JAZZ E SEMBLEKE DOR VOLUME 32

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DougBeachJazzFoundationsSeriesVery easy charts for 4 horns with rhythmsection that are expandable to full-sizebig band.

Doug Beach First EditionSeriesEasy charts for developing groups,playable by 4 saxes,3 trumpets, 2 trom-bones, piano, bass and drums.

Doug BeachThreshold SeriesMedium easy to mediumcharts for advancing groups.

Doug Beach Jazz EnsembleSeriesMedium to medium advanced charts forproficient big bands.

Kendor JazzGateway SeriesEasy charts for developing groups, manyfeaturing Kendor Konvertible scoring for9-17 pieces. A guitar chord chart is in-cluded.

Kendor JazzJourney SeriesMedium charts for advancing groups. Aguitar chord chart is included.

Kendor JazzSummit SeriesAdvanced charts for proficient big bands.

Kendor Music, Inc.M U S I C P U B L I S H E R

21 Grove Street • PO Box 278Delevan, New York 14042-0278 • U.S.A.phone 716-492-1254fax 716-492-5124www.kendormusic.come-mail: info@kendormusic.com

Jazz Series

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ENCORE EDITIONAbsolutely, Positivelyby Gregory YasinitskyIn this slow, yet hard-swinging shuffle, the bluesy moodreally complements the groove. A written alto sax solo isincluded. Features Kendor Konvertible scoring for 9-17players.#60005 ...................................................................... $45

ENCORE EDITIONBack And Forthby Jon PhelpsThis accessible funk original features a variety ofrhythmic figures commonly used in rock and funk charts.Deriving its title from the back-and-forth feeling in therhythm section parts, it includes written or ad lib solos forall. Features Kendor Konvertible scoring for 9-17players.#60039 ...................................................................... $45

Cole Minor Bluesby Jeff JarvisThis great minor blues tune features sturdy swingrhythms and a memorable melody shared by the hornsections of the band. Any instrument may be featuredduring the written or ad lib open solo. Optional parts forflute, clarinet, horn in F, tuba and vibes are included.#60105 ...................................................................... $45

El Caminoby Gregory YasinitskyA catchy Latin groove, easy chord changes in two writtenor ad lib solo sections for trumpet, and an ensemblechorus that grows from a whisper to a roar are highlightsof this chart. Features Kendor Konvertible scoring for9-17 players. Optional parts for flute, clarinet, horn in F,tuba and vibes are included.#60167 ...................................................................... $45

Here Comes Everybodyby Gregory YasinitskyIn this uptempo swinger, written or ad lib alto andtrumpet solos can be played using notes from a singlescale. Clever sax section work and a roaring shout areadded highlights.Features Kendor Konvertible scoringfor 9-17 players. Optional parts for flute, clarinet, horn inF, tuba and vibes are included.#60283 ...................................................................... $45

Isle Of Viewby Jeff JarvisThis engaging rock ballad featuring a trumpet soloist (5trumpet parts) boasts a beautiful melody backed by lushensemble writing. It includes a written or ad lib sectionfor the soloist, and optional parts for flute, clarinet, hornin F, tuba and vibes.#60350 ...................................................................... $45

Likely Suspectby Jeff JarvisA driving funk groove coupled with a rich chord progres-sion give this chart plenty of audience appeal. Written orad lib solo space is provided for alto and tenor sax.Optional parts for flute, clarinet, horn in F, tuba and vibesare included.#60450 ...................................................................... $45

Looking Southby Les SabinaScored in a breezy bossa nova style, this chart featuresirresistible rhythms, a winding melody and a logicalchord progression. Written or ad lib solo space is givento trombone. Features Kendor Konvertible scoring for 9-17 players. Optional parts for flute, clarinet, horn in F,tuba, and vibes are included.#60465 ...................................................................... $45

Kendor JazzGateway Series

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Maximum Trajectoryby Les SabinaPresenting an intriguing modal feel throughout andplenty of sectional and ensemble block voicings, this fastswing original gives the written or ad lib solo to tenorsax. Features Kendor Konvertible scoring for 9-17players. Optional parts for flute, clarinet, horn in F, tubaand vibes are included.#60500 ...................................................................... $45

Out Of Sightby Lennie NiehausGreat for teaching essential jazz skills, this moderateswing original includes solid melodies, a sax soli, and anexciting shout chorus. Any instrument may be featuredduring the written or ad lib open solo. Features KendorKonvertible scoring for 9-17 players. Optional parts forflute, clarinet, horn in F, tuba and vibes are included.#60595 ...................................................................... $45

ENCORE EDITIONPrayer Meetin’by Matt HarrisFeaturing the piano in a familiar gospel-flavored role, thispop ballad has been orchestrated so the band supportsbut never eclipses the sound of the soloist. Most of thepiano part is notated to assist developing players. An adlib open solo section is also included. Features KendorKonvertible scoring for 9-17 players. Trumpets double onflugelhorn.#60630 ...................................................................... $45

