john donne
TRANSCRIPT
![Page 1: John Donne](https://reader036.vdocument.in/reader036/viewer/2022071804/55d14959bb61eb18578b4597/html5/thumbnails/1.jpg)
JOHN DONNE(1572-1631)
![Page 2: John Donne](https://reader036.vdocument.in/reader036/viewer/2022071804/55d14959bb61eb18578b4597/html5/thumbnails/2.jpg)
JOHN DONNE
• Born : 22 January 1572, London, England.
• Died : 31 March 1631 (aged 59).• Occupation : Poet, priest and lawyer.• Nationality: English.• Alma Mater : Oxford University.• Genre : Satire, love poetry, elegy,
sermons.• Subject : Love, sexuality, religion,
death.• Literary Movement : Metaphysical poetry
![Page 3: John Donne](https://reader036.vdocument.in/reader036/viewer/2022071804/55d14959bb61eb18578b4597/html5/thumbnails/3.jpg)
John Donne
• He was the most independent of the Elizabethan poets
• He revolted against the easy, fluent style, stock imagery, and pastoral conventions of the followers of Spenser.
• He aimed at reality of thought and vividness of expression.
• His poetry is forceful, vigorous, and, in spite of faults of rhythm, often strangely harmonious.
![Page 4: John Donne](https://reader036.vdocument.in/reader036/viewer/2022071804/55d14959bb61eb18578b4597/html5/thumbnails/4.jpg)
John Donne
• Considered the master of metaphysical conceits, an extended metaphor, that combines two vastly different ideas into a single idea, often using imagery.
• His works are also witty, employing paradoxes, puns and subtle yet remarkable analogies.
• Donne’s pieces are often ironic and cynical, especially regarding love and human motives.
• His poetry represented a shift from classical form to more personal poetry
![Page 5: John Donne](https://reader036.vdocument.in/reader036/viewer/2022071804/55d14959bb61eb18578b4597/html5/thumbnails/5.jpg)
John Donne
• Common subjects of Donne’s poems are love (especially his early life), death (especially after his wife’s death) and religion.
• Donne noted for his poetic metre, which was structured with changing and jagged rhythms that closely resemble casual speech.
![Page 6: John Donne](https://reader036.vdocument.in/reader036/viewer/2022071804/55d14959bb61eb18578b4597/html5/thumbnails/6.jpg)
A portrait of Donne as a young man (1595)
![Page 7: John Donne](https://reader036.vdocument.in/reader036/viewer/2022071804/55d14959bb61eb18578b4597/html5/thumbnails/7.jpg)
Themes of Donne’s Poetry
Paradoxes Belittling cosmic forces Religion Death and the Hereafter Love as both physical and spiritual Interconnectedness of humanity Fidelity
![Page 8: John Donne](https://reader036.vdocument.in/reader036/viewer/2022071804/55d14959bb61eb18578b4597/html5/thumbnails/8.jpg)
The Flea
• A flea has bitten both lovers, and now the flea marks their union because it has both of their blood.
• The poet asks his lover not to kill it, but the lover does, and finds herself not diminished.
• When she yields to her lover, he says, her honor likewise will not be diminished, so there is nothing to fear by going for.
![Page 9: John Donne](https://reader036.vdocument.in/reader036/viewer/2022071804/55d14959bb61eb18578b4597/html5/thumbnails/9.jpg)
Lovers' Infiniteness
• The poet complains that he does not yet have “all” of his beloved's love, despite using all of his resources to woo her
• She should not leave some love for others, nor should she leave herself open to wooing by others later.
• Yet, he also wants her to keep some of her love for him in reserve so that they can enjoy a constantly growing relationship.
![Page 10: John Donne](https://reader036.vdocument.in/reader036/viewer/2022071804/55d14959bb61eb18578b4597/html5/thumbnails/10.jpg)
The Canonization
• The poet demands that some complainer leave him alone to love.
• The complainer should turn his attention elsewhere, and nobody is hurt by the love.
• The poet and his lover take their own chances together; they are unified in their love.
• Their love is a beautiful example for the world that will be immortalized, canonized, a pattern for all other love in the world.
![Page 11: John Donne](https://reader036.vdocument.in/reader036/viewer/2022071804/55d14959bb61eb18578b4597/html5/thumbnails/11.jpg)
A Valediction: Forbidding Mourning
• The beloved should not openly mourn being separated from the poet.
• Their love is spiritual, like the legs of a compass that are joined together at the top even if one moves around while the other stays in the center.
• She should remain firm and not stray so that he can return home to find her again.
![Page 12: John Donne](https://reader036.vdocument.in/reader036/viewer/2022071804/55d14959bb61eb18578b4597/html5/thumbnails/12.jpg)
Hymn to God, My God, in My Sickness
• The speaker faces the possibility of his own death by focusing on his preparation for Heaven.
• He must tune himself in order to become God’s musical instrument.
• He is like a map, where the westernmost and easternmost points are the same and his death will be transfigured into resurrection.
![Page 13: John Donne](https://reader036.vdocument.in/reader036/viewer/2022071804/55d14959bb61eb18578b4597/html5/thumbnails/13.jpg)
Holy Sonnet 14 (“Batter my heart)
• The speaker asks God to intensify the effort to restore the speaker’s soul.
• God should overthrow him like a besieged town.
• He asks God to break the knots holding him back, imprisoning him in order to free him, and taking him by force in order to purify him.
![Page 14: John Donne](https://reader036.vdocument.in/reader036/viewer/2022071804/55d14959bb61eb18578b4597/html5/thumbnails/14.jpg)
John Donne by Nigel Boonham, 2012,St. Paul’s Cathedral Garden