Kinghams Auctioneers

Fine & Decorative Arts Auction

10.00am start

Started 09 Oct 2020 10:00 BST

Davies House

Davies Road

Evesham

Worcestershire

WR11 1YZ

United Kingdom

Lot Description

1Withdrawn - A large Indian white metal tray, circular form, chased and engraved with various figures within a foliate scroll ground, 56cm

diameter, 72.01ozt

2An Indian silver scroll case, Kutch circa 1900, cylindrical form, heavily embossed and chased with foliate scroll design, vacant

cartouche, between acanthus lappet borders, 35cm long, 13.69ozt

3A Chinese export novelty silver miniature kettle, YLS, spherical form, etched and engraved with a foliate band, removable lid with chain,

5.5cm high, 0.86ozt

4A small Chinese export silver rosewater sprinkler, TM, circa 1930, globe and shaft form, repousse embossed with prunus, surmounted

by a bird, 19cm high, 3.18ozt

5A Chinese silver snuff box, 19th century, oval form, engraved and chased with prunus within ogee cartouches, push action with fob

attachment, flame hinge, 5cm long, 0.83ozt

6An Oriental silver spherical box, repousse embossed with bands of mountain village scenes, on three cast dolphin feet, surmounted by a

bird finial, 11.5cm high, 4.14ozt

7 A Chinese silver filigree card case, 19th century, raised floral and dragon design, ogee form, 9cm x 6cm, 1.23ozt

8 A Japanese silver novelty salt cellar, Asahi Shoten, Tokyo, in the form of a double gourd, applied with a training vine, 7cm long, 0.70ozt

9 A Chinese export silver novelty model of a bus, YLS, sheet and wire construction with movable wheel axels, 9cm long, 2.26ozt

10 A pair of novelty white metal aeroplanes, sheet and wire construction with movable wheels and propellers, 7cm long, 0.75ozy (2)

11A Taiwanese silver cigar box, embossed in relief with a central Buddhist figure with in foliate scroll and ogee cartouche ground, wood

lined, 14.5cm wide, 9.5cm deep, 3.5cm high

12A Chinese export silver rosewater sprinkler, circa 1930, footed globe and shaft form, embossed and engraved with a sinuous heart leaf

vine over a foliate ground, surmounted by a bird, 31cm high, 11.03ozt

13Three Indian silver coin dishes, two set with Victoria Rupees, one embossed with a simulated Persian coin, beaded rims, largest 13cm

diameter, 5.31ozt (3)

14A Chinese export silver egg cup and cover, TM circa 1930, footed urn form, repousse decorated with scalloped vignettes of plantation

scenes, the lid surmounted by a bird finial, 9cm high, 1.88ozt

15

A Chinese Persian style white metal teapot and sugar bowl, oval conical form, repousse embossed and chased with mountain village

scenes, alternating with prunus sprigs, within European Rococo scroll and trellis borders and oval roundels, S scroll handles, 16.5cm

long, 13.95ozt

16A Chinese export silver goblet, MK circa 1890, the waisted cup body repousse decorated and chased with prunus design, on a conical

stem and stepped foot, 9.5cm high, 3.14ozt

17A Chinese export silver goblet, TM, rounded beaker form with stepped foot, repousse embossed in the Persian style with sinuous heart

leaf vine on a foliate ground, 10cm high, 3.77ozt

18An Oriental white metal box in the form of a lemon, together with a filigree flower head finial and a silver bird lid, box 7cm long, 4.32ozt

(3)

19A large Chinese export silver reticulated cone or incense burner, KH, circa 1930, pierced and chased with trellised vignettes of foliate

scrolls, between chased bands, surmounted by a bird, the bayonet base with swing handle, 17.5cm diameter, 36cm high, 25.34ozt

20A Japanese silver and enamelled jug, Sanju Saku, Yokohama circa 1900, footed baluster form, applied wisteria design in purple and

green enamel, bamboo handle, 9cm high, 4.98ozt

21 A Japanese silver cigarette case, rectangular form engraved with comical characters, 10cm x 9cm, 3.74ozt

22A Chinese white metal photo frame, circa 1900, rectangular with heart shaped aperture, embossed and chased with a foliate scroll

ground punctuated with figures, bamboo form easel back, opening 8cm x 7.5cm, overall 16cm x 11cm

23A Latvian silver butter knife, CTB, Riga 1888, ogee edged spade blade, with hollow handle, together with a pair of Continental silver

tablespoons, 22.5cm long, 4.16ozt (3)

24An Imperial Russian silver cigarette case, Moscow circa 1910, plain rectangular cushioned form with pale blue cabochon button, applied

initials, gilt interior, 12cm x 9cm, 6.00ozt

25

An Imperial Russian silver gilt and niello enamelled scent bottle, 18th century, ogee gourd bottle form, reverse carved with aristocratic

musicians in garden landscapes, within Rococo scroll cartouches surmounted by urns, the base with incised initials within foliate

roundel, 7.5cm high, 1.45ozt

26An Imperial Russian silver match box case, together with a Continental silver napkin ring, Russian import marks, the napkin ring

embossed with Secessionist style foliate bands, 6cm long, 2.42ozt (2)

27 A set of four Imperial Russian silver teaspoons, Moscow circa 1890, bright cut Fiddle Pattern, 13.5cm long, 1.85ozt (4)

28

An Imperial Russian silver gilt and niello enamelled cup, Vasili Semenov, Moscow 1883, footed and waisted with beaded borders,

decorated with images of the Kremlin and St Basil's Cathedral, within engraved geometric bands and foliate scroll ground, 7.5cm high,

5.82ozt

29 A set of four Imperial Russian silver teaspoons, Moscow 1888, Fiddle pattern, 14.5cm long, 3.28ozt (4)

30A matched set of Imperial Russian and Estonian silver flatware, including Josef Kopf, Tallinn circa 1890, some Russian marks, Fiddle

Pattern, including four dessert forks, five dessert spoons and a tablespoon, 21cm long, 14.98ozt (10)

31An Imperial Russian Silver snuff box, Carl Edvard Bolin, Moscow circa 1908, cuboid form, with cast laurel band to the lid, gilt interior,

stamped marks 88, 4.2cm square, 2cm high, 1.97ozt

32An Imperial Russian silver gilt and cloisonne enamelled tea strainer, 11th Artel, Moscow circa 1908, the rim with floral motifs, 12cm long,

1.70ozt

33An Imperial Russian silver and niello enamelled snuff box, Moscow 1852, cuboid form, decorated with images of St Petersburg,

including the Tauride Palace, 10cm wide, 3.5cm high, 4.5cm deep, 5.72ozt

34

A silver gilt and niello enamelled bowl, Balkan, circa 1795, hemispherical form, engraved and textured with a central image of Catherine

the Great as a harlequin holding arrow and flaming grenade, within foliate fronds and images of aristocratic and peasant women in

domestic and agricultural scenes, ...[more]

35A collection of Continental silver spoons, including Dutch Apostle spoon, sifter spoon, caddy spoon Scandinavian long spoon and an

English golf spoon, 23cm long, 3.95ozt (5)

36

An Austro Hungarian silver canteen, V Mayer's Sohne, Vienna circa 1900, Hanoverian pattern, including six table spoons, forks, dessert

forks and spoons, teaspoons, ladle, three salt cellars with spoons and two sizes of knives, all in a fitted Moroccan leather case, weight

excluding knives 58.28ozt

37Continental silver hors d'oeuvres utensils, Estonian and Latvian with Russian import marks, including a set of 3 and two pairs in a

different design, in a Bernhard Jansohn, Riga, box

38A Dutch white metal pot and cover, hexagonal section, engraved with alternating saints and courting couples, the domed lid with

embracing hands within angel and fruit panels, gilded to the interior, 6.5cm high

39A Continental white metal combination compact, circa 1950s, engine turned, with central chased foliate scroll panel, pull out cigarette

holder, lipstick and powder tray, 9.5cm long, 7cm wide

40A Hanau silver caster, Berthold Muller, Chester 1909, ovoid form embossed with 18th century women within Rococo foliate and scroll

cartouches, on a reticulated floral foot, the domed lid with bayonet fitting, 15.5cm high, 6.17ozt

41A set of six German silver teaspoons, D Tho Aspern, circa 1910, together with an Estonian silver spoon, Fiddle pattern, 14.5cm long,

2.70ozt

42 A Dutch silver boot, embossed and chased with foliate design, gilt interior and crimped rim, with spur, 6cm high, 1.27ozt

43

A set of six Renaissance Revival silver gilt figural salt spoons, 19th century probably German, after a 16th century example, modelled

with Venus supported on a coil tailed dolphin with shell moulded bowl, stamped loth mark 13, 8.5cm long, 1.82ozt (6) Note: an original

example of thi ...[more]

44 A German silver tray, PF, Lubeck circa 1730, ogee reeded rim, 28.5cm long, 14.48ozt

45A 19th century Swedish silver mounted horn centrepiece vase, Stockholm 1839, two rings with squat bun feet and Rococo style foliate

bracket supports, with a denticulated rim, 33cm long, 19.5cm high

46A German silver handled knife and fork, IG, Nuremberg circa 1750, fluted and chased handles, with knopped finials, steel blades and

twin pronged tines, stamped marks, 21cm long

47 A Dutch silver box, Amsterdam, cuboid form, embossed with village scenes within foliate scroll ground, gilt interior, 18.5cm long, 7.71ozt

48A Dutch silver jug, import marks, Singleton, Benda & Co., London 1903, shouldered ovoid form with chased fleur de lys and reeded

band, 6cm high, 1.86ozt

49A 17th century Norwegian silver gilt spoon, Johan Schluter, Bergen circa 1630, the pear shaped bowl with chased flame decoration, on

a moulded pilaster with twisted square section stem and ball finial, 13.5cm long

50A 17th century German silver and parcel gilt twin handled wine taster or dish, Paul Hedel Hofer, Breslau circa 1680, shallow lobed form,

embossed with a central tulip, within acanthus and seed head border, the handles of foliate scroll form, 16cm wide, 2.27ozt

51A Continental silver mounted mother of pearl card case, carved with a central oval of courting couple, within beaded borders, hinged,

9.5cm x 6.5cm

52An Edwardian Hanau silver novelty snuff box, JD Schleissner, import London 1902, cast and chased in relief as a child in a cradle with

coronet, hinged lid and gilt interior, 6cm long, 1.91ozt

53A French silver snuff box, circa 1890, rectangular section, engine turned and chased with floral garland border and a ruby cabochon

thumb piece, hinged, with gilt interior, 8cm long, 1.55ozt

54An enamelled and gold rimmed cigarette holder, the trumpet end with white guilloche enamel, painted with floral swags and pendant

loop, on an ivorine screw fitting mouth piece, 10.5cm long

55A Canadian silver gilt novelty shoe, circa 1890, embossed with foliate scroll design, rope-twist laces and vacant interior, 12cm long,

1.98ozt

56 A pair of American silver candlesticks, Gorham, splayed footed cup form with ribbed rings, weighted, 9cm high (2)

57An American silver castle top card case, Leonard and Wilson, Philadelphia circa 1870, embossed in low relief with Battle Abbey,

Sussex, within foliate scrolls, suspended on a chain, the reverse with floral motifs, 9.5cm x 6.5cm, 1.95ozt

58 Tiffany and Co., an American silver dish, in the form of a leaf, 8cm long, 1.19ozt

59A George III Irish Provincial silver jug, Richard Stevens, Cork circa 1810, rectangular section ogee Grecian helmet form, bright cut with

diaper lattice band, on four ball feet, stamped marks sterling, 16cm long, 5.68ozt

60A Victorian Irish silver four piece tea set, West and Son, Dublin 1871 and 1873, spherical and baluster form, embossed and chased with

C scrolls and floral sprigs, cast floral finials, teapot 27cm long, 75.71ozt (4)

61An early 19th century Scottish silver and horn vinaigrette, the coiled mull body mounted with hinged lid embossed with thistles and set

with rock crystal, the interior gilded with a pierced and chased foliate grille, 5cm long

62A George III Provincial silver mug, William Hardwick, Manchester circa 1760, cylindrical form with reeded foot and rim, S scroll handle,

engraved coat of arms, 9cm high, 6.04ozt

63A pair of George IV Scottish Provincial silver toddy ladles, John Scott of Perth, Glasgow assay 1824, Fiddle Pattern, 17.5cm long,

2.07ozt (2)

64Two George III Scottish Provincial silver spoons, David Gray, Dumfries circa 1810 and James Brander, Aberdeen circa 1810, Fiddle

Pattern, including teaspoon and condiment ladle, 14cm long, 0.90ozt (2)

65 A Victorian Provincial silver table spoon, Thomas Wheatley, Newcastle 1850, Fiddle and Shell pattern, 23cm long, 2.48ozt

66 A Victorian Scottish Provincial silver salt spoon, George Jamieson, Aberdeen 1857, Kings Pattern, double struck, 11.5cm long

67A Victorian Scottish Provincial silver tablespoon and a George IV Scottish silver toddy ladle, James Emslie, Aberdeen 1838, and

Alexander Henderson, Edinburgh 1824, Fiddle Pattern, 22cm long, 3.24ozt (2)

68 A pair of George III Irish silver dessert spoons, James Brady, Dublin 1827, Fiddle Pattern, 18cm long, 2.72ozt (2)

69A Victorian Provincial silver caddy spoon, Thomas Wheatley, Newcastle 1847, Fiddle Patter with scallop shell moulded bowl, 10cm long,

0.38ozt

70 A George IV Provincial silver ladle, William Woodman of Bristol, Exeter assay 1825, Fiddle Pattern, 33cm long, 8.01ozt

71 A George III Provincial silver table spoon, Edward Jackson, York 1818, Fiddle Pattern, 22cm long, 2.08ozt

72A set of five early Victorian Scottish silver teaspoons, Patrick Sutherland, Edinburgh 1838, Fiddle and Shell pattern, 14cm long, 2.47ozt

(5)

73

A collection of George IV and Victorian Provincial silver spoons, various West Country makers and dates, including William Hope of

