killers - sam's town.pdf
TRANSCRIPT
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Moderate Rock q = 142
Sam’s TownWords and Music by Brandon Flowers, Dave Keuning, Mark Stoermer and Ronnie Vannucci
Copyright © 2006 UNIVERSAL MUSIC PUBLISHING LTD.All Rights in the United States and Canada Controlled and Administered by UNIVERSAL - POLYGRAM INTERNATIONAL PUBLISHING, INC.
All Rights Reserved Used by Permission
from The Killers - Sam’s Town
One,
Drop D tuning, down 1/2 step:
(low to high) Db-Ab-Db-Gb-Bb-Eb
Spoken:
Intro
µ
two,
one, two, three, four.
C5
*Gtr. 2
*Gtr. 3divisi
f
mf
*Synth arr. for gtr.
**Gtr. 1 (dist.)
f let ring
**Two gtrs. arr. for one.
D5
910
1010
1013 10 13 10
3X013
3X013
3X013
3X013
3X013
3X013
013
3X013
3X013
9
1013
1013
10
1013
910
12 710
1010
1013 10 13 10
1013
1013
3X013
3X013
3X013
3X013
3X013
3X013
3X013
3X013
0000
00023
00023
00023
00023
00023
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Bb
Gm
Gm(add9) Gm
Gtr. 2
Gtrs. 1 & 3 tacet
Riff A
*
mf
Bb Dm
let ring let ring
Gm
let ring
Bb Gm7
let ring let ring
DmEnd Riff A
let ring
*Chord symbols reflect implied harmony.
Gtr. 1
Gtr. 2: w/ Riff A
Bb
mf
Dm Gm Bb Gm7 Dm
10
1013
910
12 710
1010
1013 10 13 10
1013
1013
00023
00023
00023
00023
00023
00023
00023
0000
0000
13331
13331
13331
13331
13331
7
1013
10
1012
8
1010
1010
13 10 13 1010
1310
1310
13 1012
13331
13331
13331
01
5333
5333
5333
5333
5335
5333
5333
5333
13
1515
15
17
1918
19
10
1211
12
13
1515
15 015
1315
0
1817
18
8 12 12 5 5 8 8 5 5 0
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Verse
2nd time, Gtr. 4 tacet
Bb5
No
I
1.
2.
bod
took
- y
a
- ev
shut
D5
er
tle
-
-
had
on
a
a
dream
shock
G5
’round
wave-
here,
ride
D5
but
where
I
peo
Bb5
don’t
ple-
real
on
ly
the
- mind
pen
G5
that
pull
it’s
the
*Gtr. 1
P.M.
*2nd time, resume playing mf .
start
trig
D5
ing
ger
-
-
to
for
get
ac
G5
to
co-
me.
lades.-
Bb5
No
I
bod
took
- y
a
- ev
bul
D5
er
let
-
-
pulls
and
the
I
seams
looked
G5
’round
in
here,
side,
D5
-
but
and
P.M.
I
run
Bb5
don’t
ning-
real
through
ly
my
- mind
veins
G5
that
an
it’s
A
start
mer
D5
-
ing
i
-
-
to
can-
get
mas
G5
to
quer-
me.
ade.-
Pre-Chorus
F
I’ve
I
got
still
this
re
en
mem
Gm
-
er
ber
-
-
gy
Grand
- be
ma-
-
P.M. let ring let ring
neath
Dix
C5
my
ie’s-
feet
wake,
Bb5
like
I’ve
some
nev
Eb
thing
er
-
-
un
real
der
ly
-
-
ground’s
known
F
- gon
an
na
y
-
-
come
bod
Dm
-
up
y-
and
to
car
die
Eb
ry
be
- me.
fore.-
let ring let ring let ring let ring let ring let ring
888
888
888
888
121212
121212
121212
121212
555
555
555
555
577
577
577
577
888
888
888
888
555
555
555
555
000
000
000
000
555
555
555
555
888
888
888
888
121212
121212
121212
121212
555
555
555
555
577
577
577
577
888
888
888
888
555
555
555
555
000
000
000
000
555
555
555
555
810
10
1010
12
11
12
1012
1312
810
11
06
8
8
88
10
10
105
7
6
76
8
8
8
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F
I’ve
Red,
got
white
this
and
sen
blue
Gm
ti
up
- men
on
-
-
tal
a
- heart
birth
C5
that
day-
beats,
cake.
Bb5
but
My
I
broth
Eb
don’t
er,-
real
he
ly
was
- mind
born
F
that
on
it’s
the
let ring let ring let ring let ring let ring let ring
start
Fourth
Dm
ing
of
- to
Ju
get
ly,-
Eb
to
and
me
that’s
now.
all.
F
So
Why
why
D
do
do
you
you
waste
waste
my
my
time?
time?
let ring let ring let ring f let ring
Chorus
G5
Is the an
D5
swer- to the ques
Eb5
tion- on
F5
your mind?
Bb
And I’m
sick
G5
of all my judg
D5
es,- they’re
so
so
scared
scared
Eb5
of
of
what
a let
F5
they’ll
ting- me
find.
shine.
D5
But I
810
10
1010
12
11
12 1012
1312
810
11
06
8
8
88
10
10
10
57
6
76
8
8
88
10
10
57
7
55578
55578
55578
00023
11134
33356
1333
1333
XXX
55578
00023
11134
33356
00023
00023
XXXX
XXXX
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C oT oda
D.S. al Coda
know
G5
that I can make
D5
it as long as some
Eb5
bod- y- takes
F5
me home
Bb
ev ’ry- now
Bm
and then.
Cm Cm7
D
Oh, have you
*
**Gtr. 4 (dist.)
Gtr. 1divisi
P.M.
mf
*Gradually lift P.M. **w/ mult i- tap de lay.
ev
BridgeGtr. 1 tacetGtr. 2: w/ Riff A (2 times)
Bb
er- seen the lights?
Dm Gm Bb
Gm7 Dm
Have you
Gtr. 4
1/2
ev
Bb
er- seen the lights?
Dm Gm Bb
Gm7 Dm
1/2
55578
55578
XXXX
XXXX
00023
11134
33356
1333
2443
3554
35X46
5777
57
57
57
57
57
57
57
57
15 17
57
57
57
57
15 18 1517
15 15 1517 17 15 15 7 7 15 17
15 18 1517
15 15 1517 17 15 14 14 14
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Coda
some
Eb5
bod- y- takes
F5
me home,
Bb
F/A Gm
woo,
G/B
ev ’ry- now and
then,
Gtr. 2
f
Gtr. 1
Cm
Dm
ev ’ry- now and then.
Gtr. 2 8v a
Gtr. 3 8v a
Gtr. 1
11 10 11 1012
11
134
33
356
1
333
0
321
55
53
55
53
910
97
11 13 11 13 15 13
13 15 13 15 16 15
3554
3554
3554
3554
3554
3554
3554
3554
3554
3554
3554
3554
3554
3554
3554
3554
5776
5776
5776
5776
5776
5776
5776
5776
5776
5776
5776
5776
5776
5776
5776
5776
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rit.
rit.
rit.
Slower q = 130
Half-time feel
Eb
F
You know,
Gtr. 2
*
Gtr. 3divisi
8v a
*8va applies to both gtrs.
Gtr. 1
I
Outro
***
**
Gtrs. 1, 2 & 3 tacet
Bb
see
Bb/D
Lon
Gm
don,- I
Eb
see Sam’s
Dm
Town,
Cm
Gtr. 4
Riff B
f
End Riff B
8v a
***Gang vocals, next 17 meas.
**Chord symbols reflect overall harmony.
holds
Gtr. 4: w/ Riff B (3 times)
Bb
my
Bb/D
hand
Gm
and lets
Eb
my hair
Dm
down,
Cm
rolls
Bb
that
Bb/D
world
Gm
right
off
Eb
my shoul
Dm
der.
Cm
- I
Bb
see
Bb/D
Lon
Gm
don,- I
Eb
see Sam’s
Dm
Town
Cm
1515
1515
17 15
1518 15 18 15 20
1718 2018 17
1817
1817
18
6888
6888
6888
6888
6888
6888
6888
6888
6888
6888
6888
6888
6888
6888
6888
6888
8101010
8101010
8101010
8101010
8101010
8101010
8101010
8101010
8101010
8101010
8101010
8101010
18 18 1718
1518 15 18
18 18 1718
1518 15 18
18 18 1718
1518 15
1715 18 15
1715 18 15
17
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rit.
rit.
rit.
now.
Outro
w/ crowd noise (till end)
G
Gtr. 4
mf
1/2
*Gtr. 5Riff C
mf
End Riff C
*Bass and trombone arr. for gtr.
Gtr. 5: w/ Riff C
**Gtr. 6
mf
**Strings arr. for gtr.
Gtr. 4
let ring
Gtr. 4
Gtr. 5divisi
3
16 16 16 16 16 12 12 12 9 9 9
5 0 5 0 5 0 5 0 2 4
12 10 12 10 12 13 12 1015
7 7 7 7 7 9 7 50
5 45 7
47 5 4 2 2 4
55
25
12 15 1210
12
12 1210 12 14 12 14 12 14 15
14
1215
16 14 16 14 1214 12 14 12
12
54 5
5
2 4
5 5
5 7
5
4
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Chorus
Moderately slow q = 69
Words and Music by Brandon Flowers, Dave Keuning, Mark Stoermer and Ronnie Vannucci
Enterludefrom The Killers - Sam’s Town
Copyright © 2006 UNIVERSAL MUSIC PUBLISHING LTD.All Rights in the United States and Canada Controlled and Administered by UNIVERSAL - POLYGRAM INTERNATIONAL PUBLISHING, INC.
All Rights Reserved Used by Permission
We
Tune down 1/2 step:
(low to high) Eb-Ab-Db-Gb-Bb-Eb
hope
Am
you en joy
C
- your stay.
F
It’s
*Gtr. 1
mf
*Piano arr. for gtr.
w/ fingers
good
Am
to have you with
G
us, e ven- if
F
it’s just for the day
C G/B
We
hope
Am
you en joy
G
- your stay.
C F
Out -
0
210
3
553
1
321
0
210
3
543
1
321
3
013
2
033
0
210
3
543
3
553
1
321
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side
Am
the sun is shin
G
ing,- it seems like heav
F
en- ain’t far a way.-
C G/B
It’s
good
Am
to have you with
G
us, e ven- if
F
it’s just for the day.
33
= Outro
*C G/B Am7
*Chord symbols reflect implied harmony.
G5
**T
F5
**T = Thumb on 6th string
0
210
3
543
1
321
3
013
2
033
0
210
3
543
1
321
3
3 5 35 3 5 3
5
2 0
53 3 5 3
5 3 5 35
0 33
3
3
1
0 31
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Moderately q = 130
When You Were YoungWords and Music by Brandon Flowers, Dave Keuning, Mark Stoermer and Ronnie Vannucci
Copyright © 2006 UNIVERSAL MUSIC PUBLISHING LTD.All Rights in the United States and Canada Controlled and Administered by UNIVERSAL - POLYGRAM INTERNATIONAL PUBLISHING, INC.
All Rights Reserved Used by Permission
from The Killers - Sam’s Town
Tune down 1/2 step:(low to high) Eb-Ab-Db-Gb-Bb-Eb
Gtr. 1 (dist.)
