1 P[N A] : not avai lable


G O U A C H E






Granulation � Granulated



W I N S O R & N E W T O N D E S I G N E R S G O U A C H E

C O L O U R S


108 · Cadmium Yellow� PY 3 5 PY20 � �

452 · Orange Lake Deep� PY6 5 PR 9 � �


4 48 · Opera Rose� P[N A] �

360 · Light Purple� P V 2 P V 3 � �


523 · Primary Blue� PB 15 � �

692 · Viridian� P G 18 � �

483 · Permanent Green Light� PY 3 P G7 � �

74 4 · Yellow Ochre� PY42 � �

507 · Perylene Maroon� PR 1 79 �

076 · Burnt Umber� PBr7 PY42 � �

617 · Silver� P[N A] �


508 · Permanent Yellow Deep� PY6 5 � �

106 · Cadmium Scarlet� PR 10 8 � �

466 · Perm. Alizarin Crimson� PR 1 76 �

593 · Rose Tyrien� PR 1 7 3 P V 2 �

455 · Brilliant Purple� P V 3 P V 2 � �

706 · Winsor Blue� PB 15 � �


720 · Winsor Green� P G7 � �

4 47 · Olive Green� PY6 5 P G7 PB 15 � �

552 · Raw Sienna� PY42 PR 10 1 PY6 5 � �

564 · Red Ochre� PR 10 1 P V 19 � �

505 · Perylene Black� PBk3 1 �

283 · Gold Imitation� P[N A] �

527 · Primary Yellow� PY 74 PY 13 8 �

111 · Cadmium Yellow Deep� PY 3 5 PR 10 8 � �

249 · Flame Red� PR 1 70 P O7 2 �


380 · Magenta� PR 1 7 3 P V 2 �

733 · Winsor Violet (Dioxazine)� P V 2 3 � �


514 · Phthalo Blue� P G7 PB 15 � �

482 · Permanent Green Deep� PY 74 P G7 � �

599 · Sap Green� PY 74 PB 15 � �

285 · Gold Ochre� PBr7 PR 10 1 PY 74 � �

470 · Perylene Violet� P V 2 9 �


512 · Permanent White� P W6 � � �


384 · Marigold Yellow� P O7 2 P O7 3 �


524 · Primary Red� PR 1 70 �

550 · Quinacridone Magenta� P[N A] � �

625 · Spectrum Violet� P V 3 � �

322 · Indigo� PB 15 PBk6 PB2 9 � �

656 · Turquoise Blue� PB 15 P W6 P G7 � �

484 · Permanent Green Middle� PY 3 PY 74 P G7 � �

369 · Linden Green� PY 74 PY 3 P G 1 7 �

074 · Burnt Sienna� PY42 PR 10 1 � �

554 · Raw Umber� PY42 PBr7 � �


748 · Zinc White� P W5 � � �

627 · Spectrum Yellow� PY 74 � �

089 · Cadmium Orange� PY 3 5 PR 10 8 � �

726 · Winsor Red� P[N A] �

4 40 · Opera Pink� P[N A] �

050 · Brilliant Red Violet� P V 1 �


621 · Sky Blue� P W5 PB2 9 PB 15 � �

191 · Cobalt Turquoise Light� P G50 � �

046 · Brilliant Green� PY 3 P W6 P G7 � �


257 · Flesh Tint� PR 9 P O7 2 PY42 P W6 �

676 · Vandyke Brown� PY42 PBr7 � �

335 · Jet Black� PBk1 � � �

055 · Brilliant Yellow� PY6 5 PY 74 � �

453 · Orange Lake Light� PY6 5 PR 9 � �

623 · Spectrum Red� PR 1 70 PBr25 � �

028 · Bengal Rose� PR 169 �

052 · Brilliant Violet� PB2 9 P V 1 �

667 · Ultramarine (Green Shade)� PB2 9 � �

327 · Intense Blue� PB 15 � �

211 · Cyprus Green� P G7 P W6 PB 15 � �

459 · Oxide of Chromium� P G 1 7 � �

425 · Naples Yellow Deep� PBr24 � �

678 · Venetian Red� PR 10 1 PY 74 PR 9 � �

609 · Sepia� PBr7 PY42 � �

436 · Neutral Grey� P W6 PBk7 PY42 � �

O r d e r C o d e S e r i e s £ R R P £ O u r P r i c eW D G 1 4 � 4 . 8 5 3 . 9 0W D G 1 4 � 5 . 2 0 4 . 1 0W D G 1 4 � 6 . 2 5 5 . 0 0W D G 1 4 � 8 . 3 5 6 . 6 0

O r d e r C o d e S e r i e s £ R R P £ O u r P r i c eW D G 3 7 � 9 . 7 0 7. 4 0

1 4 M L T U B E S 3 7 M L T U B E S ( C O L O U R S M A R K E D � O N L Y )Designers Gouache was originally developed with those in the graphic arts in mind – those who needed flat colour.Today, Winsor & Newton's Designers Gouache is also popular among fine artists too. Gouache is flat, matte opaque colour, sometimes also known as 'body colour'. It can be used with watercolour, and thinned out with water.

Designers GouacheIntroductor y Set Contains 10 x 14ml tubes in the following colours : Pr imar y Yellow, Permanent Yellow Deep, Pr imar y Red, Spectrum Red, Ultramarine Pr imar y Blue, Forest Green, Yellow Ochre Ivor y Black , Zinc White .Code: WDGSET 1RRP : £ 37. 25Price: £24.50

Designers GouachePrimar y SetContains 6 x 14ml tubes in the following colours : Pr imar y Yellow, Pr imar y Red, Pr imar y Blue, Per-manent Green Medium, Ivor y Black and Zinc White .Code: WDGSET3RRP : £ 24.50Price: £18.40

S E T S

20


G O U A C H E

S H I N H A N P A S S W A T E R C O L O U R A N D G O U A C H E H Y B R I D

C O L O U R S

899 · White� P W6 � �

817 · Lemon Yellow� PY 1 47 � �

816 · Permanent Yellow� PY 1 � �

815 · Permanent Yellow Deep� PY 1 PY2 � �

813 · Yellow Orange� PY8 3 BR 1 � �

811 · Orange� P O 13 PY 1 � �

810 · Vermilion Hue� P O 16 PR4 8: 3 � �

808 · Bright Red� BR 1 PR4 8:1 � �

806 · Permanent Red� PR 1 12 � �

804 · Carmine� PR 1 7 � �

802 · Alizarin Crimson� PR 8 3 PR 12 2 � �

819 · Jaune Brilliant� P O20 P W6 � �

868 · Shell Pink� PR4 8: 3 P O 16 P W6 � �


870 · Pink� BR 1 BV 1 1 � �

865 · Opera� BV 1 1 :1 BR 1 � �

861 · Red Violet� PR 8 1 BV 1 1 � �

856 · Permanent Violet� P V 3 � �

858 · Heliotrope� P W6 BV 1 1 :1 � �

863 · Lilac� PR 12 2 P W6 � �

859 · Blue Celeste� PB2 9 P V 3 P W6 � �

853 · Indigo� PB66 � �



847 · Cobalt Blue Hue� PB 15: 3 PB2 9 � �

845 · Cerulean Blue Hue� PB 15: 3 � �

84 4 · Peacock Blue� PB 15: 3 P G7 � �

842 · Blue Grey� PB 15: 3 PB2 9 � �

841 · Compose Blue� PB 15: 3 P G7 � �



830 · Hooker's Green� P G7 P G8 � �

829 · Sap Green� P G8 PY 1 7 � �

827 · Cobalt Green� P G7 PB 36 � �

825 · Olive Green� P G8 PY 1 P O 16 � �

824 · Greenish Yellow� P G8 PY 1 7 � �

822 · Light Green� P G7 PY 3 � �

821 · Linden Green� P G7 P W6 � �


880 · Raw Umber� PR 10 1 � �

882 · Light Red� PR 10 1 PR60 :1 � �


887 · Brown Red� PBr25 � �

890 · Burnt Umber� PR 1 4 6 PY98 � �

892 · Vandyke Brown� PR 1 4 6 PBk1 1 � �

893 · Sepia� PR 10 1 PBk1 1 � �

897 · Grey� PBk1 1 P W6 � �

895 · Black� PBk1 � �

O r d e r C o d e S e r i e s £ R R P £ O u r P r i c eW S N P � 3 . 7 0 2 . 5 0W S N P � 4 . 0 0 2 . 7 0W S N P � 5 . 0 5 3 . 4 0W S N P � 7. 1 5 4 . 8 0W S N P � 9 . 7 0 6 . 5 0

2 0 M L T U B E S PASS paints can be used transparently and look just like premium watercolour, or applied straight from the tube and appear as opaque as gouache.They contain low amounts of gum arabic and glycerin which make brush strokes more free and colours appear more saturated.

S E T S

Set of 48 x 20ml TubesCode: WSNSET48RRP : £ 18 3.15Price: £123.00


Ultramarine Deep'Excellent quality, intense pigmentation and smooth texture, great coverage but thins for light washes.'

Permanent Yellow'Great colour, both transparent and opaque qualities.'

Shadow Green'Love this paint, now use all the time for my mixed media with acrylic, lovely colours.'

Hooker's Green 'Really enjoying using these; strength of pigments very impressive and amazing value. Addicted!'

Orange 'These paints are very true to colour I am very pleased.'

C O R E C O L O U R S A N D O T H E R I N F O

L O V E L O V E

L O V E T H E S E

P A I N T S


M E D I U M S

W A T E R C O L O U R M E D I U M S

O r d e r C o d e S i z e £ R R P £ P r i c eA J G A 6 0 m l - 3 . 0 0

Jackson's Gum ArabicTo be used with watercolour to increase br il l iance and transparency.

O r d e r C o d e S i z e £ R R P £ P r i c eW S A 3 0 2 6 0 6 0 m l 8 . 3 3 7. 8 0

Schmincke Gum ArabicA viscous f low and binding medium for a ll gouache and watercolour paints .

O r d e r C o d e S i z e £ R R P £ P r i c eA D 4 0 0 1 7 5 m l 6 . 5 0 5 . 9 0

Daler-Rowney Gum ArabicDaler Rowney 's own Gum Arabic which adds br il l iance and transparency to watercolour.

O r d e r C o d e S i z e £ R R P £ P r i c eW M W 4 7 5 m l 6 . 7 5 5 . 3 0

Winsor & New ton Gum ArabicA pale solution that controls the spread of wet colour reduces staining & slows dr ying .


Winsor & New ton Ox Gall LiquidA wet ting a gent used to improve f low when mixed directly with watercolours .


Winsor & New ton Blending MediumSlows the dr ying of water colours , a l lowing more time for blending . E x tends working time even in hot climates . For ma ximum ef fect dilute with medium only, but can also be mixed with water. 'A f irst rate product ' – Customer Review.

O r d e r C o d e S i z e £ R R P £ P r i c eW S A 0 3 1 6 0 6 0 m l 5 . 74 5 . 4 0W S A 0 3 1 2 0 0 2 0 0 m l 1 0 . 6 8 9 . 9 0W S A 0 3 1 1 0 0 0 1 l t r 2 3 . 0 4 2 1 . 5 0

Schmincke Ox Gall LiquidA wet ting a gent used to improve f low when mixed directly with watercolours .

O r d e r C o d e S i z e £ R R P £ P r i c eM W Q O G 5 9 5 9 m l 1 0 . 9 5 8 . 8 0

Golden QoR Synthetic Ox GallA synthetic wet ting a gent that mimics traditional Ox Gall . A couple of drops to your paint wil l make blending easier. Mix into water and apply to paper to help create uniform watercolour washes and improve wet ting .

O r d e r C o d e S i z e £ R R P £ P r i c eW M W 1 3 7 5 m l 6 . 7 5 5 . 3 0

Winsor & New ton Iridescent MediumGives a pearlescent or g li t ter ef fect to transparent watercolours .

O r d e r C o d e S i z e £ R R P £ P r i c eW S A7 2 0 6 0 6 0 m l 8 . 4 0 7. 8 0

Schmincke Aqua ShineFor a shimmering g loss ef fect apply pure or mix with watercolour. Dilution reduces pearl ef fect .

O r d e r C o d e S i z e £ R R P £ P r i c eM W Q W M 5 9 5 9 m l 9 . 9 5 8 . 0 0

Golden QoR Watercolour MediumQoR Watercolour Medium is a general purpose medium which, when used in small amounts , wil l increase the transparency and f low of watercolours . When Watercolour Medium is used in larger amounts , i t a lso increases the g loss and saturation of colours .


Winsor & New ton Granulation MediumIncreases granulation of colour, even in colours which usually g ive a smooth wash.


Winsor & New ton Lif ting PreperationAllows dr y colour washes to easily l i f t from paper with a wet brush or ra g .

O r d e r C o d e S i z e £ R R P £ P r i c eW S A74 0 6 0 6 0 m l 8 . 0 4 7. 5 0

Schmincke Aqua GlossMix with watercolour or apply onto dr y paint . Gloss ef fect decreases with stronger dilution.


Schmincke Aqua FixApply pure or add to a colour to dr y waterproof. A llows possibil i t ies for transparent painting .

O r d e r C o d e S i z e £ R R P £ P r i c eM W Q L A 1 1 8 1 1 8 m l 1 1 . 9 5 9 . 6 0

Golden QoR Watercolour Lif t AidApply Lif t A id to paper to make it easier to l i f t applied colour from the sur face.Useful when working on absorbent sur faces , such as handmade papers . Can be applied bet ween washes as well as pr ior to painting .


M E D I U M S

W A T E R C O L O U R M E D I U M S

O r d e r C o d e S i z e £ R R P £ P r i c eW M W 1 1 7 5 m l 6 . 7 5 5 . 3 0

O r d e r C o d e S i z e £ R R P £ P r i c eW M W 1 2 6 0 m l 8 . 8 5 7. 0 0

Winsor & New ton Tex ture MediumContains par ticles that add f ine tex ture and can be used to g ive depth and structure .

Winsor & New ton AquapastoTransparent gel medium that reduces f low and g ives a bodied ef fect to watercolour & gouache.


Schmincke Aqua CollageApply pure or mix with colour, then add items such as tex tiles , si lk paper, pigments , sand etc .

O r d e r C o d e S i z e £ R R P £ P r i c eW S A7 2 5 1 2 5 1 2 5 m l 1 6 . 5 4 1 5 . 4 0

O r d e r C o d e S i z e £ R R P £ P r i c eW S A7 3 5 1 0 0 m l 1 1 . 8 8 1 1 . 0 0

Schmincke Aqua PastoA transparent thickening medium which can be used pure or mixed with tube watercolour.

Schmincke Aqua Ef fect SprayMedium disturbs the sur face of watercolor paint creating pat terns and marks . UK only.

P R I M E R S & G R O U N D S

O r d e r C o d e S i z e £ R R P £ P r i c eW S A7 0 3 2 5 0 2 5 0 m l 1 1 . 6 2 1 0 . 8 0W S A7 0 3 5 0 0 5 0 0 m l 1 7. 9 5 1 6 . 7 0

O r d e r C o d e S i z e £ R R P £ P r i c eW S A7 0 6 1 2 5 1 2 5 m l 9 . 4 6 8 . 8 0W S A7 0 6 2 5 0 2 5 0 m l 1 2 . 7 0 1 1 . 8 0

Schmincke Coarse Watercolour PrimerSuitable for var ious sur faces l ike canvas , painting boards , wood etc . Can be tinted.

Schmincke Fine Watercolour Modelling PasteFor 3D ef fects , apply on sur face with a spatula and paint over with watercolour.

O r d e r C o d e S i z e £ R R P £ P r i c eW S A7 0 2 2 5 0 2 5 0 m l 1 1 . 8 8 1 1 . 0 0W S A7 0 2 5 0 0 5 0 0 m l 1 7. 9 5 1 6 . 7 0

Schmincke Fine Watercolour PrimerThis watercolour pr imer dr ies with a f ine tooth and can be used on various sur faces including canvas , painting boards , wood etc . Can be tinted. Apply with a spatula .

O r d e r C o d e S i z e £ R R P £ P r i c eW S A7 0 7 1 2 5 1 2 5 m l 9 . 4 6 8 . 8 0

Schmincke Course Watercolour Modelling PasteA coarse tex tured modell ing paste that can be tinted with watercolour or applied to your suppor t neat to add a relief element to your watercolour painting .

O r d e r C o d e S i z e £ R R P £ P r i c eM W Q W G 2 3 7 2 3 7m l 1 5 . 5 0 1 2 . 4 0

Golden QoR Hot Press Watercolour GroundA brushable base coat useful for creating a smooth hot press paper- l ike absorbent sur face. Can be used on any paintable sur face.

O r d e r C o d e S i z e £ R R P £ P r i c eM W Q C P G 2 3 7 2 3 7m l 1 5 . 5 0 1 2 . 4 0

Golden QoR Cold Press Watercolour GroundA brushable base coat useful for creating a subtle tex ture, cold pressed (aka NOT ) paper- l ike absorbent sur face. Can be used on any paintable sur face.

O r d e r C o d e S i z e £ R R P £ P r i c eM W Q L D G 2 3 7 2 3 7m l 1 5 . 5 0 1 2 . 4 0

Golden QoR Light Dimensional Watercolour GroundA non-levell ing ground suitable for use on any paintable sur face. When dr y its sur face is similar to cold pressed paper.

O r d e r C o d e S i z e £ R R P £ P r i c eA G 3 5 5 5 2 3 6 2 3 7m l 1 4 . 9 5 1 0 . 8 0A G 3 5 5 5 4 7 3 4 7 3 m l 2 5 . 5 0 1 8 . 4 0A G 3 5 5 5 9 4 6 9 4 6 m l 3 8 . 9 5 2 8 . 5 0A G 3 5 5 5 3 7 8 1 l t r 1 1 4 . 9 5 8 3 . 0 0

Golden Absorbent GroundFor application onto toothy porous sur faces to provide a more absorbent , paper- l ike sur face. Dr ies f lexible .

Daniel Smith Watercolour Ground - 113mlA brushable watercolour ground that wil l make any paintable sur face suitable for watercolour painting .O r d e r C o d e C o l o u r £ R R P £ P r i c eW D N G 4 0 0 2 W h i t e 8 . 9 9 7. 7 0W D N G 4 0 0 5 B u f f 8 . 9 9 7. 7 0W D N G 4 0 0 7 B l a c k 8 . 9 9 7. 7 0W D N G 4 0 1 1 Tr a n s p a r e n t 8 . 9 9 7. 7 0


M A S K I N G F L U I D

1.5 MM SPACE 1.5 MM SPACE



O r d e r C o d e S i z e £ R R P £ P r i c eM F M F P 6 0 6 0 m l 3 . 9 9 3 . 2 0

1.5 MM SPACE

Frisk Pink Masking FluidA Special Edition Breast Cancer Awareness Pink masking f luid from Fr isk . 50p from each 60ml bot tle sold wil l go to suppor t Breast Cancer Awareness . Works just l ike regular masking f luid .

C o d e C o d e S i z e £ R R P £ P r i c eM Q P 3 0 m l 6 . 3 2 5 . 9 0M Q R 3 0 m l R e f i l l 3 . 6 2 3 . 2 5M Q P S F i n e n i b 5 . 7 5 4 . 0 0

1.5 MM SPACE

Masquepen Masking FluidBlue masking f luid and applicator. Ref i l l bot tle and f ine nib available . F ine nib comes with empt y 30ml bot tle .

O r d e r C o d e S i z e £ R R P £ P r i c eM Z F R 5 0 5 0 m l - 4 . 3 0

1.5 MM SPACE

Zest-it Masking Fluid Remover Removes old , dr ied on masking f luid from brushes , clothes and equipment . Ideal for reviving brushes which are sti f f with dr ied on masking f luid .

1.5 MM SPACE 1.5 MM SPACE1.5 MM SPACE





1.5 MM SPACE





O r d e r C o d e S i z e £ R R P £ P r i c eA J M F 6 0 m l - 3 . 0 0

1.5 MM SPACE

O r d e r C o d e S i z e £ R R P £ P r i c eA J M F B 6 0 m l - 3 . 1 0

1.5 MM SPACE

Jackson's Masking Fluid - WhiteCan be applied to paper with a brush or pen and removed when dr y with an eraser.

Jackson's Masking Fluid - BlueCan be applied to paper with a brush or pen and removed when dr y with an eraser.

O r d e r C o d e S i z e £ R R P £ P r i c eA P M F 4 5 m l 3 . 5 0 3 . 3 0

O r d e r C o d e S i z e £ R R P £ P r i c eW M W 1 7 5 m l 6 . 7 5 5 . 3 0W M W 1 4 2 5 0 m l 1 2 . 5 0 9 . 8 0


Pebeo Drawing Gum Masking FluidA peelable rubber solution for the realisation of ar t works using ink , watercolour or gouache.

Winsor & New ton Ar t Masking FluidA pigmented l iquid composed of rubber latex and pigment , for masking areas of paper.


1.5 MM SPACE

Winsor & New ton Colourless Ar t Masking FluidA colourless , non-staining l iquid composed of rubber latex for masking areas of paper.


1.5 MM SPACE

Winsor & New ton Permanent Masking MediumNon-removable , water repellant l iquid wa x for masking specif ic areas of paper, making them resistant to water. When dr y, the medium will repel superimposed washes . Useful in detail work , can be tinted.

O r d e r C o d e S i z e £ R R P £ P r i c eA S M F 2 2 0 m l 4 . 2 5 4 . 0 0A S M F 1 1 0 0 m l 1 0 . 2 7 9 . 6 0W S A 3 0 0 2 5 0 2 5 0 m l 1 5 . 8 4 1 4 . 7 0

O r d e r C o d e C o l o u r £ R R P £ P r i c eW S A7 3 1 B l u e 6 . 8 9 6 . 4 0W S A7 3 0 W h i t e 6 . 8 9 6 . 4 0


Schmincke Masking FluidRemovable masking f luid for watercolours . A lso suitable for a irbrush.

Schmincke Masking Fluid - 25mlRemovable masking f luid for watercolours . Handy 25ml applicator bot tle useful for f ine details .

O r d e r C o d e S i z e £ R R P £ P r i c eA D 4 0 2 0 7 5 m l 6 . 5 0 5 . 9 0A D 4 0 2 1 1 7 5 m l 1 1 . 2 6 1 0 . 2 0

1.5 MM SPACE

Daler-Rowney Masking FluidCreate str iking white highlights or mask areas for overpainting at a later sta ge. Forms a fast-dr ying water-resistant f i lm on watercolour paper and board that can easily be removed when dr y.

O r d e r C o d e S i z e £ R R P £ P r i c eW D N M F 3 0 3 0 m l 6 . 9 9 6 . 0 0

1.5 MM SPACE

Daniel Smith Ar tist Masking FluidWhen wet Daniel Smith Masking f luid is an of f white colour which turns to caramel when dr y, so you can identif y where you' ve applied it . Use to maintain the cr isp edges in your work .

M E D I U M S


O r d e r C o d e S i z e £ R R P £ P r i c eW S A 4 0 3 3 0 0 m l 1 3 . 5 1 1 2 . 7 0

Schmincke Watercolour Fixative A f inal f ixative for watercolours . Protects water-colour paintings from f ingerprints , humidit y and dust .

O r d e r C o d e S i z e £ R R P £ P r i c eA D 4 0 0 9 7 5 m l 6 . 5 0 5 . 9 0

Daler-Rowney Poster & Watercolour Varnish Apply one coat for a g lossy sur face on work made using water-based media including watercolour and gouache.

Golden Archival Aerosol Varnish 400mlArchival aerosol MSA varnish with U V LS for a f inish layer on ar t work . UK only.O r d e r C o d e F i n i s h £ R R P £ P r i c eA G 7 7 3 3 G l o s s 2 3 . 9 5 1 7. 3 0A G 7 7 3 8 S a t i n 2 3 . 9 5 1 7. 3 0A G 7 74 8 M a t t e 2 3 . 9 5 1 7. 3 0

The Master's Brush CleanerThe Master 's Brush cleaner wil l condition brush hair as well as salva ge the most caked up brushes . Use af ter each painting session to prolong brush l i fespan. O r d e r C o d e S i z e £ R R P £ P r i c eA M S 3 3 0 m l 5 . 9 5 5 . 1 0A M S 7 7 5 m l 1 1 . 9 5 1 1 . 4 0A M S 9 4 0 9 4 0 m l 3 9 . 9 5 3 8 . 0 0

Da Vinci Professional Brush SoapA gentle soap with conditioners that wil l prolong brush l i fe as well as keep hair supple . Made with pure vegetable oils , with a citrus scent . O r d e r C o d e S i z e £ R R P £ P r i c eA D T4 4 3 3 8 5 g 1 1 . 2 3 9 . 9 0A D 4 4 3 3 1 0 0 g 2 . 7 7 2 . 7 0

Escoda Olive Oil Brush SoapA popular 100% natural soap from Escoda made of 82% ex tra virg in olive oil . Made in Spain using a centuries old method. Will remove all pigments including those with high tinting proper ties .O r d e r C o d e S i z e £ R R P £ P r i c eA B 1 0 0 1 0 0 g 7. 1 2 6 . 2 0

F I X A T I V E & V A R N I S H

B R U S H C L E A N E R S

Lascaux Brush CleanerA concentrated water based brush cleaner that works well when diluted 1 :1 with water, amking it ver y economical . I t is biologically degradable and is solvent free .O r d e r C o d e S i z e £ R R P £ P r i c eA L M 2 5 0 2 0 8 0 2 5 0 m l 1 1 . 7 1 9 . 9 0A L M 1 L 2 0 8 0 1 l t r 3 0 . 74 2 6 . 0 0

M A S K I N G F L U I D A P P L I C A T O R S

Koh I Noor Ruling PenA neat tool for drawing f ine l ines in paint , ink or masking f luid . The nib is made of hardened nickel plated steel .Code: GK AC0653RRP : £ 2 .75Price: £2.30

Ruling PenThe Jackson's ruling pen has a sturdy black plastic handle and a nickel plated steel nib . The per fect tool for uniform thin and precise l ines .Code: ARP 1Price: £6.90

Double Ended BlenderOne end of this tool has an angled f lat rubber t ip, the other a pointed round. Blend, apply and smudge pencils and pastels with ease and accuracy.Code: APDEPrice: £2.30

Pro Ar te Set of 5 Silicone ToolsVersatile si l icone tipped tools for moving impasto paint around the canvas , blending pastel and applying or removing masking f luid .Code: BPCSRRP : £9.95Price: £8.00

Colour Shaper Masking Fluid Applicator ToolA double ended watercolour tool with a sof t wash brush on one end and a f ine plastic t ip on the other for f ine detail and masking f luid application.Code: CSMARRP : £9. 25Price: £8.60

M E D I U M S


W A T E R C O L O U R P E N C I L S

C A R A N D ' A C H E M U S E U MA Q U A R E L L E P E N C I L S

O r d e r C o d e S e r i e s £ R R P £ O u r P r i c eG C M U – 2 . 9 9 2 . 7 0

S I N G L E P E N C I L SCaran d'Ache Museum Aquarelle Pencils are as high quality as you can get.When dry, their saturation and consistency matches the best regular coloured pencils. When wet they're comparable with traditional artist watercolours.3 MM SPACE

C O L O U R S001 · White

010 · Yellow

82 1 · Naples Ochre242 · Primrose

020 · Golden Yellow

24 0 · Lemon Yellow

530 · Gold Cadmium Y.030 · Orange

070 · Scarlet

060 · Vermilion850 · Cornelian

560 · Lt. Cadmium Red

57 1 · Anthraq. Pink

599 · Crim. Aubergine575 · Carmine Lake

106 · Dark Plum58 3 · Violet Pink

350 · Purplish Red112 · Mangan. Violet13 1 · Periwinkle Blue120 · Violet630 · Ultram. Violet

662 · Gen. Cobalt Blue661 · Light Cobalt Blue

6 4 0 · Dark Ultramarine

149 · Night Blue

660 · Mid. Cobalt Blue

159 · Prussian Blue161 · Light Blue162 · Phth. Blue

17 1 · Turquoise Blue

670 · Permanent Blue

18 1 · Lt. Malachite Gr.

185 · Ice Blue

182 · Cobalt Green2 12 · Chrom. Ox. Green

24 5 · Light Olive

7 19 · Dk. Phthal. Gr.2 25 · Moss Green

025 · Green Ochre

249 · Olive

015 · Olive Yellow470 · Spring Green

2 14 · Beryl Green

2 20 · Grass Green720 · Bright Green

7 10 · Pth. Green

2 10 · Emerald Green

5 4 8 · Umber

739 · Dark Sap Green736 · Brown Olive 50%

03 4 · Yellow Ochre

03 7 · Brown Ochre039 · Olive Brown

036 · Raw Sienna

052 · Saffron5 42 · Light Flesh 10%

055 · Cinnamon0 41 · Apricot

07 7 · Burnt Ochre059 · Brown0 4 4 · Terracotta065 · Russet866 · Bnt. Sienna 50%

0 49 · Raw Umber

057 · Chestnut

74 6 · Dark Flesh 50%808 · French Grey

0 4 6 · Cassel Earth

906 · Sepia 50%902 · Sepia 10%00 4 · Steel Grey508 · Paynes Grey

009 · Black496 · Ivory Black495 · Slate Grey

S E T S

Tin Set of 12 ColoursVarious colours .Code: GCMU3 12RRP : £ 3 4.00Price: £30.00

Tin Set of 20 ColoursL andscape colours .Code: GCMU420RRP : £ 55.99Price: £50.00

Tin Set of 20 ColoursMarine colours .Code: GCMU920RRP : £ 55.99Price: £50.00

C A R A N D ' A C H E S U P R A C O L O R P E N C I L S

O r d e r C o d e S e r i e s £ R R P £ O u r P r i c eG C S 3 – 1 . 9 9 1 . 7 0

S I N G L E P E N C I L SThese soft watersoluble pencils are favoured by many artists, illustrators, graphic designers and tutors.'Lovely material, perfect for the job' – Customer review.


005 · Grey

003 · Light Grey002 · Silver Grey

006 · Mouse Grey

00 4 · Steel Grey

007 · Dark Grey008 · Greyish Black

015 · Olive Yellow

010 · Yellow009 · Black

016 · Khaki Green

011 · Pale Yellow

018 · Olive Grey019 · Olive Black

030 · Orange

02 1 · Naples Yellow020 · Golden Yellow

03 1 · Orangish Yellow

025 · Green Ochre

032 · Light Ochre03 3 · Golden Ochre

0 4 0 · Reddish Orange

03 7 · Brown Ochre035 · Ochre

0 41 · Apricot

039 · Olive Brown

0 4 3 · Brownish Orange0 4 5 · Vandyke Brown

051 · Salmon

0 49 · Raw Umber0 47 · Bistre

053 · Hazel

050 · Flame Red

055 · Cinnamon057 · Chestnut

063 · English Red

060 · Vermilion059 · Brown

065 · Russet

062 · Venetian Red

067 · Mahogany069 · Burnt Sienna

080 · Carmine

07 1 · Salmon Pink070 · Scarlet

08 1 · Pink

075 · Indian Red

082 · Rose Pink085 · Bordeaux Red

099 · Aubergine

090 · Purple089 · Dark Carmine

100 · Purple Violet

09 1 · Light Purple

110 · Lilac111 · Mauve

139 · Indigo Blue

130 · Royal Blue1201 · Violet

14 0 · Ultramarine

13 1 · Periwinkle Blue

141 · Sky Blue14 5 · Bluish Grey

155 · Blue Jeans

150 · Sapphire Blue149 · Night Blue

159 · Prussian Blue

151 · Pastel Blue

160 · Cobalt Blue161 · Light Blue

180 · Malachite Green

170 · Azurite Blue169 · Marine Blue

18 1 · Lt. Malachite Gr.

17 1 · Turquoise Blue

190 · Greenish Blue19 1 · Turquoise Green


200 · Bluish Green195 · Opaline Green

2 11 · Jade Green

201 · Veronese Green

2 15 · Greyish Green2 20 · Grass Green

230 · Yellow Green

2 25 · Moss Green2 2 1 · Light Green

23 1 · Lime Green

2 29 · Dark Green

239 · Spruce Green24 0 · Lemon Yellow

250 · Canary Yellow

24 5 · Light Olive241 · Light Lemon Yell.

260 · Blue

249 · Olive

2 70 · Raspberry Red280 · Ruby Red

3 70 · Gentian Blue

300 · Fast Orange

290 · Empire Green

37 1 · Bluish Pale

350 · Purplish Red

4 01 · Ash Grey4 02 · Light Beige

4 07 · Sepia

4 0 4 · Brownish Beige4 03 · Beige

4 09 · Charcoal Grey

4 05 · Cocoa

4 60 · Peacock Green470 · Spring Green

496 · Ivory Black

493 · Granite Rose49 1 · Cream

497 · Bronze

495 · Slate Grey

498 · Silver499 · Gold

S E T S

3 MM SPACE

Tin Set of 12 ColoursCode: GCS3 12RRP : £ 2 2 .99Price: £19.60

Tin Set of 18 ColoursCode: GCS3 18RRP : £ 3 4.49Price: £29.50

Tin Set of 30 ColoursCode: GCS330RRP : £ 59.99Price: £52.00

S E T S



F A B E R - C A S T E L L A L B R E C H T D U R E R W A T E R C O L O U R P E N C I L S


O r d e r C o d e S e r i e s £ R R P £ O u r P r i c eG FA - 1 . 6 0 1 . 4 0

S I N G L E P E N C I L S

S E T S

Tin Set of 12 ColoursCode: GFA12MRRP : £ 2 1 . 25Price: £17.70

Tin Set of 24 ColoursCode: GFA 24MRRP : £ 4 0.75Price: £34.00

Tin Set of 60 ColoursCode: GFA60MRRP : £ 105.00Price: £88.00


124 · Rose Carmine

249 · Mauve

14 5 · Light Phthalo Blue

163 · Emerald Green

170 · May Green

189 · Cinnamon

179 · Bistre

2 70 · Warm Grey I

106 · Lt. Chrome Yellow

125 · Mid Purple Pink

120 · Ultramarine

156 · Cobalt Green

167 · Perm. Green Olive

193 · Burnt Carmine

186 · Terracotta

175 · Dark Sepia

235 · Cold Grey VI

205 · Cad. Yell. Lemon

12 1 · Pale Geran. Lake

119 · Light Magenta

2 26 · Alazarin Crimson

151 · Helioblue-Redish

153 · Cobalt Turquoise

112 · Leaf Green

169 · Caput Mortum

188 · Sanguine

28 3 · Burnt Sienna

23 3 · Cold Grey IV

111 · Cadmium Orange

2 17 · Middle Cad.Red

136 · Purple Violet

110 · Phthalo Blue

2 76 · Chr. Ox. Gn. Fiery

173 · Olive Grn Yell.

13 1 · Medium Flesh

182 · Brown Ochre

2 72 · Warm Grey III

250 · Gold

102 · Cream

117 · Light Cad. Red

123 · Fuchsia

157 · Dark Indigo

24 6 · Prussian Blue

17 1 · Light Green

174 · Chrome Gr. Opq.

192 · Indian Red

178 · Nougat

23 1 · Cold Grey II

108 · Dark Cad. Yellow

126 · Perm. Carmine

160 · Manganese Violet

14 6 · Sky Blue

159 · Hooker's Green

2 78 · Chrome Ox. Grn.

135 · Light Red Violet

185 · Naples Yellow

2 74 · Warm Grey V

199 · Black

103 · Ivory

115 · Dark Cad. Orange

128 · Light Purple Pink

141 · Delft Blue

149 · Bluish Turquoise

162 · Light Phthalo Gr.

168 · Earth Gr. Yell.

19 1 · Pompeian Red

176 · Van Dyke Brown

230 · Cold Grey I

107 · Cadmium Yellow

13 4 · Crimson

14 0 · Light Ultramarine

158 · Deep Cobalt Green

267 · Pine Green

19 4 · Red Violet

18 3 · Light Yell. Ochre

2 75 · Warm Grey VI

18 1 · Paynes Grey

105 · Light Cad.Yellow

2 19 · Deep Scarlet Red

129 · Pink Madder Lake

12 7 · Pink Carmine

14 3 · Cobalt Blue

15 4 · Lt. Cob. Turquoise

266 · Perm. Green

263 · Caput Mort. Vlt.

187 · Burnt Ochre

17 7 · Walnut Brown

23 4 · Cold Grey V

113 · Orange Glaze

2 25 · Dark Red

13 7 · Blue Violet

152 · Mid. Phthalo Blue

161 · Phthalo Green

268 · Green Gold

132 · Light Flesh

180 · Raw Umber

2 7 1 · Warm Grey II

252 · Copper

10 4 · Light Yellow Glaze

118 · Scarlet Red

13 3 · Magenta

142 · Madder

247 · Indanthrene Blue

155 · Helio Turquoise

166 · Grass Green

172 · Earth Green

190 · Venetian Red

280 · Burnt Umber

232 · Cold Grey III

109 · Dark Chrome Yell.

2 23 · Deep Red

138 · Violet

14 4 · Cob. Blue-Green.

26 4 · Dark Phthalo Gr.

165 · Juniper Green

130 · Dark Flesh

18 4 · Dark Napl. Ochre

2 73 · Warm Grey IV

251 · Silver

These professional grade watercolour pencils made by Faber Castell allow for great versatility of expression when drawing, shading and painting in watercolours.Colour becomes permanent when dry, so colours can be layered.

T O P Q U A L I T Y

'Have tried many coloured pencils but always come back to these. Lovely strong subtle colours which can be enhanced by going over your drawing with a clean damp brush.'

'Lovely watercolour pencils, best I have used.'

'Wonderful product, that does what it say's on the tin.'

'A really good product.'

'Very high quality product. Addictive, and inspirational in their own right!!'

'I use these pencils instead of waxy sanguine and sepia: they are all excellent, and lay down a good amount of pigment.'

Paynes Grey 'Have used various brands before but prefer these. They are quite soft and work well if used wet too.'

Dark Sepia 'Really good quality.'

Cold Grey V

'Good quality pencil with rich colour and smooth feel on paper.'

S E T S



1.5 MM SPACE 1.5 MM SPACE 1.5 MM SPACE

C O L O U R S

D E R W E N T I N K T E N S E P E N C I L S

Inktense watersoluble pencils offer intense translucent colour.The range comprises 71 colours and a non-soluble outliner. Once dry the colour is permanent and can be worked over with other media.

1.5 MM SPACE

O r d e r C o d e S e r i e s £ R R P £ O u r P r i c eG D I – 1 . 9 0 1 . 6 0

O r d e r C o d e S e r i e s £ R R P £ O u r P r i c eG D I B – 1 . 5 5 1 . 4 0

S I N G L E P E N C I L SS I N G L E B L O C K S1.5 MM SPACE1.5 MM SPACE

1.5 MM SPACE1.5 MM SPACE

S E T S1.5 MM SPACE

3 MM SPACE

1.5 MM SPACE

2300 · Antique White

0200 · Sun Yellow0100 · Sherbert Lemon

02 10 · Cadmium Yellow02 20 · Sicilian Yellow0230 · Golden Yellow024 0 · Sienna Gold0250 · Cad. Orange0260 · Burnt Orange0300 · Tangerine03 10 · Mid Vermilion0320 · Scarlet Pink

1530 · Felt Green

1550 · Spring Green15 4 0 · Light Olive

1560 · Fern1600 · Leaf Green1700 · Mustard17 10 · Amber1720 · Tan1730 · Oak174 0 · Saddle Brown1800 · Baked Earth1900 · Willow

074 0 · Mauve

0760 · Deep Violet0750 · Dark Purple

0800 · Violet08 10 · Lagoon0820 · Peacock Blue08 30 · Navy Blue08 4 0 · Iron Blue0850 · Deep Blue0900 · Iris Blue1000 · Bright Blue1100 · Deep Indigo

0 4 00 · Poppy Red

0500 · Chilli Red0 410 · Hot Red

0510 · Cherry0520 · Carmine Pink0530 · Crimson0600 · Shiraz0610 · Red Violet0700 · Fuchsia07 10 · Deep Rose0720 · Thistle0730 · Dusky Purple

19 10 · Red Oxide1920 · Madder Brown

1930 · Dark Chocolate2010 · Sepia Ink2020 · Indian Ink2030 · Chinese Ink2 100 · Charcoal Grey2 110 · Paynes Grey2 120 · Neutral Grey2 200 · Ink Black24 00 · Outliner

2000 · Bark

1200 ·Sea Blue

12 20 · Grn. Aquamarine12 10 · Dark Aquamarine

1230 · Mallard Green1300 · Teal Green13 10 · Iron Green1320 · Ionian Green13 30 · Vivid Green14 00 · Apple Green1500 · Field Green1510 · Beech Green1520 · Hooker's Green

D E R W E N T W A T E R C O L O U R P E N C I L S

C O L O U R S

O r d e r C o d e S e r i e s £ R R P £ O u r P r i c eG D W – 1 . 8 0 1 . 6 0

S I N G L E P E N C I L SA soft texture watercolour pencil from Derwent. The full range comprises 72 colours. These watercolour pencils are great for adding detail to a traditional watercolour or as a medium in their own right. Use either wet or dry.

1.5 MM SPACE

1.5 MM SPACE

1.5 MM SPACE

S E T S

1.5 MM SPACE

1.5 MM SPACE

Tin Set of 36 ColoursCode: GDW36RRP : £ 58.30Price: £ 49.00

Tin Set of 72 ColoursCode: GDW 72RRP : £ 115.85Price: £97.00

Tin Set of 24 ColoursCode: GDW24RRP : £ 38.75Price: £ 33.00

3 MM SPACE

1.5 MM SPACE

720 · Chinese White

020 · Lemon Cadmium010 · Zinc Yellow

030 · Gold0 4 0 · Primrose Yellow050 · Straw Yellow060 · Deep Cadmium070 · Naples Yellow080 · Midl. Chrome Yell.090 · Deep Chrome100 · Orange Chrome110 · Spectrum Orange

4 80 · May Green

500 · Cedar Green490 · Sap Green

510 · Olive Green520 · Bronze530 · Sepia5 4 0 · Burnt Umber550 · Vandyke Brown560 · Raw Umber570 · Brown Ochre580 · Raw Sienna590 · Golden Brown

24 0 · Red Violet Lake

260 · Light Violet250 · Dark Violet

2 70 · Blue Violet280 · Delft Blue290 · Ultramarine300 · Smalt Blue3 10 · Cobalt Blue320 · Spectrum Blue3 30 · Light Blue3 4 0 · Sky Blue350 · Prussian Blue

120 · Scarlet Lake

14 0 · Deep Vermillion130 · Pale Vermillion

150 · Geranium Lake160 · Flesh Pink170 · Pink Madder Lake180 · Rose Pink190 · Madder Carmine200 · Crimson Lake2 10 · Rose Madder Lake2 20 · Magenta230 · Imperial Purple

600 · Burnt Yell. Ochre

620 · Burnt Sienna610 · Copper Beech

630 · Venetian Red6 4 0 · Terracotta650 · Burnt Carmine660 · Chocolate670 · Ivory Black680 · Blue Grey690 · Gunmetal700 · French Grey7 10 · Silver Grey

360 · Indigo

380 · Kingfisher Blue3 70 · Oriental Blue

390 · Turquoise Blue4 00 · Turquoise Green410 · Jade Green420 · Juniper Green4 30 · Bottle Green4 4 0 · Water Green4 50 · Mineral Green4 60 · Emerald Green470 · Grass Green


Tin Set of 24 ColoursCode: GDIS24RRP : £ 4 0.75Price: £ 34.00

Tin Set of 36 ColoursCode: GDIS36 RRP : £6 1 .50Price: £52.00

Tin Set of 72 ColoursCode: GDIS72TRRP : £ 12 1 .50Price: £102.00

S E T S




C R E T A C O L O U R A Q U A M O N O L I T H W A T E R S O L U B L E P E N C I L S

C O L O U R S

O r d e r C o d e S e r i e s £ R R P £ O u r P r i c eG P C R – 2 . 1 0 1 . 8 0

S I N G L E P E N C I L S

3 MM SPACE

S E T S

Tin Set of 12 ColoursCode: GPCR12RRP : £ 23.95Price: £20.50

3 MM SPACE

003 · Sunproof Yellow00 4 · Flash Yellow

006 · Straw Yellow

008 · Chromium Yellow

011 · Orange

013 · Perm. Red Light

001 · Permanent White

005 · Naples Yellow

007 · Cadmium Citron

009 · Perm. Dark Yellow

012 · Vermillion Light

014 · Vermillion Dark

09 1 · Olive Green Dark

088 · Olive Green Light

030 · Tan Dark

101 · Ivory

103 · Ochre Dark

109 · English Red

089 · Green Earth Light

092 · Umber Green Lgt.

03 1 · Tan Light

102 · Ochre Light

10 4 · Sienna Natural

111 · Red Brown

055 · Ultramarine

062 · Indigo

059 · Medium Blue

053 · Delft Blue

051 · Glacier Blue

058 · Light Blue

061 · Prussian Blue

063 · Breman Blue

05 4 · Cobalt Blue

057 · Mountain Blue

050 · Pastel Blue

06 4 · Smyrna Blue

015 · Perm. Red Dark

016 · Carm. Extra Fine

03 4 · Cyclamen

036 · Old Rose Dark

025 · Mars Violet Light

0 4 0 · Mars Violet Dark

017 · Madder Carmine

032 · English Rose

035 · Old Rose Light

028 · Magenta

038 · Violet

056 · Blue Violet

113 · Pompeian Red

120 · Van Dyke Brown

116 · Olive Brown

12 1 · Umber

13 7 · Blue Grey

150 · Ivory Black

112 · Indian Red

115 · Chestnut Brown

118 · Sepia Light

132 · Light Grey

135 · Dark Grey

160 · Graphite Aquarell

076 · Turquoise Dark

085 · Lime Green

080 · Light Green

082 · Moss Green Dark

08 4 · Grass Green

079 · Fur Green

08 1 · Moss Green Light

087 · Pea Green

08 3 · French Green


078 · Leaf Green

090 · Green Earth Dark

Aquamonolith pencils are cylinders of watersoluble pigment packed full of mark making potential!If you hate waste, why not save the shavings, dissolve them in water and use as paint?

Tin Set of 24 ColoursCode: GPCR24RRP : £ 4 6.50Price: £ 40.00

Tin Set of 36 ColoursCode: GPCR36RRP : £70.95Price: £61.00

L Y R A R E M B R A N D T A Q U A R E L L W A T E R - S O L U B L E C O L O U R E D P E N C I L S

Beautiful watercolour pencils with hexagonal wood casing. Highly pigmented and lightfast colour.

S E T S

Tin Set of 36 ColoursCode: GLRWCS36RRP : £ 47. 26Price: £38.00

Tin Set of 12 ColoursCode: GLRWCS12RRP : £ 15.76Price: £12.70

Tin Set of 24 ColoursCode: GLRWCS24RRP : £ 3 1 .50Price: £25.50

B E A U T I F U L

C R E T A C O L O U R M A R I N O W A T E R C O L O U R P E N C I L S

S E T S

3 MM SPACE

Marino captivates with its brilliant colours, soft stroke, blendability and exceptionally high lightfastness ratings.

Tin Set of 24 ColoursCode: GPCRM24RRP : £ 3 1 .95Price: £27.50

Tin Set of 12 ColoursCode: GPCRM12RRP : £ 13 .70Price: £15.95

Tin Set of 36 ColoursCode: GPCRM36RRP : £ 4 6.95Price: £ 41.00



Tin Set of 12 ColoursCode: GKPWS12RRP : £ 23.05Price: £16.80

Tin Set of 72 ColoursCode: GKMA72 ASRRP : £76.90Price: £58.00

Tin Set of 24 ColoursCode: GKPWS24RRP : £ 39.4 0Price: £29.00

Tin Set of 36 ColoursCode: GKPWS36RRP : £ 5 3.05Price: £36.00

Tin Set of 36 ColoursCode: GKMA36ASRRP : £ 3 4.50Price: £26.50

K O H - I - N O O R M O N D E L U Z W A T E R C O L O U R P E N C I L S

S E T S1.5 MM SPACE

Incredibly soft and smooth.Creamy textured watersoluble coloured pencils in sets. Blend like a dream!