And The Band Played Onarranged by Tom KubisThis jazz waltz version of the popular 1895 song is afitting tribute for a flugelhorn soloist (4th Trumpet). Thedynamic contrasts are real attention-getters, and thetrademark Kubis sound permeates this warm orchestra-tion. An open solo section is included.#61027 ...................................................................... $48

Around The Hornby Carl StrommenThis bright swing chart refers to baseball infielders toss-ing the ball to each other after a successful out. It openswith a solitary bass solo, followed by a trumpet/tenorsoli. That same duo is then featured in the written or adlib solo section. An optional flute part is included.#61035 ...................................................................... $48

ENCORE EDITIONBistro Latinoby Jeff JarvisFeaturing both samba and songo feels, this show-stopping salsa opens with a dynamic tutti unison. Theinterlude portion of the piece contains incredibly lush,modern voicings. Solo space is offered to soprano,tenor, trumpet and trombone. Instrumentation includes 5trumpets and SATTB saxophones.#61060 ...................................................................... $48

Blue Sesameby Andrew NeuReminiscent of the music of Stanley Turrentine andCannonball Adderley, this exciting cool swing chartemploys the blues scale, but it isn’t a blues in thetraditional sense. Ad lib solos are reserved for tenor,trumpet and trombone.#61063 ...................................................................... $48

Chordally Yoursby Lennie NiehausThis hard swinging original evenly distributes interestingchords, inventive form, and a catchy melodic linebetween the sax and brass sections. A drum solo andopen solo section is included.#61094 ...................................................................... $48

Kendor JazzJourney Series

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El Loboby Carl StrommenTo enhance the authentic Latin flavor of this engagingnumber, using claves, guiro and cowbell is suggested.Written or ad lib solos are included for tenor, trumpet,trombone and piano; additional soloists may be addedas desired. An optional flute part is included.#61175 ...................................................................... $48

Escola De Sambaby Jeff JarvisWith an alternating samba and partido alto groove, thePortuguese title of this spirited Brazilian original refers todance schools that present annual Carnival events thatfeature dancers in elaborate costumes. Solo space isgiven to alto and trumpet.#61180 ...................................................................... $48

Michaelby Gene ThorneWritten in memory of Michael Jackson, this driving funkoriginal captures all the spirit and style of his music.Featuring sophisticated harmonies and a catchy groovelaid down by bass, bari sax and bass trombone, solosare assigned to tenor, trumpet and drums. 4th Trumpetdoubles on flugelhorn.#61495 ...................................................................... $48

Pleasant Timesby Bob WashutThis beautiful ballad/jazz waltz showcases a trombonesoloist throughout. The melody is cast in a lush balladsetting that encloses an improvised solo section in a jazzwaltz style. Instrumentation calls for trumpets doublingon flugelhorn and an optional vibes part is included.#61621 ...................................................................... $48

Slipstreamby Andrew NeuFashioned after Herbie Hancock’s iconic “Chameleon,”this funk original is ideal for teaching fundamental jazzfusion skills to developing musicians. It features effectivelines that intertwine with the bass parts and an open solosection.#61702 ...................................................................... $48

Who Wouldn’t?by Lennie NiehausThis moderately fast swing chart featuring the II-Vprogression found in many jazz standards highlights anangular melody that mixes wide skips and scale-wiseintervals. It includes a solid sax soli, lots of captivatingensemble passages, and an open solo section.#61860 ...................................................................... $48

ENCORE EDITIONBird Countby Maria SchneiderWritten in tribute to Charles Mingus, playing this raucousblues with high energy is the key ingredient for a reallyswingin' performance. Much of the texture comes fromthe layering of riffs, and solists include alto, bari sax,trumpet and drums.#3207 ........................................................................ $56

Blue Brewsby Dave HansonRecently recorded by the H2 Big Band on “You’re It!”(Jazzed Media 1053), this driving shuffle is imaginative,skillfully orchestrated, and harmonically unique. Itprovides solo space for bari sax, trumpet and trombone.Alto saxophones double on flute.#62060 ...................................................................... $56

Kendor JazzSummit Series

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Componentsby Thomas MattaThis contemporary fast swing chart utilizes denseclusters, challenging chord changes, and unpredictableform lengths. Solos are included for tenor, trombone anddrums. 4th Trumpet doubles on flugelhorn.#62110 ...................................................................... $56

Is There Life After Bebop?by Tom KubisIn this tip-of-the-hat tribute to one of the most pivotaleras of jazz, classic bebop vocabulary for full big band isset in a bright swing feel. It includes an open solosection and a drum solo.#62345 ...................................................................... $56

