jesus christ superstar (computerized)
DESCRIPTION
Jesus Christ Superstar reducedTRANSCRIPT
Andrew Lloyd Webber
JESUS CHRISTSUPERST AR
(Complete)
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V ocal Score
2 ~ I
OVERTUREAndante J= 60
GUITAR SOLO
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cresq. poco a poco:> I :>
poco accel.
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@] Agitato J= 78BRASS
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TUTTIJj. Jj. bSTRINGS/W. W.
Subito Adagio ma non troppoo 8""- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - .b# _ I # .. _ ~~~ .. . b# - I # _ L _ ~ b- .. .
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F-... Maestoso e Grandioso
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6 HEAVEN ON THEIR MINDS
Moderate Rock Temp9
GUITAR
4
My mind is clear -er now
strip a. way
atthe
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last
myth
all too wellfrom the man
can see
you will see
where wewhere we
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.all willsoon be.
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soon will be
If you
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start -cd to be -lieve The things they say of you You real -Iy do be -Iieve
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than_ the things youE
You've be - gun to mat-ter more say.
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ELis - ten Je - sus I don't like what I see. All I ask is that you
re - mem - ber when this whole_ be - gan No talk of God then we E
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Elis - ten to me And re - mem - ber ('ve been your right hand man_
called you a man And be - lieve me my ad mi - ra tion for you Er- 3----, 'f I I '"' I I I I I -----,
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You have
But ev - 'ryset them all
word you say
on . fire
to - day
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found the new Mes - si - ah.'round some oth - er way._
They think they'veGets twist - cd
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lie~ your fa - mous sonrethNu - a
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should have stayed as greal un - known Like his fa - ther carv - ing wood he'd have made good
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Je - sus do youle - sus to the
care for your race?_warn - ing I give_
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la - bles, chairs and oak . en chests would have suit - ed Je - sus best He'd have caused no-bod-y harm
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Don't you see we musl keep in our placery We are DC - CU - piedPlease re - mem - ber that I wanl us 10 live But it's sad 10 see
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All yourhave you for - got - ten how put
our chanc -es weak - en - ing with
down we are?
ev - 'ry hour
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..,fright- ened by the crowd For we are
fol - low - ers are blind Too much
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f.. --get - ting much too loud_ And they'll crush us if we go too
.. hea - ven on their minds_ It was beau - ti - ful but now it's..-, \.....
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soul_ Yesit's all gone_ sour
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PLA Y 3 TIMES -poco a poco morendo"SOUL" ad lib. --
Jes-us!gone sour,
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Lis-ten Jes - us to the warn-ing Ahgive_
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What's Ihe buzz~
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lell_ me what's hap- pen. ing What's the buzz~ lell_ me what's hap - pen. mg.
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14 WHAT'S THE BUZZ
III (1)\J=1121
IAPOSTLESI
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"SOUL" accompt. ad lib. with discretion>- >- >-
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I What's the buzz tell_ me what's hap - pen - ing. What's the buzz tell_ me what's hap - pen - ing?
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1st Why should you wanl 10 know
nd Why should you want to know
Jr Ma ry that IS good
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Don't you mmd a hout the
Wh arc you oh - 5csscd withwhile you pral tie through your
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Wha(s the buzz? tell_ me what's hap-pen-ing. What's the buzzry tell_ me what's hap- pen- ingry
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you facts and fig - ures could gIve
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th buzzry III- me what's hap - pen - ing What's the buzzry tell_ me what's hap - pen - ing
" 11
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IJESUSI N. B. first tjm£ only1\ JI -
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stead. Oh yeah! I couldI
now.
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N.B. During MARY MAGDALENE's solo, i.e. 2nd time, the APOSTLESkeep up a background of noise such as "oo's" and "ah's", etc.
17
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---When do weWhat's the buzz?
in - to Jer. u - sa - lem?me what's_ hap - pen - ing
ride_ in - to Jer - u - sa- lem?tell_ me what's_ hap-pen- ing
ride_tell_
- -
to cool down your face a bit. Let to cool down your face a bit.me try
tell where I'men you go - mg._
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151 When do we ride_ in - to Jer - u - sa. lem? When do we ride_ in . to Jer - u - sa. lem:3rd What's the buzz? tell_ me what's_ hap - pen - ing What's the buzz? tell_ me what's_ hap - pen - ing
" 11
.>- - - - - -
JMARY MAGDALENEI
" 11 2nd time only
.>Let me try to cool down your face a bit. Let me try to cool down your face a bit.
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you plans and fore - casts_" 11 :> :> :> >-
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When do weWhat's the buzz?
Let me try
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When do we
What's thc buzz?
nde-
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In - to Jer - u - sa - lem"
me whars_ hap - pen - Ing
When
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do we
the buzz?In . to Jer. u - sa - lem'
me what's_ hap - pen - mg
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Let me try
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\"Ihat's the buzz" lell__ hap - pen - Ing
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SEGUE
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I When do
we ride_ in - to Jer - u - sa - lem? When do we ridc_ in - 10 Jer - u - sa - lern?Whars the buzz? tell_ me what's_ hap - pen - Ing
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Let me try to cool dovm your face a bit
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STRANGE THING, MYSTIFYING 19
L'istesso Tempo
IJUDASI
It seems to
Yes I canthing,that
myshe
sti
astrange
stand
me a
derunRHYTHM
MELODYG G7 C
fy - ing that a man like youbut to let her stroke is hard -ly
of her
in your
kind.can waste his time
you, kiss your hair,
on worn-en
mus - es
Cm G D~ GD~
line. I ob - ject to her pro - fes - sionhelp us if you're in -con - sis - tent.
It's not that but she does -n't fit in well
they on - Iy need a small ex -cuse
with
to_
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It does - n't put us all a - way. Who are_you_ to cri-ti-cise her?W.W.ISTRlNGS
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Who are_ you- to des - pise her? Leave her, leave her,_ let her be now. Leave her. leave her._ she's with me now
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\Cl L'istesso TempoL..=.J r-- 3---,
24
your slate is clean then you can throw stones. then leave her a - lone.If your slate is not
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ISOLOIADD GUITAR/BASS
('m a - mazed_ that men like you_ can be so shal-Iow thick and slow_
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thl:re: is nol a man_ a - mong_ you who knows or care:s if 1_ come:or go._
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-..:you'rc:_ wrong,_ you're:ve:- ry wrong,_ No you'rc:_ wrong,_ you're:ve:- ry wrong,_
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" You, you're:_ wrong,_ you're:ve: - ry wrong._ No you're:_ wrong._ you're:ve:- ry wrong,_---"
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-.I I I L I : I l IHow can you say that? How can you say that?
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o IJESUS DECLAMATORY I
GUITAR MELODY
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Not one._ not one of you!!_
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How can you say that? How can you say that?
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EVERYTHING'S ALRIGHT23
Moderato ~= 130RHYTHM 33
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E E E A 8EAA A
5~ JMARY MAGDALENEI
E 87
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Try nOI to get wor - ried, uy nol to turn on to
Sleep and I shall soothe you, calm you and a - noint you1\ 11 It I
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pro - blerns tha! up - sel you oh don'l you know
(Myrrh for your hOI fore - head oh then you'll feelA 11 11
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weal righl yes cv' ry things line
and it's
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worldfire
lum with - out
in_ your
you to - nlght_head and feet_
If wc try
Close your eyes,
we'll g~t bj so for -
close your eyes and re -
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b' - r.- - thmgs JI right \c> C\' - r. - thmgs JI rlghl \~s
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gel all a - boul u, In
las thm\. (.f no dung. III
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Wo - man fine brand siveoint andment ex pennewyour
IJESUSI2nd time
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.Why has it been wast - ed? have raised may - be three hun - dred sil -ver pie - ces orWe could
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could have been saved for the poor.
1\ 11-
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to save ther poor from their lot.
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There will be poor al - ways path - et ic' - II strug - gling, look al the good things you've
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than yourmat ter--- --....
and hair. --p..
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when I'm gone.
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cresc. poco a po........
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Dill ~ senz.a repeal al $
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more. Peo . plc who are hUll . gry, peo - pies who arc starv - ing
1\ iI . iI 11
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gol. Think! while you still have me Move! while you still see me
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you'lI be lost you'll be so so_
ADD TPTR.rrRB.w.w. SUSTAINED
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37W.W.IBRASS colla voce
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.. -then you'll feel Ev' - ry - things aI cv' - ry - things fine_righl And it'sOh yes
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Sleep and I shall soothe you, calm you and a - noint you Myrhh for your hot fore - head
" 11 M 1 ,
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52
ev'-ry - things al - right yes Ev' - ry - things aJ right yes ev'-ry - things al - right yes
- -- -------Close your eyes close your eyes and re - lax think of no -thing to
-- -- ---------lax think of no - thing to night. Close your
E A7 E A7 E A7
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Ev' - ry - things al - right yes Ev' - ry - things al - right yes
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..> - - ---- --- -night. Closeyour
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eyes close your eyes and re - lax think of no - thing to -.
