jean-michel basquiat 1960-1988 neoexpressionist
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Jean-Michel Basquiat 1960-1988 NeoExpressionist. Basquiat Trailer. Interview. "Bird on Money," 1981. The painting is an homage to one of Jean-Michel Basquiat's heroes, jazz saxman Charlie Parker. - PowerPoint PPT PresentationTRANSCRIPT
Jean-Michel Basquiat1960-1988NeoExpressionistBasquiat Trailer
Interview
The painting is an homage to one of Jean-Michel Basquiat's heroes, jazz saxman Charlie Parker. Rather than a conventional portrait, Basquiat portrays Parker as a chicken, or yardbird, which was one of the musician's nicknames. It's painted in a loose, neo-expressionist style the artist helped pioneer in the 1980s.
"Bird on Money," 1981
“Fishing” 1981
Visual vocabulary - markings that recurred in his paintings, such as a crown, which represented him.
-A man with fishing pole, holding up a line with hook and fish.
-”Basquiat” barbed-wire halo, painted in bold, black spiky lines overlayed with white oilstick drawing
- a scene observed on holiday in Puerto Rico, where mother was from, and where he also spent time as a child.
$26,402,500
Jay Z raps "Basquiats, Warhols serving as my muses"“Scull” 1981
Visual Poetry Definition: poetry or art in which the visual arrangement of text, images, and symbols is important in conveying the intended effect of the work.
Untitled (1981), a painting of a haloed, black-headed man with a bright red skeletal body, depicted amid the artist's signature scrawls, was sold by Robert Lehrman for $16.3 million
Humidity
Warhol had long fascinated Basquiat, and he read about Warhol often. During the late 1970s, Basquiat sold T-shirts and postcards decorated with his own designs, becoming a well-known figure, and indeed Warhol himself actually bought one of his postcards then.
$7,082,500
“Profit I” is one of Basquiat’s most masterful works. -Mixes the historical painting with urban graffiti to create a heroic character that is part self-portrait and part voodoo shaman.
“Baptism” 1982
“Dog” 1982
“Maid from Olympia” 1982
Basquiat produced an array of work from the overtly expressive to the complicated and mysterious.
“Philistines” 1982
Maya Angelou & Basquiat