jonathan's design portfolio
DESCRIPTION
Environmental Design PortfolioTRANSCRIPT
jon
kimjon
internship
portfolio
2012
I am
Jona
than
Kim
a 3rd
year
Enviro
nmen
tal D
esign
er
@ Art
Cente
r Coll
ege o
f Des
ign
SPRING
2012 hello
iNTRODUCTIONHello,
This portfolio is an overview of the work I’ve done at Art Center College of Design while studying Environmental Design.
We create spaces designing from the user out: humancentric design. The individual persons experience is our main concern, also focusing on branding.
Please take a look through my projects and if anything interests you or you have any questions, feel free to contact me
[email protected] 963 4566
2009
2012 resume
jon
what i’ve experienced
things I’m good at
2010: Johnson & Johnson sponsored project @ Berlin, Germany
Test lab Berlin: creating new product for, and developing
a strategic plan to announce and promote the new launch
2011-2012: Sponsored Designstorm @ Art Center College of Design
3 day design charrettes where the results are research, brainstorming, and idea development for: Showdown Displays, RapidRack, PolyOne
2010-2012: Student worker@ Art Center College of Design
Rapid Prototyping Lab Assistant, Laser Lab Assistant, Print Lab Assistant.
Teachers Assistant: Rapid Prototyping, Illumination, Exhibit Design, Retail DesignArt Center Student Government: Environmental Design Representative
Things i love programs im good at programs i love
recognitions
research graphics sketching presentation physical modelingwood shop working laser cutting/3d printing
3d modelingfabrication detailinghands on worklearning new stuffsnowboardingdownhill biking
autocadgrasshopperrhino vraybongolaminapepakuracoreldraw
rhinosolidworksphotoshop
2009-2010Art Center Gallery
2009-2011 Art Center Scholarship
illustratorindesignkeynoteimovieword/excelzprintmac/pc
cliniqueboutiue hotel
preservethepowder
technica
003001 002
an exhibit
for climate change
custom
performance
shoe store
escape
Los Angeles
compeedsports
vivo
norml
shenlongtower
004 005 006 007
a complete product
and experience
campaign
a sconce light
inspired by sound
a guerilla campaign
for a lobbyist group
a self sustaining
floating skyscraper
an ex
hibit w
hich v
isits
selec
t sk
i reso
rts an
d
open
s peo
ple’s
eyes
to cl
imate
chan
ge an
d
the e
ffect
it is h
aving
on th
e wor
ld
SPRING
2010 PRESERVE
THE POWDER
project briefDesign an exhibit from its program content,
form, location, and more.
The topic of my exhibit came out of my passion for snowboarding. I figured to get young people to listen to
something about sustainability, it has to be about something they love.
By using snowboarding, and the love for the mountain that I share with many people, I created an exhibit which worked with many
influential snowboarders and companies to create an experience that will change the way people view climate change.
Burton is known as one of the father of snowboarding. His love and passion for boarding helped popularize the sport, he feels a true love for the sport.
Along with the love of the sport is the same love for the mountain and nature.
by 1982, burton was hosting international competitions, and making programs that revealed their brand values. programs like “chill” gave undeserving kids the chance to board, and “learn to ride” taught all genders and ages how to board.
the most recent programs “the stash” start to take an environmentally conscious stance and builds terrain parks only from materials found on the mountain.
in 2008, they started the green mountain project, which started the integration of environmentally friendly practices and materials.
brand history
research
THE PROJECT STARTED
off as an exhibit for
Burton Snowboards, but
eventually turned into
an exhibit about climate
change sponsored by
various snow industry
brands
Climate change IS happening.
Burton’s first step is Green Mountain Project, but a very small one. Because of the brands deep connection to the sport, I thought it would make sense for Burton address this issue more publicly through an event.
the age group starts at teens and young adults, and does not have an upper cap. it is for the active outdoor people, who love enjoying nature and the thrills it provides.
whether it be jumping out of a plane, taking a leap of faith, or concuring a mountain, they are open to the idea.
but mostly, its for the person who en-joys snowboarding and skiing, and just loves snow
By using Burton’s brand, we can reach out to the younger teens and adults by creating a connection with climate change and something they love: the snow
why this matters
demographic
THE EVENT WILL BE EXHIBITED AT THE TOP 10 ENVIORNMENTALLY CONSCIOUS SKI RESORTS. This acts as a system to recognize resonsible resorts, and reward them with publicity and increased revenue.
