john stowell

MEL BAY PRESEIUTS /onnJAZZGUI

Thanscribed by Chris UllrichCover photo @ Kevin Merrill

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F'onn\ryoRDHopefully my take on jazz as it applies to the guitar will offer some fresh perspective andinspiration.'S?'e're all students: practice new material in a shared environment with other like-minded players, learning and solving problems together. Some thanks: to my first teachers, guiraristtinc Chamberland and pianist John Mehegan, *ho go. me started in jazzand were both ,rei,supportive; to Mike Gillette and Jennifer Hutchings ar New Media for their original filming; toChris Ullrich for beautifully accomplishing his long and difficult task of tr"rrr..ibing my mlterial;to everybody at Mel Bay, Corey Christiansen for getting the ball rolling, to Bill B"y,b*g\Witherspoon,

Jon Hansen, Sheri Schleusner, Julie price and John p.rrr. for their assistanc!.Comments or questions are welcome.

John StowellPortland, Oregon, February, 200jwww.johnstowell.com

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& chapter2 Peman:oNrcs,{N{D Anppccros

l . Pentatonic = R2 3 5 6 -C D E GA

2 . A r p e g g i o = R 3 5 7 - C E G B

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Examnrn 14:

& chapter3 Suesrlr[JTrofd [JsrNc TRraus

l. There are four notes outside of the CmajT chord which you can add to CmajT to achieve harmonic variery. The 6'hwhich is an A, the 9'h which is a D, and two notes outside of the C maior scale, the $5 which is Gil and the b5 whichis Gb.

2. Using these four notes in conjunction with the C major scale allows us to use five major triads as substitutions forCmaj7.

Exervrnrr ry:

Cmaj7 - Play a C major triad which gives you the R, 3, 5

Play a D major triad which gives you the 9,b5,(frll),6

Play an E major triad which gives you the 3,#5,7

Play an F major triad which gives you the 4, 6, R

Play a G major triad which gives you the 5,7,9

-In other words, on any major chord you can play a triad starting from the: Tonic

O a major 2"d

G a major 3'd

O a perfect 4'h

O a perfect 5'hExervrprE 16:

C rnaj 7 Cmajor 7 Crnajor 7

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Prcn<rn*cChapter 4

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1. The right-hand fingers are designated by the of their Spanish names:

Enslish Name

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Index

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These chords are crearedusing a Bbmajor arpeggioover a C7 chord.

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Chapter 10 C,V-F NIpuOnlC NIINOR A 4'H AgOVB >b6 ADDED

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Chapter 14

Ustn*c Ma"uon TRmns ro ExrENlD DoMINIANIT 7'" CuoRo

Nine triads work over a dominant 7'h chord.

Interesting dichotomy-simple sound (pure) that sounds dissonant.

Ex-rvrrrn 13:

ExeunrE 14:

C major as Cfimajor asC7 C7

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Eb major as F major asC7 C7

l. C major

2. C$ major

3. D major

4.Eb mqor

5. F major

6. Ff, major

7. Ab mqor

8. A major

9. Bb major

3

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fr5/b13

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b9

r9

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D major asC7

Ffl major asC7

Ab major asc7

Bb maiot asC7

b - ,----lbe '

If the above chords work, lines derived from these chords will also work.

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