joseph cornell boxes. he often described himself as a maker because he valued his natural and...

27
JOSEPH CORNELL BOXES

Upload: greta-hollinsworth

Post on 30-Mar-2015

213 views

Category:

Documents


0 download

TRANSCRIPT

Page 2: JOSEPH CORNELL BOXES. He often described himself as a maker because he valued his natural and spontaneous origins as an artist. Making something
Page 3: JOSEPH CORNELL BOXES. He often described himself as a maker because he valued his natural and spontaneous origins as an artist. Making something
Page 4: JOSEPH CORNELL BOXES. He often described himself as a maker because he valued his natural and spontaneous origins as an artist. Making something
Page 5: JOSEPH CORNELL BOXES. He often described himself as a maker because he valued his natural and spontaneous origins as an artist. Making something
Page 6: JOSEPH CORNELL BOXES. He often described himself as a maker because he valued his natural and spontaneous origins as an artist. Making something

He often described himself as a maker because he valued his “natural” and “spontaneous” origins as an artist.

Making something new from nothing or the pre-existing is critical to the processes of many artists. It is also central to the modern concept of creativity as the collision and recombination of ideas.

Traditions can be reinterpreted; connections can be forged between the seemingly random or disparate.

Page 7: JOSEPH CORNELL BOXES. He often described himself as a maker because he valued his natural and spontaneous origins as an artist. Making something

Cornell believed that artists renew and transform materials, experiences, and ideas, and this belief fueled his ability to communicate the beauty and magic in ordinary, often forgotten things.

He used the “irrational juxtaposition” of objects to engage the viewer and to create interest.

Page 8: JOSEPH CORNELL BOXES. He often described himself as a maker because he valued his natural and spontaneous origins as an artist. Making something
Page 9: JOSEPH CORNELL BOXES. He often described himself as a maker because he valued his natural and spontaneous origins as an artist. Making something
Page 11: JOSEPH CORNELL BOXES. He often described himself as a maker because he valued his natural and spontaneous origins as an artist. Making something
Page 12: JOSEPH CORNELL BOXES. He often described himself as a maker because he valued his natural and spontaneous origins as an artist. Making something
Page 13: JOSEPH CORNELL BOXES. He often described himself as a maker because he valued his natural and spontaneous origins as an artist. Making something
Page 14: JOSEPH CORNELL BOXES. He often described himself as a maker because he valued his natural and spontaneous origins as an artist. Making something
Page 15: JOSEPH CORNELL BOXES. He often described himself as a maker because he valued his natural and spontaneous origins as an artist. Making something
Page 16: JOSEPH CORNELL BOXES. He often described himself as a maker because he valued his natural and spontaneous origins as an artist. Making something
Page 17: JOSEPH CORNELL BOXES. He often described himself as a maker because he valued his natural and spontaneous origins as an artist. Making something
Page 18: JOSEPH CORNELL BOXES. He often described himself as a maker because he valued his natural and spontaneous origins as an artist. Making something
Page 19: JOSEPH CORNELL BOXES. He often described himself as a maker because he valued his natural and spontaneous origins as an artist. Making something
Page 20: JOSEPH CORNELL BOXES. He often described himself as a maker because he valued his natural and spontaneous origins as an artist. Making something
Page 21: JOSEPH CORNELL BOXES. He often described himself as a maker because he valued his natural and spontaneous origins as an artist. Making something
Page 22: JOSEPH CORNELL BOXES. He often described himself as a maker because he valued his natural and spontaneous origins as an artist. Making something
Page 23: JOSEPH CORNELL BOXES. He often described himself as a maker because he valued his natural and spontaneous origins as an artist. Making something

Cabinets of CuriosityThe 'Cabinet of Curiosities' was originally a personal collection of things of wonder (the cabinets were also referred to as Wunderkammer - or Cabinet of Wonders).

These cabinets reached the peak of their popularity in the 17th Century; they were the personal and often idiosyncratic collections of individual, wealthy owners and contained both natural and man-made objects

Page 24: JOSEPH CORNELL BOXES. He often described himself as a maker because he valued his natural and spontaneous origins as an artist. Making something
Page 25: JOSEPH CORNELL BOXES. He often described himself as a maker because he valued his natural and spontaneous origins as an artist. Making something

Maissa Toulet Curiosity cabinets

Page 26: JOSEPH CORNELL BOXES. He often described himself as a maker because he valued his natural and spontaneous origins as an artist. Making something
Page 27: JOSEPH CORNELL BOXES. He often described himself as a maker because he valued his natural and spontaneous origins as an artist. Making something