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JESSICA BRISTOW ARCHITECTURE PORTFOLIO www.jessicabristow.com e: [email protected] p: 210.415.6542

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JESSICA BRISTOWARCHITECTURE PORTFOLIO

www.jessicabristow.come: [email protected]

p: 210.415.6542

LOBBY

KIT

CH

EN

MULTI-PURPOSE RM.

PARKING

GALLERY GALLERYBACK OF

HOUSE

LECTUREHALL

THEATERLOBBIESSUPPORT LO

AD

ING

MEETING ROOMS

OFFICESADMIN. LOBBY

SER

VIC

ES

RESTROOMSLIBRARYCA

FE

PARKINGPARKING

WOVEN INTERACTIONABUJA, NIGERIA

SPRING 2010JESSICA BRISTOW

The site and building design, entered in Lyceum Competition 2010,

incorporates the movement and culture of the site; pulling in the market-goers

and local pedestrians as well as providing an open public space for the future

urban growth of the rapidly-forming city. A non-hierarchical organization

generated by the context and conditions of the site, based on a weaving

three-dimensional matrix, is applied programatically and formally. This

integrates the building and landscape and creates a continuous flow across the

site and throughout the building. This symbolic and dynamic composition of

spaces will create a navigable forum for the sharing of culture, knowledge, and

subsequent global advancement.

The Nigerian people have little in common aside from their nationality, and it is

critical that the overall design of the project provide a level playing field that

references Nigerian culture while providing a progressive center in which to

celebrate these cultural differences without excluding particular groups -

religious, political, or otherwise.

1 2 3 4 5

PERSPECTIVAL SECTION | VERTICAL CIRCULATION, INTERIOR RAMPS, & CONNECTION TO EXTERIOR

SLOPEUP

SLOPEUP

SLOPEUP

SLOPEDOWN

SLOPEDOWN

SLOPEDOWN

TICKETING COUNTERKITCHEN / GATHERING SPACE

MULTI-PURPOSE ROOM

LIBRARY

GALLERY SPACE

ADMINISTRATIVE LOBBY

THEATER LOBBY

SUPPORT SPACE

CONNECTION TOAMPHITHEATER

GALLERY SPACE& GENERAL USE

OFFICES

CAFE

N

BALTIMORE LAW SCHOOL >>BALTIMORE, MARYLAND

BUILDING

BUILDING

BUILDING

BUILDING

B U I L D I N G

ATRIUMPROGRAM

SOCIAL SPACE |

NEIGHBORHOOD

PROGRAM

CIRCULATION

The practice of law is based on a foundation of privacy, while simultaneously reaching out to the

social dimensions of human interaction and client representation. In the realm of education,

however, there needs to be an open interplay between students, professors, and the subject of

law itself, while maintaining the sense of monumentality and prestige vital to the profession. This

programmatic contradiction necessitates varied learning environments with specific spatial

implications. The profession of law has intensely spatially defined conditions based on

program; an educational facility has the ability to expose these otherwise concealed processes.

The individual components that form a law school include - law as a profession, law as a

system, education, libraries, and courtrooms. Each program has specific needs, creating

individualized blocks. These blocks can be seen as a synthesis of semi-autonomous entities,

not a series of fully autonomous stacked buildings. This assembly of building blocks comes

together to form one building, the cohesion of which is the atrium. The interactions of the

program blocks form the main circulation spaces, which span the void of the atrium. The atrium

and circulation work together to form an internalized urban condition that is maintained within the

context of the building. Rather than engaging the larger urban fabric of Baltimore, the atrium

forms a series of interactions and engagements vital to the learning environment. Social spaces

formed by the negatives of the shifting blocks create a positive void space, increasing light,

ventilation, and social interactions.

While the atrium is the social cohesion of the whole, the structure results in a literal cohesion. The

individual blocks always have ties back to a primary structural system, while secondary and

tertiary systems differentiate the programmatic blocks. This drives the shifting of the programs

and allows for an open, “light,” atrium space. The façade is also pivotal in the differentiation of

the volumes. The façade of each block is determined by the needs of each program, while the

operable façade of the atrium promotes social space through light and ventilation.