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Ev' - ry - things at - right yes cv' - ry - things at - right yes
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eyes Close your eyes and re - lax think of no - thing to -1\ 11 11
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nght yes
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things al nght yes
E A7 E A7
~ Repeatad lib.for fade - approx.8 times61
thing al right yes e\" - I)' things al - right yes
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31
.
63
things al right yes things al - rightev' - ry yes
and think of no - thing toEDclose re - laxyour eyes... --- ----- ----. Closeyour-.-. # #
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65
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32
THIS JESUS MUST DIE
Moderato .= 72
liST PRIESTI
. !d..
'1 ~ i I.'--"~".the eoun- ell
r~I Good Cal - a phas waits for you
iU>-- - >------ >-----
4
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we are here We're nol much time and qUite a pro - bkm here
IMOB (OUTSIDE)I
TENORS ONLY f
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sees and Priesls are here for you.
ICAIAPHASI.......-"I
:
'" -Ah gen - tie men you k.now why
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33
14
o Beat Rhythm (8 Beat)
JANNASI
, Guide part: poco ad lib.
howl - ing mob of block- heads inLis- ten to that the street! A
(Rhythm)
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10" IADDSOPSJMEZZI f I r r I I I
.., , Isan - na Su - per - star. Ho - san - na Su - per - Slar. Ho - san - na Su - per - Slat. Ho - san- na Su- per-star
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'1: 9: ,f: f:cresc. poco a poco
:> :> :> :>
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tJ -trick or two with lep - ers and the whole_ town's on its fecl._
ICAIAPHAS! ,l, .:
IALLTHE CONSPIRATORSI HMdan - ger -
11 I . (). j) ,
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He IS,l da
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.
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NB. KEYE MAJOR
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Jes . us Chnst- Sup - er-star_ tellb.
US Ihal you're. whothey-~
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ous~_ He IS da11 ger ous._
Bb E
23
man IS In lown nghl now 'n whip up some sup - pon
.-'.--+_--rA rab. ble rous - mg rnls~ 510n
that
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He IS dan ger
35
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think wc must a - bon._ ICAIAPHASIL .
:
He is dan - gcr - OU5._" t1 11 I
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IMOB (OUTSIDE)I Je . sus Christ- --:
A r-1 bJ. h I-h
t.I L.J V I 'V
ICONSPIRATORSI He is clan - gcr - ous._I .
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He is clan - ger- OUS." 11
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phas they're nght OUI.Side our yard
QUIck CaJ' a - phas go call the Ro-manguard_ ICAIAPHAS!
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35
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IANNASI
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No wall, we need a more per-man-enl sol,,..
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tJ -- .. .-mir- 8 - cle won der- man he - ro or fools'_ 13RDPRlEST\
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No n . OLS.no arm '. no fighl . ong, no 510 gans
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42
We dare nOI leave_ him 10 his own de - vic es. HIs
One thing I'll say_ for him, Jes . us is cool._
Bb c Fm c c FmFm
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es by ryleaps min. ute.e.... He's top of the poll._
'.
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., '1-_-' - - - *--*half wit-ted fans_ will get out_ of con- tro\._ J3RD PRIESTI
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But how can we stop_ him? His
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the'. I see bad thmgs a lis - ing, the crowd crown him kin!; which
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e - hm-in - a - lion be - cause of one man._
Be-cause._ be-cause._ be-<:ausc_ ofone,'causc_ ofone,'eause_ of one man._
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Ro -mans would ban._ I see blood and des - true-lion. our e -hm - in - a-lion be - cause of one man._ E
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@]ICAIAPHASI I60 -
I-Blood and des-\rue - lion be - cause of one man._ Our
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How do we deal_ witb the car pen-ter king'_
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-
I Where do we start_ with a man, who is big - ger than John was whenJobn_ did his Bap - tis-m thing?_..--la -- \ I ""'-" _. - -1i:J' --. . I J 1..Jlf.---.. ",!---.oI\ ""I 111.' . . I....I-W ' ...I ...1'1 I l I I I "'I
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Fools! You have no per -cep -tion! Tbe stakes we are gamb-ling are frigbt - 'ning.ly high._
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We must crush him corn -plete - Iy So like John be - fore him. this Jes - us must die._ For the
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sake of the na - tion this Jes - us must die._
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t.I - '1'"'_'"' '"' v.._ICONSPIRATORSI Mustdie._ mustdie._ this Jes -
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So like John be - fore_ him, this Jes - us must die._A I ,
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- us must die._ Must die,_.. -
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ACT TWO4\
HOSANNA
Moderato J= 84 o ICROWDI
G D7 G
4
C won't you smile at me? San-na
Em
ICAlAPHASI0
Tell the rab-ble to be qui -et we an - tic -ci -pate a riot this corn -man'
'.
Su -per - star,w.w.
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BRASS
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.crowd ISmuchtoo loud
XYLO.lSTRINGSTell the mob who sing your song that they are fools and they are "'Tong. They are a
CmB G
16
cur.;e. they should dis - perse.
B Cm B
ICROWDI f Ho - san-an Hey- san-na san-an san-na Ho- san-na
iHey - san- na Ho - san Heyna c.
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Why waste your breath moan -ing at the crowd?
Su - per - star.
STRINOS/W. W.
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No-thing can be done to stop the shout - ing_ If cv' - ry tongue Mls still the noise would still con-
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The rocks and stones them -sehes would start to sing:
raiL
-- - -
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II--.-
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44Maestoso
01cROWD (with JESUS>I34
Ho - san -na Hey - san -na san -na san -na Ho - san -na Hey . san. na Ho - san na Hey J
/
38 IWitbJESUS(
..c, won't you me? san -na Ho - san -na Hey Su -per - star.
EPm Em
SIMON ZEALOTES / POOR JERUSALEM45
J=64
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o ICHOIR: ENSEMBLE OF YOUNG VOICES: QUASI "SOUL"
.. ..G7 C7 G7 C7
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p po COrubaio:
17" I I I I---
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Christ you k.tk/w I love yO" :> Did you I waved:>"
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E::in you and God, so tell me that I'm saved.
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t:G7 C7 G7 C7 E:
ISIMONI E:21 " I
EChrist what E
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EJcs-us 1 am with you touch me touch me Jes -us. Jes-us 1 am on your side. Kiss me, kiss me, Jes-us.
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need vince-
you'vemore do you to con - you_ That
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made: it and you're: e:as - i - Iy as as the: filth from Rome: who rape: our
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\coun - try.- And who'ye: te:r - ror - ise:d our peo- pie: for so long....
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'. 'CHOIR: "SOUL"COMESOPRAI-..... 33
-..- , , - ..!-. Christ you know I loye: you. Did you se:e: I wave:d?_..- >- >- => => >->-
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G7 C7 G7 C7-.--...--...- I
be: - lie:ve: in you and >- God, so te:1I me: that ('m save:d.=> =>. >- => >--
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39
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There must be ov - e:r fif - ty thou -sand_ scream - ing love and more: for
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ICHOIR: TUTnl ...37 IL.,_" ---
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Jes I with touch touch Jcs- us am you me, me:, - us. --E
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. . . -.Jes- us I am on your side:. Kiss me, kiss me, Je:s - us.
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49
do what ev - er you asked him to._ Keep them yell . ing their de .
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you. Ev - er - y - one of fif. ty thou- sand_ would
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.; -vo. tion But add a toucb of hate at_ Rome.
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You will rise to a great. er pow - er. We will win our - selves a home.
11 I 1"""'\ -. b.. .
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You'll get the power and the glor - y for - ev er and ev er and ev -er.
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get the power and the
er and ev - er and
glor-y_ Iev-er_ \
For - ev - er and ev - er and ev .er '-- Ohyou'll
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You'll get the power and the glor - y. For - ev - er and cv - er A - men'
11 IICROWDI h bJ1TJ-. b-rn- II
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For - ev -er A -men I For - cv -er A-men'
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51
[£] Slower69
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you Sim- on, nor the fif- ty thou-sand,- nor the Rom - ans, nor the Jews,_ nor
11 I
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9 9\mp ad lib. colla voce
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Ju - das, nor the twelve, nor the Priests nor the Scribes, nor doomed Jer - u - sa -lem it -A I
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self Un - der - stand_ wbat power is, -11 I I ..---, r--. I ..I J T
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tJun - der - stand_ what glor - y is. un - der - stand_ at
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82 ----all, W1 der - stand_ at all.
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poco rail.
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you live your trou - bles are ma - ny poor Jer - u - sa - lem
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If you knew all that I knew my poor Jer - u - sa - lem you'd see the truth-- - -
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- 1---you close your eyes but you close your--- --
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53
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54
PILATE'S DREAM
Moderately SlowGUITAR
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dreamed met a Gal - i-le - an a most a - maz- ing man.3
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.had that look_ you ver-y rare-ly fmd,
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qthe haunt-ing hunt - ed
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1 asked him to say what had hap - pened.
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55
12
....
I asked a - gain_ he nev-er said a wordHow it all be-gan.
