jazz rhythm comps

GUITAR STYLES 5th String Root 5th String Root (Omitted) with 5th in Bass 5th String Root 5th String Root (Omitted) with 5th in Bass Jazz Guitar: Rhythm Comping In a jazz setting the guitarist is often in an accompanying or “comping” role. Many nights I have been on a bandstand with an amazing big band looking out over a sea of dancers on the dance floor as I play this style of comping. It can be a very fun and creative way to approach the guitar. One of the most popular jazz big bands was the Count Basie band and their guitarist, Freddie Green, developed this method of jazz guitar rhythm guitar playing. It’s often called the “Freddie Green” approach to jazz rhythm guitar. The Freddie Green Approach The Freddie Green approach to jazz comping involves several key elements. • Quarter note rhythm giving it a “chunk, chunk, chunk” sound. • Emphasis on beats 2 and 4. • Chords played short using a rhythmic clenching movement in the fretting hand. • Primarily 3-note chords played on the lower 4 strings: 6th, 5th, 4th, and 3rd strings. Chord Forms and Voicings The chord tones in the forms are broken down to their most important elements—the third, the seventh, and the root or fifth. Here are four types of chord forms that are common in jazz rhythm guitar playing. Major 7th Jazz Chords Minor 7th Jazz Chords Gibson’s Learn & Master Guitar with Steve Krenz intermediate 6th String Root 6th String Root 1 www.LearnandMaster.com Guitar Styles: Jazz Guitar - Rhythm Comping

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GUITAR STYLES

5th String Root

5th String Root (Omitted) with 5th in Bass

5th String Root

5th String Root (Omitted) with 5th in Bass

Jazz Guitar: Rhythm Comping In a jazz setting the guitarist is often in an accompanying or “comping” role. Many nights I have been on a bandstand with an amazing big band looking out over a sea of dancers on the dance floor as I play this style of comping. It can be a very fun and creative way to approach the guitar. One of the most popular jazz big bands was the Count Basie band and their guitarist, Freddie Green, developed this method of jazz guitar rhythm guitar playing. It’s often called the “Freddie Green” approach to jazz rhythm guitar.

The Freddie Green Approach The Freddie Green approach to jazz comping involves several key elements.

• Quarter note rhythm giving it a “chunk, chunk, chunk” sound. • Emphasis on beats 2 and 4. • Chords played short using a rhythmic clenching movement in the fretting hand. • Primarily 3-note chords played on the lower 4 strings: 6th, 5th, 4th, and 3rd strings.

Chord Forms and Voicings The chord tones in the forms are broken down to their most important elements—the third, the seventh, and the root or fifth. Here are four types of chord forms that are common in jazz rhythm guitar playing. Major 7th Jazz Chords

Minor 7th Jazz Chords

Gibson’s Learn & Master Guitar with Steve Krenz

i n te rmed ia te

6th String Root

www.LearnandMaster.com Guitar Styles: Jazz Guitar - Rhythm Comping

5th String Root

5th String Root (Omitted) with 5th in Bass

6th String Root

Dominant 7th Jazz Chords

Diminished 7th Jazz Chords (Fully Diminished)

Jazz Comping Exercise 1 Now that you’ve learned some new forms, let’s put them to work in a few chord progressions.

Gibson’s Learn & Master Guitar with Steve Krenz

6th String Root

Jazz Comping Exercise 2

Jazz Comping Exercise 3

Jazz Comping Exercise 4 Practice these new chord forms and get them under your fingers. After you learn them, you will be able to “chunk” like Freddie Green all night long with any big band around. Then all you need is a black suit and you’ll be ready for your next jazz gig! For more ideas and instruction check out the award-winning Gibson’s Learn & Master Guitar course at www.LearnAndMaster.com and the lessons section at www.gibson.com for all the help you need to become the player you want to be!

www.LearnandMaster.com Guitar Styles: Jazz Guitar - Rhythm Comping