Tin Set of 24 ColoursCode: GKMA 24ASRRP : £ 2 2 .15Price: £16.40

K O H - I - N O O R P R O G R E S S O W O O D L E S S W A T E R C O L O U R P E N C I L S

Woodless coloured pencils that can be used wet or dry. Smooth consistency, creates easily blended lines. Aquarell Water-Soluble Coloured Pencils

S E T S1.5 MM SPACE



K O H - I - N O O R A Q U A R E L L E S E T S

Wa x Watercolour Tin Set of 24 ColoursCode: GK W WS24RRP : £7 1 .70Price: £54.00

Tin Set of 12 ColoursCode: GK W WS12RRP : £ 42 .80Price: £33.00

T I P S D I F F E R E N T W A Y O F U S I N G W A T E R C O L O U R P E N C I L S

Using Watercolour Pencils Dry They can be used just like regular coloured pencils, drawn straight on to paper without the use of any water, and generally you would not know the difference between a watercolour pencil and a regular coloured pencil. The only difference is that the binder used in a watersoluble pencil can be dissolved in water and is not wax-based. When dry they can be easily blended with non watersoluble pencils.

Using Watercolour Pencils with a BrushThey can be drawn on dry and then worked over with a brush that has been dipped in clean water – you will see the colours applied to the paper become alive – the pigment appear a lot more luminous and vibrant as the grain of the pencil marks is replaced by the fluid colour that fills even the smallest of hollows of the paper being worked on. You can also drag your brush away from the marks that were initially made by the pencil to achieve more translucent and watery marks, and you can blend blocks of colour together, blurring the solid lines between shapes by literally dissolving them in water.

Applying colour dry to paper and then working over the top will require more foresight – you will need to think about what effects the water will have on the work you have made with the pencil. This way of working with watercolour pencils may be well suited to someone who has experience in drawing but wishes to move into watercolour painting techniques.

Dipping the Watercolour Pencil in waterFor the boldest possible marks with watercolour pencils, try dipping the pencil straight into water before drawing. The water breaks down the pigment and then crumbles on to the paper you are working on, allowing you to deposit the greatest possible amount of pigment and achieving bold, expressive marks. These can then be diluted or stained across the paper surface by dragging a brush over the top of them, however remember that watercolour pencil colour is surprisingly permanent and will not dilute in water once it has dried to the paper – this is because the watersoluble binder will have already been broken down by the water, and there will be nothing left to break down further.

Using Watercolour Pencils as a substitute to Watercolour PaintsThe finest watercolour pencils can be used just like watercolour pans. Lift colour from the lead of your watercolour pencil by dragging your brush dipped in water over the lead of the pencil until sufficient colour is loaded on to the brush, and then paint as normal.

Watercolour Pencils with other mediaOil painters and acrylic painters have been known to use watersoluble pencils to draw out a composition on to a canvas prior before starting to paint – this is a good idea as the pencil marks break down when they come into contact with solvents and water, and the interaction between pencil marks and paint when left to exist side by side can also be visually interesting.

1.5 MM SPACE

S E T S



S K E T C H I N GP E N S

O r d e r C o d e N i b S i z e C o l o u r £ R R P £ P r i c eG P L 0 5 0 . 0 5 B l a c k 2 . 3 5 2 . 0 0G P L1 0 0 . 1 0 B l a c k 2 . 3 5 2 . 0 0G P L 2 0 0 . 2 0 B l a c k 2 . 3 5 2 . 0 0G P L 3 0 0 . 3 0 B l a c k 2 . 3 5 2 . 0 0G P L 4 0 0 . 4 0 B l a c k 2 . 3 5 2 . 0 0

O r d e r C o d e N i b s i z e C o l o u r £ R R P £ P r i c eG F L1 4 1 B r u s h S e p i a 7. 7 2 7. 0 0G F L1 3 7 B r u s h G r e y 7. 7 2 7. 0 0G F L1 0 5 B r u s h L e m o n Ye l l o w 7. 7 2 7. 0 0G F L1 1 5 B r u s h O l i v e G r e e n 7. 7 2 7. 0 0G F L1 1 0 B r u s h S k y B l u e 7. 7 2 7. 0 0G F L1 1 7 B r u s h S t e e l B l u e 7. 7 2 7. 0 0G F L1 0 1 B r u s h B l a c k 7. 7 2 7. 0 0

Pentel Pigment Brush PenFeatures a sof t nylon brush tip that creates l ines of dif ferent widths . Superb for i l lustration work . Waterproof & l ight resistant . Includes 2 black pigment ink car tr idges .Code: GPP3RRP : £ 14.06Price: £12.70

4 x Pentel Ink Car tridgesSuitable for Pentel Brush Pen GPP 3.Code: GPP3RRRP : £ 5.93Price: £5.40

Aristo Geo College Pigment LinersFibre t ip with waterproof, l ight fast pigment ink . Great for drawing , sketching and writ ing .

Pentel Colour Brush Pens Nylon brush tip pen f i l led with water-based ink for translucent watercolour ef fects . Ref i l l car tr idges available on our website .

Uni Pin Sketching Pens High qualit y f ibre t ip, water-resistant and l ight fast pigment inks .

Stabilo Point 88 Sketching Pens High qualit y 0.4mm f ibre t ip, contains water-soluble ink , great for creating watercolour ef fects with a wet brush or on wet paper.

Pilot Drawing PensFibre t ip pen with water-resistant , fast dr ying pigment ink . Ideal for sketching or for use as a technical pen.

P E N S3MM SPACE

O r d e r C o d e N i b S i z e C o l o u r £ R R P £ P r i c eP I T T S B K S u p e r F i n e B l a c k 2 . 4 5 2 . 2 0P I T T S S P S u p e r F i n e S e p i a 2 . 4 5 2 . 2 0P I T T S S A S u p e r F i n e S a n g u i n e 2 . 4 5 2 . 2 0P I T T F B K F i n e B l a c k 2 . 4 5 2 . 2 0P I T T F S P F i n e S e p i a 2 . 4 5 2 . 2 0P I T T F S A F i n e S a n g u i n e 2 . 4 5 2 . 2 0P I T T M B K M e d i u m B l a c k 2 . 4 5 2 . 2 0P I T T M S P M e d i u m S e p i a 2 . 4 5 2 . 2 0P I T T M S A M e d i u m S a n g u i n e 2 . 4 5 2 . 2 0P I T T B B K B r u s h B l a c k 2 . 4 5 2 . 2 0P I T T B S P B r u s h S e p i a 2 . 4 5 2 . 2 0P I T T B S A B r u s h S a n g u i n e 2 . 4 5 2 . 2 0

Faber Castell Pitt Ar tists PensIndian ink , l ight fast & permanent . Tips : brush, medium, f ine and super-f ine . Colours : black , sepia and sanguine.

Faber Castell Ecco Pigment PensWith pigmented ink , waterproof and l ight fast . Ideal for writ ing , drawing and sketching .

O r d e r C o d e N i b S i z e m m C o l o u r £ R R P £ P r i c eG E F 1 0 . 1 B l a c k 2 . 6 0 2 . 2 0G E F 3 0 . 3 B l a c k 2 . 6 0 2 . 2 0G E F 5 0 . 5 B l a c k 2 . 6 0 2 . 2 0G E F 7 0 . 7 B l a c k 2 . 6 0 2 . 2 0

O r d e r C o d e N i b S i z e m m C o l o u r £ R R P £ P r i c eG U P I N 3 1 5 0 . 5 B l a c k 2 . 2 0 2 . 1 0G U P I N 3 0 0 0 . 1 B l a c k 2 . 2 0 2 . 1 0G U P I N 3 0 6 0 . 3 B l a c k 2 . 2 0 2 . 1 0G U P I N 3 0 9 0 . 5 B l a c k 2 . 2 0 2 . 1 0G U P I N 3 1 2 0 . 8 B l a c k 2 . 2 0 2 . 1 0

O r d e r C o d e N i b S i z e m m C o l o u r £ R R P £ P r i c eT C 8 8 4 6 0 . 4 B l a c k 1 . 3 1 1 . 2 0T C 8 8 4 5 0 . 4 B r o w n 1 . 3 1 1 . 2 0

O r d e r C o d e N i b S i z e C o l o u r £ R R P £ P r i c eG P I L O T B 1 0 . 1 B l a c k 3 . 3 2 2 . 9 0G P I L O T B 2 0 . 2 B l a c k 3 . 3 2 2 . 9 0G P I L O T B 3 0 . 3 B l a c k 3 . 3 2 2 . 9 0G P I L O T B 5 0 . 5 B l a c k 3 . 3 2 2 . 9 0G P I L O T B 8 0 . 8 B l a c k 3 . 3 2 2 . 9 0

Jackson's Black Indian InkCan be used for pen and ink drawing or call igraphy. Permanent and l ight fast . Dr ies to a water resistant f i lm.O r d e r C o d e S i z e £ R R P £ P r i c eJ K B 1 5 0 1 5 0 m l — 2 . 6 0J K B 3 0 0 3 0 0 m l — 3 . 5 0

Faber Castell Ecco Pigment Pen SetWith pigmented ink , waterproof and l ight fast . Contains 4 nib sizes : 0.1 , 0.3 , 0.5 and 0.7mm.Code: GEFSETRRP : £ 10.05Price: £8.80

C o d e C o l o u r £ R R P £ P r i c eG FA B G G r e y s 1 3 . 9 9 1 1 . 7 0G FA B T Te r r a 1 3 . 9 9 1 1 . 7 0G FA B B B a s i c 1 3 . 9 9 1 1 . 7 0G FA B L L a n d s c a p e 1 3 . 9 9 1 1 . 7 0

Faber Castell Pitt Ar tists Brush Pen SetsPigmented drawing ink , l ight fast and permanent . Sets of 6 brush pens in a range of colours . More info online .

C o d e C o l o u r £ R R P £ P r i c eP I T T S E T B K B l a c k 9 . 4 9 8 . 1 0P I T T S E T S P S e p i a 9 . 4 9 8 . 1 0P I T T S E T S A S a n g u i n e 9 . 4 9 8 . 1 0

Faber Castell Pitt Ar tists Pen SetsIndian ink , l ight fast and permanent . Each set of 4 contains one of each tip : brush, medium, f ine and super f ine .

Manuscript Dip Pen HolderHolds a var iet y of call igraphy and mapping nibs , available in natural wood or cork .Code: GCHVPrice: £1.80

Manuscript Drawing Nib - Style ICode: GCNIPrice: £0.80

Manuscript Drawing Nib - Style JCode: GCNJPrice: £0.65

Manuscript Drawing Nib - Style NCode: GCNNPrice: £0.60

Manuscript Drawing Nib - Style UCode: GCNUPrice: £0.60

Manuscript Mapping Nib - Style K ACode: GCNK APrice: £0.60

O r d e r C o d e N i b S i z e C o l o u r £ R R P £ P r i c eG S D R - 0 0 5 0 . 0 5 B l a c k 3 . 5 0 2 . 4 0G S D R - 0 1 0 . 1 B l a c k 3 . 5 0 2 . 4 0G S D R - 0 2 0 . 2 B l a c k 3 . 5 0 2 . 4 0G S D R - 0 3 0 . 3 B l a c k 3 . 5 0 2 . 4 0G S D R - 0 4 0 . 4 B l a c k 3 . 5 0 2 . 4 0G S D R - 0 5 0 . 5 B l a c k 3 . 5 0 2 . 4 0G S D R - 0 6 0 . 6 B l a c k 3 . 5 0 2 . 4 0G S D R - 0 7 0 . 7 B l a c k 3 . 5 0 2 . 4 0G S D R - 0 8 0 . 8 B l a c k 3 . 5 0 2 . 4 0

Staedtler Pigment Liner PensFineliner for writ ing , sketching and drawing . L ight fast and waterproof pigment ink .

O r d e r C o d e N i b S i z e C o l o u r £ R R P £ P r i c eG K 0 1 0 1 0 0 1 B l a c k 2 . 4 3 1 . 9 0G K 0 1 0 6 5 0 1 S e p i a 2 . 4 3 1 . 9 0G K 0 5 0 1 0 0 5 B l a c k 2 . 4 3 1 . 9 0G K 0 5 0 6 5 0 5 S e p i a 2 . 4 3 1 . 9 0G K F 0 1 0 F i n e B r u s h B l a c k 2 . 4 3 1 . 9 0G K F 0 6 5 F i n e B r u s h S e p i a 2 . 4 3 1 . 9 0G K M 0 1 0 M e d B r u s h B l a c k 2 . 4 3 1 . 9 0G K M 0 6 5 M e d B r u s h S e p i a 2 . 4 3 1 . 9 0

Zig Mangaka Drawing PensWater based pigment , l ight fast and smudge proof can be used with watercolour.

C o d e C o l o u r £ R R P £ P r i c eG K 3 V B K 3 x B l a c k 7. 2 6 5 . 7 0G K 3 V S P 3 x S e p i a 7. 2 6 5 . 7 0G K 0 1 5 V 5 x C o l o u r s 1 2 . 0 9 9 . 5 0

Zig Mangaka Drawing Pen SetsSets of 3 contain assor ted nib sizes . Set of 5 contains 0.1mm assor ted colours .


G R A P H I T EP E N C I L S

P E N C I L S

Koh-I-Noor Plastic 5.6mm Clutch PencilSpring loaded lead holder, takes any 3-5.6mm leads ( 1 included).Code: GK AC5347BKRRP : £ 4.50 Price: £ 3.30

Cretacolor Black Pastel PencilA water-soluble , high qualit y black pastel pencil .Code: GPPBLKRRP : £ 1 .60 Price: £1.40

Faber Castell 9000 Pencil SetSet of 12 pencils in a metal t in , includes grades 2H-8B.Code: GP9SETRRP : £ 14.95 Price: £12.80

O r d e r C o d e Ty p e £ R R P £ P r i c eG K X 4 8 6 5 2 B 2 B G r a p h i t e 3 . 4 0 2 . 4 0G K X 4 8 6 5 4 B 4 B G r a p h i t e 3 . 4 0 2 . 4 0G K X 4 8 6 5 6 B 6 B G r a p h i t e 3 . 4 0 2 . 4 0G K X 4 3 7 1 W h i t e 2 . 0 0 1 . 4 0G K X 4 3 7 3 S e p i a 2 . 2 0 1 . 6 0G K X 4 3 7 7 L i g h t B r o w n 3 . 5 0 2 . 5 0G K X 4 3 7 8 D a r k B r o w n 3 . 3 0 2 . 4 0G K X 4 8 6 9 S M i x e d 3 . 5 0 2 . 4 0

Koh-I-Noor 5.6mm Leads x 6Box of 6 leads , available in 3 grades of graphite and a range of dif ferent coloured chalks .

O r d e r C o d e Ty p e £ R R P £ P r i c eG C R 0 0 1 C h a r c o a l S o f t 1 . 0 5 0 . 9 0G C R 0 0 2 C h a r c o a l M e d . 1 . 0 5 0 . 9 0G C R 0 1 2 B l a c k C h a l k M e d . 1 . 0 5 0 . 9 0G C R 1 0 1 N e r o S o f t 1 . 0 5 0 . 9 0G C R 1 0 2 N e r o M e d i u m 1 . 0 5 0 . 9 0G C R 1 5 2 W h i t e C h a l k M e d . 1 . 0 5 0 . 9 0G C R 1 8 2 G r a p h i t e 2 B 1 . 0 5 0 . 9 0G C R 1 8 4 G r a p h i t e 4 B 1 . 0 5 0 . 9 0G C R 1 8 6 G r a p h i t e 6 B 1 . 0 5 0 . 9 0G C R 2 0 2 S a n g u i n e O i l M e d . 1 . 0 5 0 . 9 0G C R 2 1 2 S a n g u i n e D r y M e d . 1 . 0 5 0 . 9 0G C R 3 2 2 S e p i a L i g h t M e d . 1 . 0 5 0 . 9 0G C R 3 3 2 S e p i a D a r k M e d . 1 . 0 5 0 . 9 0

Cretacolor Wooden 5.6mm Clutch Pencil Spring loaded lead holder, takes up to 5 .6mm leads (not included).Code: GCG43012RRP : £9.95Price: £8.60

Cretacolor 5.6mm Leads Sold individually. Var ious leads including several grades of charcoal : graphite , sanguine, sepia and chalk .

O r d e r C o d e Ty p e £ R R P £ P r i c eG K 1 9 0 0 2 H 2 H 0 . 6 0 0 . 5 0G K 1 9 0 0 H H 0 . 6 0 0 . 5 0G K 1 9 0 0 F F 0 . 6 0 0 . 5 0G K 1 9 0 0 H B H B 0 . 6 0 0 . 5 0G K 1 9 0 0 B B 0 . 6 0 0 . 5 0G K 1 9 0 0 2 B 2 B 0 . 6 0 0 . 5 0G K 1 9 0 0 3 B 3 B 0 . 6 0 0 . 5 0G K 1 9 0 0 4 B 4 B 0 . 6 0 0 . 5 0G K 1 9 0 0 5 B 5 B 0 . 6 0 0 . 5 0G K 1 9 0 0 6 B 6 B 0 . 6 0 0 . 5 0G K 1 9 0 0 7 B 7 B 0 . 6 0 0 . 5 0G K 1 9 0 0 8 B 8 B 0 . 6 0 0 . 5 0

Koh-I-Noor Toison d'Or Graphite Pencils Graphite pencils for both ar tistic drawing and technical draf ting .

O r d e r C o d e Ty p e £ R R P £ P r i c eG P 9 8 B 8 B 1 . 1 0 0 . 9 5G P 9 7 B 7 B 1 . 1 0 0 . 9 5G P 9 6 B 6 B 1 . 1 0 0 . 9 5G P 9 5 B 5 B 1 . 1 0 0 . 9 5G P 9 4 B 4 B 1 . 1 0 0 . 9 5G P 9 3 B 3 B 1 . 1 0 0 . 9 5G P 9 2 B 2 B 1 . 1 0 0 . 9 5G P 9 B B 1 . 1 0 0 . 9 5G P 9 H B H B 1 . 1 0 0 . 9 5G P 9 F F 1 . 1 0 0 . 9 5G P 9 H H 1 . 1 0 0 . 9 5G P 9 2 H 2 H 1 . 1 0 0 . 9 5G P 9 3 H 3 H 1 . 1 0 0 . 9 5G P 9 4 H 4 H 1 . 1 0 0 . 9 5G P 9 5 H 5 H 1 . 1 0 0 . 9 5G P 9 6 H 6 H 1 . 1 0 0 . 9 5

Faber-Castell 9000 Graphite PencilsA unique SV bonding technique g ives unrivalled breaking resistance. Superior smooth graphite black lead pencils .

Cretacolor Fine Ar t Graphite PencilsAr tist pencils available in a full range of 20 lead grades .

O r d e r C o d e Ty p e £ R R P £ P r i c eG C 1 6 0 9 B 9 B 1 . 0 0 0 . 9 0G C 1 6 0 8 B 8 B 1 . 0 0 0 . 9 0G C 1 6 0 7 B 7 B 1 . 0 0 0 . 9 0G C 1 6 0 6 B 6 B 1 . 0 0 0 . 9 0G C 1 6 0 5 B 5 B 1 . 0 0 0 . 9 0G C 1 6 0 4 B 4 B 1 . 0 0 0 . 9 0G C 1 6 0 3 B 3 B 1 . 0 0 0 . 9 0G C 1 6 0 2 B 2 B 1 . 0 0 0 . 9 0G C 1 6 0 B B 1 . 0 0 0 . 9 0G C 1 6 0 H B H B 1 . 0 0 0 . 9 0G C 1 6 0 F F 1 . 0 0 0 . 9 0G C 1 6 0 H H 1 . 0 0 0 . 9 0G C 1 6 0 2 H 2 H 1 . 0 0 0 . 9 0G C 1 6 0 3 H 3 H 1 . 0 0 0 . 9 0G C 1 6 0 4 H 4 H 1 . 0 0 0 . 9 0G C 1 6 0 5 H 5 H 1 . 0 0 0 . 9 0G C 1 6 0 6 H 6 H 1 . 0 0 0 . 9 0G C 1 6 0 7 H 7 H 1 . 0 0 0 . 9 0G C 1 6 0 8 H 8 H 1 . 0 0 0 . 9 0G C 1 6 0 9 H 9 H 1 . 0 0 0 . 9 0

Faber-Castell 2mm Clutch PencilSpring loaded lead holder, takes any 2mm leads ( 1 included).Code: GP9400CRRP : £6.4 5Price: £5.60

Faber-Castell 2mm Graphite Leads x 12High qualit y graphite leads in a range of grades .

O r d e r C o d e Ty p e £ R R P £ P r i c eG 5 0 5 H B H B 1 . 6 7 1 . 6 0G 5 0 5 B B 1 . 6 7 1 . 6 0G 5 0 5 2 B 2 B 1 . 6 7 1 . 6 0G 5 0 5 4 B 4 B 1 . 6 7 1 . 6 0

Koh-I-Noor Woodless Graphite Pencils 7.6mm diameter pencil in a range of grades , including a 4B water-soluble "Aquarell" pencil .

O r d e r C o d e Ty p e £ R R P £ P r i c eG K 8 9 1 1 H B H B 1 . 0 0 0 . 8 0G K 8 9 1 1 2 B 2 B 1 . 0 0 0 . 8 0G K 8 9 1 1 4 B 4 B 1 . 0 0 0 . 8 0G K 8 9 1 1 6 B 6 B 1 . 0 0 0 . 8 0G K 8 9 1 1 8 B 8 B 1 . 0 0 0 . 8 0G K 8 9 1 2 A Q 4 B 4 B w a t e r - s o l u b l e 1 . 1 5 0 . 8 0

O r d e r C o d e Ty p e £ R R P £ P r i c eG K W 8 9 7 1 H B H B 1 . 4 0 0 . 9 5G K W 8 9 7 1 2 B 2 B 1 . 4 0 0 . 9 5G K W 8 9 7 1 4 B 4 B 1 . 4 0 0 . 9 5G K W 8 9 7 1 6 B 6 B 1 . 4 0 0 . 9 5

Koh-I-Noor Jumbo Woodless Graphite Pencils10mm diameter pencil for strong l ines and tonal areas .

Pentel 0.5mm Clutch PencilPresicion drawing pencil , takes any 0.5mm leads (6 included).Code: GXP205RRP : £6.82Price: £6.20

O r d e r C o d e Ty p e £ R R P £ P r i c eG 5 0 5 H B H B 1 . 6 7 1 . 6 0G 5 0 5 B B 1 . 6 7 1 . 6 0G 5 0 5 2 B 2 B 1 . 6 7 1 . 6 0G 5 0 5 4 B 4 B 1 . 6 7 1 . 6 0

Pentel 0.5mm Graphite Leads x 12

Cretacolor Monolith Woodless Graphite PencilsThick graphite leads with a protective coating . For producing both f ine and broad strokes .

O r d e r C o d e Ty p e £ R R P £ P r i c eG C R M 9 B 9 B 1 . 6 0 1 . 4 0G C R M 8 B 8 B 1 . 6 0 1 . 4 0G C R M 6 B 6 B 1 . 6 0 1 . 4 0G C R M 4 B 4 B 1 . 6 0 1 . 4 0G C R M 2 B 2 B 1 . 6 0 1 . 4 0G C R M H B H B 1 . 6 0 1 . 4 0GCMA4B 4 B w a t e r - s o l u b l e 1 . 6 0 1 . 4 0

A W E S O M E P R O D U C T


C H A R C O A L

Daler-Rowney Willow CharcoalCharcoal comes wrapped in t issue and boxed. S tick leng th is approximately 15cm.

Winsor & New ton Willow Charcoal Approx 12 pieces per pack assor ted has more as stick are shor ter.

Der went Charcoal SetContains 4 dif ferent forms of charcoal , pencils and compressed blocks to chunk y willow and f ine sticks , together with a paper stump. Code: GDAC675RRP : £ 10.99Price: £9.20

Nitram Fine Ar t CharcoalNitram Charcoal is an ar tist qualit y Canadian charcoal .

Cretacolor Round Compressed Charcoal Code: GCR49402RRP : £ 1 .00Price: £0.90

Cretacolor Square Compressed CharcoalCode: GCR40702RRP : £ 1 .70Price: £1.50

Nitram Baton Charcoal Drawing DeviceHolds the new Nitram Mignonet te , a thin 4mm charcoal stick . 20cm long . Includes 5 sticks .Code: GNTBATRRP : £ 24.95Price: £23.10

Cretacolor Charcoal Pencils Ar tists' charcoal pencils of the highest qualit y. Available in hard, medium and sof t .

Cretacolor Nero PencilOil based and water resistant pencil which g ives an intense smudge proof mark . Available in 5 grades .

Conte à Paris Compressed CharcoalA natural charcoal form that is more compact and easier to handle . Diameter 8mm / Leng th 95mm.

O r d e r C o d e Ty p e £ R R P £ P r i c eG C N 0 1 E x t r a S o f t 1 . 6 0 1 . 4 0G C N 0 2 S o f t 1 . 6 0 1 . 4 0G C N 0 3 M e d i u m 1 . 6 0 1 . 4 0G C N 0 4 H a r d 1 . 6 0 1 . 4 0G C N 0 5 E x t r a H a r d 1 . 6 0 1 . 4 0

O r d e r C o d e Ty p e £ R R P £ P r i c eG C T C C 4 B 4 B 1 . 2 5 1 . 0 0G C T C C 3 B 3 B 1 . 2 5 1 . 0 0G C T C C 2 B 2 B 1 . 2 5 1 . 0 0G C T C C H B H B 1 . 2 5 1 . 0 0G C T C C B B 1 . 2 5 1 . 0 0

O r d e r C o d e S t i c k s S i z e m m £ R R P £ P r i c eG N T B AT R 7 4 S o f t 9 . 9 5 9 . 2 0G N T 8 0 7 1 7 1 5 5 S o f t 7. 9 6 7. 4 0G N T 8 0 7 1 7 2 5 5 M e d i u m 7. 9 6 7. 4 0G N T 8 0 7 1 7 3 5 5 H a r d 7. 9 6 7. 4 0G N T 7 0 0 3 0 0 5 6 S o f t 8 . 9 5 8 . 3 0G N T 7 0 0 3 0 1 5 8 S o f t 9 . 9 5 9 . 2 0G N T 7 0 0 3 0 2 5 1 2 S o f t 1 0 . 9 6 1 0 . 2 0G N T 7 0 0 3 0 3 1 4 0 S o f t 1 4 . 9 5 1 3 . 8 0G N T 7 0 0 3 0 4 1 2 5 S o f t 1 0 . 9 6 1 0 . 2 0G N T 7 0 0 3 0 5 1 4 6 x 1 5 S o f t 1 3 . 9 6 1 2 . 9 0

O r d e r C o d e S t i c k s S i z e £ R R P £ P r i c eG W C T 1 5 T h i n 4 . 9 6 4 . 5 0G D C M 1 5 1 5 M e d i u m 6 . 2 5 5 . 7 0G D C M 2 5 2 5 M e d i u m 8 . 9 5 8 . 1 0G W C M 5 T h i c k 3 . 7 6 3 . 4 0G W C C H 1 C h u n k y 3 . 7 6 3 . 4 0G W C A 1 0 A s s o r t e d 4 . 6 6 4 . 2 0

O r d e r C o d e S t i c k s S i z e £ R R P £ P r i c eG W 5 1 7 5 1 2 A s s o r t e d 5 . 2 5 4 . 5 0G W 5 1 74 1 2 T h i c k 5 . 8 5 4 . 9 0G W 5 1 7 3 1 2 M e d i u m 4 . 8 5 4 . 1 0G W 5 1 7 2 1 2 T h i n 4 . 5 0 3 . 8 0

O r d e r C o d e Ty p e £ R R P £ P r i c eG C P H H 1 . 6 0 1 . 4 0G C P M M 1 . 6 0 1 . 4 0G C P S S 1 . 6 0 1 . 4 0

Coates Natural CharcoalCoates have been making charcoal in the traditional manner since 18 19. The intense blackness of natural wil low charcoal makes it a per fect drawing tool . S ticks are approx . 15cm long .

O r d e r C o d e S t i c k s S i z e m m £ R R P £ P r i c eG N C R T 1 1 6 -2 4 2 . 0 5 1 . 6 0G N C E T 4 1 2 - 1 4 3 . 9 0 3 . 1 0G N C S C 1 2 8 - 1 2 5 . 1 0 4 . 0 0G N C T H 1 2 7- 9 3 . 6 0 2 . 8 0G N C M E 2 5 4 - 6 3 . 7 0 2 . 9 0G N C T N 2 5 2 - 3 3 . 3 5 2 . 6 0

Conte à Paris Charcoal PencilsAvailable H – 2B. S trong break resistant leads . Per fect for quick sketches .

O r d e r C o d e Ty p e £ R R P £ P r i c eG C T C H 2 B 2 B 1 . 3 5 1 . 1 0G C T C H B B 1 . 3 5 1 . 1 0G C T C H H B H B 1 . 3 5 1 . 1 0G C T C H H H 1 . 3 5 1 . 1 0

Faber-Castell Pitt Charcoal Pencils Available in sof t , medium and hard, encased in wood keeping drawing process cleaner.

O r d e r C o d e Ty p e £ R R P £ P r i c eG F C H H 1 . 6 0 1 . 5 0G F C M M 1 . 6 0 1 . 5 0G F C S S 1 . 6 0 1 . 5 0

General Pencil Company Charcoal Wrap Pencils To use simply pull gently on the small str ing , peeling back the paper to expose more charcoal .

O r d e r C o d e Ty p e £ R R P £ P r i c eG G P 5 5 7- 4 B 4 B 1 . 9 5 1 . 8 0G G P 5 5 7-2 B 2 B 1 . 9 5 1 . 8 0G G P 5 5 7- H B H B 1 . 9 5 1 . 8 0

Wolf f 's Carbon PencilsCarbon pencils g ive a blacker mark than graphite but do not smudge as much as charcoal .

O r d e r C o d e Ty p e £ R R P £ P r i c e2 0 2 7 6 B 6 B 1 . 2 5 1 . 2 02 0 2 74 B 4 B 1 . 2 5 1 . 2 02 0 2 7 2 B 2 B 1 . 2 5 1 . 2 02 0 2 7 B B 1 . 2 5 1 . 2 0

Jakar Compressed Charcoal SetsNon-toxic top qualit y compressed charcoal sets in assor ted greys or black .

O r d e r C o d e S t i c k s C o l o u r £ R R P £ P r i c eT 7 6 2 3 1 2 G r e y s 4 . 0 0 3 . 6 0T 7 6 2 2 1 2 B l a c k 4 . 0 0 3 . 6 0

Cretacolor Black Box Charcoal Set Includes 3 x charcoal pencils , 3 x Nero Pencils , 2 x Monolith Graphite (6B, 9B), 3 x compressed charcoal 2 x natural charcoal , eraser, blending stick .Code: GCR40030RRP : £ 27.95Price: £24.00

C H A R C O A L


W A T E R C O L O U R A R T I S T I N T E R V I E W S M Y F A V O U R I T E W A T E R C O L O U R

Get a room full of artists together to discuss their favourite paintings and soon enough you’re likely to have a lively discussion on your hands! We asked a handful of our favourite watercolour painters to choose their favourite works, be it from their own collection or from someone else’s. Here’s how they responded.

W A T E R C O L O U R A R T I S T S

Simon FletcherIn the winter of 2004 I went for a month to Oman and had the good fortune to be invited to exhibit there and was sponsored by the Royal Family. Because I had travelled there to paint I set about making new works for the exhibition at the British Embassy. This is one of them.It is fairly typical of my work from this period which combines careful brush drawing with a loose and often very wet technique. I was also at the time experimenting with a wider palette and making increasing use of the newer pigments coming onto the market (including the Jackson's large tubes of watercolour) and I particularly like the cubist quality of some of the architecture and the 'Arabian nights' feel of the towers and domes. www.simonfletcher.org

David HowellI’ve spent a lot of time during my career looking at watercolour paintings and being asked to pick just one as a favourite is a daunting task. After much thought I found myself drawn towards painters that tackle subjects that are unusual and that at the time struck me as being wonderful examples of watercolour painting at its best. One such example of this would be Trevor Chamberlain's painting of a large tanker in dry dock at Falmouth. Trevor is very much a plein air painter and to a) identify this as a subject and then b) actually sit there and paint it requires a special talent. I love the way that the complexities of deck equipment and fittings, dockside cranes and clutter have been simplified and the way the late afternoon light is bouncing off the hull. www.davidhowell.co.uk

Ann BlockleyIt is difficult to pick out favourites but one watercolour that has a lot of meaning for me is one called ‘Teasels by the water’. I walk past this subject regularly watching it change throughout the year. The river winds through a tangle of willows and different plants take turn to grow beside the water. In this interpretation I let watercolour and inks flow on the paper, echoing the movements of the river itself. I made different textures with ink and paint to recreate the jumbled tangles of the undergrowth which contrasted the dazzle of the water. www.annblockley.com

Heading Home, SnargateDavid Howellwatercolour on paper

Teasles by the PondA nn Blockleywatercolour on paper

Muscat For t and MosquesSimon F letcherwatercolour on paper

Falmouth Dr y DockTrevor Chamber la iwatercolour on paper


W A T E R C O L O U R A R T I S T S

Anna Mason'My favourite painter is Gabby Malpas. Gabby lives in Australia and describes herself as a 'transracial, Asian adoptee' whose work combines elements from Asian scroll paintings as well as Flemish still lives to create paintings she considers "exotic but also familiar." Gabby's choice of subject matter (flowers, fruit, butterflies and birds) is so similar to my own and, although her painting is in a looser style than mine, it's rich with the kind of detail I really enjoy seeing. And crucially, for me, Gabby achieves the kind of clean, vibrant colours I so enjoy working with myself, and are the main reason I love the medium. www.annamasonart.com

Billy ShowellI recently painted a section of my flower bed and called it 'South Facing Wall', this painting has inspired me to create more in a similar vein. The flowers were enlarged by 1.5 of the natural size of the flower and the painting is approximately 1m x 1m. I really enjoyed capturing the patterns of highlight and shadow and creating a composition that represents the randomness of a rose bed; you never know how many will bloom or if the weather will be kind and help you create a balance of leaf bloom and bud. www.billyshowell.com

Jean HainesMy favourite watercolour is always the one I am currently working on. Although I look back at paintings that have sold over the years and particular cockerels that won awards, along with a portrait of a child that looks so wistful, are still very dear to me. As is the dog I painted for an art feature that was sold and now hangs in a home in Africa. My paintings now seem to be far and wide globally. I travel regularly for workshops and book signing events in Australia, Europe and USA. I have just returned from a tour and the colours I saw were incredible. These are flowing into my new gallery collection. I love movement, vibrant colour and high energy pieces. I use a variety of watercolour products to gain the best effect, but each has to be high quality as I expect a high performance level from them. Right now my favourite colour is Cascade Green by Daniel Smith. Maybe green is my lucky colour but it seems to always add life to my paintings, in particular my horse racing scenes. My new favourite is 'Winning Chance' because of the light, speed and movement captured in the scene. Will this be a winning painting? It stands a chance! www.jeanhaines.com

HummingbirdA nna Ma sonwatercolour on paper

Sydney winter f lowersGabby Malpa swatercolour, col la ge and pencil on A rches paper (c) Dig it a l Ma sters Austra la sia

Winning ChanceJean Haineswatercolour on paper

South Facing WallBil ly Showellwatercolour on paper

S U R F A C E

Great quality paint deserves the best surface possible - especially when it's the backdrop to a medium as delicate as watercolour. There's a huge range of supports out there that covers the requirements of every kind of painter, and we're happy to stock most of them. Rough textured hand - made papers will stretch your range of expression while the smoothest Bristol boards are best for fine detail. Aluminium panels provide a strikingly modern look and innovative grounds can help turn any surface into a masterpiece – these are just a few of examples of what we offer. We think papers, panels and canvases are every bit as inspiring as the paints that are placed on them. After all, what could have more potential than the blank page?

C O N T E N T SPaper

Blocks

56–64

65–66

Pads

Cartridge Pads

67–69

70–73


W A T E R C O L O U R P A P E R

O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP P S 1 4 0 N S i n g l e 4 . 0 6 3 . 3 0P P S 1 4 0 N 5 5 S h e e t s 2 0 . 3 1 1 6 . 3 0P P S 1 4 0 N 1 0 1 0 S h e e t s 4 0 . 6 2 3 2 . 0 0P P S 1 4 0 N 2 0 2 0 S h e e t s 8 1 . 2 4 6 0 . 0 0

O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP P S 2 0 0 N S i n g l e 5 . 9 3 4 . 8 0P P S 2 0 0 N 5 5 S h e e t s 2 9 . 6 5 2 4 . 0 0P P S 2 0 0 N 1 0 1 0 S h e e t s 5 9 . 3 0 4 6 . 0 0P P S 2 0 0 N 2 0 2 0 S h e e t s 1 1 8 . 6 1 8 8 . 0 0

O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP P S 3 0 0 N S i n g l e 8 . 7 2 7. 3 0P P S 3 0 0 N 5 5 S h e e t s 4 3 . 6 1 3 6 . 0 0P P S 3 0 0 N 1 0 1 0 S h e e t s 8 7. 2 2 6 8 . 0 0P P S 3 0 0 N 2 0 2 0 S h e e t s 1 74 . 4 3 1 3 5 . 0 0

O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP P S 1 4 0 R S i n g l e 4 . 0 6 3 . 3 0P P S 1 4 0 R 5 5 S h e e t s 2 0 . 3 1 1 6 . 3 0P P S 1 4 0 R 1 0 1 0 S h e e t s 4 0 . 6 2 3 2 . 0 0P P S 1 4 0 R 2 0 2 0 S h e e t s 8 1 . 2 4 6 0 . 0 0

O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP P S 2 0 0 R S i n g l e 5 . 9 3 4 . 8 0P P S 2 0 0 R 5 5 S h e e t s 2 9 . 6 5 2 4 . 0 0P P S 2 0 0 R 1 0 1 0 S h e e t s 5 9 . 3 0 4 6 . 0 0P P S 2 0 0 R 2 0 2 0 S h e e t s 1 1 8 . 6 1 8 8 . 0 0

O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP P S 3 0 0 R S i n g l e 8 . 7 2 7. 3 0P P S 3 0 0 R 5 5 S h e e t s 4 3 . 6 1 3 6 . 0 0P P S 3 0 0 R 1 0 1 0 S h e e t s 8 7. 2 2 6 8 . 0 0P P S 3 0 0 R 2 0 2 0 S h e e t s 1 74 . 4 3 1 3 5 . 0 0

O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP P S 1 4 0 H P S i n g l e 4 . 0 6 3 . 3 0P P S 1 4 0 H P 5 5 S h e e t s 2 0 . 3 1 1 6 . 3 0P P S 1 4 0 H P 1 0 1 0 S h e e t s 4 0 . 6 2 3 2 . 0 0P P S 1 4 0 H P 2 0 2 0 S h e e t s 8 1 . 2 4 6 0 . 0 0

O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP P S 2 0 0 H P S i n g l e 5 . 9 3 4 . 8 0P P S 2 0 0 H P 5 5 S h e e t s 2 9 . 6 5 2 4 . 0 0P P S 2 0 0 H P 1 0 1 0 S h e e t s 5 9 . 3 0 4 6 . 0 0P P S 2 0 0 H P 2 0 2 0 S h e e t s 1 1 8 . 6 1 8 8 . 0 0

O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP P S 3 0 0 H P S i n g l e 8 . 7 2 7. 3 0P P S 3 0 0 H P 5 5 S h e e t s 4 3 . 6 1 3 6 . 0 0P P S 3 0 0 H P 1 0 1 0 S h e e t s 8 7. 2 2 6 8 . 0 0P P S 3 0 0 H P 2 0 2 0 S h e e t s 1 74 . 4 3 1 3 5 . 0 0

N O T 1 4 0 L B / 3 0 0 G S M

S A U N D E R S W A T E R F O R D W A T E R C O L O U R P A P E R

R O U G H 1 4 0 L B / 3 0 0 G S M

Saunders Waterford is a very popular paper at Jackson s Art Supplies.It is regarded by professionals as one of the best watercolour papers available on the market internationally today. It is a natural beige colour, 100% archival, and a particularly lovely surface on which to create traditional looking watercolour paintings on.

H O T P R E S S 1 4 0 L B / 3 0 0 G S M

N O T 2 0 0 L B / 4 2 5 G S M R O U G H 2 0 0 L B / 4 2 5 G S M H O T P R E S S 2 0 0 L B / 4 2 5 G S M


O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP P S X 1 4 0 N S i n g l e 4 . 0 6 3 . 3 0P P S X 1 4 0 N 5 5 S h e e t s 2 0 . 3 1 1 6 . 3 0P P S X 1 4 0 N 1 0 1 0 S h e e t s 4 0 . 6 2 3 2 . 0 0P P S X 1 4 0 N 2 0 2 0 S h e e t s 8 1 . 2 4 6 0 . 0 0

O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP P S X 2 0 0 N S i n g l e 5 . 9 3 4 . 8 0P P S X 2 0 0 N 5 5 S h e e t s 2 9 . 6 5 2 4 . 0 0P P S X 2 0 0 N 1 0 1 0 S h e e t s 5 9 . 3 0 4 6 . 0 0P P S X 2 0 0 N 2 0 2 0 S h e e t s 1 1 8 . 6 1 8 8 . 0 0

O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP P S X 3 0 0 N S i n g l e 8 . 7 2 7. 1 0P P S X 3 0 0 N 5 5 S h e e t s 4 3 . 6 1 3 5 . 0 0P P S X 3 0 0 N 1 0 1 0 S h e e t s 8 7. 2 2 6 8 . 0 0P P S X 3 0 0 N 2 0 2 0 S h e e t s 1 74 . 4 3 1 2 9 . 0 0

O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP P S X 1 4 0 R S i n g l e 4 . 0 6 3 . 3 0P P S X 1 4 0 R 5 5 S h e e t s 2 0 . 3 1 1 6 . 3 0P P S X 1 4 0 R 1 0 1 0 S h e e t s 4 0 . 6 2 3 2 . 0 0P P S X 1 4 0 R 2 0 2 0 S h e e t s 8 1 . 2 4 6 0 . 0 0

O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP P S X 2 0 0 R S i n g l e 5 . 9 3 4 . 8 0P P S X 2 0 0 R 5 5 S h e e t s 2 9 . 6 5 2 4 . 0 0P P S X 2 0 0 R 1 0 1 0 S h e e t s 5 9 . 3 0 4 6 . 0 0P P S X 2 0 0 R 2 0 2 0 S h e e t s 1 1 8 . 6 1 8 8 . 0 0

O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP P S X 3 0 0 R S i n g l e 8 . 7 2 7. 1 0P P S X 3 0 0 R 5 5 S h e e t s 4 3 . 6 1 3 5 . 0 0P P S X 3 0 0 R 1 0 1 0 S h e e t s 8 7. 2 2 6 8 . 0 0P P S X 3 0 0 R 2 0 2 0 S h e e t s 1 74 . 4 3 1 2 9 . 0 0

O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP P S X 1 4 0 H P S i n g l e 4 . 0 6 3 . 3 0P P S X 1 4 0 H P 5 5 S h e e t s 2 0 . 3 1 1 6 . 3 0P P S X 1 4 0 H P 1 0 1 0 S h e e t s 4 0 . 6 2 3 2 . 0 0P P S X 1 4 0 H P 2 0 2 0 S h e e t s 8 1 . 2 4 6 0 . 0 0

O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP P S X 2 0 0 H P S i n g l e 5 . 9 3 4 . 8 0P P S X 2 0 0 H P 5 5 S h e e t s 2 9 . 6 5 2 4 . 0 0P P S X 2 0 0 H P 1 0 1 0 S h e e t s 5 9 . 3 0 4 6 . 0 0P P S X 2 0 0 H P 2 0 2 0 S h e e t s 1 1 8 . 6 1 8 8 . 0 0

O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP P S X 3 0 0 H P S i n g l e 8 . 7 2 7. 1 0P P S X 3 0 0 H P 5 5 S h e e t s 4 3 . 6 1 3 5 . 0 0P P S X 3 0 0 H P 1 0 1 0 S h e e t s 8 7. 2 2 6 8 . 0 0P P S X 3 0 0 H P 2 0 2 0 S h e e t s 1 74 . 4 3 1 2 9 . 0 0

N O T 1 4 0 L B / 3 0 0 G S M R O U G H 1 4 0 L B / 3 0 0 G S M

H I G H W H I T E S H E E T S 2 2 X 3 0 I N

H O T P R E S S 1 4 0 L B / 3 0 0 G S M



3 MM SPACE

W H I T E S H E E T S 2 2 X 3 0 I N

N O T EPaper CuttingWe can cut your watercolour loose sheets in quar ter or ha l f on request with no addit ional cost .



O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP FA 1 4 0 N S i n g l e 3 . 6 5 3 . 3 0P FA 1 4 0 N 5 5 S h e e t s 1 8 . 2 6 1 5 . 6 0P FA 1 4 0 N 1 0 1 0 S h e e t s 3 6 . 5 2 3 1 . 0 0P FA 1 4 0 N 2 0 2 0 S h e e t s 7 3 . 0 3 5 7. 0 0

O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP FA 3 0 0 N S i n g l e 8 . 0 7 7. 2 0P FA 3 0 0 N 5 5 S h e e t s 4 0 . 3 6 3 4 . 0 0P FA 3 0 0 N 1 0 1 0 S h e e t s 8 0 . 7 2 6 7. 0 0P FA 3 0 0 N 2 0 2 0 S h e e t s 1 6 1 . 4 5 1 2 4 . 0 0

O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP FA 1 4 0 R S i n g l e 3 . 6 5 3 . 3 0P FA 1 4 0 R 5 5 S h e e t s 1 8 . 2 6 1 5 . 6 0P FA 1 4 0 R 1 0 1 0 S h e e t s 3 6 . 5 2 3 1 . 0 0P FA 1 4 0 R 2 0 2 0 S h e e t s 7 3 . 0 3 5 7. 0 0

O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP FA 3 0 0 R S i n g l e 8 . 0 7 7. 2 0P FA 3 0 0 R 5 5 S h e e t s 4 0 . 3 6 3 4 . 0 0P FA 3 0 0 R 1 0 1 0 S h e e t s 8 0 . 7 2 6 7. 0 0P FA 3 0 0 R 2 0 2 0 S h e e t s 1 6 1 . 4 5 1 2 4 . 0 0

O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP FA 1 4 0 H P S i n g l e 3 . 6 5 3 . 3 0P FA 1 4 0 H P 5 5 S h e e t s 1 8 . 2 6 1 5 . 6 0P FA 1 4 0 H P 1 0 1 0 S h e e t s 3 6 . 5 2 3 1 . 0 0P FA 1 4 0 H P 2 0 2 0 S h e e t s 7 3 . 0 3 5 7. 0 0

O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP FA 3 0 0 H P S i n g l e 8 . 0 7 7. 2 0P FA 3 0 0 H P 5 5 S h e e t s 4 0 . 3 6 3 4 . 0 0P FA 3 0 0 H P 1 0 1 0 S h e e t s 8 0 . 7 2 6 7. 0 0P FA 3 0 0 H P 2 0 2 0 S h e e t s 1 6 1 . 4 5 1 2 4 . 0 0

N O T 1 4 0 L B / 3 0 0 G S M

F A B R I A N O A R T I S T I C O W A T E R C O L O U R P A P E R

R O U G H 1 4 0 L B / 3 0 0 G S M

Fabriano Artistico paper is considered by many to be one of the finest watercolour papers manufactured in the world today. This Italian paper is both internally and externally sized and it made from 100% cotton fibres. No optical bleaches are used in manufacture and each sheet possesses an attractive watermark. One artist remarked online that it was "Very beautiful paper and fairly priced".