-
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--------
Bbm cb F7 F7+ Gb
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as if he had - n't heard. And next the
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room was full of wild and an - gry men. They seemed to-;,
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.., --hate: this man_ they fell on him and then they dis - ap -peared a - gain.
( A I
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56
24 3
27
men-tion-mg my nwneAnd then I beard them And leav -ing me the blame.
FINEcb F7 F7
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Then I saw thou -sands of mil - lions cry - ing for this man.
11 I a tempo 31
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mp..
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57
THE TEMPLE
o (Rhythm):> :>:> :> :>:> :> :> :>:> :> :> :> :> >-:>:>
.
on this bird ofLay bets mine.wmc. your
.
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13 unis.
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Come and buy it's all go - ing fast. Bor - row cash on the flD - est terms. E:
E=
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ERoll on up for my price is down. Come on in for the best in town.
E
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E-:> t
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Take your pick of the fm est "1nc. Lay your bets on this bird of mine. t
I
I
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.
Cm Gm
21 unis.
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OD the fin - est terms, Hur ry now while stocks still last.-
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poco a poco dim. (dissolve into noises) :>
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BRASSIW. W.11 JI :> _I :> I
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27 " 11
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29
Em Em Am Em
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B
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33
!cHOIR!
IGIRLSI
Roll on up for my price is down. Come 00 in for the best in town.
I
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BRASSIW.W.I
-
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35
--I Am Em
37
....-...
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.39 11 11 1'":\ Screaming (motto ad lib.).
-... My house should be a house of prayer._
1'":\
But you have made it a den of thieves._
-....
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Take your pick of the fm - est wine. Lay your bets OD this bird of mine.
" 11 I I I n I I I I I I n I I I
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Roll OD up for my price is down Come on in for the best in town.
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col 8vaE
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Slowly & Sadly
- -
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Get out' Get out! My
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do Af - ter all I've tried for three year.;,
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>---Am Em
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IALL SOLOISTS: Tun-I UNIS.I
-
60
Em Em
62
Will you kiss, you can cure me, Christ. Won't you kiss, won't you pay me, Christ.
- --
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I be - lieve you can make me well.lBOyl
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See my purse I'm a poor, poor man.
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Will you touch, will you mend me, Christ. Won't you touch, will you heal me, Christ.
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01REMAINDER OF CHOIRI64
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be lieve you can make me whole. See can hard ly talk.my tongue
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JALL GIRL SOLOISTS: TUTn(" 11 .
See my eyes I can hard - Iy sce. Sce me stand I can hard - ly walk.
IBOYS TACETI" 11
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I ALL SOLOISTS: TUTTI UNIS.I" 11
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Will you touch, will you mend me, Christ. Won't you touch, will you heal me, Christ.
" 11
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Sec my eyes I can hard - Iy sce. See me stand I can hard - Iy walk..
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See my skin I'm a mass of blood. See my legs I can hard - Iy stand
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I be - lieve you can make me well. See my purse I'm a poor, poor man.
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IALL SOLOISTS: TUTfI UNIS.I" 11
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Will you touch, will you mend mc, Christ? Won't you touch, will you beal me, Christ?
" 11
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There's
Ab Ab
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Will you kiss, you can cure me. Christ Won't you kiss, won't you pay me, Christ?
I
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71
o acceL e cresc. poco a poco
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too - 00 too ma - ny_ of you.
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See my eyes I can hard - Iy see. See me stand I can bard - Iy walk..
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Don't pusb me. Ob. there's" 11
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I be - lieve you can make me whole. Se my tongue I can hard - Iy talk.
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crowd me mm - mm don't crowd me. (ah)
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See my skin I'm a mass of blood. See my leg.s I can hard - Iy stand.
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be lieve you can make me well. See my purse ('m a poor, poor man.
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Will you touch, will you mend me, Christ? Won't you touch. will you heal me, Christ?
" 11 unis.
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Will you touch, will you .p1eod me, Christ? Won't you touch, will you heal me, Christry
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Heal your - selves!" 11 , .tJ I
Will you kiss, you can cure me, Christ? Won't you kiss, won't you pay me, Christ?
" JI , .tJ I
Will you kiss. you can cure me, Christ? Won't 'you kiss. won't you pay me. Christ?
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74
EVERYTHING'S ALRIGHT
Moderato J=130
IMARY MAGDALENEI
4
7
D A D6Bm
-oh, don't you know, Ev' -ry - things a1 - right, yes, ev' - ry - thing's fine._
And
G D G
lMARY MAGDALENEI
G A D
Close your
--think I shall sleep well to -night._ Let the world_ turn with-out me to - nigbt._
..
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D G A D D G G7DG G G7
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Try not to get wor - ried, try not to turn on to pro-blems that up - set you,
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75
~=72 (8 beat)
-- --eyes, close your eyes and for - get all a -bout us to night.
D G DDm Dm G Am7 D G
I DON'T KNOW HOW TO LOVE HIM
15o Slowly, Tenderly and Very Expressively
dOD'tknow how to love him. What to do, how to
D G D G D G6 GG
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3
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-... ---changed In thesemove him. I've been changed, yes, real. Iy
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-few days_ when I'vepast my-self seem like some - oneseen
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77
36
Should I bring himORCH. TUlTI 2nd time
down?_ loye_Sbould I scream and shout" _ Should I speak of
G Bm Bm/A
39Sing both times
let my feel -ings out?_ ney - er thought I'd come to this.
f dim.poco apoco
G D/A DC G
42 - ---- ---all a - bout?
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you think it's rath -erif be said he
I should be in this poI'd be 10st_ I'd be
funloyed
ny.me.
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So
I'd
calm
turn
so cool,
my head.
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who's aJ - ways
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no lov er's fool Run nmg ev ry
I'd back a way, D'I would n'\ want \0
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showknow
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79
He scares meHe scares me
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want him
so.
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love him so.
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80 DAMNED FOR ALL TIME
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3 3 1.--3-, .--3-, 17\
12 FLUTES
Slow 4 END OF GUITAR SOLO
---==
A Piacere (Freely)----- - ---R.H.
L.H.
" GUITAR
tJ ...'d . i 1 I J - I3 3
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81
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o Bright beat tempo J=10821 GUITAR SOLO
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BRASS1\ 1\ >-
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37
D 07 C F7 Om7
41 _ 1sttime
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help you_ it mat - ters that you see_ these sor - did kind of things are com - ing
2nd time
(Il. (Il.--",1\ I .. .. .- .- .. .. .. ..
Came be - cause I had to. I'm the one who saw_ Jes - us can't con - trol it like he
3rd time
1\ I (Il. .. .. .. .. .-.. . ,.. .. fL .- .- r
An - nas, you're a friend, a world- Iy man and ....ise._ Cai - a - phas my mend I know you
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hard to me It's tak - en me some time to work out what to do._ I
11 I .. .-..
did be- fore_ And fur - ther - more I know that Jes - us thinks so too._
11 I --11, . - . ,.---." I" ---
sym- pa-thise._ Why are we the pro- phets?- Why are we the ones? Who
.:> :> :> :>
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weighed the whole thing up be - fore I came to you._ I have no thought at all a -bout my
11 I .--'I
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Jes - us would - n't mind that I was here with you._ I have no thought at all a -bout my
f'--. r----- 3 ---,11 I . ,. . ,. .. ,. ,. f'- ,. -
see the sad so - lu - tion, know what_ must be done. I have no thought at all a -bout my
>-:>"11 I " I,I
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84
50
own re - ward_ real - Iy did - D't come here of my own ac-cord._
own re- ward_ real - Iy did - D't come here of my own ac-cord.
JI --"
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re -ward._ real - Iy did - D't comehere of my own ac-cord._
I'
53
don't say I'm
Just don't say I'm --------
Just don't_ say I'm_ Damned
D G7 c F7 Gm?ill
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D G7 C F7 Gm7 Gm7
Repeat this section ad lib. for improvised solo -on the recording this is taken by the tenor sax.Play at leas! s~ times but longer if desired
:> :> :>
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Damned fOf- all time._
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72
D Gm c D Gm Gm D
76
go un -re . ward ed.
.
We'll pay you in si! - ver, cash_ on the nail._ We just needto know_ wherethe
D Gm c F7 B~ Gm D
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t> .' " 11 -. , - .---.'get the ex -cue - es, we want in -for -ma - tion, get up off the floor._
ICAIAPHAslA I a. .. f'- a-a
t>
We have the pa - pcrs, we
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Your help in this mat - ter won't-: -
---need to ar -resl_ him, Youknowhis move - ments, we know the law._
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87
80
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don't need your blood mon - ey.
Oh that does-n't mat ter, our ex -3---.
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86
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.
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tf ,-Withno crowda - round_ him.
I CAIAPHAS I--: -
sold - iers can fmd_ him. Then we can't fail._
" I
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I don't want your blood mon - ey.IANNASI" I
But you- -:
pen - ses are good._I r 3---.
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95
nol - cd your mo lives, we've not - cd your feel ings, this is - n't blood mon - ey, it's a
1/1
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88
CD E"89 _ r . E::
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mighl as well take- it, we think thal you should._ICAlAPHAS I E- . .--..