Intro
*
F%
mp
f
8fr
13 4
F57fr
13 4
E55fr
13 4
D5
13 4
C5
13 4
B5
11
A5
2 3
G5
Fsus2Rhy. Fig. 1
*Vol. swell
Gtr. 2 (dist.)
f
Riff A
G5 A7(no3rd) C5 Fsus2
End Rhy. Fig. 1
End Riff A
8
07
10
10
X
XXX
X
XXXX
1330
1330
1330
1330
1330
1330
1330
1330
1330
000
0
000
0
XXX
XXX
3X5
3X5
3X5
3X5
3X5
3X5
3X5
3X5
3X5
XXX
XXX
3550
3550
3550
57
07
57
07
57
07
57
07 0
000
0000
8
0
1010
8
0
1010
8
0
1010
8
0
1010
8
0
1010
8
0
1010
8
0
1010 0
000
0000
1330
1330
1330
1330
1330
1330
1330
1330
5X7
5X7
5X7
X7
9X7
9X7
9X7
9
XXX
XXX
X10
12X10
12X10
12X10
12X10
12X10
12X10
12
XXX
XXX
3X5
3X5
3X5
3X5
3X5
3X5
3X5
3X5
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Gtr. 3 (slight dist.)
Gtr. 1: w/ Rhy. Fig. 1Gtr. 2: w/ Riff A
f let ring
G5 A7(no3rd) C5
let ring
Fsus2
Verse
**F5
You1. sit there in your
Gtr. 3 tacet
G5
heart
A5
ache,-
C5
wait ing- on some beau
F5
ti- ful- boy to,
Gtr. 3
***w/ delay
*Gtr. 4divisi
f Riff B
Gtr. 4 End Riff B
**Chord symbols reflect implied harmony.***Set for sixteenth-note regeneration w/ 6 repeats.
*Bass arr. for gtr.
Gtr. 4: w/ Riff B
to save you from your
G5
old
A5
ways.
C5
You play for give- ness.- Watch it
F5
now, here he comes. He
does
Chorus
F'9
n’t- look a thing like Je
G
sus
Am
- but he
C
talks like a gen tle- man,-
F'9
like you i mag- ined- when you
Fsus2
Gtr. 1
Riff C
let ring let ring let ring let ring let ring
End Riff C
Gtr. 2
Riff C1
let ring let ring let ring let ring let ring
End Riff C1
75
58
47
5
58
7
7
1 1 1 1 3 3 3 5 5 5 5 5 8 8 8 8 8 8 8 8 1 1 1 1 1 1 1 11 1 1 1
810
100
101012
12
1214
13
1514
130
810
100
1330
1330
810
100
10 121010
12
12
1214
13
1412 15
14
130
810
10
3X5
3X5
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Gtr. 1: w/ Rhy. Fig. 1Gtr. 2: w/ Riff A
were young.
G5 A7(no3rd) C5
Fsus2
*Gtr. 5
f
*Synth. arr. for gtr.
VerseGtr. 5 tacet
F5
Can2. we climb this moun tain?-
G5
I don’t
A5
know.
C5
High er- now than ev -
(Ah.
Voc. Fig. 1
**Gtrs. 1 & 2
P.M.
**Composite arrangement
F5
er- be fore,- I know we can make it if we take
G5
it
A5
slow.
Ah.)
P.M. P.M.
1413
17 1512
1213
1413
17 15
14
8
10
8
10
8
10
8
10
8
10
8
10
8
10
8
10
10
12
10
12
10
12
12
14
12
14
12
14
12
14
12
14
15
17
15
17
15
17
15
17
15
17
15
17
15
17
15
17
810
810
810
810
810
810
810
00
810
810
810
810
810
810
810
810
1012
1012
1012
1214
1214
1214
1214
1214
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C5
Let’s take it eas y.- Eas y
F5
- now, watch it go. We’re burn
ChorusGtrs. 1 & 2: w/ Riffs C & C1
F'9
ing- down the high way-
End Voc. Fig. 1
P.M.
Gtr. 5
sky
G
line
Am
- on the
C
back of a hur ri- cane-
F'9
that start ed- turn ing- when you
Fsus2
Gtr. 1: w/ Rhy. Fig. 1 (2 times)Gtr. 2: w/ Riff A (2 times)
were young,
G5 A7(no3rd) C5
Fsus2
when you
were young.
G5 A7(no3rd) C5 Fsus2
And3. some -
1517
1517
1517
1517
1517
1517
1517
1517
810
810
810
810
810
810
810
00
14
12 13 1512
12 14
1413
17 1512
1213
1413
17 15
14
14 1413
17 1512
1213
1413
17 15
14
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Verse
F'9
times- you close your eyes
G
and
Am7
see the place
C
where you used to live
Gtr. 5
mf
Gtrs. 1 & 2
mf let ring let ring let ring let ring
F'9
when you
G
were young.
Interlude
Gtr. 1: w/ Rhy. Fig. 1 (2 times)Gtr. 2: w/ Riff A (2 times)Gtr. 5 tacet
Fsus2
Gtr. 6 (dist.)
f
let ring f
Gtr. 6
G5 A7(no3rd) C5 Fsus2
1215 15 12 13
1215
810
010
101012
012
1214
130
1514
013
15
15 12 1312
1521 21 21 21 21 21 21 21
810
010
8
010
10
8
010
10
8
010
10
8
010
100
1012
120
1012
120
1012
12
0000
21 21 21 21 21 21 21 21 21 21 21 21 12 12 12 14 14 14 14 14 14 14 14
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G5 A7(no3rd) C5 Fsus2
Gtrs.1 & 2
F5 E5 D5
Gtr. 6 tacet
C5 B5 A5 G5
They say the
Gtr. 6
P.S.
Gtr. 5
f
Dev
Bridge
Gtrs. 1 & 2 tacet
Dm
il’s- wa ter,- it ain’t so sweet. You don’t
F
have to drink right now,
Am
Gtr. 5
mp
*Gtr. 7
w/ fingers
mf
*Synth. arr. for gtr.
1413
17 1512
1213
1413
17 15
14
XX
XX
XXX
XXX
13 1215 13 13 12
14 1212
1715
15
0765
8
10108
79
108
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Em
but you can dip your feet
Am G
ev ’ry- once and a lit tle- while.
f
Gtr. 5 tacet
F
Gtr. 7 tacet
G5
A5 C5
F5
Fsus2
Gtr. 6
pp mf
Gtr. 6
Gtr. 1divisi
Gtr. 7
Gtr. 2
1518 17 15
7
987
0
141413
10
121210
12
1330
1330
8
10108
3X5
3X5
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Hey!
InterludeGtr. 1: w/ Rhy. Fig. 1 (2 times)Gtr. 2: w/ Riff A (2 times)
Fsus2 G5 A7(no3rd)
(Say.
C5
f
Fsus2
Ah.)
G5 A7(no3rd)
C5 Fsus2
VerseBkgd. Voc: w/ Voc. Fig. 1Gtr. 1: w/ Rhy. Fig. 1 (2 times)Gtr. 2: w/ Riff A (2 times)
Fsus2
You4. sit there in your
Gtr. 6 tacet
G5
heart
A7(no3rd)
ache,-
C5
wait ing- on some beau
Fsus2
ti- ful- boy to, to save you from your
G5
old
A7(no3rd)
ways.
C5
You play for give- ness.- Watch it
Fsus2
now, here he comes. He
21 21 21 21 21 21 21 21 21 21 21 21 21 21 21 21 21 21 21 21 12 12 12 14
14 14 14 14 14 14 14 1420 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
20 20 20 2012 12 12 14 14 14 14 14 14 14 14 14
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does
Outro-Chorus
G
n’t- look a thing like Je sus- but he
C
talks like a gen tle- man,
G/B
-
A5
like you i mag- ined- when
G5
you
Gtr. 5
Gtrs. 1 & 2
*P.M. let ring let ring
*Gradually lift P.M.
Gtr. 1: w/ Rhy. Fig. 1 (4 times)Gtr. 2: w/ Riff A (4 times)
Fsus2
were young,
G5 A7(no3rd) C5
(Talks like a gen tle- man,-
Gtr. 5
Fsus2
like you i mag- ined
when
- when...)
you were young.
G5 A7(no3rd)
Gtrs. 5 & 6
1212
1212
1314
1314
15 12 15 1213
1212
13 12
1412
15 13 12
35
35
35
35
355
355
355
355
3554
3554
3554
3554
3554
3554
3554
3554
32
0
2 02
2
3X00
14 14 1413
15 1215 13
14 1413
17 1512
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C5 Fsus2
I said, he does n’t- look a thing like
Je
G5
sus.
A7(no3rd)
-
C5
Fsus2
He
does n’t- look a thing like Je
G5
sus.
A7(no3rd)
-
C5
Fsus2
Gtrs.1 & 2
Gtr. 6 tacet
F5 E5 D5 C5 B5 A5 G5
But more than you’ll ev er- know.
Gtr. 5
1214
1317 15
14 1413
17 1512
1212
1314
1317 15
14
14 1413
17 1512
1213
1413
17 15
14
14
13 1215 13 13 12
14X12
15
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Moderately q = 114
Bling
Words and Music by Brandon Flowers, Dave Keuning, Mark Stoermer and Ronnie Vannucci
Copyright © 2006 UNIVERSAL MUSIC PUBLISHING LTD.All Rights in the United States and Canada Controlled and Administered by UNIVERSAL - POLYGRAM INTERNATIONAL PUBLISHING, INC.
All Rights Reserved Used by Permission
(Confessions of a King)
from The Killers - Sam’s Town
Intro
**F#
23
Em
2 34
G5
14 2
Aadd9
13421
Bm
34 2
Bm/A G/A
11 1
A
13 2
D
134111
F#m
13 2
D/A
B5
When I of fer- you
*Gtr. 1
w/ fingers
f *** pp mf
*Synth. arr. for gtr.
**Chord symbols reflect implied harmony.
***Vol. swell
sur viv- al,-
Gsus2
you say it’s hard e nough- to live.
Em11(no3rd)
It’s not so bad, it’s not so bad.
Gsus2 A
How do you know that
2
22
2
432
7
7
77
3
53
7
0
53
7
3
53
0
03 2 0
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Gtr. 3(acous.)
Em
mf
you’re right?
Gtr. 2 (elec.)
w/ dist.
Riff A
mf
8v a
Harm.
loco
8v a
Harm.
loco
Harm.
8v a
loco
8v a
Harm.
loco 8v a
Harm.
loco 8v a
Harm.
loco 8v a loco
Harm. Harm.
8v a
Gtr. 1
G5
Aadd9
I1. a -
loco8v a
Harm.
loco8v a
loco
Harm.
8v a
Harm.
loco8v a
Harm.
loco8v a
Harm.
loco8v a
Harm.
loco8v a
Harm.
loco
End Riff A
8v a
Harm.
0 0 7 7 0 0 7 7 0 0 7 7 0 0 7 7 0 0 7 7 0 0 7 7 0 0 7 7 0 0 7 7
0
0 3 2 0
0 0 7 7 0 0 7 7 0 0 7 7 0 0 7 7 0 0 7 7 0 0 7 7 0 0 7 7 0 0 7 7
3
0
0
3 2 0
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Verse
Gtr. 3
1st time, Gtr. 2: w/ Riff A (2 times)2nd time, Gtr. 2: w/ Riff C (2 times)
Rhy. Fig. 1
Bm Bm/A
woke
in and
on
out
the
of
road
fo
side,
cus,
-
- but I’m
in
push
the
ing-
Gtr. 1
Riff B
G5 G/A
land
on for
of
that
the
ho
free
ri-
ride.
zon.- I’m
I
push
can’t
ing-
End Riff B
Em G/A
on,
pull it an y- long er,-
now I’ve got
ooh,
that
the
2
0 3 2 0
3
0 3 2 0
0
0 3 2 0
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BmEnd Rhy. Fig. 1
Bm/A
blow
sun
ing
is
- wind
beat
a
ing-
gainst
down
- my
my
face.
neck.