H O T P R E S S 1 4 0 L B / 3 0 0 G S M


O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP FA X 1 4 0 N S i n g l e 3 . 6 5 3 . 3 0P FA X 1 4 0 N 5 5 S h e e t s 1 8 . 2 6 1 5 . 6 0P FA X 1 4 0 N 1 0 1 0 S h e e t s 3 6 . 5 2 3 1 . 0 0P FA X 1 4 0 N 2 0 2 0 S h e e t s 7 3 . 0 3 5 7. 0 0

O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP FA X 1 4 0 R S i n g l e 3 . 6 5 3 . 3 0P FA X 1 4 0 R 5 5 S h e e t s 1 8 . 2 6 1 5 . 6 0P FA X 1 4 0 R 1 0 1 0 S h e e t s 3 6 . 5 2 3 1 . 0 0P FA X 1 4 0 R 2 0 2 0 S h e e t s 7 3 . 0 3 5 7. 0 0

O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP FA X 1 4 0 H P S i n g l e 3 . 6 5 3 . 3 0P FA X 1 4 0 H P 5 5 S h e e t s 1 8 . 2 6 1 5 . 6 0P FA X 1 4 0 H P 1 0 1 0 S h e e t s 3 6 . 5 2 3 1 . 0 0P FA X 1 4 0 H P 2 0 2 0 S h e e t s 7 3 . 0 3 5 7. 0 0

O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP FA X 3 0 0 H P S i n g l e 8 . 0 7 7. 2 0P FA X 3 0 0 H P 5 5 S h e e t s 4 0 . 3 6 3 4 . 0 0P FA X 3 0 0 H P 1 0 1 0 S h e e t s 8 0 . 7 2 6 7. 0 0P FA X 3 0 0 H P 2 0 2 0 S h e e t s 1 6 1 . 4 5 1 2 4 . 0 0

N O T 1 4 0 L B / 3 0 0 G S M R O U G H 1 4 0 L B / 3 0 0 G S M

E X T R A W H I T E S H E E T S 2 2 X 3 0 I N

H O T P R E S S 1 4 0 L B / 3 0 0 G S M

H O T P R E S S 3 0 0 L B / 6 4 0 G S M

T R A D I T I O N A L S H E E T S 2 2 X 3 0 I N

V E R Y B E A U T I F U L P A P E R A N D

F A I R L Y P R I C E D


'Beautiful paper with probably the smoothest surface of any HP paper on the market and just what I need for my style of watercolour painting. I use this and Fabriano Extra White as well.'

'Nice paper, nice colour, fairly resistant to punishment.'

'This paper is perfect for my flower painting. I would not use anything else.'

'Brilliant to be able to purchase sheets of this which is so often recommended by classes as being the best. I love the smoothness of it & am amazed at being able to purchase it at this price. If anyone wants to try Hot Press Paper this is definitely the one to go for.'

'Wonderful paper for botanical work, my favourite of all.'

'Great paper for coloured pencil work.'

'I use for ink drawings and this paper is excellent for what I want to achieve.'

'Great paper, I have used this before but the Jacksons price made it much more attractive.'



O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP T R A 1 4 0 N S i n g l e - 3 . 9 0P T R A 1 4 0 N 5 5 S h e e t s - 1 8 . 3 0P T R A 1 4 0 N 1 0 1 0 S h e e t s - 3 5 . 0 0P T R A 1 4 0 N 2 0 2 0 S h e e t s - 6 0 . 0 0

O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP T R 1 4 0 N S i n g l e - 8 . 2 0P T R 1 4 0 N 5 5 S h e e t s - 3 9 . 0 0P T R 1 4 0 N 1 0 1 0 S h e e t s - 74 . 0 0P T R 1 4 0 N 2 0 2 0 S h e e t s - 1 4 2 . 0 0


O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP T R 2 0 0 N S i n g l e - 9 . 2 0P T R 2 0 0 N 5 5 S h e e t s - 4 4 . 0 0P T R 2 0 0 N 1 0 1 0 S h e e t s - 8 2 . 0 0P T R 2 0 0 N 2 0 2 0 S h e e t s - 1 5 9 . 0 0


O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP T R 3 0 0 N S i n g l e - 1 0 . 1 0P T R 3 0 0 N 5 5 S h e e t s - 4 8 . 0 0P T R 3 0 0 N 1 0 1 0 S h e e t s - 9 1 . 0 0P T R 3 0 0 N 2 0 2 0 S h e e t s - 1 7 6 . 0 0

N O T 1 4 0 L B / 3 0 0 G S M N O T 1 4 0 L B / 3 0 0 G S M



J A C K S O N ' S T W O R I V E R S W A T E R C O L O U R P A P E R

A conservation quality paper made with 100% cotton and linen rag and very hard sized. The linen strengthens the paper, allowing for a greater degree of scrubbing and re-working without visible damage. The hard size prevents the paint from being drawn into the paper's fibres. Colour sits on the surface, drying to a sharp and brilliant finish. The paper is made at the Two Rivers Paper Mill in Somerset, an environmentally friendly, hydro-powered, 400 year old mill. Both sides of the paper have the same random texture, created by the very traditional production methods. The paper is ideal for watercolour, pastels, oils, printmaking, photographic processes and mixed media.

S H E E T S 1 6 X 2 0 I N S H E E T S 2 2 X 3 0 I N

O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP PA 1 4 0 N S i n g l e 6 . 2 2 5 . 4 0P PA 1 4 0 N 5 5 S h e e t s 3 1 . 1 0 2 4 . 5 0P PA 1 4 0 N 1 0 1 0 S h e e t s 6 2 . 2 0 4 7. 0 0P PA 1 4 0 N 2 0 2 0 S h e e t s 1 2 4 . 3 9 9 2 . 0 0

O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP PA 3 0 0 N S i n g l e 1 2 . 7 2 1 0 . 7 0P PA 3 0 0 N 5 5 S h e e t s 6 3 . 6 0 4 9 . 0 0P PA 3 0 0 N 1 0 1 0 S h e e t s 1 2 7. 2 0 9 5 . 0 0P PA 3 0 0 N 2 0 2 0 S h e e t s 2 5 4 . 4 0 1 8 4 . 0 0

O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP PA 4 0 0 N S i n g l e 1 6 . 6 8 1 4 . 1 0P PA 4 0 0 N 5 5 S h e e t s 8 3 . 3 9 6 4 . 0 0P PA 4 0 0 N 1 0 1 0 S h e e t s 1 6 6 . 7 8 1 2 5 . 0 0P PA 4 0 0 N 2 0 2 0 S h e e t s 3 3 3 . 5 5 2 3 8 . 0 0

O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP PA 3 0 0 H P S i n g l e 1 2 . 3 5 1 0 . 4 0P PA 3 0 0 H P 5 5 S h e e t s 6 1 . 7 5 4 8 . 0 0P PA 3 0 0 H P 1 0 1 0 S h e e t s 1 2 3 . 4 9 9 2 . 0 0P PA 3 0 0 H P 2 0 2 0 S h e e t s 2 4 6 . 9 8 1 7 8 . 0 0

O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP PA 3 0 0 R S i n g l e 1 2 . 7 2 1 0 . 7 0P PA 3 0 0 R 5 5 S h e e t s 6 3 . 6 0 4 9 . 0 0P PA 3 0 0 R 1 0 1 0 S h e e t s 1 2 7. 2 0 9 5 . 0 0P PA 3 0 0 R 2 0 2 0 S h e e t s 2 5 4 . 4 0 1 8 4 . 0 0

O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP PA 4 0 0 R S i n g l e 1 6 . 6 8 1 4 . 1 0P PA 4 0 0 R 5 5 S h e e t s 8 3 . 3 9 6 4 . 0 0P PA 4 0 0 R 1 0 1 0 S h e e t s 1 6 6 . 7 8 1 2 5 . 0 0P PA 4 0 0 R 2 0 2 0 S h e e t s 3 3 3 . 5 5 2 3 8 . 0 0

O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP PA 1 4 0 H P S i n g l e 6 . 2 2 5 . 4 0P PA 1 4 0 H P 5 5 S h e e t s 3 1 . 1 0 2 4 . 5 0P PA 1 4 0 H P 1 0 1 0 S h e e t s 6 2 . 2 0 4 7. 0 0P PA 1 4 0 H P 2 0 2 0 S h e e t s 1 2 4 . 3 9 9 2 . 0 0

O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP PA 1 4 0 R S i n g l e 6 . 2 2 5 . 4 0P PA 1 4 0 R 5 5 S h e e t s 3 1 . 1 0 2 4 . 5 0P PA 1 4 0 R 1 0 1 0 S h e e t s 6 2 . 2 0 4 7. 0 0P PA 1 4 0 R 2 0 2 0 S h e e t s 1 2 4 . 3 9 9 2 . 0 0

Everything about Arches paper is impressive. It has been in production since the 15th century, and the surfaces are a treat to work on, be it the hot pressed for botanical studies, the Not for characterful portraits, or the rough for rugged landscape. The sheets have 4 deckled edges, and a beautiful watermark. Arches Aquarelle paper is an investment, a higher priced paper but the rewards reaped are significant.

N O T 1 4 0 L B / 3 0 0 G S M

N O T 3 0 0 L B / 6 4 0 G S M

N O T 4 0 0 L B / 8 5 0 G S M

H O T P R E S S 3 0 0 L B / 6 4 0 G S MR O U G H 3 0 0 L B / 6 4 0 G S M

R O U G H 4 0 0 L B / 8 5 0 G S M

H O T P R E S S 1 4 0 L B / 3 0 0 G S MR O U G H 1 4 0 L B / 3 0 0 G S M

A R C H E S A Q U A R E L L E W A T E R C O L O U R P A P E R

S H E E T S 2 2 X 3 0 I N




P R E - C U T S H E E T P A C K S

O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP J 1 4 0 S M 5 H 1 0 x 1 / 2 S h e e t s - 9 . 5 0P J 1 4 0 S M 5 Q 2 0 x 1 / 4 S h e e t s - 9 . 0 0P J 1 4 0 S M 1 0 H 2 0 x 1 / 2 S h e e t s - 1 6 . 2 0P J 1 4 0 S M 1 0 Q 4 0 x 1 / 4 S h e e t s - 1 6 . 4 0P J 1 4 0 S M 2 0 H 4 0 x 1 / 2 S h e e t s - 2 7. 0 0P J 1 4 0 S M 2 0 Q 8 0 x 1 / 4 S h e e t s - 2 6 . 5 0

O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP J 2 0 0 S M 5 H 1 0 x 1 / 2 S h e e t s - 1 4 . 4 0P J 2 0 0 S M 5 Q 2 0 x 1 / 4 S h e e t s - 1 4 . 3 0P J 2 0 0 S M 1 0 H 2 0 x 1 / 2 S h e e t s - 2 7. 0 0P J 2 0 0 S M 1 0 Q 4 0 x 1 / 4 S h e e t s - 2 6 . 0 0P J 2 0 0 S M 2 0 H 4 0 x 1 / 2 S h e e t s - 4 3 . 0 0P J 2 0 0 S M 2 0 Q 8 0 x 1 / 4 S h e e t s - 4 2 . 0 0

S M O O T H M E D I U M 1 4 0 L B / 3 0 0 G S M


O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP J 1 4 0 M R 5 H 1 0 x 1 / 2 S h e e t s - 9 . 5 0P J 1 4 0 M R 5 Q 2 0 x 1 / 4 S h e e t s - 9 . 0 0P J 1 4 0 M R 1 0 H 2 0 x 1 / 2 S h e e t s - 1 6 . 2 0P J 1 4 0 M R 1 0 Q 4 0 x 1 / 4 S h e e t s - 1 6 . 4 0P J 1 4 0 M R 2 0 H 4 0 x 1 / 2 S h e e t s - 2 7. 0 0P J 1 4 0 M R 2 0 Q 8 0 x 1 / 4 S h e e t s - 2 6 . 5 0

O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP J 2 0 0 M R 5 H 1 0 x 1 / 2 S h e e t s - 1 4 . 4 0P J 2 0 0 M R 5 Q 2 0 x 1 / 4 S h e e t s - 1 4 . 3 0P J 2 0 0 M R 1 0 H 2 0 x 1 / 2 S h e e t s - 2 7. 0 0P J 2 0 0 M R 1 0 Q 4 0 x 1 / 4 S h e e t s - 2 6 . 0 0P J 2 0 0 M R 2 0 H 4 0 x 1 / 2 S h e e t s - 4 3 . 0 0P J 2 0 0 M R 2 0 Q 8 0 x 1 / 4 S h e e t s - 4 2 . 0 0

M E D I U M R O U G H 1 4 0 L B / 3 0 0 G S M


O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP J 1 4 0 E R 5 H 1 0 x 1 / 2 S h e e t s - 9 . 5 0P J 1 4 0 E R 5 Q 2 0 x 1 / 4 S h e e t s - 9 . 0 0P J 1 4 0 E R 1 0 H 2 0 x 1 / 2 S h e e t s - 1 6 . 2 0P J 1 4 0 E R 1 0 Q 4 0 x 1 / 4 S h e e t s - 1 6 . 4 0P J 1 4 0 E R 2 0 H 4 0 x 1 / 2 S h e e t s - 2 7. 0 0P J 1 4 0 E R 2 0 Q 8 0 x 1 / 4 S h e e t s - 2 6 . 5 0

O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP J 2 0 0 E R 5 H 1 0 x 1 / 2 S h e e t s - 1 4 . 4 0P J 2 0 0 E R 5 Q 2 0 x 1 / 4 S h e e t s - 1 4 . 3 0P J 2 0 0 E R 1 0 H 2 0 x 1 / 2 S h e e t s - 2 7. 0 0P J 2 0 0 E R 1 0 Q 4 0 x 1 / 4 S h e e t s - 2 6 . 0 0P J 2 0 0 E R 2 0 H 4 0 x 1 / 2 S h e e t s - 4 3 . 0 0P J 2 0 0 E R 2 0 Q 8 0 x 1 / 4 S h e e t s - 4 2 . 0 0

E X T R A R O U G H 1 4 0 L B / 3 0 0 G S M


O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP J 1 4 0 S M S i n g l e - 2 . 1 0P J 1 4 0 S M 5 5 S h e e t s - 9 . 1 0P J 1 4 0 S M 1 0 1 0 S h e e t s - 1 5 . 2 0P J 1 4 0 S M 2 0 2 0 S h e e t s - 2 6 . 5 0

O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP J 2 0 0 S M S i n g l e - 3 . 1 0P J 2 0 0 S M 5 5 S h e e t s - 1 4 . 4 0P J 2 0 0 S M 1 0 1 0 S h e e t s - 2 6 . 0 0P J 2 0 0 S M 2 0 2 0 S h e e t s - 4 1 . 0 0



J A C K S O N ' S E C O W A T E R C O L O U R P A P E R

Jackson's Eco Paper is an exciting, rugged Handmade paper from India that is perfectly matched for dynamic, bold, wet into wet techniques with no risk of colours bleeding into one another.This very absorbent paper is packed with character. Recommended for confident painters who enjoy painting with a sense of urgency.

O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP J 1 4 0 M R S i n g l e - 2 . 1 0P J 1 4 0 M R 5 5 S h e e t s - 9 . 1 0P J 1 4 0 M R 1 0 1 0 S h e e t s - 1 5 . 2 0P J 1 4 0 M R 2 0 2 0 S h e e t s - 2 6 . 5 0

O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP J 2 0 0 M R S i n g l e - 3 . 1 0P J 2 0 0 M R 5 5 S h e e t s - 1 4 . 4 0P J 2 0 0 M R 1 0 1 0 S h e e t s - 2 6 . 0 0P J 2 0 0 M R 2 0 2 0 S h e e t s - 4 1 . 0 0

O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP J 5 6 0 M R S i n g l e - 6 . 0 0P J 5 6 0 M R 5 5 S h e e t s - 2 5 . 5 0P J 5 6 0 M R 1 0 1 0 S h e e t s - 4 5 . 0 0P J 5 6 0 M R 2 0 2 0 S h e e t s - 8 4 . 0 0



M E D I U M R O U G H 5 6 0 L B / 1 2 0 0 G S M

O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP J 1 4 0 E R S i n g l e - 2 . 1 0P J 1 4 0 E R 5 5 S h e e t s - 9 . 1 0P J 1 4 0 E R 1 0 1 0 S h e e t s - 1 5 . 2 0P J 1 4 0 E R 2 0 2 0 S h e e t s - 2 6 . 5 0

O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP J 2 0 0 E R S i n g l e - 3 . 1 0P J 2 0 0 E R 5 5 S h e e t s - 1 4 . 4 0P J 2 0 0 E R 1 0 1 0 S h e e t s - 2 6 . 0 0P J 2 0 0 E R 2 0 2 0 S h e e t s - 4 1 . 0 0

O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP J 5 6 0 E R S i n g l e - 6 . 0 0P J 5 6 0 E R 5 5 S h e e t s - 2 5 . 5 0P J 5 6 0 E R 1 0 1 0 S h e e t s - 4 5 . 0 0P J 5 6 0 E R 2 0 2 0 S h e e t s - 8 4 . 0 0



E X T R A R O U G H 5 6 0 L B / 1 2 0 0 G S M

S H E E T S 2 2 X 3 0 I N


P R O D U C T , E X C E L L E N T

V A L U E , T H A N K S


O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP B 9 0 N S i n g l e 1 . 4 3 1 . 4 0P B 9 0 N 1 0 1 0 S h e e t s 1 4 . 2 6 1 2 . 6 0P B 9 0 N 2 5 2 5 S h e e t s 3 5 . 6 4 3 1 . 0 0P B 9 0 N 5 0 5 0 S h e e t s 7 1 . 2 8 5 8 . 0 0

O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP B 1 4 0 N S i n g l e 2 . 1 5 1 . 9 0P B 1 4 0 N 1 0 1 0 S h e e t s 2 1 . 4 8 1 7. 1 0P B 1 4 0 N 2 5 2 5 S h e e t s 5 3 . 7 0 4 2 . 0 0P B 1 4 0 N 5 0 5 0 S h e e t s 1 0 7. 4 0 8 1 . 0 0

O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP B 2 0 0 N S i n g l e 3 . 0 6 2 . 7 0P B 2 0 0 N 1 0 1 0 S h e e t s 3 0 . 5 6 2 4 . 5 0P B 2 0 0 N 2 5 2 5 S h e e t s 7 6 . 4 1 5 8 . 0 0P B 2 0 0 N 5 0 5 0 S h e e t s 1 5 2 . 8 2 1 1 4 . 0 0

O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP B 2 5 0 N S i n g l e 3 . 8 6 3 . 4 0P B 2 5 0 N 1 0 1 0 S h e e t s 3 8 . 5 6 3 1 . 0 0P B 2 5 0 N 2 5 2 5 S h e e t s 9 6 . 3 9 7 5 . 0 0P B 2 5 0 N 5 0 5 0 S h e e t s 1 9 2 . 7 8 1 4 8 . 0 0

O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP B 3 5 0 x 1 / 4 S h e e t s 2 8 . 8 6 2 1 . 5 0J P B 1 1 0 0 x 1 / 4 S h e e t s 5 5 . 2 0 3 9 . 0 0J P B 5 5 0 x 1 / 2 S h e e t s 5 5 . 9 8 4 0 . 0 0P B R 1 4 0 N 1 x R o l l 5 f t x 3 3 f t 1 0 5 . 2 4 8 6 . 0 0

O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP B 4 5 0 x 1 / 4 S h e e t s 2 8 . 8 6 2 1 . 5 0J P B 2 1 0 0 x 1 / 4 S h e e t s 5 5 . 2 0 3 9 . 0 0J P B 6 5 0 x 1 / 2 S h e e t s 5 5 . 9 8 4 0 . 0 0

O r d e r C o d e P a c k S i z e £ R R P £ P r i c eJ P B 3 1 0 0 x 1 / 4 S h e e t s 5 5 . 2 0 3 9 . 0 0

N O T 9 0 L B / 1 9 0 G S M

B O C K I N G F O R D W A T E R C O L O U R P A P E R

Bockingford is everyone’s favourite affordable quality watercolour paperBockingford is made at the famous St. Cuthbert's Mill in Wells, Somerset where Saunders Waterford and Millford papers are also made. It is 100% wood-free and is made to high archival standards. Its attractive surface is made by pressing the drying pulp sheets between natural woollen felts. Bockingford is often a hit among art groups and students as it is such good value. It is available in many formats including loose sheets, pads and blocks. It is a forgiving surface to work on with water based paints as colour can be lifted easily without causing noticeable damage.

O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP B 1 4 0 H P S i n g l e 2 . 1 5 1 . 9 0P B 1 4 0 H P 1 0 1 0 S h e e t s 2 1 . 4 8 1 7. 1 0P B 1 4 0 H P 2 5 2 5 S h e e t s 5 3 . 7 0 4 2 . 0 0P B 1 4 0 H P 5 0 5 0 S h e e t s 1 0 7. 4 0 8 1 . 0 0

H O T P R E S S 1 4 0 L B / 3 0 0 G S M


N O T 1 4 0 L B / 3 0 0 G S M

O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP B 1 4 0 R S i n g l e 2 . 1 5 1 . 9 0P B 1 4 0 R 1 0 1 0 S h e e t s 2 1 . 4 8 1 7. 1 0P B 1 4 0 R 2 5 2 5 S h e e t s 5 3 . 7 0 4 2 . 0 0P B 1 4 0 R 5 0 5 0 S h e e t s 1 0 7. 4 0 8 1 . 0 0

O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP B 2 0 0 R S i n g l e 3 . 0 6 2 . 7 0P B 2 0 0 R 1 0 1 0 S h e e t s 3 0 . 5 6 2 4 . 5 0P B 2 0 0 R 2 5 2 5 S h e e t s 7 6 . 4 1 5 8 . 0 0P B 2 0 0 R 5 0 5 0 S h e e t s 1 5 2 . 8 2 1 1 4 . 0 0

R O U G H 1 4 0 L B / 3 0 0 G S M

R O U G H 2 0 0 L B / 4 2 5 G S MN O T 2 0 0 L B / 4 2 5 G S M

N O T 2 5 0 L B / 5 3 5 G S M

P R E - C U T S H E E T P A C K S & R O L L S

S H E E T S 2 2 X 3 0 I N


G R E A T T O P R A C T I C E

O N

P R E F E R R E D P A P E R B Y O U R A R T

C L U B



Strathmore Watercolour Paper 500 Series was originally developed in 1949. This watercolour paper is known for its hard surface sizing which provides excellent water hold out, colour lifting and blending. Strathmore Series 500 watercolour paper is made with 100% cotton and has two deckled edges.

"This is a nice paper, very easy and forgiving to work with" – Customer review.

S T R A T H M O R E 5 0 0 S E R I E S W A T E R C O L O U R P A P E R

O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP S M 1 4 0 N S i n g l e 5 . 4 9 4 . 9 0

O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP S M 1 4 0 H P S i n g l e 5 . 4 9 4 . 9 0

N O T 1 4 0 L B / 3 0 0 G S M H O T P R E S S 1 4 0 L B / 3 0 0 G S M

S H E E T S 2 2 X 3 0 I N

F A B R I A N O 5 W A T E R C O L O U R P A P E R

Fabriano 5 is an exceptionally smooth paper favoured by those who work with detail, such as botanical artists.It is surface sized and watermarked with the Fabriano logo. It is mould made from 50% cotton and 50% selected raw material. The absence of acid guarantees excellent permanence, allowing it to have good resistance to ageing.

"This is the paper of choice for my work as a botanical artist, really smooth and white, and quite forgiving if you need to correct an error" – Customer review.

O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP F B 1 4 0 N S i n g l e 2 . 3 2 2 . 1 0P F B 1 4 0 N 5 5 S h e e t s 1 1 . 6 2 1 0 . 5 0P F B 1 4 0 N 1 0 1 0 S h e e t s 2 3 . 2 5 1 9 . 6 0P F B 1 4 0 N 2 0 2 0 S h e e t s 4 6 . 4 9 3 9 . 0 0P F B 1 4 0 N 2 5 2 5 S h e e t s 5 8 . 1 2 4 8 . 0 0

O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP F B 1 4 0 H P S i n g l e 2 . 3 2 2 . 1 0P F B 1 4 0 H P 5 5 S h e e t s 1 1 . 6 2 1 0 . 5 0P F B 1 4 0 H P 1 0 1 0 S h e e t s 2 3 . 2 5 1 9 . 6 0P F B 1 4 0 H P 2 0 2 0 S h e e t s 4 6 . 4 9 3 9 . 0 0P F B 1 4 0 H P 2 5 2 5 S h e e t s 5 8 . 1 2 4 8 . 0 0

N O T 1 4 0 L B / 3 0 0 G S M H O T P R E S S 1 4 0 L B / 3 0 0 G S M

S H E E T S 1 9 X 2 7 I N

F A B R I A N O W O O D F R E E W A T E R C O L O U R P A P E R

Fabriano Woodfree watercolour paper is made up of the optimum mix of lignin free cotton and cellulose.The paper has zero acid content, meaning its strength and appearance will not alter over time. The paper is sized internally and externally, and is tested by the makers to ensure optimal absorbency. Fabriano woodfree is ideal for both wet and dry media including watercolour, tempera, gouache, acrylic, ink, graphite and charcoal.

O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP F W 1 3 0 N S i n g l e 1 . 1 9 1 . 2 0P F W 1 3 0 N 5 5 S h e e t s 5 . 9 5 5 . 3 0P F W 1 3 0 N 1 0 1 0 S h e e t s 1 1 . 8 9 1 0 . 3 0P F W 1 3 0 N 2 0 2 0 S h e e t s 2 3 . 7 9 1 9 . 5 0

O r d e r C o d e P a c k S i z e £ R R P £ P r i c eA X F B 5 0 5 0 x 1 / 4 S h e e t s 2 0 . 7 6 1 7. 4 0A X F B 1 0 0 x 1 / 4 S h e e t s 3 8 . 7 6 3 3 . 0 0P F W R 1 3 0 N 1 x R o l l 5 f t x 3 3 f t 7 3 . 6 8 6 6 . 0 0

N O T 1 4 0 L B / 3 0 0 G S M

S H E E T S 1 9 X 2 7 I N P R E - C U T S H E E T P A C K S & R O L L S

N O T 1 4 0 L B / 3 0 0 G S M

M I L L F O R D W A T E R C O L O U R P A P E R

Millford is the newest watercolour paper developed by St Cuthberts Mill. Its manufacture replicates the discontinued Whatman paper, a paper missed by many watercolourists. Millford is 100% cotton with a lovely surface created when pressed between sheets of natural felt. Millford has a high resistance to water and its washes perform noticeably differently to the majority of other watercolour papers.

O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP M 1 4 0 N S i n g l e 4 . 5 0 4 . 4 0P M 1 4 0 N 5 5 S h e e t s 2 2 . 5 2 2 0 . 5 0P M 1 4 0 N 1 0 1 0 S h e e t s 4 5 . 0 4 4 1 . 0 0P M 1 4 0 N 2 0 2 0 S h e e t s 9 0 . 0 7 8 1 . 0 0P M 1 4 0 N 5 0 5 0 S h e e t s 2 2 5 . 1 8 2 0 2 . 0 0

N O T 1 4 0 L B / 3 0 0 G S M

S H E E T S 2 2 X 3 0 I N

W H I T E

P A P E R



O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP K R 1 W S i n g l e 2 . 4 0 2 . 2 0P K R 1 W / 1 0 1 0 S h e e t s 2 4 . 0 0 2 1 . 0 0P K R 1 W / 2 0 2 0 S h e e t s 4 8 . 0 0 4 0 . 0 0



O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP K S 1 W S i n g l e 2 . 4 0 2 . 2 0P K S 1 W / 1 0 1 0 S h e e t s 2 4 . 0 0 2 1 . 0 0P K S 1 W / 2 0 2 0 S h e e t s 4 8 . 0 0 4 0 . 0 0



K H A D IW H I T E R A G W A T E R C O L O U R P A P E R

R O U G H 2 1 0 G S M

Khadi White Rag paper is made from 100% long fibred cotton rag, and is manufactured in Nepal and Bhutan.Cotton rags have longer fibres than the fluffy cotton seed fibres (known as linters) more commonly used in paper making. These long fibred rags (which are T-shirt cuttings sourced from garment factories) give the paper exceptional strength and durability. Khadi is internally sized with a neutal pH and surface tub sized with gelatine. It is ideal for all water based painting and drawing media. One customer’s stated "This is exceptional paper for use by an artist with 60 years’ experience with oil and watercolours".

H O T P R E S S 2 1 0 G S M

R O U G H 3 2 0 G S M H O T P R E S S 3 2 0 G S M


S H E E T S 5 6 X 7 6 C M

O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP K R 5 W S i n g l e 8 . 0 4 7. 3 0P K R 5 W / 1 0 1 0 S h e e t s 8 0 . 4 0 7 0 . 0 0P K R 5 W / 2 0 2 0 S h e e t s 1 6 0 . 8 0 1 3 3 . 0 0

R O U G H 1 0 0 0 G S M

O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP K R 1 2 W / 1 0 1 0 S h e e t s 4 9 . 2 0 4 3 . 0 0P K R 1 2 W / 2 0 2 0 S h e e t s 9 8 . 4 0 8 2 . 0 0

O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP K R 1 4 W / 1 0 1 0 S h e e t s 8 0 . 4 0 7 0 . 0 0P K R 1 4 W / 2 0 2 0 S h e e t s 1 6 0 . 8 0 1 3 3 . 0 0

O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP K S 1 2 W / 1 0 1 0 S h e e t s 4 9 . 2 0 4 3 . 0 0P K S 1 2 W / 2 0 2 0 S h e e t s 9 8 . 4 0 8 2 . 0 0


R O U G H 6 4 0 G S M

D O U B L E E L E P H A N T S H E E T S 7 0 X 1 0 0 C M

O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP K A 3 4 W 1 0 x A 3 S h e e t s 1 3 . 4 4 1 2 . 2 0

R O U G H 6 4 0 G S M

O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP K A 3 W 2 0 x A 3 S h e e t s 1 3 . 5 6 1 2 . 3 0

N O T 2 1 0 G S M

O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP K 3 2 0 A 3 2 0 x A 3 S h e e t s 1 6 . 6 3 1 4 . 4 0

R O U G H 3 2 0 G S M

A 3 S H E E T S 3 0 X 4 2 C M

O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP K A 4 4 W 1 0 x A 4 S h e e t s 8 . 7 6 8 . 0 0

R O U G H 6 4 0 G S M

O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP K A 4 W 2 0 x A 4 S h e e t s 7. 0 8 6 . 4 0

N O T 1 5 0 G S M

A 4 S H E E T S 2 1 X 3 0 C M

O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP K 3 2 0 A 4 2 0 x A 4 S h e e t s 1 0 . 9 6 9 . 5 0

R O U G H 3 2 0 G S M

O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP K A 5 4 W 1 0 x A 5 S h e e t s 5 . 7 6 5 . 2 0

R O U G H 6 4 0 G S M

O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP K A 5 W 2 0 x A 5 S h e e t s 4 . 4 4 4 . 1 0

N O T 1 5 0 G S M

A 5 S H E E T S 1 5 X 2 1 C M

O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP K 3 2 0 A 5 2 0 x A 5 S h e e t s 7. 3 9 6 . 4 0

R O U G H 3 2 0 G S M

P L E A S U R E T O U S E



O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP C M R 1 4 0 N S i n g l e 3 . 5 5 3 . 1 0P C M R 1 4 0 N / 1 0 1 0 S h e e t s 3 5 . 4 7 3 1 . 0 0

O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP C M R 3 0 0 N S i n g l e 7. 3 9 6 . 4 0P C M R 3 0 0 N / 5 5 S h e e t s 3 6 . 9 6 3 2 . 0 0

O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP C M R 1 4 0 R S i n g l e 3 . 5 5 3 . 1 0P C M R 1 4 0 R / 1 0 1 0 S h e e t s 3 5 . 4 7 3 1 . 0 0

O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP C M R 3 0 0 R S i n g l e 7. 3 9 6 . 4 0P C M R 3 0 0 R / 5 5 S h e e t s 3 6 . 9 6 3 2 . 0 0

O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP C M R 1 4 0 H P S i n g l e 3 . 5 5 3 . 1 0P C M R 1 4 0 H P / 1 0 1 0 S h e e t s 3 5 . 4 7 3 1 . 0 0

O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP C M R 3 0 0 H P S i n g l e 7. 3 9 6 . 4 0P C M R 3 0 0 H P / 5 5 S h e e t s 3 6 . 9 6 3 2 . 0 0

N O T 1 4 0 L B / 3 0 0 G S M

C A N S O N M O U L I N D U R O Y W A T E R C O L O U R P A P E R

R O U G H 1 4 0 L B / 3 0 0 G S M

Canson Moulin du Roy is a 100% cotton French watercolour paper.It is produced on a cylinder mould machine and is both absorbent and strong. Moulin du Roy has internal and surface sizing which permits the lifting of dried colour and the reworking of watercolour. It is naturally white, acid free and made without bleaching agents, for an optimal conservation over time.

S H E E T S 2 2 X 3 0 I N

H O T P R E S S 1 4 0 L B / 3 0 0 G S M


O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP C A B 5 1 1 4 3 S i n g l e 5 . 9 9 3 . 9 0

O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP C A B 1 1 4 3 S i n g l e 7. 2 5 4 . 8 0

O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP C A B 5 1 1 5 3 S i n g l e 5 . 9 9 3 . 9 0

O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP C A B 1 1 5 3 S i n g l e 7. 2 5 4 . 8 0

N O T H E A V Y W E I G H T 1 . 8 M M

C R E S C E N T W A T E R C O L O U R B O A R D

H O T P R E S S H E A V Y W E I G H T 1 . 8 M M

Crescent watercolour boards are extra thick and eliminate the need for stretching or mounting of watercolour paper. The idea is simple but brilliantly effective - 100% cotton rag watercolour paper glued to a Crescent board backing which prevents any possible warping. The paper is uniformly and internally sized and provides maximum durability for wet on wet techniques, re-working and erasing.

S H E E T S 1 5 X 2 0 I N

N O T E X T R A H E A V Y W E I G H T 3 . 4 M M H O T P R E S S E X T R A H E A V Y W E I G H T 3 . 4 M M

S H E E T S 2 0 " X 3 0 "

O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP C A B 5 1 1 4 6 S i n g l e 1 0 . 9 9 7. 2 0

O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP C A B 1 1 4 6 S i n g l e 1 1 . 7 5 7. 7 0

O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP C A B 5 1 1 5 6 S i n g l e 1 0 . 9 9 7. 2 0

O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP C A B 1 1 5 6 S i n g l e 1 1 . 7 5 7. 7 0

N O T H E A V Y W E I G H T 1 . 8 M M H O T P R E S S H E A V Y W E I G H T 1 . 8 M M

N O T E X T R A H E A V Y W E I G H T 3 . 4 M M H O T P R E S S E X T R A H E A V Y W E I G H T 3 . 4 M M

O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP LW N S i n g l e 1 0 . 7 5 1 0 . 3 0

O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP LW H P S i n g l e 1 0 . 7 5 1 0 . 3 0

Daler Rowney Line and Wash watercolour board are available in Hot Pressed and Cold Pressed surfaces. They are full imperial size (30” x 22”) and great for line and wash techniques, although perfectly suited to other watercolour painting methods. The boards will withstand heavy washes without any warping, and are particularly well favoured among illustrators.

N O T H O T P R E S S

D A L E R - R O W N E Y L I N E & W A S H W A T E R C O L O U R B O A R D

S H E E T S 3 0 X 2 2 I N

G R E A T Q U A L I T Y



O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP C B 5 3 2 7 S i n g l e 8 . 1 6 7. 1 0



Canson Arches Watercolour Board offer one of the World’s finest watercolour papers

Backed on to a white acid and lignen free achival conservation board that will not warp, saving you the time and effort of paper stretching.

N O T 1 . 6 M M H O T P R E S S 1 . 6 M MR O U G H 1 . 6 M M

C A N S O N A R C H E S W A T E R C O L O U R B O A R D

S H E E T S 5 0 X 7 0 C M

O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP S W B N S i n g l e 1 0 . 7 5 1 0 . 3 0

O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP S W B H P S i n g l e 1 0 . 7 5 1 0 . 3 0

O r d e r C o d e P a c k S i z e £ R R P £ P r i c eP S W B R S i n g l e 1 0 . 7 5 1 0 . 3 0

N O T H O T P R E S SR O U G H

D A L E R - R O W N E Y S A U N D E R S W A T E R F O R D W A T E R C O L O U R B O A R D

S H E E T S 3 0 X 2 2 I N

O r d e r C o d e S i z e i n £ R R P £ P r i c eC A M A 3 5 7 5 x 7 2 . 6 5 2 . 5 0C A M A 3 8 1 0 8 x 1 0 5 . 7 5 5 . 3 0C A M A 3 1 1 1 4 1 1 x 1 4 8 . 3 0 7. 7 0C A M A 3 1 2 1 6 1 2 x 1 6 1 0 . 7 5 9 . 9 0C A M A 3 1 6 2 0 1 6 x 2 0 1 5 . 7 6 1 4 . 5 0

O r d e r C o d e S i z e i n £ R R P £ P r i c eC A M A 2 2 8 1 0 8 x 1 0 1 2 . 3 0 1 1 . 4 0C A M A 2 2 1 1 1 4 1 1 x 1 4 1 8 . 3 5 1 6 . 9 0C A M A 2 2 1 2 1 6 1 2 x 1 6 2 2 . 9 0 2 1 . 5 0C A M A 2 2 1 6 2 0 1 6 x 2 0 3 0 . 3 5 2 8 . 0 0

M E D I U M S U R F A C E

A M P E R S A N D A Q U A B O R D W A T E R C O L O U R P A N E L S

M E D I U M S U R F A C E

Ampersand Aquabord watercolour panels are a truly unique surface.They are made of an acid free textured clay that absorbs watercolour like a fine paper. The clay surface will retain colour purity and vibrancy in a way that watercolour papers are not able to manage. Colour is easily lifted from this surface. Also suitable for gouache casein and acrylics.

P A N E L S 3 M M C R A D L E D P A N E L S 2 2 M M


Daler Rowney Saunders Waterford watercolour board reinforces regular 100% cotton, full imperial sheets of Saunders Waterford with a Daler manufactured board backing. The boards are acid free and will not discolour over time. Patricularly well suited to line and wash.


W A T E R C O L O U R B L O C K S G L U E D O N 4 S I D E S

Arches Aquarelle Block 140lb / 300gsm20 sheet block , 100% cot ton, acid free, mould made.

Saunders Water ford Block 140lb / 300gsm20 sheet block , 100% cot ton, acid free, cylinder mould made.

Fabriano Ar tistico Traditional Block 140lb / 300gsmTraditional white paper, 100% cot ton, chlor ine and acid free .

Fabriano Ar tistico Ex tra White Block 140lb / 300gsmE x tra white paper, 100% cot ton, chlor ine and acid free .

Arches Aquarelle Block 300lb / 640gsm10 sheet block , 100% cot ton, acid free, cold pressed sur face.

Lang ton Block 140lb / 300gsm12 sheet block , 100% cot ton, acid free, cylinder mould made.

Bocking ford Block 140lb / 300gsm12 sheet block , 100% cot ton, acid free .

Lang ton Prestige Block 140 lb / 300gsm12 sheet block , 100% cot ton, acid free, cylinder mould made.

Saunders Water ford High White Block 140lb / 300gsm20 sheet block , 100% cot ton, acid free, cylinder mould made.

O r d e r C o d e S u r f a c e S i z e i n S h e e t s £ R R P £ P r i c eP F B 5 N � 5 x7 2 5 1 3 . 8 0 1 2 . 3 0P F B 5 R � 5 x7 2 5 1 3 . 8 0 1 2 . 3 0P F B 5 H P � 5 x7 2 5 1 3 . 8 0 1 2 . 3 0P F B 9 N � 9 x 1 2 2 0 2 6 . 2 8 2 3 . 5 0P F B 9 R � 9 x 1 2 2 0 2 6 . 2 8 2 3 . 5 0P F B 9 H P � 9 x 1 2 2 0 2 6 . 2 8 2 3 . 5 0P F B 1 2 N � 1 2 x 1 8 2 0 3 7. 3 2 3 2 . 0 0P F B 1 2 R � 1 2 x 1 8 2 0 3 7. 3 2 3 2 . 0 0P F B 1 2 H P � 1 2 x 1 8 2 0 3 7. 3 2 3 2 . 0 0P F B 1 4 N � 1 4 x 2 0 1 5 3 7. 3 2 3 2 . 0 0P F B 1 4 R � 1 4 x 2 0 1 5 3 7. 3 2 3 2 . 0 0P F B 1 4 H P � 1 4 x 2 0 1 5 3 7. 3 2 3 2 . 0 0P F B 1 8 N � 1 8 x 2 4 1 0 3 7. 3 2 3 2 . 0 0P F B 1 8 R � 1 8 x 2 4 1 0 3 7. 3 2 3 2 . 0 0P F B 1 8 H P � 1 8 x 2 4 1 0 3 7. 3 2 3 2 . 0 0

O r d e r C o d e S u r f a c e S i z e i n S h e e t s £ R R P £ P r i c eP P L B 1 2 � 1 2 x 9 1 2 1 1 . 5 0 9 . 2 0P P L B 1 4 � 1 4 x 1 0 1 2 1 3 . 9 6 1 1 . 2 0P P L B 1 6 � 1 6 x 1 2 1 2 1 6 . 5 0 1 3 . 2 0P P L B 2 0 � 2 0 x 1 6 1 2 2 6 . 2 6 2 1 . 5 0

O r d e r C o d e S u r f a c e S i z e i n S h e e t s £ R R P £ P r i c eP S B 9 N � 9 x 1 2 2 0 2 5 . 4 4 2 1 . 5 0P S B 9 R � 9 x 1 2 2 0 2 5 . 4 4 2 1 . 5 0P S B 9 H P � 9 x 1 2 2 0 2 5 . 4 4 2 1 . 5 0P S B 1 2 N � 1 2 x 1 6 2 0 3 3 . 8 4 2 8 . 5 0P S B 1 2 R � 1 2 x 1 6 2 0 3 3 . 8 4 2 8 . 5 0P S B 1 2 H P � 1 2 x 1 6 2 0 3 3 . 8 4 2 8 . 5 0

O r d e r C o d e S u r f a c e S i z e i n S h e e t s £ R R P £ P r i c eP P S H W 9 N � 9 x 1 2 2 0 2 5 . 4 4 2 1 . 5 0P P S H W 9 R � 9 x 1 2 2 0 2 5 . 4 4 2 1 . 5 0P P S H W 9 H P � 9 x 1 2 2 0 2 5 . 4 4 2 1 . 5 0P P S H W 1 2 N � 1 2 x 1 6 2 0 3 3 . 8 4 2 8 . 5 0P P S H W 1 2 R � 1 2 x 1 6 2 0 3 3 . 8 4 2 8 . 5 0P P S H W 1 2 H P � 1 2 x 1 6 2 0 3 3 . 8 4 2 8 . 5 0

O r d e r C o d e S u r f a c e S i z e i n S h e e t s £ R R P £ P r i c eP R B B 9 N � 9 x 1 2 1 2 9 . 8 4 8 . 6 0P R B B 9 R � 9 x 1 2 1 2 9 . 8 4 8 . 6 0P R B B 9 H � 9 x 1 2 1 2 9 . 8 4 8 . 6 0P R B B 1 0 N � 1 0 x 1 4 1 2 1 1 . 8 8 1 0 . 3 0P R B B 1 0 R � 1 0 x 1 4 1 2 1 1 . 8 8 1 0 . 3 0P R B B 1 0 H � 1 0 x 1 4 1 2 1 1 . 8 8 1 0 . 3 0P R B B 1 2 N � 1 2 x 1 6 1 2 1 4 . 6 4 1 2 . 7 0P R B B 1 2 R � 1 2 x 1 6 1 2 1 4 . 6 4 1 2 . 7 0P R B B 1 2 H � 1 2 x 1 6 1 2 1 4 . 6 4 1 2 . 7 0

O r d e r C o d e S u r f a c e S i z e i n S h e e t s £ R R P £ P r i c ePA B 4 N � 4 x 1 0 2 0 1 5 . 0 0 1 2 . 3 0PA B 4 R � 4 x 1 0 2 0 1 5 . 0 0 1 2 . 3 0PA B 4 H P � 4 x 1 0 2 0 1 5 . 0 0 1 2 . 3 0PA B 6 N � 6 x 1 2 2 0 2 4 . 9 6 2 0 . 5 0PA B 6 R � 6 x 1 2 2 0 2 4 . 9 6 2 0 . 5 0PA B 7 N � 7 x 1 0 2 0 2 8 . 4 4 2 2 . 5 0PA B 7 R � 7 x 1 0 2 0 2 8 . 4 4 2 2 . 5 0PA B 7 H P � 7 x 1 0 2 0 2 8 . 4 4 2 2 . 5 0PA B 9 N � 9 x 1 2 2 0 3 4 . 9 2 2 7. 5 0PA B 9 R � 9 x 1 2 2 0 3 4 . 9 2 2 7. 5 0PA B 9 H P � 9 x 1 2 2 0 3 4 . 9 2 2 7. 5 0PA B 1 0 N � 1 0 x 1 4 2 0 4 0 . 8 0 3 2 . 0 0PA B 1 0 R � 1 0 x 1 4 2 0 4 0 . 8 0 3 2 . 0 0PA B 1 0 H P � 1 0 x 1 4 2 0 4 0 . 8 0 3 2 . 0 0PA B 1 2 N � 1 2 x 1 4 2 0 5 3 . 6 4 4 2 . 0 0PA B 1 2 R � 1 2 x 1 4 2 0 5 3 . 6 4 4 2 . 0 0PA B 1 2 H P � 1 2 x 1 4 2 0 5 3 . 6 4 4 2 . 0 0PA B 1 4 N � 1 4 x 2 0 2 0 6 8 . 1 6 5 4 . 0 0PA B 1 4 R � 1 4 x 2 0 2 0 6 8 . 1 6 5 4 . 0 0PA B 1 4 H P � 1 4 x 2 0 2 0 6 8 . 1 6 5 4 . 0 0PA B 1 8 N � 1 8 x 2 4 2 0 8 1 . 6 0 6 1 . 0 0PA B 1 8 R � 1 8 x 2 4 2 0 8 1 . 6 0 6 1 . 0 0PA B 1 8 H P � 1 8 x 2 4 2 0 8 1 . 6 0 6 1 . 0 0

O r d e r C o d e S u r f a c e S i z e i n S h e e t s £ R R P £ P r i c eP D B 7 N � 7 x 1 0 1 2 1 1 . 5 0 9 . 2 0P D B 7 R � 7 x 1 0 1 2 1 1 . 5 0 9 . 2 0P D B 9 N � 9 x 1 2 1 2 1 5 . 2 5 1 2 . 3 0P D B 9 R � 9 x 1 2 1 2 1 5 . 2 5 1 2 . 3 0P D B 9 H P � 9 x 1 2 1 2 1 5 . 2 5 1 2 . 3 0P D B 1 0 N � 1 0 x 1 4 1 2 1 9 . 7 5 1 5 . 9 0P D B 1 0 R � 1 0 x 1 4 1 2 1 9 . 7 5 1 5 . 9 0P D B 1 0 H P � 1 0 x 1 4 1 2 1 9 . 7 5 1 5 . 9 0P D B 1 4 N � 1 4 x 2 0 1 2 3 5 . 2 6 2 8 . 5 0P D B 1 4 R � 1 4 x 2 0 1 2 3 5 . 2 6 2 8 . 5 0

O r d e r C o d e S u r f a c e S i z e i n S h e e t s £ R R P £ P r i c eP F X 5 N � 5 x7 2 5 1 3 . 8 0 1 2 . 3 0P F X 5 R � 5 x7 2 5 1 3 . 8 0 1 2 . 3 0P F X 5 H P � 5 x7 2 5 1 3 . 8 0 1 2 . 3 0P F X 9 N � 9 x 1 2 2 0 2 6 . 2 8 2 3 . 5 0P F X 9 R � 9 x 1 2 2 0 2 6 . 2 8 2 3 . 5 0P F X 9 H P � 9 x 1 2 2 0 2 6 . 2 8 2 3 . 5 0P F X 1 2 N � 1 2 x 1 8 2 0 3 7. 3 2 3 2 . 0 0P F X 1 2 R � 1 2 x 1 8 2 0 3 7. 3 2 3 2 . 0 0P F X 1 2 H P � 1 2 x 1 8 2 0 3 7. 3 2 3 2 . 0 0P F X 1 4 N � 1 4 x 2 0 1 5 3 7. 3 2 3 2 . 0 0P F X 1 4 R � 1 4 x 2 0 1 5 3 7. 3 2 3 2 . 0 0P F X 1 4 H P � 1 4 x 2 0 1 5 3 7. 3 2 3 2 . 0 0

O r d e r C o d e S u r f a c e S i z e i n S h e e t s £ R R P £ P r i c ePA B 3 0 0 9 N � 9 x 1 2 1 0 3 4 . 9 2 2 8 . 5 0PA B 3 0 0 1 0 N � 1 0 x 1 4 1 0 4 0 . 8 0 3 4 . 0 0PA B 3 0 0 1 2 N � 1 2 x 1 6 1 0 5 3 . 6 4 4 4 . 0 0

L O V E L Y S M O O T H

P A P E R I D E A L F O R B O T A N I C A L

P A I N T I N G

W A T E R C O L O U RB L C O K S


W A T E R C O L O U R B L O C K S

W A T E R C O L O U R B L O C K S G L U E D O N 4 S I D E S

Jackson's Handmade Eco Paper Block 140lb / 300gsm20 sheet block , 100% cot ton, handmade in India .

