jan vermeer. the allegory of painting (the painter and his model as klio). 1665–66. 48 x 40 in

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Jan Vermeer. The Allegory of Painting (The Painter and His Model as Klio). 1665–66. 48 x 40 in.

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Page 1: Jan Vermeer. The Allegory of Painting (The Painter and His Model as Klio). 1665–66. 48 x 40 in

Jan Vermeer. The Allegory of Painting (The Painter and His Model as Klio). 1665–66.

48 x 40 in.

Page 2: Jan Vermeer. The Allegory of Painting (The Painter and His Model as Klio). 1665–66. 48 x 40 in

Mimis and kangaroo. Older paintings before 7000 BCE, kangaroo probably post-contact.

Page 3: Jan Vermeer. The Allegory of Painting (The Painter and His Model as Klio). 1665–66. 48 x 40 in

Workshop of Pollaiuolo (?). Youth Drawing. late 15th century.7 5/8 x 4 1/2 in.

Page 4: Jan Vermeer. The Allegory of Painting (The Painter and His Model as Klio). 1665–66. 48 x 40 in

Leonardo da Vinci. Madonna and Child with St. Anne and Infant St. John the Baptist. c. 1505–07.

Page 5: Jan Vermeer. The Allegory of Painting (The Painter and His Model as Klio). 1665–66. 48 x 40 in

Leonardo da Vinci. Study for a Sleeve. c. 1510–13.3 1/8 x 6 3/4 in.

Page 6: Jan Vermeer. The Allegory of Painting (The Painter and His Model as Klio). 1665–66. 48 x 40 in

Raphael. Study for The Alba Madonna (recto). c. 1511.16 5/8 x 10 3/4 in.

Page 7: Jan Vermeer. The Allegory of Painting (The Painter and His Model as Klio). 1665–66. 48 x 40 in

Raphael. Study for The Alba Madonna (verso). c. 1511.both 16 5/8 x 10 3/4 in.

Page 8: Jan Vermeer. The Allegory of Painting (The Painter and His Model as Klio). 1665–66. 48 x 40 in

Raphael. The Alba Madonna. c. 1510.diameter 37 1/4 in.; framed: 54 x 53 1/2 in.

Page 9: Jan Vermeer. The Allegory of Painting (The Painter and His Model as Klio). 1665–66. 48 x 40 in

Raphael. Saint Paul Rending His Garments. c. 1514–15.9 1/16 x 4 1/16 in.

Page 10: Jan Vermeer. The Allegory of Painting (The Painter and His Model as Klio). 1665–66. 48 x 40 in

Georgia O’Keeffe. Banana Flower. 1933.21 3/4 x 14 3/4 in.

Page 11: Jan Vermeer. The Allegory of Painting (The Painter and His Model as Klio). 1665–66. 48 x 40 in

Käthe Kollwitz. Self-Portrait, Drawing. 1933.18 3/4 x 25 in.

Page 12: Jan Vermeer. The Allegory of Painting (The Painter and His Model as Klio). 1665–66. 48 x 40 in

Georges Pierre Seurat. Café Concert. c. 1887–88.12 x 9 1/4 in.

Page 13: Jan Vermeer. The Allegory of Painting (The Painter and His Model as Klio). 1665–66. 48 x 40 in

Vija Celmins. Untitled (Ocean) (Venice, California). 1970.14 1/8 x 18 7/8 in.

Page 14: Jan Vermeer. The Allegory of Painting (The Painter and His Model as Klio). 1665–66. 48 x 40 in

Edgar Degas. After the Bath, Woman Drying Herself. c. 1889–90.26 5/8 x 22 3/4 in.

Page 15: Jan Vermeer. The Allegory of Painting (The Painter and His Model as Klio). 1665–66. 48 x 40 in

Mary Cassatt. Young Mother, Daughter, and Son. 1913.43 1/4 x 33 1/4 in.

Page 16: Jan Vermeer. The Allegory of Painting (The Painter and His Model as Klio). 1665–66. 48 x 40 in

Sandy Brooke. Paestum. 2009.22 x 30 in.

