john sims “ mathart brain ”

77
John Sims “MathArt Brain” Arts & Communi cations

Upload: axl

Post on 06-Jan-2016

29 views

Category:

Documents


0 download

DESCRIPTION

John Sims “ MathArt Brain ”. Arts & Communications. PHI is the Divine Ratio and the Golden Mean. Luca Pacioli. " Without mathematics there is no art.". THE GOLDEN MEAN Nature. - PowerPoint PPT Presentation

TRANSCRIPT

Page 1: John Sims   “ MathArt Brain ”

John Sims “MathArt Brain”

Arts & Communications

Page 2: John Sims   “ MathArt Brain ”

PHI is the Divine Ratio and the Golden Mean

Page 3: John Sims   “ MathArt Brain ”

Luca Pacioli

"Without mathematics there is no art."

Page 4: John Sims   “ MathArt Brain ”

THE GOLDEN MEANNature

The Golden Mean, 1.61803398874989…, represented by the Greek letter phi, is a naturally occurring number, like pi, that repeatedly occurs in various relationships. Like pi, it is an irrational number. Unlike pi, it clearly and regularly appears in the growth patterns of many living things, like the spiral formed by a seashell or the curve of a fern.

Page 5: John Sims   “ MathArt Brain ”
Page 6: John Sims   “ MathArt Brain ”

COMPOSITIONAL MODELS

Page 7: John Sims   “ MathArt Brain ”

THE GOLDEN MEAN

Art

The Greeks discovered they could create a feeling of natural order, as well as structural integrity, in their works. Artists since have used it for the same reason, to create a feeling of natural order in their works. It is thought by many people to describe the most aesthetically pleasing rectangle.

Page 8: John Sims   “ MathArt Brain ”

Golden Rectangle: Modern artists use it, and even the ancient Greeks used it to develop the facade of the Parthenon.

Page 9: John Sims   “ MathArt Brain ”

Golden Mean

The Fibonacci Series and the Golden Mean are intimately connected. The Fibonacci Series numbers increase at a rate equal to (actually, oscillating round) the Golden mean.

Page 10: John Sims   “ MathArt Brain ”

THE FIBONACCI SEQUENCE FOR VISUAL LAYOUT

Page 11: John Sims   “ MathArt Brain ”

A rectangle whose sides are related by phi (such as 13 x 8) is said to be a Golden Rectangle. It has the interesting property that, if you create a new rectangle by swinging the long side around one of its ends outward from the rectangle, to create a new long side, (in combination with the short side), then that new rectangle is also a golden rectangle. In the case of our 13 x 8 rectangle, the new rectangle will be 21 x 13. We see that this is the same thing that's going on in the Fibonacci Series.

Page 12: John Sims   “ MathArt Brain ”

The Golden Rectangle

Page 13: John Sims   “ MathArt Brain ”

The Golden Rectangle

Page 14: John Sims   “ MathArt Brain ”

The Golden Rectangle

Page 15: John Sims   “ MathArt Brain ”

The Golden Rectangle

Page 16: John Sims   “ MathArt Brain ”

The Golden Rectangle

Page 17: John Sims   “ MathArt Brain ”

The Golden Rectangle

Page 18: John Sims   “ MathArt Brain ”

The Golden Rectangle

Page 19: John Sims   “ MathArt Brain ”

The Golden Rectangle

Page 20: John Sims   “ MathArt Brain ”

The Golden Rectangle

Page 21: John Sims   “ MathArt Brain ”

The Fibonacci Sequence: If you dissect a work like Perugino's Madonna Enthroned with Child and the Saints John the Baptist and Sebastian you will notice that the saints are set into rectangles which reflect a .618034 ratio of the total width of the work, measuring from each side inward.