So you
So
sling
I
ran
Gtr. 1: w/ Riff BGtr. 3: w/ Rhy. Fig. 1
Bm
rocks
with
at
the
the rip
Dev
tide.
il.
-
-
Am I
Left
wrong,
a
Bm/A
Gtr. 2
Riff C
trail
G5
or
of
am
ex
I
cus-
right?
es,-
I
like
hit
a
the
G/A
End Riff C
bot
stone
Gtr. 2: w/ Riff C
Em
tom- with
on
a
the
“huh,”
wa
quite
ter.
strange.
-
I get my
The
G/A
glo
el
Bm
ry
e
-
-
in
ments-
the
de
des
cide-
ert
my
- rain.
fate. Watch
Watch
it
it
go.
go.
Bm/A
Gtr. 1
2
0 3 2 0
9 9 9 97 7
9 99 9
9 97 7
7 7 9 9 9 97 7
9 99 9
9 97 7
7 7
9 9 9 97 7
9 99 9
9 97 7
7 7 9 9 9 97 7
9 99 9
9 97 7
7 7
0
0 3
2
2 0
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Gtr. 3
Gtr. 1 tacet2nd time, Bkgd. Voc.: w/ Voc. Fill 1
G5
*Gtr. 4
mf
*Synth. arr. for gtr.
Gtr. 2
A **
Chorus
Gtr. 3 tacet
Bm11
(Bling)
When I of fer- you
Riff D
8v a
**Chord symbols reflect overall harmony.
Voc. Fill 1
(When I of fer- you sur viv- )...-
(...al.)
12 14 12 15 14 12 12 12 14 12 15 14 12
3X0
033
3
0
0
X
33
3X0
032
12 14 12 15 14 12 12 15 14 15
14 1215
1219 17 19 17 19 17
19 1917 17
0
2220
0
000
0
000
0
223
0
223
0
14
1415
0
14
1415
0
14
1415
0
14
1415
0
141415
0
141414
0
141414
0
141414
0
141414
0
000
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Dmaj7/F#
sur viv- al,-
Gadd 9#4
you say it’s hard e - nough to live.
End Riff D
8v a
Gtr. 4: w/ Riff D (3 times)Asus4
And
Don’t
I’ll
tell
tell
me
you
A
that
when
it’s
it’s
Dmaj7/F#
o
o
ver,
ver,
-
-
stand
shut up.
Gtr. 2
Rhy. Fig. 2
up.
Gadd
9#4
Poor and tired, but more than this.
End Rhy. Fig. 2
Gtr. 2: w/ Rhy. Fig. 2 (2 times)
Asus4
How do you know
A
that
Dmaj7/F#
you’re right if you’re not ner
Gadd 9#4
vous- an y- more?-
19 17 19 17 19 17
19 19
17 1719 19 17 19 17 19 17 19 19 17 17 19 19 17 19 17 19 17 19 19 17 17
X0
14
1414
X0
14
1414
X0
14
1414
X0
14
1414
X0
14
1414
X0
12
1414
X0
14
1415
015
015
015
015
015
014
015
014
015
014
015
015
014
014
015
015
014
015
014
015
014
015
015
00
00
0141415
0141415
0141415
0141415
0141415
0141414
0141414
0141414
0141414
0141414
X0
14
1414
X0
14
1414
X0
14
1414
X0
14
1414
X0
14
1414
X0
12
1414
X0
14
1415
015
015
015
015
015
014
015
014
015
014
015
015
014
014
015
015
014
015
014
015
014
015
015
00
00
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1.
2.
Asus4
It’s not
A
so bad,
Dmaj7/F#
it’s not so bad.
Gadd 9#4
I2. feel my vi sions- slip ping-
Gtr. 1
Bridge
f
Rhy. Fig. 3
D
High
*Gtrs. 2 & 3
er- and high er,- we’re gon na- take it
Gtr. 4divisi
Gtr. 1
*****Riff E
f
f
End Riff E8v a
***8va applies to both gtrs.
**Refers to Gtr. 1 only.
Gtr. 5 (elec.)
Riff F
w/ dist.
mf
*Composite arrangement
Gtr. 1: w/ Riff E (2 times)
down to the wire. We’re gon na- make it
Gtr. 4 8v a
Gtr. 5
3 2 0
19 17 19 17 19 17
19 1917 19 17 19 17
14 15 1419 17
19
17 15 14
1917
X12
15X12
15X12
15X12
15X12
15X12
15X12
15X12
15X12
15X12
15X12
15X12
15X12
15X12
15X12
15X12
15X12
15X12
15X12
15X12
15X12
15X12
15X12
15X12
15X12
15X12
15
19 17 19 17 19 17 20 20 19 19 17 19 17 19 17 20 20 19
X12
15X12
15X12
15X12
15X12
15X12
15X12
15X12
15X12
15X12
15X12
15X12
15X12
15X12
15X12
15X12
15X12
15X12
15X12
15X12
15X12
15X12
15X12
15X12
15X12
15
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G5 A Bm F#m
out of the fire,
Riff G
8v a
G5 AEnd Rhy. Fig. 3
Gtr. 1: w/ Riff E (2 times)Gtrs. 2 & 3: w/ Rhy. Fig. 3Gtr. 4: w/ Riff G (3 1/2 times)Gtr. 5: w/ Riff F
D
high er- and high er.- High er- and high er,- we’re gon na- take it
End Riff G
8v a
End Riff F
19 17 19 17 19 1719 19
17 19 17 19 17 19 1719 19
17
X12
15X12
15X12
15X12
15X12
15X12
15X12
15X11
14X11
14X11
14X11
14X11
14X11
14X11
14X11
14X12
15X12
15X12
15X12
15X12
15X12
15X12
15X12
15X9
12X9
12X9
12X9
12X9
12X9
12X9
12X9
12
19 17 19 17 19 17 20 20 19
X9
12X9
12X12
15X12
15X12
15X12
15X12
15X12
15X11
14X11
14X11
14X11
14X11
14X11
14X11
14X11
14
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down to the wire. We’re gon na- make it out
G5
of the fire,
A
Bm F#m G5 A
Gtrs.2 & 3
Gtr. 1: w/ Riff E (2 times)Gtr. 4: w/ Riff G (3 1/2 times)
D
high er- and high er.- High er- and high er,-
Gtr. 1 8v a
Gtr. 5
G5
we’re gon na- take it down to the wire.
A
We’re gon na- make it out, oh,
14 15 14 17 15 14
X12
15X12
15X12
15X12
15X12
15X12
15X12
15X12
15X12
15X12
15X12
15
X12
15X12
15X12
15X12
15X12
15X12
15X12
15X12
15X12
15X12
15X12
15X12
15X12
15X12
15 X11
14X11
14X11
14X11
14X11
14X11
14X11
14X11
14X11
14X11
14X11
14X11
14X11
14X11
14
X11
14X11
14X11
14X11
14X11
14X11
14X11
14X11
14X11
14X11
14X11
14X11
14X11
14X11
14
X12
15X12
15X12
15X12
15X12
15X12
15X12
15X12
15X11
14X11
14X11
14X11
14X11
14X11
14X11
14X11
14
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slight rit.
Gtrs. 2 & 3: w/ Rhy. Fig. 3 (last 2 meas.)
Bm F#m
high
G5
er- and high
A
er.-
Gtr. 1 8v a
Gtr. 5
*w/ delay
*Set for dotted eighth-note regeneration w/ 6 repeats.
Gtrs.2 & 3
OutroGtr. 1 tacet
D/AGtrs. 4 & 5 tacet
(Gtr. 2, cont. in notation)
Gtr. 3 tacet Gtr. 2 tacet
G5 Asus4
It ain’t hard to hold.
Gtr. 4
Gtr. 2
Gtr. 5
Gtr. 3
mf
Bm
When it shines
F#m
like gold,
slight rit.
G5
you’ll re mem
A5
- ber- me.
D
Gtr. 3
14 15 14 17 15 14 14 15 14 14 15 14
X12
15X12
15X12
15X12
15X12
15X12
15X12
15X12
15X9
12X9
12X9
12X9
12X9
12X9
12X9
12X9
12X9
12X9
12X12
15X12
15X12
15X12
15X12
15X12
15X11
14X11
14X11
14X11
14X11
14X11
14X11
14X11
14
19002
32
X12
15
3X003
0223
24432
244222
3X003
022
0232
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Intro
Moderately fast q = 140
For Reasons UnknownWords and Music by Brandon Flowers, Dave Keuning, Mark Stoermer and Ronnie Vannucci
Copyright © 2006 UNIVERSAL MUSIC PUBLISHING LTD.All Rights in the United States and Canada Controlled and Administered by UNIVERSAL - POLYGRAM INTERNATIONAL PUBLISHING, INC.
All Rights Reserved Used by Permission
from The Killers - Sam’s Town
I
Tune down 1/2 step:
(low to high) Eb-Ab-Db-Gb-Bb-Eb
1.
µ
pack
*A5
my case,
III
7fr
13 4
A5
5fr
3211
A
7fr
12 4
A(b5)
11
E5
13 4
F#5
7fr
1333
E7fr
32 1
B
4fr
13 4
C#5
8fr
31 2
G#/B#
13 4
B5
9fr
31 1
C#m
3fr
14 3
G#/B#
I check my face,
Gtr. 1 (dist.)
mf P.M.
*Chord symbols reflect implied harmony.
I look a lit tle- bit old
E5
er,- I look a lit tle- bit cold
B5
er.-
P.M.
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 7 7 7 7 7 7 7 7
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With one
A5
deep breath, with
Gtr. 1
P.M.
Gtr. 2 (dist.)
*string noise
mf
*String noise caused by fingers sliding down open strings.
one big step, I move a lit tle- bit clos
E5
er,- I move a lit tle- bit
P.M.
7 7 7 7 7 7 7 7 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
XX
5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
5 5 5 5 5 5 5 5 0 0 0 0 0 0 0 0
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clos
B5
er.- For rea
A5
sons- un known.- I2.
P.M. fdbk.
Pitch: C#
(cont. in slashes)
Gtr. 2
Verse
Rhy. Fig. 1
A5
caught my stride, I flew in flight.
Gtr. 1
Riff A
P.M.
A[b5] E
I know if des ti- ny’s- kind, I’ve got the rest
P.M.
7 7 7 7 7 7 7 7 79
79
79
79
79
79
79
79
57
7 7 7 7 7 7 7 7 5
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
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B G#/BEnd Rhy. Fig. 1
Pre-Chorus
Rhy. Fig. 2A
C#m
on my mind. But my heart, it don’t beat,
*Gtr. 3
Riff B
mf
*Synth. arr. for gtr.
Gtr. 1End Riff A Rhy. Fig. 2
P.M.
A
it don’t beat the way it used to. And my eyes,
End Riff B
P.M.
97 9
7
910
2 2 2 2 2 2 2 2 36
36
36
36
36
36
36
36
46
46
46
46
46
46
46
46
109
99
7 97
9 10 9 7
46
46
46
46
46
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Gtr. 3: w/ Riff B
E B
they don’t see no more.