Hahnemuhle Britannia Paper 140lb / 300gsm10 loose sheet pack , natural white , acid free, l ight fast .

Hahnemuhle Cornwall Paper 2 10lb / 450gsm10 loose sheet pack , br ight white , acid free, l ight fast .

Canson Moulin du Roy Block 140lb / 300gsm20 sheet block , 100% cot ton, acid free French watercolour paper.

Hahnemuhle Cornwall Block 2 10 lb / 450gsm10 sheet block , br ight white , acid free, l ight fast .

Hahnemuhle Britannia Block 140lb / 300gsm12 sheet block , natural white , acid free, l ight fast .

Jackson's Block 140lb / 300gsm12 sheet block , acid free, unique tex tured sur face.

Hahnemuhle Andalucia Block 235lb / 500gsm12 sheet block , acid free, rough on one side and Not on the other.

Hahnemuhle Cezanne Block 140lb / 300gsm10 sheet block , 100% cot ton, acid free, mould made, available in Not or Rough sur faces .

Hahnemuhle Anniversar y Block 200lb / 425gsm15 sheet block , acid free, mould made, not sur face.

Clairefontaine Etival Block 140lb / 300gsm25 sheet block , 100% wood free, acid free, mould made, Not sur face.

Clairefontaine Fontaine Block 140lb / 300gsm25 sheet block , 100% cot ton, acid free, mould made, available in Not and Rough sur faces .

Hahnemuhle Bamboo Block 125lb / 265gsm 25 sheet block , made from renewable Bamboo grass , acid free, mould made, Not sur face, Multimedia .

O r d e r C o d e S u r f a c e S i z e c m S h e e t s £ R R P £ P r i c eP H B 2 0 N � 2 0 x 5 0 1 2 1 4 . 6 4 1 1 . 8 0P H B 2 0 R � 2 0 x 5 0 1 2 1 4 . 6 4 1 1 . 8 0P H B 2 4 N � 2 4 x 3 2 1 2 8 . 2 8 6 . 7 0P H B 2 4 R � 2 4 x 3 2 1 2 8 . 2 8 6 . 7 0P H B 3 0 N � 3 0 x 4 0 1 2 1 1 . 6 4 9 . 4 0P H B 3 0 R � 3 0 x 4 0 1 2 1 1 . 6 4 9 . 4 0P H B 3 6 N � 3 6 x 4 8 1 2 1 6 . 5 6 1 3 . 3 0P H B 3 6 R � 3 6 x 4 8 1 2 1 6 . 5 6 1 3 . 3 0P H B 4 2 N � 4 2 x 5 6 1 2 2 6 . 1 6 2 1 . 0 0P H B 4 2 R � 4 2 x 5 6 1 2 2 6 . 1 6 2 1 . 0 0

O r d e r C o d e S u r f a c e S i z e c m S h e e t s £ R R P £ P r i c eP H B 5 0 N � 5 0 x 6 5 1 0 1 3 . 9 0 1 1 . 2 0P H B 5 0 R � 5 0 x 6 5 1 0 1 3 . 9 0 1 1 . 2 0

O r d e r C o d e S u r f a c e S i z e i n S h e e t s £ R R P £ P r i c eP C M R B 9 1 2 N � 9 x 1 2 2 0 2 4 . 1 2 2 1 . 0 0P C M R B 9 1 2 R � 9 x 1 2 2 0 2 4 . 1 2 2 1 . 0 0P C M R B 9 1 2 H P � 9 x 1 2 2 0 2 4 . 1 2 2 1 . 0 0P C M R B 1 2 1 8 N � 1 2 x 1 8 2 0 3 5 . 8 8 3 2 . 0 0P C M R B 1 2 1 8 R � 1 2 x 1 8 2 0 3 5 . 8 8 3 2 . 0 0PCMRB1218HP � 1 2 x 1 8 2 0 3 5 . 8 8 3 2 . 0 0

O r d e r C o d e S u r f a c e S i z e c m S h e e t s £ R R P £ P r i c eP C F 2 4 N � 2 4 x 3 0 2 5 2 9 . 9 5 2 5 . 0 0P C F 2 4 R � 2 4 x 3 0 2 5 2 9 . 9 5 2 5 . 0 0P C F 3 0 N � 3 0 x 4 0 2 5 3 7. 9 5 3 2 . 0 0P C F 3 0 R � 3 0 x 4 0 2 5 3 7. 9 5 3 2 . 0 0P C F 3 6 N � 3 6 x 4 8 2 5 4 4 . 9 5 3 8 . 0 0P C F 3 6 R � 3 6 x 4 8 2 5 4 4 . 9 5 3 8 . 0 0P C F 4 2 N � 4 2 x 5 6 2 5 5 9 . 9 5 5 0 . 0 0P C F 4 2 R � 4 2 x 5 6 2 5 5 9 . 9 5 5 0 . 0 0

O r d e r C o d e S u r f a c e S i z e c m S h e e t s £ R R P £ P r i c eP C E 2 4 N � 2 4 x 3 0 2 5 2 1 . 5 0 1 7. 9 0P C E 3 0 N � 3 0 x 4 0 2 5 3 0 . 9 5 2 6 . 0 0P C E 3 6 N � 3 6 x 4 8 2 5 3 4 . 9 5 2 9 . 5 0P C E 4 2 N � 4 2 x 5 6 2 5 4 8 . 9 5 4 1 . 0 0

O r d e r C o d e S u r f a c e S i z e c m S h e e t s £ R R P £ P r i c eP H A 2 4 N � / � 2 4 x 3 2 1 2 1 2 . 0 0 9 . 6 0P H A 3 0 N � / � 3 0 x 4 0 1 2 1 8 . 2 4 1 4 . 6 0P H A 3 6 N � / � 3 6 x 4 8 1 2 2 4 . 1 2 1 9 . 3 0P H A 4 2 N � / � 4 2 x 5 6 1 2 3 8 . 2 8 3 1 . 0 0

O r d e r C o d e S u r f a c e S i z e c m S h e e t s £ R R P £ P r i c eP H C 5 0 N � 5 0 x 6 5 1 0 2 0 . 3 6 1 6 . 3 0P H C 5 0 R � 5 0 x 6 5 1 0 2 0 . 3 6 1 6 . 3 0

O r d e r C o d e S u r f a c e S i z e c m S h e e t s £ R R P £ P r i c eP H C 2 0 N � 2 0 x 5 0 1 0 1 6 . 5 6 1 3 . 3 0P H C 2 0 R � 2 0 x 5 0 1 0 1 6 . 5 6 1 3 . 3 0P H C 2 4 N � 2 4 x 3 2 1 0 1 0 . 2 0 8 . 2 0P H C 2 4 R � 2 4 x 3 2 1 0 1 0 . 2 0 8 . 2 0P H C 3 0 N � 3 0 x 4 0 1 0 1 5 . 2 4 1 2 . 2 0P H C 3 0 R � 3 0 x 4 0 1 0 1 5 . 2 4 1 2 . 2 0P H C 3 6 N � 3 6 x 4 8 1 0 2 0 . 2 8 1 6 . 3 0P H C 3 6 R � 3 6 x 4 8 1 0 2 0 . 2 8 1 6 . 3 0P H C 4 2 N � 4 2 x 5 6 1 0 3 2 . 1 6 2 6 . 0 0P H C 4 2 R � 4 2 x 5 6 1 0 3 2 . 1 6 2 6 . 0 0

O r d e r C o d e S u r f a c e S i z e i n S h e e t s £ R R P £ P r i c eP J P 1 0 1 4 � 1 0 x 1 4 2 0 - 9 . 6 0P J P 1 2 1 6 � 1 2 x 1 6 2 0 - 1 2 . 1 0P J P 1 4 1 8 � 1 4 x 1 8 2 0 - 1 6 . 2 0

O r d e r C o d e S u r f a c e S i z e i n S h e e t s £ R R P £ P r i c eP J B 9 N � 1 2 x 9 1 2 - 5 . 5 0P J B 9 R � 1 2 x 9 1 2 - 5 . 5 0P J B 1 2 N � 1 6 x 1 2 1 2 - 6 . 9 0P J B 1 2 R � 1 6 x 1 2 1 2 - 6 . 9 0

O r d e r C o d e S u r f a c e S i z e c m S h e e t s £ R R P £ P r i c eP H B 5 4 0 � 2 4 x 3 2 2 5 1 4 . 4 0 1 1 . 6 0P H B 5 4 1 � 3 0 x 4 0 2 5 2 0 . 2 8 1 6 . 3 0P H B 5 4 2 � 3 6 x 4 8 2 5 2 9 . 0 4 2 3 . 5 0P H B 5 4 3 � 4 2 x 5 6 2 5 3 9 . 4 8 3 2 . 0 0

O r d e r C o d e S u r f a c e S i z e c m S h e e t s £ R R P £ P r i c eT B AV 2 4 � 2 4 x 3 2 1 5 8 . 4 0 7. 2 0T B AV 3 0 � 3 0 x 4 0 1 5 1 3 . 0 0 1 1 . 1 0

O r d e r C o d e S u r f a c e S i z e c m S h e e t s £ R R P £ P r i c eP H Z 2 4 N � 2 4 x 3 2 1 0 1 4 . 9 0 1 2 . 8 0P H Z 2 4 R � 2 4 x 3 2 1 0 1 4 . 9 0 1 2 . 8 0P H Z 3 0 N � 3 0 x 4 0 1 0 2 1 . 1 0 1 8 . 0 0P H Z 3 0 R � 3 0 x 4 0 1 0 2 1 . 1 0 1 8 . 0 0

IN CM1 2 . 5 42 5 . 0 83 7. 6 24 1 0 . 1 65 1 2 . 7 06 1 5 . 2 47 1 7. 7 88 2 0 . 3 29 2 2 . 8 61 0 2 5 . 4 01 1 2 7. 9 41 2 3 0 . 4 81 3 3 3 . 0 21 4 3 5 . 5 61 5 3 8 . 1 01 6 4 0 . 6 41 7 4 3 . 1 81 8 4 5 . 7 21 9 4 8 . 2 62 0 5 0 . 8 02 1 5 3 . 3 42 2 5 5 . 8 82 3 5 8 . 4 22 4 6 0 . 9 6

K E YPaper surface texturePlea se refer to below key.� Roug h� Not /Cold Pres sed� Hot Pres s� Smooth� Medium

Metric Conversion


W A T E R C O L O U RP A D S

W A T E R C O L O U R P A D S B O U N D O N O N E S I D E

Saunders Water ford Pad 11x15100% cot ton, acid free, cylinder mould made.

Saunders Water ford Pad 140lb / 300gsmSpiral bound pad, 100% cot ton, 100% cot ton, acid free .

Fabriano 5 Classico Spiral Pad 140lb / 300gsm25 sheet pad, 50% cot ton, acid free hot press paper.

Jackson's Spiral Pad 130lb25 sheet pad, spiral bound on one side.

Arches Aquarelle Glued 140lb / 300gsm 12 sheet gum bound pad, 100% cot ton, acid free .

Bocking ford Spiral Pad 200 lb20 sheet spiral bound pad, 100% cot ton, acid free .

Bocking ford Spiral Pad 140lb / 300gsm25 sheet spiral bound pad, 100% cot ton, acid free .

Bocking ford Glued 140lb / 300gsm12 sheet gum bound pad, 100% cot ton, acid free .

Bocking ford Spiral Pad 140lb / 300gsm12 sheet pad, 100% cot ton, acid free .

Canson Moulin du Roy Pad Glued 140lb / 300gsm 12 sheet pad, 100% cot ton, mould made, acid free, available HP, Not and Rough.

Arches Aquarelle Spiral Pad 140lb / 300gsm 12 sheet spiral pad, 100% cot ton, mould made, acid free, available in HP, Not and Rough.

O r d e r C o d e S u r f a c e W e i g h t S h e e t s £ R R P £ P r i c eP J W 1 4 0 N � 1 4 0 l b 3 0 4 8 . 6 0 3 7. 0 0P J W 1 4 0 R � 1 4 0 l b 3 0 4 8 . 6 0 3 7. 0 0P J W 1 4 0 H P � 1 4 0 l b 3 0 4 8 . 6 0 3 7. 0 0P J W 2 0 0 N � 2 0 0 l b 2 5 5 0 . 5 4 3 8 . 0 0P J W 2 0 0 R � 2 0 0 l b 2 5 5 0 . 5 4 3 8 . 0 0P J W 2 0 0 H P � 2 0 0 l b 2 5 5 0 . 5 4 3 8 . 0 0P J W 3 0 0 N � 3 0 0 l b 2 0 5 8 . 9 7 4 5 . 0 0P J W 3 0 0 R � 3 0 0 l b 2 0 5 8 . 9 7 4 5 . 0 0

O r d e r C o d e S u r f a c e S i z e i n S h e e t s £ R R P £ P r i c eP R B 5 N � 5 x7 1 2 5 . 6 4 4 . 9 0P R B 5 R � 5 x7 1 2 5 . 6 4 4 . 9 0P R B 5 H � 5 x7 1 2 5 . 6 4 4 . 9 0P R B 7 N � 7 x 1 0 1 2 7. 6 8 6 . 7 0P R B 7 R � 7 x 1 0 1 2 7. 6 8 6 . 7 0P R B 7 H � 7 x 1 0 1 2 7. 6 8 6 . 7 0P R B 9 N � 9 x 1 2 1 2 9 . 7 2 8 . 4 0P R B 9 R � 9 x 1 2 1 2 9 . 7 2 8 . 4 0P R B 9 H � 9 x 1 2 1 2 9 . 7 2 8 . 4 0P R B 1 0 N � 1 0 x 1 4 1 2 1 2 . 0 0 1 0 . 4 0P R B 1 0 R � 1 0 x 1 4 1 2 1 2 . 0 0 1 0 . 4 0P R B 1 0 H � 1 0 x 1 4 1 2 1 2 . 0 0 1 0 . 4 0P R B 1 2 N � 1 2 x 1 6 1 2 1 4 . 8 8 1 2 . 9 0P R B 1 2 R � 1 2 x 1 6 1 2 1 4 . 8 8 1 2 . 9 0P R B 1 2 H � 1 2 x 1 6 1 2 1 4 . 8 8 1 2 . 9 0

O r d e r C o d e S u r f a c e S i z e i n S h e e t s £ R R P £ P r i c eP B P 2 7 N � 7. 5 x 1 1 2 0 1 1 . 8 8 1 0 . 6 0P B P 2 7 R � 7. 5 x 1 1 2 0 1 1 . 8 8 1 0 . 6 0P B P 2 1 1 N � 1 1 x 1 5 2 0 1 9 . 5 6 1 7. 5 0P B P 2 1 1 R � 1 1 x 1 5 2 0 1 9 . 5 6 1 7. 5 0

O r d e r C o d e S u r f a c e S i z e i n S h e e t s £ R R P £ P r i c eP B PA 5 N � A 5 25 7. 5 6 6 . 8 0P B PA 5 R � A 5 25 7. 5 6 6 . 8 0P B P 7 N � 7. 5 x 1 1 25 1 0 . 9 2 9 . 8 0P B P 7 R � 7. 5 x 1 1 25 1 0 . 9 2 9 . 8 0P B PA 4 N � A 4 25 1 1 . 8 8 1 0 . 6 0P B PA 4 R � A 4 25 1 1 . 8 8 1 0 . 6 0P B P 1 1 N � 1 1 x 1 5 25 1 7. 4 0 1 5 . 3 0P B P 1 1 R � 1 1 x 1 5 25 1 7. 4 0 1 5 . 3 0P B PA 3 N � A 3 25 2 0 . 2 8 1 8 . 1 0P B PA 3 R � A 3 25 2 0 . 2 8 1 8 . 1 0P B P L S N � 1 6 . 5 x 6 25 1 2 . 1 2 1 0 . 8 0P B P L S R � 1 6 . 5 x 6 25 1 2 . 1 2 1 0 . 8 0

O r d e r C o d e S u r f a c e S i z e i n S h e e t s £ R R P £ P r i c eP C M R P 9 1 2 N � 9 x 1 2 . 5 12 1 1 . 1 6 9 . 6 0P C M R P 9 1 2 R � 9 x 1 2 . 5 12 1 1 . 1 6 9 . 6 0P C M R P 9 1 2 H P � 9 x 1 2 . 5 12 1 1 . 1 6 9 . 6 0P C M R P 1 2 1 6 N � 1 2 x 1 6 12 1 6 . 8 0 1 4 . 5 0P C M R P 1 2 1 6 R � 1 2 x 1 6 12 1 6 . 8 0 1 4 . 5 0P C M R P 1 2 1 6 H P � 1 2 x 1 6 12 1 6 . 8 0 1 4 . 5 0

O r d e r C o d e S u r f a c e S i z e i n S h e e t s £ R R P £ P r i c eP R B 5 G N � 5 x7 1 2 5 . 0 4 4 . 4 0P R B 5 G R � 5 x7 1 2 5 . 0 4 4 . 4 0P R B 5 G H � 5 x7 1 2 5 . 0 4 4 . 4 0P R B 7 G N � 7 x 1 0 1 2 6 . 9 6 6 . 1 0P R B 7 G R � 7 x 1 0 1 2 6 . 9 6 6 . 1 0P R B 7 G H � 7 x 1 0 1 2 6 . 9 6 6 . 1 0P R B A 4 G N � A 4 1 2 8 . 5 2 7. 4 0P R B A 4 G R � A 4 1 2 8 . 5 2 7. 4 0P R B A 4 G H P � A 4 1 2 8 . 5 2 7. 4 0P R B 9 G N � 9 x 1 2 1 2 9 . 1 2 7. 9 0P R B 9 G R � 9 x 1 2 1 2 9 . 1 2 7. 9 0P R B 9 G H � 9 x 1 2 1 2 9 . 1 2 7. 9 0P R B 1 2 4 5 G N � 5 x 1 4 1 2 1 0 . 2 0 8 . 9 0P R B 1 0 G N � 1 0 x 1 4 1 2 1 0 . 9 2 9 . 5 0P R B 1 0 G R � 1 0 x 1 4 1 2 1 0 . 9 2 9 . 5 0P R B 1 0 G H � 1 0 x 1 4 1 2 1 0 . 9 2 9 . 5 0P R B 1 2 G N � 1 2 x 1 6 1 2 1 4 . 0 4 1 2 . 2 0P R B 1 2 G R � 1 2 x 1 6 1 2 1 4 . 0 4 1 2 . 2 0P R B 1 2 G H � 1 2 x 1 6 1 2 1 4 . 0 4 1 2 . 2 0

O r d e r C o d e S u r f a c e S i z e c m S h e e t s £ R R P £ P r i c ePA S P 1 9 N � 1 9 x 2 6 1 2 1 3 . 6 8 1 1 . 2 0PA S P 1 9 R � 1 9 x 2 6 1 2 1 3 . 6 8 1 1 . 2 0PA S P 1 9 H P � 1 9 x 2 6 1 2 1 3 . 6 8 1 1 . 2 0PA S P 2 3 N � 2 3 x 3 1 1 2 1 7. 7 6 1 4 . 5 0PA S P 2 3 R � 2 3 x 3 1 1 2 1 7. 7 6 1 4 . 5 0PA S P 2 3 H P � 2 3 x 3 1 1 2 1 7. 7 6 1 4 . 5 0PA S P 2 6 N � 2 6 x 3 6 1 2 2 3 . 0 4 1 8 . 9 0PA S P 2 6 R � 2 6 x 3 6 1 2 2 3 . 0 4 1 8 . 9 0PA S P 2 6 H P � 2 6 x 3 6 1 2 2 3 . 0 4 1 8 . 9 0

O r d e r C o d e S u r f a c e S i z e c m S h e e t s £ R R P £ P r i c eP PA P 2 3 N � 2 3 x 3 1 1 2 1 6 . 4 4 1 3 . 5 0P PA P 2 6 N � 2 6 x 3 6 1 2 2 2 . 4 4 1 8 . 4 0P PA P 2 3 R � 2 3 x 3 1 1 2 1 6 . 4 4 1 3 . 5 0P PA P 2 6 R � 2 6 x 3 6 1 2 2 2 . 4 4 1 8 . 4 0P PA P 2 3 H P � 2 3 x 3 1 1 2 1 6 . 4 4 1 3 . 5 0P PA P 2 6 H P � 2 6 x 3 6 1 2 2 2 . 4 4 1 8 . 4 0

O r d e r C o d e S u r f a c e S i z e S h e e t s £ R R P £ P r i c eP FAT 5 A 5 � A 5 2 5 9 . 6 0 8 . 9 0P FAT 5 A 4 � A 4 2 5 1 7. 6 4 1 6 . 4 0P FAT 5 A 3 � A 3 2 5 2 8 . 2 0 2 6 . 5 0

O r d e r C o d e S u r f a c e S i z e i n S h e e t s £ R R P £ P r i c eP P S P 7 N � 7. 5 x 1 1 2 5 1 8 . 0 0 1 6 . 1 0P P S P 7 R � 7. 5 x 1 1 2 5 1 8 . 0 0 1 6 . 1 0P P S P 7 H P � 7. 5 x 1 1 2 5 1 8 . 0 0 1 6 . 1 0P P S P 1 1 N � 1 1 x 1 5 2 5 3 5 . 1 6 2 9 . 5 0P P S P 1 1 R � 1 1 x 1 5 2 5 3 5 . 1 6 2 9 . 5 0P P S P 1 1 H P � 1 1 x 1 5 2 5 3 5 . 1 6 2 9 . 5 0

O r d e r C o d e S u r f a c e S i z e i n S h e e t s £ R R P £ P r i c eP P S J 7 � 7. 5 x 1 1 2 5 - 5 . 6 0P P S J 1 1 � 1 1 x 1 5 2 5 - 9 . 5 0

A L W A Y S E X C E L L E N T P R O D U C T S



W E L L M A D E E X C E L L E N T

Q U A L I T Y P A P E R

Lang ton Pad Spiral Pad 200 lb / 425gsm12 sheet pad, bound on shor t edge.

Lang ton Pad Glued 140lb / 300gsm12 sheet pad, acid free, mould made.

Lang ton Prestige Pad Glued 140lb / 300gsm12 sheet pad, 100% cot ton, mould made, g lued one edge.

Lang ton Spiral Pad 140lb / 300gsm 12 sheet pad, mould made, spiral bound.


Strathmore 400 Spiral Pad 140lb / 300gsm 12 sheet spiral pad, 100’% wood free, acid free, Not sur face.

Strathmore 400 Glued Pad 140lb / 300gsm 12 sheet g lued pad, 100’% wood free, acid free . Not sur face.

Strathmore 400 Sof t Cover Pad 140lb / 300gsm Pad bound in velvet y dark brown sof t cover, Smy th-sewn binding . 100% wood and acid free .

Khadi Paper Cover Sketchbook 2 10gsm 100% cot ton, bound with stitching . Each pa ge has one deckled edge.

Khadi Hard Cover Sketchbook 2 10gsm 100% cot ton, each pa ge has one deckled edge. The book is stitch bound.

Khadi Paperback Pad 150 lb30 sheet pad, handmade watercolour paper

Strathmore 400 Field Spiral Pad 140lb / 300gsm 4 00 Series Watercolour paper inter leaved with 4 00 Series Sketch paper, spiral bound with a hard cover.

O r d e r C o d e S u r f a c e S i z e i n S h e e t s £ R R P £ P r i c eP L 2 1 2 � 9 x 1 2 1 2 1 2 . 7 6 1 0 . 3 0P L 2 1 4 � 1 0 x 1 4 1 2 1 6 . 2 5 1 3 . 0 0P L 2 1 6 � 1 2 x 1 6 1 2 1 9 . 2 5 1 5 . 4 0

O r d e r C o d e S u r f a c e S i z e i n S h e e t s £ R R P £ P r i c eP L S 7 N � 7 x 5 1 2 6 . 7 6 5 . 5 0P L S 1 0 N � 1 0 x7 1 2 8 . 5 0 6 . 8 0P L S 1 0 R � 1 0 x7 1 2 8 . 5 0 6 . 8 0P L S 1 2 N � 1 2 x 9 1 2 1 1 . 2 6 9 . 1 0P L S 1 2 R � 1 2 x 9 1 2 1 1 . 2 6 9 . 1 0P L S 1 4 N � 1 4 x 1 0 1 2 1 3 . 5 0 1 0 . 8 0P L S 1 6 N � 1 6 x 1 2 1 2 1 5 . 5 0 1 2 . 5 0P L S 1 6 R � 1 6 x 1 2 1 2 1 5 . 5 0 1 2 . 5 0P L S 2 0 N � 2 0 x 1 6 1 2 2 5 . 9 6 2 1 . 0 0P L S 2 0 R � 2 0 x 1 6 1 2 2 5 . 9 6 2 1 . 0 0

O r d e r C o d e S u r f a c e S i z e i n S h e e t s £ R R P £ P r i c eP S M 4 4 1 -1 1 � 1 4 x 1 1 3 0 3 2 . 9 9 2 7. 0 0

O r d e r C o d e S u r f a c e S i z e i n S h e e t s £ R R P £ P r i c eP S M 4 8 3 - 5 � 8 x 5 . 5 2 4 2 0 . 5 0 1 8 . 0 0

O r d e r C o d e S u r f a c e S i z e i n S h e e t s £ R R P £ P r i c eP S M 4 4 0 -1 � 9 x 1 2 1 2 6 . 9 9 6 . 2 0P S M 4 4 0 -2 � 1 1 x 1 5 1 2 1 1 . 4 9 1 0 . 1 0P S M 4 4 0 - 3 � 1 2 x 1 8 1 2 1 3 . 9 9 1 2 . 3 0P S M 4 4 0 - 4 � 1 5 x 2 2 1 2 2 1 . 9 9 1 9 . 3 0

O r d e r C o d e S u r f a c e S i z e i n S h e e t s £ R R P £ P r i c ePSM298-103 � 5 . 5 x 8 . 5 1 2 3 . 4 9 3 . 1 0PSM298-112 � 1 2 x 1 2 1 2 8 . 9 9 7. 9 0

O r d e r C o d e S u r f a c e S i z e c m S h e e t s £ R R P £ P r i c eP K H B 5 W S � 1 3 x 1 6 2 0 9 . 7 2 8 . 8 0P K H B 5 W R � 1 3 x 1 6 1 6 9 . 7 2 8 . 8 0P K H B 5 LW S � 1 3 x 3 2 2 0 1 5 . 1 2 1 3 . 7 0P K H B 5 LW R � 1 3 x 3 2 1 6 1 5 . 1 2 1 3 . 7 0P K H B 4 W S � 2 1 x 2 5 2 0 1 7. 4 0 1 5 . 8 0P K H B 4 W R � 2 1 x 2 5 1 6 1 7. 4 0 1 5 . 8 0

O r d e r C o d e S u r f a c e S i z e c m S h e e t s £ R R P £ P r i c eP K B B 5 W S � 1 3 x 1 6 2 0 7. 3 2 6 . 7 0P K B B 5 W R � 1 3 x 1 6 2 0 7. 3 2 6 . 7 0P K B B 4 W S � 2 1 x 2 5 2 0 1 4 . 8 8 1 3 . 5 0P K B B 4 W R � 2 1 x 2 5 2 0 1 4 . 8 8 1 3 . 5 0P K B B 3 W S � 3 0 x 3 5 2 0 2 3 . 2 8 2 1 . 5 0P K B B 3 W R � 3 0 x 3 5 2 0 2 3 . 2 8 2 1 . 5 0

O r d e r C o d e S u r f a c e S i z e c m S h e e t s £ R R P £ P r i c eP K X 1 5 R � 1 5 x 1 5 1 5 3 . 9 6 3 . 5 0P K X 2 0 R � 2 0 x 2 0 1 5 5 . 9 4 5 . 2 0

O r d e r C o d e S u r f a c e S i z e i n S h e e t s £ R R P £ P r i c eP D P 7 N � 7 x 1 0 1 2 1 0 . 2 5 9 . 3 0P D P 7 R � 7 x 1 0 1 2 1 0 . 2 5 9 . 3 0P D P 9 N � 9 x 1 2 1 2 1 3 . 7 5 1 2 . 4 0P D P 9 R � 9 x 1 2 1 2 1 3 . 7 5 1 2 . 4 0P D P 1 0 N � 1 0 x 1 4 1 2 1 7. 9 5 1 6 . 2 0P D P 1 0 R � 1 0 x 1 4 1 2 1 7. 9 5 1 6 . 2 0P D P 1 4 N � 1 4 x 2 0 1 2 3 2 . 5 0 2 9 . 5 0P D P 1 4 R � 1 4 x 2 0 1 2 3 2 . 5 0 2 9 . 5 0

O r d e r C o d e S u r f a c e S i z e i n S h e e t s £ R R P £ P r i c eP P L H P 1 0 � 1 0 x7 1 2 7. 7 5 6 . 3 0P P L H P 1 2 � 1 2 x 9 1 2 1 0 . 7 5 8 . 7 0P P L H P 1 4 � 1 4 x 1 0 1 2 1 1 . 9 5 9 . 6 0P P L H P 1 6 � 1 6 x 1 2 1 2 1 5 . 9 5 1 2 . 8 0P P L PA 5 � A 5 1 2 5 . 9 5 4 . 8 0P P L PA 4 � A 4 1 2 1 0 . 2 5 8 . 2 0P P L PA 3 � A 3 1 2 1 5 . 2 5 1 2 . 3 0P P L PA 2 � A 2 1 2 2 4 . 2 5 1 9 . 5 0

IN CM1 2 . 5 42 5 . 0 83 7. 6 24 1 0 . 1 65 1 2 . 7 06 1 5 . 2 47 1 7. 7 88 2 0 . 3 29 2 2 . 8 61 0 2 5 . 4 01 1 2 7. 9 41 2 3 0 . 4 81 3 3 3 . 0 21 4 3 5 . 5 61 5 3 8 . 1 01 6 4 0 . 6 41 7 4 3 . 1 81 8 4 5 . 7 21 9 4 8 . 2 62 0 5 0 . 8 02 1 5 3 . 3 42 2 5 5 . 8 82 3 5 8 . 4 22 4 6 0 . 9 6

K E YPaper surface texturePlea se refer to below key.� Roug h� Not /Cold Pres sed� Hot Pres s� Smooth� Medium

Metric Conversion Strathmore Visual Journals 90lb / 190gsmGood qualit y spiral bound watercolour sketchbook . Acid-free paper, great for a var iet y pf media .

O r d e r C o d e S u r f a c e S i z e i n S h e e t s £ R R P £ P r i c eP S M 4 6 0 - 4 3 � 3 . 5 x 5 6 8 5 . 4 9 4 . 9 0P S M 4 6 0 - 4 5 � 5 . 5 x 8 6 8 8 . 4 9 7. 5 0P S M 4 6 0 - 4 9 � 9 x 1 2 6 8 1 4 . 9 9 1 3 . 2 0

Strathmore Visual Journals 140lb / 300gsmGood qualit y spiral bound watercolour sketchbook . Acid-free paper, great for a var iet y pf media .O r d e r C o d e S u r f a c e S i z e i n S h e e t s £ R R P £ P r i c eP S M 4 6 0 - 5 3 � 3 . 5 x 5 4 4 5 . 4 9 4 . 9 0P S M 4 6 0 - 5 5 � 5 . 5 x 8 4 4 8 . 4 9 7. 5 0P S M 4 6 0 - 5 9 � 9 x 1 2 4 4 1 4 . 9 9 1 3 . 2 0



Fabriano Studio Spiral Pad 140lb / 300gsm 12 sheets , spiral bound, wood and acid free . Not sur face.

Goldline Studio Glued Pad 200gsm 100 sheets , 100% wood and acid free, internally and ex ternally sized.O r d e r C o d e S u r f a c e S i z e c m S h e e t s £ R R P £ P r i c eP C W S P 2 4 � 2 4 x 3 2 1 0 0 1 7. 6 2 1 5 . 9 0

O r d e r C o d e S u r f a c e S i z e i n S h e e t s £ R R P £ P r i c eP F W 5 N � 5 x 8 1 2 5 . 0 4 4 . 6 0P F W 9 N � 9 x 1 2 1 2 8 . 4 0 7. 6 0P F W 1 2 N � 1 2 x 1 6 1 2 1 3 . 3 2 1 1 . 9 0P F WA 4 N � 8 . 5 x 1 2 . 7 1 2 7. 3 2 6 . 6 0

Jackson's Postcard Pad 350gsm Contains 12 postcards . Tape bound with a slate blue cover and a 2mm grey board backing . Not sur face.

Moleskine Watercolour Album 200gsm Black Hard Cover 60 pa ges . Made of heav y paper, 200 gsm, 25% cot ton f ibre cold pressed, identical on both sides , is ideal for paintings and drawings .

Hahnemuhle Postcard Pack 230gsm 30 cards in metal t in . A l ine on reverse of each card def ines address and tex t areas . Acid free, Rough.Daler-Rowney Postcard Pad 300gsm

12 postcards made from 14 0lb L ang ton watercolour paper. Feint l ines for address on reverse. Not sur face.

Winsor & New ton Ar tist Glue Pad 140lb / 300gsm100% cot ton.

Winsor & New ton Cotman Gummed Pad 140lbGum bound, wood-free, acid free, mould made.

Winsor & New ton Cotman Spiral Pad 140lb Spiral bound, wood-free, acid free, mould made.

Winsor & New ton Ar tist Spiral Pad 140lb / 300gsm100% cot ton.


Winsor & New ton Cotman Gummed Pad 200lb / 425gsm Mould made paper, wood free to insure ma ximum stabil i t y and is acid free .

Daler-Rowney Aquafine Watercolour Pad 300gsm100% virg in wood pulp.

Daler-Rowney Aquafine Jumbo Pad 300gsm100% virg in wood pulp.

O r d e r C o d e S u r f a c e S i z e i n S h e e t s £ R R P £ P r i c eP C 2 G 8 � 8 x 5 10 7. 2 5 5 . 8 0P C 2 G 1 0 � 1 0 x7 10 9 . 8 5 7. 9 0P C 2 G 1 2 � 1 2 x 9 10 1 3 . 0 0 1 0 . 4 0P C 2 G 1 4 � 1 4 x 1 0 10 1 4 . 5 0 1 1 . 6 0P C 2 G 1 6 � 1 6 x 1 2 10 1 9 . 4 0 1 5 . 6 0

O r d e r C o d e S u r f a c e S i z e i n S h e e t s £ R R P £ P r i c eP C G 8 � 8 x 5 10 5 . 7 5 4 . 6 0P C G 1 0 � 1 0 x7 10 8 . 1 5 6 . 6 0P C G 1 2 � 1 2 x 9 10 1 0 . 9 5 8 . 8 0P C G 1 4 � 1 4 x 1 0 10 1 1 . 9 5 9 . 6 0P C G 1 6 � 1 6 x 1 2 10 1 5 . 8 5 1 2 . 7 0P C G 2 0 � 2 0 x 1 6 10 2 2 . 8 5 1 8 . 3 0

O r d e r C o d e S u r f a c e S i z e S h e e t s £ R R P £ P r i c eP W G A 5 � A 5 12 6 . 5 0 5 . 3 0P W G A 4 � A 4 1 2 1 0 . 6 5 8 . 6 0P W G A 3 � A 3 1 2 1 6 . 6 5 1 3 . 4 0P W G A 2 � A 2 1 2 2 7. 0 0 2 2 . 0 0

O r d e r C o d e S u r f a c e S i z e i n S h e e t s £ R R P £ P r i c eP J P P � A 6 1 2 - 3 . 5 0

O r d e r C o d e S u r f a c e S i z e S h e e t s £ R R P £ P r i c eP D P C � A 6 1 2 4 . 9 6 4 . 0 0

O r d e r C o d e S u r f a c e S i z e i n S h e e t s £ R R P £ P r i c eP R B 1 2 J � 1 2 x 9 5 0 1 8 . 9 5 1 5 . 2 0P R B 1 6 J � 1 6 x 1 2 5 0 3 2 . 2 6 2 6 . 0 0

O r d e r C o d e S u r f a c e S i z e S h e e t s £ R R P £ P r i c eP M K B F 8 5 2 � A 3 3 0 2 9 . 9 9 2 5 . 7 0

O r d e r C o d e S u r f a c e S i z e S h e e t s £ R R P £ P r i c eP P C H 3 0 � A 6 3 0 8 . 0 4 6 . 5 0

O r d e r C o d e S u r f a c e S i z e S h e e t s £ R R P £ P r i c eP D Q S A 4 � A 4 1 2 6 . 2 5 5 . 1 0P D Q S A 3 � A 3 1 2 1 1 . 9 5 9 . 6 0P D Q S 9 � 9 x 1 2 1 2 8 . 5 0 6 . 8 0P D Q S 1 2 � 1 2 x 1 6 1 2 1 2 . 2 5 9 . 9 0P D Q N A 4 � A 4 1 2 6 . 2 5 5 . 1 0P D Q N A 3 � A 3 1 2 1 1 . 9 5 9 . 6 0P D Q N 9 � 9 x 1 2 1 2 8 . 5 0 6 . 8 0P D Q N 1 2 � 1 2 x 1 6 1 2 1 2 . 2 5 9 . 9 0

O r d e r C o d e S u r f a c e S i z e i n S h e e t s £ R R P £ P r i c eP W W 7 5 � 7 x 5 12 7. 2 5 5 . 8 0P W W 1 0 7 � 1 0 x7 12 9 . 5 0 7. 7 0P W W 1 2 9 � 1 2 x 9 12 1 1 . 9 5 9 . 6 0P W W 1 4 1 0 � 1 4 x 1 0 12 1 4 . 5 0 1 1 . 6 0P W W 1 6 1 2 � 1 6 x 1 2 12 1 7. 6 5 1 4 . 2 0P W W 1 8 1 4 � 1 8 x 1 4 12 2 3 . 9 5 1 9 . 2 0P W W 1 6 2 0 � 1 6 x 2 0 12 2 8 . 0 0 2 2 . 5 0

O r d e r C o d e S u r f a c e S i z e i n S h e e t s £ R R P £ P r i c eP C S P 8 � 8 x 5 1 2 6 . 7 5 5 . 5 0P C S P 1 0 � 1 0 x7 1 2 8 . 7 5 7. 0 0P C S P 1 2 � 1 2 x 9 1 2 1 1 . 2 5 9 . 1 0P C S P 1 4 � 1 4 x 1 0 1 2 1 4 . 0 0 1 1 . 3 0P C S P 1 6 � 1 6 x 1 2 1 2 1 6 . 9 5 1 3 . 6 0P C S P 2 0 � 2 0 x 1 6 1 2 2 6 . 0 0 2 1 . 0 0


C A R T R I D G E P A D S

Jackson's Ar t Journal 130gsm. Recycled car tr idge paper, elastic retaining band, place marker and expandable inner pocket .O r d e r C o d e S i z e S h e e t s £ R R P £ P r i c eP S W 1 0 7 A 6 P 6 4 - 5 . 7 0P S W 1 0 8 A 5 P 6 4 - 6 . 7 0

Daler-Rowney Ebony Spiral SketchbookAcid-free, 150gsm. Smooth white car tr idge paper for pencil , pen and ink and l ight watercolour wash ar t work .O r d e r C o d e S i z e S h e e t s £ R R P £ P r i c eP D E B S A 6 A 6 5 0 6 . 7 6 5 . 5 0P D E B S A 5 A 5 5 0 8 . 5 0 6 . 8 0P D E B S A 4 A 4 5 0 1 1 . 7 5 9 . 4 0P D E B S A 3 A 3 5 0 1 8 . 2 5 1 4 . 7 0

O r d e r C o d e S i z e S h e e t s £ R R P £ P r i c eP D E B C A 6 A 6 6 2 6 . 7 6 5 . 5 0P D E B C A 5 A 5 6 2 8 . 5 0 6 . 8 0P D E B C A 4 A 4 6 2 1 1 . 7 5 9 . 4 0P D E B C A 3 A 3 4 8 1 8 . 2 5 1 4 . 7 0

Daler-Rowney Ebony Hardback SketchbookAcid-free 150gsm. A complete range of hardback books specially developed for ar tists .

Daler-Rowney 'Simply' Spiral SketchbookAcid-free 100gsm, natural white , medium grain paper ideal for any dr y technique.O r d e r C o d e S i z e i n S h e e t s £ R R P £ P r i c eP D S A 5 5 . 5 x 8 . 5 8 0 6 . 9 5 4 . 2 0P D S A 4 8 . 5 x 1 1 8 0 1 0 . 2 5 6 . 2 0P D S 1 4 1 4 x 1 1 8 0 1 7. 7 5 1 0 . 7 0

Jackson's Paperback Sketchbook14 0gsm paper.

Daler-Rowney Graduate Paperback Sketchbook160gsm. Ideal for a ll k inds of drawing and sketching .

O r d e r C o d e S i z e S h e e t s £ R R P £ P r i c eP S W 1 0 3 A 4 P 2 0 - 1 . 9 0P S W 1 0 4 A 4 L 2 0 - 2 . 0 0P S W 1 0 5 A 5 P 2 0 - 1 . 3 0P S W 1 0 6 A 3 P 2 0 - 3 . 8 0

O r d e r C o d e S i z e S h e e t s £ R R P £ P r i c eP D 8 1 5 0 0 0 5 0 0 A 5 2 0 - 1 . 4 0P D 8 1 5 0 0 0 4 0 0 A 4 2 0 - 2 . 1 0P D 8 1 5 0 0 0 3 0 0 A 3 2 0 - 4 . 0 0

Fabriano Venezia Hardback Sketchbook200gsm. Features heav y-weight Fabriano Accademia acid free .O r d e r C o d e S i z e i n S h e e t s £ R R P £ P r i c eP F V4 4 x 6 4 8 8 . 0 4 7. 2 0P F V 6 6 x 9 4 8 1 2 . 2 4 1 1 . 0 0P F V 9 9 x 1 2 4 8 1 7. 6 4 1 5 . 8 0

Rhodia Webnotebook Hardback SketchbookA K A ‘ Webbies’. Contain pH neutral , smooth ivor y paper. Includes r ibbon marker and elastic fastening .

Montana Sketchbook Black 120gsm landscape Hardcover. 14 4 pa ges , sketching and marker optimised coated paper for shor t ink dr ying time. Ideal for ar tists , graphic ar tists and designers .

Der went Hardback Banded Sketch PadSpiral Pad, Hard Cover, 165gsm.Acid free paper, per fect for sketching .

Snowdon Car tridge Paper Fat Pad Spiral bound pad with a strong black hard cover. Wood-free and acid-free car tr idge paper, with a mat t white sur face. 130gsm.

Moleskine Hardbound SketchbookCard bound book with elastic fastening . Acid free, thread bound, with expandable inner note holder.O r d e r C o d e S i z e c m C o v e r £ R R P £ P r i c eP M K Q P 0 1 4 9 x 1 4 B l a c k 1 1 . 5 0 9 . 9 0P M K Q P 0 1 4 R 9 x 1 4 R e d 1 1 . 5 0 9 . 9 0P M K Q P 0 6 3 1 3 x 2 1 B l a c k 1 5 . 5 0 1 3 . 3 0P M K Q P 0 6 3 R 1 3 x 2 1 R e d 1 5 . 5 0 1 3 . 3 0P M K B F 8 3 2 A 4 B l a c k 2 0 . 0 0 1 7. 2 0

Jackson's Black Hardback SketchbookAcid-free, Sized, 14 0gsm. Heav y drawing car tr idge paper.O r d e r C o d e S i z e c m S h e e t s £ R R P £ P r i c eP S WA 5 P A 5 P 4 6 - 5 . 0 0P S WA 5 L A 5 L 4 6 - 5 . 0 0P S W 1 4 0 1 4 x 1 4 9 5 - 5 . 8 0P S W 2 5 P 2 5 x 1 9 P 7 0 - 7. 3 0P S W 2 5 L 2 5 x 1 9 L 7 0 - 7. 3 0P S WA 4 P A 4 P 4 6 - 7. 3 0P S W 1 9 5 1 9 x 1 9 9 5 - 8 . 3 0P S WA 4 L A 4 L 4 6 - 8 . 5 0P S W 2 5 0 2 5 x 2 5 9 5 - 1 1 . 0 0P S WA 3 P A 3 P 4 6 - 1 6 . 0 0P S WA 3 L A 3 L 4 6 - 1 7. 1 0

O r d e r C o d e S i z e C o v e r £ R R P £ P r i c eP R W O 1 2 0 A 7 P O r a n g e 7. 2 0 6 . 5 0P R W B 1 2 0 A 7 P B l a c k 7. 2 0 6 . 5 0P R W O A 6 A 6 P O r a n g e 8 . 6 6 7. 8 0P R W B A 6 A 6 P B l a c k 8 . 6 6 7. 8 0P R W O L A N D A 5 L O r a n g e 1 4 . 3 6 1 3 . 0 0P R W B L A N D A 5 L B l a c k 1 4 . 3 6 1 3 . 0 0P R W O A 5 A 5 P O r a n g e 1 4 . 6 5 1 3 . 2 0P R W B A 5 A 5 P B l a c k 1 4 . 6 5 1 3 . 2 0P R W O A 4 A 4 P O r a n g e 2 2 . 4 3 2 0 . 5 0P R W B A 4 A 4 P B l a c k 2 2 . 4 3 2 0 . 5 0

O r d e r C o d e S i z e S h e e t s £ R R P £ P r i c eA M M 1 1 1 0 8 2 0 4 A 5 7 2 1 1 . 5 0 1 1 . 3 0A M M 1 1 1 0 8 2 1 1 A 4 7 2 1 3 . 9 5 1 3 . 7 0A M M 1 1 1 0 8 2 2 8 A 4 7 2 1 3 . 9 5 1 3 . 7 0

O r d e r C o d e S i z e S h e e t s £ R R P £ P r i c eG D 2 1 0 2 1 7 6 A 5 L 5 6 7. 4 0 4 . 3 0G D 2 1 0 2 1 7 9 A 5 P 5 6 7. 4 0 4 . 3 0G D 2 1 0 2 1 7 5 A 4 L 5 6 1 0 . 5 0 6 . 0 0G D 2 1 0 2 1 7 8 A 4 P 5 6 1 0 . 5 0 6 . 0 0G D 2 1 0 2 1 74 A 3 L 5 6 1 6 . 3 0 1 0 . 9 0G D 2 1 0 2 1 7 7 A 3 P 5 6 1 6 . 3 0 1 0 . 9 0G D 2 3 0 0 0 4 6 1 2 x 1 2 5 6 1 2 . 4 0 7. 1 0

C A R T R I D G EP A D S

IN CM1 2 . 5 42 5 . 0 83 7. 6 24 1 0 . 1 65 1 2 . 7 06 1 5 . 2 47 1 7. 7 88 2 0 . 3 29 2 2 . 8 61 0 2 5 . 4 01 1 2 7. 9 41 2 3 0 . 4 81 3 3 3 . 0 21 4 3 5 . 5 61 5 3 8 . 1 01 6 4 0 . 6 41 7 4 3 . 1 81 8 4 5 . 7 21 9 4 8 . 2 62 0 5 0 . 8 02 1 5 3 . 3 42 2 5 5 . 8 82 3 5 8 . 4 22 4 6 0 . 9 6

K E YPaper surface texturePlea se speci f y the sur face required with your order. P lea se refer to below key.� Roug h� Not /Cold Pres sed� Hot Pres s� Smooth� Medium

Metric Conversion

O r d e r C o d e S i z e S h e e t s £ R R P £ P r i c eP S N PA 4 A 4 1 0 0 8 . 1 6 7. 5 0P S N PA 3 A 3 1 0 0 1 4 . 2 8 1 3 . 1 0



Stillman & Birn Zeta Spiral Sketchbook270gsm. Smooth natural white paper, exceptional wet streng th suppor ts the application of multiple washes .