Plymouth, Robert Williams of Bristol, Isaac Parkin of Exeter etc.,1824 to 1846, Fiddle Pattern, including salt spoons, teaspoons,

tablespoon and dessert, 23cm long, 6.83 ...[more]

74A George II silver lemon or punch strainer, George Greenhill Jones, London 1740, the reticulated bowl with cross and foliate scroll

piercing, on a single S scroll and bar handle, 12.5cm long, 2.07ozt

75A George III silver swing handled basket, no makers mark, London 1801, Neoclassical, footed, ogee boat form, with reeded rim and

handle, 36.5cm long, 30cm high, 29.34ozt

76A George III silver pap boat, Samuel Godbehere and Edward Wigan overstruck with Thomas Wallis II, London 1796, plain form with

reeded rim, 12.5cm long, 1.65ozt

77A George V silver twin handled bowl, William Henry Sparrow, Birmingham 1913, rounded form with ogee rim, on four shell and stepped

pad feet, S C scroll ear handles, 21cm long, 7.53ozt

78A George V silver pepper pot, S W Smith and Co., Birmingham 1919, in the Queen Anne style, octagonal section shouldered form with

pierced comma domed lid, 10.5cm high, 1.54ozt

79A George V silver cigarette case, Cohen and Charles, Chester 1916, engine turned barley stripe and wave border design to each side,

23cm x 8.5cm, 5.98ozt

80A George V silver reticulated mustard pot, Stokes and Ireland Ltd., Chester 1922, cylindrical form, pierced with panels of knotted scrolls,

between beaded borders, cushion top and ear handle, blue glass liner, 6cm high, 2.57ozt

81A George V silver tea strainer, in the form of a punch strainer, Mappin and Webb, Birmingham 1923, in the 18th century style,

reticulated piercing to the bowl with two foliate handles, 12cm long, 1.43ozt

82A George V silver jug, William Henry Sparrow, Birmingham 1912, helmet form with ogee rim, on four shell and stepped pad feet, S C

scroll ear handle, 16.5cm long, 4.35ozt

83 A novelty silver fire screen, decorated with filigree and bobbin turned supports and a central mesh, 7cm high, 0.52ozt

84An Elizabeth II silver canteen, Carr's, Sheffield 1997, Grecian Pattern, including 14 dinner forks, knives of two sizes, soup spoons,

tablespoons, teaspoons, dessert forks and spoons etc., weight excluding knives 121.31ozt

85 A George II silver table spoon, Edward Bennett, London 1756, Old English pattern, 21cm long, 1.64ozt

86 A George IV silver basting spoon, William Chawner, London 1827, Fiddle pattern, 30cm long, 4.57ozt

87Two George III and Victorian silver sauce ladles, William Eaton, London 1819 and George Adams, London 1869, Old English and Fiddle

Patterns, 17cm long, 3.19ozt (2)

88A George III silver caddy spoon, George Burrows, London 1796, bright cut and pierced with geometric motifs to the circular bowl, 8cm

long, 0.27ozt

89 Three George III silver tablespoons, Hester Bateman, London 1783, Feather Edged Old English pattern, 21.5cm long, 6.06ozt (3)

90 A George II silver marrow scoop, Thomas Heming, London 1751, Old English Pattern, 22cm long, 1.09ozt

91 A George IV silver marrow scoop, William Chawner, London 1825, Thread and Shell pattern, 23.5cm long, 2.06ozt

92 A George III silver marrow scoop, TE GS, London 1768, Old English Pattern, 22cm long, 1.32ozt

93 A George III silver marrow scoop, WT, London 1764, Old English Pattern, 23cm long, 1.39ozt

94A collection of George III silver spoons, Hester Bateman and various makers, including dessert spoons and teaspoons, Old English and

Beaded patterns, 17.5cm long, 5.14ozt (7)

95A pair of George II silver table spoons, Marmaduke Daintrey, London 1747, Old English with double tongue heel, 20.5cm long, 4.26ozt

(2)

96

A pair of William III silver Trefid spoons, William Scarlett, London 1700, beaded and reeded rat tail decoration to the bowls, the terminal

back engraved with the arms of Sir Mark Milbanke Bt. of Northumberland, notched ears to the ends, 21cm long, 3.38ozt (2) Provenance:

...[more]

97 A pair of George III silver forks, Paul Storr, London 1818, Fiddle Pattern, 20.5cm long, 5.19ozt (2)

98A George III silver metamorphic basting strainer spoon, William Eley, William Fearn and William Chawner, London 1808, Old English

Pattern, the central strainer with pegs to the bowl, 30.5cm long, 4.13ozt

99A Victorian silver fish slice, James Beebe, London 1841, Fiddle Pattern, the blade pierced and cut with fish and bird within foliate scroll

cartouche, 29.5cm long, 5.39ozt

100An Elizabeth I silver Apostle spoon, James Poole, London 1573, the parcel gilt terminal modelled as St James the Great or St Philip,

with pierced hat, 17.5cm long, 1.75ozt

101An Edwardian silver hip flask, G & J W Hawksley, Sheffield 1906, rectangular shouldered form with bayonet cap and cork insert, 9cm

high, 2.78ozt

102An early 20th century silver photo frame, oval form, embossed with foliate scrolls and rosettes to the stepped rim, wooden easel back,

stamped Sterling Silver 950, opening 16.5cm x 11.5, overall 20cm x 15.5cm

103Two Victorian silver and cut glass mustard pots, Thomas Bradbury and Sons, Sheffield 1848 and Mackay and Chisholm, Edinburgh

1859, one with lens cut body, both with cast foliate finials, 12.5cm high (2)

104

A William IV novelty silver and glass butter dish, Edward, Edward Junior, John & William Barnard, London 1833, the glass dish cut and

etched in the form of a coopered pale, the lid of multisided conical form with cast short horn cow to the finial, realistically modelled

sitting, 14cm diameter, 5 ...[more]

105An Edwardian silver butt marker, Henry Stuart Brown, London 1908, the ten numbered ivory pegs within a cuboid case with hinged lid

and fob loop, 5.3cm long, 0.58ozt

106A pair of Victorian silver sifters, Garrard & Co, London 1856, George I baluster form, embossed with acanthus lappets, 17cm high,

15.7ozt (2)

107An Edwardian silver spectacle case with chain, Cornelius Desormeaux Saunders & James Francis Hollings (Frank) Shepherd, Chester

1908, 2.28ozt

108An Edwardian silver Fishmongers Company box, Mappin Brothers, Chester 1902, hinged cover engraved 'Fishmongers Company 9th

July 1902` and with a crest and motto, 4cm x 8.5cm x 6.5cm, 4.41ozt

109A Victorian silver mounted Connamara marble inkwell, Andrew Barrett and Sons, London 1899, cuboid form with glass liner and peg

pen holder, 9cm cube

110Two George III and later silver mounted horn beakers, conical and cylindrical forms, one with engraved name James Nelson, and glass

base, the other with incised concentric rings to the base, 11cm high (2)

111 A George III silver mounted horn beaker, circa 1800, conical form with denticulated skirt below a raised band, 7.5cm high

112A Victorian silver plated spoon warmer, Mappin and Webb, model W260 1/2, realistically modelled as a Nautilus shell on rusticated

rocky outcrop, and cast scallop handle, engraved detailing and hinged lid, 14cm high

113A George II silver cream jug, William Coles, London 1739, baluster form with sparrow beak and S scroll handle, later embossed with

Rococo cartouche, C scroll and foliate rosette decoration, 8.5cm high, 2.14ozt

114A George II silver sauce boat, probably Denis Wilks, London 1750, helmet form with ogee fret rim, open canthus scroll handle and three

stepped hoof feet, later embossed with floral rosettes and C scrolls, 16cm long, 6.93ozt

115A George VI silver salver, William Hutton, Sheffield 1938, circular with ogee scroll and shell moulded fluted rim, on three double C scroll

and pad feet, 21.5cm diameter,10.85ozt

116

A pair of early Victorian silver salt cellars, John Wellby, London 1841, ovoid cauldron form in the Chinoiserie style, each with cast

Oriental figure masks to the scaled bracket legs, embossed with C scrolls and rosettes, gadrooned and gilded to the interior, glass

liners, 8cm diameter, 6.68ozt (2)

117 A pair of George V silver salts, Walker and Hall, Sheffield 1917, together with napkin rings and two salt spoons, 3.41ozt (6)

118A George III silver mounted coconut cup, Thomas Phipps and Edward Robinson, London 1793, the bowl carved with geometric rosettes

and bands, on a pedestal foot, 14cm high

119An Edwardian silver and tortoiseshell tea caddy, Charles Westwood and Sons, Birmingham 1908, oval section with gadrooned rim and

reeded finial, on four squat bun feet, 13cm high

120An early Victorian silver chamber stick, WE, London 1838, the pear baluster sconce within a cast shell and scroll border with etched

Rococo fishscale and foliate border, 16.5cm wide, 11.77ozt

121An Edwardian silver carriage clock, William Comyns, London 1908, cuboid form, Regency pin stripe and sprigged, with white enamelled

dial, blue Arabic numerals, 10.5cm high

122An Edwardian silver spice tower, JR, London 1902, the hexagonal container with hinged door, etched with leaves and rusticated wave

design, on baluster pedestal, with bells below, flags and conical spire with ball and flag, 24.5cm high

123A Victorian silver embossed box, Henry Matthews, Birmingham 1901, decorated with a garden scene with minstrel and women in 16th

century costume, within foliate scroll and tendril borders, hinged lid with gilt interior, 13.5cm long, 4.67ozt

124A Victorian silver and etched glass claret jug, W and G Sissons, Sheffield 1873, footed baluster form, the body decorated with

Bacchanalian putti and goat between ferns and flowers, the mount cast and engraved with ferns, S scroll handle, 26.5cm high

125A Victorian silver plate and cut glass claret jug, globe and shaft form with facet cut neck, mounted with a bright cut collar and swan beak

lidded spout, acanthus scroll handle, the body decorated with Neoclassical honeysuckle and beaded drop bands, 28cm high

126A George III silver wine coaster, Robert Hennell, London 1788, reticulated with bright cut oval cartouches and foliate fronds below a

serpentine rim, turned mahogany base, 12.5cm diameter

127A Victorian silver Gin wine label, Thomas Henry Francis and Frederick Francis, London 1863, oval form with beaded rim, pierced with

the letters, on rolo chain, 6cm wide, hangs 11.5cm, 0.78ozt

128A George IV silver Madeira wine label, Charles Rawlings and William Summers, London 1829, realistically cast in relief as a vine leaf,

pierced with the letters, suspended on a rolo chain, 8cm wide, 0.89ozt

129An early Victorian silver Brandy wine label, John Tongue, Birmingham 1844, chamfered rectangular form, with fluted border, engraved,

suspended on a rolo chain, 4.5cm wide, 11cm long, 0.26ozt

130A pair of George III silver salt cellars, London 1784, oval form, reticulated and bright cut with foliate scrolls, beaded border, each on four

ball and claw feet, blue glass liners, 5.5cm high, 3.20ozt (2)

131A William IV silver castle top aide memoire, Taylor and Perry, Birmingham 1835, embossed with Abbotsford House to each side,

between chased foliate and thistle ground, the interior with a weekly calendar, 9cm x 6cm

132A George III silver gilt musical snuff box, London 1818, cuboid form, engine turned, the lid with a border of relief moulded fruit, 9cm long,

5.5cm deep, 2.5cm high

133A George I silver kitchen pepper, William Looker, London 1719, step footed cylindrical form with banding and fluted rim, S handle, the

domed lid pierced, 7cm high, 2.07ozt

134A George V silver vesta case and cigarette case, John Rose, Birmingham 1913 and Lawson Ward and Gammage, Birmingham 1911,

pin stripe and chased foliate scroll designs, 8cm x 6cm and 6cm x 5cm, 2.96ozt (2)

135 A Queen Anne silver beaker, Britannia marks, circa 1710, rounded tot form, 7cm diameter, 2.76ozt

136A pair of Victorian silver twin handled bowls, Martin, Hall and Co., London 1878, footed ogee form with angled handles, beaded rims, the

interiors engraved with fruit, 9cm wide, 3.31ozt (2)

137A William IV silver and tortoiseshell snuff box, Sampson Mordan and Gabriel Riddle, London 1834, rounded pellet form, engine turned to

the edge, the lid studded with silver speckles and inlaid with fruiting vine, gilt interior, 7.5cm long

138An early Victorian silver castle top card case, Birmingham 1842, embossed with York Minster and Windsor Castle to each side, within

foliate scroll ground, 10cm x 7.5cm, 3.07ozt

139A Victorian silver castle top card case, Frederick Marson, Birmingham 1870, embossed in relief with the Scott Memorial, Edinburgh,

within chased foliate scroll ground, 10cm x 7cm, 2.16ozt

140An early Victorian silver castle top card case, Nathaniel Mills, Birmingham 1843, embossed in low relief with a castle to each side,

Warwick castle and Kenilworth castle, 9.5cm x 7cm, 2.35ozt

141A set of four George V silver menu holders, John Henry Hill, London 1927, each cast with a different wild fowl or game bird, set with

ruby cabochon eyes, in front of posts, in fitted Mappin and Webb box, 3cm high, 3.36ozt (4)

142A George IV silver gilt and gold vinaigrette, William Edwards, London 1827, engine turned with tooled floral borders, the grille pierced

and chased with foliate fronds, 4cm x 2.5cm, 1.11ozt

143 An Edwardian silver condiment holder, JE, London 1910, 3.4ozt

144A pair of Elizabeth II silver wall sconces, WV, London 1995, domed door plate form with cast and etched foliate border, 24.5cm long,

21.02ozt

145A pair of Victorian silver candlesticks, Hawksworth, Eyre and Co., Sheffield 1900, fluted and beaded wrythen baluster form, with

acanthus bands, weighted, 18cm high (2)