The event space will be located between the ski lift and the resort, where there is normally a large plot of land.
site analysis
Alpine MeadowsSquaw Valley
NorthstarMt. RoseHeavenlyKirkwood
Sierra
research
THIS PHASE DECIDED
the basics of the exhibit.
Where it would go,
and what the programs
would be.
Because of the location, the construction materials must be light, transportable, and most of all weatherproof.
Aluminum tubing allows for a lightweight structure that can be taken apart and put together simply with bolts.
material selection
The aluminum structure is then covered with Gore Tenara Architectural Fabric FT20HF. This material does not discolor under UV, and is uneffected by acid rain, salt water, and extreme temperatures.
The material is also extremely durable and is recyclable once used.
THE STRUCTURE
was modeled and 3d
printed from Rhino, and
construction drawings
were drafted from
Autocad.
These details are how the poles come together and how the fabric
wraps around the poles and continues to the ground rib structure.
The overhead truss structure juts over and creates a “shingle” to
protect the interior from snow but still prevent the structure from
becoming damp. structure
The contruction method goes as such..
1. Lay out ground structure.2. grow vertical poles up3. add truss on top4. paneling on top of truss
set up
1
2
3
4
After the floor is set down, vertical poles and the overall frame is put up.
Then, the modular truss system is bolted together row by row to
provide easy construction.
18" GUSSET PLATE
PREFAB CROSSMEMBER (2/21)
PREFAB CROSS MEMBER (1/21)
1" GUSSET FRAME
CROSSMEMBERGUSSET
3" ALUMINUM TUBING
form development
Different materials were explored to create a space that reflected the brand adjectives.
Paper allowed for smooth shapes using curves, which then became the geometry used to create the tube structure.
sketch model
THE SHAPE OF THE
exhibit was explored
through sketch modeling,
then quickly moved into
3d to fine tune the form.
Using the sketch model as a base, the form changed through the 3d model, sketches, and more sketch models.
The construction method chosen was architectural fabric over a frame, so surface curvature analysis was done to create the form with the least flex
digitized
2
4
3
The introduction area has places to put your equipment, and panels which lead you in
The shape of the entrance funnels in riders, and the direction of it catches them after they come down from the lifts.
Panels of images and time lapse videos provided by Extreme Ice Survey introduce you to the problem at hand
Sustainable boards are displayed overhead inspired
by the progression of a snow boarder jumping through the air
1
An ice sculpture lies in the middle of the room under a melting form. As you get closer, you trigger heat lamps which starts destroying the piece of art
narrative
THE EXPERIENCE IS
separated into 5 sections,
explained through
renderings and called out
in the floor plan.
1
2
3
4
5
Large “iceburgs” containinformation on alternatives, and suggestions on how to be a more sustainable snowboarder.
floorplan
5
model
THE FINAL PHYSICAL
model was built out of a
3d printed top, placed on
thin wire and paper.
a high
tech
shoe
stor
e tha
t pro
vides
user
s
with a
highly
custo
mize
d and
optim
ized p
air
of at
hletic
shoe
s.
FALL
2009 technica
project briefThis project was to envision a new shoe retail
experience as a built environment; a space for people to define their body’s relationship to the
ground, their image and identity which is driven by fashion, and performance and health. This is NOT an ever
day shoe shop, this is a truly unique retail experience that goes beyond simply the shoe.
Basing the model off the custom aesthetic shoe trends, I created a shoe store that gave the user custom performance enhancements.
Different types of training techniques were researched, as well as science and technology that could be used to help athletes reach their maximum potential.
sport and technology
research
THE TOPIC I CHOSE
to infuse with shoes is
technology. I chose this
because I am fascinated
with technology and
gadgets and new
advancements that allow
people to do things that
they were not capable of
doing before.