Gtr. 1
P.M.
G#/B#End Rhy. Fig. 2A
Gtrs. 1 & 2: w/ Rhy. Figs. 2 & 2A
C#m
And my lips, they don’t kiss, they don’t kiss
End Rhy. Fig. 2
P.M. Gtr. 3
A
the way they used to. And my eyes
E
don’t rec og- nize-
Riff C
you no more.
B G#/B#
For
End Riff C
02
02
02
02
02
02
02
02
02
02
02
02
02
02
02
02 2
424
24
24
24
24
24
24
36
36
36
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36
36
36
36
97 9
7
910
99
97 9
79 10 9 7
97 9
7
910
109
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9 10 9 79
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Chorus
Gtr. 1
Rhy. Fig. 3
E5Gtr. 3 tacet
F#5 C#5 B5End Rhy. Fig. 3
rea sons- un known.-
For
*Gtrs. 2 & 4
Rhy. Fig. 3A End Rhy. Fig. 3A
*Gtr. 4 (dist.), played mf . Composite arrangement
Gtr. 3
Gtr. 5 (fuzz)divisi
f Riff D
Gtr. 5End Riff D
**
**Gtr. 3 to left of slash in tab.
rea
Gtr. 1: w/ Rhy. Fig. 3 (1st 3 meas.)Gtrs. 2 & 4: w/ Rhy. Fig. 3A (1st 3 meas.)Gtr. 5: w/ Riff D
E
sons- un known.-
F#m
C#m
B
There was an o
A5
pen- chair. We3.
Gtr. 1
fdbk.
Pitch: G# C#
Gtrs. 2 & 4 Gtrs. 2 & 4
Gtr. 5divisi
fdbk.
***
***Gtrs. 2 & 4 to left of slash in tab.
99
99
99
99
99
99
99
99
1110
1110
1110
1110
1110
1110
1110
1110
119
119
119
119
119
119
119
119
98
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98
98
9 9 9 9 9 8 8 8 89 9 9 9 6 6 6 6 6 6 6 7
6 6 6 6 6 6 6 7
9 9 9 9
24
4
24
4
24
4
24
4
24
4
24
4
24
4
24
4
02
2
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2
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2
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79
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sat
Verse
Gtr. 1: w/ Riff AGtr. 2: w/ Rhy. Fig. 1Gtrs. 4 & 5 tacet
A5
down in the o pen- chair. I said,
A[b5]
“If des -
E
ti- ny’s- kind, I’ve got the rest
B
on my mind.”
G#/B#
But my heart,
Pre-Chorus
Gtrs. 1 & 2: w/ Rhy. Figs. 2 & 2A (2 times)Gtr. 3: w/ Riff B (3 times)
C#m
it don’t beat, it don’t beat
A
the way it used to. And my eyes,
E
they don’t see you no more.
B
G#/B#
And my lips,
C#m
they don’t kiss, they don’t kiss
A
the way they used to. And my eyes
Gtr. 3: w/ Riff C
E
don’t rec og- nize-
you an y- more.-
B G#/B#
For
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rea
Chorus
Gtr. 1: w/ Rhy. Fig. 3 (2 times)Gtrs. 2 & 4: w/ Rhy. Fig. 3A (2 times)Gtr. 5: w/ Riff D (2 times)
E
sons- un known.-
Gtr. 3 tacet
F#m C#m
B
For
Gtr. 3
rea
E
sons- un known.-
F#m C#m
B
I said my heart,
Pre-Chorus
Gtrs. 2 & 4: w/ Rhy. Fig. 3A
E
it don’t beat,
F#m
it don’t beat
C#m
the way it used
B
to. And my eyes
Gtr. 1
(cont. in slashes)
Gtr. 1
E5 F#5 C#5 B5 III
G#/B#
don’t rec og- nize- you no more. And my lips,
Gtrs. 2 & 4
9
022
244
244
466
244
99
99
99
99
99
99
99
99
1110
1110
1110
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Rhy. Fig. 4
C#5 A5 E5 B5 G#/B#III
End Rhy. Fig. 4
P.M.
they don’t kiss, they don’t kiss the way they used to. And my eyes
Rhy. Fig. 4A End Rhy. Fig. 4A
Gtr. 1: w/ Rhy. Fig. 4Gtrs. 2 & 4: w/ Rhy. Fig. 4A
C#m
don’t rec og- nize-
A
you no more.
E
B G#/B#
For
Chorus
rea
Gtr. 1: w/ Rhy. Fig. 3 (4 times)Gtrs. 2 & 4: w/ Rhy. Fig. 3A (4 times)Gtr. 5: w/ Riff D (4 times)
E
sons- un known.-
F#m
C#m
B
For rea
E
sons- un known.-
F#m C#m
B
For
119
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119
119
76
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645
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645
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108
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Free time
rea
Gtr. 3: w/ Riff C (2 times)
E
sons- un known.-
F#m C#m
B
For
rea
E
sons- un known.-
F#m C#m
B
Gtr. 3
Outro
E5Gtrs. 1, 2, 3 & 5 tacet
Gtr. 1
fdbk.
Gtr. 5
Gtrs. 2 & 4
Gtr. 4
Harm.
8v a
Pitch: E
9
07
07
7
07
5
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Intro
Moderately fast q = 131
Read My MindWords and Music by Brandon Flowers, Dave Keuning, Mark Stoermer and Ronnie Vannucci
Copyright © 2006 UNIVERSAL MUSIC PUBLISHING LTD.All Rights in the United States and Canada Controlled and Administered by UNIVERSAL - POLYGRAM INTERNATIONAL PUBLISHING, INC.
All Rights Reserved Used by Permission
from The Killers - Sam’s Town
Tune down 1/2 step:(low to high) Eb-Ab-Db-Gb-Bb-Eb
*Gtr. 1
Rhy. Fig. 1
D
mf
Asus4 AEnd Rhy. Fig. 1
*Synth. arr. for gtr.
Verse
Gtr. 1: w/ Rhy. Fig. 1 (4 times)
D
I’m1. on the cor ner- of Main Street
Asus4
just try’n’ to keep it in line.
A
D
You say you wan na- move on and
Asus4
you say I’m fall in’- be hind.
A
- Can you read my
*D
mind?
Bm7 **Bm7/F# Asus4
A
Can you read my
Gtr. 2 (dist.)
w/ reverb
Riff A
mf
End Riff A
*Chord symbols reflect overall harmony.
1
1 1/2
**Bass plays F#.
5423
54232
0223
0222
9 9 9
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Gtr. 2: w/ Riff A
D
mind?
Bm7 Bm7/F# Asus4
Gtr. 3 (slight dist.)
mf
P.M.
P.M.
w/ chorus
A
Verse2nd time, Gtrs. 5 & 6 tacet
D
I
It’s
2.
3.
nev
fun
er
ny
-
-
real
how
ly
you
- gave
just
up
break
Bm7
on
down
Gmaj7/F#
Rhy. Fig. 2
P.M.
D/A
break
wait
in’
in’
-
-
out
on
of this
some
two
sign.
-
A
star town.
I pull up
Gtr. 3: w/ Rhy. Fig. 2 (3 times)
D
I
to
got
the
the
front
green
of your
light,
End Rhy. Fig. 2
P.M.
drive
Bm7
I got a
way
lit
Gmaj7/F#
-
tle- fight.
D/A
with
I’m
mag
gon
ic
na
-
-
soak
turn
in’
this
- my
thing a
spine.
round.
A
-Can you read my
23
23
23
23
5423
5423
5423
54232
5423
5423
5423
5423
2423
2423
24232
00
5543
5543
5543
00
0
423
0
423
0
423
0
423
0
423
0
423
0
423
0
0
0
2220
0
2220
0
2220
0
2220
0
2220
0
2220
0
2220
0
0
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C oT oda
Gtr. 2: w/ Riff A (2 times)
D
mind?
Bm7 Gmaj7/F# D/A
A
Can you read my
*Gtr. 4
Riff B
mf
End Riff B
*Synth. arr. for gtr.
Gtr. 5 (slight dist.)
Riff B1
w/ chorus
mf
slight P.M.
End Riff B1
Gtrs. 4 & 5: w/ Riffs B & B1
D
mind?
Bm7 Gmaj7/F# D/A
A
The
A good
teen
old
age-
days,
queen,
Chorus
G
the hon est- man.
D
The rest less
- heart,
A
the prom ised- land.
Gtr. 3
slight P.M.
Gtr. 5
Rhy. Fig. 3
7 8 710
7 8 7 7 8 710
7 8 7 7 8 710
7 89
40
4
3
40
4 40
4
3
40
4 40
4
3
40
2
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10
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A sub tle- kiss
G
that no one sees.
D
A bro ken- wrist
P.M. P.M. P.M. P.M.
A
and a big tra peze.- So what? I don’t mind
G
if you don’t mind,
P.M. P.M. P.M.
00
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D.S. al Coda
D
’cause I don’t shine
A
if you
*F#7/A#
don’t shine.
Bm
Be fore
D
- you go,
Gtr. 3
Gtr. 5
Gtr. 6 (dist.)
Fill 1
f
End Fill 1
*Bass plays A#.
G
can you read my mind?
A
3
End Rhy. Fig. 3
Riff C End Riff C
0
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Coda
Chorus
Gtr. 5: w/ Rhy. Fig. 3
G
the load ed- gun.
D
The drop
dead
dream,
A
the cho sen- one.
Gtr. 3
A south ern- drawl
G
and a world un seen.-
D
A cit y- wall
A
and a tram po- line.- Oo, well, I don’t mind
G
if you don’t mind,
D
’cause I don’t
shine
A
if you
F#7/A#
don’t shine.
Gtr. 6: w/ Fill 1
Bm
Be fore
D
- you jump
01210
01210
01210
01210
01210
01210
01210
000
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10
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Gtr. 6: w/ Riff C
G
tell me what you find.
A
Can you read my
Guitar Solo
Gtr. 3 tacet
Bm
mind?
A
*Gtr. 7 (dist.)
f
*Two gtrs. arr. for one.
Gtr. 7
G D A/C# Bm A
let ring 1/2 1/2
1
G A
1/4
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Slip pin’- in my faith
Bridge
G
un til- I fall,
Gtr. 7 tacet
D
he nev er- re turned-
Gtr. 3
Gtr. 5
Rhy. Fig. 4
Gtr. 7
Gtr. 8(dist.)divisi
Gtr. 7
mp
Gtr. 8
1
*
*Gtr. 7 to the left of slash in tab.
1
A
that call. Wom an,- o pen- the door
Gtr. 5: w/ Rhy. Fig. 4
G
and don’t let it sting.
Gtr. 3
P.M. P.M. P.M.
Gtr. 5
End Rhy. Fig. 4
Gtr. 8
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7X9
7X9
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D
I wan na- breathe that fire
A
a gain.- She said, “I
(I
don’t
don’t
mind
Gtr. 3
Gtr. 8
Bm
if you don’t mind,
A
’cause I don’t shine
G
if
you don’t shine.
D
Put your back
*A/C#
on me,
mind if you don’t mind. I don’t shine if you don’t shine. I don’t
Gtr. 3
let ring let ring
Gtr. 5
Gtr. 8
*Bass plays C#.