EThink of the thiDgs_ you can E
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311 I
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92 -:
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do with that mon - ey. Choose an - y char - i-ty give_ to the poor._ We've-
11 I
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89
98 IJUDAS I CD Slowly
On Thurs - day night you'll find him where you
--fcc, no-thing,fcc,_ no- thing,fcc,_ no-thing morc._
e- --collavoce
e--
102 len. -
-- --
105
- -END OF ACT TWO
-- - ----
" ,
,- , I I - --."want him. Far from the crowds in the Oar - den of Geth -
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mf Well done Ju . das Good old Ju - das.
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Don't dis - turb me now I can see the an - sweTS. Till this
Then when we re - tire we can write the gos - pels so they'llII 1\ 11 ! I I I ... I I I I I
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91
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- - - - - - -
I92
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wine could be my blood. For all you care this- - E
E'. I
ElE!E
Cm Eb Gm D7 Gm
p
37 _ I , - 3 3 r;-
F-bread cou.ld be my bo - dy._ The end. This is my blood you drink,
, ...-3
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collavoce I FJ .J bJ J ,
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Cm cb Gm Eb
J=160 F40 _ 3 3 I"':'.. . . r , - ., ......---... E
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this is my bo -dy you eat. If you would re - mem - her me when you eat and drink.J - 3 I"':'. I
- -I
ELECTRIC PIANO II
I J I , r 11.... . .'. . J 11-,
A Gm D Gm Cm B Gm
(Rhythm)3
must be mad think - ing 1'1\ be re - mem - bered, yes. I must be out of my,
-
. . . - .----- .Gm F Eb C Gm Eb F
d ----
..,
.'1
,.
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93
46
head. Look at my namefac - es,your blank will mean no - thing
Gm D CGm F
49
ten min - utes af - ter I'm dead. ODe of you de - Dies me, one of you be - trays me.
Gm B~Gm Cm F7
53 J APOSTLES I
j\
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.
.
.
.
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94
Gm F Cm GmGm
65 'JESUSI N.B. This section is a duologue of argument and the interpretation must be veryfree.
Pet - er will de - ny me, in just a few hours,_ three times will de - ny
71
me
~
E:=-
E:-
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will leave
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--
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Cm F7 Bb Eb E!nnaj7 Ab Db D\,maj7
68
..
and that's not all I see. One of you here din - ing, one of my twelve chos - en,
Cut out the dra - ma tics You know ve - ry well who.
f\ I I
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(!- * -\- -! #.. .
Cm Eb Bb Cm Eb Bb Cm Eb Bb
95
they are wait - ing.Hur-ry
I Youwant me to do it!
J
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:Eb Bb Eb Bb Eb BbCm Cm Cm
,.
77
.... 1- InlnAc:::1don't care why you do it.
..
=
= If you knew why I do it To think I ad - mired you.
.
....:; - - ---- ,. --- ,. --- ,.- Cm Eb Bb Cm Eb Bb Cm Eb Bb..-
80..
You li ar. you Ju - das.
; I " I - Shouting
-.I
For now I des - pise you. You want me to do it!-.;
)1 .
. . 5
\ Ad u: (extempore)withdiscretion-.-.-.
Cm Eb B Cm E B Cm Eb B-...
- --- - -
IJESUSI74
Why don't you go do it? IJUDASI
Look at all my trials and
i Al - ways hoped that I'd be. OBOE/BRASS
In a gen - tie pool ofwould make it if
tri bu la - tions
pos - tie,
sink - ingknew thatan a
F C..F FDm
I I
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96 E-
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83 _-
11- - 11-
E:
just stayed here and ru -ined your am bi - tion? Christ you de -serve it!E:
E:
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Cm Eb Bb Cm Eb Bb Cm Eb Bb E
IJESUSI E86 parlando
E
ry you fool, bur - ry and go, Save me your speech - es E:> I>. sim
E
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tENDOF
I don't want to know, Go! ELECTRIC tPIANOI " h,
I... . I .
I 1180-
11
I
I
BbI
C C Fm C
o HeaiIy & With Humour (but not too slow)1
94 I APOSTLESI
I II
: r : r r . i riI I .: . .... I I
97
97
What's that in the bread, it's gone 10 my
the
head,- 'til this
gos - pels so they'llThen when we re - tire we can write
-Gm C7 F A7 Dm F7-
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died.
:
-
Bb C7 Fo Subito [LittleQuicker with 8 beat feel] J=108
103" iI IIIJUDAsl
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see where you've broughl us to._ Our
-er ..
Free Style (8 Beat)
~
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a -round us._ All and now the
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You sad pa - thel- ic man,
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jad - cd man - dar - in._ A jad - ed man-
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Shouting ..113
98 E
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sad - dest cut of ,all. Some-ooe has to turn you in, like a E
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109 fo.
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Get out!_ They're
. .. ..-jad ed., jad - cd. fad - cd. jad 0 ed, jad - cd man - dar m.
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Get out! they're wait - ing! Oh, oh., oh.,- they're wail - ingwait - ing!_
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.-. it planned._ Oh!
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'JUDAS(for you Ab!A 11 11 11 11 -
trEv' -ry -time I look at you I don't un - der - stand._
A 11 11 11 11:> :>
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-"''byyou let the things you did get so out of hand._ You'd have man - aged bet - ter if you'd
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J=64
I APOSTLES I
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Look at all my trials and tri - bu - la - tions
AI - ways hoped that I'd be an a - pos - tie,
" 11 17'\ I. 11 I I I I
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(:
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101
..
137
is this moro - iDg life istalk a - bout us when we've
fIDe. died.
c D G D G
Largo J=60
JJESUS' ,-Pet-er? John?
.-James?
143 ,
--
-- --
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Will none of you wait with me? Pet - er? John? James?
" I 17'\
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102 GETHSEMANE
'JESUS I 0Moderato, not too fast
5
If there is a way
Elmvc
9
don't want to taste
F F B!nns us4 B!nn
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Take this cup a - way from mc_ for
Ab Dbsus4 Db
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it bum mc. have cbanged I'm
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103
/ -17
now I'm sad and tired. Lis - ten. sure ly I've
.Elnwc
21
ex -pec - ta-tions, tried for three years seems"'---""
like thir - ty. Could you ask as
F Bbmsus4 Bb
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much from an - y oth - er man? But if
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I die, see the sa - ga through and do the things you ask of me.should die would I be more no - ticed than I ev - er was be -fore?
_11 I
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317
Let them hate mc, hit mc, burt mc,
Wou!d the things !'ve said and donc-
nail me to their trec.
mat- \er an - y more?I'd wan!'d bave
na know,
to know,
I'd wan -I'd havc_
>- >-
>-
>- >- >-
>-
34
na knowto know
mymy
GodLord
!'d wanI'd have
na know,
to know,
I'd wan
!'d have_
na knowto know
my
my
God
Lord.
>- >- >- >- >- >- >-
37
wanhave
na sce,
to sce,
!'d wan - na sce
!'d bave_ to scemy God.
my Lord.
!'d wan
!'d havena sec,to sce,
I'd wan-
!'d bave_
>- >- >- >- >- >- >-
40
!f die what will_ be my re - ward?
>- >- >-
>-C7 F7
105
./43 -
If die what will_ be my re - ward? I'd have ID know, I'd havc_-
Lord._- I'd bavc to know, I'd have_ to know my Lord._-----
=- >- =-
F7 Cm7
@] J~49 -VOCAL: ad lib.
would Dot be killed in vain? Show mc just a lit. tIc of your
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>- I - .....>- >-
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106
56
om - ni - pn:s -ent brain. Show me there's a rea - son for your want-ing me to die. You're
=-=-G Cm
=-G
59 VOCAL AD LIB. : Hysterical Sobbing
on where and bow and not so bot on why. Al=-
right'=-
=-
Cm G Cm------------------------------------------------------------------------------------
62
- - -- -- - - - -- - - -- -- -- -- - - -- --- - - - - - - -- - -- - - - --- - - -- - -- - - - - - -- - -- - - - - -------65
=- =- - =- =-
Cm Bb Ab G Cm Bb Ab G
---
107
A Little Slower
Cm::-
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, Then I was in - spired." I , I
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Now ('m sad and tired. Af - ter all I've
" I I I
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.
108
RR
for three year> seems like nine - ty. Why then am
Ebsus4 a a Cm
91
what start -ed. What you start - ed
r r r
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1 94
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will drink your cup . of poi - son,
r
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109
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I change my ~ ,
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109 IJUDust
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nail me to your cross and break me. Bleed me, beat me, Kill me, take me
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f collavoce/1b,... _
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112 IJESUSt 1"':\
Ju - das must you be - tray me with a kiss?1"':\
- ----- ---
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(1"':\
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110
THE ARREST
o J=84 18beat)
'PETERI
the buzz? Tell_ me what's hap - pen - ing. What's the buzz? Tell me what's
-IGuide part)
G7 C7
3
hap - pen - ing,_ Tell me what's hap-pen-ing._ Oh,
G7 C7
5
What's the buzz? Tell me me what's hap -pen - ing. What's the buzz? Tell_ me what's hap- pen- ing.