Page 22: John Sims   “ MathArt Brain ”

The Golden Rectangle in Nature

Page 23: John Sims   “ MathArt Brain ”

Seurat“The Circus Sideshow”Golden Mean

Page 24: John Sims   “ MathArt Brain ”

Da Vinci“Vitruvian Man” Golden Ratio

Page 25: John Sims   “ MathArt Brain ”

Da Vinci “St. Jerome” Golden Mean

Page 26: John Sims   “ MathArt Brain ”

At left, Edward Burne Jones, who created "The Golden Stairs" at left, also meticulously planned the smallest of details using the golden section. Golden sections appear in the stairs and the ring of the trumpet carried by the fourth woman from the top.

Can you find more examples?

Page 27: John Sims   “ MathArt Brain ”

This self-portrait by Rembrandt (1606-1669)... is an example of triangular composition. A perpendicular line from the apex of the triangle to the base cut the base in golden section.

Page 28: John Sims   “ MathArt Brain ”

PENTAGON AND THE GOLDEN RATIOMichelangelo “Holy Family”

Page 29: John Sims   “ MathArt Brain ”

Leonardo DaVinci used phi when examining artwork for the human body. The famous painting the "Mona Lisa" shows phi, as does a wide variety of artwork throughout time.

Page 30: John Sims   “ MathArt Brain ”

Da VinciDrawing studies of the human face is an expression of the Golden Ratio of the Golden Mean

Page 31: John Sims   “ MathArt Brain ”

Human beauty is based on the Divine ProportionThe blue line defines a perfect square of the pupils and outside corners of the mouth. The golden section of these four blue lines defines the nose, the tip of the nose, the inside of the nostrils, the two rises of the upper lip and the inner points of the ear. The blue line also defines the distance from the upper lip to the bottom of the chin.The yellow line, a golden section of the blue line, defines the width of the nose, the distance between the eyes and eye brows and the distance from the pupils to the tip of the nose.The green line, a golden section of the yellow line defines the width of the eye, the distance at the pupil from the eye lash to the eye brow and the distance between the nostrils.The magenta line, a golden section of the green line, defines the distance from the upper lip to the bottom of the nose and several dimensions of the eye.

Page 32: John Sims   “ MathArt Brain ”
Page 33: John Sims   “ MathArt Brain ”
Page 34: John Sims   “ MathArt Brain ”

Kerry Mitchell“Mandel Lisa”

Page 35: John Sims   “ MathArt Brain ”

Salvador DaliFlamboyant and controversial Spanish surrealist painter who employed mathematics in some of his work.

Page 36: John Sims   “ MathArt Brain ”

Zarko D. Mijajlovich“Mathematical Landscapes”

Page 37: John Sims   “ MathArt Brain ”

Zarko D. Mijajlovich“Mathematical Landscapes”

Page 38: John Sims   “ MathArt Brain ”

Bathsheba Grossman

I'm an artist exploring how math, science and sculpture meet..

Page 39: John Sims   “ MathArt Brain ”

Bathsheba Grossman

Page 40: John Sims   “ MathArt Brain ”

Bathsheba Grossman

Page 41: John Sims   “ MathArt Brain ”

Robert Fathauer“Tree of Knowledge”

Page 42: John Sims   “ MathArt Brain ”

Michael Field“Armies of the Night”

Page 43: John Sims   “ MathArt Brain ”

George Hart“Aardvards”

Page 44: John Sims   “ MathArt Brain ”

Eric Landreneau“Icosahedral Extrusion”

Page 45: John Sims   “ MathArt Brain ”

Irene Rousseau“Hyperbolic Diminution-Blue”

Page 46: John Sims   “ MathArt Brain ”

Carlo Sequin“Hilbert Cube”

Page 47: John Sims   “ MathArt Brain ”

Carlo Sequin“Minimal Trefoil”

Page 48: John Sims   “ MathArt Brain ”

Carlo Sequin“Galapagos”

Page 49: John Sims   “ MathArt Brain ”

Carlo Sequin“Volution”

Page 50: John Sims   “ MathArt Brain ”

Doug Dunham“Five Equidistant Fish Patterns”

Page 51: John Sims   “ MathArt Brain ”

Anne Burns“Iterated Steiner Cells” Art+Math=X "Patterns in Nature” Conference

Page 52: John Sims   “ MathArt Brain ”

Doug CraftElements Square-Root of 5 2004-002 Water

“My collage, photography, and painting explores sacred geometry

with forms based on the Golden Ratio.”