146A George III silver snuff box, Samuel Pemberton, Birmingham 1814, cuboid form, chased with a border of fruit to the lid and base,

reeded and etched knotted rope bands to the edges, 6.5cm long, 1.27ozt

147 A Victorian silver novelty vesta case, Birmingham 1875, wick lighter modelled as a horseshoe, 1.39ozt

148

A George IV silver snuff box, Ledsam, Vale and Wheeler, Birmingham 1826, cuboid form, embossed to the lid with a boar hunting

scene, engine turned stipe sides and underside, with cast and chased floral borders, gilt interior, 8.5cm wide, 2cm high, 5.5cm deep,

4.70ozt

149A Victorian silver tea caddy, Charles Boyton, London 1899, twin handled Neoclassical boat form with reeding and ring handles,

embossed with the crest of the Worshipful Company of Grocers, 12cm long, 4.49ozt

150 A George I miniature silver porringer, William Fleming, London 1718, double ogee form with S scroll handles, 3.5cm high, 0.77ozt

151A Victorian silver snuff box, Edward Smith, Birmingham 1846, rounded cuboid form, chased foliate scroll ground, with cast thumb piece,

gilt interior, 8.5cm long, 2.42ozt

152A George V silver mounted leather stationary file, Charles George Goord, London 1912, half domed form with fall flap, green pigskin,

monogram EO, with pigeon holed interior, 25cm wide, 18cm high, 10cm deep

153 A novelty silver and glass scent bottle, in the form of a pair of binoculars, red bodies with crew and hinged caps, 7cm high

154An Asprey and Co. silver plated coachman's torch or lamp, with front hinged flap and spikes to the hinged lid, together with a Walker

and Hall silver plated stand with two bowls, 20cm high

155An Edwardian silver hanging posy, in the form of a shoe, George Nathan and Ridley Hayes, Chester 1902, embossed with a hunting

scene of horses and hounds, on a Persian slipper, suspended on a double chain and loop, hanging 30cm long, 2.94ozt

156 A silver toddy ladle or punch ladle, Garrard & Co, London 1969, monogrammed, lobed oval bowl, 38cm long

157A George III silver bread basket, William Frisbee, London 1788, navette form, reticulated and bright cut in the Neoclassical style, with a

reed and roundel border, swing handle and pierced foot, 37cm long, 22.59ozt

158

A pair of Victorian silver sauce tureens, Robert Garrard, London 1852, each of twin handled lobed pedestal boat form, bead and shell

gadrooned borders with cast lappets of foliate scrolls to the lids, the handles of C S scroll form applied with naturalistic flowering vines,

bombe baluster finials, 2 ...[more]

159LOT WITHDRAWN - A Victorian novelty silver stamp box vesta, Samuel Jacob, London 1895, in the form of a golf club, the head with

hinged lid and pouch, the handle with extractable tube, 29cm long, 2.06ozt

160 A silver calendar and twin picture frame, Charles S Green & Co Ltd, Birmingham 1908, 19.5cm high

161A pair of Edwardian silver gilt novelty menu holders, Finnigan's, London 1909, realistically modelled as turkeys, cast and chased, on

plain bases, 4.5cm high, 5.52ozt (2)

162 A pair of George V silver mounted glass match strikers, London 1915, spherical form with applied ribbing, 10cm diameter (2)

163An Edwardian silver and tortoiseshell page turner, John Armstrong, London 1903, the plain tapered blade fitted in a silver sleeve handle,

45cm long

164 A white metal combination vesta case snuff box, hip shaped with gilt interiors, 9.5cm x 6.5cm, 5.42ozt

165A George III silver coffee pot, William Cripps, London 1778, footed baluster form, the spout cast with acanthus fronds and scrolls,

fruitwood ear handle, between beaded rims, the hinged lid with bud finial, 31cm high, 28.67ozt

166A Victorian silver sugar caster, F B Thomas and Co., London 1879, footed pear baluster form, embossed with a pastoral village scene in

the style of Teniers, 13.5cm high, 4.87ozt

167A George I silver bowl, William Fleming, London 1715, plain hemispherical form, with fluted rim on domed and stepped foot, 11cm

diameter, 3.99ozt

168 A silver filigree card case, 19th century, reticulated foliate scroll design, within ropetwist borders, 9.5cm x 6cm, 2.15ozt

169A George III silver tea caddy, Andrew Fogelberg and Stephen Gilbert, London 1789, multi sided navette form, with domed lid and ring

handle, engraved with the arms and crest of Alires, 16cm high, 14.65ozt

170A novelty silver pin dish in the form of a sombrero, repousse embossed and chased with floral motifs and ropetwist border, 7.5cm

diameter

171A Victorian silver model of a large short horned cow, William Wrangham Williams, London circa 1865, realistically modelled standing on

a grassy roundel, weighted, 6.5cm long

172An Edwardian silver novelty cow pin cushion, Levi and Salaman, Birmingham 1905, realistically modelled as a standing Jersey cow,

velvet cushion back, 6cm long

173A Victorian silver model of a shot horned cow, Joseph Angell and George Angell, London circa 1845, realistically modelled standing on

a grassy roundel, 6.5cm long, 2.16g

174An Elizabeth II novelty silver figure of a town crier, Stilwell Engravers, London 1976, modelled in 18th century costume, 5cm high,

1.08ozt

175An Edwardian silver novelty combination pen knife pencil, William Hurcomb, London 1906, in the form of a 4 inch ruler, with two

propelling pencils with red and black enamelled buttons, 11cm long

176A Victorian novelty silver vesta case, Colen Hewer Cheshire, Birmingham 1888, embossed in the form of a comical man in top hat, 6cm

long, 0.67ozt

177A George III novelty silver vinaigrette, John Lawrence, Birmingham 1817, modelled as an articulated fish, chased and bright cut with fish

scales, the hinged head opening to reveal a gilt pierced rosette grille, 9cm long, 0.43ozt

178 A silver and Scottish hardstone set novelty pin cushion, in the form of a shoe, with chased decoration, 8.5cm long

179An Edwardian novelty silver pin cushion, Adie and Lovekin Ltd., Birmingham 1907, in the form of an elephant, with velvet back, 4.5cm

long

180 A novelty silver plated toast rack in the form of a gondola, Scott and Randle, four division, with ring handle, on four ball feet, 16.5cm long

181A Victorian electrotype inkwell, probably Elkington and Co., circa 1860, embossed and cast in relief with images of horses through the

ages, including Ancient, Medieval and Modern, glass liner, 22cm diameter

182A Victorian Revivalist silver and gilt spoon, John Aldwinckle and Thomas Slater, London 1894, in the Jacobean style, knopped, turned

and wrythen fluted to the terminal, 19.5cm long, 1.81ozt

183A pair of Aesthetic Movement silver gilt goblets, Charles Edwards, London 1880, squat tulip bowls on splayed feet, engraved with

cranes within geometric borders, 14cm high, 8.14ozt (2)

184

After Alphonse Mucha, a Jugendstil silver and enamelled glass toilet bottle, Heinrich Levinger, Germany, import marks Birmingham

1902, cylindrical form, the hinged lid with a guilloche and painted enamel portrait of Mucha's Primrose, 1899, highlighted in gilt, in the Art

Nouveau style, 5cm diameter, ...[more]

185David Andersen, a Norwegian silver and enamelled, jade set thimble, circa 1900, ropetwist wave and dot bands in blue and white

cloisonne enamel, 2.5cm high

186A silver and enamelled pill box, Heinrich Levinger, Germany, import marks Birmingham 1899, squat ovoid form, with champleve enamel

of clovers and toadstool with spider's web, insect and spider, 3.5cm diameter, 0.58ozt

187An Arts and Crafts silver belt, George Lawrence Connell, London 1902, each roundel with a relief moulded open C scroll motif, linked on

bar chains, 70cm long, 4.22ozt

188An Arts and Crafts silver and enamelled salt cellar, James Fenton, Birmingham 1906, twin handled conical cauldron form, with green

enamel leaf motifs, on four ball feet, glass liner, 1.08ozt

189Archibald Knox for Liberty and Co., a Cymric Arts and Crafts silver and enamelled buckle, Birmingham 1905, boat form, planished and

reticulated with Celtic knot motifs and panels of blue and green turquoise enamel, 8cm wide, 1.55ozt

190Archibald Knox for Liberty and Co., a Cymric Arts and Crafts silver and enamelled buckle, Birmingham 1905, winged form, with relief

moulded foliate tendrils, in blue and green turquoise enamel, 8.5cm wide, 1.72ozt

191Oliver Baker for Liberty and Co., an Arts and Crafts silver and turquoise spoon, Birmingham 1900, the heart shaped bowl with applied

foliate tendrils and bisected terminal handle, flanking a turquoise bead, 8.5cm long, 0.32ozt

192Charles Robert Ashbee for the Guild of Handicraft, an Arts and Crafts silver chafing dish, London 1907, planished oval form, with ogee

domed lid, the wire S bracket finial set with a green hardstone cabochon, turned ebonised handle, 24cm wide, 20.35ozt

193Kate Harris for William Hutton, an Arts and Crafts silver and enamelled buckle, Birmingham 1902/1903, relief moulded lobed and

stepped scroll design, with blue green enamel, 9cm wide, 1.70ozt

194A pair of Arts and Crafts silver photo frames, Gourdel Vales and Co., Birmingham 1904, ogee bracket form, embossed with flowering

tendrils and motto Dinna Forget to each, on oak backings and easel supports, opening 5.5cm diameter, overall 10cm x 10cm (2)

195

Kate Harris for G L Connell, an Arts and Crafts silver inkwell, London 1902, triangular section, the lid embossed with an Art Nouveau

woman with mirror and forget me nots, the sides with stylised flowering trees, on three pad feet, ceramic liner, 6cm high, 9cm diameter,

5.75ozt

196

Kate Harris for Goldsmiths and Silversmiths Company, a large Arts and Crafts silver presentation cigar casket, London 1901,

rectangular section on splayed spear bracket feet, embossed to the front and back with borders of Art Nouveau style floral motifs,

pierced and fretted hinge latch, the lid and ...[more]

197Kate Harris for William Hutton, a pair of Arts and Crafts silver and enamelled clothes brushes, London 1903, embossed in the Art

Nouveau style with sinuous tendrils and floral bouquets, highlighted in green blue enamel, 18cm long (2)

198Katherine Coggin for Liberty and Co., an Arts and Crafts silver cup and cover, Birmingham 1899, the flared ogee body embossed with

stylised tulips, on a lobed stem and ribbed flat domed foot, 32cm high, 28.04ozt

199Omar Ramsden and Alwyn Carr, an Arts and Crafts silver spoon, London 1910, planished and cast with a stylised iris handle, 16cm

long, 1.52ozt

200An Arts and Crafts silver and moonstone box, George Lawrence Connell, London 1903, circular, planished and repousse decorated with

flame bud motifs and three cabochons to the lid, 6cm diameter, 1.79ozt

201Archibald Knox for Liberty and Co., a Cymric Arts and Crafts silver bowl, Birmingham 1902, domed ogee conical form on three C strap

legs, set with green cabochon stones, 17cm diameter, 14.3ozt

202Omar Ramsden, a pair of Arts and Crafts silver long spoons, London 1934, planished naturalistic form, the stems with overlapping

foliate lappets, surmounted by a closed bud finial, 20cm long, 6.23ozt (2)

203

Charles Fleetwood Varley (attributed), an Arts and Crafts enamelled silver box, circa 1905, cylindrical form, the lid set with a roundel of

blossoming tree, within an embossed border and motto Sweets to the Sweet and a winged heart, 6.5cm diameter, 2.34ozt Note: Varley

worked for ...[more]

204An Arts and Crafts silver butter dish, A E Jones, Birmingham 1908, planished squat form with three handles, inset lid, 15cm diameter,

6.17ozt

205An Arts and Crafts silver jug, Robert Pringle, London 1907, splayed conical form with naturalistic whiplash ogee rim and spout, the

handle with foliate tendrils to the body in the Art Nouveau style, 10cm high, 1.98ozt

206An Arts and Crafts white metal bowl, in the style of Oliver Baker for Liberty and Co., twin handled ogee conical form, planished with

riveted rim and pierced handles, apparently unmarked, 16cm wide, 7.60ozt

207A E Jones, an Arts and Crafts silver four piece tea set, Birmingham 1924, planished and footed ovoid form, with bands of ribbon and

thread, fruitwood handles, model 857, teapot 27cm long, 41.28ozt (4)

208Bernard Cuzner for Liberty and Co., an Arts and Crafts silver bowl, Birmingham 1928, planished with everted rim, on a repousse

embossed wreath foot of leaves and berries, number 50221, 25.5cm diameter, 21.83ozt

209Bernard Instone, an Arts and Crafts silver and enamelled mug, Birmingham 1928, planished footed form, flared, the handle with

champleve floral enamel, 7.5cm high, 3.69ozt

210Edward Spencer for the Artificers Guild, an Arts and Crafts silver bowl, London 1932, hemispherical footed form, embossed with double

vertical bands below a cast leaf and ropetwist rim, the foot similarly decorated with ropetwist banding, 18cm diameter, 17.53ozt

211

Omar Ramsden, a set of six Arts and Crafts silver teaspoons, London 1938, planished, naturalistic foliate form, of alternating designs,

three with wrythen lappets and encased floral buds, the others of slender leaf form with seed head finials, in original fitted box, 11.5cm

long, 4.29ozt (6)

212Omar Ramsden, an Arts and Crafts silver mug, London 1935, footed trumpet form, planished, with whiplash handle, repousse

embossed presentation band, Julia Hampson Boosey, incised to underside from John Hampson, 8.5cm high, 7.23ozt

213 Guild of Handicraft, an Arts and Crafts style silver beaker, London 1979, planished rounded form, 7cm high, 6.63ozt

214Guild of Handicraft, an Arts and Crafts style jug, London 1971, planished footed baluster form, with fluted rim and S strap handle, 14cm

high, 10.03ozt

215An Iona style silver plated and ivory biscuit box, circa 1930, chamfered cuboid form with relief moulded Celtic knot and beaded bands,