Isla Verdeby Jeff JarvisNamed after a district not far from San Juan, PuertoRico’s capital city, this spicy salsa tune features drivingLatin rhythms, vivid dynamics, catchy melodies anddense harmonies. A short written bass solo sets up anopen solo section. An optional vibes part is included.#62350 ...................................................................... $56

Pearl For Merleby Tom KubisSwingin’ from start to finish, this one is the perfectopener or closer. Featuring effective figures and brilliantorchestration, solo space is reserved for tenor andtrumpet.#62605 ...................................................................... $56

Real Loud First Note Bluesby Tom KubisWith tight ensemble and unison writing in the tradition ofThad Jones, this driving swinger offers solos for sopranosax, trumpet and trombone, with the option of addingmore soloists. Two dramatic chords bring this power-house chart to a rousing finish. SATTB saxophoneinstrumentation is required.#62645 ...................................................................... $56

The Swaggerby Pete McGuinnessWell-orchestrated, hard-swinging figures abound in thischart that resembles Coltrane’s classic “Equinox.”Frequent use of triplet arpeggios and effective dynamicshadings add to the appeal. Solo space is included foralto and bari sax, plus an open solo section.#62753 ...................................................................... $56

ENCORE EDITIONAWarm Breezeby Sammy NesticoSet in a laid back swing groove, this excursion features asax chorus, driving ensemble work, and written or ad libsolos for tenor, trumpet, trombone and piano. Anensemble shout closes it out in fine style. 3rd and 4thTrumpets double on flugelhorn.#2272 ........................................................................ $56

You’re It!by Dave HansonThis medium swing original is the title track from a recentrecording by the H2 Big Band (Jazzed Media 1053).Based on the chord changes to the jazz standard “You’reMy Everything,” this chart features two trumpet soloistsduring the melody, solo sections and solo trades.Scoring calls for 5 trumpets.#62990 ...................................................................... $56

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Standing In The Rain(You Left Me)by Sammy NesticoIn this medium jazz feature for solo tenor sax, supportingbackgrounds must be played with good volume controlto ensure that all solo lines are clearly heard. Rhythmsection parts are partially notated with chords cued.#SN70220 ..................................................................$56

Blues Trainby Doug Beach & George ShutackIn the style of the great Count Basie, this chart is full ofterrific teaching opportunities. Simple but effectiveensemble writing, blues-based changes and a swinginggroove make it a winner. Written or ad lib solos areprovided for all. Scored for 4 horns with rhythm sectionand expandable to full big band, optional parts areincluded for flute, clarinet and horn in F.#41810 ...................................................................... $42

ENCORE EDITIONFinal Driveby Doug Beach & George ShutackPerfect for teaching basic swing figures and improvisa-tional skills over approachable minor harmonies, thischart features written or ad lib solos for all. Scored for 4horns with rhythm section and expandable to full bigband, it includes optional parts for flute, clarinet and hornin F.#41842 ...................................................................... $42

Front And Centerby Doug Beach & George ShutackIn this swinging celebration of the great call-and-re-sponse tradition, the featured soloist (any instrument)makes a statement and the ensemble answers. Laterthey switch roles, making this chart fun for everyone.Written or ad lib solos are included for all. Scored for 5horns with rhythm section and expandable to full bigband, optional parts are included for flute, clarinet andhorn in F.#41846 ...................................................................... $42

Inspector C.by Doug Beach & George ShutackThis solid rock original combines basic figures and acatchy melody to create a great teaching vehicle. Writtenor ad lib solos are included for all. Scored for 4 hornswith rhythm section and expandable to full jazz ensem-ble, it includes optional parts for flute, clarinet and hornin F.#41860 ...................................................................... $42

Long Lost Friendby George ShutackWith a haunting melody and lush voicings, this beautifulrock ballad is the perfect showcase for solo alto sax,trumpet or trombone (written). Playable by 12-17 play-ers, optional parts are included for flute, clarinet, horn inF, tuba and vibes.#42205 ...................................................................... $45

Paco’s Canonby George ShutackIn this unique bossa nova setting of Johann Pachelbel’smost famous theme, written or ad lib solos are includedfor all, as well as a written piano solo. Playable by 12-17players, optional parts are included for flute, clarinet,horn in F, tuba and vibes. Trumpets double on flugel-horn.#42040 ...................................................................... $45

Doug BeachFirst Edition Series

Doug Beach JazzFoundations Series

Sammy NesticoPremium Jazz Series

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Plunger Powerby Doug BeachFeaturing blues changes and lots of plunger effects, thisswinging original honors the sound made famous by thegreat Duke Ellington band in the 1930’s. Written or ad libsolos are included for all as well as a trumpet solo.Playable by 12-17 players, optional parts are includedfor flute, clarinet, horn in F, tuba and vibes.#42270 ...................................................................... $45