0
X11
10
0
X11
10
0
X11
10
0
X11
10
0
X11
10
0
X11
10
0
X11
10
000
0X9109
0X9109
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109
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109
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109
0X9109
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0X9109
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000
X9
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12
7X9
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X10
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11
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000
0X9109
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109
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109
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0X9
109
000
0087
0087
0087
0087
0087
0087
0087
000
9
0
0
7
7
0
0
000
111210
111210
111210
111210
111210
111210
111210
111210
9109
9109
9109
9109
9109
9109
9109
9109
787
787
787
787
787
787
787
787
111010
111010
111010
111010
9109
9109
9109
9109
5X7
5X7
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11
7X9
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7X9
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Bm
ah, put your back on me,
A
ah, put your back on
G
me.” Oo.
mind if you don’t mind.)
Outro
Gtrs. 5 & 8 tacet
D Bm7 *Bm7/F# Asus4
A
D
The stars are blaz ing- like
Gtr. 3
P.M.
*Bass plays F#.
111210
111210
111210
111210
111210
111210
111210
000
0X9109
0X9
109
0X9109
0X9109
0X9109
0X9109
0X9109
000
0087
0087
0087
0087
0087
0087
0087
0087
0087
0087
0087
0087
0087
0087
0087
0087
111210
111210
111210
111210
111210
111210
111210
111210
9109
9109
9109
9109
9109
9109
9109
9109
787
787
787
787
787
787
787
787
787
787
787
787
787
787
787
787
5X7
5X7
5X7
5X7
5X7
5X7
5X7
5X7
4X6
4X6
4X6
4X6
4X6
4X6
4X6
4X6
5X7
5X7
5X7
5X7
5X7
5X7
5X7
5X7
5X7
X9
11X9
11X9
11X9
11X9
11X9
11X9
11
54 4
04
3
40
4 2 XX
XX
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reb
Bm7
el- di
Bm7/F#
’monds- cut
Asus4
out of the sun.
A
Can you read my
P.M.
Gtr. 2: w/ Riff A (2 times)Gtrs. 4 & 5: w/ Riffs B & B1 (2 times)
D
mind?
Bm7 Gmaj7/F# D/A
P.M.
A
(Ah.
D
Bm7
Gmaj7/F#
P.M. P.M.
D/A
A
Ah.)
D
P.M. slight P.M.
40
43
40
2 2 2 2 2 2 2 2 2
5423
5423
5423
54232
5423
5423
5423
5423
2423
2423
24232
00
5543
5543
5543
00
0423
0423
0423
0423
0423
0423
0423
00
02220
02220
02220
02220
02220
02220
02220
00
5423
5423
5423
54232
5423
5423
5423
5423
2423
2423
24232
00
5543
5543
5543
00
0423
0423
0423
0423
0423
0423
0423
00
02220
02220
02220
02220
02220
02220
02220
00
5423
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Intro
Moderately slow q = 87
Uncle JonnyWords and Music by Brandon Flowers, Dave Keuning, Mark Stoermer and Ronnie Vannucci
Copyright © 2006 UNIVERSAL MUSIC PUBLISHING LTD.All Rights in the United States and Canada Controlled and Administered by UNIVERSAL - POLYGRAM INTERNATIONAL PUBLISHING, INC.
All Rights Reserved Used by Permission
from The Killers - Sam’s Town
1.
2.
Tune down 1/2 step:(low to high) Eb-Ab-Db-Gb-Bb-Eb
Gtr. 1 (dist.)
*
Riff A
Bm
f
*Chord symbols reflect implied harmony.
Ah.
**
End Riff A
**Fade in
Gtr. 1: w/ Riff A
Bm
***
***Chord symbols reflect o verall harmony.
G
F#sus4 G F#sus4
When1.
ev
Verse
Gtr. 1: w/ Riff A (2 times)
Bm
’ry- bod- y- else re frained,- my un cle- Jon ny- did co caine.-
G F#sus4
He’s con -
vinced
Bm
him self - right in his brain that it helps to take a way- the pain.
G
Hey,
F#sus4
Jon -
40
40
40
40
40
42
43
45
40
42
43
450
450
450
450
450
43
42
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42
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Interlude
Gtr. 1: w/ Riff A
Bm
ny.-
G
Hey, what you say,
F#sus4
Jon ny?- I2.
wan
Verse
Gtr. 1: w/ Riff A (2 times)
Bm
na- go out to night,- come a lit tle- clos er- to the cit y- lights.
G F#sus4
Lev i- -
ta
Bm
tion- ain’t your on ly- friend, lev i- ta- tion- com in’- back a gain.-
G F#sus4
You feel the
burn
Pre-Chorus
Gtr. 1: w/ Riff A (2 times)
G
in’- in your bod y’s- core,
F#sus4
it’s a yearn
Em7
ing- that you can’t ig nore.- And I
Gtr. 2 (dist.)
Riff B
f
8v a
wan
Bm
na- go out to night.- S, s, s, su
AsusÊ
per- man- and hold on tight. And he’s con -
8v a
16
17 14
1617 15
14 16
17 14
1617 15
14 16
17 14
1617 15
1615
17 14
1617 15
1615
1517 14
1617 15
14 16
17 14
1617 15
14 16
17 14
1617 15
1615
17 14
1617 15
14
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vinced
G
him self - right in his brain
AsusÊ
that it
Gtr. 2 8v a
Gtr. 1
Riff C End Riff C
helps
Chorus
Dsus2
to take a way
D,9/C#
- the pain.
Gtr. 2 tacet
Bm7
Hey,
D5/A
Jon
G5
ny.-
Asus4
Hey, what you say, Jon ny?-
Gtr. 2
8v a
End Riff B
*Gtrs. 1 & 3
Rhy. Fig. 1
let ring let ring let ring let ring let ring
End Rhy. Fig. 1
*Gtr. 3 (dist.), played f . Composite arrangement
Interlude
Gtr. 1: w/ Riff AGtr. 3 tacet
Bm
G F#sus4
My3.
16
17 14
1617 15
1615
17 14
1617 15
1615
40
40
40
40
40
42
43
45
40
42
43
450
450
450
450
450
43
42
43
42
40
15
0230
20230
2
4X230
2
4X230
2
2X23
2
2X23
2
0023
2
0023
2
3X003
0
3X003
0
3X003
0
3X003
000
0223
0223
0223
0223
0223
0223
0223
0223
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ap
Verse
Gtr. 1: w/ Riff A (2 times)
Bm
pe- tite- ain’t got no heart, I said my ap pe- tite- ain’t got no heart.
G F#sus4
Shock in’-
peo
Bm
ple- when you feel that pull. Shock ’em, drop ’em when you know it’s full.
G F#sus4
I feel the
burn
Pre-Chorus
Gtr. 1: w/ Riff A (2 times)Gtr. 2: w/ Riff B
G
in’- in my bod y’s- core,
F#sus4
it’s a yearn
Em7
ing- that you can’t ig nore.- Now I
got
Bm
ta- go out to night.- Hey, Jon ny,- I got faith
AsusÊ
in ya, man, I mean it. It’s gon na- be
3
al right.- And he’s
con
vinced
Gtr. 1: w/ Riff C
G
- him self - right in his brain
AsusÊ
that it
helps
Chorus
Gtrs. 1 & 3: w/ Rhy. Fig. 1 (3 times)
Dsus2
to take a way
D,9/C#
- the pain.
Bm7
Hey,
D5/A
Jon
G5
ny.-
Asus4
Hey, what you say, Jon ny?-
Dsus2
(Tell us what’s
D,9/C#
go in’- on.
Bm7
Feels like ev
D5/A
’ry- thing’s- wrong.
G5
Asus4
Hey, what you say, Jon ny?-
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Dsus2
If the fu
D,9/C#
ture- is real,
Bm7
Jon ny,- you’ve
D5/A
got to heal.)
G5
Asus4
Hey, what you say, Jon ny?-
Outro
Gtr. 1: w/ Riff A (1 3/4 times)
Bm
G
F#sus4
*Gtr. 4
Bm
mf
8v a
*Kbyd. arr. for gtr.
Gtr. 4 tacet
G F#sus4
When ev
Bm
’ry- bod- y- else re frained,- my
Gtr. 1
let ring
un
B5/F#
cle- Jon ny- did
E5
co caine.-
D6(no3rd) C#m7(no3rd) poco rit.
B5
let ring let ring poco rit.
let ring let ring
17 19 1720 19 20 19
19 1917 19
19
450
450
450
450
450
43
42
43
42
43
0
2
40
4
2
40
4
2
40
4
2
40
4
44
04
24
04
04
04
4
40
4
2
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Moderately fast q = 140
BonesWords and Music by Brandon Flowers, Dave Keuning, Mark Stoermer and Ronnie Vannucci
Copyright © 2006 UNIVERSAL MUSIC PUBLISHING LTD.All Rights in the United States and Canada Controlled and Administered by UNIVERSAL - POLYGRAM INTERNATIONAL PUBLISHING, INC.
All Rights Reserved Used by Permission
from The Killers - Sam’s Town
Intro
(Come
µ
with me.)
1 3 1 2 1
Bm7
21 3
Amaj7
34 2
E
1 3 4 1 1 1
F#m
11 1
Dmaj7
*Gtr. 1
f
*Synth. arr. for gtr.
Gtr. 2(dist.)
Amaj7
mf
Bm7 F#m E
Gtr. 1
Dmaj7 E
(cont. in notation)
We1. took a
let ring
17 1417
1417 14
1714
17 1417
1417
14 17 17 1417
16
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back
Verse
*
Gtr. 1 tacet
C#m7
road, we’re gon na- look
Dmaj7
at the stars. We took a back
Bm7
road in my car.
Gtr. 2
P.M.
P.M.
P.M.
P.M.
P.M.
*Chord symbols reflect o verall harmony.
C#7
Down to the o
F#5
cean.- It’s on ly- wa
Dmaj7
ter- and sand, and in the
P.M. P.M. P.M. P.M. P.M. P.M.
o
G#m7b5
cean- we’ll hold hands.
C#7
But I don’t real ly- like
C#m7
you, a pol- o- -
P.M. P.M. P.M. P.M. P.M.
get
Dmaj7
i- c’ly- dressed in the best.
Bm7
Put on a heart beat- glide.
C#7
With out- an
P.M. P.M. P.M. P.M. P.M. P.M.
464
46
46
46
46
46
46
46
576
57
57
576
57
57
576
00
244
24
24
244
24
24
244
00
464
46
46
464
46
44 4
600
244
24
24
244
24
24
24 0
0576
57
57
576
57
57
576
00
454
45
45
4544
45
45
454
00
464
46
46
46
4646
4646
4646
464
4645
46
46
4645
46
46
4645
000
5767
57
57
5767
57
5767
5767
000
2443
24
24
2443
24
2443
2423
000
4646
46
46
4646
46
46
4646
000
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an
F#m
swer-
F#m7
the thun der- speaks
Dmaj7
for the sky, and on the cold
G#m7b5
wet dirt I
P.M. P.M. P.M. P.M. P.M.
cried.
C#7 Dmaj7
And on the
P.M.
cold
C#5
wet
B5
dirt
A5
I
G#5
cried.