15.5cm wide, 14.5cm high, 11cm deep

216Charles Boyton, a pair of Art Deco silver dishes, London 1935, square section, planished and applied with stepped ziggurat motifs,

facsimile signature, 8cm square, 4.88ozt (2)

217An Art Deco silver plated bowl, J H Potter, Sheffield circa 1935, reeded with concentric bands and stepped crenelated rim, 26cm

diameter

218A pair of George V silver Art Deco match box covers, George Betjemann & Sons, London 1929, set with dog's head cartouche, 4.5cm x

3cm, 1.08ozt (2)

219 An Art Deco 800 European silver and wooden cantilever cigarette box, 5.5cm high

220An Art Deco silver tea caddy, Goldsmiths and Silversmiths Company, London 1934, stepped cylindrical form with conical foot and flat

stepped lid, ivorine finial, 23cm high,

221A French Art Deco silver plated teapot, Phenix, Lyon circa 1925, multifaceted ovoid form with walnut handle and finial, the spout of

fluted naturalistic ogee form, stamped marks, 18.5cm high

222Christian Fjerdingstad for Christofle, an Art Deco Gallia silver plated Swan sauce boat, circa 1930, model 0422, footed oval form with flat

angular handle and wave foot rim, stamped marks, 20cm long

223Harald Nielsen for Georg Jensen, a Danish Art Deco silver bowl, model 575A, the planished body with everted rim, on a turned and

splayed ogee foot, stamped marks Sterling, 6.2cm diameter, 0.92ozt

224Keith Murray for Mappin and Webb, an Art Deco silver plated bowl or bon bon dish, circa 1931, the ogee bowl denticulated and

reticulated with pierced triangle border, on stepped foot, stamped marks W28262, 12cm diameter, 4.5cm high

225Keith Murray for Mappin and Webb, an Art Deco silver plated six division toast rack, circa 1931, the pentagonal dividers with central

ring, united by stepped geometric bars, stamped marks W28157, 11.5cm long

226Keith Murray for Mappin and Webb, an Art Deco silver plated bowl, circa 1932, stepped and footed shallow conical form, with incised

concentric rings to the rim, stamped marks, W27701, 23.5cm diameter

227An Art Deco silver and cut glass shaker, William Hutton and Sons, Birmingham 1929, the hexagonal section conical lid on an etched

and engraved faceted body, 15cm high

228Asprey and Co., an Art Deco novelty silver Milk Churn cocktail shaker, Birmingham 1926, conical form with single handle and conical

oval section spout, the lid with integrated strainer, 28cm high, 20.05ozt

229

Lawson and Raphael Clarke for Wilson and Gill, an Art Deco Master Incolor recipe cocktail shaker, circa 1934, black bakelite with silver

plated fittings and cap, conical form with stepped shoulder, the gill measure with rotating ring, embossed with eight recipes, including

Clover Club, Dry Martini, ...[more]

230Christopher Lawrence, a Modernist silver drinks set, House of Lawrian, London 1975, including decanter, six goblets and tray, tapered

bodies, textured with plain rims, gilt interiors, tray 32cm diameter, 85.75ozt (8)

231Stuart Devlin, a Modernist silver and parcel gilt rose bowl and cover, London 1977, ogee form with reticulated rusticated lattice lid, 21cm

diameter, 23.72ozt

232 Stuart Devlin, a Modernist silver beaker, London 1977, textured cylindrical form, with plain rim, 10cm high, 7.49ozt

233Stuart Devlin, a pair of Modernist silver and parcel gilt beakers, London 1978, conical form with blind reticulated rusticated lattice, below

plain rims, 9.5cm high, 19.65ozt (2)

234David Andersen, a pair of novelty silver gilt and enamelled salt and pepper pots, in the form of owls, each with guilloche enamel in

purple and green, black and white eyes, bayonet stoppers, marked DA Norway Sterling, 5.5cm high, 1.30ozt (2)

235Patrick Mavros, an African Modernist silver and hardwood figure group of kudu, Zimbabwe, 1998, signed with seal, plaque for Royal

Harare Golf Club, 9cm high

236 Patrick Mavros, an African Modernist silver and hardwood figure of a sable antelope, Zimbabwe, signed with seal, 9.5cm high

237M Pagliari for Cape Silver, a South African Modernist silver dish, Cape Town circa 2000, embossed with water buffalo, within a gilt

ground raised border of stylised tribal panels of geometric and cave art images, signed, 18.5cm diameter, 10.73ozt

238A Modernist silver Millennium Beaker, A E Jones, Birmingham 2000, number 56 of 1000, footed trumpet form with pierced interlocking M

motifs AD 2000, in fitted box, 10cm high, 3.45ozt

239 A 9 carat gold sapphire and diamond cluster ring, approx size L, 2.4g

240 Three 9 carat gold and white stone rings, approx size K 1/2, 8.2g

241 A 9 carat gold wedding band and knotted ring, approx size L 1/2 and J, 5.1g (2)

242 A 22 carat gold wedding ring, approx size K, 4.1g

243 A diamond solitaire ring, on 18 carat gold band, approx 0.5carat central stone, ring size approx J 1/2, 1.6g

244 A three stone diamond ring, on 18 carat gold band, the central stone approx 0.25 carat, flanked by two smaller stones, approx size J 1/2

245 Three 9 carat gold gem set ring, including emerald and diamond, sapphire and diamond and garnet, approx size K, 7.0g (3)

246 Two 18 carat gold sapphire and diamond rings, approx size J, 3.9g (2)

247 An 18 carat gold channel set diamond ring, approx size J 1/2, 3.2g

248 Four gold rings, including three stone diamond and two signet rings, 7.5g (4)

249 A pair of diamond stud earrings, each stone approx 0.25 carats, set in 18 carat yellow gold

250 Two 9 carat gold wedding bands, approx size K and M, 8.1g

251 Five 9 carat gold gem set rings, including opal, garnet and bloodstone, together with smoky quartz and blue and white stone, 19.1g (5)

252 A 9 carat gold St Christopher pendant on chain, cast in relied, 2.5cm long, the chain 47cm long, 8.2g

253 A 9 carat gold ingot pendant on chain, London 1976, 6cm long, the chain 61cm long, 37.8g

254 A 9 carat gold chain link bracelet, textured mesh and entwined wire links, united b a heart padlock, 19cm long, 12g

255Three pairs of engine turned silver cufflinks, including two pairs of oval examples with barley turning, and a pair of rectangular form

cheque pattern examples, 1.31ozt

256 A pair of diamond stud earrings, in 18 carat white gold, approx. 2.5mm diameter

257 A 22 carat gold and diamond ring, approx size K, 2.4g

258 A matched suite of 9 carat gold cameo jewellery, including pendant brooch, earrings and ring, 4cm long (4)

259 A 9 carat gold chain bracelet, with safety chain and clasp lock, 21cm long, 8.6g

260 A 9 carat gold and onyx signet ring, approx size J, 1.5g

261A 15 carat gold, ruby and opal bracelet, circa 1900, each alternating bar formed of ropetwist scrolls united by opposing segments and

central square set rubies, linked with oval cabochon opals in milled and beaded settings, 19cm long, 16g

262Two Victorian silver and mixed metal brooches, including an etched and gold applied brooch and a reticulated circular example with

initials, 4.5cm long (2)

263 A string of graduated circular coral beads, together with a natural coral necklace, 43cm long (2)

264 A multicoloured quartz and hardstone necklace, rough beads including jade and rose quarts, on a 9 carat gold clasp, 49cm long

265 A 22 carat gold wedding band, approx size J 1/2, 2.3g

266 A 15 carat gold and diamond ring, together with a turquoise and pearl ring, approx size J 1/2, 3.2g (2)

267LOT WITHDRAWN - A Victorian gold, onyx and seed pearl brooch, oval cabochon form with beaded and ropework border, central star

of graduated pearls, together with another mourning brooch, 4.5cm long

268 Two silver bangles and a 9 carat gold metal core bangle, 6.5cm diameter (3)

269 A 9 carat gold crucifix pendant on chain, 3cm pendant, chain 57cm long, 8.3g

270A Lapis Lazuli rough stone necklace, together with a green and red hardstone bead necklace on yellow metal clasp, 45cm and 48cm

long (2)

271A Victorian yellow metal and peach stone brooch, the facet cut oval stone approx 2.8cm long, within a frame of knotted tubular scrolls

and foliate chased fronds, 5cm long, 23.9g

272 A pair of diamond stud earrings, each stone approx half a carat, in faceted claw setting of 18 carat white gold

273 A pair of diamond cluster stud earrings, each with seven stones, set in 18 carat white gold

274An Arts and Crafts South African diamond and sapphire double drop necklace on 15 carat gold, circa 1905, the asymmetrical bars of

rose cut and emerald cut stones with pear shaped drops, suspended from a cushion stone, 4.5cm long, chain 42cm long, 5.8g

275 A Victorian 9 carat gold and amethyst brooch, the 2cm round stone within a high claw setting

276 An 18 carat god five stone diamond ring, approx size K, 3.4g

277 An 18 carat gold ruby and diamond ring, five graduated stones, approx size K, 3.3g

278 A 22carat gold wedding band, approx size K, 2.6g

279 An 18 carat gold solitaire diamond ring, approx weight 0.1carat in a white metal tubular setting, size L, 2.8g

280 A pair of 9 carat gold cufflinks, hollow oval bean form, engraved with initials, 6.0g

281 A 9 carat gold and diamond pyramid ring, three levels of stones, approx size K, 4.3g

282 An 18 carat white gold and diamond half eternity ring, 9 stones approximately 3mm diameter 0.1 carat each, approx size K 1/2, 3.2g

283An 18 carat white gold, diamond and sapphire half eternity ring, seven stones in square milled settings, each 3mm white stone

approximately 0.1 carat, approx size K, 5.4g

284A white metal clan badge for Gordon, William Richard Corke, London, the stag head crest within a garter titled Bydand, stamped marks,

6cm, 0.69ozt

285 An 18 carat white gold diamond and sapphire half eternity ring, square cut blue stones, approx size K, 3.2g

286 An 18 carat gold wedding ring, facet cut decoration, approx size L, 2.4g

287Wiener Werkstatte, a Secessionist bead necklace, circa 1920s, tubular form with pink ground studded with git metallic beads and

concentric coloured bands, 84cm long

288A Jugendstil plique a jour enamelled silver and pearl brooch, open foliate and flower design with central natural pearl, a further Rococo

pearl suspended below, 4.5cm wide, 6.6g

289Edouard Aime Arnould, an Art Nouveau silver necklace, circa 1900, cast in the form of gilt pine cones and foliate fronds, suspended on

a chain, 40.5cm long

290Murrle Bennett and Co., an Arts and Crafts turquoise and 15 carat gold brooch, the oblong stone within a sinuous knotted tendril and

ring cartouche, 3.5cm long, 6.0g

291

Charles Fleetwood Varley for the Guild of Handicraft (attributed), an Arts and Crafts silver and enamelled necklace, the pendant type

shield form plaque decorated with an orchard scene with blossom and flowers, suspended on two chains, a coral bead below, 4.5cm

long, the chain 45cm long

292Meyle and Mayer, a Jugendstil silver gilt and pearl brooch, the open whiplash tendril body set with mother of pearl plaques, supporting a

chain with wire encased Rococo pearl, 4.5cm long

293A Jugendstil plique a jour enamelled and gem set silver brooch, the open lyre form frame set with a plaque of green enamel flanked by

amethyst cabochons, three rods suspended and terminating with garnet type beads, 5.5cm long

294An Arts and Crafts silver and enamelled brooch, Marples and Beasley, Birmingham 1909, open scroll form cast with green basse taille

enamel ivy leaves, on a blue ground, 2.7cm diameter, 5.2g

295Theodor Fahner for Murrle Bennett and Co., a Jugendstil silver and enamelled brooch, of open foliate tendril design with central jade

cabochon and purple enamel, of peacock eye design, 3cm wide, 4.6g

296Murrle Bennett and Co., an Arts and Crafts 9 carat gold brooch, in the Celtic style, folded and angled scroll design, stamped marks, 4cm

long, 2.4g

297Alexander Ritchie, an Arts and Crafts Iona silver necklace, the Celtic knot cross pendand supported on a chain with cast ovals

decorated with galleons and crosses to each side, 8cm long, the chain 59cm long, 28g

298A Scandinavian Modernist white metal and enamelled bangle, circa 1970s, incised geometric design with black enamel trellis, 7.5cm

wide, 1.42ozt

299Henning Koppel for Georg Jensen, a Danish Modernist silver brooch, model 327, designed 1956, triangular sail form, stamped Sterling,

6cm long, 0.65ozt

300Hroar Prydz, a Norwegian silver and enamelled butterfly brooch, basse taille engraved and realistically decorated in blue, white and

black enamel with yellow tipped wings, stamped S925, 5cm long, 7.5g

301 A Modernist silver and onyx necklace, the central cabochon stone flanked by graduated links of pierced key design, 13cm diameter

302 Patrick Mavros, a pair of Modernist silver cufflinks, in the form of elephants, Zimbabwe 2012, in original box, 2cm diameter, 0.49ozt

303 A 14 carat gold pocket watch, gilt dial with Roman numerals, marked D.F. & Co, no. 7632203, 3.5cm wide, 29.6g

304

Jaeger LeCoultre, a stainless steel Uniplan tank type watch, gold applied Arabic numerals and concentric chapter ring on a silvered dial,

marked Le Coultre, with stepped lugs and bevelled case, movement numbered and signed, case marked 30511, 2.6cm x 2.2cm, 4cm

total length

305 A 9 carat gold Rotary gents' wristwatch, cushioned square case with circular dial and red arrow seconds hand, manual wind, 3cm wide