This project was designed in collaboration with another student in

the Design Development studio at RPI. The original design of the

building was a competi t ion entry by Behnisch Architekten. The

project is a 13-story Law School that includes classrooms, moot

courtrooms, rooftop terraces, and a central atr ium throughout i ts

entire height. We reassessed the original design and concepts of

the f i rm and then redesigned the project to meet our project

statement concepts before working through all of the design

development drawings, producing a DD set. Below is our Project

Statement that was developed in the beginning of the semester and

adhered to throughout the fol lowing months.

CLASSROOMS

ACADEMIC

AFFAIRS

LIBRARY

STUDENT

ORGANIZATIONS

CLINICS

<<SUSTAINABLE SYSTEM

A major individually designed addition to the project is a

phytoremediated HVAC system. This system draws the air in from the

atrium and then forces the air through the roots of the hydroponic ivy,

cleaning it of all toxins. This system not only cleans the atrium air, but

also creates an interesting and unique presence of greenery throughout

the 13-story atrium space.

Section through atrium walkways

FALL 2009JESSICA BRISTOW

INTEGRATED COMPONENTS >>LONG ISLAND, NEW YORK

SITE PLANN

This residential housing project, located on the coast of Long

Island, is a result of a series of independent studies. The

programmatic arrangement of the house came from an initial

study of Japanese housing typologies. The concepts of

progression and procession play a major role in the

interaction and movement of the building. There are separate

entrances for guests and family members as well as an entry

garden that recalls the ceremonial gardens of Japan. Later

form studies generated from a branching typology in which

the branches vary in depth - creating privacy, public space,

and views where desired. A final study involved mapping

components across the building using Maya and

Grasshopper to create a roof that channels the constant air

coming off the shore and uses this air to not only ventilate the

home, but generate power. These wind generators/collectors

also act as skylights and create the opportunity for structure to

come to the ground. This project is truly an integration of

research methods, design decisions, and site considerations.Interior Rendering

Building Section - systems and orientation

<<DESIGN DETAILS

SPRING 2009JESSICA BRISTOW

FLOOR PLAN

A B ASTACKED

BSTACKED

A + B

N

Diagram showing skylight + structure

Exterior Rendering

INTEGRATING THE BLEND >>PHILADELPHIA, PENNSYLVANIA

Interior Rendering - Circulation Space

This project takes place in Philadelphia on the campus of The University of

Pennsylvania. The intention of the project is to create a place that both athletes

and spectators can inhabit during the Penn Relays. A main goal of this project is

to make the site active throughout the entire year, yet still accomodate the large

influx of people during the week of April in which the relay occurs.

After studying the culture and dynamics of Philadelphia, a very major cultural

influence stood out and became the backbone of this collaborative design.

Music is a major scene in the city and generates various crowds, genres, and

venues. We studied and analyzed the size, ambiance, viewing orientation, and

sectional qualities of the most succdessful venues in Philadelphia. We then

applied these studies to our site and blended the sections together, creating a

generative diagram that became the basis for our design.

Longitudinal Section

Three theaters form the main program of our building: a large theater, medium performance space, and small black box theater. These

spaces are designed to create a continuous flow of circulation throughout the site. The structure is fabric stretched across aluminum

frames that can be opened up to accomodate larger crowds and performances. A natural greywater system follows the flow of the

building and is filtered by a constructed wetland, directly interacting with the building and the landscape. The water is then either pumped

back above ground for small water activities on creek flowing across the site or used within the building facilities.

World Cafe Live

North Star BarZanzibarBlue

Tower Theater

Kimmel Center

Khyber

Theater of the Living Arts

North By North-

west

Ortieb’s

Trocadero

<< SPRING 2008JESSICA BRISTOW

L O B B Y

L A R G E T H E A T E R

G A T H E R I N G& C I R C U L A T I O N

D N

D N

D N

U P

D N

M E D I U MT H E A T E R

P E R M A N E N TV E N D I N G

S E A T I N G

K I T C H E N

B A T H R O O M S

W A T E R

W A T E R

S E C T I O N A . 5

U P

T E M P O R A R Y

V E N D I N G

M E D I U M T H E AT E R

B L A C K B O X

T H E AT E R

P R A C T I C E

R O O M S

S T O R A G E

G R E Y WAT E R

TA N K S

S T O R A G E

U P

U P

U P

U P

U P

U P

U P

N

Plan | Site

Plan | Below Grade

Plan | At Grade

A D M I N .