The Whole Enchiladaby Doug Beach & George ShutackFrom the opening notes to the final chord, this excitingLatin (cha-cha) chart features a strong melody, opensolo space for all (written or ad lib), and plenty of fullensemble work. Playable by 12-17 players, it includesoptional parts for flute, clarinet, horn in F, tuba and vibes.#42370 ...................................................................... $45

Back To The Basementby Bret ZvacekThis sizzling shuffle presents a great melody, crisp hornfigures and big ensemble moments that create a lot ofenergy without making extreme demands on developingplayers. Written or ad lib solos are included for all.#42418 ...................................................................... $48

Blue Madnessby Doug BeachThis straight-ahead shuffle with solid ensemble writingand blues-based changes will appeal to more experi-enced groups as a great solo vehicle while givingyounger bands a chance to lock into some of the mostessential rhythmic figures in jazz. Written or ad lib solosare included for all.#42437 ...................................................................... $48

Espionage In Andalusiaby Mike TomaroAn intriguing, even-8th-note Latin groove serves as aperfect backdrop for a haunting melody and somewonderful ensemble work. An open solo section roundsout the package.#42508 ...................................................................... $48

A Good Night In New Orleansby George ShutackThe driving New Orleans street beat will have everyonefeeling the groove while winds carry blues-drenchedlines. A drum solo and an open solo section is included.#42558 ...................................................................... $48

Pun Intendedby Allan HorneyHere’s the perfect combination of a catchy melody, greatscoring and all the swing figures that are essential forgroups to know. A written or ad lib solo section isincluded for alto and trombone. 2nd Trumpet doubles onflugelhorn, and an optional flute part is included.#42787 ...................................................................... $48

Boppin’ To P-Town(Swingin’ To Peoria)by Doug StoneCommissioned by the IMEA for the 2013 Illinois All StateJazz Ensemble, this swing chart has a winning blend ofa solid melodic line and outstanding ensemble writing.Solo space is provided for tenor and trumpet, as well asan open solo section.#43035 ...................................................................... $56

The Wise Oneby Mike TomaroThe brilliance of Mike Tomaro has never been moreevident than in this swing chart, where the melody leadsinto wonderful ensemble passages and ample solospace for alto and piano. 5 trumpets double onflugelhorn.#43482 ...................................................................... $56

Doug Beach JazzEnsemble Series

Doug BeachThreshold Series

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Ain’t Misbehavin’ - arr. Jarvis • grade: M • style: mod-erate swing • key: C • $45, #15

All Of Me - arr. Niehaus • grade: MA • style: uptemposwing • key: Ab • $45, #20

For Once In My Life - arr. Niehaus • grade: M • style:swing • key: Ab • $45, #70

It Don’t Mean A Thing If It Ain’t Got That Swing -arr. Harris • grade: MA • style: salsa • key: Bb • $45, #96

All Of Me - arr. Lieb • grade: M • style: swing • $20,#5100

Desafinado - arr. Harris • grade: M • style: bossa nova •$20, #5160

Fly Me To The Moon - arr. Lieb • grade: M • style:swing • $20, #5170

For Once In My Life - arr. Lieb • grade: M • style: easyswing • $20, #5180

Here’s That Rainy Day - arr. Dedrick • grade: M • style:ballad • $20, #5190

If I Should Lose You - arr. Jarvis • grade: M • style: re-laxed bossa nova • $20, #5203

Night Train - arr. Campbell • grade: M • style: blues •$20, #5270

Out Of Nowhere - arr. Jarvis • grade: MA • style: Latin(songo) • $20, #5278

The Pink Panther - arr. Lieb • grade: ME • style: swing •$20, #5290

Some Skunk Funk - arr. Holmes • grade: A • style: rock• $20, #5340

Stella By Starlight - arr. Zaccagni • grade: M • style:swing • $20, #5346

Take The “A” Train - arr. Dedrick • grade: M • style:bright swing • $20, #5350

Tuxedo Junction - arr. Dedrick • grade: ME • style:swing • $20, #5390

Yardbird Suite - arr. Dedrick • grade: M • style: brightswing • $20, #5450

The Nearness Of You - arr. Hanson • grade: M • style:ballad • key: Eb • $45, #105

Out Of Nowhere - arr. Liston • grade: M • style: shuffle •key: Eb • $45, #108

There’ll Be Some Changes Made - arr. Berger •grade: M • style: medium swing • key: Db • $45, #116

Kendor Vocalist with Big Band Seriesfeaturing male or female vocal soloist (solo part also provided for tenor sax)

Kendor Jazz Combo Seriesfamous standards for 3 horns and rhythm section

Part 1 - trumpet or alto saxPart 2 - alto or tenor saxPart 3 - trombone or tenor sax

Doug Beach formed the publishing com-pany bearing his name in 1975. As Directorof Jazz Studies for over 30 years, hisElmhurst College (IL) Jazz Band regularlyappears with such greats as Clark Terry,Diane Schuur, Nicholas Payton, Pete

Christlieb, Lee Konitz, Louie Bellson, and Bobby Shew.