Stillman & Birn Delta Hardback SketchbookHard bound, 270gsm, Ivor y, cold press/rough tex ture . For wet and dr y media .

O r d e r C o d e S i z e i n S h e e t s £ R R P £ P r i c eP S B 9 0 0 6 8 0 6 x 8 2 5 1 3 . 3 0 1 1 . 1 0P S B 9 0 0 7 7 0 7 x7 2 5 1 3 . 3 0 1 1 . 1 0P S B 9 0 0 7 1 0 7 x 1 0 2 5 1 6 . 2 0 1 3 . 5 0P S B 9 0 0 9 1 2 9 x 1 2 2 5 2 1 . 2 9 1 7. 8 0

Stillman & Birn Alpha Hardback SketchbookHard bound, 150gsm, Natural White , Vellum tex ture . For dr y media and l ight washes .O r d e r C o d e S i z e i n S h e e t s £ R R P £ P r i c eP S B 1 0 0 4 6 0 4 x 6 6 2 9 . 7 6 8 . 2 0P S B 1 0 0 5 8 0 5 . 5 x 8 . 5 6 2 1 2 . 6 5 1 0 . 6 0P S B 1 0 0 8 9 9 8 . 2 5 x 1 1 . 7 5 6 2 1 8 . 2 2 1 5 . 2 0P S B 1 0 0 9 6 0 9 x 6 6 2 1 5 . 0 3 1 2 . 6 0

Stillman & Birn Alpha Spiral SketchbookSpiral bound, 250gsm, Natural white , vellum tex ture, For wet and dr y media .O r d e r C o d e S i z e i n S h e e t s £ R R P £ P r i c eP S B 2 0 1 1 1 4 1 1 x 1 4 5 0 2 3 . 8 4 1 9 . 9 0P S B 2 0 0 9 1 2 9 x 1 2 5 0 1 9 . 0 2 1 5 . 9 0P S B 2 0 0 7 1 0 7 x 1 0 5 0 1 4 . 7 5 1 2 . 3 0 P S B 2 0 0 1 0 7 1 0 x7 5 0 1 4 . 7 5 1 2 . 3 0P S B 2 0 0 6 8 0 6 x 8 5 0 1 2 . 3 1 1 0 . 3 0

Stillman & Birn Beta Hardback SketchbookHard bound, 270gsm, Natural white , cold press/rough tex ture . For wet and dr y media .O r d e r C o d e S i z e i n S h e e t s £ R R P £ P r i c eP S B 3 0 0 5 8 0 5 . 5 x 8 . 5 2 6 1 4 . 3 3 1 2 . 0 0P S B 3 0 0 8 9 9 8 . 2 5 x 1 1 . 5 2 6 2 0 . 5 4 1 7. 2 0

Stillman & Birn Beta Spiral SketchbookSpiral bound, 270gsm, Natural white , cold press/rough tex ture, For wet and dr y media .O r d e r C o d e S i z e i n S h e e t s £ R R P £ P r i c eP S B 3 0 0 6 8 0 6 x 8 2 5 1 3 . 3 0 1 1 . 1 0P S B 3 0 0 7 1 0 7 x 1 0 2 5 1 3 . 3 0 1 1 . 1 0P S B 3 0 0 7 7 0 7 x7 2 5 1 6 . 2 0 1 3 . 5 0 S B 3 0 0 9 1 2 9 x 1 2 2 5 2 1 . 2 9 1 7. 8 0

O r d e r C o d e S i z e i n S h e e t s £ R R P £ P r i c eP S B 6 0 0 5 8 0 5 . 5 x 8 . 5 2 6 1 4 . 3 3 1 2 . 0 0P S B 6 0 0 8 9 9 8 . 2 5 x 1 1 . 7 5 2 6 2 0 . 5 4 1 7. 2 0

Stillman & Birn Delta Spiral SketchbookSpiral bound, 270gsm, Ivor y, cold press/rough sur face. For wet and dr y mediaO r d e r C o d e S i z e i n S h e e t s £ R R P £ P r i c eP S B 6 0 0 6 8 0 6 x 8 2 5 1 3 . 3 0 1 1 . 1 0P S B 6 0 0 7 1 0 7 x 1 0 2 5 1 6 . 2 0 1 3 . 5 0P S B 6 0 0 7 7 0 7 x7 2 5 1 3 . 3 0 1 1 . 1 0P S B 6 0 0 9 1 2 9 x 1 2 2 5 2 1 . 2 9 1 7. 8 0

Stillman & Birn Epsilon Hardbound SketchbookHardbound, 150gsm. Natural white , smooth sur face. For wet and dr y media .O r d e r C o d e S i z e i n S h e e t s £ R R P £ P r i c eP S B 7 0 0 5 8 0 5 . 5 x 8 . 5 6 2 1 2 . 6 5 1 0 . 6 0P S B 7 0 0 8 9 9 8 . 2 5 x 1 1 . 7 5 6 2 1 8 . 2 2 1 5 . 2 0

Stillman & Birn Epsilon Spiral SketchbookSpiral bound, 150gsm. Natural white , smooth sur face. For wet and dr y media .O r d e r C o d e S i z e i n S h e e t s £ R R P £ P r i c eP S B 8 0 0 6 8 0 6 x 8 5 0 1 2 . 3 1 1 0 . 3 0P S B 8 0 0 7 1 0 7 x 1 0 5 0 1 4 . 7 5 1 2 . 3 0P S B 8 0 0 9 1 2 9 x 1 2 5 0 1 9 . 0 2 1 5 . 9 0

Stillman & Birn Gamma Hardback SketchbookHardbound, 150gsm. Natural white , smooth sur face. For wet and dr y media .O r d e r C o d e S i z e i n S h e e t s £ R R P £ P r i c eP S B 4 0 0 8 9 9 8 . 2 5 x 1 1 . 7 5 6 2 1 8 . 2 2 1 5 . 2 0P S B 4 0 0 5 8 0 5 . 5 x 8 . 5 6 2 1 2 . 6 5 1 0 . 6 0

Stillman & Birn Gamma Spiral SketchbookSpiral bound, 150gsm. Natural white , smooth sur face. For wet and dr y media .O r d e r C o d e S i z e i n S h e e t s £ R R P £ P r i c eP S B 5 0 0 6 8 0 6 x 8 5 0 1 2 . 3 1 1 0 . 3 0P S B 5 0 0 7 1 0 7 x 1 0 5 0 1 4 . 7 5 1 2 . 3 0P S B 5 0 0 1 0 7 1 0 x7 5 0 1 4 . 7 5 1 2 . 3 0P S B 5 0 0 9 1 2 9 x 1 2 5 0 1 9 . 0 2 1 5 . 9 0P S B 5 0 1 1 1 4 1 1 x 1 4 5 0 2 3 . 8 4 1 9 . 9 0

Stillman & Birn Zeta Hardback SketchbookHardbound. 270gsm, Natural white , smooth tex ture . For wet and dr y media .O r d e r C o d e S i z e i n S h e e t s £ R R P £ P r i c eP S B 9 0 0 5 8 0 5 . 5 x 8 . 5 2 6 1 4 . 3 3 1 2 . 0 0P S B 9 0 0 8 9 9 8 . 2 5 x 1 1 . 7 5 2 6 2 0 . 5 4 1 7. 2 0




Daler-Rowney Car tridge Smooth Car tridge Pad130gsm. The coarseness or ' tooth' of the paper has a direct ef fect on ima ges drawn in charcoal or pencil .

Daler-Rowney Fine Grain Drawing Pad120gsm. Ideal for drawing in charcoal or pencil .O r d e r C o d e S i z e S h e e t s £ R R P £ P r i c eP D 1 2 0 A 5 A 5 3 0 3 . 6 5 3 . 0 0P D 1 2 0 A 4 A 4 3 0 5 . 3 5 4 . 3 0P D 1 2 0 A 3 A 3 3 0 9 . 2 5 7. 5 0P D 1 2 0 A 2 A 2 3 0 1 6 . 5 0 1 3 . 2 0

O r d e r C o d e S i z e S h e e t s £ R R P £ P r i c eP D 1 6 0 A 5 A 5 3 0 4 . 4 5 3 . 6 0P D 1 6 0 A 4 A 4 3 0 6 . 2 5 5 . 1 0P D 1 6 0 A 3 A 3 3 0 1 0 . 7 5 8 . 7 0P D 1 6 0 A 2 A 2 3 0 1 8 . 7 6 1 5 . 1 0

Daler-Rowney Fine Grain Heav y weight Pad200gsm. The f inest papers for drawing , sketching , pastel and charcoal work .

O r d e r C o d e S i z e S h e e t s £ R R P £ P r i c eP D 1 3 0 A 5 A 5 3 0 3 . 9 0 3 . 2 0P D 1 3 0 A 4 A 4 3 0 5 . 3 5 4 . 3 0P D 1 3 0 A 3 A 3 3 0 8 . 9 5 7. 2 0P D 1 3 0 A 2 A 2 3 0 1 6 . 2 5 1 3 . 0 0P D 1 3 0 A 1 A 1 3 0 2 9 . 7 5 2 4 . 0 0

Daler-Rowney Heav y weight Pad2 20gsm. Heav y-weight paper is acid-free and both internally and sur face sized.O r d e r C o d e S i z e S h e e t s £ R R P £ P r i c eP D 2 2 0 A 5 A 5 2 5 4 . 7 0 3 . 8 0P D 2 2 0 A 4 A 4 2 5 7. 7 5 6 . 3 0P D 2 2 0 A 3 A 3 2 5 1 1 . 9 5 9 . 6 0P D 2 2 0 A 2 A 2 2 5 1 9 . 7 5 1 5 . 9 0

O r d e r C o d e S i z e S h e e t s £ R R P £ P r i c eP D 1 5 0 A 6 A 6 2 5 3 . 1 0 2 . 5 0P D 1 5 0 A 5 A 5 2 5 3 . 9 0 3 . 2 0P D 1 5 0 A 4 A 4 2 5 5 . 9 5 4 . 8 0P D 1 5 0 A 3 A 3 2 5 1 0 . 2 5 8 . 2 0P D 1 5 0 A 2 A 2 2 5 1 7. 7 5 1 4 . 2 0

Daler-Rowney Spiral Pad150gsm. Ideal for drawing in charcoal or pencil .

Winsor & New ton 220gsm Glued Pad2 20gsm Heav y weight car tr idge paper which can be used with a var iet y of sketching and drawing media .

Winsor & New ton 150gsm Spiral Pad 150gsm. 100% acid free and provides a clean white strong sur face for repeated working and erasing .

O r d e r C o d e S u r f a c e S i z e S h e e t s £ R R P £ P r i c eP W 2 S A 5 � A 5 2 5 4 . 8 5 3 . 9 0P W 2 M A 5 � A 5 2 5 4 . 8 5 3 . 9 0P W 2 S A 4 � A 4 2 5 7. 6 5 6 . 2 0P W 2 M A 4 � A 4 2 5 7. 6 5 6 . 2 0P W 2 S A 3 � A 3 2 5 1 2 . 5 0 1 0 . 1 0P W 2 M A 3 � A 3 2 5 1 2 . 5 0 1 0 . 1 0P W 2 S A 2 � A 2 2 5 2 0 . 8 5 1 6 . 7 0P W 2 M A 2 � A 2 2 5 2 0 . 8 5 1 6 . 7 0

O r d e r C o d e S u r f a c e S i z e S h e e t s £ R R P £ P r i c eP W 5 S A 6 � A 6 2 5 3 . 1 5 2 . 6 0P W 5 M A 6 � A 6 2 5 3 . 1 5 2 . 6 0P W 5 S A 5 � A 5 2 5 4 . 1 5 3 . 4 0P W 5 M A 5 � A 5 2 5 4 . 1 5 3 . 4 0P W 5 S A 4 � A 4 2 5 6 . 2 5 5 . 1 0P W 5 M A 4 � A 4 2 5 6 . 2 5 5 . 1 0P W 5 S A 3 � A 3 2 5 1 0 . 2 5 8 . 2 0P W 5 M A 3 � A 3 2 5 1 0 . 2 5 8 . 2 0P W 5 S A 2 � A 2 2 5 1 8 . 7 5 1 5 . 1 0P W 5 M A 2 � A 2 2 5 1 8 . 7 5 1 5 . 1 0

Daler-Rowney Fine Grain Car tridge PadGlue bound, 160gsm, natural white , f ine grain . 30 sheets , for drawing media

O r d e r C o d e S i z e S h e e t s £ R R P £ P r i c eP D 2 0 0 A 5 A 5 3 0 4 . 7 0 3 . 8 0P D 2 0 0 A 4 A 4 3 0 7. 5 0 6 . 0 0P D 2 0 0 A 3 A 3 3 0 1 1 . 9 5 9 . 6 0P D 2 0 0 A 2 A 2 3 0 2 0 . 7 5 1 6 . 6 0

Daler-Rowney Lyndhurst Spiral PadSpiral bound, 135gsm, natural white , smooth sur face, 25 sheets , for drawing media .O r d e r C o d e S i z e i n S h e e t s £ R R P £ P r i c eP LY P 1 0 1 0 x7 2 5 5 . 3 5 4 . 3 0P LY P 1 2 1 2 x 9 2 5 6 . 7 6 5 . 5 0P LY P 1 4 1 4 x 1 0 2 5 9 . 2 5 7. 5 0P LY P 1 6 1 6 x 1 2 2 5 1 0 . 9 6 8 . 8 0P LY P 2 0 2 0 x 1 6 2 5 1 5 . 5 0 1 2 . 5 0P LY P 7 7 x 5 2 5 3 . 9 0 3 . 2 0

Daler-Rowney Jumbo Sketching Glued PadGlue bound, 95gsm, natural white , f ine grain sur face. 120 sheets , for dr y media . O r d e r C o d e S i z e S h e e t s £ R R P £ P r i c ePD403071400 A 4 1 2 0 7. 5 0 5 . 4 0 PD403071300 A 3 1 2 0 1 1 . 5 0 8 . 3 0

Winsor & New ton 130gsm Glued PadGlue bound, 130gsm, natural white , smooth or medium, 30 sheets , for drawing media . O r d e r C o d e S u r f a c e S i z e S h e e t s £ R R P £ P r i c eP W 3 M A 2 � A 2 3 0 1 6 . 6 5 1 3 . 4 0P W 3 M A 3 � A 3 3 0 9 . 3 5 7. 5 0P W 3 M A 4 � A 4 3 0 5 . 6 5 4 . 6 0P W 3 M A 5 � A 5 3 0 4 . 1 5 3 . 4 0P W 3 S A 2 � A 2 3 0 1 6 . 6 5 1 3 . 4 0P W 3 S A 3 � A 3 3 0 9 . 3 5 7. 5 0P W 3 S A 4 � A 4 3 0 5 . 6 5 4 . 6 0P W 3 S A 5 � A 5 3 0 4 . 1 5 3 . 4 0

Winsor & New ton 96gsm Spiral PadSpiral bound, 96gsm, Natural white , medium sur face. 50 sheets , for dr y media .O r d e r C o d e S i z e S h e e t s £ R R P £ P r i c eP W M A 6 A 6 5 0 3 . 4 5 2 . 8 0P W M A 5 A 5 5 0 4 . 5 0 3 . 6 0P W M A 4 A 4 5 0 7. 6 5 6 . 2 0P W M A 3 A 3 5 0 1 2 . 5 0 1 0 . 1 0


IN CM1 2 . 5 42 5 . 0 83 7. 6 24 1 0 . 1 65 1 2 . 7 06 1 5 . 2 47 1 7. 7 88 2 0 . 3 29 2 2 . 8 61 0 2 5 . 4 01 1 2 7. 9 41 2 3 0 . 4 81 3 3 3 . 0 21 4 3 5 . 5 61 5 3 8 . 1 01 6 4 0 . 6 41 7 4 3 . 1 81 8 4 5 . 7 21 9 4 8 . 2 62 0 5 0 . 8 02 1 5 3 . 3 42 2 5 5 . 8 82 3 5 8 . 4 22 4 6 0 . 9 6

K E YPaper surface texturePlea se speci f y the sur face required with your order. P lea se refer to below key.� Roug h� Not /Cold Pres sed� Hot Pres s� Smooth� Medium

Metric Conversion



Strathmore 400 Drawing Spiral PadSpiral bound, 130gsm, cream colour, medium sur face, 24 sheets , readily accepts pencil , charcoal and sketching sticks . A lso good for sof t pastel , oi l pastel , marker and pen & ink .

O r d e r C o d e S i z e i n S h e e t s £ R R P £ P r i c eP S M 4 0 0 -1 0 4 9 x 1 2 2 4 4 . 9 9 4 . 4 0P S M 4 0 0 -1 0 5 1 1 x 1 4 2 4 5 . 9 9 5 . 3 0P S M 4 0 0 -1 0 7 1 4 x 1 7 2 4 8 . 4 9 7. 5 0P S M 4 0 0 -1 0 8 1 8 x 2 4 2 4 1 4 . 4 9 1 2 . 8 0

Strathmore 400 Ar t Journal Sof tcover130gsm. This general purpose, heav y weight sketch paper is intended for practice of techniques or quick studies with any dr y media . Acid free .O r d e r C o d e S i z e i n S h e e t s £ R R P £ P r i c eP S M 4 8 2 - 5 5 . 5 x 8 4 8 1 6 . 4 9 1 4 . 5 0P S M 4 8 2 -7 7. 7 5 x 9 . 7 5 4 8 2 0 . 5 0 1 8 . 0 0

Strathmore 400 Toned Sketch PadSpiral bound, 1 18gsm, Toned Grey, medium sur face.O r d e r C o d e S i z e i n S h e e t s £ R R P £ P r i c eP S M 4 1 2 -1 0 5 6 x 8 5 0 5 . 9 9 5 . 3 0P S M 4 1 2 -1 0 9 9 x 1 2 5 0 1 0 . 0 0 8 . 8 0

O r d e r C o d e S i z e S h e e t s £ R R P £ P r i c eP S N PA 4 A 4 1 0 0 8 . 1 6 7. 5 0P S N PA 3 A 3 1 0 0 1 4 . 2 8 1 3 . 1 0

Snowdon 'Fat Pad' Spiral Pad130gsm. Mat t 100 sheets acid-free spiral car tr idge pad.

Stonehenge Glued PadGlue bound, 250gsm, White , vellum sur face. For dr y media , l ight washes and pr intmaking .O r d e r C o d e S i z e i n S h e e t s £ R R P £ P r i c eP G S P 0 5 0 7 5 x7 1 5 9 . 2 5 8 . 6 0P G S P 0 8 0 8 8 x 8 1 5 1 2 . 5 0 1 1 . 6 0P G S P 0 9 1 2 9 x 1 2 1 5 1 7. 5 0 1 6 . 2 0P G S P 1 1 1 4 1 1 x 1 4 1 5 2 2 . 9 5 2 1 . 5 0P G S P 1 8 2 4 1 8 x 2 4 1 5 4 4 . 9 5 4 2 . 0 0


Strathmore 400 Drawing SmoothCream coloured drawing paper for sketching & f inished work . Smooth sur face accepts all dr y media & ink .

O r d e r C o d e S i z e i n S h e e t s £ R R P £ P r i c eP S M 4 0 0 -1 4 x 6 2 4 2 . 4 9 2 . 2 0P S M 4 0 0 -2 6 x 8 2 4 3 . 4 9 3 . 1 0P S M 4 0 0 - 3 8 x 1 0 2 4 4 . 4 9 4 . 0 0P S M 4 0 0 - 4 9 x 1 2 2 4 4 . 9 9 4 . 4 0P S M 4 0 0 - 5 1 1 x 1 4 2 4 6 . 9 9 6 . 2 0P S M 4 0 0 - 6 1 2 x 1 8 2 4 8 . 4 9 7. 5 0P S M 4 0 0 -7 1 4 x 1 7 2 4 8 . 4 9 7. 5 0P S M 4 0 0 - 8 1 8 x 2 4 2 4 1 5 . 4 9 1 3 . 6 0

Strathmore 400 Sketch Sof t Cover SketchbookPractice of techniques or quick studies with any dr y media . The velvet y sof tcover in r ich dark brown.O r d e r C o d e S i z e i n S h e e t s £ R R P £ P r i c eP S M 4 8 0 - 5 5 . 5 x 8 8 0 1 6 . 4 9 1 4 . 5 0P S M 4 8 0 -7 7. 7 5 x 9 . 7 5 8 0 2 0 . 5 0 1 8 . 0 0

Strathmore 400 Toned Sof t Cover SketchbookSof t Cover, 1 18gsm, Toned Gray, medium tex ture . 1 12 pa ges , for dr y media .O r d e r C o d e S i z e i n S h e e t s £ R R P £ P r i c eP S M 4 8 1 -1 0 5 5 . 5 x 8 5 6 1 6 . 4 9 1 4 . 5 0P S M 4 8 1 -1 0 7 7. 7 5 x 9 . 7 5 5 6 2 0 . 5 0 1 8 . 0 0

Strathmore 500 Mixed Media Sof t Cover SketchbookMixed Media paper is sized l ike watercolour paper but feels l ike drawing paper. For wet & dr y media .O r d e r C o d e S i z e i n S h e e t s £ R R P £ P r i c eP S M 5 6 7- 5 5 . 5 x 8 3 2 2 0 . 5 0 1 8 . 0 0P S M 5 6 7-7 7. 7 5 x 9 . 7 5 3 2 2 5 . 4 9 2 2 . 5 0

Hahnemuhle Nostalgie Glued PadGlue bound, 190gsm, Natural white , f ine grain sur face. For dr y media .O r d e r C o d e S i z e S h e e t s £ R R P £ P r i c eP H N A 1 A 1 2 5 2 7. 8 4 2 2 . 5 0P H N A 2 A 2 5 0 2 6 . 4 0 2 1 . 5 0P H N A 3 A 3 5 0 1 3 . 8 0 1 1 . 1 0P H N A 4 A 4 5 0 6 . 9 6 5 . 6 0P H N A 5 A 5 5 0 3 . 7 2 3 . 0 0

Goldline Sketching Glued PadGlue bound, 60 sheets , 95gsm. Ideal for sketching with pencil , pen, charcoal or pastel . O r d e r C o d e S i z e S h e e t s £ R R P £ P r i c eP G S A 2 A 2 6 0 1 1 . 5 9 1 0 . 5 0P G S A 3 A 3 6 0 6 . 0 4 5 . 5 0P G S A 4 A 4 6 0 3 . 4 4 3 . 1 0

Fabriano Eco Glued PadAvailable in 120gsm and 200gsm pads , please refer to code.O r d e r C o d e S i z e S h e e t s £ R R P £ P r i c eP F E 1 2 0 A 4 A 4 8 0 6 . 8 4 6 . 2 0P F E 1 2 0 A 3 A 3 4 0 6 . 8 4 6 . 2 0P F E 2 0 0 A 4 A 4 5 0 6 . 8 4 6 . 2 0P F E 2 0 0 A 3 A 2 2 5 6 . 8 4 6 . 2 0

Der went White Sof t Cover Spiral Sketch PadSpiral Pad, 165gsm.O r d e r C o d e S i z e S h e e t s £ R R P £ P r i c eG D 2 3 0 0 1 4 0 A 5 P 30 3 . 6 0 2 . 1 0G D 2 3 0 0 1 4 2 A 4 L 30 5 . 8 0 3 . 3 0G D 2 3 0 0 1 3 9 A 4 P 30 5 . 8 0 3 . 3 0G D 2 3 0 0 1 4 1 A 3 L 30 1 1 . 9 0 5 . 8 0G D 2 3 0 0 1 3 8 A 3 P 30 9 . 6 0 4 . 7 0



7. Fabriano Ar tisticoNot 140lb

13. Arches AquarelleRough 140lb

19. Jackson's EcoSmooth/Medium 140lb

3. Saunders Water fordHot Press 140lb

9. Fabriano Ar tisticoHot Press 140lb

15. Jackson's Two Rivers Not 140lb

2 1. Jackson's EcoEx tra Rough 140lb

5. Saunders Water fordRgh 140lb Ex t. White

11. Fabriano Ar tisticoRough 140lb Ex. White

17. Canson Moulin du Roy Rough 140lb

23. Bocking fordRough 140lb

25. Fabriano 5Not 140lb

2. Saunders Water fordRough 140lb

8. Fabriano Ar tisticoRough 140lb

14. Arches AquarelleHot Press 140lb

20. Jackson's EcoMedium/Rough 140lb

4. Saunders WaterfordNot 140lb Ex tra White

10. Fabriano Ar tisticoNot 140lb Ex tra White

16. Canson Moulin du Roy Not 140lb

22. Bocking fordNot 140lb

6. Saunders Water fordHP 140lb Ex t. White

12. Arches AquarelleNot 140lb

18. Canson Moulin du Roy Hot Press 140lb

24. Bocking fordHot Press 140lb

26. Fabriano 5Hot Press 140lb

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1 . Saunders Water fordNot 140lb



C H O O S I N G W A T E R C O L O U R P A P E R

Types of watercolour paper Hand-made, Mould made and Machine Made. The irregularity of the surface of handmade paper is very desirable among some watercolour artists.Many artists favour mould made watercolour papers as they are more consistent than handmade papers but still have beautiful surface textures. Machine made paper will not have a deckle edge and the surface texture will look like a more mechanical pattern.

The Weight of PaperPaper weight is either measured in grammes per square metre (gsm) or by pounds per ream (lb). We have papers from 190 to 1000gsm plus watercolour board.

A watercolour board is a sheet of watercolour paper that has been mounted onto a rigid, acid-free and archival card. Paper buckles when wetted unless you stretch it (tape it down while it is wet or use a paper-stretcher) or it is of sufficient thickness to not warp. We recommend stretching paper that is lighter than 425gsm in weight as it is more likely to buckle when water is applied to its surface.

Watercolour Paper TexturesHot Pressed is smooth, Not (also called Cold Pressed) is slightly textured with small dimples, Rough is very bumpy. A texture in one brand will be different to the same texture in another brand.

Paper Sizing (to reduce absorbency)Good watercolour paper is properly sized to keep your watercolour sitting brightly on the surface, instead of sinking into the paper. Gelatine (or an equivalent) is mixed into the paper pulp (internal sizing), or applied after it has been made (external sizing) or both. External sizing can wash away if you use a lot of water when painting, making the paper more absorbent.

Fibre ContentCotton and linen have longer fibres than wood so are stronger and more durable and are also acid free which means that your painting will not deteriorate over time (acid can cause papers to yellow and become brittle). ‘Woodfree' paper is a term meaning the acid-causing element of the wood, lignin, has been removed. Other papers are acid-free because they have added alkali buffers to counteract the acid. Bamboo is a highly sustainable material and so its use in paper is considered incredibly environmentally friendly.

WhitenessBecause the white in a watercolour painting is usually the paper left unpainted and because watercolour is a transparent medium so the paper shows through, the whiteness of the paper is important to consider. Student-quality papers may use ‘optical brighteners' which make the paper appear white but may yellow over time. Artist-quality papers are often a more creamy white, though many makes now have a ‘high-white' version which is whiter but since it doesn't contain optical brighteners it is still not bright white.

Paper FormatsPads, blocks and sheets. Pads are available in a wide range of sizes with either a glued edge or a spiral bound edge, plus pads of postcards. A watercolour block is a pad of watercolour paper that has been glue-bound on all four sides to eliminate the need for stretching the paper. When the painting in dry you run a blunt knife around the edge and remove the sheet. Loose sheets are usually imperial size which is 30 x 22 inches, we can cut these into halves or quarters on request. Some handmade paper also comes in 16 x 20 inches with four deckle edges.

S T R E T C H I N G W A T E R C O L O U R P A P E R

1. Stretching watercolour paper makes it stay flat for the whole painting process. It simply means soaking the paper until it swells, attaching it to a rigid surface and allowing it to dry until it shrinks and becomes taut (or painting right away if you paint wet-into-wet).

Soak large sheets in a clean bathtub. Soak smaller sheets in a large flat plastic tub. Soak for about 3-5 minutes for 140lb paper, more for heavier paper. You want it to absorb all the water it can but if you soak it too long it may start to lose its sizing. If you have no way to immerse your paper you can wet it with a sponge and keep wetting it and turning it over, but this method will take up to 5 times as long for the paper to become fully wetted.

2. Lift from the water by a corner and let drip for a few seconds. It should feel floppy like wet cloth. Bow the paper in your hands, centre it over your strong board that won’t warp and drop. This insures the paper will push out the air underneath as it falls. If air is trapped lift a corner to release, do not smooth or rub.

3. Wet strips of gummed paper tape with a sponge, but not too wet or the gum will wash away. Lay tape around edges and press firmly along, without stretching the tape.

4. Caution: do not drip gum water from the tape across your paper as this will create spots in your painting later.

5. Leave to dry flat, if you tilt the board the water can pool under your tape and remove the glue. Do not rush the drying with blow drying, uneven drying can pull the tape loose. Be patient, you will need to prepare your boards the day before.

6. The taut surface allows you the freedom to paint without battling against puddles of colour. After you have painted and it’s dry, run a knife around your painting to leave half the tape on the board and half on your painting. Most artists leave the tape on the painting as it will be hidden under the mount when you frame the painting.

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B R U S H E S

Watercolour brushes are delicate things, but with care and attention they can last a lifetime . As such, it's worth investing in the best: the finest squirrel mop, with its huge capacity for water and fine pointed tip, makes for a markedly enhanced painting experience to that had with a cheaper alternative. These brushes needn't cost the earth, and we're proud to stock a wide variety of natural and synthetic brushes that will suit artists at every level of experience. Among the choices on offer are some unusual shapes for making every imaginable mark, as well as other tools for applying colour in ways you might never have considered trying. When the time comes to put brush to paper, make sure you’re working with tools you can count on.

C O N T E N T SBrushes

Brush Sets

78–95

96–97


J A C K S O N ' S T A J M Y R K O L I N S K Y S A B L E

Designed for maximum holding capacity, control, spring and fine point.'A delightful brush to use for botanical painting'. – Customer review.

R O U N D S E R I E S 1 2 0 5

B 1 2 0 5 5 / 0 3 / 0 2 / 0 0 1 2 4 6 8 1 0 1 2 1 4 1 6 1 8Ø m m 0 . 6 0 . 6 0 . 6 1 . 1 1 . 5 2 . 1 2 . 8 3 . 6 4 . 3 5 . 7 7. 1 8 . 3 9 . 8 1 2 . 2£ R R P - - - - - - - - - - - - - -£ P r i c e 3 . 7 0 3 . 7 0 3 . 7 0 3 . 8 0 4 . 2 0 4 . 8 0 6 . 7 0 8 . 3 0 1 1 . 7 0 1 9 . 3 0 2 8 . 0 0 4 3 . 0 0 7 0 . 0 0 1 0 0 . 0 0

J A C K S O N ' S K O L I N S K Y S A B L E

Created with good holding capacity and fine point, this brush represents incredible value. Series 920 is made with pure Kolinsky Sable hair. 'WOW. So much better than expected! I have not stopped using it. It has instantly become my favourite brush' – Customer review.

R O U N D S E R I E S 9 2 0

B 9 2 0 3 / 0 2 / 0 0 1 2 3 4 5 6 7 8 1 0 1 2 1 4Ø m m 2 . 5 2 . 5 3 3 3 . 5 3 . 5 4 4 . 5 5 . 5 5 . 5 6 6 8 8 . 5£ R R P - - - - - - - - - - - - - -£ P r i c e 2 . 7 0 3 . 0 0 3 . 7 0 4 . 1 0 4 . 8 0 5 . 7 0 6 . 9 0 8 . 9 0 1 0 . 2 0 1 2 . 5 0 1 5 . 5 0 2 2 . 5 0 4 1 . 0 0 5 1 . 0 0

L I N E R S E R I E S 9 2 1

B 9 2 1 0 1 2 3 4 5 6Ø m m 1 . 8 0 2 . 1 0 2 . 4 5 2 . 7 5 3 . 2 5 4 4 . 4 0 £ R R P - - - - - - -£ P r i c e 3 . 4 0 3 . 8 0 4 . 5 0 5 . 7 0 8 . 9 0 1 0 . 3 0 1 3 . 4 0

J A C K S O N ' S P U R E S A B L E O N E S T R O K E

Series 916 is a full bodied, long-haired, flat brush Made with pure Red Sable. Incredible holding capacity, spring and control. Ideal for broad strokes.

O N E S T R O K E S E R I E S 9 1 6

B R S 9 1 6 1 / 8 3 / 1 6 1 / 4 3 / 8 1 / 2 5 / 8 3 / 4 1Ø m m 3 . 2 4 . 8 6 . 4 9 . 5 1 2 . 7 1 5 . 9 1 9 2 5£ R R P - - - - - - - -£ P r i c e 2 . 1 0 3 . 1 0 4 . 4 0 7. 6 0 1 0 . 4 0 1 5 . 4 0 2 4 . 0 0 3 6 . 0 0

BRSRETØ m m 4£ R R P -£ P r i c e 8.00

BRS91R1Ø m m 1£ R R P -£ P r i c e 10.00

J A C K S O N ' S P U R E S A B L E S P O T T E R

Series 913 is a short-haired, large bodied brush. Made with pure red sable hair. It is designed to give the finest of points.

S P O T T E R S E R I E S 9 1 3

B R S 9 1 3 3 / 0 2 / 0 0 1 2 3 4Ø m m 0 . 8 1 0 . 74 0 . 4 8 1 . 0 1 1 . 6 0 2 . 0 9 2 . 5 0£ R R P - - - - - - -£ P r i c e 2 . 3 0 2 . 3 0 2 . 3 0 2 . 3 0 2 . 5 0 3 . 3 0 4 . 5 0

The Sable Reservoir has a fine centre of pure sable hair surrounded by squirrel hair. 'Very fine point, one pick up of paint lasts for ages'.

R E S E R V O I R S E R I E S 9 1 R

J A C K S O N ' S S A B L E R E S E R V O I R

J A C K S O N ' S R E T R A C T A B L E S A B L E

A very useful pocket brush. This light weight sable hair brush has fully protected hair when retracted.

R O U N D

B R U S H E S


E S C O D A R E S E R V A K O L I N S K Y - T A J M Y R S A B L E

The Escoda Reserva Series 1212 uses only the finest male Kolinsky hair. One of the finest for liquid holiding capacity. 'Amazing brush, keeps its point while wet, damp or dry, excellent water capacity and flows easily on the paper' – Customer review.

R O U N D S E R I E S 1 2 1 2

B R S 1 2 1 2 5 / 0 3 / 0 2 / 0 0 1 2 4 6 8 1 0 1 2 1 4 1 6 1 8Ø m m 0 . 6 0 . 6 0 . 6 1 . 1 1 . 5 2 . 1 2 . 8 3 . 6 4 . 4 5 . 7 6 . 9 8 . 3 9 . 8 1 2£ R R P 4 . 6 5 4 . 7 0 4 . 7 7 4 . 8 8 5 . 4 3 6 . 1 6 8 . 6 1 1 0 . 6 4 1 5 . 0 9 2 4 . 8 2 3 5 . 7 5 5 4 . 4 7 8 9 . 5 1 1 2 7. 9 4£ P r i c e 4 . 4 0 4 . 4 0 4 . 5 0 4 . 6 0 5 . 1 0 5 . 7 0 8 . 0 0 9 . 9 0 1 4 . 0 0 2 3 . 0 0 3 4 . 0 0 5 1 . 0 0 8 3 . 0 0 1 1 9 . 0 0

3 MM SPACE

R O U N D T R A V E L B R U S H S E R I E S 1 2 1 4

B R S 1 2 1 4 2 4 6 8 1 0 1 2Ø m m 2 . 1 2 . 8 3 . 6 4 . 3 5 . 7 6 . 9 £ R R P 1 0 . 74 1 3 . 5 7 1 6 . 4 9 2 1 . 2 3 3 3 . 1 0 4 3 . 5 1£ P r i c e 9 . 1 0 1 1 . 4 0 1 3 . 9 0 1 7. 9 0 2 8 . 0 0 3 7. 0 0

R A P H A E L K O L I N S K Y S A B L E

Raphael Paris Red Sable Series 8404 has incomparable vigour, springiness and elasticity.

R O U N D S E R I E S 8 4 0 4

B R S 8 4 0 4 5 / 0 4 / 0 3 / 0 2 / 0 0 1 2 3 4 5 6 7 8 1 0 1 2 1 4 1 6Ø m m 1 . 3 1 . 5 1 . 7 2 2 . 2 2 . 5 3 3 . 5 4 4 . 5 5 5 . 5 6 7 8 8 . 9 9 . 7£ R R P 6 . 7 5 6 . 8 5 6 . 8 5 7. 6 0 7. 9 5 9 . 6 0 1 0 . 8 5 1 3 . 7 5 1 5 . 9 5 2 4 . 9 5 2 9 . 9 5 4 4 . 9 5 4 9 . 9 5 8 2 . 9 5 1 1 9 . 9 5 1 3 7. 9 5 1 4 9 . 9 5£ P r i c e 5 . 1 0 5 . 2 0 5 . 2 0 5 . 7 0 6 . 0 0 7. 2 0 8 . 2 0 1 0 . 4 0 1 2 . 0 0 1 8 . 8 0 2 2 . 5 0 3 4 . 0 0 3 8 . 0 0 6 3 . 0 0 9 0 . 0 0 1 0 4 . 0 0 1 1 3 . 0 0

W I N S O R & N E W T O N K O L I N S K Y S A B L E

Series 7 is a brush with history, having originally been made at the request of Queen Victoria. The finest Kolinsky hair in seamless nickel plated ferrules. 'It is springy and responsive. Comes to a beautiful point. A joy to use' – Customer review.

R O U N D S E R I E S 7

B R S 7 3 / 0 2 / 0 0 1 2 3 4 5 6 7 8 9 1 0Ø m m 0 . 7 0 . 9 1 . 5 1 . 9 2 . 4 2 . 5 3 3 . 7 4 . 2 6 4 . 9 5 5 . 7 2 6 . 1 5 7. 6£ R R P 1 0 . 2 5 1 0 . 9 5 1 1 . 4 5 1 2 . 2 5 1 4 . 5 5 2 0 . 3 0 3 2 . 2 5 4 1 . 6 0 5 4 . 0 0 8 5 . 5 0 1 5 6 . 0 0 1 7 2 . 0 0 2 2 4 . 0 0£ P r i c e 7. 2 0 7. 7 0 8 . 1 0 8 . 6 0 1 0 . 2 0 1 4 . 3 0 2 3 . 0 0 2 9 . 5 0 3 8 . 0 0 6 0 . 0 0 1 1 0 . 0 0 1 2 1 . 0 0 1 5 7. 0 0

I S A B E Y K O L I N S K Y S A B L E

The 6228 is a Kolinsky sable with a full belly. 'I love this brush. It's not as snappy as my Escoda, but it feels terrific' – Customer review.

R O U N D S E R I E S 6 2 2 8

B S 6 2 2 8 3 / 0 2 / 0 0 1 2 3 4 5 6 8 1 0 1 2 1 4Ø m m 1 . 8 2 2 . 2 2 . 2 3 3 . 5 4 4 . 5 4 . 5 5 6 . 5 8 9£ R R P 7. 5 0 7. 9 5 8 . 5 0 8 . 9 5 1 0 . 9 5 1 4 . 9 5 1 5 . 9 5 2 0 . 9 5 2 7. 9 5 3 8 . 9 5 7 6 . 9 5 1 0 9 . 9 5 1 3 4 . 9 5£ P r i c e 5 . 7 0 6 . 0 0 6 . 4 0 6 . 8 0 8 . 3 0 1 1 . 3 0 1 2 . 0 0 1 5 . 8 0 2 1 . 0 0 2 9 . 5 0 5 8 . 0 0 8 3 . 0 0 1 0 2 . 0 0

R O U N D S E R I E S 7 M I N I A T U R E

B R S 7 M 3 / 0 2 / 0 0 1 2 3 4 5 6Ø m m 0 . 5 0 . 9 8 1 . 5 5 1 . 8 1 2 2 . 6 2 . 7 9 3 3 . 9 2£ R R P 1 0 . 2 5 1 0 . 9 5 1 1 . 4 5 1 2 . 2 5 1 3 . 1 5 1 5 . 3 5 1 7. 9 5 2 4 . 2 0 3 2 . 2 5£ P r i c e 7. 2 0 7. 7 0 8 . 1 0 8 . 6 0 9 . 3 0 1 0 . 8 0 1 2 . 6 0 1 7. 0 0 2 3 . 0 0

I S A B E Y R E T R A C T A B L E S A B L E

'Amazing brush! As a botanical artist this is the puzzle piece that was missing on my kit! Very pleased!Excellent for details and small areas!' – Customer review.

R O U N D S E R I E S 6 2 0 1

B 6 2 0 1 4 6Ø m m 1 . 8 7 3 . 3 0£ R R P 9 . 9 5 1 4 . 9 5£ P r i c e 7. 4 0 1 1 . 0 0

B R U S H E S


D A V I N C I M A E S T R O 1 0 T O B O L S K Y K O L I N S K Y R E D S A B L E

Made from the winter coat of the Siberian Red Kolinsky Sable which is considered the finest available.

R O U N D S E R I E S 1 0

B R S 1 0 1 0 / 0 5 / 0 3 / 0 2 / 0 0 1 2 4 6 8 1 0 1 2 1 4 1 6 1 8 2 0 3 0Ø m m 0 . 7 0 . 8 0 . 9 0 . 9 1 . 1 1 . 3 1 . 7 2 . 6 3 . 6 5 . 3 6 . 5 7. 3 8 . 2 9 . 2 9 . 7 1 0 . 5 1 5 . 6£ R R P 8 . 2 5 8 . 2 5 7. 2 9 7. 2 9 7. 2 9 7. 8 9 8 . 9 8 1 1 . 8 5 1 9 . 0 9 3 3 . 8 8 6 1 . 6 5 9 0 . 3 7 1 1 4 . 9 1 1 4 0 . 0 5 1 7 2 . 3 7 2 1 7. 2 6 4 4 5 . 2 8£ P r i c e 6 . 8 0 6 . 8 0 6 . 0 0 6 . 0 0 6 . 0 0 6 . 5 0 7. 4 0 9 . 7 0 1 5 . 6 0 2 7. 5 0 5 0 . 0 0 74 . 0 0 9 4 . 0 0 1 1 1 . 0 0 1 3 7. 0 0 1 7 2 . 0 0 3 4 0 . 0 0

D A V I N C I M A E S T R O 3 5 T O B O L S K Y K O L I N S K Y R E D S A B L E

Extra long, pointedly shaped Siberian Kolinsky red sable hair from selected male winter tails.


B R S 3 5 2 / 0 0 1 2 3 4 5 6 7 8 1 0 1 2Ø m m 0 . 9 1 . 1 1 . 3 1 . 7 2 2 . 6 2 . 8 5 3 . 6 4 . 4 5 . 3 6 . 5 7. 3£ R R P 8 . 2 4 8 . 5 5 8 . 5 5 9 . 4 3 1 1 . 3 1 1 2 . 9 9 1 5 . 3 8 2 0 . 1 1 3 0 . 1 0 3 5 . 8 5 6 3 . 3 2 9 3 . 3 7£ P r i c e 7. 3 0 7. 5 0 7. 5 0 8 . 3 0 1 0 . 0 0 1 1 . 4 0 1 3 . 5 0 1 7. 5 0 2 6 . 5 0 3 2 . 0 0 5 5 . 0 0 8 1 . 0 0

D A V I N C I M A E S T R O 1 3 0 1 T O B O L S K Y K O L I N S K Y R E D S A B L E

Series 1301 watercolour brushes are made with the male winter tails of the Siberian Kolinsky.

F L A T S E R I E S 1 3 0 1

B R S 1 3 0 1 2 4 6 8 1 0 1 2 1 4 1 6 1 8 2 0Ø m m 2 . 7 4 . 5 6 . 2 8 9 . 6 1 2 . 3 1 4 . 6 1 8 . 2 2 1 . 8 2 3 . 4£ R R P 1 0 . 9 2 1 1 . 5 2 1 4 . 4 8 2 2 . 6 2 2 8 . 6 7 3 5 . 6 1 4 7. 7 6 6 4 . 6 4 7 8 . 7 6 1 0 5 . 3 4£ P r i c e 9 . 6 0 1 0 . 1 0 1 2 . 7 0 1 9 . 7 0 2 5 . 0 0 3 1 . 0 0 4 2 . 0 0 5 7. 0 0 6 9 . 0 0 9 2 . 0 0

D A V I N C I M A E S T R O 1 2 0 3 T O B O L S K Y K O L I N S K Y R E D S A B L E

'Love the extra length of this rigger, performs well, great flexibility and good paint holding and nice point' – Customer review.

L I N E R S E R I E S 1 2 0 3

B 1 2 0 3 K 1 0 / 0 5 / 0 0 1 2 4 6 8 1 0Ø m m 0 . 5 0 . 7 0 . 9 1 . 1 1 . 3 1 . 7 2 . 1 2 . 6 2 . 9£ R R P 1 0 . 5 6 1 0 . 2 6 8 . 6 9 8 . 6 9 8 . 6 9 1 0 . 6 7 1 2 . 8 7 1 9 . 5 7 2 2 . 4 4£ P r i c e 9 . 2 0 8 . 9 0 7. 6 0 7. 6 0 7. 6 0 9 . 3 0 1 1 . 2 0 1 7. 0 0 1 9 . 5 0

D A V I N C I R E T R A C T A B L E K O L I N S K Y S A B L E

This retractable brush holds a needle sharp point and has plenty of spring and life. Easy to retract without damaging brush hairs.


B V 9 1 0 1 2 5 6Ø m m 1 . 3 1 . 7 2 . 9 3 . 6£ R R P 1 8 . 1 9 1 8 . 9 1 2 5 . 5 0 2 9 . 8 1£ P r i c e 1 6 . 0 0 1 6 . 6 0 2 2 . 5 0 2 6 . 5 0

D A V I N C I K O L I N S K Y S A B L E P O C K E T B R U S H

Pure Kolinsky red sable. The comfortable handle unscrews to double up as a protective cap.

