Jen Stark

Workimage _ escultura em papel

Ligar o somavançar com clic

Degrees Of LightnessJen Stark

Degrees Of Lightness installation, 40 ft. wall, construction paper 2006

Jen Stark

Production Line ALL

Jen Stark

Line ALL : Two-dimensional circles jumping out of the frame Detail of Production Line: Triangle, Circle, Square

Jen Stark

3

Half Circle

Jen Stark

3

Half Circle ROLL

Jen Stark

11 x 14, hand-cut stack of construction paper

Do you have a certain method of cutting?

For example, how did you achieve these multiple layers in “Anatomical

Evolution”?

Afterglow

Jen Stark

Resembling geographic depictions of differences in altitude: “Microscopic Entry.”

Jen Stark

I cut each layer of paper one by one and then put them together.

I always cut by hand using an X-Acto knife. It is a bit time-consuming, but I like it!

Look at these intriguing, repetitive shapes like eruptions

by Miami-based Jen Stark:

Her three-dimensional, kaleidoscopic paper art is simply hand-made with dozens of layers of thick coloured paper. With her abstract geometrical patterns just shown in the newTactile book by DGV

Peephole

Jen Stark

Peephole

Jen Stark

Peephole

Jen Stark

Triangle

Jen Stark

Triangle Roll

Jen Stark

Square

Jen Stark

Square Roll

Jen Stark

Circle

Jen Stark

Circle Roll

Jen Stark

Intricate paper works resembling three-dimensional objects PRIMARIES-all Red Blue Yellow

Jen Stark

PRIMARIES - Blue

Jen Stark

Roughly how many layers goes into

one piece?

PRIMARIES - Blue

Jen Stark

It can range from about thirty to eighty, depending on the

piece.

PRIMARIES - Red

Jean Stark

And how do you choose the order of the colours in the

stack?

PRIMARIES - Red

Jean Stark

I usually buy a stack

and then arrange it

how I think the

colours look good

together.

PRIMARIES - Yellow

Jen Stark

I try to spread them

out a bit so they are

mixed up and

contrasting colours

are next to each

other.

PRIMARIES - Yellow

Jen Stark

Color Gradient card stock mounted on archival art

Jen Stark

Coriolis Effect ROLL

Jen Stark

Tendency of any body on the Earth’s surface to drift to the side due to the planet’s rotation is called the “Coriolis Effect “

Here, we see paper drifting to many sides Coriolis Effect ROLL

Jen Stark

Coriolis Effect DETAIL

Jen Stark

Coriolis Effect DETAIL ROLL

Jen Stark

Point Of Exposure

Jen Stark

Point Of Exposure Roll

Jen Stark

Cone Ambiguous

Jen Satrk

A metaphor for people’s

multiple inside layers…

“Cylinder”: Paper Cut

Jen Stark

The “Cylinder Paper Cut” with a solid surface that’s cut open caught my eye:

Could we see the paper layers as a symbolic representation of the inner layers of people, or objects…?

Definitely. You are one of the first people to mention this.

Cynlinder Roll

Jen Stark

I like to make the insides very colourfully confusing.

You can relate it to people or things being so complicated and elaborate on the inside.Yet the outside layer is usually white to show that something may look simple and ordinary on the outside – but the inside is beaming with colour!

The Mandala-style “Untitled.” Sculpture 03

Jen Stark

About the mysterious “Untitled”: Is it inspired by

kind of a

Mandala? How do youdevelop it?

It is mainly inspired by geometric patterns. I just cut a shape and slowly change it as the layers progress. With these kind of sculptures I usually don’t know what the end design will look like.

The Mandala-style “Untitled.” Sculpture

Jen Stark

Paper Anomaly

Jen Stark

Paper Anomaly Roll

Jen Stark

Sculpture Burst

Jen Stark

Sculpture Burst Roll

Jen Stark

Piece of an Infinite Whole

Jen Stark

Piece of an Infinite Whole Roll And the same hole - with a depth of 4 ft and a diameter of 2 ft

Jen Stark

I like the fact that it is so common and usually used two-dimensionally… and I’m trying to show what it can do

View Inside Peephole ALL: sculpturally and how much it can be transformed with such little changes.

Jen Stark

View Inside Peephole … and the awesome, illuminated

Jen Stark

Peephole01 ROLL

Jen Stark

Peephole02

Jen Stark

Peephole02 ROLL

Jen Stark

Peephole03

Jen Stark

Peephole03 ROLL

Jen Stark

A beautiful “Mold Study.”

Jen Stark

When did you start with your… can I call it“kaleidoscope paper art” ?

I began making paper sculptures when I went to study in France for a semester.

Since I could only take two suitcases with me for five months, I decided to purchase art supplies when I got there. Mold Study

Jen Stark

The Euro was highand everything was pretty expensive, so I decided to get the cheapest but coolest lookingthing in the art store – a stack of construction paper!

I startedexperimenting with what paper could turn intoand it took off from there.

“Assorted Explosion”

Jen Stark

About your lovely eruptive “Assorted Explosion:” Is it meant to depict an explosion in its early stage?

Detail of “Assorted Explosion:” imagine how long these most delicate cuts might have taken…

Jen Stark

Exactly! Usually, stacks of construction paper are sold in “assortments” of colour.

So, I wanted to play with that word as well as what it looks like it’s doing: exploding.

A very colourful kind of explosion

and there may be

many paper cuts.

How To Become a Millionaire In 100 Days 1,000,000 pieces of hand-cut paper 2007

Jen Stark crée des morceaux de papier étonnants trés différents de ce que j’aurais pu dejà voir.

Qui a su que vous pourriez prendre une pile de papier et créez un chef d’oeuvre ?

The new issue is now on its way…superb cover artwork by Jen Stark

Jen Stark – Sculpture

A la recherche de nouveaux papertoys je suis tombé

sur de belles sculptures de papier.

Real leaves from the folk’s backyard, meticulously cut out…

Jen Satrk

Multiple layers as metaphor for the many layers a personalitymay have…

How poetic cardboard can be! So, apart from your paper explosions, what inspired your beautiful,

fragile paper leaves as silhouettes?

I live in Miami, Florida, and these leaves came off of trees from my parent’s backyard.

They are called sea-grape trees because the trees produce grape-looking berries.

I was searching for something to cut into and I decided to try a leaf because it is pretty thick and strong.

I was inspired by how leaves can naturally turn into skeletons over time – losing the green part and keeping only the veins.

I wanted to simulate this with my X-Acto.

Jen Stark

sketchbook

Jen Stark

Desenho: MattressGiant

Jen Stark

Isb

ma

r08