(p)~
G7 C7
III
7
Tell_ me what's hap - pen- ing. Tell_ me what's hap - pen - ing.What's the buzz?
11
--
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ILord, we'rc_ gon- na fight for you. Hang on Lord, we'rc_ gon - na fight for you.-
I fI Jl J j- h F
--Hang 00 Lord, we're gon -oa fight for you. Hang on
;0
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You hang on Lord, we're gOD - na fight for you._ Now hang on.
" Jl J 1--r I j JJ J I I . --tJ I.--...: -
Hangon Lord, we're gon - na fight for you. Hang on Lord, we're gOD - na fight for you.fI
:
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a - way your- sword, don't you mow_ that it's all ov - er._
I
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112
,
Do you plan 10 put up a fight~
~
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It was nice but now it's gone._ Why are you ob - sessed with
C7 G7 G7
19
Tell me Christ. how you feel
J
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II fight - ing._ Stick to fish- iDg ITom now on.
L
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0 J= 124
.22 MEZZO SOP.
...
to night
BARlTO:"[ ..
.::-
.::
113
24
..
.
.
..
"
Do you feel that you've had the breaks?(11- fI- (11- (11- . .
:
What would you say were your big mis - takes?
A I
- . . .. . . . . . S S S- I JI.
(: - -j. n_ __z.e=-- -- u 3.
Have your men proved al all wonh - while?
I
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- - - .. . .. . .I
. s . $ S S . JI'I
L- _e ____G ---r n__ -:=--- --- U
=----------- ----Cm Gm
Come on God this is not like you TE~OR
ICHOIR: ENSEMBLE I Let us know what you're gon na do.
- - -
-----114 -,
@] IALLI acceL poco a poco....... .
30 " I , .-
.....,
Come with us to see Ci a - phas. You'll just love the High Priest's house.I
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You'll just love see - ing Cai - a - phas. You'll just e in the High Priest's house.E
I 11 - IJ r-t:
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Cm Gm
J= 192
JCROWD I Solo Linesl34 TENOR t
Ah Ah" I I I
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Gm Gm
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115
36 MEZZO SOP.
Cm Gm
...
- -- ----
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You know what your sup - por - ters feel. BARITONE
" I f'- f'- f'- # . # .- ..:
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You es - cape in the fin - aI reel.
" 1 j J -I I- . -II 1
Ab Ab
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38 TENOR
1
Tell me Christ, how you feel to - night?TENOR
-- J I I
Do you plan to put up a fight?- - - --
Ab Ab
11
I- --# : rI
Gm Gm
116
40 MEZZO SOP.Bigger and Wilder
Do you feel that you've had the breaks? BARITONE
I CROWD: ALLI
Come with us to sce Cai - a - phas.:>
You'U just love the High Priest's house.
ICHOIR : ENSEMBLE I
- -
Ah Ah
Gm Gm
What would you say were your big mis - takes?-- -- -I
Ah AhI
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117
44
Cm Gm
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46
Now we've got him!
.,
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Now we have him!_ Now we've got him! Now wc have him!_ Now we've got him!J
f-
;
Bb c Gm? c Gm? c Gm? C Gm7
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You'll just love see - ing Cai - a - phas. You'll just die in the High Priest's house.=>
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Now have him, him now.we now.
Now have him, him now.gotwe now
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him!_ Now we've got him! Now we have him1_ Now we've got him'
..
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have him!- Now we've got h. I Now have him!_ Now we've got him!-'
Now we un. we ......-" -
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119
SOLO
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A
01CAlAPHASISOLO
Am Dm Gm
59
That's what you say._ you say that I am,
all your band - outs, well is it true?_
f
Am Fmaj7 G D G D F maj 7G D G D
62 .' .. ".. ~ b..
There you have it gen - tie - men. What more ev - i-dence do we needry Ju - das. thank you for the vie - tim.
--
Am Dm Gm
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. -Jes - us you must re - a - lise the ser - i-ous charg- es fae - ing you. You say you're the Son of God in
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120 .h
'CROWD: TUTnl
65
f
JBOYSINow we have him!_ Now we've gOI him! Now we have him!_ Now we've got him!
f
Stay a while and you'll see it bleed!_
AmF maj7G D G D Fmaj7G o G D
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Take him 10 Pi! - ate. Take him to Pi! - ale.
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Take him to Pi! - ate. Take him to Pi! - ate.I 3 I I 3 I
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F=
122PETER'S DENIAL f=
J= 116
IMAID BY THE FIREI0 t-
t-
think I've seen you some - where. I re-mc:m ber._ you were
I PETERIE:
-E
wrong man la - dy. I don't know him and IOPTIONAL BRASS E
E
(Rhythm) 11 I I I E
E0 07 C Cm E
E5 " 11
I
t
Ewith that man_ they took a - way._ I re - cog - wse_ your face.
I PETERI EII1
E,11
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till was -n't where_ he was to-night._ ne-ver near the You've got the.;1I'
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That's strange, for I am sure I saw you with him._ You were right by his side_ and
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14 I PETER I
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18 (Shouting his denial)" 11 L I
don't him!know
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1 tell you, was nev - er ev - er,
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yet you de . nied._
A JI I I I I I I L J. h I I I
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: -But I you too._ itsaw- -1\ " I I I
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looked just like you._
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124
Slower J=52
JMARYMAGDALENEI20
Pe - ter don't you know what you have said. You've gone and cut him dead.
Heavily
---
had to do it, don't you see? Or else they'd go for me.
Gm
26
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23IPETERI
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125
PILATE & CHRIST
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Oh, so th15 L~ Jcs - us Christ. am
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real - Iy quite sur - prised you look so small. not a \..ing at all We all
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IJESUSI(spoken)
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That is not an an - swer. You're deep in
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trou ble mend Some - one Christ King of the Jews. How can
36
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What do you mean by that?
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--- --your state be so cool a - bout your fate? An a -maz ing
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come 10 me. You're Her-od's race'_ I
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Ha ha' You're He- rod's
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44
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: --Hey - san- na, Ho Hey J.-
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-~. c., c. mc, you hadplease ex plain 10
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ha - san - na. hey - san - na, San - na, San - na, Ho - san - na,
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lUUUIIO.4':0, ad lib.
'KING HERODI
-- ---
" .. "
-iJ L _I I I ---Je - sus I am o - VeT -joyed to meet you face to face. You've been get - ting quite a name
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,!p colla voce
"
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F F#mIE D A F#m F#mIE
57
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all a - round the place._ Heal- ing crip- pies, rais - ing tram the dead. And
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------
131
1I
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II
\ I now I un - der - stand you're God.. at least that's what you've said. Sot
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\-t o Moderato, Ragtime StyleI, 63
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. .\ I you are the Christ, you're the great Je - sus Christ._.
I
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Prove to me that you're di - vine._L1LJL_1L I I t I I r----, I
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69
- . .-. .' .Changemy wa ter in to wme._ That's all you Deed do_
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132
72
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75
C'rn - on. King of the Jews.
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79
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and I'll know it's all true.
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Je - sus you just won't be - licve the hit you've made 'round here.
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----="You are all we talk a - bout the won - der of the \.ear. Oh what a pit. Y
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the cy - nies if you
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Walk ifswim ming pool youa cross my
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great Je - sus Christ. Prove to me that'" 11 1+ I
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do tha! fur m~ then I'll let you go free _ _
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Cm - on King of the Jews.
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114
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I'm a cap -live fan, I'mam wait-ins. yes,mmm
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ing to be shown that So ifnot just an - yyou arc man,
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--------
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I on - Iy ask things I'd ask an - y su - per -star, What is it that you have got thax
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you are the Christ, yes the great Je - sus Christ._
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126
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129
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King of the Jews.
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head._ thingyou can do it on your or has some - gone wrong?_" I I ,
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Slowly, dramatically
138
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l parlando-------------------
141
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- - - - - - - -- --- - - - - -- - - - - - - -- - - -- -- - - - -- --- - - -- --- - - -- - - - - - - - --,144
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Ragtime Style (Come Sopra)147
.
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Hey! Areo't you scared of me Christ? Mis - ter
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woo - der - fuI Christ You're a joke, you're
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acceL poco a poco
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tJ , I -oot the Lord._ You're ooth - ing but a fraud._
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Take hun a - way, he's got noth - ing to say!_
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138
150 (shout)
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154
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Get OUI_ you King of the Jews! Get out of my life!
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Gel oul_ you King of the... Gel out!_- >- >- >-
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mm Get out_ you King of the Jews!>- >- >-
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COULD WE START AGAIN PLEASE?
FirmlyALL
D D
00'MARVI No repeat ODD.S.
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un ex - pec - ted.
.should - n't like this. Thisbe was
I------
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('vc been liv - ing to see you. Dy - ing to see you, but it
2nd" 1£ I -tJ ... -
I'vebeen .ve - ry hope - ful_ so far. Now for the first time 1 think
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we - Pre go - ing WTong. Hur - ry up and tell meI.