Dave Hanson studied at SouthwesternOklahoma State University (B.M.), ArizonaState University (M.M.), and at theEastman School of Music’s Arranger Labs(NY) with Rayburn Wright and MannyAlbam. He is a professional jazz pianist

and teaches at the Lamont School of Music at theUniversity of Denver (CO). Much of his time is spentwriting music for commercials and industrial films.

Matt Harris is in great demand as akeyboardist, jazz writer and clinician. Aftercompleting his undergraduate degree atthe University of Miami (FL), and hismasters degree at the Eastman School ofMusic (NY), he toured with Maynard

Ferguson and Buddy Rich. Both leaders performed andrecorded his charts; several are featured in the KendorJazz Catalog. Today Matt serves as Director of JazzStudies at California State University-Northridge.

Allan Horney is Professor of Tromboneand Jazz Studies at Eastern Illinois Univer-sity in Charleston. During his tenure asDirector of Jazz Studies at EIU, the EIUJazz Ensemble won a Downbeat DB awardand released its first CD “Eastern Time

Zone” in 1994. Mr. Horney holds degrees from IndianaState University and the University of Illinois and hasbeen a member of the EIU faculty since 1974.

Jeff Jarvis, Director of Jazz Studies atCalifornia State University Long Beach, haswritten for and/or performed with LouRawls, Doc Severinsen, Joe Williams,Louie Bellson and more. He has recordedsix albums as a solo artist (trumpet), and

serves as Kendor's jazz editor.

Tom Kubis is a renown composer/arranger, woodwind player, recording artistand band leader. He has playedsaxophone with such jazz greats as FrankRosolino, Bill Watrous, Arturo Sandoval,Jack Sheldon, Pete Christlieb and Louis

Bellson. In addition to his writing for film and television,Tom's music exemplifies the contemporary big bandsound. His playing, writing and sequencing skills havetaken him all over the world for concerts and clinics.

Tom Matta has served on the faculty atDePaul University since 1995. He hasperformed (bass trombone) and recordedwith an array of talents including theWoody Herman Orchestra, the FrankMantooth Jazz Orchestra, and leads his

own Tom Matta Big Band in Chicago (IL).

Pete McGuinness has been a New YorkCity-based jazz trombonist, composer/arranger and vocalist since 1987. He hasperformed with The Woody HermanOrchestra, Lionel Hampton, Jimmy Heath,and the Maria Schneider Jazz Orchestra,

and appears on many jazz CDs. His big band playsregularly in the NYC area, and Pete also serves asProfessor of Jazz Arranging at William PatersonUniversity and as a clinician for the Conn-Selmerinstrument company.

Sammy Nestico wrote for Count Basie for17 years, and directed the USAF Airmen ofNote and the Marine Band’s White HouseOrchestra. He has also arranged andconducted recording projects for BingCrosby, Sarah Vaughan, Frank Sinatra,

Barbra Streisand, Natalie Cole, and others.

Andrew Neu is a saxophonist/woodwind player, composer, arranger andrecording artist. He regularly tours withBobby Caldwell. A graduate of TempleUniversity, he has also performed with theCurtis Institute of Music Orchestra, the

Brian Pastor band, and the Dave Stahl band.

Volume 32 Writers

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Lennie Niehaus, alto soloist and arrangerfor the Stan Kenton Orchestra, hasrecorded albums of his own with Mel Lewis,Shelly Manne, Jimmy Giuffre, HamptonHawes, and more. He also composed thefilm scores for Clint Eastwood's “Pale

Rider”, “Unforgiven”, “True Crime”, “Absolute Power”,and many more.

Les Sabina is Professor of Music at St.Bonaventure University in upstate NewYork. He has received awards from IAJE,ASCAP, and the Performing RightsOrganization of Canada. As a saxophonist,he has performed with Dizzy Gillespie, Joe

Williams, Della Reese, and others.

Maria Schneider has conducted over 100different groups in over 30 countries. She’smost widely known for the Maria SchneiderOrchestra founded in 1992. She has writtenfor Toots Thielemans, the Carnegie HallJazz Orchestra, Jazz at Lincoln Center, Los

Angeles Philharmonic Association, and numerous othergroups, receiving 8 Grammy nominations and 2 Grammyawards.

George Shutack has been writing forDoug Beach Music since 1978. In additionto being a staff writer, he makes manydecisions regarding the company’s musicaldirection. When he is not writing music, heworks for an aeronautics company, main-

tains the Kendor website, and pursues his interest inarchitecture.

