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Kiarostami, a man whom Iranian Cinema is proud of

Marjan Riahi

The history of religions shows that most prophets were appointed and

then lead their followers in their middle ages. Abbas Kiarostami also got his

global fame while he was a middle aged director and truly, he could affect

the most on younger Iranian directors.

At that age, Kiarostami walked on the red carpets of several

outstanding festivals and his name entered the list of best directors of world

cinema. A director whom the world believed and had faith in his simple view

about life.

Iranian photographer, graphist, author and director suddenly turned to

be the idol of Iran cinema, after winning the gold palm in Canne festival. His

photographs received gladly by audiences in Iranian and international

galleries. He published his own collection of Hafez and Sadi poems and hit

the best selling book records in Iran, while global success of his movies

increased the huge number of his fans. These admirers are mostly young

directors who seek the secret of his achievements and want to walk on the

same road.

In the last two

decades, no other

Iranian director could

ever touch on young

Iranian directors. For

them he was like a

chevalier who could

overcome all the

hardship of directing

commercial movies

and show them lights

of hope. He proved that cinema does not need heavy cameras, negative andcosts for scene or super stars with million dollars contracts.

Watching movies like Under the olive trees and Taste of Cherry, Iranian

young directors understood that cinema can go on without super stars.

Moreover,ABC Africa, Ten, and Five helped them to find out that the magic of

cinema can be created by small digital cameras. He was the pioneer of digital

revolution in Iran. His behavior made young directors believed that only with

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S I L H O U E T T E

a creative idea and one small digital camera, they can impress the world. But

with all his creativity, Kiarostami was a double-edged sword.

Some learned from him then found their own ways and shined like a

star in the sky of cinema. Directors like Jafar Panahi, Bahman Ghobadi, and

who were his assistants at the early steps. Even Niki Karimi in her first

movie One Night which was an acceptable one was totally affected by

Kiarostami.

On the other side, there were a huge number of youths seeking for

fame. They thought they can reach where he was in just one day by only

copying his frames and directing style. Unfortunately, a young generation

entered Iranian cinema industry slowly, who has no idea but to reach the

position of Kiarostami.

Hundreds of short films which were blind copies of Kiarostami, were

made with no creativity. The sad point is that these copies welcomed by

several small and big world festivals and as a result more Iranians especially

those youths from small cities were encouraged to do the same.

But recently, Abbas Kiarostami holds some workshops about directing.

These workshops give his followers the chance to become familiar with his

views. Some of his students became remarkable directors in the short film

area. But regarding the high costs of these workshops, unfortunately, some

attendants only try to show off and just talk about being his student.

Honestly, I have to admit that Kiarostami is the man who Irans Cinema

is proud of. He shined like a star in the sky of World Cinema and got the

respect because he had faith in his talents, abilities & look to both cinema

and life.

Then I hope one day, those who copy his method, master pieces, and

even those dark glasses understand that the only way to become a legend is

being unique and original.

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