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140
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What do I do now. Could we start a - gain please? Could we start a - gain please?
" 11
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this is a dream_ or could we stan a - gain please? Could we start a - gain please?
" 11 -tJ
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IPETERI You've e - ven gone a bit too far to
" 11 I I I -... " ..
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think you've made point_ You've bit faryour DOW. e - ven gone a too to
BASSOON
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24
-G/A G/A D
END OF ACT THREE
------
.. 141.D.S. al CODA
19
could wc: start a gain please?
jLA7 D G/A
CODA
I MARV( I ALL ( riL21
Could we start a - gain, pleasc:? Could wc: start a - gain., please?
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----
142 ACT FOUR
JUDAS'SDEATH
GJ J=184 8va opL sempre
My God!--- saw_ him._ He looked thn:e-
Gm7
quar - ter.; dead_ And he was so bad- I had to turn my head_ You beat him so hard_ that he wasI
)1
Gm7 Gm7
8
bent and lame._ And I know who ev'-ry-bo-dy's gon - na blame._ don't be -lieve he knows I act-
)
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12
for our good._ I'd save him all the suf - fer- mg if I couJd._ Don'! be-lieve_
)
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143
16
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20
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27
- - - - - -
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our- good_ save him_
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=1 'I All that you've said_ has come UUe with a ven geance The mob turned a - gainsl_ him, you.
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144
30
backed the right horse._
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145
45
rour- der of you._ I havebeen spat - tered with in - no-cent blood._
o D Gm
have been spat tered with
mud. love him.don't know how to
MELODY CUEr.-..
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shall be dragged through the slime and the mud._
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in - no-cent blood._ I shall be dragged through the slime and the slime and ther- 3--, r----3----..--- 3 ----, r-- 3----,
3--, I---- 3----...J J J ..J J
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o Slower (Motto emozione : A piacere) = 66r.-.. *-
146
63
...
just the same- he scares_ meas an - y-one know_
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.. . . ..' I . -=--be'so When he.s cold and_ dead will he let me
69
72
147
3
does he love me too? Does he care for me? oh oh_
Em Em7 c G F
o Piu Mosso (sob)
82-
------.
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(waiting) 3 3
------
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My mind is in dark - ness now._ My
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148
('ve been used and you knew_
.
89 (sob)
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--' - ::::::::
chose me your crimeA A
your
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86
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God, I am sick.
A A r-- -I
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alI_ the lime. God!_ 1'\1 ncv - er ev - er know. Why you-
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@HOIR: ENSEMBLEI(G1RL5]
149
,
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p cresc. poco a poco
2
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""OTEDIFFEREI\T TEMPI-..~.~hou~htheystan togetherat letter F.thechoir beginsslowlybutwitha gradualcresc
,le the frellZledrhYthmof Judas's .ong !-'Taduallyfades the two secllons are comple'ehIndependent. . ..
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This section continues at J== 116
Aslr-3
,
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FrenziedYou have mur - dcred me!
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--' v r I v r r 1'1 IPoor old Ju - das So long
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Poor old Ju - das So long
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--'You havc mur - dcrcd me, mur - dered mc
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150
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9 10 11
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tJ v r I VI f' Vr fJu - das Poor old Ju das
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Ju - das. Poor old Ju das
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Voicetrailsaway,
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mur - druI me. mur - dered me.
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tJ v r f vr f vI ISo long Ju - das. Poor old
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v r I V r , V, rSo long Ju - das Poor old
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----
151
cresc. poco a poco
f
10 12 1711 13 J4 IS J6
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18
Gradual/ade
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Ad lib. rhythmshould/ade here..
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e) v f' r v i r v f' f v i rPoor old Ju - das.
ffSo long Ju - das.
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Poor old Ju - das. So long Ju - das
II I I I:
IS 16 ff 17 18
III
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152
TRIAL BY PILATE
[INCLUDING THE 39 LASHES]
Andante J=60
IPILATEI
4
this? Was Her -od un - im-pressed?
ICAIAPHASI
We turn 10 Rome to sen -Icnc.e Na- za. relh. We have
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IPoor old Ju - das So long Ju - das
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And so the king is once a - gain my guest And why is
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153
8
law man to death. We need him cru - ci - lied, it's all you have to do. Weto put a
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12
need bim cru - ci - lied, do.it's all you bave to
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~ Agitato J=78
JPlLATEI
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Do you have the first i - dea why you de -serve if' Lis-ten, King of the Jews, where is your king -dom?
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. ...
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,;;.t'"!
t'
t
t ·f
f
t
f-
!.r ·
-.-...
" , . ..
---.J --..!Talkto me Je -sus Christ. You have been brought here man-a-cled, beat-en, by your own peo-ple.
" I t:.. t:.. t:.. I
) J ---.J ) . --..! If I
i"I 1'\ I
I . .. ,. .
.. L-J
" V
154 o L'istesso Tempo
IJESUSI
2
sempre legato
27
through, through, through. There may be a king - dom for me some - where.
,"
IMOBI fTalk to me Je-sus Christ.
32
if on - Iy knew. It's you that say I am. I 1001
" I , I h.. "..
I have got DO king- dom In this world. I'm
" I I
Look at me am I a Jew?
" I A.. L_ l.':' L. I I.':' l.': b b ..
11
I 'I I T I
staccatissimo
,1
f.1\.. . ,
>- >-Then you're a king'>-
, " 6. . . . hll_l._ J I I I rl I -
), :
I I I I I i I
1\ I
I I
-si" -..- ...- r..-- -..- ,,--:f:,
L -- - - -
tt'. ~I' -.
,f .
f .i
f~
t ;
t ::
t -
f :
{~
f ::
f ~
t :
f ..
r
t,
J.-
155
37
41
IMOBt(shouted)
j
mean? fy your king" He's done noYou'd cru -ci
We have no king but Cac - sar'
- 1
' '
- - ------
r.r ,.
"1
...
"
I
uuth and find that I get damned.
" IPILATEI
" I l' I ...
But what is uuth? Is truth un - chang-inglaw? We both have
" n I n I
I , " I .. l'
I
" " I..
"
tJCOl - ci - fy him! Crn - ci - fy him!
" IPlLATEI
tJ I l' .,
truths, - are mine the same as yours? What do you:> :> :>
n dJl L:>
" I J I I ,-&.-
tJ , .. , '1 "I IIII
" - " " ".
..
..
156 .
49
.
-..E
E
E
CD53
2
new_ re -spect for Cae - sar. Till now this bas been no - tice- ab - ly lack - ing Who !~ thisIi...
...,.
57 ICHOIRI
)~~=OI
'. b. . . .~51~!~
,..,.."'--r~rI
I
I b.,. ..,. ~,. f",., .
.
...
le sus~ \\'h) is he dl ITer - ent~ You
--
---
" 11.,
----t-
wrong. No not the slight - est thing Well this IS
- r---," I"" .,. I I I
r I ..J I I L.:J-We have no king but Cae - sari Cru - ci - fy him'
"
..
" 11 /"" T I I I r---, - - -\ ' " ..
]I - .. ... .. !I - - - - ]I - - .. .. !I - - - -I :
We
- ".---.'.I I
Je\'.. pro - duce Me - SSI- ahs b) the sack - ful
: : s : : :I II . Ir I
lb.- . ,. . ,. .--
====---
157
61
.,need him cru - ci - tied, it's all you have to do. We need him cru - ci - tied, it's
J.
= 64
Very Slow
JPlLATEI
~-
-=
-Om.
A Tempo68 1\
--,,- .Je- sus Christ.
--.
Look at your I'U a -gree he's mad,
--,,-
ought to be locked up
I
but
. I
\
I
.. --.- I
1 T
Om Om
...
A- -
-.I. .
all you have to do. Talk to me, Je - sus Christ................'
A J. t7\
(-.I (' I . .
mf mpL.::- " t7\
b_ _ ... ... ... l .-- ..,.....
I:
,-...
I 1\. -.\I _-
-.- I.Om-..
. -..
;
-.-.;
-..
158
71
Om Om Om
75 Random shouts
80
~'-.J
~eP-6
I 1'1 IIIIII ,. - -I " I
- -- 1
" -
t.! ......, .. .. .. .. .. rthat is not a rea. son to de. StToyhim. he's a sad lit- tie man, nOI a king or god, not a thief, I need a crime.
" ,.....- I
tJ ......, .. .. .. .. .. I
( :, ,
...
t.! r I - --- - , rKill him,- he says he's god He's a bias -phem -er. He'll con-quer you and us and ev - en Cae. sar.
" " I r--I " ,
(-
It.!
-(Drum Rhythm colla voci),I -
I
.
Be-hold yourBe. hold the man.
(shouted)
+=-=-===1-- -:.--r--- .
tY him'IMOBI him' . Cru . Cl
§
Cru - Cl - tY
.-
=- =-hll1 J I IL._
159
84
87
91
-rea - son e - viI. you'} he's just mis -This man is hann - less. so why does he up - setI see no
IJ... - --
..-..
,..
".i ..
; ,
;
' ,;0
i 'r
.'!