Doug Stone received his bachelor’sdegree from Northern Illinois University.Stone also led the university’s top comboas well as his own groups featuring hisoriginal works. In 2004-2005 Doug touredwith Maynard Ferguson and the Big Bop

Nouveau and has led his own groups in the Chicagoarea. Currently a student at the Eastman School ofMusic (NY), he is working on a master’s degree in jazzperformance and music education.

Carl Strommen teaches composition andarranging at the C.W. Post Campus ofLong Island University (NY). He is a gradu-ate of the City College of New York andstudied composing/arranging with MannyAlbam, Rayburn Wright and Stephan

Wolpe.

Gene Thorne played in the sax section ofthe U.S. Army Jazz Ambassadors (1975 -2009). He attended the University of Miami(FL) from 1972 to 1975, later earning hisBM degree in Performance from CatholicUniversity and a MM in composition from

the University of Maryland. Gene is now active as aclinician and freelance musician in the Baltimore-Washington area.

Mike Tomaro, formerly with the ArmyBlues Jazz Ensemble, is Director of JazzStudies at Duquesne University in Pittsburg(PA). He has recorded four CDs under hisown name and has appeared on manyothers as arranger and/or performer. He

co-authored “Instrumental Jazz Arranging – AComprehensive and Practical Guide.”

Bob Washut is Professor of Music at theUniversity of Northern Iowa, where he hasserved as Director of Jazz Studies (1980-2002) and of the award-winning UNI JazzBand One. An accomplished composer/arranger, he has received numerous

commissions from college and high school jazzensembles, professional jazz artists, and symphonyorchestras.

Gregory Yasinitsky is a RegentsProfessor of Music and Director of theSchool of Music at Washington StateUniversity in Pullman. He has written forClark Terry, Dave Liebman, and the USAFAirmen of Note, and has appeared as a

saxophonist with Ella Fitzgerald, Sarah Vaughan, RayCharles, Randy Brecker, and many others.

Bret Zvacek has performed with KennyWheeler, The Woody Herman Orchestraand other top artists. He has written for theBasie Orchestra, the Army and Air Forcejazz ensembles, and the UNT One O’ClockLab Band. Currently he is Director of Jazz

Studies at the Crane School of Music in Potsdam (NY).

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Basie-Nestico Lead BooksLead parts for 9 charts from the “Basie-Straight Ahead”album. Good for developing phrasing, endurance andstylistic playing skills.

Lead Sax Book: $8.00, #20950Lead Trumpet Book: $7.00, #21060

The Chord Voicing Handbookby Matt Harris & Jeff JarvisThis handy reference helps aspiring pianists whenthey’re faced with parts that offer chord symbols andslashes only. Just like looking up words in a dictionary,players can find two voicings for every chord. $20.00,#21115

Effective Etudes For JazzbyMikeCarubia& Jeff JarvisThis book and CD set is a collection of 18 etudes basedon the chord changes to popular jazz standards.Students will learn to interpret and improvise over thechord progressions. Hear how seasoned jazz musiciansinterpret the etudes on the accompanying compactdiscs, then play along with the recorded rhythm section.Perfect for jazz band auditions, solo festivals, andrecitals.

Flute • $19.00, #20691Alto Sax • $19.00, #20692Tenor Sax • $19.00, #20693Baritone Sax • $19.00, #20694Trumpet • $19.00, #20695Trombone • $19.00, #20696Piano • $21.00, #20697Guitar • $19.00, #20698Bass • $19.00, #20699

Essential Scale Studies ForImprovisationThis book of 205 jazz exercises by Tony Dagradi for allinstruments builds solid technical skills in players at allexperience levels. $18.00, #20655

Jazz Books

Inside The Scoreby Rayburn WrightAn acclaimed text that reveals the writing secrets ofThad Jones, Sammy Nestico, and Bob Brookmeyer! Adetailed examination of 8 of their best charts analyzesvoicings, melodic construction, form, orchestration,textures, etc. Interviews with the writers are alsoincluded, in which they discuss their approaches towriting. A superb CD recording of all 8 charts is a greatstudy aid. Text with CD $44.00, #20870

The Jazz Educator’s Handbookby Jeff Jarvis & Doug BeachThe most comprehensive, how-to handbook for jazzeducators ever published! Featuring easy-to-understandtext, loads of notated and recorded examples, photos,and unique illustrations by Steve Wiest, this bookprovides inexperienced and seasoned teachers alikewith tons of practical information. Text with 2 CD’s.$48.00, #20825

Jazz Improvisation:The Goal-Note Methodby Shelly BergThis text for a 2-4 semester improvisation coursefocuses on structural and harmonic concepts rather thanscale-derived melodies. Based on the premise thatsuccessful improvisation comes when consonant tonesare surrounded with characteristic jazz formula. Text withCD $55.00, #20855