Page 17: Jan Vermeer. The Allegory of Painting (The Painter and His Model as Klio). 1665–66. 48 x 40 in

Elisabetta Sirani. The Holy Family with a Kneeling Monastic Saint. c. 1660.

10 3/8 x 7 3/8 in.

Page 18: Jan Vermeer. The Allegory of Painting (The Painter and His Model as Klio). 1665–66. 48 x 40 in

Jean Dubuffet. Corps de Dame. June–December 1950.10 5/8 x 8 3/8 in.

Page 19: Jan Vermeer. The Allegory of Painting (The Painter and His Model as Klio). 1665–66. 48 x 40 in

Beverly Buchanan. Ms. Mary Lou Furcron’s House, deserted. 1989.16 x 20 in.

Page 20: Jan Vermeer. The Allegory of Painting (The Painter and His Model as Klio). 1665–66. 48 x 40 in

Beverly Buchanan. Richard’s Home. 1993.78 x 16 x 21 in.

Page 21: Jan Vermeer. The Allegory of Painting (The Painter and His Model as Klio). 1665–66. 48 x 40 in

Beverly Buchanan. Monroe County House with Yellow Datura. 1994.60 x 79 in.

Page 22: Jan Vermeer. The Allegory of Painting (The Painter and His Model as Klio). 1665–66. 48 x 40 in

Giovanni Battista Tiepolo. The Adoration of the Magi. c. 1740s.11 3/5 x 8 1/5 in.

Page 23: Jan Vermeer. The Allegory of Painting (The Painter and His Model as Klio). 1665–66. 48 x 40 in

Rembrandt van Rijn. A Sleeping Woman. c. 1660–69.9 5/8 x 8 in.

Page 24: Jan Vermeer. The Allegory of Painting (The Painter and His Model as Klio). 1665–66. 48 x 40 in

Liang Kai. The Poet Li Bo Walking and Chanting a Poem, Southern Song Dynasty. c. 1200.

31 3/4 x 11 7/8 in.

Page 25: Jan Vermeer. The Allegory of Painting (The Painter and His Model as Klio). 1665–66. 48 x 40 in

Whitfield Lovell. Whispers from the Walls. 1999.varying dimensions.

Page 26: Jan Vermeer. The Allegory of Painting (The Painter and His Model as Klio). 1665–66. 48 x 40 in

Marjane Satrapi. page from the “Kim Wilde” chapter of the graphic novel Persepolis. 2001.

16 9/16 x 11 11/16 in.

Page 27: Jan Vermeer. The Allegory of Painting (The Painter and His Model as Klio). 1665–66. 48 x 40 in

William Kentridge. Drawing from WEIGHING . . . and WANTING.1997–98.

24 5/8 x 30 3/4 in.

Page 28: Jan Vermeer. The Allegory of Painting (The Painter and His Model as Klio). 1665–66. 48 x 40 in

William Kentridge. Drawing from WEIGHING . . . and WANTING.1997–98.

24 5/8 x 30 3/4 in.

Page 29: Jan Vermeer. The Allegory of Painting (The Painter and His Model as Klio). 1665–66. 48 x 40 in

William Kentridge. Drawings from WEIGHING . . . and WANTING.1997–98.

47 1/4 x 63 in.

Page 30: Jan Vermeer. The Allegory of Painting (The Painter and His Model as Klio). 1665–66. 48 x 40 in

William Kentridge. Drawing from WEIGHING . . . and WANTING.1997–98.

47 1/4 x 63 in.

Page 31: Jan Vermeer. The Allegory of Painting (The Painter and His Model as Klio). 1665–66. 48 x 40 in

David Hammons. Out of Bounds. 1995–96.53 1/4 x 41 1/2 x 11 1/2 in.

Page 32: Jan Vermeer. The Allegory of Painting (The Painter and His Model as Klio). 1665–66. 48 x 40 in

David Hammons. Higher Goals. 1982.height 40 ft.