,;;:J-4. 1;.
.
f.
I
f
f::..
f .;
f
i :..
f =
r ;;
J;;
i ;..
i :;
, :;
I ;.
,;;
!j
A iI
-.:rshat - tered king. You by - po -
A r- I I I r--,
r I J I I
We have no king but Cae - sar!
A
11.
A iI I I I r--tIt)
ft9',,:" .' 11. I
\iI .. - - .. 11 .. .. .. .. iI - -I
..
" 11
crites. You bate us more than him. I see no
A I I I I r--,
r I J I I
We have DO king but Cae - sar! Cm - ci - fy him!11 -,tJ 11.
1\ JI r- I I I r--"1 .. .. ..{ ..
tJ ,'1''':' l' 11.
ii
11 - - - .. 11 .. .. .. .. JI .. .. .. .- 11 .- .- - .. II :
160
95
guid - ed., Ulinks he's irn - por - tan\. But to keep you vut- lures hap - py I shall flog him
99
..Cru- ci~
fy. Cru -ciCru - ci
~
~~
103
b ~ -=:::--
107
t.\ ..~
Cru -ci f)
b. ....- -, ..
..r- ~
Cru - ci fy
~~ f!-...
..~-
'~~. f\Crn - Cl .
b~ ~ JL..
-#---.----.--== ..Crn-~ - fy
..fy himCrn- ci
b~ ....
IIb
IIb
- --
. .. I ...t:::::::
fy. Crn-ci fy him. Crn- ci - fyhim
..
,
."...
"..
t
t.
,.....
...
.....
E
E
E
E:
fy. E
E,
f:
El
a
E
ta
t
I
!
-t:.\.... ..
---
161
112
..fy.
E~
~;;!I
r=,.b.
r
"
.
E~
ti;
~
'
.
-..r:
r-l~'t';,,t;
't~
f;.
..
39LASHES · The Jawbone (or Quuda) can be used
~ Animoso J=J to simulate the sound of the lashes.
IVOICE COUNTINGt117 . .
* lashes
One Two
"
. .
123
.
Jliineteeo
f
-I .
- - --
. . . . . . . . . .. . . . . . . . .
" . . . . . . . . . :. . . . . . . . .,i
I. . . . . . . . . .. . . . . . . . . .
!.I Tweoty-o!!e , - !.I Twenty - twoI
i"I-.. ..-=-
:--- '
"l1 111 -J- 11 "l1 "l1 "l1 "l1 "l1
162
139
Twenty - three
Twenty -seven Twenty-eight
.
Twenty - five
.
.
Twenty -nine
. .
. .
15\
Thirty -one Thirty -three Thirty-four
.
.r.
.
Thirty-five
-:-
." ."
- -- - -
Thirty-seven\.
:----
." ." ."
-
-
163
154
Tbirty-nine
u
DRUM SOLO ON RECORDING
@] I PILATEI157
..
Where are you from Je -sus? What do you want Je -sus? Tell me
-- -- -----Fm
161
--
---
--- You've got to be care -ful, you could be dead soon, could well be
--,~-
I!------- ---. Fm
- [~} ..
Why do you not speak when have your life in my hands" How can you stay qui - et?
-~
~:p-, -..
- - - - - -- - -
{-d'I , " I ,
.. .
, -- ,!
J; - I; (). (). . \I . , . * * ... r-
---...;..... . .
....
164
169
Fm
172
175
halfsung -, halfshoutl
You're a fool Je -sus Christ. How can I help you?
"
_\. 'Cv..Pi -late' Cru - ci - fy him' Cru - ci ::ry! ij.e-mem-bc
"t; , .
Fm Fm
11 I - . ...
I"
You have no -thing in your hands. An- ypower you h
11 I I
-- , I
I don't be-lieve you un - der - stand
>- >- b..11 I
" J )
f collavoce(b) . . . . .. . .
" ,
I" Y -comes to you Irom far be-yood_ Ev' - ry -thing is fixed and you can't change i
11 I -A
)colla voce
: .
". . ;"..-
'" - '.-.! \I \I I ) \0.... . .-
\ h --.3".-: '" '". . .
-
IVe~
-~-------~-
::::.
-..
- ---. -. - . - .
165
o Agitato (Come Sopra))79
;
;
:: o183 "'~..I. _. _: ~:-,~':.~. ~-'
:: Cae - sar. fy bim!You'Ube de - mot - ed, youll be de - port - ed. Cru - ci Re-mem-ber
;
..;
G187
-.-~-.. peace so cru - ci fy him!du - ty to keep the Re-mem -berCae - sar. You have a
.
...-.
-..
191
-. ~r c-Cae - sai. You'llbe de - mot - ed.
...,.,. ',.j§
Re-mem-beryou'll be de - pon - ed. Cru ci fy him'
-..
. .i~ -..
. ,- - --
'/\
""iJ, , I
Cae - sar. You have a du - ty to keep the peace so cru - ci - fy bim. Re-mem-ber
/\.
( ,tJ
, i
I.. . . .. . \.. I.. .. .. .. .. .. .. .. h. .. . .. . .. .- . .. . * . .. ..
166
IQ;
Cae . sar. You have a du to keep the peace so cru - Cl fy him' Re . mem - ber
.t::
199
Cae . $aI. You'll be de - mot - ed, you'll be de - port - ed. Cm - ci fy him!
o Meno Mosso -Adagio
IPILATEI (shouting)
203
Don't let me stop your great self des. truc - tion. if you want to. you mis . guid . ed mar - tyro
)
~ ff colla voce
~ o
------::::
u ee
Em D c
'"-- 3_· ---=::Jl--._-
your de. mo . 11- tlon Die If you want 10. you 10 . no. cent pup. ~tl
F n
b'"---- ...---.
20i J ---, .---J- . -I ·, ?1.
I
wash my hands of
:::
167
SUPERSTAR
o Maestoso
DIE A E
E A DIE A
[!] Beat Tempo J=128 "S~ul" free ad lib. style
I JUDAS I
.
Ev' -ry - time I lok at you ITen me what you think a -bout your
don't un -der -stand.mends at the top.
Why you let the things you did getWho d'you think be -sides your-selts the
E G A7
.. - - ....
so out of hand. You'd have man -aged bet - ter if you'd had_ it planned.pick of the crop' Bud - dah was he where it's at, is he when: you arc?
~~ .. J ~~ ~ ~ ·- . -1. i i ";
:--- I
;.J ~~ ~ \ !-[. . .EEG
, -,--..,
,E A
,-
...,
"!
-:
" ::I3 !
I !9
..1
.....
-,...
!
B
., ,--:J
-.-.
-
...
:.. I.I.
....
\
..-...-.......
...
.....
168
OpL
15
land?
p R.?_If you'd come to-day you would have
Did you mean to die like that? Was
. .A7 E E
18 ---- - ~
reachedthat
a whole naa mis - take_
tion.or
Is - ra - el 4 B. C. had nodid you know your mess-y death would
mass corn-moo - i-ca - lion.be a re - cord break- er'?
J "SOUL" GIRLS'
Don't you get me
G A7(9) E7(39) Bm7 E7(39) E
IJUDASI2'I S-
Don't you get me wrong. Don't you get me wrong.
I "SOUL" GIRLSI - -\.....-.J. ! L.J""'""- -
\\Tong. Don't VQU get me \\Tong now Don't you get roe. .. .i_! j - 1-\\ I I ==== L.J I L--.-J I, I
r : . . I. . .E A/G
J
~
~'~,1
~..-.. .,
169
Don't you get me WTong._ Don't you get me wrong._
wrong. Don't you get me on -Iy want towrong now.
A E
-
: ..I
on -Iy want to know._ on - Iy want to know._
on - Iy want to on - Iy want toknow now.
.,
E7 A/G
....
on - Iy want to know._ on - Iy want to know._
'.
.--.
-'"",,-".".
.....
-----
23I
1
==11:3
,
.
170
29
les us Christ. les us Christ. Who are you~ What have you
JI n__, II_,11 11 11 jI S
/ LlII """"1
/., I
.. ......
E A D A
032
---ca cri - ficed._ Jes - us Christ. le - sus Christ.
IIIIIH.-R R 3
)."
-E 11:- ---r 1';- ----..,
-.E A
35@]
Who are you? What bave you sa - cri - ficed Jes - us Christ._
Q
0-
Q .r- - . 4E
----D A E
38 iI 11.
,
.
'- '.,.....:-.=0
I Su per - star._ Do you thmk you're what they say you are _-- - ! ----
\,L
" - . 1-...: . - . . . . =:::::. t9 -:- ee u!\
{.I . I . C--.- 11:= . I
'-' . 0 . . .I--A D A E
'F
-I
'-t
, .'""1
'-
~....,
~ ..-.,
173
, ,
5
'-'""1
E A1'..
!
'-
,-".
!~.'-, ., 56 -
..
-
on- Iy know.want toyou
on - Iy wan - na know_on - ly wan- na know._ now.1.
...
,
Who you? have you sa cri ficed?_Whatare..