306A Rotary Beaumont midsize wristwatch, mid side, gold plated oyster style on bracelet, quartz movement with white enamelled dial and

date window, 3cm wide

307A Smiths gold plated automatic shockproof wristwatch, champagne dial with even Arabic numerals, date window and red arrow sweep

seconds hand, 3.5cm wide

308An Omega ladies Constellation 1450 wristwatch, stainless steel and 18 carat gold, gilt dial, quartz movement, on bracelet strap, 2.5cm

wide

309 Edward VII, gold sovereign 1904

309a George V, gold sovereign 1915

309b George V, gold half sovereign, 1912

309c George V, gold half sovereign, 1912

310 Republic of China silver memento dollar (Yuan), 1927, portrait Sun Yat Sen left, rev. Birth of Republic of China

311 Hong Kong silver trade dollar, 1929, Britannia standing left, rev. Chinese symbols in arabesque key border

311a

A world collection of early and mid 20th century banknotes, including Austrian Tausend Kronen 1902, various German Reichsbanknotes

1908 - 1923, Bamberg 500 mark 1922, Republic of China Yuan notes 1928 - 1942, Russian Rouble 1920, Japanese Yen, Indonesian

Rupiah, Korea, Bulgaria, Nigeria, Spain, Zimb ...[more]

312

World War Two German Navy (Kriegsmarine) Officer's dress dagger, housed in hammered scabbard with two hanging strap rings, cross

guard with fouled anchor to centre and release clip to the reverse, pommel in the form of an eagle with swastika, white celluloid grip with

wire binding, etched blade mark ...[more]

313A 19th century French Sapeurs Pompiers de Chantonnay brass fireman`s helmet, front mounted flaming grenade shield, red feather

plume, fish scale chin strap and original leather liner

314

World War Two German Land Customs Officer's dress dagger, housed in dark green leather scabbard with plated mounts and two

hanging strap rings, aluminium eagle cross guard and pommel with green leather grip with wire, blade marked Alcoso Solingen on

ricasso, 41cm total length

315A Victorian carved ivory carving set, the handles modelled in relief with the busts of Shakespeare and Byron, W Pearce, Nottingham

steel blades, in fitted case, 46cm long

316An 18th century Bilston enamel snuff box, oval form, painted with a scene of a woman feeding a bird, within gilt and jewelled cartouche,

on a blue ground, 5cm long

317A Days patent, Gothic Revival, gilt brass folding fan table screen, cylindrical form, relief moulded Decorated Gothic arcading and screw

cap finial with green silk folding concertina screen and articulated holder, 24.5cm high

318 A Victorian ballot box with balls, brass handled drawer and back handle, 23.5cm high

319 A Scandinavian folk art carved wooden drinking bowl, in the form of a bird, Norwegian, probably 19th century, 38cm long

320 A 19th century beagle crop with antler whistle hook, Malacca cane and leather strap end, 31cm long

321A 17th century style gold, ivory and coral knife, the pistol grip handle set with punched rosettes and inlaid bar motifs, steel blade, 16.5cm

long

322Three books including the Army List 1847, Navy List 1823 and 18th century book of characters and portraits, the two Lists in needlepoint

Union Flag covers (3)

323Grant, J. 1886, The Tartans of The Clans of Scotland, 1st Edition, London and Edinburgh, Numerous colour plates, embossed cloth

cover

324An Edwardian travelling chess set, the walnut folding case with hinged doors and pegged bone and red stained pieces in a satinwood

and rosewood board, 25cm square

325 A pair of Prisma snakeskin and chrome binoculars, Paris, circa 1930s, 11.5cm wide

326 A brass surveyor's sight, theodolite style, with horizontal marked rotating ring adjustment, and telescopic eyepiece, 31cm high

327An Edwardian mahogany and parquetry inlaid book box, sloping sides, the front panel set with geometric baluster and cheque design,

32cm wide, 20cm high, 17cm deep

328

A George V red leather government despatch box, gilt embossed crowned GRV Royal cipher to lid and inscription 'H. M. Attorney

General Sir William Jowitt, K. C. M. P.', with brass handle, the interior with maker's stamp and Bramah lock, 15cm high, 46cm long,

31cm deep, note: William Allen Jowitt, 1st ...[more]

329 A 19th century gilt bronze, oak and brass strung crucifix, probably German, the knotty cross with applied cast figure of Christ, 46cm long

330A Victorian papier mache lacquered cabinet, ogee cuboid bracket form, the double doors opening to reveal five graduated drawers,

inlaid with mother of pearl and abalone, painted and gilded with geometric banding, 24cm wide, 23cm high, 19cm deep

331A Francois Gautier bisque headed doll, circa 1890, on composite body, with pierced ears, carrying a ceramic doll, 54cm long, together

with a trunk, Paradis des Enfants

332 A Victorian Masonic ballot box, for Gordon lodge, oak with painted lettering, 43cm wide, 20cm high, 22cm deep

333A Victorian stained glass armorial panel, the arms, crest and motto of Black, within a geometric cartouche and octagonal frame, 91cm

square

334 A 19th century Dieppe carved ivory portrait bust, relief modelled in profile as a gentleman, 5.5cm long, framed

335 A large late 17th century carved figure of Mary, possibly originally part of a crucifixion cross, 104cm high

336 A set of six mother of pearl caviar spoons, carved, with angled terminals, in fitted case, 11cm long (6)

337A 19th century French gilt brass and paste set mirror, bevelled oval form, tooled and chased with ribbon and floral boughs, bordered

with red and yellow facet cut beads, surmounted by a bow, easel back, 31.5cm high

338A 19th century micro mosaic paperweight, the central oval with a duck at the edge of a pond, within a red granite ring, set in an ogee

rimmed black marble plaque, 15cm long

339A Franklin Mint Monopoly Collectors' edition playing table, board game in a mahogany case with glass cover mounted on stand, gilt

player pieces and hotels, vintage pattern property cards, chance/community chest cards, 80.5cm high

340An 18th century Scandinavian peg tankard, willow-bound and chip-carved with geometric motifs, hinged cover with central finial, pierced

handle, 21cm high including finial

341

A George IV carved ivory presentation gavel, inscribed to the silver band, Presented to the House of Lords for the use of the Lord

Chancellor, by William Sweeting, November 1829, the handle carved with geometric and foliate bands, knopped and beaded, the head

with laurel and bead borders, 24.5cm lon ...[more]

342

A late 19th century Swiss simulated rosewood 10 air musical box, B.H. Abrahams, St. Croix, Switzerland circa 1885, hinged rectangular

cover with musical instrument decal on rosewood field within stringing and kingwood borders, enclosing printed air card of Walter Marty,

Herisau, the 16cm barrel thre ...[more]

343 A 19th century Boulle work bracket, tortoiseshell with tooled brass inlay and gilt foliate mask mounts, 38cm wide, 19cm deep, 25cm high

344A gilt brass swiss carriage clock, the white enamelled chapter ring and subsidiary dial with Roman numerals, fluted columns and blind

fret friezes, bobbin turned folding carrying handle, signed, 14.5cm high

345A Kaiser novelty chrome plated birdcage alarm clock, with ticking bird seconds marker and revolving pedestal drum chapter rings, 15cm

high

345aA gilt metal automaton alarm clock, with spring loaded chirping bird to the base casket, two columns supporting an oval drum dial and

movement, the whole cast and chased with foliate scrolls and birds, 15cm high

345bA gilt brass carriage timepiece, the white enamelled dial within a five glass case with fluted pilasters and serpent scroll bar handle, 15cm

high

346A Palais Royal gilt metal three branch candelabrum, circa 1860, green opaline glass and cast gilt metal foot with stylised leaves and

rope twist border, converted to a lamp.51cm high

347A Victorian cast bronze and ormolu electrotype goblet, circa 1874, conical form with beaded foot, relief moulded to the lower half with

scenes from Don Quixote, in the Elkington style, stamped marks, 16cm high

348 D Brucciani & Co London, a plaster study of a blinded and flayed man, 19th century, numbered 2271A, 69.5cm high

349 A 19th century bronze bust of Benjamin Brodie, modelled in the Classical style, on a book, 12.5cm high

350Karl Hagenauer, an Austrian Art Deco silvered and ebonised sculpture, after 1927, modelled as a figure on a boat in full sail, stamped

marks, 44cm long, 47cm high

351 Geoffrey Dashwood (b.1947), bronze figure of a Capercaillie, cast and incised 1 of 25, on wooden base, 22cm high

352 An Art Nouveau carved wooden corbel bracket, modelled as a woman's head with foliate headdress and scrolls, 34cm high

353

Walter Gilbert for the Bromsgrove Guild, an Arts and Crafts bronze paperweight plaque, relief moulded in the Art Nouveau style,

depicting a semi nude woman flanked by putti and festoons, Bromsgrove Guild Worcestershire England, set in a red marble base, 10cm

diameter

354 An Art Deco cubist style silvered bronze figure of a footballer, on a marble base, 22.5cm high

355 A pair of Arts and Crafts stained glass panels, in the PreRaphaelite style, depicting St Maurice and St Theodora, 29cm x 14cm (2)

356 A pair of Arts and Crafts stained glass panels, St Andrew and St Simon, leaded and painted, 45cm x 26cm (2)

357 Anne French, an Arts and Crafts illuminated watercolour poem, within a floral border, 20cm x 12cm, framed

358An Art Nouveau gilt and mother of pearl desk set, in the style of Tiffany, the trapezoidal accessories with blind fret borders of Persian

foliate scrolls and floral motifs, including a clock, stamp box, inkwell, letter opener and tidy, clock 11cm high (5)

359 An Arts and Crafts painted glass panel, of a galleon within a Celtic knot and zoomorphic ground of tulips and maidens, 51cm x 41cm

360An Art Deco copper and Bakelite three light pendant, a central fluted cone supporting a three arm drum, each branch terminating in

flaming torches, with pink frosted glass shades, 54.5cm high, 60cm diameter

361A pair of Art Deco chrome plated three branch pendant lights, each triangular section central bar with three bracket form arms,

supporting downward facing fittings, suspended from a tubular rod, 59cm high, 28cm diameter

362May Morris, an Arts and Crafts embroidered panel, Welcome Maids of Honour, decorated with rose and other flowers, within a garter

wreath and a bird to each corner, within a carved mahogany frame, 56cm square

363A J Rowley, two Arts and Crafts marquetry inlaid pictures, with specimen hardwoods, of rural village scenes, Sunlight and Shadow and

Country Lane, within feather bordered frames, titled to labels verso, 24cm x 39cm (2)

364A J Rowley, a pair of Arts and Crafts mirrors, the top panels with marquetry inlay in specimen woods, of rural villages, within feather

edged carved borders, 62cm x 32cm (2)

365An Art Deco onyx and malachite desk calendar, with adjustable rotating display and month window, 18cm long, 12cm high, together with

an onyx and hardstone photo frame, gilt metal mounted, oval form, 22cm x 18cm (2)

366Pietro Chiesa for Fontana Arte, an Art Deco leather and glass box, cedar lined, with brass finial, foil sticker, 16cm wide, 9cm high, 10cm

deep

367WMF, a Jugendstil silver plated dish, modelled in the Art Nouveau style as a maiden peering into a pond, the sinuous hair trailing

around the edge, 12cm wide

368 WMF, a Jugendstil bronze vase, circa 1890, baluster form, marked, 26cm high

369WMF, a Jugendstil silver plated Champagne bucket, flared hexagonal section with open knotted whiplash handles and relief moulded

entwined tendril border, ogee rim, 27cm high

370WMF, a Jugendstil silver plated and green glass claret jug, trumpet form, relief moulded and reticulated with maidens and flowers,

whiplash tendril handle, stamped marks, 42cm high

371Orivit, a Jugendstil pewter inkwell, circa 1915, relief moulded with a car and driver speeding down a hill, the well lid with milestone finial,

glass liner, stamped marks 3079, 27cm wide

372WMF, a Jugendstil silver plated and cut glass tantalus, the two cuboid decanters with plated collars, within a lockable raising arm cage,

24cm high

373Hugo Levin for Kayserzinn (attributed), a Jugendstil pewter tureen, footed ovoid form with stylised fruiting trees and twin handles, the lid

with ribbed fanning, stamped number 1018, 24cm high

374 An Arts and Crafts brass table lamp, in the Benson style, with opalescent glass shade with crimped rim, 43cm high

375A bronze trophy plaque for Progress in Photography south western centre, base with brass plate showing winners from 1945 through to

1971

376A pair of Arts and Crafts copper andirons, hand wrought, with repousse embossed heart shaped heads, decorated with stylised trefoil

leaves, 35.5cm high, 30cm deep (2)

377An Arts and Crafts brass box, cuboid form, the lid repousse decorated with a rose between stylised lilies, 23cm wide, 7cm high, 17cm

deep

378Keswick School of Industrial Arts, an Arts and Crafts brass letter rack, repousse decorated with stylised poppies and pierced gallery,

34cm wide, 26cm high

379An Arts and Crafts silvered copper inkwell casket, planished with tapered corner legs, the lid with riveted strap hinged opening to reveal

a twin well interior with pen tray, 21cm wide, 5.5cm high, 12cm deep

380John Pearson (attributed), an Arts and Crafts copper coal scuttle, the angled lid repousse decorated with sunflower and foliate scrolls,

28cm high

381John Pearson, an Arts and Crafts copper chamber stick, 1900, repousse decorated with a wreath of floral sprigs within punched

borders, the handle with incised spiral, signed, 30cm long

382An Arts and Crafts copper clock, J F Pool, Hayle, plinth form, repousse decorated and embossed with nautical scenes to each level,

including fish, ships and lighthouse and birds to the squat heart pediment, 45cm high

383An Arts and Crafts brass panel, repousse decorated in the PreRaphaelite style with a medieval woman with bird in a wooded landscape,

68cm x 24cm, framed

384An Arts and Crafts copper plaque, circular form repousse decorated with stylised knotted trees, in the Art Nouveau style, 32.5cm

diameter

385John Pearson (attributed), an Arts and Crafts copper broad rimmed dish, repousse decorated with fruiting vines to the border, 36cm

diameter

385a An Art Deco brass plaque, portrait of a young woman repousse decorated, Russian marks, 20cm x 15cm

386

An Arts and Crafts copper and enamelled cigar casket, cuboid form with riveted feet and serpentine apron, the pierced hinges backed in

mother of pearl, the central cloisonne oval plaque with a cleric in garden landscape, in the Scandinavian Secessionist style, cedar lined,