F#m E
Don’t you wan na-
come
Chorus
Amaj7
with me? Don’t you wan na- feel
Bm7
my bones
F#m
2442
24
24
2422
242
242
2422
000
5767
57
57
5767
57
57
5767
000
4544
45
45
454
4544
4544
4544
000
4646
46
46
46
464
464
464
464
00222
0222
0222
0222
0222
0222
0222
000
4X6
2X4
002
4X6
244222
244222
244222
244222
244222
0000
022100
022100
022100
022100
022100
022100
022100
02120
02120
02120
02120
02120
02120
02120
02120
02120
02120
02120
02120
0000
0000
24232
24232
24232
24232
0000
244222
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E
on your
Dmaj9
bones? It’s on ly-
E
nat u- ral.- A2. cin e- mat- ic- vi
Verse
C#m7
sion- en sued-
P.M.
Dmaj7 B5
like the ho li- est
3
- dream.
E
Is some one-
P.M. P.M. P.M. P.M.
call
F#5
ing?- An an gel- whis
Dmaj7
pers- my name, but the mes
G#m7b5
sage- re
3
layed- is the
3
P.M. P.M. P.M. P.M. P.M. P.M.
244222
244222
0000
022100
022100
00000
00000
5767
5767
5767
57607
57607
57607
57607
57607
57607
57607
0000
0000
022100
022100
022100
022100
022100
022100
022100
022100
022100
022100
022100
00000
464
464
46
46
46
46
46
00
576
57
57
576
57
57
57
00
244
24
24
244
24
24
24
00
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022100
244
24
24
244
24
24
24
00 5
76
57
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000
000
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45 0
00
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same:
C#7 Dmaj7
(Wait till to mor
- row,- you’ll be
fine.)
E
But it’s gone to the dogs in my mind. I al
C#m7
ways-
let ring
hear
Dmaj7
them when
Bm7
the dead
C#7
of
night
F#m
comes call
Dmaj9
ing- to save
G#m7b5
me
464
464
464
464
464
464
464
000
00222
00222
00222
00222
00222
00222
00222
0000
022100
022
022
022
022
022
022
022
022
022
022
022
022
022
000
46454
464
464
464
464
464
46454
00000
5767
5767
5767
5767
5767
5767
5767
000
2423
2423
2423
2423
2423
2423
2423
000
4646
4646
4646
4646
4646
4646
4646
000
2442
2442
2442
2442
2442
2442
2442
000
576
07
576
07
576
07
576
07
576
07
576
07
576
07
000
4547
454
454
4547
454
454
454
0000
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from
C#7
this fright.
Dmaj9
But they can
nev
C#5
er
B5
- wrong
A5
this
G#5
right.
F#m E
Don’t you wan na- come
Chorus
Amaj7
with me? Don’t you wan na-
feel
Bm7
my bones
F#m E
on your
Dmaj9
bones?
464
464
464
464
464
464
464
00000
5767
576
07
576
07
576
07
576
07
576
07
0000
4X6
2X4
5X7
4X6
244222
244222
244222
244222
022100
022100
022100
022100
022100
022100
022100
022100
022100
022100
022100
022100
022100
022100
022100
022100
02120
02120
02120
02120
02120
02120
02120
02120
02120
02120
02120
0000
224232
224232
224232
224232
0000
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244222
0000
022100
022100
022100
0000
576
07
576
07
576
07
576
07
576
07
576
07
576
07
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It’s on ly
E
- nat u- ral.- Don’t you wan na-
()
swim
Amaj7
with me? Don’t you wan na- feel
Bm7
my skin
F#m
E
on your
Dmaj9
skin? It’s on -
ly
E
nat u- ral.-
(Nev
Bridge
F#m
Female: er- had a lov er.-
ISpoken: nev er-
3
57607
57607
57607
57607
57607
57607
0000
0000
022100
022100
022100
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244222
244222
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576
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244222
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had
C#/E#
a lov er.-
Nev
E
er- had soul.
I nev
B7
er- had soul.
Nev
Asus2
er- had a good
And I
time.
nev er- had
C#m7
a good time.
Nev
D
er- got told.)
And I nev er-
3
got
E
told.
Don’t you wan na-
let ring
come
ChorusGtr. 2 tacet
A
with me? Don’t you wan na- feel
Bm7
my bones
F#m E
on
*Gtr. 3
Rhy. Fig. 1
*Synth. arr. for gtr.
14312
022100
21202
02200
46
06
0
5577
07
022100
0 0 0 0 0 022100
0 0 0 0 022100
022100
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9111010
9111110
7999
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your
D
bones? It’s on ly
E
- nat u- ral.- Don’t you wan na-
End Rhy. Fig. 1
swim
Gtr. 3: w/ Rhy. Fig. 1
A
with me? Don’t you wan na- feel
Bm7
my skin
F#m E
on
Gtr. 1
Riff A
your
D
skin? It’s on ly
E
- nat u- ral.- Don’t you wan na-
End Riff A
come
Gtr. 1: w/ Riff A
Amaj7
with me?
Dmaj7
Don’t you wan na- feel
E
my bones
F#m
Gtr. 2
Rhy. Fig. 2
5777
5
7999
7
14 12
14
14 12
14
14 12
14
14 12
14
14 12
14
14 12
14
14 12
13
14 12
13
02120
02120
02120
02120
02120
0000
0222
0222
0222
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0222
0000
022100
022100
022100
022100
0000
244222
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poco rit.
poco rit.
E
on your
Dmaj9
bones? It’s on -
ly
E
nat u- ral.- Come and take a swim
Gtr. 2: w/ Rhy. Fig. 2
Amaj7
with me.
Dmaj7
End Rhy. Fig. 2Gtr. 1
Don’t you wan na- feel
E
my skin
F#m E
on your
Dmaj9
skin?
E
Gtr. 2
Amaj7
It’s on ly- nat u- ral.-
24422
2
24422
2
24422
2
000
0
02210
0
02210
0
02210
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000
0
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0
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14
14
14 12
14
14 12
14
14 12
14
14 12
14
14
14 12
14
14 12
13
14 12
13
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Moderately slow q = 63
My ListWords and Music by Brandon Flowers, Dave Keuning, Mark Stoermer and Ronnie Vannucci
Copyright © 2006 UNIVERSAL MUSIC PUBLISHING LTD.All Rights in the United States and Canada Controlled and Administered by UNIVERSAL - POLYGRAM INTERNATIONAL PUBLISHING, INC.
All Rights Reserved Used by Permission
from The Killers - Sam’s Town
Intro
(Percussion)
µ
(Percussion & bass)
µ(C5)*Gtr. 1
23 1
Am
1342
F
32 1
C
32
G
23
Em
mp
8v a
*Synth. arr. for gtr.
Gtr. 1
C Em F C Em
8v a
**Gtr. 2
w/ fingers
mp
**Piano arr. for gtr.
F G Am F C G
8v a
17
17 1518 17 15 17 18 17 15
1717
17 1518 17 15 17 18 17 15
3
0
2
3
3
5
3
0
3
0
2
3
1517
17 1517
17 1518 17 15 17 18 17 15
1717
16
17
3
5
5
7
7
8
3
5
10
12
5
7
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C
Em F C
Let1. me wrap
Verse
*
Gtr. 1 tacet
C
my self - a round-
Em
you, let you
8v a
*Chord symbols reflect implied harmony.
show
F
me how I see.
C
And when you come back in from no
Em
where,- do you
Gtr. 2
ev
F
er- think of me?
G Am
Your heart
F C
is not a
G
ble.-
C
Let me show
Em
you how much
F
I care.
C
I2. need those eyes
let ring
17 15 18 17 15 17 18 17 1517
3
0
2
3
3
5
3
0
32
33 3
2
30 2
3
10
3
0
2
3
3
5
3
0
0
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Verse
C
to tide me o
Em
ver,- I’ll take your pic
F
ture- when I go.
C
Gives me
3
let ring
let ring
let ring
strength and gives me pa
Em
tience,- but I’ll nev
F
er- let you know.
G
I got
3
let ring let ring let ring let ring
noth
Am
in’- on you, ba
F
by,- but I al
C
ways- said I tried.
G3
let ring let ring let ring let ring let ring
C
Let me show
Em
you how much
F
I care.
C
But
let ring let ring let ring
3
01
0
0
20
3
1
12
3
1
3
0
0
3
01
0
0
20
3
1
12
3
3
3
2
0
01
2
0
1
1
3
3 01 3
3
0
3
01
020
3
1
12
3
1
3
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some
Pre-ChorusGtr. 2 tacet
Am
times- it gets hard, and don’t she know.
*Gtr. 3 (dist.)
f
*Two gtrs. arr. for one.
Gtr. 2
Interlude
Rhy. Fig. 1
Dm7/C Cmaj7 F/C G/C F6 Cmaj7/E F/A GEnd Rhy. Fig. 1
Gtr. 3
Rhy. Fig. 1A
mf
End Rhy. Fig. 1A
**Gtr. 4 (dist.)
Rhy. Fig. 1B
f P.M.
End Rhy. Fig. 1B
**Two gtrs. arr. for one.
Don’t
Chorus
Gang Vocals:
Gtrs. 2 & 3: w/ Rhy. Figs. 1 & 1A (3 times)Gtr. 4: w/ Rhy. Fig. 1B
Dm7/C
give the ghost
Cmaj7
up, just clench
F/C
your fist.
G/C
You should a- known
F6
by now
Cmaj7/E
you were on
F/A
my list.
G
02210
12101010
12101010
12101010
12101010
14121212
14121212
14121212
14121212
15141313
15141313
15141313
15141313
17161515
17161515
17161515
12101010
12101010
12101010
12101010
14121212
14121212
14121212
14121212
15141313
15141313
15141313
15141313
17161515
17161515
17161515
355
355
355
355
355
355
355
355
355
355
355
355
355
355
355
355
35
35
35
35
35
35
35
35
35
35
35
35
35
3X5
5X7
7X9
X8
10X8
10
10
12
8
10
7X9
7X9
8
10
7
9
5X7
5X7
7
9
5
7
3X5
3X5
3X5
3X5
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Don’t
Dm7/C
give the ghost
Cmaj7
up, just clench
F/C
your fist.
G/C
You should a- known
(Don’t give the ghost up.
Gtr. 4
F6
by now
Cmaj7/E
you were on
F/A
my list.
G
Voc. Fig. 1
Should a- known by now, should a- known by now.)
Don’t
Dm7/C
give the ghost
Cmaj7
up, just clench
F/C
your fist.
G/C
You should a- known
(Don’t give
End Voc. Fig. 1
the ghost up. You should a- known
810
810
810
810
810
35
810
810
810
810
810
35
810
810
810
810
810
35
810
810
810
810 5
X7
7X9
X8
10X8
10
10
12
8
10
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7X9
8
10
7
9
5X7
5X7
7
9
5
7
3X5
3X5
3X5
3X5
810
810
810
810
810
35
810
810
810
810
810
35
810
810
810
810
810
35
810
810
810
810 5
X7
7X9
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Bkgd. Voc.: w/ Voc. Fig. 1
F6
by now
Cmaj7/E
you were on.
F/A G
by now you were on my list.)
Gtr. 5 (dist.)
mp
1/21 1
Gtr. 4
Gtr. 3
BridgeGtr. 4 tacet
Am F C G
When your heart is not a ble,-
Gtr. 2
8v a
Gtr. 5
1 1 1
10 10
X8
10X8
10
10
12
8
10
7X9
7X9
8
10
7
9
5X7
5X7
7
9
5
7
3X5
3X5
3X5
3X5
17 17
20 20 19 1920 18 18
20 20 19 1918 18 17 17
20 20 19 1917
19 19
20 20 19 19
19 19
88 8 8 8
10 10 10 0
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C Em F C
(cont. in notation)
you.)
let me show you how much I care. Oh.