R O U N D S E R I E S 1 5 0 3

B V 1 5 0 3 1 2 3 4 5 6 8 1 0 1 2Ø m m 1 . 3 1 . 7 2 2 . 6 2 . 8 3 . 6 5 . 3 6 . 5 7. 3£ R R P 1 3 . 3 6 1 3 . 7 3 1 5 . 2 5 1 6 . 8 8 1 8 . 8 4 2 2 . 4 3 4 3 . 9 7 6 4 . 2 6 1 0 0 . 5 5£ P r i c e 1 1 . 5 0 1 1 . 8 0 1 3 . 1 0 1 4 . 5 0 1 6 . 2 0 1 9 . 3 0 3 8 . 0 0 5 6 . 0 0 8 7. 0 0

J E A N H A I N E S K O L I N S K Y S A B L E

A beautiful brush with a full barrel. It loads amazingly well and has an excellent point. The perfect brush for all manner of watercolour work.

P O I N T E D

B R U S H E S

B J H K 1 2Ø m m 1 0£ R R P -£ P r i c e 8 5 . 0 0


P R 0 A R T E R E N A I S S A N C E S A B L E

Renaissance is designed for the purists who insist on traditional sable and has wonderful colour holding ability.This brush has a generous filament set in a gold plated ferrule, snugly fitted to a handsome green handle.

F L A T

B P R S F 1 / 8 3 / 1 6 1 / 4 3 / 8 1 / 2 5 / 8 3 / 4 1Ø m m 3 . 1 4 . 8 6 . 3 9 . 6 1 2 . 7 1 5 . 9 1 9 2 5 . 4£ R R P 3 . 8 0 4 . 9 5 7. 9 0 1 3 . 6 0 2 1 . 4 0 2 8 . 9 0 3 9 . 9 5 4 9 . 9 5£ P r i c e 3 . 1 0 4 . 0 0 6 . 4 0 1 0 . 9 0 1 7. 2 0 2 3 . 5 0 3 2 . 0 0 4 0 . 0 0

R O U N D

B P R S 3 / 0 2 / 0 0 1 2 3 4 5 6 7 8 1 0 1 2 1 4 1 6Ø m m 0 . 5 1 1 . 1 1 . 6 1 . 5 2 2 . 6 2 . 6 3 . 8 4 . 2 4 . 5 6 7. 8 8 . 3 8 . 3£ R R P 2 . 9 5 3 . 0 5 3 . 4 5 3 . 8 5 4 . 6 5 5 . 3 0 6 . 4 0 8 . 8 5 1 2 . 4 0 1 3 . 9 0 2 1 . 4 0 4 2 . 8 5 6 4 . 3 0 8 5 . 7 5 9 9 . 9 5£ P r i c e 2 . 4 0 2 . 5 0 2 . 8 0 3 . 1 0 3 . 8 0 4 . 3 0 5 . 2 0 7. 1 0 1 0 . 0 0 1 1 . 2 0 1 7. 2 0 3 5 . 0 0 5 2 . 0 0 6 9 . 0 0 8 0 . 0 0

B W S R 1 2 3 4 5 6Ø m m£ R R P 5 . 7 5 6 . 6 5 7. 4 0 9 . 6 5 1 3 . 1 5 1 8 . 9 9£ P r i c e 4 . 3 0 5 . 0 0 5 . 5 0 7. 2 0 9 . 8 0 1 4 . 1 0

B W S P R 3 4 5 6 7 8Ø m m£ R R P 7. 4 0 8 . 0 0 1 1 . 4 5 1 5 . 8 5 2 1 . 7 0 2 8 . 8 5£ P r i c e 5 . 5 0 6 . 0 0 8 . 5 0 1 1 . 8 0 1 6 . 1 0 2 1 . 5 0

P O I N T E D R O U N D

R I G G E R

W I N S O R & N E W T O N P R O F E S S I O N A L W A T E R C O L O U R S A B L E

A round bellied watercolour brush. Excellent for washes as well as fine detail work. 'Great watercolour brush! Nice for use with ink too'. - Customer review.

R O U N D

B W S R D 2 / 0 0 1 2 3 4 5 6 7 8 1 0 1 2Ø m m 1 . 0 8 1 . 2 1 1 . 5 4 1 . 9 5 2 . 2 8 2 . 6 6 2 . 9 5 3 . 6 2 4 . 2 2 5 . 2 4 6 . 3 6 8 . 0 8 £ R R P 4 . 4 0 5 . 2 0 5 . 2 0 5 . 7 5 7. 4 0 8 . 0 0 1 1 . 4 5 1 5 . 8 5 2 1 . 7 0 2 8 . 8 5 6 4 . 5 0 8 5 . 5 0£ P r i c e 3 . 3 0 3 . 9 0 3 . 9 0 4 . 3 0 5 . 5 0 6 . 0 0 8 . 5 0 1 1 . 8 0 1 6 . 1 0 2 1 . 5 0 4 8 . 0 0 6 4 . 0 0

E S C O D A O P T I M O K O L I N S K Y S A B L E U L T R A F I N E

Kolinsky sable is a soft yet resilient hair that has great spring and is favoured by many watercolouristsPerfect for fine outlines and maximum control.

P O I N T E D S E R I E S 1 3 1 0

B R S 1 3 1 0 2 4 6 8 1 0 1 2 1 4 1 6Ø m m 2 . 0 2 2 . 1 2 3 . 1 4 . 4 5 . 7 6 . 1 8 . 2 9 . 7£ R R P 1 2 . 9 3 1 3 . 6 4 1 5 . 5 6 1 8 . 4 3 2 4 . 6 5 3 2 . 4 3 5 1 . 1 9 7 2 . 5 4£ P r i c e 1 1 . 2 0 1 1 . 8 0 1 3 . 4 0 1 5 . 9 0 2 1 . 5 0 2 8 . 0 0 4 5 . 0 0 6 3 . 0 0

D A L E R - R O W N E Y A Q U A F I N E S A B L E

Aquafine brushes are specially made with fine art students in mind, but also use hairs usually reserved for artist brushes, including pure sable. Candle flame shaped brush for sweeping washes and fine detail.


B D A 3 4 0 1 2 4 6 8 1 0 4 / 0 3 / 0 2 / 0Ø m m - - - - - - - - -£ R R P 5 . 9 5 5 . 9 5 5 . 9 5 5 . 9 5 5 . 9 5 1 2 . 9 5 1 2 . 9 5 5 . 9 5 5 . 9 5 5 . 9 5£ P r i c e 4 . 8 0 4 . 8 0 4 . 8 0 4 . 8 0 4 . 8 0 1 0 . 4 0 1 0 . 4 0 4 . 8 0 4 . 8 0 4 . 8 0

B R U S H E S


B W P S B 0 0 0 0 0 0 1 2 3 4 5 6 8 1 0 1 2Ø m m£ R R P 1 1 . 4 5 1 3 . 1 5 1 4 . 5 5 1 5 . 3 5 1 7. 9 5 2 1 . 7 0 2 7. 3 0 3 2 . 2 5 3 6 . 4 0 5 4 . 0 0 6 4 . 5 0 8 5 . 5 0£ P r i c e 8 . 5 0 9 . 8 0 1 0 . 8 0 1 1 . 4 0 1 3 . 3 0 1 6 . 1 0 2 0 . 5 0 2 4 . 0 0 2 7. 0 0 4 0 . 0 0 4 8 . 0 0 6 4 . 0 0

W I N S O R A N D N E W T O N P U R E S Q U I R R E L M O P

The finest Pure Russian Blue Squirrel hair bound in a goose quill. This very fine hair has a thick belly so the brush can offer liquid holding as well as a fine point.

Q U I L L

I S A B E Y P E T I T G R I S S Q U I R R E L M O P

Isabey Kazan Squirrel Mop with a quill ferrule is a versatile brush that achieves a fine point as well as broad washes.Popular among professionals.

Q U I L L S E R I E S 6 2 3 4

B S 6 2 3 4 3 / 0 2 / 0 0 1 2 3 4 5 6 7 8 1 0Ø m m 5 . 5 6 . 5 7. 5 8 . 5 9 . 5 1 0 . 5 1 1 . 5 1 2 . 5 1 3 . 5 1 4 . 5 1 5 1 9£ R R P 1 3 . 5 0 1 5 . 5 0 1 8 . 9 5 2 0 . 5 0 2 5 . 9 5 3 1 . 9 5 3 4 . 5 0 3 6 . 5 0 3 9 . 9 5 4 8 . 9 5 5 3 . 9 5 7 8 . 9 5£ P r i c e 1 0 . 2 0 1 1 . 7 0 1 4 . 3 0 1 5 . 4 0 1 9 . 5 0 2 4 . 0 0 2 6 . 0 0 2 7. 5 0 3 0 . 0 0 3 7. 0 0 4 1 . 0 0 6 0 . 0 0

J A C K S O N ' S P U R E S Q U I R R E L M O P

'It holds loads of water and makes it easier for me to experiment with loose washes.This brush also tapers to a fine point for more detailed work' – Customer review.

Q U I L L S E R I E S 8 2 8

B S 8 2 8 6 8 1 0 1 1 1 3 1 4 1 5 1 7 1 9 2 2Ø m m 6 8 1 0 1 1 1 3 1 4 1 5 1 7 1 9 2 2£ R R P - - - - - - - - - -£ P r i c e 8 . 3 0 9 . 5 0 1 3 . 8 0 1 5 . 5 0 1 9 . 5 0 2 3 . 5 0 3 4 . 0 0 4 1 . 0 0 4 8 . 0 0 5 0 . 0 0

B P S Q 0 2 2 / 0 3 / 0 4 6Ø m m - - - - - -£ R R P 1 0 . 3 5 1 3 . 6 5 8 . 9 5 7. 8 5 1 7. 6 0 2 2 . 6 0£ P r i c e 8 . 3 0 1 1 . 0 0 7. 2 0 6 . 3 0 1 4 . 1 0 1 8 . 1 0

P R O A R T E R E N A I S S A N C E S Q U I R R E L M O P

J E A N H A I N E S S Q U I R R E L M O P

J A C K S O N ' S O V A L S Q U I R R E L M O P

Pro Arte use a traditional three-knot 'quill' binding to pack in the hairs, further enhancing liquid holding. Tapers to a fine point for detail as well as being a fantastic wash brush.

Designed by the esteemed watercolour painter Jean Haines, who values an ability to control mark making with a superior grade brush.

A versatile brush for large washes as well as small details. Good holding capacity and a fine point that matches more expensive brushes.

Q U I L L

Q U I L L

B S 8 8 8 L X LØ m m 1 2 . 7 2 2£ R R P - -£ P r i c e 1 1 . 0 0 1 3 . 8 0

O V A L S E R I E S 8 8 8

B R U S H E S

B J H S MØ m m 2 0£ R R P -£ P r i c e 6 0 . 0 0


B P R 4 7 5 0 Q 4 6 8Ø m m - - -£ R R P 2 5 . 9 5 3 1 . 9 5 3 9 . 9 5£ P r i c e 2 1 . 0 0 2 6 . 0 0 3 2 . 0 0

Q U I L L 4 7 5 0

A Q U A R E L S E R I E S 4 7 5 0

R O U N D S E R I E S 4 7 5 0

O V A L S E R I E S 4 7 5 0

S C R I P T S E R I E S 4 7 5 0

D A G G E R S E R I E S 4 7 5 0

M O T T L E R S E R I E S 4 7 5 0

B P R 4 7 5 0 R 0 2 4 6 8 1 0 1 2 1 4 1 6 1 8 2 0Ø m m - - - - - - - - - - -£ R R P 4 . 9 5 5 . 6 5 6 . 4 0 7. 9 5 9 . 9 5 1 1 . 3 0 1 3 . 9 5 1 5 . 9 5 1 8 . 9 5 2 3 . 5 0 2 8 . 9 5£ P r i c e 4 . 0 0 4 . 6 0 5 . 2 0 6 . 4 0 8 . 0 0 9 . 1 0 1 1 . 2 0 1 2 . 8 0 1 5 . 2 0 1 8 . 8 0 2 3 . 5 0

B P R 4 7 5 0 O W 0 5 0 0 7 5 1 0 0Ø m m 1 2 1 9 2 5£ R R P 1 3 . 9 5 2 3 . 5 0 3 1 . 9 5£ P r i c e 1 1 . 2 0 1 8 . 8 0 2 6 . 0 0

B P R 4 7 5 0 S C 1 4 6Ø m m - - -£ R R P 5 . 0 5 6 . 9 5 8 . 9 5£ P r i c e 4 . 1 0 5 . 6 0 7. 2 0

B P R 4 7 5 0 D G 0 2 5 3 8 5 0Ø m m 6 1 0 1 2£ R R P 7. 6 5 1 1 . 3 0 1 3 . 5 0£ P r i c e 6 . 2 0 9 . 1 0 1 0 . 8 0

B P R 4 7 5 0 M 1 0 0 1 5 0 2 0 0Ø m m 2 5 3 8 5 0£ R R P 2 3 . 5 0 2 8 . 9 5 4 9 . 9 5£ P r i c e 1 8 . 8 0 2 3 . 5 0 4 0 . 0 0

P R I N C E T O N N E P T U N E F A U X S Q U I R R E L

B P R 4 7 5 0 A Q 0 2 5 0 5 0 0 7 5 1 0 0Ø m m 6 . 3 5 1 2 . 7 1 9 . 0 5 2 5 . 4£ R R P 7. 9 5 1 2 . 9 5 2 0 . 9 5 2 5 . 9 5£ P r i c e 6 . 4 0 1 0 . 4 0 1 6 . 8 0 2 1 . 0 0

Princeton's beautiful faux squirrel hair brushes surpass their natural counterpartsThese brushes have a natural wood or beautiful sea glass handle which is the signature of the Princeton aquarelle brush line.

B R U S H E S


D A V I N C I C O S M O T O P S P I N

This is a golden fibred brush, which benefits from a blend of 5 different diameters of extra smooth synthetic hair.

Ergonomic lacquered handles allow for maximum painting control and the ferrules are rust-resistant. The result is a revolutionary, durable, synthetic brush for artists. One customer review said it 'holds plenty of paint'.


F I L B E R T S E R I E S 5 5 8 4

S W O R D S E R I E S 5 5 8 7

F L A T S E R I E S 5 0 8 0

B 5 0 8 0 3 0 4 0 5 0 6 0 8 0 1 5 0 2 0 0Ø m m 3 0 4 0 5 0 6 0 8 0 1 5 0 1 8 0£ R R P 1 2 . 5 1 1 5 . 4 4 2 0 . 2 9 2 4 . 9 6 3 5 . 8 5 1 0 6 . 5 3 1 2 9 . 8 7£ P r i c e 1 1 . 0 0 1 3 . 6 0 1 7. 6 0 2 2 . 0 0 3 2 . 0 0 9 3 . 0 0 1 1 3 . 0 0

B 4 8 8 2 4 5 6 8 1 0Ø m m 8 . 5 1 0 1 3 1 6 2 0 2 2£ R R P 1 1 . 7 5 1 7. 8 4 2 2 . 0 8 3 3 . 8 8 4 8 . 7 8 5 9 . 4 9£ P r i c e 1 0 . 3 0 1 5 . 7 0 1 9 . 4 0 3 0 . 0 0 4 3 . 0 0 5 3 . 0 0

B 5 5 8 4 8 1 0 1 2 1 4 1 6 2 0 2 4 3 0Ø m m 7. 5 9 1 1 1 3 1 5 1 9 2 2 2 6£ R R P 8 . 2 0 1 0 . 1 5 1 1 . 8 6 1 2 . 9 3 1 6 . 4 6 2 1 . 0 7 2 6 . 4 5 3 8 . 1 2£ P r i c e 7. 2 0 8 . 9 0 1 0 . 4 0 1 1 . 4 0 1 4 . 5 0 1 8 . 3 0 2 3 . 0 0 3 4 . 0 0

B 5 5 8 7 1 0 1 4 2 0Ø m m 8 1 2 . 6 1 9 . 3£ R R P 1 2 . 6 3 1 6 . 6 4 2 1 . 4 9£ P r i c e 1 1 . 1 0 1 4 . 6 0 1 8 . 7 0

R O U N D S E R I E S 5 5 8 0

B S 5 5 8 0 3 / 0 2 / 0 0 1 2 3 4 5 6 8 1 0 1 2 1 4 1 6 2 0 2 4 3 0 4 0Ø m m 1 . 1 1 . 1 1 . 5 1 . 7 2 2 . 6 2 . 8 3 . 6 3 . 9 5 . 3 6 . 5 7. 3 8 . 2 9 . 7 1 2 1 3 . 2 1 5 . 6 1 9 . 7£ R R P 3 . 0 2 3 . 0 2 3 . 0 2 3 . 1 6 3 . 3 6 3 . 4 7 3 . 8 7 4 . 3 7 4 . 7 6 7. 0 4 8 . 8 0 1 0 . 8 9 1 2 . 2 7 1 4 . 4 8 1 8 . 1 9 2 2 . 9 8 2 9 . 8 7 3 7. 1 1£ P r i c e 2 . 7 0 2 . 7 0 2 . 7 0 2 . 8 0 3 . 0 0 3 . 1 0 3 . 4 0 3 . 9 0 4 . 2 0 6 . 2 0 7. 8 0 9 . 6 0 1 0 . 8 0 1 2 . 7 0 1 5 . 8 0 2 0 . 0 0 2 6 . 0 0 3 3 . 0 0

D A V I N C I C O S M O T O P M I X B

This brush has a synthetic quill, a blue lacquered handle and a mix of classic natural hairs and synthetic fibre.

'There is enough kolinsky sable in the brush to make it soft and hold lots of paint but the synthetic part helps with the spring' – Customer review.


R O U N D S E R I E S 5 5 3 0

F L A T S E R I E S 5 8 3 0

B V4 3 8 0 2 4 6 8Ø m m 7 8 . 5 1 0 1 6 2 0£ R R P 1 4 . 6 6 1 7. 4 2 2 5 . 8 6 5 1 . 2 3 7 5 . 2 9£ P r i c e 1 2 . 9 0 1 5 . 3 0 2 2 . 5 0 4 5 . 0 0 6 4 . 0 0

B S 5 5 3 0 0 1 2 3 4 5 6 8 1 0 1 2 1 4 1 6 1 8 2 0 2 2 2 4 2 6 3 0Ø m m 1 . 5 1 . 7 2 2 . 6 2 . 8 3 . 6 3 . 9 5 . 3 6 . 5 7. 3 8 . 2 9 . 7 1 0 . 5 1 2 1 2 . 8 1 3 . 2 1 4 . 4 1 5 . 6£ R R P 5 . 3 3 5 . 3 3 5 . 9 3 6 . 4 4 7. 2 4 7. 5 4 8 . 2 0 1 0 . 5 1 1 3 . 0 5 1 5 . 0 8 1 8 . 4 3 2 1 . 0 7 2 5 . 4 4 2 8 . 0 7 3 2 . 6 8 3 8 . 6 6 4 1 . 2 4 4 7. 2 8£ P r i c e 4 . 7 0 4 . 7 0 5 . 2 0 5 . 7 0 6 . 4 0 6 . 7 0 7. 2 0 9 . 3 0 1 1 . 5 0 1 3 . 3 0 1 6 . 2 0 1 8 . 3 0 2 2 . 5 0 2 4 . 5 0 2 8 . 5 0 3 4 . 0 0 3 6 . 0 0 4 1 . 0 0

B S 5 8 3 0 8 1 0 1 2 1 6 2 0 2 4Ø m m 8 9 . 5 1 1 . 5 1 7. 5 2 4 2 9£ R R P 8 . 74 1 0 . 1 5 1 1 . 9 1 1 9 . 8 1 2 7. 7 1 3 5 . 4 9£ P r i c e 7. 7 0 8 . 9 0 1 0 . 5 0 1 7. 2 0 2 4 . 5 0 3 1 . 0 0

B R U S H E S


J A C K S O N ' S S A B L E M I C R O - S Y N T H E T I C

The Icon benefits from a combination of sable and micro-synthetic hair. As well as optimum performance, the brush is attractive too. 'A really good brush very similar to a sable but considerably cheaper' - Customer review.

F L A T S E R I E S 7 0 2


B 7 0 2 1 / 8 1 / 4 3 / 8 1 / 2 3 / 4 1Ø m m 4 6 . 9 9 . 2 1 2 . 5 1 9 . 6 2 5 . 5£ R R P - - - - - -£ P r i c e 3 . 4 0 4 . 2 0 5 . 7 0 7. 6 0 1 0 . 4 0 1 4 . 6 0

B 7 0 0 2 4 6 8 1 0 1 2Ø m m 2 . 4 3 . 4 4 . 2 5 . 5 6 . 5 8 . 1£ R R P - - - - - -£ P r i c e 3 . 6 0 4 . 2 0 5 . 7 0 6 . 6 0 7. 6 0 9 . 3 0


B 7 7 7 1 0 / 0 3 / 0 0 2 4 6Ø m m 5 6 8 1 0 1 2 1 5£ R R P - - - - - -£ P r i c e 4 . 7 0 5 . 4 0 6 . 7 0 8 . 1 0 1 0 . 1 0 1 3 . 6 0

C O N T R O L

P R O A R T E C O N N O I S S E U R

Connoisseur is an artist's watercolour brush formed from a carefully calculated blend of Prolene and sable. It feels and looks like sable, it bellies, holds colour and points with a long lasting synthetic content, keeping the price way below a Kolinsky sable.

O N E S T R O K E S E R I E S 9 9


B P 9 9 1 / 8 3 / 1 6 1 / 4 3 / 8 1 / 2 5 / 8 3 / 4 1 1 1 / 4Ø m m 3 . 1 4 . 8 6 . 3 9 . 6 1 2 . 7 1 5 . 9 1 9 2 5 . 4 3 1 . 7£ R R P 3 . 2 5 4 . 2 0 5 . 3 0 7. 5 0 1 0 . 9 5 1 2 . 8 5 1 6 . 8 5 2 0 . 4 0 2 2 . 4 5£ P r i c e 2 . 6 0 3 . 4 0 4 . 3 0 6 . 0 0 8 . 8 0 1 0 . 3 0 1 3 . 5 0 1 6 . 4 0 1 8 . 0 0

B P 1 0 0 3 / 0 2 / 0 0 1 2 3 4 5 6 7 8 1 0 1 2 1 4 1 6 1 8 2 0Ø m m 1 1 . 2 1 . 2 1 . 7 2 2 . 4 2 . 6 3 3 . 6 4 . 2 5 . 4 6 6 . 8 8 . 6 1 0 . 2 1 1 . 5 1 3£ R R P 2 . 5 0 2 . 6 0 2 . 7 0 3 . 0 0 3 . 5 0 4 . 0 5 4 . 8 5 5 . 9 5 7. 8 0 9 . 6 5 1 2 . 2 0 1 6 . 3 0 1 8 . 3 5 2 3 . 4 5 3 3 . 6 5 4 2 . 8 5 5 7. 9 5£ P r i c e 2 . 0 0 2 . 1 0 2 . 2 0 2 . 4 0 2 . 8 0 3 . 3 0 3 . 9 0 4 . 8 0 6 . 3 0 7. 8 0 9 . 8 0 1 3 . 1 0 1 4 . 7 0 1 8 . 8 0 2 7. 0 0 3 5 . 0 0 4 7. 0 0

D A V I N C I B L U E R U S S I A N S Q U I R R E L M I X

R O U N D S E R I E S 5 5 9 0


B S 5 5 9 0 1 2 3 4 5 6 8 1 0 1 2 1 4 1 6 1 8 2 0 2 2 2 4 2 6 3 0Ø m m 1 . 3 1 . 9 2 2 . 6 2 . 8 3 . 9 5 . 3 6 . 5 7. 3 8 . 2 9 . 7 1 0 . 5 1 2 1 2 . 8 1 3 . 2 1 4 . 4 1 5 . 6£ R R P 4 . 1 7 5 . 0 9 6 . 0 9 6 . 9 9 7. 1 3 8 . 0 0 1 0 . 0 5 1 1 . 0 1 1 3 . 3 5 1 4 . 8 4 1 8 . 7 3 2 0 . 7 1 2 4 . 0 6 2 5 . 9 2 2 7. 6 5 3 1 . 0 6 3 4 . 5 9£ P r i c e 3 . 7 0 4 . 5 0 5 . 4 0 6 . 2 0 6 . 3 0 7. 1 0 8 . 9 0 9 . 7 0 1 1 . 7 0 1 3 . 1 0 1 6 . 5 0 1 8 . 2 0 2 1 . 5 0 2 3 . 0 0 2 4 . 5 0 2 7. 5 0 3 1 . 0 0

B S 9 9 1 1 2 1 6 1 8 2 4Ø m m 1 1 1 7 1 9 2 4£ R R P 1 0 . 6 7 1 2 . 3 3 1 4 . 1 8 2 4 . 5 4£ P r i c e 9 . 4 0 1 0 . 9 0 1 2 . 5 0 2 2 . 0 0

This brush mixes the finest quality squirrel hair with a synthetic imitation to combine the best possible spring with the best possible liquid holding capacity. Bound in a metal ferrule, with a waterbased transparent lacquered hexagonal handle for comfort.

B R U S H E S


B W 1 0 1 0 2 / 0 3 / 0 4 / 0 1 2 3 4 5 6 7 8 9 1 0 1 2 1 4 1 6 2 0Ø m m - - - - - - - - - - - - - - - - - -£ R R P 5 . 2 0 4 . 4 0 4 . 4 0 3 . 6 5 5 . 2 0 5 . 7 5 5 . 7 5 6 . 6 5 8 . 0 0 8 . 7 5 1 0 . 2 5 1 3 . 1 5 1 5 . 3 5 1 7. 1 5 2 2 . 9 0 3 6 . 4 0 4 5 . 7 5 5 4 . 0 0£ P r i c e 3 . 9 0 3 . 3 0 3 . 3 0 2 . 7 0 3 . 9 0 4 . 3 0 4 . 3 0 5 . 0 0 6 . 0 0 6 . 5 0 7. 6 0 9 . 8 0 1 1 . 4 0 1 2 . 7 0 1 7. 0 0 2 7. 0 0 3 4 . 0 0 4 0 . 0 0

B W 6 0 6 1 1 / 2 1 / 4 1 / 8 3 / 4 3 / 8Ø m m - - - - - -£ R R P 3 2 . 2 5 1 7. 9 5 8 . 7 5 6 . 6 5 2 2 . 9 0 1 1 . 4 5£ P r i c e 2 4 . 0 0 1 3 . 3 0 6 . 5 0 5 . 0 0 1 7. 0 0 8 . 5 0

R O U N D S E R I E S 1 0 1 S H

O N E S T R O K E S E R I E S 6 0 6 S H

W I N S O R & N E W T O N S C E P T R E G O L D

Winsor and Newton's Sable Synthetic mix brush. They are ideal for working with water colour and fluid oil colour but are also suitable for use with acrylic, water mixable oil and alkyd fast drying oil colour. The hair is soft enough to work the colour but also have a strong snap so that they return to their original shape with ease. 'Well worth paying a little extra to get a good quality product' - Customer Review.

B W 3 0 3 0 1 2 3 Ø m m - - - -£ R R P 5 . 2 0 5 . 7 5 6 . 6 5 6 . 6 5£ P r i c e 3 . 9 0 4 . 3 0 5 . 0 0 5 . 0 0

B W 2 0 2 0 1 2 3 Ø m m - - - -£ R R P 5 . 2 0 5 . 7 5 5 . 7 5 6 . 6 5£ P r i c e 3 . 9 0 4 . 3 0 4 . 3 0 5 . 0 0

L E T T E R I N G S E R I E S 3 0 3 S H E L O N G A T E D R O U N D S E R I E S 2 0 2 S H

F A N L H S E R I E S 8 0 8

B W S G F 4Ø m m -£ R R P 1 2 . 2 5£ P r i c e 9 . 1 0

W A S H S H S E R I E S

B W S G W 1 2Ø m m 5 0 2 5£ R R P 4 1 . 6 0 8 5 . 5 0£ P r i c e 3 1 . 0 0 6 4 . 0 0

D A L E R - R O W N E Y S A P P H I R E

Made from a mix of synthetic and pure sable hairAvailable in a wide choice of head shapes with short handles for fine art and decorative painting. More shapes available online.


B D 8 5 2 / 0 0 1 2 4 6 8 1 0 1 2 1 4Ø m m - - - - - - - - - -£ R R P 3 . 2 5 3 . 2 5 3 . 9 5 4 . 1 5 5 . 5 0 7. 7 5 1 2 . 5 0 1 5 . 5 0 2 1 . 5 0 2 9 . 5 0£ P r i c e 2 . 3 0 2 . 3 0 2 . 8 0 3 . 0 0 3 . 9 0 5 . 5 0 8 . 8 0 1 0 . 9 0 1 5 . 1 0 2 1 . 0 0

S H A D E R S E R I E S 6 0

B D 6 0 2 4 6 8 1 0 1 2 1 4 1 6 2 0Ø m m - - - - - - - - -£ R R P 5 . 5 0 5 . 7 5 6 . 2 5 6 . 7 6 7. 7 5 8 . 9 5 9 . 7 6 1 1 . 9 5 1 5 . 5 0£ P r i c e 3 . 9 0 4 . 1 0 4 . 4 0 4 . 8 0 5 . 5 0 6 . 3 0 6 . 9 0 8 . 4 0 1 0 . 9 0

L I N E R S E R I E S 5 1

B D 5 1 1 0 / 0 2 / 0 0 1 2Ø m m - - - - -£ R R P 3 . 5 0 3 . 9 5 4 . 9 6 5 . 1 5 5 . 5 0£ P r i c e 2 . 5 0 2 . 8 0 3 . 5 0 3 . 7 0 3 . 9 0

B R U S H E S


J A C K S O N ' S A R T I C A T O R A Y W H I T E S Y N T H E T I C

Toray synthetic hair is used in our Artica brushes.

Good spring, perfect for acrylic and watercolour . 'Not the softest of brushes, but superb for techniques requiring dry brush work and fine detail… the best quality is they retain their shape' – Customer review.


T R A V E L S E R I E S 1 1 2

B 1 1 1 5 / 0 4 / 0 3 / 0 2 / 0 0 1 2 4 6 8 1 0 1 2 1 4 1 6 1 8 2 0Ø m m 0 . 6 0 . 6 0 . 6 0 . 6 1 . 1 1 . 5 2 . 1 2 . 8 3 . 6 4 . 3 5 . 7 7. 1 8 . 3 9 . 8 1 2 . 2 1 5£ R R P - - - - - - - - - - - - - - - -£ P r i c e 3 . 6 0 3 . 7 0 3 . 7 0 3 . 7 0 3 . 8 0 3 . 9 0 4 . 2 0 4 . 5 0 5 . 0 0 5 . 7 0 6 . 5 0 7. 6 0 9 . 0 0 1 1 . 0 0 1 4 . 0 0 1 7. 1 0

B 1 1 2 2 4 6 8 1 0 1 2Ø m m 2 . 1 2 . 8 3 . 6 4 . 3 5 . 7 7. 1£ R R P - - - - - -£ P r i c e 7. 2 0 7. 4 0 8 . 8 0 9 . 5 0 1 0 . 6 0 1 1 . 1 0

J A C K S O N ' S S T U D I O S Y N T H E T I C

Jackson's Studio Synthetic is a great brush for watercolourists of all abilities. The hair is similar to Prolene, and is long lasting as well as soft. One customer review said 'it has a good heavy handle that I like. Feels very durable and balanced when held. The tuft is made from quality synthetic hair'.

R I G G E R S E R I E S 5 0 3


B 5 0 3 0 1 2 3 4Ø m m 2 2 . 2 2 . 5 3 6£ R R P - - - - -£ P r i c e 1 . 9 0 1 . 9 0 2 . 0 0 2 . 4 0 2 . 6 0

B 5 0 5 5 / 0 3 / 0 2 / 0 0 1 2 3 4 5 6 7 8 1 0 1 2 1 4 1 6 1 8 2 0Ø m m 2 2 . 5 2 . 5 3 3 3 . 5 3 . 5 4 4 . 5 5 . 5 5 . 5 6 6 8 8 . 5 1 2 1 3 1 4£ R R P - - - - - - - - - - - - - - - - - -£ P r i c e 2 . 0 0 2 . 2 0 2 . 4 0 2 . 5 0 2 . 6 0 2 . 7 0 2 . 9 0 3 . 0 0 3 . 1 0 3 . 3 0 3 . 4 0 3 . 9 0 5 . 2 0 5 . 9 0 7. 3 0 8 . 5 0 1 1 . 3 0 1 5 . 1 0


B 5 0 6 1 / 2 3 / 4 1 1 1 / 2 2Ø m m 1 2 . 7 1 9 2 5 . 4 3 8 . 1 5 0 . 8£ R R P - - - - -£ P r i c e 5 . 0 0 8 . 2 0 1 0 . 9 0 1 8 . 8 0 2 2 . 5 0

B 2 1 3 3 5 0 7 5 1 0 0Ø m m 5 0 7 5 1 0 0£ R R P - - -£ P r i c e 5 . 9 0 9 . 6 0 1 2 . 3 0

J A C K S O N ' S R E T R A C T A B L E S Y N T H E T I C

J A C K S O N ' S W H I T E S Y N T H E T I C M O T T L E R

A very useful pocket brush. This light weight nylon hair brush has fully protected hair when it's retracted.

A fantastic brush for painting and varnishing. Fine, white synthetic filaments are packed tightly into a 7mm deep ferrule. This creates a very soft but springy brush head, which allows for smooth accurate strokes.

R O U N D

R O U N D

B E S T

S E L L E R

G R E A T F O R T R A V E L

P A I N T I N G

B R U S H E S

B N R E T Ø m m -£ R R P -£ P r i c e 5 . 1 0


P R O A R T E P R O L E N E

The secret behind popular prolene hair is the combination of a subtle mixture of polyester fibres and removing their inhibiting static electricity in order to make them behave like sable. Finished with seamless nickel ferrules, and black polished handles with gold tips. 'Best in its class, far longer lasting than sable' – Customer review.


R I G G E R S E R I E S 1 0 3


S W O R D L I N E R S E R I E S 9 A

B P 9 S M LØ m m - - -£ R R P 4 . 9 5 7. 0 5 9 . 9 0£ P r i c e 4 . 0 0 5 . 7 0 8 . 0 0

B P 1 0 1 4 / 0 3 / 0 2 / 0 0 1 2 3 4 5 6 7 8 1 0 1 2 1 4 1 6 2 0 2 4Ø m m 0 . 7 0 . 7 1 . 1 1 1 . 2 0 1 . 9 2 2 . 4 2 . 6 0 3 . 2 5 4 4 . 8 6 7. 8 8 . 8 1 0 1 3 1 5£ R R P 2 . 3 0 2 . 3 5 2 . 5 0 2 . 6 5 2 . 8 5 3 . 0 0 3 . 3 5 3 . 7 5 4 . 8 5 5 . 0 5 5 . 8 0 7. 4 5 9 . 4 0 1 0 . 6 5 1 1 . 7 5 1 3 . 8 0 2 5 . 5 0 3 0 . 6 0£ P r i c e 1 . 9 0 1 . 9 0 2 . 0 0 2 . 2 0 2 . 3 0 2 . 4 0 2 . 7 0 3 . 0 0 3 . 9 0 4 . 1 0 4 . 7 0 6 . 0 0 7. 6 0 8 . 6 0 9 . 4 0 1 1 . 1 0 2 0 . 5 0 2 4 . 5 0

B P 1 0 6 1 / 8 3 / 1 6 1 / 4 3 / 8 1 / 2 5 / 8 3 / 4 1 1 1 / 4 1 1 / 2 2Ø m m 3 . 2 4 . 8 6 . 4 9 . 5 1 2 . 7 1 5 . 9 1 9 2 5 . 4 3 1 . 8 3 8 . 1 5 0 . 8£ R R P 3 . 4 5 3 . 9 5 4 . 6 5 5 . 8 0 7. 8 0 9 . 9 0 1 1 . 7 5 1 6 . 7 5 1 8 . 2 0 2 0 . 3 5 2 1 . 4 0£ P r i c e 2 . 8 0 3 . 2 0 3 . 8 0 4 . 7 0 6 . 3 0 8 . 0 0 9 . 4 0 1 3 . 4 0 1 4 . 6 0 1 6 . 3 0 1 7. 2 0

B P 1 0 3 0 1 2 3 4 5 6Ø m m 0 . 8 1 . 2 0 1 . 4 2 2 . 5 2 . 8 3 . 1£ R R P 2 . 6 5 2 . 8 0 3 . 0 0 3 . 3 5 3 . 8 0 4 . 8 5 5 . 0 5£ P r i c e 2 . 2 0 2 . 3 0 2 . 4 0 2 . 7 0 3 . 1 0 3 . 9 0 4 . 1 0

P R O A R T E P R O L E N E P L U S

Prolene Plus is an improved Prolene. The hairs are finer, and a little more like sable.

They are tough too. The result is a combination of good holding capacity and a resilient point. 'Thought I'd try [Prolene Plus]... now I have the full range. Very responsive and well balanced, very easy to use' - Customer review.


O N E S T R O K E S E R I E S 0 0 8

T R A V E L S I Z E 1 0

B P 0 0 7 4 / 0 3 / 0 2 / 0 0 1 2 3 4 5 6 7 8 1 0 1 2 1 4 1 6 1 8 2 0Ø m m - - - - - - - - - - - - - - - - - -£ R R P 2 . 6 5 2 . 7 5 2 . 8 5 2 . 9 5 3 . 1 5 3 . 4 0 3 . 9 0 4 . 1 0 5 . 0 0 5 . 7 5 6 . 3 5 8 . 8 0 1 0 . 6 5 1 2 . 7 0 1 3 . 9 0 1 7. 1 0 2 1 . 4 0 2 6 . 5 0£ P r i c e 2 . 2 0 2 . 2 0 2 . 3 0 2 . 4 0 2 . 6 0 2 . 8 0 3 . 2 0 3 . 3 0 4 . 0 0 4 . 6 0 5 . 1 0 7. 1 0 8 . 6 0 1 0 . 2 0 1 1 . 2 0 1 3 . 7 0 1 7. 2 0 2 1 . 5 0

B P 0 0 8 1 / 8 3 / 1 6 1 / 4 3 / 8 1 / 2 5 / 8 3 / 4 1 1 1 / 4Ø m m 3 . 1 4 . 8 6 . 3 9 . 6 1 2 . 7 1 5 . 9 1 9 2 5 . 4 3 1 . 7£ R R P 3 . 5 0 4 . 2 5 5 . 1 5 5 . 8 5 8 . 8 5 1 1 . 2 0 1 4 . 7 5 1 8 . 2 0 2 1 . 4 0£ P r i c e 2 . 8 0 3 . 4 0 4 . 2 0 4 . 7 0 7. 1 0 9 . 0 0 1 1 . 8 0 1 4 . 6 0 1 7. 2 0

B P R F F L RTy p e F i l b e r t F l a t R o u n d£ R R P 1 1 . 9 5 1 1 . 9 5 1 1 . 9 5£ P r i c e 9 . 6 0 9 . 6 0 9 . 6 0

F I L B E R T S E R I E S 0 0 9

B P 0 0 9 2 4 6 8 1 0 1 2Ø m m - - - - - -£ R R P 4 . 2 5 5 . 1 5 5 . 8 5 8 . 8 5 1 1 . 2 0 1 4 . 7 5£ P r i c e 3 . 4 0 4 . 2 0 4 . 7 0 7. 1 0 9 . 0 0 1 1 . 8 0

G R E A T Q U A L I T Y

B R U S H E S


E S C O D A U L T I M O M O P S Y N T H E T I C S H O R T H A N D L E

E S C O D A V E R S A T I L

It's a real challenge to spot the difference between Ultimo synthetic hair and genuine squirrel hair. Extraordinary softness and a capacity to retain liquid.

R O U N D S E R I E S 1 5 4 0

R O U N D S E R I E S 1 5 3 0

F I L B E R T S E R I E S 1 5 4 1

B R I G H T S E R I E S 1 5 4 2

F L A T S E R I E S 1 5 4 3

B E 1 5 4 3 1 / 2 3 / 4 1Ø m m 1 4 1 8 . 5 2 5£ R R P 1 5 . 2 7 1 7. 2 8 2 4 . 8 6£ P r i c e 1 3 . 2 0 1 4 . 9 0 2 1 . 5 0

B E 1 5 4 0 3 / 0 2 / 0 0 1 2 4 6 8 1 0 1 2 1 4 1 6 1 8 2 0 2 2Ø m m 0 . 5 0 . 8 0 . 9 1 . 4 2 2 . 8 3 . 6 4 . 4 5 . 7 6 . 9 8 . 2 9 . 7 1 2 1 4 . 1 1 5 . 6£ R R P 4 . 6 5 4 . 7 0 4 . 8 8 5 . 0 7 6 . 1 3 6 . 6 5 7. 1 2 7. 9 6 9 . 3 2 1 0 . 6 2 1 2 . 0 1 1 5 . 1 7 2 0 . 5 6 2 5 . 0 9 3 0 . 0 8£ P r i c e 4 . 1 0 4 . 1 0 4 . 2 0 4 . 4 0 5 . 3 0 5 . 8 0 6 . 2 0 6 . 9 0 8 . 1 0 9 . 2 0 1 0 . 4 0 1 3 . 1 0 1 7. 7 0 2 2 . 0 0 2 6 . 0 0

B E 1 5 3 0 1 0 1 2 1 4 1 6 1 8Ø m m 9 . 1 1 0 1 1 . 2 1 3 . 6 1 5 . 8£ R R P 1 3 . 7 6 1 5 . 1 5 1 8 . 8 0 2 0 . 1 6 2 1 . 4 6£ P r i c e 1 1 . 9 0 1 3 . 1 0 1 6 . 2 0 1 7. 4 0 1 8 . 5 0

B E 1 5 4 1 0 1 2 4 6 8 1 0 1 2 1 4 1 6 1 8 2 0 2 2 2 4Ø m m 1 . 1 1 . 7 2 . 4 3 . 5 4 . 8 6 . 1 8 9 1 1 . 6 1 3 . 9 1 7. 1 1 9 . 7 2 2 . 3 2 4£ R R P 4 . 8 1 4 . 9 3 5 . 9 8 6 . 4 5 7. 1 3 7. 6 1 8 . 5 7 9 . 9 4 1 0 . 7 5 1 3 . 8 1 1 6 . 9 7 1 9 . 2 1 2 3 . 0 0 2 8 . 0 0£ P r i c e 4 . 2 0 4 . 3 0 5 . 2 0 5 . 6 0 6 . 2 0 6 . 6 0 7. 4 0 8 . 6 0 9 . 3 0 1 1 . 9 0 1 4 . 6 0 1 6 . 6 0 1 9 . 8 0 2 4 . 5 0

B E 1 5 4 2 0 1 2 4 6 8 1 0 1 2 1 4 1 6 1 8 2 0 2 2 2 4Ø m m 1 1 . 7 2 . 4 3 . 5 4 . 8 6 . 1 8 9 1 1 . 6 1 3 . 9 1 7. 1 1 9 . 7 2 2 . 3 2 4£ R R P 4 . 6 6 4 . 74 5 . 4 6 6 . 1 8 6 . 7 8 7. 2 4 7. 9 8 9 . 2 9 1 0 . 5 1 1 2 . 9 1 1 5 . 8 0 1 8 . 3 4 2 1 . 4 9 2 6 . 4 1£ P r i c e 4 . 1 0 4 . 1 0 4 . 7 0 5 . 4 0 5 . 9 0 6 . 3 0 6 . 9 0 8 . 0 0 9 . 1 0 1 1 . 2 0 1 3 . 6 0 1 5 . 8 0 1 8 . 5 0 2 3 . 0 0

T R A V E L S E R I E S 1 5 4 8

B E 1 5 4 8 2 4 6 8 1 0 1 2Ø m m 2 2 . 8 3 . 6 4 . 4 5 . 7 6 . 9£ R R P 9 . 1 2 9 . 4 1 1 0 . 4 0 1 2 . 1 1 1 3 . 2 5 1 3 . 9 1£ P r i c e 7. 9 0 8 . 1 0 9 . 0 0 1 0 . 5 0 1 1 . 4 0 1 2 . 0 0

R I G G E R S E R I E S 1 5 4 9

B E 1 5 4 9 0 2 4 6 8 1 0Ø m m 0 . 9 2 2 . 8 3 . 6 4 . 4 5 . 7£ R R P 7. 1 2 7. 9 3 8 . 1 8 8 . 6 6 9 . 9 2 1 0 . 6 1£ P r i c e 6 . 2 0 6 . 9 0 7. 1 0 7. 5 0 8 . 6 0 9 . 2 0

Escoda Versatil is the brush manufacturer's best possible attempt to make a synthetic brush that compares with Kolinsky. 'Holds loads of paint and goes on forever' – Customer review.

R E A L L Y G O O D F I N E P O I N T A N D K E E P S I T S

S H A P E

B R U S H E S


B W 7 7 7 1 / 2 3 / 4 1Ø m m 1 2 . 7 1 9 2 5 . 4£ R R P 1 4 . 5 5 2 0 . 3 0 2 7. 3 0£ P r i c e 1 0 . 8 0 1 5 . 1 0 2 0 . 5 0

B W 9 9 9 5 / 8 3 / 4Ø m m - -£ R R P 1 1 . 4 5 1 4 . 5 5£ P r i c e 8 . 5 0 1 0 . 8 0

B W 8 8 8 2 4 6Ø m m - - -£ R R P 8 . 0 0 1 0 . 2 5 1 2 . 2 5£ P r i c e 6 . 0 0 7. 6 0 9 . 1 0

B W 2 2 2 0 1 2 3 4 5 6Ø m m 1 1 1 2 . 5 1 6 1 7. 5 1 9 2 0 . 5 2 2£ R R P 4 . 4 0 5 . 2 0 5 . 2 0 5 . 7 5 5 . 7 5 6 . 6 5 7. 4 0£ P r i c e 3 . 3 0 3 . 9 0 3 . 9 0 4 . 3 0 4 . 3 0 5 . 0 0 5 . 5 0

B W 3 3 3 0 1 2 3Ø m m - - - -£ R R P 4 . 4 0 5 . 2 0 5 . 2 0 5 . 7 5£ P r i c e 3 . 3 0 3 . 9 0 3 . 9 0 4 . 3 0

B W 6 6 6 1 / 8 1 / 4 3 / 8 1 / 2 3 / 4 1 1 1 / 2Ø m m 3 6 . 3 9 . 5 1 2 . 7 1 9 2 5 . 4 3 8£ R R P 5 . 2 0 6 . 6 5 8 . 0 0 1 0 . 2 5 1 5 . 3 5 2 2 . 9 0 2 8 . 8 5£ P r i c e 3 . 9 0 5 . 0 0 6 . 0 0 7. 6 0 1 1 . 4 0 1 7. 0 0 2 1 . 5 0

B W 6 6 7 1 / 8 1 / 4 3 / 8 1 / 2 Ø m m 3 6 . 3 9 . 5 1 2 . 7£ R R P 5 . 2 0 6 . 6 5 8 . 0 0 1 0 . 2 5£ P r i c e 3 . 9 0 5 . 0 0 6 . 0 0 7. 6 0

B W 1 1 1 3 / 0 2 / 0 0 1 2 3 4 5 6 7 8 9 1 0 1 2 1 4 1 6 2 0 2 4Ø m m - - - - - - - - - - - - - - - - - -£ R R P 3 . 3 0 3 . 6 5 3 . 6 5 4 . 4 0 4 . 4 0 5 . 2 0 5 . 2 0 6 . 6 5 7. 4 0 8 . 0 0 1 0 . 9 5 1 1 . 4 5 1 3 . 1 5 1 4 . 5 5 1 5 . 8 5 2 0 . 3 0 3 6 . 4 0 4 9 . 9 5£ P r i c e 2 . 5 0 2 . 7 0 2 . 7 0 3 . 3 0 3 . 3 0 3 . 9 0 3 . 9 0 5 . 0 0 5 . 5 0 6 . 0 0 8 . 2 0 8 . 5 0 9 . 8 0 1 0 . 8 0 1 1 . 8 0 1 5 . 1 0 2 7. 0 0 3 7. 0 0

W I N S O R & N E W T O N C O T M A N

Winsor and Newton's Student range of paints for affordable high quality colourCotman Water Colours are made to Winsor and Newton's normal high quality standards but costs are kept to an economical level by replacing some of the more costly pigments with less expensive alternatives. The range consists of 40 colours in tubes and pans which possess good transparency, excellent tinting strength and good working properties. There are also a number of excellent water colour sets available in the range.