Visits include similar retail stores and training centers. Items under investigation here were program spacing, graphics, technology, textures, and interviews.
case studies
There are many other sources like Adidas Mi, nikeID, or Mongolian BBQ to get a custom shoe, so what makes this experience unique?
What we offer is more than just the aesthetic appeal of a shoe. This venue focuses primarily on the performance aspect of the shoe. The aesthetic portion however is not left out, as there will be a monthly change in stock to follow the hot trends of the current market.
This venue will focus mainly on young to mid age adults of all nationalities and gender. The venue is specialized for committed athletes, who put there all into the sports they play. They are more susceptible to paying a larger sum for customized, higher end gear.
competition
demographic
The development of my own brand covers aspects from the brand name, the quality and feeling the brand is going for, as well as concept generation and logo developments.
brand development
process 1
THIS STAGE WAS
developing the brand
off of the research I had
done. As well as initial
space planning.
15'-2 3/16" 32'-10 13/16"
74'-8 1/16"
14'-11 1/16"42
'-3"
27'-1
1 1/
2"14
'-3"
20'-8
"
8'-2
"
11'-8"
The site is located on Melrose Ave, a retail heavy street. Existing dimensions were taken, and the surrounding environment was also noted. Later, the billboard is utilized as part of the design.
Using my own body was the best way to find the right measurements for the motions and programs that would be taking place.
Full scale tape mock ups allowed me to find a running footprint with the right area and safety.
site analysis
self proofing
process 1
process2
process 1
the pitch
end pitchTHIS STAGE BEGAN
to form the actual retail
store based on the
required dimensions of
the exercises, and the
required space for each
program
After a program and experience matrix was made, programs were explored through sketching.
programmingsequence
area name
activities
capacity
emotion
materials
fixtures
dimension
1
Approach
Walk by, Jump Test
3-25 (0)
Intriguied, Competitive
Data & Colors
Jump Test, Sign In Screen
Sidewalk
2
Entrance
Sign In/ Info
2-5 (1)
Impressed
Geometric Shapes
Turf Walkway
4'x8'
3
Browsing
Look at Displays & Testing
4-15 ( 2)
Amazed, Curious
White Glow, High Tech
Shoe Displays
1'x15'
5
Production
Rapid Prototyping
1-2 (1)
Amazed
Metals, Laser
Rapid Prototype Machine
4'x8'
4
Testing
Laser Scanner, Running, Jumping
1-2 (3)
Invigorating, Active
AstroTurf, Track
Scanner, Screens, Computers
All Leftover Space
7
Leaving
Walk Away
1-4 (0)
Satisfied
Data & Color
None
2'x5'
6
Purchase
Recieve Shoe
2-4 (1)
Excited
Metals, Glass,
Cashier
2'x8'
These different programs were explored through sketches, as well as sketch models
sketch & models
the pitch
THE MIDTERM
presentation was the
usual: Verbal presentation,
board with narrative
sketches and renderings,
and last but not least
physical model
3
The facade approach shows a moving graphic of dots, slightly representing a foot.
Sign up for the Technica experience. and while you’re waiting an automated shoe “vending machine” brings you your product.
When its your turn, a technica tech inserts a pressure sensitive insole, and leads you through a series of exercises that push your limit.
While you review footage of yourself to improve your techniques, the pressure information is translated to a custom 3d printed inner sole.
narrative
quick ideas generation and variations were done through sketching and I came up with an interactive facade blind idea.
analog
process2
THE FACADE
development was done
through a mix of analog
and digital
The good ideas were developed in the computer, and resketched
digital
end pitch
THE MAIN MOVE IN
the final design was an
interactive wall which
became a ghost timer for
your run. Made of OLED
panels, they could twist
and also display graphics.
This movement and
image also effects the
facade and draws people
in.
The main move in the final design was an interactive wall which became a ghost timer for your run. Made of OLED panels, they could twist and also display graphics. This movement and image also effects the facade and draws people in.
ghost timer facade
a high
end l
uxur
y bou
tique
hote
l for t
he
femini
ne co
smet
ic br
and C
liniqu
e.