Jazz Piano Basicsby Matt HarrisThis book and CD set by luminary pianist, writer, andjazz educator Matt Harris includes information on voicingchords, comping rhythms, and more. A must formotivated novices! $19.00, #21143

Modern Jazz Solos For Drum Setby Rich ThompsonEach solo in this set of 10 pieces for proficient (grade 5-6) players pays homage to a famous jazz drummer -- AlFoster, Roy Haynes, Adam Nussbaum, Bill Stewart, JoeyBaron, Brian Blade, Jack DeJohnette, Steve Gadd, andJimmy Cobb. Biographical and suggested listeninginformation for each drummer is included. Text with CD$13.95, #13555

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Playing The Saxophoneby Bob MintzerBob Mintzer presents a variety of performance basicsand techniques used in today’s music scene. Topicsinclude sound production, glissing, growling, scales andpatterns, how and what to practice, and more. Six full-length etudes are provided, and in the last chapter Bobshares some real-world experiences and the lessons helearned from them. $22.00, #20955

Relaxed Hand Techniqueby Roy Burnsedited by Murray HoullifBased on the drum set artistry of Roy Burns, this book ischocked full with exercises and practice suggestiontechniques, to help the drummer achieve a more relaxedtechnique which may be applied to all drumming styles.With this technique comes increased speed, power,endurance and finesse. It is suitable for drummers in theearly learning stages as well as experienced performerswho want to fine-tune their playing skills. A CD isincluded featuring four amazing extended drum set solosperformed by Roy which clearly demonstrate whatdiligent practice of these techniques can achieve.$22.95, #21188

Sing It Firstby Wycliffe Gordonedited by Alan RaphThis book presents the concepts that jazz trombonistWycliffe Gordon has used to develop his own playing.Singing the music before playing it is the key to his suc-cess, and this book will show you how to do it! $17.95,#21192

Solo Secretsby Roy Burnsedited by Murray HoullifBased on the drum set artistry of Roy Burns, this fantas-tic book will improve the drummer’s left hand technique,bass drum control, hand-to-hand coordination, overallspeed, and rhythmic creativity in any playing style oridiom. Solo and fill-in playing skills are enhanced throughuse of the entire drum set. Edited by percussionist andwell-known educational composer Murray Houllif, thisbook includes a DVD featuring Roy Burns’ amazing finalclinic in 1989. $17.95, #21194

Thad Jones Lead BooksLead parts for 8 big band charts from the “Live At TheVillage Vanguard” and “Consummation” albums. Goodfor developing phrasing, endurance and stylistic playingskills.

Lead Sax Book • $7.00, #20960Lead Trumpet Book • $9.95, #21090

Comfort, Command & Control In TheTrumpet SectionThis book explains how to approach and play in avariety of styles and clearly explains Dan Collette’sperspective of lead and section playing, making it a use-ful tool for all aspiring and professional trumpet players.It includes sectional quartets by Steve Guttman and 2CD’s. $71.95, #AM01102

20 Tunes In Basic Stylesby Valentin HudeThese pieces are not only written in modern styles --Latin, tango, reggae, blues, rock, bossa, swing, salsa --but also in a variety of European folk styles. Usingnearly the full range of the instrument, playing this musicwith special emphasis on articulations will render stylisti-cally convincing performances.

Clarinet Book • $17.95, #AM08105Saxophone Book • $17.95, #AM07078

Easy Jazz Conceptionby Jim SnideroA great way to learn and practice basic jazz style! Eachplay-along set features 15 solo etudes based on bluesand standard chord progressions demonstrated by topjazz pros and a world-class rhythm section.

Alto Saxophone • $20.95, #AM14760Tenor Saxophone • $20.95, #AM14761Trumpet • $20.95, #AM14762Trombone • $20.95, #AM14763Flute • $20.95, #AM14764Clarinet • $20.95, #AM14765Guitar • $20.95, #AM14766Piano Comping • $21.95, #AM14767Bass Lines • $20.95, #AM14768Drums • $20.95, #AM14769Violin • $20.95, #AM14770Viola • $20.95, #AM14771Cello • $20.95, #AM14772Baritone Sax • $20.95, #AM14773

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Intermediate Jazz Conceptionby Jim SnideroFeatures 15 tunes with familiar chord changes in a greatplay-along format for developing instrumentalists whowant to strengthen their jazz phrasing, interpretation andimprovisation skills.

Alto Saxophone • $21.95, #AM14780Tenor Saxophone • $21.95, #AM14781Trumpet • $21.95, #AM14782Trombone • $21.95, #AM14783Flute • $21.95, #AM14784Clarinet • $21.95, #AM14785Guitar • $21.95, #AM14786Piano • $25.00, #AM14787Bass Lines • $21.95, #AM14788Drums • $21.95, #AM14789

Jazz Conceptionby Jim Snidero21 solo etudes based on standard/blues chord progres-sions in a play-along set for players at all proficiencylevels who want to learn the jazz language – phrasing,interpretation, improvisation.