O N E S T R O K E C L E A R S E R I E S 7 7 7 S H

M O P S E R I E S 9 9 9 S H

F A N S E R I E S 8 8 8 S H

D E S I G N E R S S E R I E S 2 2 2 S H

R I G G E R S E R I E S 3 3 3 S H

O N E S T R O K E S E R I E S 6 6 6 S H

A N G L E D S E R I E S 6 6 7 S H

R O U N D S E R I E S 1 1 1 S H

B R U S H E S


B F 2 0 6 W 1 1 / 2Ø m m - -£ R R P 1 5 . 2 3 7. 1 8£ P r i c e 1 2 . 1 0 5 . 7 0

B F 2 0 6 WA 1 / 4 5 / 8Ø m m - -£ R R P 5 . 2 2 9 . 2 1£ P r i c e 3 . 6 0 7. 3 0

B F 2 0 6 F D 2 6Ø m m - -£ R R P 7. 2 1 1 0 . 4 7£ P r i c e 5 . 8 0 8 . 3 0

B F 2 0 6 D 1 / 2 1 / 4Ø m m - -£ R R P 9 . 9 8 6 . 7 9£ P r i c e 8 . 0 0 5 . 4 0

B F 2 0 6 F N T 4 6 1 0Ø m m - - -£ R R P 4 . 8 0 5 . 6 0 8 . 8 6£ P r i c e 3 . 9 0 4 . 5 0 7. 1 0

B F 2 0 6 R K 1 / 2 1 / 4 Ø m m - -£ R R P 9 . 9 8 7. 6 0£ P r i c e 8 . 0 0 6 . 1 0

B F 2 0 6 S 4 1 0Ø m m - -£ R R P 4 . 3 4 6 . 4 8£ P r i c e 3 . 5 0 5 . 2 0

B F 2 0 6 F I L 2 8Ø m m - -£ R R P 4 . 2 0 6 . 7 9£ P r i c e 3 . 4 0 5 . 4 0

BF 2 0 6M2 0/0Ø m m -£ R R P 3 . 5 0£ P r i c e 2 . 9 0

B F 2 0 6 R 1 6Ø m m - -£ R R P 3 . 4 7 5 . 6 4£ P r i c e 2 . 8 0 4 . 5 0

B F 2 0 6 S L 1 0 / 0 2Ø m m - -£ R R P 3 . 0 5 3 . 8 2£ P r i c e 2 . 5 0 3 . 1 0

B F 2 0 6 D F 1 / 4Ø m m -£ R R P 7. 4 6£ P r i c e 6 . 0 0

B F 2 0 6 A 1 / 2 3 / 4 Ø m m - -£ R R P 7. 4 6 1 0 . 6 8£ P r i c e 6 . 0 0 8 . 5 0

W H A L E S T A L E

W A V E A N G L E

F A N D A N G O

M E D I U M H A T T R I C K

F O U N T A I N

T O O T H

S H A D E R

F I L B E R T

M I N I L O N G L I N E R R O U N D

S C R I P T

D E E R F O O T

A N G U L A R

R I G G E R B U T T E R F L Y

D A G G E R

D Y N A S T Y B L A C K G O L D

Black Gold brushes are premium quality artist paint brushes. The series can be immediately identified by their regal black ferrules and two-tone varnished handles. All brushes are hand-crafted, kiln dried and offer 'seamless' metal ferrules to provide safe, long lasting, water resistant beauty.

DYNASTY

B R U S H E S

B F 2 0 6 H T MØ m m -£ R R P 1 1 . 8 7£ P r i c e 9 . 5 0

B F 2 0 6 B RØ m m -£ R R P 7. 1 8£ P r i c e 5 . 7 0


J A C K S O N ' S S I L V E R L I N E

Silverline brushes use Toray synthetic hair which provides a good snap.

The shapes are particularly useful for decorative marks and specialised detailing.

A good selection for a beginner watercolourist as they demonstrate the potential of mark making. Our favourites are the deerfoot for texture and the dagger for long flowing lines.

S H A D E R S E R I E S 9 8 0 S W O R D S E R I E S 9 8 1

C O M B S E R I E S 9 8 2 D A G G E R S E R I E S 9 8 3

B 9 8 3 6 8 1 0 1 2Ø m m - - - -£ R R P - - - -£ P r i c e 4 . 9 0 6 . 0 0 7. 7 0 9 . 2 0

B 9 8 0 2 4 6 8 1 0 1 2Ø m m - - - - - -£ R R P - - - - - -£ P r i c e 2 . 6 0 2 . 9 0 3 . 5 0 4 . 1 0 4 . 8 0 5 . 0 0

B 9 8 1 1 / 8 1 / 4 3 / 8 1 / 2Ø m m 3 . 2 6 . 3 9 . 5 1 2 . 7£ R R P - - - -£ P r i c e 3 . 5 0 5 . 2 0 6 . 0 0 7. 5 0

B 9 8 2 1 / 4 3 / 8 1 / 2Ø m m 6 . 3 9 . 5 1 2 . 7£ R R P - - -£ P r i c e 4 . 5 0 5 . 2 0 6 . 6 0

H A L F L I N E R S E R I E S 9 8 4 D E E R F O O T 9 8 5


B 9 8 6 0 0 0 1 2 3 4 5Ø m m - - - - - - -£ R R P - - - - - - -£ P r i c e 1 . 8 0 1 . 8 0 1 . 9 0 2 . 0 0 2 . 1 0 2 . 3 0 2 . 4 0

B 9 8 4 0 0 0 2 4 6Ø m m - - - - -£ R R P - - - - -£ P r i c e 2 . 6 0 2 . 6 0 2 . 7 0 3 . 4 0 3 . 6 0

B 9 8 5 6 8Ø m m - -£ R R P - -£ P r i c e 2 . 7 0 3 . 6 0

C A T ' S T O N G U E S E R I E S 9 8 7

B 9 8 7 2 4 6 8 1 0 1 2Ø m m - - - - - -£ R R P - - - - - -£ P r i c e 2 . 7 0 3 . 4 0 4 . 0 0 4 . 7 0 5 . 8 0 6 . 7 0

T H I S P R O D U C T

W A S E X C E L L E N T

D A V I N C I V A R I O T I P

The Vario-Tip uses two different lengths of hair.

The result is that with light pressure streaky brushmarks can be made without breaks thanks to the increased holding capacity.Outstanding results.

F L A T S E R I E S 1 3 8 1

B V 1 3 8 1 8 1 2 1 6 2 0Ø m m 8 1 2 1 6 . 3 0 1 9£ R R P 8 . 8 0 1 0 . 3 5 1 4 . 0 0 1 6 . 7 0£ P r i c e 7. 8 0 9 . 1 0 1 2 . 3 0 1 4 . 7 0

F A N S E R I E S 1 3 8 5

D A V I N C I O V E R G R A I N E R 4 0 M M

Not like any other brush! The Da Vinci Overgrainer benefits from 3 separate golden round synthetic brush heads, ideal for painting natural structures.

O V E R G R A I N E R S E R I E S 1 1 5 4 3

B R U S H E S

R O U N D

D A V I N C I M A N O L I N O

A bulbous ergonomic handle makes painting more comfortable for artists of all ages and abilitiesHighly durable synthetic hair. B V 3 2 3 8 1 2 1 6

Ø m m 4 . 5 5 . 5 7. 3£ R R P 5 . 2 9 6 . 7 3 7. 8 4£ P r i c e 4 . 7 0 5 . 9 0 6 . 9 0

F L A T

B V 3 2 4 8 1 0 1 6Ø m m 7. 5 9 . 5 1 3 . 5£ R R P 5 . 3 9 5 . 7 7 9 . 1 5£ P r i c e 4 . 8 0 5 . 1 0 8 . 1 0

B 1 1 5 4 3Ø m m -£ R R P 1 3 . 4 1£ P r i c e 1 1 . 5 0

B V 1 3 8 5 5Ø m m -£ R R P 9 . 9 4£ P r i c e 8 . 7 0


H A N D O V E R G O L D E N F L A T

The Handover Golden Flat brush offers clean edges, resilience and versatility. A range that won't break the bank, but does the job! Great for doing bold brushmarks.

F L A T O N E S T R O K E S E R I E S 1 2 1 0

B N 2 1 0 7 1 / 8 1 / 4 3 / 8 1 / 2 3 / 4 1 1 1 / 2Ø m m 3 . 2 6 . 3 9 . 5 1 2 . 7 1 9 2 5 . 4 3 8 . 1£ R R P - - - - - - -£ P r i c e 1 . 2 0 1 . 4 0 2 . 1 0 3 . 0 0 6 . 0 0 7. 1 0 1 0 . 8 0

P R I N C E T O N M I N I A T U R E S Y N T H E T I C S A B L E

Princeton's Miniature brushes are best suited to water colour painters who require precisionMore brush types available online.

P R O A R T E M I N I A T U R E P A I N T I N G

Pro Arte Miniature synthetic brushes designed with comfort and precision in mind.'This brush is great for painting extremely fine lines and details in my watercolour paintings'.

R O U N D

B P M P 1 0 / 0 5 / 0 3 / 0 2 / 0 0 1 2Ø m m - - - - - - -£ R R P 3 . 2 5 3 . 2 5 3 . 2 5 3 . 2 5 3 . 2 5 3 . 2 5 3 . 2 5£ P r i c e 2 . 6 0 2 . 6 0 2 . 6 0 2 . 6 0 2 . 6 0 2 . 6 0 2 . 6 0

A N G L E S H A D E R

B P R 3 0 5 0 A S 1 2 / 0 0 4Ø m m - - -£ R R P 6 . 9 5 7. 1 0 7. 8 0£ P r i c e 5 . 6 0 5 . 7 0 6 . 3 0

F L A T S H A D E R

B P R 3 0 5 0 F S 1 0 / 0 2 / 0 2Ø m m - - -£ R R P 6 . 5 5 6 . 5 5 7. 2 5£ P r i c e 5 . 3 0 5 . 3 0 5 . 8 0

E S C O D A P E R L A

Perla brushes use white Toray hair, one of the finest synthetic hairs available to watercolour painters. Keeps an excellent point and edge. Has a short green lacquered handle.

R O U N D S E R I E S 1 4 3 0

B 1 4 3 0 5 / 0 4 / 0 3 / 0 2 / 0 0 1 2 4 6 8 1 0 1 2 1 4 1 6 1 8 2 0 2 2Ø m m 0 . 5 0 . 5 0 . 5 0 . 8 0 . 9 5 1 . 4 2 2 . 8 3 . 6 4 . 4 5 . 7 6 . 9 8 . 2 9 . 7 1 2 1 4 . 1 1 5 . 6£ R R P 4 . 6 3 4 . 6 7 4 . 2 2 4 . 74 4 . 8 5 5 . 0 3 5 . 3 4 5 . 7 6 6 . 3 7 7. 2 6 8 . 3 0 9 . 7 9 1 1 . 5 9 1 4 . 1 8 1 8 . 1 0 2 2 . 0 8 2 7. 5 4£ P r i c e 3 . 8 0 3 . 8 0 3 . 9 0 3 . 9 0 4 . 0 0 4 . 1 0 4 . 4 0 4 . 7 0 5 . 2 0 5 . 9 0 6 . 8 0 8 . 0 0 9 . 5 0 1 1 . 6 0 1 4 . 7 0 1 8 . 0 0 2 2 . 5 0

B R U S H E S

R O U N D

B P R 3 0 5 0 R 2 0 / 0 1 2 / 0 3 / 0 2 / 0 0 2 4Ø m m - - - - - - -£ R R P 6 . 5 5 6 . 5 5 6 . 5 5 6 . 5 5 6 . 5 5 6 . 9 5 7. 1 0£ P r i c e 5 . 3 0 5 . 3 0 5 . 3 0 5 . 3 0 5 . 3 0 5 . 6 0 5 . 7 0

L I N E R

B P R 3 0 5 0 L 2 0 / 0 1Ø m m - -£ R R P 6 . 5 5 6 . 5 5£ P r i c e 5 . 3 0 5 . 3 0

D A G G E R S T R I P E R

B P R 3 0 5 0 D G 1 / 8 1 / 4Ø m m - -£ R R P 7. 9 5 7. 9 5£ P r i c e 6 . 4 0 6 . 4 0

E X T R A L O N G L I N E R

B P R 3 0 5 0 X L 3 0 / 0 2 0 / 0Ø m m - -£ R R P 6 . 9 5 7. 1 0£ P r i c e 5 . 6 0 5 . 7 0

F L A T

B P M P 1 / 8Ø m m 3£ R R P 3 . 2 5£ P r i c e 2 . 6 0

P R O A R T E B O B E R E N D S C O M B I T R E E B R U S H

A unique brush perfectly balanced & double ended, with a broad round for washes at one end and a fine detail brush at the other.

R O U N D

B P B C BØ m m -£ R R P 1 4 . 9 5£ P r i c e 1 2 . 0 0


J A C K S O N ' S A R T I S T S ' H A K E

Our artist quality hake brushes are made with extremely fine goats hair. Perfect for wetting surfaces or applying large areas of colour.


B H C 2 4 3 0 4 5 6 0 7 5Ø m m 2 4 3 0 4 5 6 0 7 5£ R R P - - - - -£ P r i c e 3 . 7 0 4 . 5 0 5 . 4 0 6 . 2 0 8 . 4 0

J A C K S O N ' S S C R U B B E R

Our Scrubber is a stiff and short haired hog brushIt is very useful for lifting colour out of heavy duty paper or canvas.

S C R U B B E R S E R I E S 3 8 8

B 3 8 8 S LØ m m 1 3 1 8£ R R P - -£ P r i c e 3 . 6 0 4 . 2 0

P R O A R T E R O N R A N S O N H A K E

Ron Ranson is an artist of international repute.Renowned for his 'fast and loose' technique, which relies on the soft broad strokes of this goat hair hake brush.

L I N E R S E R I E S 1 2 1 0

B P R S M L X LØ m m 1 9 3 2 2 2 6 0£ R R P 8 . 7 0 9 . 1 5 1 0 . 1 5 1 0 . 7 5£ P r i c e 7. 0 0 7. 4 0 8 . 2 0 8 . 6 0

B R U S H E S

K U R E T A K E S E N G A K I L I N E B R U S H

A small goat hair brush with a bamboo shaft and sturdy tip for drawing straight lines. It is suitable for creating both narrow and wide lines.

R O U N D

G K J G 1 1 1 2 1 3Ø m m - - -£ R R P 1 3 . 3 6 1 6 . 7 3 2 5 . 1 0£ P r i c e 1 1 . 2 0 1 4 . 0 0 2 1 . 0 0

K U R E T A K E K U M A T O R I W A S H B R U S H

Brush with bamboo shaft & bouncy tip for washes. Ideal for use with Japanese traditional watercolours such as Gansai Tambi paints.

R O U N D

G K J G 1 0 3 1 0 4Ø m m 1 0 1 2 . 5£ R R P 1 6 . 7 3 2 0 . 3 0£ P r i c e 1 4 . 0 0 1 7. 0 0

J A C K S O N ' S C H I N E S E B R U S H E S

Goat & sable hair brushes for the ancient art of Chinese brush paintingEach stroke is left unaltered and the results expressive.

R O U N D G O A T

B C 0 0 1 0 0 2 0 0 3Ø m m - - -£ R R P - - -£ P r i c e 4 . 6 0 6 . 4 0 8 . 1 0

R O U N D S A B L E

B C 0 3 0Ø m m -£ R R P -£ P r i c e 6 . 2 0


J A C K S O N ' S P U R E S Q U I R R E L S W O R D L I N E R

The Squirrel Liner's fine point and long hair mean that an array of effects can be achieved.

S W O R D L I N E R S E R I E S 8 9 3

B S 8 9 3 0 0 0 1 2 3 4Ø m m 5 6 8 1 1 1 2 . 5 1 5£ R R P - - - - - -£ P r i c e 7. 2 0 7. 6 0 7. 8 0 8 . 3 0 8 . 5 0 8 . 8 0

J A C K S O N ' S B A D G E R F A N

Our badger fan brush is a stiffer version of a normal fan brushFantastic for a variety of blending techniques, foliage and trees.

F A N S E R I E S 6 0 2

B B 6 0 2 S M LØ m m 5 9 1 0£ R R P - - -£ P r i c e 3 . 3 0 4 . 0 0 4 . 6 0

J A C K S O N ' S S O F T H A I R S T I P P L E R

A super soft hair stippler. Great for dry brush stippling, as well as building up layers of textured marks in wet colour too. Made from a blend of natural hairs.

S T I P P L E R S E R I E S 4 3 3

B 4 3 3 X S S M LØ m m - - - -£ R R P - - - -£ P r i c e 5 . 1 0 5 . 5 0 6 . 2 0 8 . 0 0

R E T A I N S I T S S H A P E

I N C R E D I B L Y W E L L

J A C K S O N ' S S P E C I A L I T Y B R U S H E S

Our speciality brushes are a range of 6 uniquely shaped natural hair brushes designed to aid with the realistic depiction of foliage and natural forms.

The range includes stipplers for grasses, trees and skies, a squirrel Dagger for blades of grass, and two foliage brushes. 'Had great success with this brush. Great effect when using for foliage' - Customer review.

F A N S T I P P L E R

D E E R F O O T S T I P P L E R

C O M B F O L I A G E F O L I A G E

D A G G E R

1 ' S K Y S T I P P L E R

B R U S H E S

B V 7 0 0 0 1 2 3 4Ø m m 7 8 1 0 1 2 1 6£ R R P 1 6 . 8 8 1 9 . 1 5 2 0 . 9 2 2 2 . 8 1 2 5 . 8 3£ P r i c e 1 4 . 5 0 1 6 . 5 0 1 8 . 0 0 1 9 . 6 0 2 2 . 5 0

100% pure Kazan Squirrel hair.Designed for drawing long, even lines.

D A G G E R S E R I E S 7 0 0

D A V I N C I K A Z A N S Q U I R R E L D A G G E R S T R I P E R

B H 0 0 3Ø m m 9£ R R P -£ P r i c e 6 . 1 0

B H 0 0 1 0 0 2Ø m m 8 1 0£ R R P - -£ P r i c e 5 . 1 0 6 . 1 0

B H 0 0 4Ø m m 1 3£ R R P -£ P r i c e 6 . 1 0

B H 0 0 6Ø m m 9£ R R P -£ P r i c e 6 . 3 0

B H 0 0 5Ø m m 1 3£ R R P -£ P r i c e 6 . 1 0

B H 0 0 7Ø m m 2 5£ R R P -£ P r i c e 9 . 7 0


W A T E R C O L O U R B R U S H S E T S

Escoda Brush Set - Charles Reid 1 Reser va travel brush set , sizes 6, 8 and 10.Code: BES8603 1RRP : £70.82Price: £61.00

Escoda Brush Set - Alvaro Castagnet 1 S ynthetic Prado brushes , sizes 8 , 10 and 12 .Code: BES86011RRP : £ 26.9 4Price: £23.50

Escoda Brush Set - Nicholas Simmons 1 S ynthetic Barroco brushes , sizes 8 , 12 and 20 round.Code: BES86041RRP : £ 36.47Price: £32.00

Escoda Signature Brush Set John Yardley 1 Sable Reser va brushes , sizes 6, 10 and 12 .Code: BES8607 1RRP : £7 1 . 2 2Price: £62.00

Pro Ar te Travel Brush Watercolour Set 3 synthetic travel brushes in a leather case.Code: BRS3RRP : £ 39.95Price: £32.00

Escoda Brush Set - Nicholas Simmons 2S ynthetic Barroco brushes , sizes 16 round & 18 mot tler.Code: BES86042RRP : £ 36.50Price: £ 32.00

Escoda Brush Set - Joseph Zbukvic 2Aquario squirrel hair mop brushes , sizes 14 and 18 .Code: BES86052RRP : £79.59Price: £69.00

Escoda Brush Set - Joseph Zbukvic 1 S ynthetic Perla brushes , sizes 8 , 10 (travel brush) & 12 .Code: BES86051RRP : £ 28.51Price: £25.00

Escoda Signature Set Fabio Cembranelli 1 UltimoConsists of three mop brushes sizes 10, 14 and 18 from the Ultimo ser ies .Code: BE8607 1RRP : £ 5 4.03Price: £ 46.00

Escoda Reser va Kolinsky Tajmyr Series 12 14 Travel Set Leather case containing 6 x travel sable brushes .Code: BE1240RRP : £169.72Price: £146.00

Escoda Reser va Kolinsky Tajmyr Series 12 12 Set of 6 in Wooden Box . Code: BRESET 1RRP : £115.4 0Price: £90.00

Escoda Signature Set Fabio Cembranelli 2 Prado Consists of three brushes from the Prado ser ies , t wo br ights (size 3/4' & 1 ' ) and a r ig ger round size . S ynthetic sable f ibres .Code: BE86072RRP : £ 4 8.9 4Price: £ 42.00

Escoda Optimo Kolinsky Series 12 10 Set of 5 1 x Size 0, 1 x Size 1 , 1 x Size 2 , 1 x Size 4, 1 x 6.Code: BS12 12SRRP : £ 29.12Price: £25.50

Da Vinci Maestro Kolinsky Sable Travel Set Series 1503 in Case Contains 3 Brushes . Code: BVS1503RRP : £ 100.57Price: £91.00

S E T S

B R U S H S E T S

Escoda Signature Set Alvaro Castagnet 2 Includes Prado rounds in size 8 , and Ultimo Mops size 14 and 18 .Code: BES86012RRP : £ 47.65Price: £ 41.00

Escoda Signature Set David Taylor 1Contains a size 18 Ultimo Mop, a lso sizes 8 and 12 synthetic sable Prado brushes .Code: BES86091RRP : £ 32 .02Price: £28.00

Pro Ar te Prolene Wallet Set of 5 Contains 5 shor t handle round synthetic brushes .Code: BPW3RRP : £ 16.95Price: £13.60


W A T E R C O L O U R B R U S H S E T S

Jackson's Studio Synthetic Brush Set Includes round sizes 2 , 4 and 6. Rig ger size 4. Code: BJSET002Price: £6.60

Pro Ar te Brush Wallet Prolene Set of 3Code: BPW5RRP : £ 19.95Price: £16.00

Pro Ar te Brush Wallet Sable Set of 55 shor t handle sable brushes .Code: BPW9RRP : £ 17.75Price: £14.20

Jackson's Sable Brush Value Set A great value set of 6 shor t handle sable brushes .Code: BPAV40RRP : £ 24.95Price: £20.00

Pro Ar te Brush Wallet Prolene Set of 55 shor t handle synthetic brushes .Code: BPW 1RRP : £ 13 .95Price: £11.20

Jackson's Icon Sable Synthetic Brush Set A set of 3 sable / synthetic mix brushes .Code: BJSET006Price: £16.50

Jackson's Speciality Brush Set of 3Includes fan & deer foot stippler, and folia ge brush.Code: BJSET004Price: £16.50

Daler Rowney Aquafine Wallet SetContains 1 x Round size 4, 1 x Shor t F lat size 3/4', 1 x Pointed Wash size 4, synthetic hair, shor t handle .Code: BDAS300RRP : £ 19.00Price: £15.20

Raphael Billy Showell Kolinsky Sable Set of 3 Comes with sizes 2 and 6 round brushes , plus a synthetic eradicator (used to l i f t unwanted colour) and brush box .Code: BRSBSSET3RRP : £ 38.95Price: £32.00

Shirley Trevena Kolinsky Sable Set Contains 4 x Rosemar y & Co. Kolinsk y Sable Shor t Handled Brushes , Ser ies 2 2 , Sizes 2 , 4, 6, 8 .Code: BSTBSPrice: £62.00

Jean Haines Kolinsky Sable Set of 2 Contains 1 x Round Size 10, 1 x Rig ger Size 2 .Code: BJHKSET2Price: £ 49.50

Pro Ar te Swordliner 3 Brush Set Sizes : small , medium and large.Code: BP9ASRRP : £ 20.95Price: £16.80

Jackson's Kolinsky-Tajmyr Set of 4 with Case Contents include: 4 x Jackson’s Kolinsk y-Tajmyr Sable Ser ies 1205 Brushes and 1 x Small Jackson's Zip Fastening Brush Easel Case.Code: BJSET013Price: £39.00

Jackson's Sable Brush Set of 7 with CaseContents include: 6 x Jackson's Sable Brushes and 1 x Small Jackson's Zip Fastening Brush Easel Case.Code: BJSET014Price: £39.00

Jackson's Ar tica White Toray Synthetic Set of 5Code: BJSET015Price: £26.00

B R U S H S E T S

Dynasty Black Gold Wave Filber t SetSizes 4 and 8 wave f i lber t brushes with instructions .Code: BFGBS54RRP : £ 12 .36Price: £9.80

Winsor & New ton Foundation Brush Set of 6Contains 6 assor ted round, f lat and f i lber t brushes .Code: BWF016RRP : £6.99Price: £5.60

Winsor & New ton Foundation Brush Set of 4Contains 4 assor ted round and f lat brushes .Code: BWF013RRP : £ 4.99Price: £ 4.00

Pro Ar te Polar Brush Wallet SetContains 5 assor ted round and f lat white synthetic shor t handle brushes .Code: BPW 10RRP : £9.75Price: £7.80


J A C K S O N ' S B R U S H E S

J A C K S O N ' S F A N T A S T I C S Q U I R R E L M O P S

'I'm very happy with this brush, it's been in constant use since I received it, very versatile, in fact I can start and finish my painting with just this brush, it's pointy enough to make fine lines and holds so much water to do big washes with. It gets me painting fast! This is the most useful of all brushes ever invented in my opinion. And very well priced compared to other brands and it does exactly the same.'

'Superb quality – as good if not better than expensive brushes.'

'Love these brushes. I've got two of these; one on my desk and one cut down for carrying in my watercolour box. Just as good as the Isabey equivalent, which I also have.'

'This brush was recommended to me at the art group I have joined and was my first experience of using a mop brush. Its ability to hold paint has improved my wash technique so I am really pleased with it.'

'Very good brush giving loads of head room and smooth finish.'

'Like a lot of watercolour painters, I've been involved in the usual struggle to paint looser. I've found that with my new Jackson's Series 828 No. 11 Squirrel Mop, I'm beginning to see the effects I have been striving for. It's a thirsty brush which holds lots of pigment, points exceptionally well and with a little patience and practice I feel it's fast becoming the best brush I've used and taking me to where I want to go.'

'Turning out to be my favourite brush.'

Jackson's Squirrel Mop Watercolour Brushes are consistently one of our highest rated products.They are versatile having both a fine point and a full belly for holding loads of watercolour. The softness of a good mop brush can also help create more even washes, without streaks.



J A C K S O N ' S B R U S H E S

J A C K S O N ' S S P E C I A L I T Y W A T E R C O L O U R B R U S H E S

The result is that the Speciality range will present to you a wide variety of ways to describe the textures you can find in a rural setting. The brushes available in the Jackson's Speciality Brush range:

Sky Stippler is available in 1" wide flat only, this brush has densely packed hairs that will carry lots of liquid for dramatic looking washes. The hair offers a slight streaky quality to the brushmarks. When used with dry paint one can create a more powdery effect in the sky, or why not layer dry brush techniques over washes to see what happens?

Stippler Fan is available in small and medium

sizes. The stippler fan is well suited to blending, and good for describing textures in ploughed fields, as well as for blending with more dilute paint.

Deerfoot Stippler is available in a size 12 only. The hairs are clipped at an angle to make a shape like a deer's foot. Used with dry paint this brush is effective in describing clusters of small flowers in the distance.

Comb Foliage is available in a ½" wide size. The different length hairs make streakier brush marks. This texture can effectively describe many natural phenomena such as waves of the seas and rivers, or strata on a cliff-face.

Jackson's Foliage is available as a half inch wide brush that is great for building up texture in foliage subject matter, as well as describing lush meadows.

Dagger is available as a ⅜" wide brush. For very fine lines that can become broader when more pressure is applied. Good for leaf veins and other delicate lines in nature.

Soft Hair Stippler is available in 4 sizes, extra small, small, medium and large. The brush creates very powdery looking stippled effects that could be useful when depicting a hazy or misty landscape.

If you are a watercolourist that is fascinated by the high drama and wonder of the natural world, Jackson's range of Speciality brushes are well worth investing in.Made from natural hair, these brushes have excellent liquid holding capacity yet at the same time are able to create texture and streaks caused by the character of the hair – something you will not find with sable hair brushes.

T I P S

S T U D I O

Paint, brushes and paper are just the beginning - there's a wide range of products available to watercolourists that can enhance the painting experience and make getting down to work a breeze. Mediums to reinvent how you use your colours, palettes that offer space to discover new mixes and easels which provide the perfect angle for work: the watercolourist’s studio, whatever its size, needs to inspire the unleashing of your creativity. Those who prefer to be out and about aren't excluded - plein air sketching easels and robust enamelled paint boxes means your materials can travel as far as you can. When inspiration strikes and the moment is right to start painting, you’ll be all set.

C O N T E N T SPalettes

Storage

Easels

Accessories

102–105

106–107

108–109

110–113

Mount Cutters

Framing

DVDs

Books

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115

116–119

120–123

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2. John Pike Watercolour Palette Measures 38 x 26 x 1 .5cm.Code: WJPREGRRP : £ 28.58Price: £23.00

8. Mijello Plastic Palette With Lid Measures 3 3 x 23cm.Code: AMIJ3025RRP : £ 20.95Price: £16.00

9. Frank Herring Dorchester PaletteMeasures 2 2 x 2 1cm.Code: APHDPRRP : £ 23.98Price: £20.50

10. Frank Herring Compact PaletteMeasures 25.5 x 13cm.Code: APHCHPRRP : £ 18.65Price: £15.90

11 . Liz Deakin Palettewith Easel BracketMeasures 24 x 20cm.Code: APHLPRRP : £ 19.66Price: £16.80

5. Mijello Folding Plastic Palette Measures 3 1 x 14 x 2cm.Code: AMIJ3020KRRP : £ 15.95Price: £12.20

12. Mijello Folding Plastic Palette Measures 24 x 23cm.Code: AMIJ3024RRP : £ 19.95Price: £15.20

3. Frank Herring Crescent Palette 17cm in diameter.Code: APHCPRRP : £ 13 .32Price: £11.40

4. Liz Deakin PaletteMeasures 24 x 20cm.Code: APHLPNPRRP : £ 17.4 0Price: £14.80

6. Frank Herring Palette Whole Pan Measures 26 x 13cm.Code: APHCWPRRP : £ 18.65Price: £15.90

P L A S T I C P A L E T T E S

1 . Mijello Folding Plastic Palette Measures 27 x 13cm.Code: AMIJ3018BRRP : £ 12 .95Price: £9.90

7. Multi Piece Mega Palette with Clip LidMeasures 3 3 x 23 x 2cm.Code: APPMEGA1RRP : £ 2 2 .00Price: £16.30

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16. Plastic Kidney: Kidney Palette 17 Wells9.5 x 13 .75 inches .Code: APP 17Price: £1.70

22. Academy Palette 10 Slant WellMeasures 4.5 x 7 inches .Code: APP 12Price: £0.95

P L A S T I C P A L E T T E S

19. Pebeo Small Elite Palette 6 WellsCode: MP385000RRP : £ 1 .50Price: £1.20

14. Palette Plastic Folding Large Measures 10 x 4 inches .Code: AWP 1Price: £ 4.30

13. Palette Daisy Plastic 10 Wells Ex tra Small 13 .5cm in diameter.Code: APP22Price: £2.30

20. Large 23 well Rectangular Measures 10 x 13 inches .Code: APP2Price: £2.30

24. Plastic Brush Washer with Palette Cover25 x 15 x 10.5cm.Code: ABW25Price: £ 4.70

23. 16 Well Tile PaletteMeasures 12 x 4 inches .Code: APP 14Price: £1.20

2 1. Academy Palette Well Circular 7 inches in diameter.Code: APP 11Price: £0.65

17. Rectangular Plastic Palette 12 WellsMesaures 10 x 13 inches .Code: APP24Price: £2.00

15. Large Rectangular Plastic Palette Measures 13 x 10 inches .Code: APP 1Price: £2.50

18. Plastic Daisy Palette 14 Wells 20cm in diameter.Code: APP 18Price: £1.30

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1. Ceramic Brush Rest 6 inches long .Code: 407 11Price: £3.60

2. Ceramic Palette No. 7 7 inches in diameter.Code: 40707Price: £5.70

8. Ceramic Palette No. 27 Measures 4 x 5 inches .Code: 40727Price: £5.70

3. Ceramic Palette No. 15 7 inches in diameter.Code: 407 15Price: £6.70

9. Ceramic Palette No. 28 5 x 7 inches with l id . Code: 40728Price: £13.10

11 . Ceramic 32 Well PaletteSupplied with clear l id .Code: ACP 1035Price: £30.00

12. Ceramic 7 Well Palette 8. 25 inches in diameter.Code: 40704Price: £13.10

6. Ceramic 5 Well Palette 7 inches in diameter.Code: 407 13RRP : £9.75Price: £6.70

10. Ceramic 7 Well Daisy Palette5 inches in diameter. Code: 40706Price: £5.10

7. Ceramic 10 Well Slant Palette Measures 3 .5 x 7 inches .Code: 40705Price: £6.10

4. Ceramic Daisy Palette 6 inches in diameter.Code: 40801Price: £5.70

5. Large Ceramic 19 Well Palette Measures 3 3 x 25cm. Supplied with cover. Code: ACP 1036Price: £24.00

C E R A M I C P A L E T T E S

U S E F U L S T U D I O

A C C E S S O R Y

P A L E T T E S

P A L E T T E S


23. Plastic Cloverleaf Paint Box12 .5 x 12 .5cm (closed).Code: ACLPBPrice: £38.00

14. Holbein Enamelled Metal Folding Palette Measures 10.8 x 24.7cm.Code: WB1130500RRP : £ 8 1 .19Price: £55.00

22. Empty Metal Watercolour BoxHolds 18 full pans .Code: AMB36Price: £17.70

13. Holbein Enamelled Metal Folding Palette Measures 8 .6 x 24.7cm.Code: WB1130250RRP : £ 52 .68Price: £ 36.00

20. Empty Metal Watercolour BoxHolds 12 full pans .Code: APM24Price: £7.00

18. Schmincke Metal Watercolour BoxHolds 18 x 5ml tubes .Code: AMB18TRRP : £ 30.82Price: £25.50

16. Enamelled Metal Folding Palette Measures 14.5 x 6 inches .Code: APAFPrice: £18.10

24. Empty Metal Watercolour BoxHolds 12 full pans .Code: AMBF 12Price: £5.30

2 1. Empty Metal Watercolour Box Holds 12 full pans .Code: AMB24Price: £15.20

19. Empty Metal Watercolour BoxHolds 6 full pans .Code: AMB12Price: £14.10

17. Schmincke Metal Watercolour BoxHolds 12 x 5ml tubes .Code: AMB12TRRP : £ 24.41Price: £2 1.00

15. Holbein Enamelled Metal Folding Palette Measures 5.5 x 12 inches .Code: WB11301000RRP : £ 103.5 3Price: £70.00

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B R U S H & P E N C I L C A S E S

1 . Jackson's Blake 14 Brush & Pencil RollCode:AJBL AKEBPrice: £11.50

3. Der went Canvas 30 Pencil WrapCode: GDWR APRRP : £ 13 .99Price: £5.30

8. Global Leather Long Brush Case 15 x 2 . 25 inches .Code: GGMBH15RRP : £ 17.10Price: £15.90

2. Mapac Brush Case37 x 38cm open. Code: ABCS RRP : £ 13 .95Price: £11.20

4. Global Leather Shor t Brush Case 1 1 x 2 . 25 inches .Code: GGMBH11RRP : £ 16. 24Price: £15.10

6. Mapac Brush Roll32 x 28cm. Code: ABWRRP : £ 8.70Price: £7.00

7. Pro Ar te Shor t Handle Brush Case 1 1 x 16 inches . Code: APBCSRRP : £ 10.15Price: £8.00

9. Jackson's Large Brush Easel Case 3 4 x 18cm. Code: AJBCLPrice: £7.90

11. Jakar Brush & Pencil Holder Canvas RollCode: A6632RRP : £6.50Price: £5.90

5. Canvas 24 Brush Roll 57 x 30cm. Code: A723 12Price: £3.30

10. Wooden Brush Box 10.5 x 4 x 1 . 25 inches Sliding l id .Code: ABB01Price: £7.50

12. Mapac Brush Easel Case 4 0 x 38cm when open.Code: ABEC RRP : £ 13 .95Price: £11.20

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P O R T F O L I O S A N D C A R R I E R S

P O R T F O L I O S A N D C A R R I E R S3MM SPACE3MM SPACE 3MM SPACE

Mapac Designer CaseThis is a classic , ver y popular case with 70mm gusset for increased capacit y.

Mapac Sketch Bag Fits A 3. Contains a free ground mat in a removable pouch and a removable pouch for paints . The ba g also had a large pocket for brushes and an internal zip pocket .

Mapac Poly-CarrierVer y economical way to carr y and store work . Card inser t for r ig idit y.

Ar tsafe PresentersGood qualit y presentation folder. 20 clear sleeves , so wil l hold up to 4 0 pa ges .

Mapac Ar t Storage Bag A durable , l ight weight ba g a main lockable compar tment , a second outer compar tment and side pockets .

Clairefontaine Green Marbled Ar t FolderGreen Marbled Ar t Folder with ties . The per fect size for imperial watercolour paper.

Por tfolio Sleeves 140 MicronPVC, l ight 'orange peel ' tex ture to reduce g lare . Welded holes .

Biyomap Reusable Ar twork Shipping and Storage BagBiyomap products come with a green label denoting the fact that they are made of 50% recycled material and can, in turn, be entirely recycled.

O r d e r C o d e S i z e £ R R P £ P r i c eD P M M A 3 A 3 4 1 . 3 0 2 9 . 5 0D P M M A 2 A 2 6 8 . 9 5 4 9 . 0 0D P M M A 1 A 1 1 0 3 . 1 5 7 3 . 0 0D P M M A 0 A 0 2 0 1 . 5 5 1 4 2 . 0 0

O r d e r C o d e S i z e £ R R P £ P r i c eD P O L A 4 A 4 1 . 5 0 1 . 2 0D P O L A 3 A 3 2 . 7 5 2 . 2 0D P O L A 2 A 2 3 . 1 5 2 . 5 0D P O L A 1 A 1 5 . 8 5 4 . 7 0

O r d e r C o d e S i z e £ R R P £ P r i c eD M A S A 5 A 5 3 . 8 0 3 . 1 0D M A S A 4 A 4 4 . 4 5 3 . 6 0D M A S A 3 A 3 8 . 7 0 7. 0 0

O r d e r C o d e S i z e c m £ R R P £ P r i c eD A S B 4 0 x 3 2 x 1 5 4 9 . 2 5 4 0 . 0 0

O r d e r C o d e S i z e c m £ R R P £ P r i c eD A S S 4 5 x 3 5 x 1 0 3 2 . 6 5 2 6 . 5 0

O r d e r C o d e S i z e £ R R P £ P r i c eD C A FA 3 + A 3 + 8 . 9 5 8 . 1 0D C A FA 2 + A 2 + 1 4 . 9 5 1 3 . 5 0D C A FA 1 + A 1 + 4 1 . 9 5 3 8 . 0 0D C A F 6 1 6 1 x 7 6 c m 2 6 . 9 5 2 4 . 5 0

O r d e r C o d e S i z e Q u a n t i t y £ P r i c eD P S A 4 A 4 S i n g l e 0 . 5 0D P S A 3 A 3 S i n g l e 0 . 9 0D P S A 2 A 2 S i n g l e 1 . 5 0D P S A 1 A 1 S i n g l e 2 . 8 0D P S A 4 1 0 A 4 1 0 4 . 5 0D P S A 3 1 0 A 3 1 0 7. 9 0D P S A 2 1 0 A 2 1 0 1 2 . 8 0D P S A 1 1 0 A 1 1 0 2 4 . 5 0D P S A 4 2 0 A 4 2 0 8 . 3 0D P S A 3 2 0 A 3 2 0 1 4 . 7 0D P S A 2 2 0 A 2 2 0 2 4 . 0 0D P S A 1 2 0 A 1 2 0 4 6 . 0 0

O r d e r C o d e S i z e c m C o l o u r £ R R P £ P r i c eD B B 1 1 0 1 3 0 1 1 0 x 1 3 0 W h i t e 1 8 . 1 7 1 6 . 6 0D B B 1 3 0 1 6 0 1 3 0 x 1 6 0 G r e y 2 0 . 0 2 1 8 . 3 0D B B 1 4 0 1 6 0 1 4 0 x 1 6 0 O r a n g e 2 1 . 7 5 1 9 . 8 0D B B 1 6 0 2 1 0 1 6 0 x 2 1 0 G r e e n 2 7. 8 1 2 5 . 5 0

Mapac Academy Por tfolioThis l ight weight por t folio comes with a carr ying handle , a shoulder strap, plus a r ing binder mechanism for por t folio sleeves .

O r d e r C o d e S i z e £ R R P £ P r i c eD P B A C A 4 A 4 1 2 . 4 4 1 0 . 2 0D P B A C A 3 A 3 1 7. 3 3 1 1 . 8 0D P B A C A 2 A 2 2 6 . 7 8 1 9 . 4 0D P B A C A 1 A 1 3 7. 8 0 2 7. 0 0

S T O R A G E

T R A V E L


E A S E L S

1 . Jackson's Aluminium Tilting Field EaselHeight : 150cm.Code: EJFT3Price: £50.00

3. Jackson's French Style BoxHeight : 180cm.Code: EJ019Price: £97.00

5. Jackson's Academy Small Sketching EaselHeight : 91cm.Code: EJ012Price: £27.00

4. Jackson's Academy Half Box EaselHeight : 180cm. Code: EJ014Price: £85.00

6. Jackson's Blue Box Metal Sketching EaselHeight : 180cm.Code: EC650Price: £32.00

7. Jackson's Academy A-frame Display EaselHeight : 170cm.Code: EJ011Price: £15.00

9. Jackson's Large Box EaselSize: 4 4 x 3 3 x 10cm.Code: EJ007Price: £34.00

11. Jackson's Book Stand Table EaselHeight : 47cm.Code: EJ003Price: £22.00

8. Winsor & New ton Trent Metal SketchingHeight : 190cm.Code: EW 126RRP : £ 82 .00Price: £63.00

10. Jackson's Small Box EaselSize: 26 x 39 x 12 .7cm.Code: EJ006Price: £26.00

12. Winsor & New ton Arun Box EaselHeight : 6 4 cm.Code: EW201RRP : £ 110.00Price: £57.00

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2. Jackson's Donkey EaselHeight : 95cm.Code: EJ02 1Price: £117.00

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E A S E L S

13. Winsor & New ton Sketching Field EaselHeight : 200cm.Code: EW 125RRP : £ 155.00Price: £68.00

15. Winsor & New ton Bristol Alumium EaselHeight : 17 7cm.Code: EW2 10RRP : £90.00Price: £56.00

17. Winsor & New ton Kent Frame Table EaselHeight : 91cm.Code: EW226RRP : £ 3 3.00Price: £25.00

14. Winsor & New ton Dar t Sketching EaselHeight : 168cm.Code: EW 124RRP : £ 5 4.00Price: £26.00

16. Jackson's Tripod Table EaselSize: 8 .5 x 7 x 5 3cm.Code: EJ015Price: £8.00

18. Jackson's Display EaselHeight : 56cm.Code: EJ018Price: £6.50

19. Jackson's Table EaselSize: 32 x 27.5 x 74.5cm.Code: EJ004Price: £2 1.50

2 1. Jackson's Wentwor th Box EaselSize: 38 x 41 x 13cm.Code: EJ016Price: £50.00

23. Mabef Pochade BoxSize: 1 /2 x 16in .Code: EM105RRP : £ 160.00Price: £105.00

20. Jakar Aluminium Table Display EaselHeight : 4 4 cm.Code: EJTARRP : £ 25.99Price: £23.50

22. Winsor & New ton Tay Table EaselHeight : 47cm.Code: EW 123RRP : £65.00Price: £26.00

24. Jackson's Wooden Storage BoxSize: 36 x 13 x 13cm. Code: EJWB149Price: £23.50

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A C C E S S O R I E S3MM SPACE 3MM SPACE 3MM SPACE 3MM SPACE 3MM SPACE 3MM SPACE

Water Pot with No Spill Lid 3 inches diameter.Code: ART330Price: £1.00

CWR Plastic Pot 150ml with Cover. Code: MCW08406RRP : £ 1 .18Price: £0.75

Collapsible Lantern Large 6 inches diameter water pot . Code: ACCLPrice: £1.60

Stackable Water Pot Trio Code: APBTRIOPrice: £2.20

Ar tists Natural Silk Sponge1 .5-2 inches .Code: ASS1Price: £1.10Ar tists Natural Silk SpongeAssor ted ba g .Code: APA 2Price: £5.80

Frisk Magic Watercol our Erasers SpongesPack of 4.Code: ACWF4RRP : £ 3.99Price: £3.20

Empty Plastic Full Pan Code: AEWPPrice: £0.30

Empty Plastic Half PanCode: AEHPPrice: £0.20

Faber Castell Click & Go Foldable Water Pot & Brush Holder BlueCode: AFC181510RRP : £ 2 .95Price: £2.40Faber Castell Click & Go Foldable Water Pot & Brush Holder Berr yCode: AFC181517RRP : £ 2 .95Price: £2.40

Academy Plastic Brush Washer and Water Pot6.5 x 6.5 x 3 .5 inches .Code: AJT 10005Price: £2.20

Empty Plastic Atomiser / Dif fuser Bottle 250ml. Code: EMPATOM250Price: £3.10Empty Plastic Atomiser / Dif fuser Bottle100ml.Code: EMPATOM100Price: £2.80Empty Plastic Atomiser / Dif fuser Bottle30ml.Code: EMPATOM030Price: £1.70

Handover Gummed Brown Paper Tape 1 inches width.Code: ATGS100Price: £2.30

Tessa Fine Line Tape White1 /4 inches width. Code: TESSA4WPrice: £2.30

Handover Gummed Brown Paper Tape 2 inches width.Code: ATGS200Price: £3.60

Wig gins Gumstrip Butter fly Tape 36mm 1 .5 inches .Code: MT W 1.5RRP : £ 3. 20Price: £2.60

Low Tack Masking Tape 1" widthCode: ATMLT 1Price: £1.50Low Tack Masking Tape 2" widthCode: ATMLT2Price: £2.90

PH Neutral White Paper Tape25mm x 66m.Code: MTPH7 Price: £10.80

Chrome Plated Steel Scissors155mm.Code: DSCIS155Price: £16.00

Koh i Noor Stainless Steel Scissors 205mm.Code: GK ACSC20RRP : £ 4.4 0Price: £ 3.40Koh i Noor Stainless Steel Scissors 165mm.Code: GK ACSC16RRP : £ 3.75Price: £2.90

Cutting Ruler with Plastic Handle 100cm.Code: A3028Price: £10.80

Cutting Ruler with Plastic Handle 60cm.Code: A3027Price: £7.90

18mm Snap-of f Knife Retractable , includes 1 blade.Code: AKS18 Price: £0.75

Heav y Duty Utility KnifeRetractable , includes 1 blade.Code: A7335Price: £ 3.60

Plastic Brush Holder 14.5 x 10cm. Code: ABW 14Price: £2.10

Dusting Brush 23cm.Code: AFDB2Price: £9.60

Der went Sandpaper Block Code: G627229RPP : £ 2 .69Price: £2.50

Supergrip drawing Board Clip Large Code: ACLC74 Price: £1.20

Nitram Sharpening Bloc for Charcoal & Pastel Code: GNTBLC RRP : £ 12 .95Price: £12.00

Jackson's Adjustable Ar tist ApronCode: AJA A APrice: £20.00

A C C E S S O R I E S

P R O D U C T S


A C C E S S O R I E S3MM SPACE3MM SPACE3MM SPACE3MM SPACE3MM SPACE 3MM SPACE

Der went Super Point Manual Helical SharpenerCode: GDA 2302000RPP : £ 14.95Price: £13.50

Faber Castell Easy Grip Trio Sharpening Box Code: AFC183800RPP : £ 3.35Price: £2.80

Der went Manual Twin Sharpener with reser vourCode: GD2301930 RPP : £ 2 .65Price: £2.40

Jakar Crank Desk SharpenerCode: A5160RRP : £ 26.99Price: £24.50

Jakar Domed Double SharpenerCode: A507 1RRP : £ 3.30Price: £2.70

Jakar Electric Pencil SharpenerSuitable for graphite pencils .Code: A5151RRP : £ 4 0.00Price: £36.00

Der went 5 Way Batter y Pencil SharpenerCode: ADBSRRP : £ 12 .79Price: £12.00

Jakar Automatic Batter y Double Pencil Sharpener Code: A5156A RRP : £ 10.00Price: £9.00

Jacksons Grey Economy Putty RubberFor removing and highlighting charcoal and pastel work . Harmless to all dedicated drawing .Code: APRJGPrice: £0.80

Daler Rowney Putty RubberCode: APS8121RRP : £ 2 .50 Price: £2.30

Faber Castell Putty RubberCode: AFPRRRP : £ 1 .65Price: £1.50

Jakar Blue Putty RubberPer fect for charcoal , drawing and re-touching .Code: A5361RRP : £ 1 .00Price: £0.90

Der went Kneadable Eraser Per fect for l i f t ing out tone and colour.Code: GD070023 1RRP : £ 1 .99Price: £1.80

Koh-I-Noor Big Sof t Elephant Eraser 6891Code: GK AC6891RRP : £ 11 .05Price: £6.20

Winsor & New ton Putty Rubber Medium Useful for picking out highlights , erasing pencil , chalk or charcoal without smearing .Code: APRMRRP : £ 2 .00Price: £1.90

Susan Scheewe Sof t Watercolour EraserE x tra sof t eraser ideal for removing pencil marks from dried watercolour paintings . 23 x 60mm.Code: MWBS8204RRP : £ 4.09Price: £3.60

Der went Batter y Operated Helical Sharpener Code: GD2300174 RPP : £ 23.95Price: £22.00

Staedtler Pencil Sharpener Yellow Black & RedCode: APS511120RPP : £ 3.30Price: £2.80

Der went Burnisher Code: GD6010 RPP : £ 1 .90Price: £1.60

Keba Ar tmate Paper Stretcher 1/2 ImperialEssential for watercolourists . Unique control of ultra wet washes , no cockling , buckling or l i f t ing with the patented tension control , let the paint f low where you want it , use Keba Ar tmate easily with any paper.Avalaible a lso in sizes : 30 x 2 2 inches and 15 x 1 1 inches .Code: MKS112 RPP : £ 127. 20Price: £115.00

Base Board for Keba Ar tmate Paper Stretcher 1/2 Imperial 15 x 22 inchesA half imperial base board for use with the Keba Ar tmate Paper S tretcher, a unique device for stretching watercolour paper.Code: MKS12BOARD Price: £28.00

Jackson's Wood Sketching Board 870 x 610mmA heav y weight hardwood ply wood sketching and drawing board. Ideal for stretching watercolour paper with gumstr ip tape. S trong and will not warp. A lso avalaible in sizes : 6 10 x 4 80mm and 80 x 4 00mm.Code: EJSBA1 Price: £ 41.00

Jackson's Pencil Ex tender Cap Code: APE XCPrice: £0.70

Jackson's Economy Wooden Pencil Ex tender Code: APE XEPrice: £0.95

Der went Blender Code: GD6003RPP : £ 1 .90Price: £1.60

Colour Shapers Double Ended BlenderCode: G55102RRP : £ 5.75Price: £5.40

Academy Double Ended BlenderCode: APDEPrice: £2.30


P R O D U C T S


2. Color Wheel Company Water Color WheelCode: ACW3459RRP : £ 10.3 1Price: £7.00

1. Color Wheel Company Studio Mixing Guide Code: ACW5841RRP : £ 35.99Price: £24.50

3. Waterside Designs Perspective Viewer8 x 5 inches . Code: APVFRRP : £ 8.6 4Price: £7.90

4. Color Wheel Company View CatcherCode: ACW 7001RRP : £6.00Price: £ 4.70

VALU

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10. Grey Scale & Value Finder 4 x 6 inches .Code: ACW3505RRP : £ 3. 27Price: £2.20

9. Color Wheel Company Pocket Guide to Mixing ColorCode: ACW3452RRP : £ 3.7 1Price: £3.00

11. Ar tgizmos Perspectoscope Code: GIZPERSPRRP : £7.50Price: £7.20

5. Magic Palette Color Matching GuideCode: ACW5180RRP : £ 19.19Price: £13.00

6. Color Wheel Company Pocket Color Wheel 5Code: ACW3501RRP : £ 4.4 3Price: £ 3.10

7. Color Wheel Company CMY Primar y MixingCode: ACW8201RRP : £ 8.39Price: £5.70

8. Magic Palette Color Value Guide Code: ACW5200RRP : £ 14.39Price: £9.80

12. Daylight Wafer A4 Light PadCode: LD3540RRP : £ 100.00Price: £81.00

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Available free through the Apple App Store or via the Google Play Store.Translate your photos into perfect compositions with Jackson's ArtGrid for iPad and Android tablets. ArtGrid takes the hard work out of the traditional grid method of composition and produces precisely scaled and cropped images, ready to apply to your canvas or paper.

www.apple.co/1CpiD4T www.bit.ly/1GY3Ctt

J A C K S O N ' S A R T G R I D A C O M P O S I T I O N A P P F O R T A B L E T D E V I C E S

Use existing images or take a new one on the go.