18cm wide, 10cm high, 11cm ...[more]

387 An Arts and Crafts Iona style copper tray, shaped oval form, repousse decorated with Celtic knots to the corners, 57cm long

388 An Arts and Crafts enamelled pewter tray, oval form with four segmental plaques of kingfishers and a central monogram MG, 34cm long

389An Arts and Crafts enamelled pewter tray, twin handled rectangular form with mermaid plaques between blue enamel cabochons,

39.5cm long

390 Archibald Knox for Liberty and Co., an Arts and Crafts pewter Tudric bedside clock, model 01495, 8.5cm diameter

391Archibald Knox for Liberty and Co., an Arts and Crafts pewter Tudric and enamelled cake basket, model 0357, oblong tray with blue

enamel and a strap handle, 30cm length

392 Curtis Jere (Contemporary), a metal wall sculpture, fused rusticated diamonds and stars with welding, signed, 70cm x 105cm

393Paul Ysart, controlled bubbles frit harlequin millefiori paperweight with copper aventurine and another both unsigned, both rough pontil,

largest diameter 76mm (2)

394 Paul Ysart, concentric millefiori paperweight with radiating orange and blue twists, unsigned, rough pontil, diameter 76mm

395 Paul Ysart, concentric millefiori paperweight with short radiating blue and light blue canes, unsigned, rough pontil, diameter 83mm

396Paul Ysart, concentric millefiori paperweight with radiating white twists that have copper aventurine centre, unsigned, rough pontil,

diameter 72mm

397Paul Ysart, flower head floating over a green sparkling ground, with eight controlled bubbles to the edge, signed PY verso, polished

base, diameter 70mm

398Paul Ysart, pink fish floating over a blue and white ground, with eight controlled bubbles to the edge, signed H verso, polished base,

diameter 70mm

399Paul Ysart, Monart vase with flowers paperweight on a black ground, Monart vase with aventurine splashes, unsigned, rough pontil,

diameter 76mm Note: see Ysart Glass book, page 129, plate 143, possibly only six made

400Clichy, swirl paperweight, central red and white cog cane within blue and white radiating spiral staves, circa 1850, polished base, 7cm

diameter

401Clichy, scrambled paperweight, containing irregular canes, partial Clichy Pink Rose and coloured cable, circa 1850, polished base, 5.5

cm diameter

402Clichy, barbers pole paperweight, seventeen complex spaced canes including a Clichy pink and green rose, a signed cane, divided by

blue and white twisted ribbon strands on a muslin ground, circa 1850, polished base, 6.5cm diameter

403Clichy, patterned millefiori paperweight, seven garland rings each ring surrounding a central cane, clear ground, circa 1850, polished

base, 7cm diameter

404Clichy, concentric millefiori paperweight, six garland rings surrounding a central green and pink cane, edged by blue and white

alternating staves, circa 1850, polished base, 5.5cm diameter

405 Clichy, three sulphide portrait paperweights, each with historical figures, clear ground, circa 1850, 6.5cm diameter (3)

406 Whitefriars, two concentric millefiori paperweights, dated 1970 and 1972 signature canes, polished base, 7.5cm diameter (2)

407 Whitefriars, three royal commemorative millefiori paperweights, polished base, 7.5cm diameter (3)

408 William Manson, a snake paperweight, a green and yellow snake set on a sandy ground, signature cane, 7.2cm diameter

409 Perthshire, four concentric millefiori paperweights, all with signature canes, one dated 1976 verso, 7cm diameter (4)

410Perthshire, four concentric millefiori paperweights, three with signature canes one with original label verso, one dated 1976 verso, 6cm

diameter (4)

411Perthshire, two floral paperweights, one double cased, faceted blue and white, the other with a blue flower on white lattice, both signed

with a P cane, largest 6.8cm diameter (2)

412Perthshire, two spaced millefiori paperweights with silhouettes on muslin, blue ground muslin dated 1976, white dated 1972, largest

7.2cm diameter (2)

413 John Deacon, two millefiori paperweights, one butterfly, other concentric, both original paper labels verso, largest 6.8cm diameter (2)

414John Deacon, two floral paperweights, one purple rose on alternating latticinio the other blue clematis on alternating latticinio, one

signed JD cane, both original paper labels verso, largest 6.8cm diameter (2)

415John Deacon, two floral paperweights, one blue clematis on a pink ground, other orange clematis black ground, both alternating stardust

garlands, both original paper labels verso, largest 6.5cm diameter (2)

416Perthshire, two spaced millefiori paperweights with silhouettes on muslin, pink muslin dated 1976, white dated 1973, largest 7cm

diameter (2)

417Clichy, patterned millefiori paperweight, large central pink and white cane, surrounded by five garland rings each ring surrounding a

central cane, with canes in between, light green ground, circa 1850, polished base, 8.5cm diameter

418 Clichy, spaced millefiori paperweight, containing thirty-seven individual canes, green ground, circa 1850, polished base, 8cm diameter

419 Clichy, scrambled paperweight, containing irregular canes and coloured cable, circa 1850, polished base, 7cm diameter

420 Clichy, scrambled paperweight, containing irregular canes and coloured cable, circa 1850, polished base, 4.4cm diameter

421Clichy, patterned millefiori paperweight, central green and white cane, surrounded by blue and white circle of canes, surrounded by a

garland including ten Clichy white roses, clear ground, circa 1850, polished base, 4.5cm diameter

422Clichy, spaced millefiori paperweight, containing thirty-seven individual canes, including a Clichy Pink Rose, clear ground, circa 1850,

polished base, 7cm diameter

423Clichy, spaced millefiori faceted paperweight, containing nineteen individual canes, including a Clichy Pink Rose, clear ground, circa

1850, polished base, 6.5cm diameter

424Clichy, two patterned millefiori paperweights, one central white and red cane, surrounded by green cog canes, surrounded by a garland

including five Clichy Pink Roses, and another, both clear ground, circa 1850, polished base, 4.5cm diameter (2)

425Baccarat, spaced millefiori paperweight set with seven individual canes, including three Gridel silhouettes of a deer, a horse and an

elephant on a muslin ground, dated 1848, polished base, signature cane B 1848, 5cm diameter

426 Baccarat, deep blue dog rose flower with stardust centre, circa 1850, star-cut base, unsigned,4.5cm diameter

427Baccarat, concentric millefiori paperweight, central complex millefiori, surrounded by a circle of white stardust, surrounded by circle of

red, and blue stardust canes, unsigned, 4.5cm diameter

428Baccarat, close-packed millefiori paperweight, including three Gridel silhouettes of a horse, a goat and an elephant, dated 1848 polished

base, signature cane B 1848, diameter 6.5cm

429Baccarat, pansy flower, dark purple and yellow petals with stardust centre, opening bud, circa 1850, star-cut base, unsigned, 6.5cm

diameter

430Baccarat, 1972 mushroom millefiori paperweight, yellow and white cased and faceted, acid etched marks, number 98 of a limited

edition, 7.5cm diameter

431Baccarat, 1972 tight packed millefiori paperweight with twelve Gridel zodiac silhouette canes and a signature cane, acid etched marks,

number 49 of a limited edition, 7.5cm diameter

432 Baccarat, 1972 tight packed concentric millefiori paperweight, acid etched marks, number 114 of a limited edition, 8cm diameter

433

Baccarat, concentric millefiori paperweight, central complex millefiori cog cane, surrounded red by white and yellow cogs, surrounded by

a circle of white with blue stars, surrounded by circle of blue, white and green stardust alternating with red and white cog canes,

unsigned, 5.2cm diameter

434Baccarat, 1972 tight packed paperweight with twelve gridel zodiac silhouette canes and a signature cane, acid etched marks, number

216 of a limited edition, 7.5cm diameter

435Baccarat, concentric millefiori paperweight, central complex millefiori cog cane, surrounded red by white and blue stardust, surrounded

by a circle of white cog and stardust, surrounded by circle of blue and white alternating cog canes, unsigned, 5.2cm diameter

436 Baccarat, four cameo paperweights of royal family members, various colours, dated 1976, stamped verso, 7.5cm diameter (4)

437 Baccarat, double clematis flower, purple striped petals stardust centre, blue bud, circa 1850, star-cut base, unsigned, 6.2cm diameter

438 Baccarat, three cameo paperweights of royal family members, various colours, dated 1976, stamped verso, 7.5cm diameter (3) boxed

439 Paul Ysart, millefiori butterfly on black ground, with copper aventurine body, signed PY edge of wing, rough pontil, diameter 70mm

440Paul Ysart, yellow roses on black ground, signed PY by stem, rough pontil, diameter 67mm: Note version of this in Ysart Glass book

page 132, plate 153

441Paul Ysart, controlled bubbles frit harlequin millefiori paperweight signed with a H cane and another unsigned, both polished base,

largest diameter 76mm (2)

442A Nailsea Verre Moire glass fairy lamp, combed opaque over blue, the crimped doughnut ring stand with Clarke's pressed holder and

domed shade, 15.5cm high, 16cm diameter

443Thomas Webb, a Queens Burmese peach glass fairy lamp on moulded glass pedestal stand, the hobnail column and cup supporting a

crimped mushroom collar and domed shade painted with leaves and berries, marked to the collar, 34cm high

444 A Victorian opal glass fairy lamp, on Clarke's stand, vertically ribbed, textured and domed shade, 10cm high

445 A pair of Nailsea Verre Moire glass fairy lamps, combed opaque over blue domed shades, on Clarke's moulded bases, 12cm high (2)

446A pair of Nailsea Verre Moire glass fairy lamps, combed opaque over yellow frosted domed shades, on Clarke's moulded bases, 12cm

high (2)

447 Thomas Webb, a Queens Burmese peach glass fairy lamp, on Clarke's moulded stand, domed shade, 13cm high

448 A Clarke fairy Pyramid lamp and base, green hobnail domed shade on purple glass base, 11.5cm high

449 A Victorian cased glass fairy lamp, on Clarke's stand, the relief moulded swagged shade, cranberry over opaque, 13.5cm high

450 A Victorian cased glass fairy lamp, on Clarke's stand, frosted domed shade, green over opaque, 9.5cm high

451 A Victorian blue opal glass fairy lamp, on Clarke's stand, vertically ribbed and domed shade, 10cm high

452 A Victorian marbled glass fairy lamp, on Clarke's moulded stand, hexagonal section domed shade with raspberry ripple, 11cm high

453A 19th century novelty glass and metal mounted claret jug, in the form of a bird, probably Austrian circa 1890, the optic ribbed glass

body and double strap handle, 17cm high

454An 18th century glass red wine carafe, circa 1780, tapered half decanter form, etched and engraved with R Wine within a foliate

cartouche in the form of a bottle ticket or wine label, 20.5cm high

455 An 18th century glass dessert stand, the optic moulded ribbed inverse baluster stem on a folded conical foot, 29cm diameter

456Five Bohemian enamelled historicist glass beakers, each with a heraldic coat of arms, some with prunts, green and cranberry, 14.5cm

high (5)

457Three Bohemian enamelled historicist glass roemers, each with a heraldic coat of arms, ribbed stems, one with applied prunts, green,

20.5cm high (3)

458

Thomas Webb and Sons, a cameo glass and silver gilt mounted scent bottle, Sampson Mordan, London 1884, rounded spear head

form, carved with white over amber floral and fern specimens, in a velvet lined fitted Moroccan leather case for Mackay and Chrisholm,

Edinburgh, 10cm long

459Thomas Webb or John Walsh Walsh, a pair of Victorian straw opal glass thorn vases, each of naturalistic tree stump form with pulled

prunts, on radiating tendril bases, Vaseline uranium ground with blue opaline bands, 10.5cm high (2)

460An Arts and Crafts blue opal glass trumpet vase, circa 1890, ribbed of Jack in the Pulpit type with curled rim, blue body with opalescent

bands, 16cm high

461 James Couper, a Clutha glass Arts and Crafts finger bowl and plate, pale green with brown striations, folded rims, 16cm diameter (2)

462John Walsh Walsh, an Arts and Crafts straw opal glass shade, conical shouldered form with crimped rims, relief moulded tadpole drops,

10.5cm high, small opening 2.5cm diameter, large opening 6cm diameter

463Theresienthal, a Secessionist enamelled wine glass, optic ribbed tulip bowl with floral petals, on a bowed green stem, highlighted in gilt,

21.5cm high

464A Secessionist wine glass, circa 1905, possibly Meyrs Neff, the closed tulip bowl with applied green trailing, on a slice cut splayed stem

and foot, 21cm high

465Ludwig Sutterlin for Petersdorfer, a Jugendstil enamelled liqueur glass, circa 1904, the shallow bowl with gilt and yellow enamel petals,

on a green painted knopped stem, 16.5cm high

466Lobmeyr (attributed), a Secessionist drinking glass, circa 1920, the vertically ribbed rounded bowl on a uranium green splayed stem and

splat foot, 18cm high

467An Art Nouveau enamelled and engraved glass vase, conical based trumpet form, martele textured ground with passion flower design,

highlighted in gilt, in the style of Mont Joye, 24cm high

468Carl Goldberg for Haida, a Secessionist glass and silver overlay vase, spherical form, decorated with an owl on branch, green draining

to 8.5cm high

469 Loetz, a Secessionist iridescent glass Crete Papillon gooseneck vase, double gourd form, incised marks, Loetz Austria, 29cm high

470 Loetz, a Secessionist iridescent glass Vesuvian silver overlay vase, circa 1901, shouldered form with silver overly tadpoles, 8.5cm high

471Loetz, a Secessionist silver overlay red glass vase, red iridescent, squat baluster form, floral vine overlay in the Art Nouveau style, 7cm

high

472 Loetz, a Secessionist silver overlay glass Green Metallin vase, shouldered form, iridescent with sinuous flowering vine overlay, 7cm high

473 Loetz, a Cameo glass vase, circa 1920, blue over white opaque, shouldered form, decorated with trumpet flowers, 26.5cm high

474 Emile Galle, a Hydrangea cameo glass vase, segmented slab form, green over purple over colourless, signed in cameo, 26cm high