SUMM
ER
2010 CLINIQUE
project briefBrief: Design a hotel located on Hope St, Los
Angeles.
Environmental Design 3 will explore issues related to small-scale boutique hotels in the context of branding and
the Los Angeles area’s urban fabric.
The design will encompass the entirety of the hotel experience from arrival at the site to sleeping in style. Project developemnt will
consider the nature of the experience and its relationship to hospitality, sources of insipration, and its relationship to space-making.
The first 7 weeks was dedicated to designing the public ground floor, and the following 7 weeks revising the ground floor, as well as designing the suite room and
how these are tied together through the facade.
For this project, I chose a brand which was not my own demographic and interest category to see if I could design for somebody other than myself
Clinique believes that the layering of 3 treatments is better for you.
Each spatial environment will be related to each step. With each step comes an increase in privacy, and luxury.
brand analysis 1 Cleanse/public/water therapy
2 Exfoliate/semi private/body scrub
3 Moisturize/private/3step personal spa
research
The footprint of the building is 100’ x 157’. The space alloted for the public space is 3500 sq ft. and can reach up to a 20 foot ceiling.
Each program of the hotel is given a certain volume, and is placed within the boundry; reorganizing until the optimum layout is designed.
volumetric massing
The location is between the 110 and 10. It is situated in Los Angeles down the street from the Staples Center.
The Clinique Hotel provides an escape from the hectic bustle of the city.
site analysis
100'-9"
160'-6"
100'-9"
72'-9"
160'-6"
The entrance cooridor that joins the street side to the parking structure stays the same.
The main circulation core is located in the middle of the entrance, and splits up the private and public programs.
The restraunt takes the main corner because it is the most busiest activity. The shape is shifted to one corner to create an asymetrical footprint.
final massing
process 1
The entrance has a 3 level inset to make the transition from public to private
more noticable.
entrance
THIS PROJECT STARTED
its form development
based on the final
volumetric forms.
Each level of the door has a wall which extrudes into the building. The layered
effect seen while entering repeats the 3 layered effect like the product.
check in
retail
The shape was changed from an inset box to a oval. This changed the cluttered front desk, into a subtle and elegant one.
The retail is located behind the check in. The rooms and walls were offset from the original cut see in the main hallway. The individual rooms were canted outwards, to give more space to the individual client.
The form of the walls remain the same, and the entrance and exits are changed.
The elevators act as pillars and a gateway into the lounge.
Furniture and lounging chairs will be arranged along the walls, and a water feature is the centerpiece of the room.
lounge
Technical Drawings
the pitch 1
2
4
5
3
THIS PHASE MARKS
the completetion of the
public space design.
1
2 3
4
5
The entrance is high and grand, with soft light filling the cooridor
the check-in is slightly inset, from which a glowing light can be seen.
The glowing light comes from the private massage area.
The lounge is open to the bar and includes a large water feature in the middle.
the restraunt is a semi personal private dining scene where 1 chef cooks for 3 tables closeby.
The existing building is 150’x 95’ x 70’ and has a concrete column structure which cannot be altered. This will restrict the room layout to 2 long rows, divided by a hallway for circulation.
The dimension of one of these rooms is 35’x17’x12’
The room floorplan was explored through sketches, as well as fixture design.
The public space was also redesigned through sketches.
room restrictions
sketches
process 2
AFTER A PRESENTATION,
it’s back to the drawing
board with revisions of the
public space, as well as the
start of the private suite.
after sketching, designs were digitized to start tweaking small details
digital
the pitch
THE FINAL DESIGN WAS
communicated through
sketch and computer
renderings, as well as a
physical model for both
public and private spaces.
The lounge features a layered interior, to evoke the feeling of being “protected” from Los Angeles by multiple layers. Lighting is placed within these layers to make the level changes more pronounced.
The trickling noise of a water wall echos throughout the space creating a cool calming experience.
public space
The room is divided in half between the wet and dry section.