Eb Saxophone • $21.95, #AM14720Tenor Saxophone • $21.95, #AM14721Trumpet • $21.95, #AM14722Trombone • $21.95, #AM14723Flute • $21.95, #AM14724Clarinet • $21.95, #AM14725Guitar • $21.95, #AM14726Piano • $24.00, #AM14727Bass • $21.95, #AM14728Drums • $24.00, #AM14729Bass Trombone • $21.95, #AM14735Bass Lines • $24.00, #AM14736Vocal • $21.95, #AM14737Piano Comping • $24.00, #AM14739

SAMMY NESTICO MUSICDISTRIBUTED BY KENDOR MUSIC

TITLE ITEM #BASHFUL ALBERT .................................................... SN70002EASIN’ ALONG ............................................................ SN70006FOOTLOOSE .............................................................. SN70010GOOD NEWS .............................................................. SN70015KATIE .......................................................................... SN70020A LITTLE BLUES, PLEASE ........................................ SN70024LOOSE CHANGE ........................................................ SN70028LOST STAR ................................................................ SN70032NICOLE ........................................................................ SN70036NIGHT FLOWER .......................................................... SN70040PEPPERMINT TREE .................................................. SN70045THE QUEEN OF SCHMOOZE .................................... SN70050REACHIN’ FOR A RAINBOW ...................................... SN70055SOFTLY FROM MY WINDOW .................................... SN70060SUGAR VALLEY ........................................................ SN70065SWEETS ...................................................................... SN70070THIS IS THE MOMENT (Young Version) .................... SN70076

Sammy NesticoPremium Jazz SeriesSCORED FOR 5 SAXES, 8 BRASS, & RHYTHM

Sammy NesticoYoung Jazz SeriesSCORED FOR 5 SAXES, 8 BRASS, & RHYTHMALL CHARTS $45

Over 60 great charts for middle school throughprofessional groups featuring Count Basie clas-sics and newer charts from Sammy’s ownrecordings, including Fun Time, his 2009

Grammy nominated recording with the SWR Big Band.

Distributed by Kendor Music, Inc.

Sammy Nestico Young Jazz Series

KatieStyle: Straight 8ths

by Sammy Nestico

SN70020

Distributed by Kendor Music, Inc.

Sammy Nestico Premium Jazz Series

A Warm BreezeStyle: Laid Back Swing

by Sammy Nestico

SN70237

TITLE ITEM #AFTER THE RAIN ...................................................... SN70082AFTER YOU’VE GONE .............................................. SN70086AIN’T NOBODY GETTIN’ YOUNGER ........................ SN70090BLUE SAMUEL ............................................................ SN70098THE BLUES MACHINE .............................................. SN70094CELEBRACION ............................................................ SN70102CHARLIE THE WHALE .............................................. SN70106A COOL BREEZE ........................................................ SN70109D’ANN .......................................................................... SN7011288 BASIE STREET ...................................................... SN70118ENDLESS SUMMER .................................................. SN70120FANCY PANTS ............................................................ SN70124THE FOUR OF US ...................................................... SN70128FREE FLIGHT! ............................................................ SN70132FUN TIME .................................................................... SN70136THE HEAT’S ON! ........................................................ SN70142HIGH FIVE .................................................................. SN70144HOW SWEET IT IS ...................................................... SN70148JA-DA ........................................................................ SN70152KIJI TAKES A RIDE! .................................................... SN70157LI’L OL’ BLUE NOTE .................................................. SN70160LISETTE .................................................................... SN70162MARGUARITE ............................................................ SN70166A MINOR AFFAIR ........................................................ SN70170A NEW DAY ................................................................ SN70174NO TIME LIKE THE PRESENT .................................. SN70178ORCHIDS AND BUTTERFLIES ................................ SN70182OUT OF THE NIGHT .................................................. SN70186A PAIR OF ACES ........................................................ SN70188PLEASIN’ .................................................................... SN70190RARE MOMENT .......................................................... SN70194SAMANTHA ................................................................ SN70198SATIN ‘N GLASS ........................................................ SN70200SMACK DAB IN THE MIDDLE .................................. SN70204SMALL TALK .............................................................. SN70205A SONG FOR SARAH ................................................ SN70208SORRY, WRONG NUMBER ........................................ SN70212THE SPIN DOCTOR .................................................... SN70216STANDING IN THE RAIN .......................................... SN70220SWINGIN’ ON THE ORIENT EXPRESS ...................... SN70227THIS IS THE MOMENT ................................................ SN70230TIME STREAM ............................................................ SN70233VERONIQUE ................................................................ SN70235YA GOTTA TRY...HARDER ........................................ SN70239