KEYSlide into note from previous note or grace note.&Harmonic notes.Pull-off. These indicators will only appear when a leit hand note pulls off to another left hand note.Hammer-on. These indicators will also only appear tor a left hand note hammered to another left hand note.Rend from 1st note up to 2nd note.Whole step bend (front 15th fret to sound of note on 17th fret).LilStl Right hand index, middle and ring fingers.1234 Left hand index, middle, ring and little fingers.Reverse Rend. Release bend from 1st note to 2nd note.Reverse whole step bend (from sound of note on 18th fret to note on 1 (>th fret).HOTLINE # 1(n bars l and 2, the right hand copies the shape that the left hand plays, while ascending Pentatonic scales (A minor in the left hand and E minor in the right) in intervals ol a 5th. The next 2 bars use the technique of hammered grace notes. These notes should be tapped quickly and lightly.Am2HOTLINE # 2This line involves changing positions with both hands. In the 1st bar, the left hand is in the 9th position and the right hand is in the 16th. For the 2nd bar, the left hand moves to the 7th position. Keep your index finger (leit hand) on the E note as a guide until your th finger has landed on the A. Your right hand, following the shape ol the left, will also change positions, from the 16th to the ]Cth.Fm/SvAn*- r--4-9-*'tff rr1JA ./fll1M\1p *-Jm4m ^(D 4[Fr4E iH! 4 (D5 a) i 3 f54-t jrr*c- IITTL. aji' iLf. *Y 7771 aLijtj *V A?, n_ V7Tl mr ^ 7 rm t4nth; *rnn *ra.B ~~\W -S-1 j_ i l1L.HOTLINE # 3Here I've used the popular triplet hammer-on technique where the right hand Irets a note, pulls it oil to a left hand note, then the left hand hammers on a 3rd note- This line consists of 2 major triads (G & Db) which alternate on each string (le. G triad on the 6th, 9th and 2nd strings, and the Hb triad on the Mli, 3rd and 1st strings). This line builds tension in a solo by adding b5 and b9 scale degrees to the suggested harmony, until it's final resolution.3HOTLINE # 4This line involves a C major scale ascent by way ol short tremolos between the right and leit hands. The ending double note bend, is executed by placing your right hand parallel to the guitar neck, fretting the E and C notes on the E and B strings, and immediately bending the 15 string up a whole step with the left hand. When bending a note using the Two-Handed technique, the left hand does most of the work, while the right hand linger just frets a note and moves in the direction of the bend by the force of the left hand.AmHOTLINE # 5In the 1st bar, the 1st and 3rd notes in each hand are repeated an octave higher. This is a good method to get from the bottom strings to the top ones quickly or vice versa. The 2nd bar is completed on 1 string.HOTLINE #6This line is executed all on the B string and involves bending the string up whole steps with the left hand while the right hand hammers a series of notes within the bends in the key of C. Each time the right hand is to hammer a note, release the bend a half step. When The right hand contacts the string re-bend the string back to a whole step. Whenever you hammer on a string which has been bent, you must account for the interval you have bent (ie. it you've bent the note G on the B string up a whole step, and then hammered on the 12th fret, the resulting note would be C//). It you hadn't bent the string, the 12th fret would be a B. If you had bent the string up only a half .tep, the resulting note would be a C. So make sure you anticipate the pitch change.HOTLINE #7To execute this one, after you've made the initial bend from D up to L, keep the siring bent while hammering the right hand notes. Every time the Eb grace note Comes up, drop the whole step bend a hall step to attain the Eb note, then return The bend to E natural. The last 3 triplets are sounded by slowly dropping the left hand bend while hammering with the right hand.5HOTLINE ft 8Here, each hand climber an interval of a 5th from the 1st note, I hen 2 consecutive ths on the ascent. The 2nd bar includes a sliding double note in the right hand. To achieve the tinal 2 notes in the left hand without having the notes on the G string ring out, angle the left hand index finger so that it lightly touches and deadens the C string.HOTLINE #9Begin this line by picking the open G string with the right index finger. The notes which lollow (in groups of 5) are sounded by sliding the right index finger up and back from scale step to scale step (T major scale) on tfie same string. When played fast, it creates somewhat of a blurred sound. The last bar involves bending the Bb note ori the G string up a whole step to C. While maintaining the bend in the left hand, jump over to the E string with the right middle finger to iret the note C., then return to the bent C note first releasing the bent note a half step and re-bending6HOTLINE #10This melodic: phrase displays ' I 1 j I I < 1 1 1 1 "1 11 1 1 1 1 11-1 ' n-i 1 ' Q + 0 3 Q 2- ffi=a ittac J''1 13 4 03 GD 2- (7)1 Q0*0 3 0*0 1QtQ3 E 4T fiiS^ iiVt u \ u\ C iT*i a .. _ 1fiA': ArmrTT^/- 1 rra*y.1 11waaiirLA 1 1Mill1 liji i tit *Fiiu lj-v 12^714-1 Mil riiii i. a ii1 r> 1 III II 111 1 1 1 1 M II 1 1 1 i II II 1 1 1 1 1 1 1 1 1 i 1 *11i o 1|M 1L - 1^31^-S-Sa^iHOTLINE #30This one involves 2 pedal tones (D, then A in the right hand) w'htle the left hand slides a whole step (2 frets) into each note.Dm