Gtr. 2divisi
Gtr. 18v a
1 1 1
Gtr. 1
Gtr. 5divisi
*
Gtr. 2 tacet
C Em F CGtr. 5 tacet
Gtr. 1
Em8v a
*Applies to Gtr. 1 only.
Gtr. 3
fdbk.
F C
8v a
C5
17 17
20 20 19 1920 17 17
20 20 19 1920
151415
151413
151415
171717
17
78
5 78
7 58
7 5
7
7
17 1518 17 15 17 18 17 15
1717
17
17 1518 17 15 17 18 17 15
32010
32010
17
32010
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E
The1.
**
leaves
Verse
Gtrs. 1 & 2 tacet
E
are fall in’- down on the beau ti- ful- ground. I heard a
Gtr. 1
Gtr. 2
*Gtrs. 3 & 4 (dist.)
*Composite arrangement **Chord symbols reflect overall harmony.
sto
Gtrs. 3 & 4 tacet
C#m7
ry- from the man in red. He said, “The leaves
E
are fall in’- down, such a
beau ti- ful- sound, son, I think
C#m7
you bet ter- go a head.”- But you
Gtrs. 3 & 4
***Harm.
***Produce harmonics by lightly touching the 6th string over the frets and sliding in the direction indicated in the tab staff while picking sixteenth-notes.
†
†Harmonic located approximately 1/3 the distance between the 2nd and 3rd frets.
2.3 2.3
999
0
0
X11
13
0
X11
13
0
X11
13
0
X11
13
0
X11
13
0
X11
13
0
X11
13
0
X11
13
0
X11
13
0
X11
13
0
X11
13
0 06X8
06X8
06X8
07
9X X
7
9
12
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al
E
ways- hold your head up high, ’cause
F#5
it’s a
G#5
long,
C#m7
long, long way down.
Rhy. Fig. 2
P.M.
End Rhy. Fig. 2
P.M.
This town
B5
was made
G#5 E
for pass in’- through, but it ain’t noth in’- new. Now
F#5
go and
G#5
P.M.
P.M.
show
C#m7
’em that the world stayed round. But
B5
it’s a
E5
Interlude
long,
A
long, long way down.
P.M.
Gtr. 5 (dist.)
Gtrs. 3 & 4divisi
*w/ delay & octaver
mf
*Delay set for eighth-note regeneration w/ 1 repeat. Set octaver for one octave above.
**
Gtrs. 3 & 4 tacet
E/G# F#m
C#m7
Gtr. 5
**Bass plays G#.
02
02
02
02
02
02
02
02
02
02
02
02
02
24
24
46 4
646
46
46
46
46
46
46
46
46
46
46
46
24
24
46
02
02
02
02
02
02
02
02
02
02
02
02
02
24
24
46
46
46
46
46
46
46
46
46
46
46
46
46
024
624
24
02 12
119
10 10 10 9
119
9 11 11 11 9
97
67 7 7
9
76
45 5 4
4
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E A,9 E/G#
B
You2. bet ter- run
Verse
E
for the hills be fore- they burn. Lis ten
F#5
- to the
G#5
Gtr. 5
Gtrs. 3 & 4
Rhy. Fig. 3
P.M.
sound
C#m7
of the world, don’t watch it turn. I just
B5
wan na
G#5
- show
F#m['11]
you what I know,
Gtr. 5
Gtr. 6 (clean)
Riff B
mf let ring
Gtrs. 3 & 4
P.M. End Rhy. Fig. 3
76
45 5 4
4
76
45 5 4 5
76
45 5 4
4
99
8
7 710 9 9 9 7
9
02
02
02
02
02
02
02
02
02
02
02
02
02
24
24
46
9
7 79 10
44
24
02
4
46
46
46
46
46
46
46
46
46
46
46
46
46
24
24
46
24
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G#m[b13]
and catch you in the cor
A'9
ner- and let you go.
B'11
Or should I just
let ring let ring
End Riff B
let ring
get
Pre-Chorus
Gtrs. 5 & 6 tacet
E
a long- with my self?- I nev
E,7
er- did get
C#m7
a long- with ev ’ry- bod- y- else. I’ve
B
been try in’-
Gtr. 3
Riff C End Riff C
Gtr. 4
Riff C1 End Riff C1
10 9 9 79
66
46
00
46
77
67
06
76
99
89
00
89
24
46
46
57
57
79
0
X11
13
0
X11
13
0
X11
13
0
X11
13
0
X11
13
0
X11
13
0
X11
13
0
X11
13
0
X11
13
0
X11
13
0
X11
13
06X8
6X8
6X8
0
X7
9X7
9X7
9X7
9X7
9X7
9X7
9X7
9X7
9X7
9X7
9
06X8
6X8
6X8
0
0
X11
13
0
X11
13
0
X11
13
0
X11
13
0
X11
13
0
X11
13
0
X11
13
0
X11
13
0
X11
13
0
X11
13
0
X11
13
06X8
6X8
6X8
04X6
4X6
4X6
4X6
4X6
4X6
4X6
4X6
4X6
4X6
4X6
02X4
2X4
2X4
0
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hard
Gtrs. 3 & 4: w/ Riffs C & C1
E
to do what’s right, but you
E,7
know I
C#m7
could stay here all night
B
** F#m/A
and
A5
watch the
A%
clouds
A,7
fall
***
from
E'4/G#
the sky.
F#m11
Well, this riv
B5
er- is wild.
*Gtrs. 3 & 4
let ring
*Composite arrangement
**Bass plays A. ***Bass plays G#.
E
Chorus
Gtr. 3: w/ Riff CGtr. 4 tacet
E,7 C#m7
This riv er- is wild.
B
E
E,7 C#m7
B µ
Gtr. 3
Gtr. 4
046
046
046
079
079
079
0911
0911
09
11
01113
01113
01416
01416
01416
01618
000
22
44
24
0
4200
244
244
244
244
244
244
244
0
0
X11
13
0
X11
13
0
X11
13
0
X11
13
0
X11
13
0
X11
13
0
X11
13
0
X11
13
0
X11
13
0
X11
13
0
X11
13
06X8
6X8
6X8
0
X7
9X7
9X7
9X7
9X7
9X7
9X7
9X7
9X7
9X7
9X7
9
06X8
0
X11
13
0
X11
13
0
X11
13
0
X11
13
0
X11
13
0
X11
13
0
X11
13
0
X11
13
0
X11
13
0
X11
13
0
X11
13
06X8
6X8
6X8
04X6
4X6
4X6
4X6
4X6
4X6
4X6
4X6
4X6
4X6
4X6
02X4
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Run
Verse
3.
Gtrs. 3 & 4: w/ Rhy. Fig. 3 (1 1/2 times)
E
for the hills be fore- they burn. Lis ten
F#5
- to the
G#5
sound
C#m7
of the world, then watch
it turn but shake a
B5
lit tle.
G#5
- Some
E
times- I’m ner vous- when I talk, I shake a
F#5
lit tle.
G#5
-
Some
C#m7
times- I hate the line I walk. I just
B5
wan na
G#5
- show
Gtr. 6: w/ Riff B
F#m['11]
you what I know,
Gtrs. 3 & 4
P.M.
Rhy. Fig. 4
G#m[b13]
and catch you in the cor
A'9
ner- and let you go.
B'11
Or should I just
3
End Rhy. Fig. 4
get
Pre-Chorus
E
a long- with my self?- I nev
E,7/G#
er- did get
Gtrs. 3 & 4 tacet
C#m7
a long- with ev ’ry- -
46
46
46
46
46
46
46
46
46
46
46
46
46
24
24
46
24
46
57
57
79
0
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bod y- else. I’ve
B
been try in’- hard
E
to do what’s right, but you
E,7/G#
know I
C#m7
could stay here all night
B F#m/A
and
A5
watch the
A%
Gtrs. 3 & 4
A,7 E'4/G# F#m11
Gtr. 1
C#m
clouds fall from the sky, be cause- this riv er-
(Oh,
is wild.
Gtrs. 3 & 4
Gtr. 2divisi
let ring
Chorus
Bkgd. Voc.: w/ Voc. Fig. 1Gtr. 1: w/ Rhy. Fig. 1Gtr. 2: w/ Riff AGtrs. 3 & 4 tacet
B A,7
God speed- you, boy.
G#m7 A C#m
This riv er- is wild.
B A,7 G#m7
Now4.
A
Ad -
oh. Oh, oh.)
046
046
046
079
079
079
0911
0911
0911
01113
01113
01416
01416
01416
01618
000
22
44 2 4
0
4 2
00
244
244
244
244
4244
244
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Verse
Gtrs. 3 & 4: w/ Rhy. Fig. 3
E
am’s- tak in’- bombs, and he’s stuck on his mom be
F#5
cause- that
G#5
bitch
C#m7
keeps try’n’ to make him pray.
He’s
B5
with the
G#5
hip
Gtrs. 3 & 4: w/ Rhy. Fig. 2
E
pie- in the park com in’- o ver- the dark just
F#5
try’n’ to
G#5
C#m7 B5 G#5Gtrs.3 & 4
A5
get some of that lit tle- girl play. You bet ter- run for the hills be fore-
Gtrs. 3 & 4
P.M. (cont. in slashes)
Gtr. 6
let ring
G#5 F#5 E5
they burn. Lis ten- to the sound of the world, don’t watch it turn. I just wan na-
let ring let ring let ring
show
Gtrs. 3 & 4: w/ Rhy. Fig. 4Gtr. 6: w/ Riff B
F#m['11]
you what I know,
G#m[b13]
and catch you in the cor
A'9
ner- and let you go.
B'11
Or should I get
46
46
46
46
46
46
46
46
46
46
46
46
46
24
24
46 7
76
7
06
76
6
64
6
00
46
4
42
4
02
40
0 2
2
2
00
12
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Gtrs.3 & 4
Pre-Chorus
E A E/G#
a long- with my self?- I nev er- did get a long- with ev ’ry- bod- y- else. I’ve been try in’-
*Gtr. 7
f
*Synth. arr. for gtr.
B G#/B# C#m type 2 E Aopen
hard to do what’s right, but you know I could stay here all night
Gtrs. 3 & 4 tacet
F#m/A
and
A5
watch the
A%
clouds
A,7
fall from
E'4/G#
the sky.
F#m11 B
Gtr. 7
**Gtr. 8 (dist.)
ff
**Doubled throughout
9
912 9 10 9
9
912 9 10 9
99 10 9
99 10 9 12 10 9
911
9 10 9
9
912 9
910
9 119 10 9
046
046
046
079
079
079
09
11
0911
09
11
01113
01113
01416
01416
01416
01618
000
44200
44200
44200
44200
44200
44200
44200
000
244
244
244
244
244
244
244
000
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rit.
Gtr. 9: w/ Riff D (2 times)
B A,7 G#m7
A C#m
This riv er- is wild.
B A,7
God speed- you, boy.
G#m7 A C#m
This riv er- is wild.
B A,7 G#m
poco
Now the
Gtr. 9
poco rit.
3 3 3 3 3 3 3 3 3
Gtr. 1
poco rit.
Gtr. 2
poco rit.
X14
16X14
16X14
16X14
16X14
16X14
16X14
16X14
16X14
16X14
16X16
18X14
16X14
16X14
16X12
14X12
14X12
14X12
14X12
14X12
14X12
14X9
11X11
13X11
13X11
13X11
13X11
13X11
13X11
13X11
13X11
13X11
13
877
987
654
765
765
987
644
12 4 0 0 2
4 4
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Slower q = 86
cars
Outro
E
are ev ’ry- where,- rais in’- dust in the fair - ground. Spoken: I don’t think I ever seen so many head-
A
Gtr. 9
fdbk.