Page 53: John Sims   “ MathArt Brain ”

Brian Dance of the Sugarplum Fairy, variations 5 (from Tchaikovsky's "Nutcracker")“This still image is a visualization of sounds and short pieces of music …numeric models of sound and melody, mapped into color.”

Page 54: John Sims   “ MathArt Brain ”

LunYi Tsai“Baire's Theorem”

Page 55: John Sims   “ MathArt Brain ”

Ann Burns“Fractal Scene”

Page 56: John Sims   “ MathArt Brain ”

Brent Collins“Music of the Spheres”

Page 57: John Sims   “ MathArt Brain ”

Piet Mondrian "The proportions and rhythm of planes and lines in architecture will mean more to the artist than the capriciousness of nature. In the metropolis, beauty expresses itself more mathematically”

Page 58: John Sims   “ MathArt Brain ”

R. Buckminster Fuller (1895-1983) R. Buckminster Fuller was an architect, engineer, and more who had a keen interest in design and technology. He is best known for his geodesic domes.

Page 59: John Sims   “ MathArt Brain ”

Johannes Kepler Well known for his work in astronomy, Kepler also had a keen interest in geometric tesselations and polyhedra.

Page 60: John Sims   “ MathArt Brain ”

M.C. Escher was not very good at mathematics in school, and was a graphic artist by training and profession. Early in his career, he spent much of his time in Italy, where he made a number of more-or-less traditional woodcuts. After a trip to the Alhambra, Spain, Escher became fascinated with tessellations. It was at this time, in the 1930's, that his work began to turn away from traditional subjects to mathematical and fanciful ones

Page 61: John Sims   “ MathArt Brain ”

Escher

Page 62: John Sims   “ MathArt Brain ”

Max Bill Moebius "I am convinced it is possible to evolve a new form of art in which the artist's work could be founded to quite a substantial degree on a mathematical line of approach to its content."

Page 63: John Sims   “ MathArt Brain ”

Victor Vasarely Op ArtHe uses the coloring of simple geometric shapes, often in arrays, to suggest motion and concave/convex effects on a flat canvas.

Page 64: John Sims   “ MathArt Brain ”

Victor Vasarely“Tridem K”

Page 65: John Sims   “ MathArt Brain ”

Victor Vasarely“Alome”

Page 66: John Sims   “ MathArt Brain ”

Victor Vasarely“Cheyt M”

Page 67: John Sims   “ MathArt Brain ”

Benoit MandelbrotMathematician who was largely responsible for formalizing and popularizing the concept of fractals. He discovered the Mandelbrot set, the best-known of fractal objects. He also coined the term "fractal", derived from the Latin word "fractus", meaning fragmented or broken.

Page 68: John Sims   “ MathArt Brain ”

Doug Harrington “Fractals”

Page 69: John Sims   “ MathArt Brain ”

Doug HarringtonFractals

Page 70: John Sims   “ MathArt Brain ”

Doug HarringtonFractals

Page 71: John Sims   “ MathArt Brain ”

Doug HarringtonFractals

Page 72: John Sims   “ MathArt Brain ”

Doug HarringtonFractals

Page 73: John Sims   “ MathArt Brain ”

Segmented Wood Turning based on Math

Page 74: John Sims   “ MathArt Brain ”

Richard Pagano

Page 75: John Sims   “ MathArt Brain ”

Kevin Neelley

Page 76: John Sims   “ MathArt Brain ”

Kevin Neelley

Page 77: John Sims   “ MathArt Brain ”

Kevin Neelley