475 Emile Galle, an Orchid cameo glass vase, footed trumpet form, purple over blue over yellow, signed in cameo, 28cm high

476 A Steuben Aurene iridescent glass vase, splayed fan form with four openings to the rim, signed and incised 2761, 23cm high

477 Rindskopf, a Secessionist iridescent glass Pulled Feather vase, conical shouldered form, opal lustre over cranberry, 15cm high

478 Daum, a pate de verre frosted glass bowl, crimped inverted rim, marbled blue, etched Daum Nancy, 13cm diameter

479Legras, an enamelled glass vase, circa 1920, ovoid form with inverted crimped rim, painted with leaves and fruiting trees, signed, 12cm

diameter

480 Charles Schneider, a Jade series glass pitcher, circa 1930, conical gourd form with whiplash handle, marbled and mottled, 34.5cm high

481Charles Schneider, an Art Deco etched glass bowl, circular with textured hexagonal and banded decoration, smoky brown amber, acid

etched mark, 41cm diameter

482Joseph Bleichner for Saint Louis, an Art Deco Diamant cut glass decanter, circa 1933, shouldered conical form with hobnail cut foot and

stopper, 20cm high

483Karl Palda for Haida (attributed), a Bohemian Art Deco enamelled glass liqueur set, the cello form decanter cut and etched with

geometric black enamel checked design, two pairs of similarly decorated waisted tot glasses and lyre form stopper, 24.5cm high (50)

484Karl Palda for Haida (attributed), a Bohemian Art Deco enamelled glass cocktail set, the octagonal section shaker with cut sunray motifs

highlighted in black enamel, the glasses similarly cut and decorated, chrome fitting, 21cm high (6)

485Jobling, an Art Deco Opalique Fir Cone glass bowl, pattern 5000, circa 1935, blue opalescent relief moulded fircone design, 27.5cm

diameter

486Monart, an Art Deco glass vase, shape IA VII, colour 52, cylindrical necked spherical form, marbled ochre to red, original label, 21cm

high

487John Walsh Walsh, two Pompeian glass vases, circa 1925, including lime green waisted vase with crimped rim and a fluorescent yellow

ball and cone vase, acid marks Walsh England, 10.5cm high (2)

488 Hartley Wood, an Art Deco marbled glass vase, circa 1930s, shouldered form, multicoloured streaks, 18cm high

489Hartley Wood, two Art Deco marbled glass vases, circa 1930, one of beaker form with green streaks, the other of shouldered ovoid form

in blue, 18cm and 14.5cm high (2)

490Sven Palmqvist for Orrefors, a Kraka cased glass vase, circa 1956, model 349, teardrop form, controlled bubble and lattice decoration,

blue draining to green, etched marks, 20cm high

491A Scandinavian Modernist glass vase, probably Strombershyttan, circa 1950, ice blue shouldered form, engraved with snowdrops,

polished pontil, 11cm high

492 Luigi Mandruzzato, two Sommerso triple cased Murano glass vases, circa 1950s, including hexagonal section and faceted, 18.5cm (2)

493 Daum, a Modernist glass sculpture of a squirrel, circa 1978, modelled standing, signed Daum France, 16.5cm high

494 Michael Harris for Mdina, an art glass Tiger vase, circa 1970, flared cylindrical form, unmarked, 16cm high

495Hilary Green for Dartington, a Little Black Dress Slim glass vase with lime green trail, model VA2564, circa 2010, conical form with

broad everted rim, 28cm high

496Coty, a L'Aimant moulded glass scent bottle in original metal travelling case, circa 1928, the French bottle with frosted floral stopper in

the style of Rene Lalique, within a gilt lined holder, 6cm high

497Baccarat for Jean Patou, a Colony glass perfume bottle, circa 1938, footed and lobe moulded with frosted leaf stopper, acid marks,

13cm high

498 A Lalique Bacchantes glass vase, model 997, designed circa 1927, frosted colourless, incised Lalique France, in box, 24.5cm high

499Rene Lalique, an Ondines glass plate, model 3003, designed circa 1921, blue opalescent, wheel engraved R Lalique France, and

number, 27.8cm diameter

500 Rene Lalique, a Muscat glass vase, model 10-3477, designed circa 1938, frosted opalescent, acid mark R Lalique France, 16.5cm high

501Rene Lalique, a Moissac glass vase, model 992, designed circa 1927, blue opalescent with staining, incised R Lalique France, 12.5cm

high

502Rene Lalique, a Barr glass plate, model 3079, designed circa 1932, colourless with a central engraving of Medusa stained in blue, acid

mark R Lalique, 21cm diameter

503Rene Lalique, a pair of Cactus wine glasses, model 5293, designed circa 1934, colourless with black enamel, acid mark R Lalique to

each, 11.5cm high (2)

504

Rene Lalique for Pullman Express, a Cote d'Azure statue, frosted glass paperweight, designed circa 1929, modelled as a nude female

figure, relief moulded commemorative lettering Cote D'Azure Pullman Express, 9 Decembre 1929, incised signature R Lalique, 16.5cm

high Note: designed ...[more]

505Rene Lalique, a Marienthal blue opalescent glass plate, model 3022, designed circa 1932, moulded R Lalique, engraved France and

number, 23.5cm diameter

506Rene Lalique, an Archers red amber glass vase, model 893, designed circa 1921, incised marks R Lalique France and number, 27.5cm

high

507Rene Lalique, an opalescent amber glass figure of Suzanne, model 833, designed circa 1925, butterscotch with opaline inclusion, relief

moulded mark R Lalique and incised France R Lalique, 22.8cm high

508A Chinese famille rose dish, Qianlong style, central Shou medallion within a four repeat bat, peach and tasselled frame on a turquoise

ground of foliate scrolls and lotus flowers, 27.5cm wide

509An 18th century Chinese export armorial coffee cup and saucer, central coat of arms and motto within gilt and blue and white glazed

floral borders, the reeded handle relief moulded with foliate terminals, 13cm diameter

510 A 17th century Chinese blanc de chine figure of Guanyin, Ming or later, modelled with sceptre, sitting on a rocky outcrop, 26cm high

511 A large Chinese blue and white charger, painted with figures playing a board game in a garden landscape, ogee border, 60cm diameter

512China, a watercolour botanical study of Peas in Pods, possibly Anglo Chinese, Chinese character marks to margin, 35cm x 30cm,

framed

513China, a watercolour botanical study of Fruiting Peach Tree Branch, possibly Anglo Chinese, Chinese character marks to margin, 35cm

x 30cm, framed

514China, a watercolour botanical study of a Grape Plant, possibly Anglo Chinese, Chinese character marks to margin, 35cm x 30cm,

framed

515China, a watercolour botanical study of a Fruiting Chestnut Branch, possibly Anglo Chinese, Chinese character marks to margin, 35cm x

30cm, framed

516

An early 19th century Chinese Imperial portrait of Emperor Jiaqing (), Qing dynasty from 1796 to 1820, dressed in dragon robes of the

emperor, Portuguese inscription 'Emperor Xiahim', gouache on paper, 50cm x 38cm, framed. Note: The Jiaqing Emperor, personal

name Yongyan, was the seventh ...[more]

517 Persian School (18th/19th century), Court Scene with Musicians, gouache on paper, Arabic inscriptions on verso, 21cm x 12cm, framed

518 A 19th century Japanese bronze jardinière, Meiji, squat ovoid lobed form, relief moulded with carp and aquatic foliage, 35cm diameter

519A 19th century Japanese ivory okimono figure group, Meiji, modelled as a woman with two children, holding a rabbit, the robes carved

and stained with floral design, signed, 12cm high

520A 19th century Japanese ivory box and cover, Meiji, cylindrical form, carved in relief with figures in a landscape, the lid with lotus flower

finial, signed, 9cm high

521 Five small Japanese ivory Okimono figures, Meiji, carved as immortals, elders and shishi, 2.5cm (5)

522A Chinese enamelled copper jewellery box, reeded drum form, blind reticulated floral decoration alternating with relief moulded foliate

garlands and concentric bands, central lotus flower to the hinged lid, mirror to the gilt interior, 10.5cm diameter

523A 19th century Japanese ivory okimono, Meiji, modelled as an elderly Samurai with fan, engraved and stained decoration, inset seal

mark, 17cm high

524 A 19th century Japanese carved ivory box, Meiji, the lid with coiled dragon, set with mother of pearl eyes, 6.5cm diameter

525 A 19th century Japanese carved ivory okimono of a hen, Meiji, realistically modelled and set with mother of pearl eyes, 12cm long

526 A 19th century Japanese ivory okimono of a tiger attacking a hippo, Meiji, realistically carved and set with glass eyes, 11cm long

527A 19th century Chinese reticulated ivory brush pot, carved and pierced with a populated garden landscape, above a fretted foliate foot,

11.5cm high

528 A 19th century Indian carved ivory figure group, modelled as a flautist and woman with a cow, under a tree, 16cm high

529Three 19th century carved ivory and sequin fans, each with double gauze lace folds, sewn with metallic sequins, one painted with floral

festoons, the sticks and guards engraved and studded with mirrored roundels, 19cm and 27cm long (3)

530Two 19th century bone and lace fans, each with pierced sticks, one painted with courting children in 18th century costume, below

knotted ribbons and floral sprays, the other with flowers highlighted in gilt sequins, 35cm long (2)

531Two 19th century ivory and painted silk fans, one with reticulated sticks set with mirrored roundels, the fold painted with a flowering vine,

the other painted with a band of foliated scrolls below peacock, phoenix and griffins in a landscape, 24.5cm long (2)

532 Two 19th century ivory brise fans, one with reticulated sticks, the other plain, with ogee denticulated ends, 17cm long (2)

533A Victorian ivory and silk fan by J Duvelleroy, applied with a carved monogram initial N with rose vine to each guard, double fold and gilt

ring, 32cm long, in box, together with a similar brise fan with carved GP, with knotted tassel and ring, 21cm long

534A Chinese bone and painted feather fan, 19th century, the pierced sticks with foliate motifs and roundels, painted to the feathers with

figures and animals between lotus flowers, 25cm long

535 A large 19th century tortoiseshell and feather fan, brown and white feathers of graduated length, 55cm long

536A 19th century bone and painted fan, the pierced sticks with applied gold and silver floral decoration, the double paper fold decorated

with 18th century courting couples, the reverse with women and children in a landscape, each within gilt foliate scroll borders, 27cm long

537

A 19th century mother of pearl and painted fan, the sticks pierced and etched with C scrolls and foliate fronds, highlighted in tricolour

gold and silver, the double paper fold decorated with a pastoral scene of courting country folk and musician, the reverse with a 16th

century family gathering, th ...[more]

538A 19th century mother of pearl and painted fan, the sticks engraved and pierced with foliate scrolls, highlighted in gold and silver, the

double paper leaf painted with an Arabian Nights scene, the reverse with 18th century courting couples in a garden, 26.5cm long

539A Chinese child's carved ivory brise fan, 19th century, the sticks pierced and reticulated with a central monogram within a scroll ground

of sinuous flowering plants, the guards carved in relief with flowers, 12.5cm long

540

A Japanese Shibayama and painted fan, 19th century, Meiji, the silk leaf painted to each side with a lakeside landscape with pine tree

and figures, the reverse with a mountainous landscape with river and trees, the guards lacquered in raised gold and set with mother of

pearl, coral and horn, 30.5cm ...[more]

541A Chinese carved ivory and feather fan, Canton 19th century, the sticks pierced with an extensive populated garden landscape, the

guards similarly decorated in relief, he white goose feathers tipped with ostrich, 28cm long

542

A late 17th or early 18th century painted ivory brise fan, circa 1700, the sticks painted and pierced with allegorical scenes of Classical

women in temple gardens, within raised gilt banded and trellis ground, the reverse similarly painted, the guards carved and painted with

figures and flowers betw ...[more]

543A Chinese lacquer brise fan (), 19th century or earlier, the sticks painted in gilt with figures in a garden landscape, within a foliate scroll

and floral border, the tips with bird, dog and seated man, 22.5cm long

544

A large Chinese lacquer brise fan (), 19th century, the sticks painted in gilt with scrolled cartouches of courtiers in garden landscapes,

within speckled and floral grounds and feathered and scroll borders, the ends each with alternating seated and standing figures, in a

fitted s ...[more]

545A Chinese carved ivory brise fan (), 19th century, the 19 sticks carved and reticulated with an extensively populated garden landscape,

the guards carved in relief with similar scenes, 20.5cm long

546

A Chinese carved ivory and painted Mandarin fan (), Canton, 19th century, the double paper leaf painted with courtiers in a garden

landscape to each side and applied with ivory faces in the Thousand Faces manner, within a pink border of foliate scrolls, lattice and

charms, the reverse with ...[more]

547

A Chinese lacquered and painted telescopic Mandarin fan (), Canton, 19th century, the double paper leaf painted with courtiers in a

garden landscape to each side and applied with ivory faces in the Thousand Faces manner, within a pink border of foliate scrolls, lattice

and charms, the black ...[more]

548 Two 19th century painted silk fans, one in bone the other ebony, signed Gherrier, 35cm long (2)

549A Japanese lacquer, bamboo and painted fan, 19th century, Meiji, the double fold painted with figures in a lakeside landscape with

blossom, the reverse with prunus, hydrangeas and birds, the ivory guards with raised lacquer and gilt foliage and birds, 27.5cm long

550A 19th century mother of pearl and painted fan, the simulated fabric feathers tipped with ostrich, painted with a pastoral family scene,

within foliate scroll border, the sticks pierced and gilded with silvered leaves, 27cm long

551Tiffany and Co., a mother of pearl, gold and silk painted fan, the leaf with a palm reading scene, between Neoclassical floral swags,

scrolls and roundels, signed, the sticks etched with gilt wheels and floral sprigs, 14 carat gold loop, in original box, 21.5cm long

552An early 19th century sampler by M Curtis, 1815, worked in darning stitch with a group of flowers surrounded by a garland, framed,