The wet section features the luxury of a 3 step personal spa system.
private space
Rebran
ding C
ompe
ed an
d cre
ating
the
perfe
ct ex
perie
nce t
o pro
mot
e our
new
prod
uct li
ne fo
r the
life o
f the
Ber
lin S
ports
addic
t.
SUMMER
2011 COMPEED
SPORTS
project brief
This studio took place in Berlin, Germany and primarily focuses on how the millennial generation
views health and wellness, an obvious decision when working for our sponsers Johnson & Johnson.
Our goal was to infiltrate Berlin sports culture, and develop a strategy on how we will create a new product and brand
experience that authentically speaks to them.
This was my first group project, and result of this project could not have been achieved without my partners, Terry Carr and Brandon Kim.
research
Sometimes it was as simple as watching them, looking for design opportunities, and taking in as much information as possible.This way, we can see how the people act without any outside influence.
observe it
WE HAD TO FIGURE out
what made these people
tick.
In order to do this, we had
to completely immerse
ourselves into their lives.
Do what they do, go
where they go, and play
what they play. We played what they played, drank where they drank, and watched what they watched. Actually participating was the best way to research sports, because we put ourselves in their shoes and created connections.
experience it
This included everything from grocery stores which sold medicine, sports
shops, and potential event locations. The park also became a weekly spot, for
research, and for hanging out.
site visits
Communicating with our user or Urban Sportser was also done through all
processes. This allowed us to hear their voice, gather information off of a truely
authentic source.
talk to them
processAfter 3 weeks of research and soaking in Berlin, the first step was dumping all that information we gathered into tangible form.
This took form through mind mapping, physical mapping, and creating a visual language around our topic
sketching
WE WERE GIVEN A
small room as our studio,
and we completely
emerged ourselves into
the Berlin world of sports.
We continued
designing through more
brainstorming, sketching,
3d modeling, physical
modeling, and more
research.
Physical and 3d models were used to get a quick feel for the form, and to take photographs for overlaying sketches.
modeling
Our strategy combines Compeed with Tylenol Precise which is a heat cream, applied to muscle aches and strains.
Combined, these 2 products create Compeed Sports, a high strength flexible and wearable kinetic tape which applies heat to sore muscles.
brand
the pitch
ii ii
OUR FINAL PITCH
was a rebranded
Compeed, along with an
advertisement campaign
leading up to an event
held throughout Berlin.
From a list of 9 brands, we chose Tylenol, Aveeno, and Listerine. Tylenol being the obvious choice, we also chose 2 wild cards. After SWOT analysis and talking to Johnson & Johnson, we ended up going with the brand Compeed.
brand decision
A warm up spray, or cream can be applied to muscles before an intense game, to help warm you up on a cold day to help prevent injuries.
A kinetic tape like bandiad will aid in compression and tension of your muscles, allowing you to more easily move your body while you are healing.
Finally, an after workout product will help soothe your muscles after a long day of playing, getting you ready for tomorrow, and the next day of games.
A quick repackaging of their existing colors and imagery shows the impact of our rebranding from a clinical brand, to a sporty one.
before during after
the pitch
Our advertisements utilized Berlin’s infastructure: the popularly used transportation systems of Berlin and we applied our product to 24 hours systems.
advertisements
THE STRATEGY WAS TO
create a 3 part plan which
would introduce our new
product to Berlin. This will
be done through the first
stage: Warm Up, a guerilla
ad campaign utilizing all of
Berlin’s landscapes: parks,
abandoned buildings,
commercial zones, and
public transportation
systems
Berliners don’t let anything stop them, whether its the time, or the weather, or their geographical location. Whatever they do, they keep moving and keep playing. Our ad campaign is based on this idea, of keeping the Berliners moving, allowing nothing to stop them, just as our new product will allow them to do.
Potholes and cracks in the roads were also covered up not just for functionality, but to convey the message of helping you get over obstacles.
Bikes are very widely used in Berlin, so speaking to them there makes the most sense. We placed these bike pit stops with pumps, and patches, to allow the Berliner to keep on going after a flat.