FOUR HOUSES PROJECTTROY, NEW YORK

FALL 2007JESSICA BRISTOW

This residence is designed for a single mother

who is a physician with two children. She has

purchased rights to build a residence on a site at

the corner of Washington Street and Church Street

alley in Troy. Her mother will live in the house to

look after the children while she is at work. The

program includes space for living, dining, food

preparation, four bedrooms, two bathrooms, a

yard, and off-street parking for one automobile.

The design focuses on the idea of using

half-levels for both privacy and vertical

interconnectedness. Privacy is achieved by each

family member having their own half-level and

vertical interconnectedness is achieved by

maintaining visual openness between levels. The

floor plates were determined by a jigsaw-type

study model that is able to collapse and expand

in order to show the interaction between levels.

FORM STUDY - CASA LEVENEMADRID, SPAIN

FALL 2007JESSICA BRISTOW

Concept Design Diagram

Eduardo Arroyo believes in architecture that has been invented with the

aim of communicating. This principle can be seen through his direct

geometrical communication between architecture and its environment.

His studies are based on filtering light and casting shadows through the

trees onto each level of the house. The house consists of multiple

levels, each of which have separate branches or arms that progress

from public to private as they descend down the sloped site. Casa

Levene is a typical example of Eduardo Arroyo’s work. The home

consists of two lines of converging thought – rational articulation of

space/environment and a naïve feeling of harmony within the project’s

surroundings. All of Arroyo’s projects express these ideas, creating

dynamic spaces through an observatory and rigid process.

Public Space

Private Space

Elevation Drawing

First Floor Plan

Longitudinal Section

ALEATORY MANHATTAN >>ZUCOTTI PARK, NYC

Initial Concept Collage

T h e d e s i g n c h a l l e n g e f o r t h i s p r o j e c t w a s t o c r e a t e a n e w s u b t e r r a n e a n f a c i l i t y f o r

t h e D r a w i n g C e n t e r b e n e a t h Z u c c o t t i Pa r k i n N e w Yo r k C i t y. A l s o i n c l u d e d i n t h e

d e s i g n i s a r e d e f i n e d p a r k s p a c e t h a t i n t e r a c t s p o s i t i v e l y a n d d y n a m i c a l l y w i t h t h e

f a c i l i t y, a c t i n g a s a n e n t r a n c e t o t h e D r a w i n g C e n t e r. T h i s d e s i g n u s e s l i g h t w e l l s

a n d l i g h t m a n i p u l a t i o n t o c r e a t e v e r t i c a l c o n t i n u i t y a n d a s e n s e o f d e p t h w i t h i n t h e

D r a w i n g C e n t e r. T h e l i g h t w e l l s a l s o s e t u p a v i s u a l o p e n n e s s t o t h e o u t s i d e w h i c h

s e r v e s a s a n i n t e r a c t i o n b e t w e e n t h e p a r k a n d t h e C e n t e r. T h e r i m o f o n e o f t h e l i g h t

w e l l s e v e n b e c o m e s t h e m a i n e n t r a n c e t o t h e D r a w i n g C e n t e r. T h e s w e e p i n g s h a p e

c r e a t e s f l u i d c i r c u l a t i o n t h r o u g h o u t t h e g a l l e r i e s a n d w r a p s t h e c i r c u l a r s k y l i g h t s a t

e a c h l e v e l . T h i s d e s i g n c r e a t e s a d y n a m i c s p a c e i n w h i c h p e o p l e w a n d e r t h e

g a l l e r i e s , v i e w t h e a r t w o r k , o r h o l d e v e n t s a n d m e e t i n g s a n d w a s i n s p i r e d b y a n

i n i t i a l c o l l a g e s t u d y.

Longitudinal Section

Model Photo

<< SPRING 2007JESSICA BRISTOW

Site Plan

Transverse Section

Model Photo Model PhotoExterior Night Render