**
Pitch: G# **Fade out
*Gtr. 10
w/ fingers
let ring throughout
mp
*Piano arr. for gtr.
Gtr. 1
Gtr. 2divisi
***
***
***Fade out
Gtrs. 1, 2 & 9 tacet
lights.
E/G# B
But there’s some thing- pull
G#/B#
in’-
Gtr. 10
X7
9
7
9
0
4
45
5 47 5
0
4
45
5 47 5
0
5
76
5 5 47 5
0
645
4
5
64
5 47 5
2
2
44
4 2
3
42
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me.
C#m
The cir
E
cus- and the crew, well, they’re
just
B/D#
pass ing- through, mak in’- sure
C#m
the mer ry- still
B
goes
’round,
A
but it’s a long,
B
long, long way down.
E
4
5
66
5 47
6
5
7
4
45
5 47 5
6
74
44
7 4 7
4
5
66
5
2
4
44
4
0
2
2
442
7
4
45
5 47 5
0
454
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try
B/D#
ing.-
D
I don’t
3
know if I can use
C
them.
A5 A#5
Am
B5
I strong
E
e nough- to be the
one?
B/D#
(Am I strong e nough- to be
the one?)
D
Will I
3
live to have some chil
3
-
C
dren?-
(Chil dren.)
-
A5 A#5 B5
Help
ChorusGtr. 1 tacet
E
me get down, I can
Gtr. 1
Gtr. 1
Gtr. 2 (dist.)divisi
mf
Gtr. 2
make it. Help me get down. Help
B/D#
me get down, I can make it. Help me get down. If I
14 14 12 12
13 1214
07999
0 0
07999
6987
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on
G#m
ly- knew the an swer,-
C#m
I would n’t- be both
A
er- ing- you,
B
fa
A
ther.
B
- Help
E
me get down, I can make it. Help me get down.
string noise
Help
B
me get down, I can make
G#7/B#
it. Help me get down. If I on
C#m
ly- knew the an swer,-
let ring
B
and if all
A
our days are num bered,-
Am
then why do I keep
46644
4665
5776
5776
799877
799877
5776
7998
022100
XXX
799877
8XX878
878
91111999
91111999
799877
799877
577655
577555
577555
0
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count
Interlude
E
ing?-
Gtr. 3 (dist.)
w/ reverb
mf
Gtr. 2
P.M.
Verse
Gtr. 3 tacet
C#m
My2. sug ar’s- sweet,
A
and so at tain
D#m7b5
- a- ble.-
G#5
This be hav
C#m
- ior’s- so
*Gtr. 4
mf
8v a
*Piano arr. for gtr.
Gtr. 2
P.M.
69
6 7 67
69
6 7 6
079
079
079
079
079
079
079
079
079
079
079
079
079
079
079
079
079
079
079
079
079
079
079
079
079
079
079
079
079
079
079
000
16 17 1917 19
16
1816 17
19
16 17 1917 19
16
18
46
46
46
46
46
46
46
000
57
57
57
000
67
67
67
000
46
46
46
00 4
646
46
000
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F#5
un ex- plain
B5
- a- ble.- The
G#/B#
days
C#m
just slip and slide,
A
like they al
D#m7b5
ways- did.
(Yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah.
8v a
P.M.
G#5
Trou ble- is
C#m
my head
F#
won’t let me for get.-
F#m
Yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah. Yeah, yeah, yeah, yeah, yeah, yeah, yeah.)
8v a
loco
P.M.
1816 17
1619
16 17 1617 19
16
1816 17
19
24
24
24
00 2
424
24
36
46
46
46
46
46
46
46
000
57
57
57
000
67
67
67
000
19 17 16
17 19
16
18 16 17
16
19 18 19
17 16
16
46
46
46
00 4
646
46
000
244322
244222
244222
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B
F#
Bridge
Gtr. 4 tacet
G#
I
took one last
good
look
a round.-
Gtr. 4
Gtr. 5 (dist.)
divisi
mf
Gtr. 5
let ring
Gtr. 2
let ring
let ring
C#m
So man
B
y- un u
A
- su- al- sounds.
G#mGtr. 6 tacet
F#m
I got ta
Gm
- get
G#m
my
Gtr. 6 (dist.)
w/ heavy reverbHarm.w/ bar
mp
steady dive
+1
-1
Gtr. 7 (dist.)
mp
*Gtrs. 2 & 5
let ring let ring let ring let ring
*Composite arrangement
16
4665
466544
45
6
2443
7
99877
0 2
443
4
665
4
6
4
6
4
6
4
6
4
6
4
6
4
6
4
66544
45
6
7 7
1613
9
911
117
89
95
67
74
46
6244222
2442
2442
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feet
Gtr. 7 tacet
A
on the
A# B
ground.
Gtrs. 2 & 5
ChorusGtrs. 2 & 5 tacet
E
Gtr. 4
E/B
Help me get down, I can make it.
(Ah.)
Gtr. 4
(cont. in slashes)
Gtr. 2
P.S.
Help
Gtr. 4 tacet
E
me get down, I can make it. Help me get down.
*Gtrs. 2 & 5
*Composite arrangement
Help
B/D#
me get down, I can make it. Help me get down. If I on
G#m
ly- knew the an swer,-
5776
5776
5776
5776
5776
5
5776
5
5776
6887
7998
7998
7998
7998
7998
7998
7998
7998
141616
16
141616
16
141616
16
141616
16
141616
16
141616
16
141616
16
141616
16
454
454
454
454
454
454
454
454
XXX
XXX
XXX
07999
07999
07999
07999
07999
07999
07999
07999
07999
07999
07999
07999
07999
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07999
07999
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6987
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6987
6987
6987
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0000
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466444
466444
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466444
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C#m
I would n’t- be both
A
er- ing- you,
B
fa
A
ther.
B
-
Help
E
me get down, I can make it. Help me get down. Help
B
me get down, I can
make
G#/B#
it. Help me get down. If I on
C#m
ly- knew the an swer,-
B
and if
all
A
our days are num bered.-
Am Asus4
Would you
46654
46654
46654
46654
46654
46654
46654
0000
5776
5776
5776
5776
5776
5776
5776
5776
7998
7998
7998
7998
5776
5776
7998
7998
022100
022100
022100
022100
022100
022100
022100
022100
022100
022100
022100
022100
022100
022100
022100
00000
79987
79987
79987
79987
79987
79987
79987
79987
8X689
8X689
8X689
8X689
8X689
8X689
8X689 10
9111199
9111199
9111199
9111199
9111199
9111199
9111199
9111199
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79987
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79987
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577555
577555
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577555
577755
577755
577755
577755
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577755
577755
0000
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help
(Help
E
me
me
get
get
down?
down, I can make it. Help me get down.
Help
B
me get down, I can make
G#/B#
it. Help me get down.)
If I
on
C#m
ly- knew the an swer,-
B
if I
changed
E
my way of liv ing,-
A
and if I
022100
022100
022100
022100
022100
022100
022100
022100
022100
022100
022100
022100
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022100
00000
79987
79987
79987
79987
79987
79987
79987
79987
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8X689
8X689
8X689
8X689
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8X689 10
9111199
9111199
9111199
9111199
9111199
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9111199
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79987
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022100
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02220
02220
02220
02220
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02220
02220
0000
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poco rit.
Slower q = 63
A tempo
pave
(Pave
F#m
my
my
streets
streets
with
with good
good
times.)
B
times, will the moun
E
tain- keep on giv ing?-
(Gtr. 5, cont. in slashes)
Gtr. 5
A C#m B A
(cont. in notation)
And if all of our
poco rit.
days are num bered,-
Gtr. 2
E
*Am6/C
then why do I keep count
Gtrs. 2 & 5 tacet
Outro
C#m
ing?-
Gtrs. 2 & 5
let ring
Gtr. 4
w/ fingers
let ring
*Bass plays C.
A C
let ring let ring
Gtrs. 2 & 5
Gtr. 4 tacet
E5
let ring
E
244222
244222
244222
244222
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244222
244222
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2444
2444
2444
2444
2444
2444
2444
0000
022100
022100
022100
022100
022100
022100
022100
022100
02220
02220
02220
02220
02220
02220
2X4
4X6
4
6
6X8
6
8
7X9
6
8
7
9
6
8
7
9
4 00
02212
4
4 5 75 7
4
6
0
4 5
70 3
55 7 0
00
00
00
00
022100
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Verse
Moderately slow q = 69
ExitludeWords and Music by Brandon Flowers, Dave Keuning, Mark Stoermer and Ronnie Vannucci
Copyright © 2006 UNIVERSAL MUSIC PUBLISHING LTD.All Rights in the United States and Canada Controlled and Administered by UNIVERSAL - POLYGRAM INTERNATIONAL PUBLISHING, INC.
All Rights Reserved Used by Permission
from The Killers - Sam’s Town
Tune down 1/2 step:(low to high) Eb-Ab-Db-Gb-Bb-Eb
C
Ag gres- sive
23 1
Am
- ly,-
Em
21 34
G
we
134211
F
all
32 1
C
de fend
2 34
G/B
-
F
32 14
C
type2
the role
1342
Fmaj7#11
we play.
C
*Gtr. 1
w/ fingers
mf
*Piano arr. for gtr.
Re gret- ta- bly,-
Em
the time’s come to send
F
you on your way.
G
Am
We’ve seen it all,
G
bon fires- of trust,
F
flash floods of pain.
C G/B
It
35
53
0
0
00
1
32
1
320
1
3
553
0
000
1
321
3
000
0
210
3
543
1
321
3
013
2
033
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Gtr. 2(acous.)
Am
mf
33
= G F
does n’t- real ly- mat ter.- Don’t you wor ry,- it ’ll- all work
out. No, it
sim.
Am G F
does n’t- e ven- mat ter.- Don’t you wor ry- think in’- what it’s all a bout.- We*
*Gang vocals, till end.
Chorus
Am C F Am G
hope you en joyed
- your
stay. It’s good to have you with us, e ven-
0
210
3
543
1
321
0
210
3
543
1
321
0
210
3
553
1
321
0
210
3
543
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8/12/2019 Killers - Sam's Town.pdf
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F C G/B Am G C F
if it’s just for the day. We hope you en joyed- your stay. Out -
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side the sun is shin ing,- it seems like heav en- ain’t far a way.- It’s
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good to have you with us,
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Digital Conversion ©2011 Sorgdal -Foreducational useonly -no t forsaleortrade. No warranty ofaccuracy oruseability is implied o
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8/12/2019 Killers - Sam's Town.pdf
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Interlude
C
e ven- if it’s just for the day.
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*T
*T = Thumb on 6th string
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Digital Conversion ©2011 Sorgdal -Foreducational useonly -no t forsaleortrade. No warranty ofaccuracy oruseability is implied orclaimed.
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G FOutro
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It’s good to have you with us, e ven-
T
**Gtr. 2: w/ ad lib. noise (next 5 meas.)
if it’s just for the day. Out side- the sun is shin ing,- seems like heav en- ain’t far a way.- It’s
mp
**Gtr. 2 randomly plucks strings behind the nut.
good to have you with us, e ven- if it’s just for the day. Out side- the sun is shin ing,- seems like
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