Our bus stop installation keeps Berliners moving at all times, even when sitting and waiting for the bus.
Users can ride the bike pedals to power a heat lamp overhead. This is perfect for an early introduction during the cold rainy season in Berlin before Summer
1
2
3
4
the pitch
BERLINERS WILL BE
exposed to each new
product throughout the
Berlin Marathon: a series
of events scattered
throughout Berlin. There is
no route from check point
to checkpoint, allowing
the Berliner to find their
best path
1
2
4
3
The first event is a warm up bike ride. It starts in the high profile area of Bikini Berlin, then moves deeper into the true Berlin scene.
The second product DURING is received at the bottom of the wall. It
helps you keep climbing even though your muscles get fatigued.
After scaling the wall, you can go through the building, and jump out the other end, onto a Compeed air mattress, then on to the next event.
The last event is a Compeed party, at Berlin Island. The finish line is a glorious
river jump, or a tight rope walk. This event is the final cooling off stage
starting line
first event
second event
last event
the pitch
WE WERE GIVEN A
space on the bottom
floor of the studio we
worked at and were
required to create an
environment for our final
presentation to J&J and
Berlin Partner developers.
This is a progress of our
installation.
plan
prep
install
The site was the ground floor of Bikini Berlin, a rundown coffeeshop waiting for construction. We painted the walls dark to make the panels pop, and installed projectors in the right places.
We tore up strips of a taught but slightly flexible fabric purchased at a local fabric store. This material would allow us to span a large distance but allow
test & final
The bands represented our product wrapping around the column of the building. These bands became individual projection screens. Coordinating 2 computers to run each side was a challenge, as well as making sure the sequence was in order
an ad
justab
le wall
scon
ce th
at all
ows t
he
user
to co
mpo
se di
ffere
nt qu
alitie
s of li
ght
with its
2 pa
rts, S
tacca
to &
Lega
to
FALL
2011 VIVO
project briefBrief: Design a lighting using Birchwood
Components.
The components I chose were a 4 point high output LED board. Our unofficial sponsers graciously provided our
class with components.
The concept of this light is based off sound. There are 2 modular sizes, Staccato: a 10” sconce, and Legato: an 18” sconce. They can
be played together like different notes, and can be slide apart to allow a warm light to leak out and “sing”.
concept
VIVO
is the translation of sound
into a sconce light. The
user has the ability to
create any composition of
“notes”
staccato legato
formfinding
VIVO
is the translation of sound
into a sconce light. The
user has the ability to
create any composition of
“notes”
sound waves
After analyzing soundwaves, each form was abstracted from each beat, and turned into 3d.
The final form became more simplier to focus on the light more than the shape of the light.
development
The shape and joinery method was explored through Rhinoceros 3d and physical mockups.
the build
To minimize costs, all
fabrication except welding
was done by me in the
school model shop.
the pieces were water jet,
and bent on a brake bend.
After welding together
edges were grinded flat.
The pieces were water jet, and bent on a brake bend.
The bottom and top piece were welded together, and grinded and sanded until the edges were flat and butted up against each other.
1
2
The holes and imperfections were filled in with bondo to create a smooth surface. They were then painted and sanded until smooth and consistent surface.
Interior material finishes were explored for different reflection finishes: Spray paint, mirrored vinyl, and gold/copper
flakes were applied.
3
4
Reinvis
ioning
the t
raditio
nal lo
bbyis
t gro
up’s
strate
gy by
takin
g adv
antag
e of t
oday
’s
tech
nolog
y and
using
a gu
erilla
style
d
cam
paign
.
FALL
2011 norml
project briefCreate a pop up experience that can be easily
moved from location to location that uses material less than 2 meter x 2 meters.
The brand chosen for this event is NORML, a non profit organization whos mission is decriminalize marijuana.
Now its 2011, and technology is everywhere and times are changing. People are revolting for what they truly believe in all over
the world like Occupy Wallstreet, and the revolts in Libya and Egypt where social networking was integral to its success.