-- -----
" .. n ... ... -
-tJ
Tell me don't get me wrong.
1\ 11 11. I " I " . I .. I- --tJ - -
Tell me tell_ me, Don't get me wrong._
" 11 11
., I - -Jes - us Christ_ Jes - us Christ
" 1111 I
IU &
r---. r---. - r--.." -:
.... .... .... .... ... ....
u ,.I'I
I""""'" -. . . .D A E
174
o
E A
60 --..
Je sus on Iy want to know.
on - Iy wan - na, on - Iy wan - na, OD- Iy wan - na know_ now.
-Who are you? What have you sa cri ficed?
u
* .. .. -D A E
fI 11 or
Je - sus
" iI 11 I = .- 01---- -On- Iy wan- na knOW._ OD- Iy wan - na know.
fI iI 11
I - I -Jes - us Christ Jes - us Christ
fI iI 11 1
eu
- -t1 I "'I ,- I !:" ..
I..
41- .. ill *
..-==jii-~
--.': ----'::::::z
175
62
.
.~
...
E A
64
,...,...
....
.
.
D A E
Repeat from letter I and fade
OR
Repeat from letter I and seque Coda El
.
;;
- - - -
.,
--:::::::::::;.-:.--
-..
;;;::::::::::::::;:: -:::::.----
..--.
?; -;;;
.-.
" . ...
t.IOh tell me Don't get me
" 11 11 I r---'1 " I " . .. ,
t.I - -Tell me, tell_ me. Don't get me wrong.
" 11 11
t.I I - I -Je - sus Christ Su - per - star.
" 11 11 I
\t.I u &
r---. r---. -" ......:
.... .... ... .... ... ... ...
t.I
wrong. I on - ly wan - na know. Oh!
" 11 11 F==! I oi-- -.t.I - -
On-Iywant to know._ On - Iy wan - na know_ now.
/I 11 11
t.I . I -Do you think you're wbat they say you are?
./\ 11 11-
(I i" I I I
t.I'11 r u
" - - - 1""'-01I I """"I - -.
..
176
{jt CODA
66
I"SOUL" GIRLS I
ff
-- ---Ab
---- ---DIE A E
--
IGIRLS : CHOIRI
" 11 11 I J J I I I t:"'\_ -
I I T i"
ffAre you what they say you are?
" 11 11 , I t:"'\
1 I I r r r--- --
" 1111 q : t (Lt:"'\--------===---..ff---= -=---
nr T
fff raiL
" , t:"'\
I :<4 . . -0 . * e .
N.B.CRUCIFIXION 177
This part is intended to be a guide only. Alterations or adjustments may be made10accomodate special needs or limitations. It is suggested that careful referencebe made to the original recording for accuracy ofsimulation.
Very Slow [Larghissimo]Molto ad lib. e rubato
'GIRLS I
~ltre cordej sempre
o.-. 4 parlando : in agony"I..I. ~.r
God
~
~
\~ lunga
1"":'\
for-give them. They don't know what they're do - ing. lunga
Bursts of mocking laughter (ad lib.)>- -- --......~
~ _1"":'\
".lunga,-.
.-.lunga.-.
Hammering ceases
'.~.-...-.
---#-0
-- - - -- -
io
-..
,-.,-...18
..
;;
.'.la
'.
i.
,.
,......$.
t.
I<
-.)
'BOYS IMen's derisive laugbter
I< ad lib.
-
Nail hammering (to the cross) ad lib.I< IHard : bollow sound)
" ,=- -I
-.) -- -- --- -if:z
Lqrl- J:i .n.--
I.
.. ..
L.t..____ -----.--- - .....-----.:..........
I:-----, .J...--
I+-- lunga
II: n- --n- :--:..---. .... n_.:: :'-'
- -
178
---~:_.- D::' ~---
dissolve into laughter
1'":\-=+=n~-
Ah niente
--n 1'":\- n
dissolve into laughter niente
niente
----..---
NOTE:
J0 Soprano voices (5 parts) two voices 10 each pari: 10 singin relay. Ihereb}' ensuring a conlinuous flow of sound.
(Quasi wail)
Ab (sempre)
<;th part ~-
~I
'=)~
~ -
-------,.----- - ----- ,..
If possible light cymhal rhythm (sempre sotto ~'(hC)
pp - ~'::.====-~- -= mp
j
tJ
hELECTRONJC DISTORTION
I (j >-
)1 ,Or7 _e>-
#u'J:cD_
[£! A Tempo ,1=136
d1st part I
I2nd part .
!I
I3rd part
r
th part
'"
--::::::iI-..
,-...
:::::1-:
'-...~..- .
-a_~~
t.~.21~-.
17~
19 m.f
1stpart
2nd part
3n1 part
4th part
5th part
)
25 11~ ___ --- -- - -- ---1st part
.
--- --- -
2nd part
.\~---::!!:=:=----- ----
...
-
- - -- -~ -
(Quasi wwl)
ppAh (5empre) -
.
.... - -- ---
.-,
-.....-..... .-.....;-.....-.....
,
-.§
-.-....
--.......,.--- ----=------ - ---- ------ - -------- -
-
A --I
mf_ - ---- --::::
t!
......-----...: ----(Quasiwail) -----
- -
.--------- + -
---- -----
A
--.Jpp
(Quasiwail) --- --."
Ah (sempre)
I - --#I
-
ppAh (scmpre)-.:r
==-- -
-A -
«Y
--
- --
#I -
-V-
- --#I -
- --
: -
-
j-----
. -. - -. '-- -. -.
+-- -. .
II
11
3n1 part'r-':)ii
I k11
4tb part '
II
.45tb part
IL"
);
180
1st part
2nd part
3rd part
4tb part
Sib part
IsI part
2nd part
3rd part
4tb part
5rh part
31 IJESUSI parlando
35
£. ~z.
- -- --
"-..::---x
tJ -...;Who is my Mo- the!'>
,,-- ---- ---- --.- ---..::::::---..
,,- ---- --- --- ---- ---------.----
"'- -----
tJ ::
",mf--:::
tJ" -
tJ
)rt= F"" fo '0'0 , iog mioo, mod" ; whol, Ion, ",01" d"
Completelyad lib. : sono voc;.,:rj uggested panerns ete.
RH. _-r-"T"
.." -.J. .. . T
: . . . .
tJWhere is my Mo-ther1"'-- --- ---- -------- ----
tJ -"'--- --- --- --- ---- -tJ -" - -tJ -" - =-tJ --
(Quasi wail) -::::::::
" --- --- ---- ---.... -p -Ah (sempre) -"
1I ,
::::-:...--
r" I I I ---:::-t
I -,,- ---I ..,
~
~
~i~~.
~~~~
~ ,,
1st part
2nd part
3n1 part
4th part
5tb part
I~.
..,
2nd part
181
39
16 BARS
ApproL 80 banor 70 seconds
1st part
3n1 part
4th part
Slh part
- - - -
---,A
15BARSMy God' My God!- ---A ,....
eJ------- ---- -- -:::.A ,.....----
-eJ -A,.....
-#\
.
-.rm.f
--=.------ --------A ........-
V>- >-
A
) 's_
. ,- It.. -,JsimileSuggested pllltD7lS.
.. -. ..
n
t!
Why have you for - got - ten me? I'mA
t!
A-- ----- - ---- ----
t!
A__ --.. --- - -t!A -t!
A""'-"'__ ---- ---- -----
V
A Simulated wailing (ad lib.)
t!A >- >-
) v,
. .,; etc. i I Ad lib. figurationsII
: . .. .
182
1st part
2nd part
3rd part
4tb part
Sth part
2nd part
3rd part
45
49
1st part
4tb part
Sth part
" >< '"-:::--
::---t> -...
thirst - y I'm1\___ ------- ---- ---.---
:--t> ----..1\- -- ----- ---- ----- ------..."
t> ----1\ --.....
t> -1\-t> -1\- -- ------- ---- --- ---- --- ---....-t> -
wailing continuo
)
similE! continuo -
.
: . . .. .
t>thirst-y Oh God'l'm thirst-yl
"- -------- .- ----- -------------t> -1\- ----- --------.- --......--- -----------
-A _ ____ ------------ .- -----...---- ------ ----- -
-----
,,-- ------------ .- ----.---- ----------- ..------:::::...-----
" ---I
"
)
:::::::::;::
- --, - --- -- -
:
----=: . .
1st part
2nd part
Jrd part
4tb part
:>------- Stbpart
~I-==:::--'-~-
183
55
6\
--->r
1st partI'
::=::'1 2nd part
a-E Jrdpart:::::::::::
-I 4tbpart::::::::3
::::::-1-, Stbpartt:::::::::---,--\I
::::::::;;.:'
:
.
----
---- -------.,......-----------------
-------
--------------
......
n
Oh. I'm thirst-y! I'm thirst-y!,,---- ----.--- -- ------- ---
,,-- ----,--- -- --- --- -----11_- ------ ------..--- -------- ----:...- ------
11.......
tJ
,,-- --- ----.--- ------- -- --"
tJ
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188 JOHN 19: 41
o legalo (sempre)
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