U S E E X I S T I N G I M A G E S O R T A K EA N E W O N E O N T H E G O

Select artwork sizes from a great selection of preloaded templates, which include ‘A’ sizes, canvas sizes and paper sizes. Select your own dimensions in inches or millimetres, Landscape or Portrait.

Select ‘Golden ratio’ for the traditional perfect proportions.

S E L E C T A R T W O R K S I Z E SF R O M A G R E A T S E L E C T I O N O F

P R E L O A D E D T E M P L A T E S

Add up to 10 grid lines on either the horizontal or vertical. Measurements are pre-calculated for you, ready for transfer.

A D D U P T O 1 0 G R I D L I N E SO N E I T H E R T H E H O R I Z O N T A L

O R V E R T I C A L

Measurements are pre-calculated for you, ready for transfer.

Scale your image up or down, flip and rotate it.

S C A L E Y O U R I M A G E U P O R D O W N , F L I P A N D R O T A T E I T

Easily gauge tone, highlights and shadows using the grey-scale button.

E A S I L Y G A U G E T O N E , H I G H L I G H T S A N D S H A D O W S U S I N G T H E

G R E Y - S C A L E B U T T O N

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M O U N T C U T T E R S

M O U N T C U T T E R S

Logan Compact Elite Mount CutterVersatile , por table 32in (8 1cm) capacit y deluxe mat cut ter provides comes with bevel and straight cut ting heads for professional results . Includes instructional DV D.Code: ML350-1RRP : £ 2 18.09Price: £173.00

Logan Compact Classic Mount CutterVersatile , por table 32in (8 1cm) capacit y mat cut ter provides af fordable and professional results . Includes instructional DV D.Code: ML301SRRP : £ 169.6 1Price: £135.00

2000 Logan Hand Mount Cutter This push st yle , hand held mount cut ter is ideal for l ight usa ge and is retractable . Use a gainst straight edge or use the adapt-a-rule for the per fect bevel edge. Contains f ive blades .Code: ML2000RRP : £ 36.30Price: £29.00

450 Logan Intermediate Mount Cutter Great value, a ll purpose. 4 0in mount cut ting system capable of cut ting large 32 x 4 0in sheets of mount board.Code: ML450RRP : £ 351 .39Price: £266.00

524 & 540 Adapt-A-Rule 61cmAt tach your Logan Mat Cut ter (2000, 3000 or 4 000), S traight Cut ter or Glass Cut ter and enjoy straighter, faster, more accurate cuts . They are ruled and come with a non-slip rubberized base. Code: ML524RRP : £ 38.72Price: £ 3 1.00

201 Logan Oval / Circle CutterPatented 3-step mechanism is fast , por table , ver y easy to use, and costs hundreds less than comparable oval cut ters . Includes creative mat ting instructions and f ive ex tra blades . Code: ML201RRP : £ 8 3.56Price: £67.00

524 & 540 Adapt-A-Rule 101cmCode: ML540RRP : £6 4.18Price: £52.00

4000 Logan Hand Mount Cutter This pull st yle , hand held mount cut ter is ideal for medium usa ge. Use a gainst straight edge or use the adapt-a-rule for the per fect bevel edge. Includes marking bar. Contains f ive blades .Code: ML4000RRP : £ 55.69Price: £ 45.00

424 Logan Team System 24in This practical combo system includes a 24in or 4 0in straight edge and a Logan 2000 Handheld Mat Cut ter for accurate, high qualit y mat cut ting . Code: ML424RRP : £67.8 1Price: £54.00

A4 Cutting MatCode: ACMA4 Price: £2.90A3 Cutting MatCode: ACMA3 Price: £5.60

A 2 Cutting MatCode: ACMA 2 Price: £10.80A1 Cutting MatCode: ACMA1 Price: £17.20

40inches Team SystemCode: ML4 40RRP : £90.8 3Price: £72.00

Jakar Economy Mountcutter 45 & 90The Jakar Mountcut ter cuts both 4 5 & 90 degrees and f its in the groove of the Jakar Special ruler.Code: MJC5RRP : £ 11 .99Price: £10.80

Jakar Special Ruler 60cmCode: MJR60 RRP : £ 12 .49 Price: £11.30

Maped Mount Cutter 80cmCuts 4 5 & 90 degrees . A mount cut ter that is easy to use for both r ight and lef t handed people . Consistently accurate .Code: MMC2 RRP : £92 .95Price: £82.00

Maped Mount Cutter 60cm4 5 degree blades . A mount cut ter that is easy to use for both r ight and lef t handed people . Consistently accurate .Code: MMC3 RRP : £76. 25Price: £69.00

Maped Mat Cutter without ruler (+ 4 Blades) 4 5 degree blades .Code: MMC45 RRP : £ 39.95Price: £36.00Maped Mat Cutter without ruler (+ 4 Blades) 90 degree blades .Code: MMC90RRP : £ 39.95Price: £36.00


J A C K S O N ' S F R A M I N G

J A C K S O N ' S O N L I N E F R A M E B U I L D E R

Easily order your custom made bespoke frames online.A huge choice of self assembly mouldings, available for works on canvas, board or paper. The finished or coloured frames are ready to use and the natural wooden frames can be stained, painted, waxed or varnished in order to show your work at its very best.

To use our online frame builder simply

www.jacksonsart.com/diy_frame.php

J A C K S O N ' S R E A D Y M A D E I N L A Y F R A M E S

These beautiful ready-made frames are constructed from tulipwood.The frames are available in two depths, one for standard and another for deep canvases.

Pale olive in colour, these frames can be left unfinished or coated in clear or lime wax. The tulipwood frames stain black easily and can be painted white or washed in a light colour.

All frames are supplied constructed, pre-drilled and counter sunk. Each one comes with D-rings, cord and screws to secure a canvas.

D E E P I N L A Y F R A M E R E B A T E D E P T H : 4 3 M M

M E A S U R E A N D E N T E R T H E O U T E R D I M E N S I O N S O F Y O U R A R T W O R K

C H O O S E T H E S T Y L E A N D C O L O U R O F Y O U R F R A M E M O U L D I N G

P R E V I E W Y O U R F R A M E D A R T W O R K A N D A D D T O B A S K E T

O r d e r C o d e S i z e c m S i z e i n ( a p p r o x . ) £ O u r P r i c eF R M I S 3 0 3 0 3 0 x 3 0 1 2 x 1 2 2 5 . 5 0F R M I S 3 0 4 0 3 0 x 4 0 1 2 x 1 6 2 7. 5 0F R M I S 4 0 4 0 4 0 x 4 0 1 6 x 1 6 3 2 . 0 0F R M I S 4 0 5 0 4 0 x 5 0 1 6 x 2 0 3 8 . 0 0F R M I S 5 0 5 0 5 0 x 5 0 2 0 x 2 0 4 3 . 0 0F R M I S 5 0 6 0 5 0 x 6 0 2 0 x 2 4 4 5 . 0 0

O r d e r C o d e S i z e c m S i z e i n ( a p p r o x . ) £ O u r P r i c eF R M I D 3 0 3 0 3 0 x 3 0 1 2 x 1 2 2 5 . 5 0F R M I D 3 0 4 0 3 0 x 4 0 1 2 x 1 6 2 7. 5 0F R M I D 4 0 4 0 4 0 x 4 0 1 6 x 1 6 3 2 . 0 0F R M I D 4 0 5 0 4 0 x 5 0 1 6 x 2 0 3 8 . 0 0F R M I D 5 0 5 0 5 0 x 5 0 2 0 x 2 0 4 3 . 0 0F R M I D 5 0 6 0 5 0 x 6 0 2 0 x 2 4 4 5 . 0 0

S T A N D A R D I N L A Y F R A M E R E B A T E D E P T H : 2 3 M M


D V D S

N O T EOver 200 DVDs available on our website.We of fer an ex tensive range of DV Ds that show today 's leading ar t ists demonstrat ing their working methods .

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1. Experimental Landscapes in Watercolour by Ann Blockley SWACode: V TH56RRP : £ 27.95Price: £26.00

2. Experimental Flowers in Watercolour by Ann Blockley SWACode: V TH36RRP : £ 27.95Price: £26.00

5. People at Work Watercolours by Joseph ZbukvicCode: VAP 113DRRP : £ 28.55Price: £27.50

6. Watercolour Impressions by Joseph Zbukvic Code: VAP87D RRP : £ 28.55Price: £27.50

7. Atmosphere & Mood in Watercolour by Joseph ZbukvicCode: VAP47DRRP : £ 28.55Price: £27.50

8. Rural France in Watercolour by Joseph ZbukvicCode: VAP 106DRRP : £ 28.55Price: £27.50

10. Pushing the Boundaries of Watercolour by Chris Forsey RICode: V TH49 RRP : £ 27.95Price: £26.00

11. Beyond Watercolour by Chris Forsey RICode: V TH41RRP : £ 27.95 Price: £26.00

9. Watercolour on Location by Joseph ZbukvicCode: VAP57DRRP : £ 28.55Price: £27.50

3. Flower Painting through the Seasons by Ann BlockleyCode: VAP 14DRRP : £ 28.55Price: £27.50

4. Flowers in Watercolour by Ann BlockleyCode: VAP50DRRP : £ 28.55Price: £27.50

12. Four Seasons in Contemporar y Watercolour with Chris Forsey RICode: V TH57RRP : £ 27.95Price: £26.00


D V D S

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13. Amazing Ways with Watercolour by Jean HainesCode: V TH35RRP : £ 27.95Price: £26.00

16. The Passionate Painter in the Nor th of England by Alvaro CastagnetCode: VAP 109DRRP : £ 28.55Price: £27.50

17. The Passionate Painter in Paris by Alvaro CastagnetCode: VAP 104DRRP : £ 28.55Price: £27.50

18. The Passionate Painter in Havana Par t 1 by Alvaro CastagnetCode: VAP 118DRRP : £ 28.55Price: £27.50

20. Inspired Watercolour by Alvaro CastagnetCode: VAP82DRRP : £ 28.55Price: £27.50

22.Wesson's Watercolour Secrets by Steve HallCode: V TH47RRP : £ 27.95Price: £26.00

23. Classic Wesson Watercolour by Steve HallCode: V TH11RRP : £ 27.95Price: £26.00

14. Watercolour Passion by Jean Haines SWACode: V TH42RRP : £ 27.95Price: £26.00

19. The Passionate Painter in Antwerp by Alvaro CastagnetCode: VAP92DRRP : £ 28.55Price: £27.50

15. Going Wild In Watercolour by Jake WinkleCode: V TH52RRP : £ 27.95Price: £26.00

2 1. Capturing Coastal Moods by Ray BalkwillCode: VAP 117DRRP : £ 28.55Price: £27.50

24. Watercolour the Wesson Way by Steve HallCode: V TH1RRP : £ 27.95Price: £26.00

A L W A Y S G O O D

Q U A L I T Y A N D H U G E C H O I C E


D V D S

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3. Painting From Sketches by James Fletcher WatsonCode: VAP 18DRRP : £ 28.55Price: £27.50

4. Figurative Watercolour by Charles ReidCode: VAP 108DRRP : £ 28.55Price: £27.50

5. English Watercolour Sketchbook by Charles ReidCode: V TH50RRP : £ 27.95Price: £26.00

7. Watercolour Fast and Free by John HoarCode: V TH51RRP : £ 27.95Price: £26.00

8. Simplif ying Watercolour by John HoarCode: V TH2RRP : £ 27.95Price: £26.00

9. Line Wash Watercolour by John HoarCode: V TH39RRP : £ 27.95Price: £26.00

11. Breaking the Rules of Watercolour by Shirley TrevenaCode: V TH12RRP : £ 27.95Price: £26.00

12. My World of Watercolour by Shirley TrevenaCode: V TH43RRP : £ 27.95Price: £26.00

1. Winter Landscapes in Watercolour by David BellamyCode: VAP 116DRRP : £ 28.55Price: £27.50

2.Summer Landscape in Watercolour by David BellamyCode: VAP94DRRP : £ 28.55Price: £27.50

6. Charles Reid's Watercolour Landscape MasterclassCode: V TH24RRP : £ 27.95Price: £26.00

10. Watercolour without Tears by John HoarCode: V TH16RRP : £ 27.95Price: £26.00

G R E A T I N S T R U C T I V E

D V D , J U S T W H A T I

W A N T E D

A S I T S A Y S O N T H E

P A I N T B O X !


D V D S

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16. My Vision in Watercolour by Herman PekelCode: VAP 107DRRP : £ 28.55Price: £27.50

13. Just Watercolour by David HowellCode: VAP 124DRRP : £ 28.55Price: £27.50

19. Adventurous Watercolours by Jenny WheatleyCode: VAP 101DRRP : £ 28.55Price: £27.50

14. Light & Mood in Watercolour by David Cur tisCode: VAP53DRRP : £ 28.55Price: £27.50

20. Wade's Watercolour Wisdom by Rober t WadeCode: VAP 114DRRP : £ 28.55Price: £27.50

15. Atmospheric Watercolour Painting on Location by David Cur tisCode: VAP 110DRRP : £ 28.55Price: £27.50

2 1. Watercolour Por traits by Aine DivineCode: V TH13RRP : £ 27.95Price: £26.00

22. Painting the Light In Watercolour by Cecil RiceCode: V TH48RRP : £ 27.95Price: £26.00

17. A Journey in Watercolour by Herman PekelCode: VAP 115DRRP : £ 28.55Price: £27.50

23. Watercolour Sketchbook by Brian RyderCode: V TH15RRP : £ 27.95Price: £26.00

18. Successful Summer Watercolour Landscapes by Rober t Brindley RSMACode: V TH46RRP : £ 27.95Price: £26.00

24. Watercolour Moments by John YardleyCode: VAP 102DRRP : £ 28.55Price: £27.50

N O T EOver 200 DVDs available on our website.We of fer an ex tensive range of DV Ds that show today 's leading ar t ists demonstrat ing their working methods .


1 . Watercolours Made Easy 30-Minute Landscapes by Paul-Talbot GreavesCode: BKF014RRP : £6.99Price: £6.30

10. Experimental Flowers in Watercolour by Ann Blockley Code: BK A049RRP : £ 18.99Price: £17.10

5. Colour and Light in Watercolour How to Paint by Jean HainesCode: BKS2 19RRP : £ 8.99Price: £8.00

6. Botanical I l lustration with the Eden Project by R. Mar tin & M.ThurstanCode: BK A027RRP : £ 14.99Price: £13.50

11. Experimental Landscapes in Watercolour by Ann BlockleyCode: BK A061RRP : £ 18.99Price: £17.10

8. The ModernFlower Painter by Anna MasonCode: BKS366RRP : £ 17.99Price: £16.00

2. Skies, l ight and Atmosphere in Watercolour by David BellamyCode: BKS320RRP : £9.99Price: £8.90

7. How to Make a Watercolour Paint Itself by Nita EngleCode: BKG2 1RRP : £ 14.99Price: £13.50

12. Watercolour Tex tures by Ann BlockleyCode: BKC055RRP : £ 18.99Price: £17.10

3. Jean Haines Atmospheric Watercoloursby Jean HainesCode: BKS32 1RRP : £ 19.99Price: £17.80

4. David Bellamys Complete Guide To Watercolour by David Bellamy'sCode: BKS272RRP : £ 12 .99Price: £11.60

9. Ar tful Watercolor by Lou Bonamar te & Carolyn JanikCode: BKG139RRP : £ 17.99Price: £16.20

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B O O K S


13. Jean Haines' World of WatercolourCode: BKS378RRP : £ 19.99Price: £17.80

16. Taking Risks with Watercolour by Shirley TrevenaCode: BKC020RRP : £ 17.99Price: £16.20

20. Botanical Painting With Watercolour by Daphne HicksCode: BK W54RRP : £ 14.99Price: £14.20

18. The Tex tures of Light in Watercolour by Jane FreemanCode: BKD3 10RRP : £ 16.99Price: £15.30

23. 600 Watercolour Mixes by Sharon FinmarkCode: BK A045RRP : £9.99Price: £9.00

22. The Botanical I l lustrators Handbook by Sally PinheyCode: BK W55RRP : £ 16.99Price: £16.10

17. Breaking the Rules of Watercolour by Shirley TrevenaCode: BK A053RRP : £ 18.99Price: £17.10

24. The Essence of Watercolour by Hazel Soan Code: BK A048RRP : £ 18.99Price: £17.10

19. Seascapes and Sunsets by Thomas NeedhamCode: BKF020RRP : £6.99Price: £6.30

15. Painting Water in Watercolour by Terr y HarrisonCode: BKS345RRP : £6.99Price: £6.30

2 1. Light and Mood in Watercolour by David Cur tisCode: BK A024RRP : £ 14.99Price: £13.50

14. The Watercolour Ar tist 's Bible by Mar ylin ScottCode: BKS18RRP : £ 12 .99Price: £11.60

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B O O K S

1 . Geof f 's Top Tips for Watercolour Ar tists by Geof f KerseyCode: BKS228RRP : £9.99Price: £8.90

2. A-Z of Flower Por traits by Billy ShowellCode: BKS2 18RRP : £ 17.99Price: £16.00

8. Charlie's Top Tips for Watercolour Ar tists by Charles EvansCode: BKS276RRP : £9.99Price: £8.90

7. Watercolour Tips and Techniques: Perspective and Distance by G. KerseyCode: BKS209RRP : £9.99Price: £8.90

6. Painting Flowers in Watercolour by Fiona Pear tCode: BKS346RRP : £6.99Price: £6.30

5. Watercolour Flower Por traits by Billy ShowellCode: BKS357RRP : £ 15.99Price: £14.30

12. The Figure in Watercolour Simple Fast and Focused by Mel StabinCode: BKG11RRP : £ 14.99Price: £13.50

11. How To Paint Watercolours by Jeremy FordCode: BKS98RRP : £ 8.99Price: £8.00

9. Watercolour Painting Outside the Lines by Linda KempCode: BKD270RRP : £ 16.99Price: £15.30

3. Painting Mood and Atmosphere by Barr y HernimanCode: BKS206RRP : £9.99Price: £8.90

4.William New ton's Complete Guide to Watercolour Painting Code: BKS37 7RRP : £ 17.99Price: £16.00

10. Painting Por traits and Figures in Watercolor by Mar y Why teCode: BKG13 1RRP : £ 16.99Price: £15.30

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B O O K S

19. Painting Watercolor Flowers That Glow by Jan KunzCode: BKD351RRP : £ 12 .99Price: £11.70

16. The Magic of Watercolour Flowers by Paul RileyCode: BK A066RRP : £ 19.99Price: £18.00

17. Painting Vibrant Watercolours by Soon Y. WarrenCode: BKD360RRP : £ 16.99Price: £15.30

18. Watercolor Depth and Realism by Laurie HumbleCode: BKD283RRP : £ 19.99Price: £18.00

20. Watercolour Fruit & Vegetable Por traits by Billy ShowellCode: BKS358RRP : £ 15.99Price: £14.99

22. Power ful Watercolour Landscapes by Catherine GillCode: BKD339RRP : £ 19.99Price: £18.00

23. Painting Watercolour Flowers from Photographs by Robin Berr yCode: BKS264RRP : £ 12 .99Price: £11.60

24. A Comprehensive Approach to Mastering the Medium by Tom Hof fmannCode: BKG133RRP : £ 2 1 .99Price: £19.80

13. Painting Still Life in Watercolour by Lesley E. HollandsCode: BK W 18RRP : £ 16.99Price: £16.10

15. Sunlight & Shadows in Watercolour by Lucy Willis Code: BK A070RRP : £ 19.99Price: £18.00

2 1. Mountains & Moorlands in Watercolour by David BellamyCode: BKS273RRP : £9.99Price: £8.90

14. Watercolor Unleashed by Julie Gilber t PollardCode: BKD408RRP : £ 16.99Price:£15.30

1 3 1 4 1 5

1 6 1 7 1 8

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2 2 2 3 2 4 B O O K S


Ref lectionsJohn Spargoacr yl ic A n entr y in the ' Shin Han Pa ss Painting ' competit ion

Bluebells on Dar tmoorChris Cour twatercolour on paperWinner of our ' Spr ing time Watercolour ' competit ion

Summer RosesJenny Oldknow watercolour on paperA n entr y in our ' Spr ing time Watercolour ' competit ion

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Share your art with the world and win art material prizes!Jackson's are proud to host monthly art competitions across your favourite social networking sites, providing a great chance to share your work with our online community and beyond. It’s an excellent way to get useful feed-back, to be inspired and to inspire others. It may even make you just a little bit famous.

Past competitions have covered a range of themes and media, with several shortlisted artists going on to receive full profiles on

the Jackson's Art Blog which is read by over 20,000 art lovers every month. The great prizes available are awarded by both panels of judges and by public vote, and winning work can rack up thousands of views in the process. It's a fantastic opportunity for gaining exposure, and an even better excuse to get painting! Keep an eye out on the Jackson's Art Blog and our weekly newsletters to see what's coming up.

Below is a selection of entries from our most recent competitions:


Watching Nymphenburg PalaceMichael Bajerwatercolour on paperWinner in ' The A r t of Composit ion' competit ion

KittiwakesBarbara Bar low l inocut Pr intShor t- l isted in the ' Impressions of Nature' competit ion

Your Pad or Mine?A li Bannisterpa stel on paperWinner of the 'Por tra its in Pa stel ' competit ion

WheelsHelen S t anf ie ldink on paperWinner in our 'Pen Drawing ' Competit ion

Spring The Leaping HareClive Rig g smezzotint eng ravingWinner (by judge) of the ' Impressions of Nature' competit ion

Ta xi MarathonCathy Read watercolour and acr yl ic Shor t- l isted in our 'A r t of Composit ion' competit ion

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Binder/Vehicle The binder or vehicle is the liquid that the pigment is milled into, and is what gives watercolour paint its smooth glossy consistency. The base of the binder in watercolour will usually be Gum Arabic or a synthetic alternative, which will increase transparency and colour brilliance. Gum Arabic is a gum that is extracted from 2 species of the acacia tree. The most superior Gum Arabic is known as Kordofan gum. Other ingredients in the binder include a plasticizer, humectant, extender, a preservative and water. For more information on the make-up of a binder, see ‘watercolour paint’.

Blending The fusing of 2 colour planes with one another in such a way that there are no hard edges. In watercolour this is easily done with a wet brush, dipped in either water or gum Arabic. If watercolour is allowed to thoroughly dry then blending is made a little more difficult – the edges may be harder to lift. Blending medium added to colours prior to painting will prolong the amount of time that the colour is wet for, and make blending a lot easier before the paint dries. However the great thing about watercolour is that it is rewettable, so on regular watercolour paper some degree of blending will always be possible.

Blocking In Often a watercolour painting is started by mapping out the broad shapes of the composition with layers of dilute colour, on to which more detail and a ‘stretching out’ of tonal values is added. This first application of paint is known as ‘blocking in’, the initial laying out of colour, tone and form in your work.

Blocking Out Blocking out is a term used to describe the process of covering an area of a watercolour painting in order to prevent paint being applied to that area. There are a number of reasons why an artist may wish to do this, including creating a highlight of a surface using the white of the paper. Blocking out can also protect an area that has already been painted on (so long as it is fully dry from the layers of paint to be applied. Also known as ‘masking off’. Masking fluid and stencils are popular materials for blocking out.

Blossoms/Blooms Cauliflower-like marks created when extra moisture creeps back into a damp or partially dry area of a watercolour painting. As the excess water levels out it will "push" the tiny pigments of paint to the outside edge of the watermark. Blooms are used intentionally in paintings to add interesting effects, but they can also occur by accident, usually by dripping water unintentionally.

Blotting Lifting excess colour from your watercolour paper while it is still wet is known as blotting. Blotting will reduce the saturation of the applied colour as well as lighten its tonal value.

Body Colour Body Colour refers to opaque colour, such as Chinese white or gouache that may be tinted with watercolour. It’s often used to heighten the sense of depth or help to vary tone in a watercolour painting.

Cellulose Cellulose fibres are extracted from natural materials such as wood, cotton and bamboo to make the pulp used in paper manufacture. The fibres vary in length depending on their source. The longer the fibre the stronger the paper. Cotton fibres are longer than wood, and as a result cotton papers can withstand a greater degree of scrubbing.

Colour Strength Another term used to define colour strength is saturation. Colour strength essentially refers to the ratio of pigment/Saturation to binder, it is a description of how vibrant/brilliant/clean the colour appears.

Complementary Are also known as secondary colours. They can be found directly opposite one another on a colour wheel. When mixedColours in equal amounts they will produce a neutral grey. When painted unmixed alongside one another they resonate against

one another (as they are diametrically opposed) causing the appearance of each colour to intensify.

Composition The arrangement of shapes, colours and lines across your picture surface, also referred to as a ‘design’.

Dispersant Accelerates and improves the milling of pigments into the binder. Ox Gall is a commonly used wetting agent./Wetting Agent

Dry Brush Dry brush technique creates a powdery looking surface. As you might expect, its effect is created by applying theTechnique paint with a dry brush, which is loaded with paint that is also dry, or only very slightly moist. The paint goes on in a

highly saturated and dramatic manner.

Fixative Watercolour fixative will protect watercolour paintings from fingerprints, humidity and dust. If applied in thin layers then the colours of your watercolour painting will not be altered in their appearance. Some fixatives will prevent watercolours from re-wetting.

Flat Wash The use of a single dilute colour to cover the white of the paper in a relatively unsaturated and uniform manner. Washes are usually applied with a broad brush with natural hair that can hold a lot of fluid, such as a squirrel mop. Painters may choose to work over the wash once the wash is dry, or to work into the wet wash. By doing this one is said to be painting ‘wet on wet’ and the result is that the colours bleed into the layers on to which they have been applied. Flat washes can be applied on to dry or damp paper.

Flocculation A term to describe a certain kind of granulation. When the liquid watercolour is applied to a surface it rushes together in huddles. An example of a flocculating pigment is French Ultramarine. A coarser granulating pigment such as permanent mauve will simply fall into the hollows of the paper surface, causing a mottled appearance.

Foreshortening The description in a two-dimensional language of the shift in proportions of 3 dimensional forms caused by perspective.

Fugitive Colour Refers to colours that are more susceptible to fading in sunlight. Some fugitive colours still feature in watercolour ranges because they are particularly attractive and will not be impaired by sunlight if the work is kept in a book or portfolio. For a guide to knowing whether you are working with fugitive colour, see ‘lightfastness/permanence’.

Gloss Mediums are available that will increase gloss, including those simply called gloss medium, as well as Gum Arabic.

Gouache Also referred to as body colour, traditional gouache is opaque watercolour, which offers a matt flat surface. Often used with watercolour.

Grain Also referred to as ‘texture’, the grain is the coarseness of watercolour paper, i.e. Hot Pressed, Cold Pressed or Rough Grain. ‘Hot Press’ (HP) is the smoothest as the paper has been pressed through hot metal cylinders. It is also a bit less absorbent as it has been compressed to a harder surface. ‘Not’ (also called cold pressed) has a medium textured surface and ‘Rough’ is highly textured paper which has been pressed through sheets of felt and is the most absorbent

Granulation The grainy appearance of some watercolours when applied thinly. Granulating pigments behave in such a way because of the size and shape of their pigment particles, they have an irregularity that causes them to dry in huddles, and leave irregular spacing. The resulting effect is that the paint film has a powdery or textured look. Granulating pigments are indicated with a ‘G’. Ultramarine is a well known naturally granulating pigment. Granulation mediums will allow any pigments to appear grainy in order to add a textual element to your work. There are other ways of interrupting a watercolour paint surface, including spraying water onto the still wet painted watercolour.

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Ground Watercolour ground is a primer than can be applied to surfaces such as canvas, wood or aluminium panels. When dry it provides a semi-absorbent surface which allows for watercolour painting. It is a way of preparing surfaces that would not normally be suited for watercolour painting. The Golden QoR range offer a ground that is especially designed to replicate the surface of a cold pressed sheet of watercolour paper.

Honey In the context of the technical terms of watercolour, honey is a ‘humectant’ which means it is added to the binder of some watercolour paints to enhance brilliance, luminosity and longevity of colours as well as retain moisture.

Hot Pressed See ‘Grain’

Hue Hue is a multi-purpose term. It can refer to the description of an appearance of a colour (e.g. ‘the sea had a turquoise hue’) but it is also a technical term used by paint makers to describe a colour that has been formulated from a mix of synthetic pigments to replicate a natural pigment, that is either too expensive to be part of the paint range, is not lightfast, or is no longer available in its natural state.

Imperial Imperial sized watercolour paper is a sheet measuring approximately 30” x 22” (76cm x 56cm).

Iridescence A subtle sparkly-effect, sometimes also known as pearlescence. Special effects such as iridescence are also possible with special mediums – these are most effective when applied to dark backgrounds.

Lifting Lifting refers to the lifting of colour from a painting. A damp sea sponge can be a useful lifting or blotting tool. If lifting medium is applied to paper before work, it will make it easier to lift colour during the painting process.

Lightfastness Lightfastness or permanence indicates the degree to which a colour will fade or discolour as a result of exposure to/Permanence natural sunlight. Paint makers refer to either one of two scales designed to indicate the lightfastness of a colour —

the American Society of Testing and Materials (ASTM) and the Blue Wool Scale (8=most lightfast, 1= least lightfast). We refer to ASTM in this catalogue.

—ASTM I = Excellent Lightfastness —ASTM II = Good lightfastness —ASTM III = Fair lightfastness —ASTM IV = Fugitive

Masking Fluid Masking fluid is sometimes known as liquid frisket and is used to mask off areas of your work. It is painted on like a soft body paint (you can apply it using a brush, a ruling pen, a colour shaper etc.) and once dry can be worked over with watercolour. Masking fluid can be applied very finely, and can be invaluable in painting strands of hair or plant veins, or it can be applied broadly to mask off much larger, less delicate areas. Providing the masking fluid is applied on dry paper and is left to dry completely before working over the top the masking fluid should peel off with relative ease. Just coax off a corner with a colour shaper or the end of your brush and the rest should come off by pulling it with your fingers. If it feels as if it is very stuck a handy little tip is to roll up a ball of dried masking fluid between your finger and thumb and use this to coax the masking fluid off – the stickiness works wonders!

Mass Tone The appearance of the colour of the paint as it comes from the tube. Contrasts with the Under tone of a colour.

Milling Milling is the process of blending the pigments into the binder.

Monochrome The use of only one colour in a painting, which is likely to appear in a range of differing tonal values.

Motif A feature within a composition.

Muddiness Muddiness describes the dull and dirty appearance of paint mixes that have been created with too many pigments

Negative Space The area/s surrounding an object.

Not/Cold Pressed See ‘Grain’.

Opacity Is the measure of how much light is able to pass in between the pigment particles. Opaque colours allow only very/Transparency small quantities of light through the colour whereas transparent colours allow a lot of light through the colour. The

difference is that opaque colours will look flatter and will cover over any marks that may have been made underneath. Transparent colours will show the marks made underneath, and may appear to have more texture. Traditionally watercolour painting is a transparent painting method and conventionally it is the white of the paper being painted on that acts as the white in your work. Transparency is increased by adding more water or medium to your paint.The transparency of paint differs depending on the nature of the pigment/s used. The smaller and more intense pigment particles have bigger gaps between them, allowing more light to pass through, and therefore making a more transparent paint. Opaque paints have larger pigment particles (or a mix of varying pigments) in them that allow less light to pass through. Throughout this catalogue transparency is defined by the following 4 terms:

—Transparent —Semi-transparent —Semi-Opaque —Opaque

Ox Gall The most common wetting agent/dispersant used in watercolour paint manufacture. Wetting agents are used to accelerate and improve the milling or blending of pigments into the binder. Wetting agents are most useful in the manufacture of watercolour paints that are made with water repelling synthetic pigments or soft pigments that can cake or compress during milling. Ox Gall is also used to degrease initial layers of paint prior to overlaying colour in watercolour or gouache. When used sparingly, it can be suitable as a levelling agent for watercolours.

Pigment Watercolour paints display their pigments more prominently than any other medium, so for true control of your colours it's vital that you know how they're composed. Tinting strength, opacity, granulation and other handling properties are all a result of the pigments used in a paint, and when different brands produce even the most familiar colours to numerous varying recipes, it's best not to rely on titles alone.

Pigment numbers are grouped into 9 categories, each prefixed with a code that will help you decode how your colours are made. These codes are PR, PO, PY, PG, PB, PV, PBr, PBk and PW, and refer to red, orange, yellow, green, blue, violet, brown, black and white respectively. Some pigments will crop up again and again across a colour chart; PBr7 represents the natural iron oxide used to produce raw and burnt umbers and siennas. Others will appear in variations, either denoted by a colon and a secondary figure such as PW6:1 for buff titanium derived from PW6 titanium white, or listed in brackets after as in PV23 (RS), a Red Shade of the Dioxazine Violet pigment. It can be useful to look at the paints you use most often and make a list of your preferred pigments, especially when considering purchasing from new brands.

Whilst there are plenty of good reasons for a manufacturer to mix pigments, watercolourists often prefer to use colours with one pigment when possible. Single pigment paints are more predictable in mixes and tints, whereas a paint made from multiple colour components might create unexpected combinations on your palette. Still, mixes can be beneficial. They are commonly used in the production of hues, convenient replacements for dangerous or expensive pigments and are often the only form in which defunct historical colours can be found.

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Primary Colours In colour theory for artists, the primary colours are red, blue and yellow. They are called primary colours because they cannot be mixed from other colours.

Rough See ‘Grain’

Saturation The highest quality watercolour paints are known as Professional colour, and these will have the highest ratio of pigment to binder, also known as pigment saturation. The colour will be very intense in the pan or squeezed from the tube, and you will need less of it. The saturation found in watercolour ranges lessens as the quality of the paint decreases

Secondary Colour The colours that are made by mixing 2 of the 3 primary colours together, i.e. violet (red and blue), green (yellow and blue) and orange (red and yellow).

Single Pigment Artist and Professional grade watercolours will have a larger proportion of single pigment colours in their ranges.Colours Single pigment colours are easier to mix bright and vibrant colours with as a combination of too many pigments will

achieve muddy or dull hues.

Staining Staining refers to the inability of a pigment to be lifted from the paper once applied. Smaller pigment particles tend to have a greater staining capacity as they more easily penetrate the fibres of the paper. Staining pigments are indicated with an ‘S’. Staining capacity can be reduced by adding gum Arabic to your paint.

Sticks Dried watercolour in stick form. They can be used like pans, i.e. by using a wet brush to extract the colour from the stick. They can also be used as a drawing tool, applying colour from the stick straight on to paper. A wet stick or wet paper will give more saturated marks. If the stick and paper are both dry the marks will be less saturated and look a little scratchy. They are the newest form of watercolour available.

Tetrad A palette that uses 4 colours that are evenly spaced from one another on a colour wheel.

Texture Watercolours can be thickened with special mediums which will add texture to paintings. Surfaces with a relief or textural element can be prepared for watercolour with the use of fibre modelling pastes.

Tinting Strength The power of a colour over another colour when mixed together.

Transparency The obvious way to increase transparency is to add more water to your paint. However you can maintain control over your colour as well as add sheen by using gum Arabic instead.

Triad 3 colours evenly spaced from one another on a colour wheel. A pleasing basis for a palette to be used in a painting.

Under Tone Under tone is the bias of a colour when applied across a surface in a thin film , e.g. Ultramarine blue would be said to have a reddish-blue undertone. Contrasts with the Mass tone of a colour.

Value This term means ‘tone’ in visual art. ‘The value of the object’ is a description of how light or dark the object is. The lightest value is white and the darkest value is black.

Wash A thin broad application of dilute watercolour paint. A mop brush is often used to apply a wash because it can hold a lot of liquid. Washes are often used in the initial stages of watercolour painting. A glazed wash is when a dilute colour is applied across the surface of a watercolour painting that has been left to dry completely with the intent of tinting the whole surface with the colour of your wash. A graded wash is a wash that moves from dark to light as it spreads across the substrate. Commonly found in watercolour landscape painting.

Watercolour Paint The diagram shows what exactly is in a tube of watercolour. Here’s a guide to how each ingredient contributes to the characteristics of the paint.

Pigment The pigment is the material that gives the paint its colour. Pigments are either from natural sources or man-made.

Brightener A small quantity in the paint will lighten the tone of the pigments appearance and increase the luminosity of the paint

when dry.

Binder The most well-known binder is gum Arabic but synthetic alternatives are also used, named synthetic glycol.

Plasticizer Glycerine is usually present in the paint as the plasticizer. Its role is to soften the dried gum Arabic, making the

structure of the paint more flexible and increasing the capacity to redissolve dried colour

Humectant The humectant helps to retain moisture. In some paints honey is used, and in other paints corn syrup

is added.

Extender or filler Is added to the paint to bulk it out and thicken its consistency with minimal impact on the appearance of the colour.

Dextrin is usually used for this purpose – a low molecular weight carbohydrate produced by the hydrolysis of starch or glycogen.

Manufacturing additives The additional ingredients added to optimise performance. These could be dispersants to prevent pigments from

clogging in the tube, or to improve the milling of the binder and pigment. Fungicides and preservatives will prolong the lifespan of the paint.

Water Water suspends all the ingredients and helps the flow of the colour.

Wet-on-wet A popular watercolour method that involves applying wet colour onto a wet surface, be it damp paper or colour that has been applied but not yet dried. The colour bleeds out, creating soft edges and colours fuse into one another.

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Watercolour paints display their pigments more prominently than any other medium, so for true control of your colours it's vital that you know how they're composed. Tinting strength, opacity, granulation and other handling properties are all a result of the pigments used in a paint, and when different brands produce even the most familiar colours to numerous varying recipes, it's best not to rely on titles alone. Pigment numbers are grouped into 9 categories, each prefixed with a code that will help you decode how your colours are made. These codes are PR, PO, PY, PG, PB, PV, PBr, PBk and PW, and refer to red, orange, yellow, green, blue, violet, brown, black and white respectively. Some pigments will crop up again and again across a colour chart; PBr7 represents the natural iron oxide used to produce raw and burnt umbers and siennas. Others will appear in variations, either denoted by a colon and a secondary figure such as PW6:1 for buff titanium derived from PW6 titanium white, or listed in brackets after as in PV23 (RS), a Red Shade of the Dioxazine Violet pigment. It can be useful to look at the paints you use most often and make a list of your preferred pigments, especially when considering purchasing from new brands. Whilst there are plenty of good reasons for a manufacturer to mix pigments, watercolourists often prefer to use colours with one pigment when possible. Single pigment paints are more predictable in mixes and tints, whereas a paint made from multiple colour components might create unexpected combinations on your palette. Still, mixes can be beneficial. They are commonly used in the production of hues, convenient replacements for dangerous or expensive pigments and are often the only form in which defunct historical colours can be found.

The Characteristics of Pigments Used in Watercolour Paints

TransparencyWe can see through transparent colours and as a result their appearance is influenced by the colour of the surface on to which they are painted. White reflects light, so if a transparent colour is painted on to white light travels through the colour to the white surface beneath and reflects back. As a result the colour appears luminous with crisp edges. Black absorbs light, so if a transparent colour were to be painted on to black, the light would travel through the transparent colour and be absorbed by the black and not reflect back. The transparent colour would be barely visible. Colours that have a slight degree of opacity are referred to as being ‘Semi-transparent’.Examples of transparent colours: Indian Yellow, Rose Dore, Terre Verte, Raw Sienna

OpacityLight cannot travel through opaque colour and so it just bounces off its surface. For this reason the colour of the surface that opaque colour has been painted on has no influence over its appearance. Opaque colours have good covering power and appear flat and less luminous than transparent colour (when painted on white). Watercolour is a transparent painting medium so although some opaque pigments are used in paint manufacture, the nature of the paint means that these pigments are likely to appear less opaque than the equivalent in another medium (for example, acrylics or oils). Slightly less opaque colours are referred to as being ‘Semi-Opaque’.Examples of opaque colours:Lemon Yellow, Cadmium Red, Oxide of Chromium, Ivory Black

Non-Staining ColoursNon-staining pigments do not penetrate the surface of the paper they are painted on, and because they sit on the surface they are much easier to lift from the surface, and do not leave a stain. Non-staining colours mix well with other non-staining colours. Non-staining colours are generally considered easier to work with.Examples of non-staining colours: New Gamboge, Quinacridone Magenta, French Ultramarin,e Burnt Sienna

Staining ColoursStaining pigments will penetrate the surface of the paper they are painted on before the water has evaporated and will be a lot harder to lift. A stain of the colour will remain on the surface even after considerable lifting or scrubbing attempts. Staining colours mix well with other staining colours but have a very strong influence over mixes with non-staining pigments.Examples of staining colours: Payne’s Grey, Perylene Green, Prussian Blue, Cobalt Violet, Cadmium Lemon

Granulating ColoursGranulation occurs when the pigment particles of the paint are visible on the surface of the painting. Granulating pigments are irregular in shape and size and will form clusters within the paint, and sit in the dimples of the paper that they are painted on to. These pigments require a greater proportion of binder in the paint and as a result are more difficult to layer. Granulating colours create beautiful textured washes.Examples of granulating colours: Cadmium Red Deep, Permanent Mauve, Cobalt Green, Raw Umber

Lightfast and Non-Lightfast ColoursAlso referred to as fugitive and non-fugitive colours, the lightfastness of a colour refers to whether it is susceptible to fading when exposed to large quantities of natural light. Today there are very few colours that do not have good lightfastness levels. Some fugitive pigments are still available because they are still very popular among painters who present work in books and portfolios and therefore protect their work from harmful UV rays. Lightfastness is graded on 2 scales - the Blue Wool Scale of 1 (poor lightfastness) to 8 (excellent lightfastness), and the ASTM scale (ASTM I = Excellent Lightfastness; ASTM II = Good lightfastness; ASTM III = Fair lightfastness; ASTM IV = Fugitive)

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