This rebranding and restrategizing of the traditional lobbyist group’s approach will use the revolters same guerilla styled campaign and use of technology to
acheive NORML’s goals.
the case
THERE ARE MANY
facts for and against the
legalization on marijuana,
but one fact remains
clear: trends are showing
a consistent increase in
support in legalization.
It is only a matter
of time until the scales
are tipped, & this
campaign will that tipping
point.
the model
2012 was a also year of riots, protests, and uprisings. People have started to get fed up and are taking action into
their own hands.
Their mentality and methods of using their own voice will be adapted and
applied to NORML.
the problem
The face of the organization NORML, that is fighting the war on drugs is outdated, and does not have much impact with the millenial generation.
Their web and ad presense is almost non existent, which is a problem when trying to get communication their message: VOTE
rebrand
THE FIRST PHASE
was a facelift on their
existing logo using more
modern fonts and a color
scheme that is familiar to
the millenials.
The graphic inspiration comes from deconstructivist and Russion
revolutionist graphics, which evoke a sense of movement and rebellion.
NORML
lets legalize
itfinal design
conceptTHE PODS WILL BE
released among college
campus’s that are located
in liberal states where
marijuana has been
decriminalized.
The message will be
planted and spread from
there.
Empty footprints representing the non voters will be placed around the pod to direct people’s attention.
By turning the yes knob, a sheet of sticker paper comes out with a
mission brief.
1 say something! use the stickers2 let everyone else know3 vote yes on prop 19
say something! spread your message with the stickers
let everyone else know!
vote yes on prop 19! 5/12/2012321
& beyond
TODAY’S ONLINE
society has created a
great breeding ground to
gather up forces.
Thanks to the internet
and social networking
groups, these events and
uprisings can become
viral and spread quickly.
Spawning at major metropolitan and happening cities, the word will then spread throughout America.
This process will be helped along through the web.
Facebook will connect colleges to each other to create a feeling of camradery and to let each other
know that everyone is thinking the same thing.
Users will be encouraged to spread the word by placing stickers
anywhere and everywhere, and uploading them to NORML’s website.
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SPRING
2011 shenlong
tower
project briefThis project was an annual competition for
eVolo skyscraper. Because of our late start, the project was only developed for 10 days with 3 other
colleages: Mikey Nitro, Joshua Wong, and Ini Archibong.
The brief this year was to redefine skyscraper design through the use of new technologies, materials, programs, aesthetics,
and spatial organizations, along with studies on globalization, flexibility, adaptability, and the digital revolution.
This is also an investigation on the public and private space and the role of the individual and the collective in the creation of a dynamic and adaptive
vertical community.
site
The site, Victoria Harbor
in Hong Kong, has limited
land space, heavy air
pollution, and limited
freshwater. Shenlong
Tower is a self sustaining
visionary skyscraper
that addresses these
problems.
Three of the major problems that Hong Kong faces is limited land space, heavy
air pollution, and limited freshwater.
EXECUTIVE SUITES
RESIDENTIAL
COMMERCIAL SPACE
2
1
OUTDOOR SPACE
AGRICULTURAL ZONE
PUBLIC DOCKS
PRIVATE DOCKS
CIRCULATION
technology
SHENLONG TOWER IS A
self sustaining visionary
skyscraper, which utilizes
new and old technology to
create an environmentally
friendly building.
The Shenlong Tower utilizes geothermal cooling, lowering the bottom surface temperature of the three spirals to the dew point, which will produce large
amounts of freshwater throughout the day. The triple helix form maximizes the available surface area for the condensation to occur and allows the air to flow through and bring more moisture. The massive heat exhaust generated from
geothermal cooling is stored in the floats and reused to heat the building.
geothermal energy powers condensation plates heat distributed between heating water and cli-mate control
geothermal heat exhaust gathered
The Tower sustains itself by floating directly on the water, which generates its own energy through a multi-layered skirt that utilizes the pressure created from the ocean current and breaks created by boats arriving at its docks. The three island support structure will create more dock space for the heavy population of ships and private boats and also be the primary green spaces for the skyscraper.