19cm x 23cm

553A 19th century alphabet sampler by Fanny Rodbard, aged 10, worked in cross stitch with rows of upper and lowercase lettering,

numbers, crowns and religious verse in a foliate tendril border, framed, 41cm x 41cm

554A 19th century sampler by Mary Ann Griffin, aged 8, 1843, worked in cross stitch with a tower and religious prose surrounded by motifs

in a floral border, framed, 31cm x 31cm

555A pair of 19th century alphabet samplers by Lydia Dymock, aged 7 and 8, 1829, worked in cross stitch with rows of upper and lowercase

lettering and numbers, framed, 31cm x 31cm (2)

556An 18th century house sampler, 1741, worked in cross stitch and needlework with a red brick building enclosed within rows of tigers,

birds and motifs, framed, 31cm x 22cm

557A 19th century Ackworth School sampler by Mary Lidbetter, 1823, worked in cross stitch with rows of upper and lowercase lettering and

numbers, framed, 25cm x 30cm

558An early 18th century needlework, depicting a shepherd with his sheep in a landscape of birds, trees and the sun in splendour, framed,

31cm x29cm

559A 19th century sampler by Ann Sarah Coleman, aged 10, 1804, worked in cross stitch and needlework with rows of figures, trees and

birds in a floral border, framed, 40cm x 33cm

560A 19th century sampler by Catherine Elliott, circa 1820, worked in cross stitch and needlework with a house, figures, trees and birds,

framed, 31cm x 31cm

561An early 19th century American alphabet sampler by Mary Gage, born 172-, worked in cross stitch and needlework with rows of text in a

floral border, framed, 42.5cm x 42.5cm

562A rare late 18th century Quaker medallion sampler by SB Cooke, 1797, worked in cross stich in monochrome on coarse linen with

bottom right garland inscribed SC to EC 1797, octagons, a swan and other birds, flowers and letters, framed, 38cm x 40cm

563A 19th century verse sampler by Maria Sims, 1830, worked in cross stitch with a central verse surrounded by buildings, figures,

windmills and animals in a floral border, framed, 41cm x 41cm

564Laurence Stephen Lowry RA (1887-1976), Lonely House, lithograph in colours, signed in pencil on Fine Art Trade Guild paper, 29cm x

51cm, framed

565Laurence Stephen Lowry RA (1887-1976), Burford Church, lithograph in colours, signed and numbered 719 of 850, published by Grove

Galleries Ltd., Manchester, 62cm x 47cm, framed

566

Continental School (19th century), a Victorian album comprising of approximately 65 watercolours, gouaches, drawings and lithographs,

within embossed brown leather binding, including a watercolour of the tomb of Napoleon in Saint-Helene (possibly after Horace Vernet);

Volcanic eruption of Versuvius; ...[more]

567 Leonor Fini (1907-1996), Study Portrait of Two Girls, lithograph, signed in pencil, 37cm x 52cm, framed

568

George Cruikshank (1792-1878), Sikes Attempting to Destroy his Dog, watercolour, signed, 14cm x 12cm, framed, note on verso: From

Charles Dickens 'Oliver Twist'... This would have been drawn between February 1837 and March 1839 for the monthly installments in

"Bentley's Miscellany", for which Cruick ...[more]

569Dutch School (19th century), A copy of a 17th century painting of an interior scene with a young woman, oil on canvas, 30cm x 23cm,

together with a rural scene of a hay wain, oil on canvas, 23cm x 31cm, both unframed (2)

570Early 18th Century School, Country House Parkland View with Figures, oil on canvas, circa 1700, unmounted (from an interior wall),

142cm x 227cm

571 19th or 20th century school, portrait of a woman, oil on canvas, sepia, monogram MA, 35cm x 24cm, framed

572 Gabriele Muccha (1899-2002), Golf Lady, oil on canvas, signed, 45cm x 35cm, framed

573 Hans Agersnap (1857-1925), Woodland Path, oil on canvas, signed, 31cm x 53cm, framed

574 English Primitive School (early 19th century), Cockfighters, a pair of oils on canvas, 34cm x 24cm, framed (2)

575Muriel Jackson (1901-1977), London Spring, oil on canvas, signed verso, 56cm x 46cm, framed, note: label for Royal Academy

Exhibition 1936 James Boulet & Sons and Memorandum of Purchase

576 Louis Pisani (19th century), The Vow to the Madonna, oil on canvas, signed on verso, 71cm x 50cm, framed

577 Continental School (19th century), Portrait of a Young Lady, oil on canvas, 38cm x 31cm, framed

578An early Victorian carved walnut sofa, Empire style, circa 1840, acanthus moulded horn scrolled arms on octagonal section baluster

legs and brass casters, 218cm wide, 86cm high, 68cm deep

579A Victorian figured walnut ladies secretaire, the articulated leather inset writing slope with pierced gallery and pull out mechanism, the

side drawer with hinged stationary and pen tray, 56cm wide, 43cm deep, 71cm high

580A large part 17th century carved and panelled oak screen, together with two similar doors, five panel foliate carving under a fleur de lis

and scroll row, 191cm x 133cm, doors 191cm x 87cm (3)

581An early 20th century fruitwood church warden's pipe stand, with four apertures above a baluster turned stem, dished base with a brass

liner, 61cm high

582An Edwardian mahogany satinwood strung and crossbanded table vitrine, in the Sheraton style, the tapered square section legs united

by an X stretcher and low shelf, 44cm wide, 74cm high, 61cm long

583A William IV yew wood pedestal fold over card table, square section tapered column support on a horn scroll bracket base, with reeded

edges, label Robt James Cabinet Maker & Upholsterer No. 35 Broad Mead Bristol, 94cm wide, 73cm high, 47cm deep

584A George II oak and mahogany banded dresser, of three drawers above an ogee fret carved apron, on cabriole front legs, 176cm wide,

48cm deep, 84cm high

585A George II style mahogany and pietra dura occasional table, the specimen marble and agate inlaid top of concentric navette motifs, in

a Chippendale type base, supported on acanthus carved and toed cabriole legs, 103cm wide, 76cm high, 58cm deep

586A William IV mahogany metamorphic architects table, the double action leather inset slope on a false drawer top, supported on reeded

conical legs, 120cm wide, 77cm high, 76cm deep

587A 19th century Black Forest carved hall stand, realistically modelled as a bear and cub grasping a tree stump with branches,

surmounted by a further bear cub, above an oak leaf framed oval mirror and a foliate carved umbrella hoop, 237cm high

588A Gothic Revival walnut carved chair, the pointed foliate top with needlework upholstery to the back and seat, on fluted and quatrefoil

carved legs, 123cm high

589Liberty and Co., an Arts and Craft mahogany occasional table, rectangular form, on square section tapered and splayed legs, united by

a low stretcher, two sides with fret carved spear motif panels, 55cm wide, 69cm high, 40cm deep

590A Victorian mahogany wall clock, Pearce of Stratford, the 12 inch white enamelled dial with Roman numerals, brass single fusee

movement, 43cm diameter

591 Altos de Torona, Godello, 2015, twelve bottles (12)

592 Altos de Torona, Godello, 2015, twelve bottles (12)

593 Calabria Private Bin, Vermentino, 2015, twelve bottles (12)

594 Calabria Private Bin, Vermentino, 2015, twelve bottles (12)

595 Calabria Private Bin, Vermentino, 2015, twelve bottles (12)

596 Calabria Private Bin, Vermentino, 2015, twelve bottles (12)

597 Calabria Private Bin, Vermentino, 2015, twelve bottles (12)

598 San Felipe Seleccion, Torrontes, 2016, twelves bottles (12)

599 Altos de Torona, Godello, 2015, twelve bottles (12)

600 Altos de Torona, Godello, 2015, twelve bottles (12)

601 Altos de Torona, Godello, 2015, twelve bottles (12)

602 Jacana Calabria, Semillon Sauvignon Blanc, 2015, twelve bottles (12)

603 Jacana Calabria, Semillon Sauvignon Blanc, 2015, twelve bottles (12)

604 Jacana Calabria, Semillon Sauvignon Blanc, 2015, twelve bottles (12)

605 Jacana Calabria, Semillon Sauvignon Blanc, 2015, twelve bottles (12)

606 Jacana Calabria, Semillon Sauvignon Blanc, 2015, twelve bottles (12)

607 San Felipe Seleccion, Torrontes, 2016, twelves bottles (12)

608 San Felipe Seleccion, Torrontes, 2016, twelves bottles (12)

609 San Felipe Seleccion, Torrontes, 2016, twelves bottles (12)

610 San Felipe Seleccion, Torrontes, 2016, twelves bottles (12)

611 Chateau Mouton, Bordeaux Superieur, 1999, case (12)

612Samson of Paris, a pair of leaf form pickle dishes, painted with exotic birds within a blue scale field and gilded cartouche, pseudo

Worcester mark, 11cm wide (2)

613 A Boch Freres painted tile, decorated with two 18th century women, monogram JB, famed, 18cm square

614A Karl Ens figure modelled as Uncle Frtiz, 20th century, model 7784, modelled attacking an insect, printed and impressed marks,

20.5cm high

615 A Della Robbia plaque in a glass case, Italian 19th century, gilded frame, mounted on board, plaque 90cm wide

616A Dutch Delft blue and white wine cooler, oval bombe form, painted with Chinoiserie scenes in feathered cartouches, applied ropetwist

handles and lions paw feet, 49cm long

617An 18th century German faience stein, Hannoversch Munden, painted and transfer printed with a horse, within polychrome forest

landscape, pewter lid, dated 1789, 22cm high

618 A Delft figure of a farmer and cow, monogram to base, 11.5cm high

619Mettlach, Villeroy and Boch, a large Pate Sur Pate plaque, incised with a dancing scene under grapevines, number 7037, circa 1899,

impressed marks, 44cm diameter

620Mettlach, Villeroy and Boch, a pair of plaques, transfer printed with castles, Burg Eltz and Altes Stadtthor Cochem, number 1044/94 and

95, circa 1890, 31cm diameter (2)

621Platen Hallermundt for Royal Copenhagen, a Wire Haired Fox Terrier, model 2967, and an Oluf Mathiesen figure of a Dachshund

Chasing Tail, model 1407, 26.5cm high (2)

622Fritz Heidenreich for Rosenthal, a figure group of three dachshunds, together with another figure, impressed mark to base, 22.5cm long

(2)

623 Theodor Karner for Rosenthal, a figure of a dachshund, modelled reclining, impressed mark T Karner, 15cm high

624 Max Herm Fritz for Rosenthal, a figure of a fox, model 983, in sitting pose, impressed marks M H Fritz, 14cm high

625VDK Bechyne, an Art Nouveau relief moulded figural vase, modelled with woman feeding a peacock, with a band of flowers and leaves,

43cm high

626Michael Powolny for Wiener Werksattte, a Secessionist figural comport, modelled as two putti with cornucopia and garlands, supporting

a shallow ogee section dish, incised marks, 1120, 20.5cm high

627Michael Powolny for Wiener Werksattte, a Secessionist figure of a boy on a snail, with floral garland reins, incised marks and

monogram, 20cm high

628Johanna Meier Michel for Wiener Werkstatte, a Secessionist allegorical figure of Autumn, modelled as a woman with basket of fruit,

impressed marks, 22cm high

629An Art Deco part dinner service of Badonvillier Paradis plates and bowl, stencil decorated with birds within geometric borders, 22cm and

18.5cm diameter (11)

630 Schaff for Royal Dux, an Art Deco figure of a semi nude woman, impressed marks, 3293, 31cm high

631 Royal Dux, an Art Deco figure, modelled as a woman in butterfly wing dress, impressed marks and pink triangle, model 3525, 25cm high

632Royal Dux, an Art Deco figure group, modelled as two dancers in Arabic dress, impressed marks and pink triangle, model 2993, 31.5cm

high, note: possibly Rudolph Valentio and Vilma Banky from The Son of the Sheikh (1926)

633Gien, France, a large iridescent lustre plaque, circa 1910, decorated with a Germanic still life of stein and prunted ale flute, with leaves,

impressed mark, 55cm diameter

634Zsolnay Pecs, a Secessionist lustre photo frame, circa 1905, square with circular aperture, relief moulded with stylised fruiting plants in

the Art Nouveau style, opening 9cm diameter, overall 17cm square

635A Lenci relief moulded plaque, modelled as a nude woman with deer and squirrel, kneeling beside a lake, painted mark Preciosa and

paper label, 34cm diameter

636Stephan Dakon for Goldscheider, a figure of a young woman golfer, circa 1935, modelled hat, blue blouse and skirt, incised and printed

marks and numbers 7416 246 0 , 28cm high

637Josef Lorenzl for Goldscheider, a figure of a dancer in spider-web dress decorated with insects, 5917, circa 1927, incised and printed

marks and numbers 591740511 , 26.5cm high

638Josef Lorenzl for Goldscheider, a figure of a woman in butterfly wing dress, 6022, circa 1928, incised and printed marks and numbers

602243411 , 27cm high

639Stephan Dakon for Goldscheider, Dolly Sisters figure group, model 5612, circa 1926, in fur collared purple dresses, on a diamond base,

printed marks and incised numbers 85 8, 38cm high

640Stefan Dakon for Goldscheider, a figure of a dancer holding the edges of her dress, circa 1935, model 7078, impressed and printed

marks and numbers 70782722, 25cm high

641 Emma Bossons for Moorcroft, a shop display design, 2001, 'Moorcroft Pottery' in relief, impressed marks and signed, 19cm long

642 Sally Tuffin for Moorcroft, Geometric Rose vase, baluster form, impressed and painted marks, 25cm high

643 Sally Tuffin for Moorcroft, Finches on ochre vase, inverse baluster form, impressed and painted marks, 25cm high

644 Philip Gibson for Moorcroft, a Simeon vase, circa 2000, globular inverse baluster form, impressed and painted marks, 18cm high

645 Sally Tuffin for Moorcroft, a Cluny vase, circa 2004, baluster form, impressed and painted marks, 19cm high

646 Trevor Critchlow for Moorcroft, a dragon plate, circa 1990, circular form, impressed and painted marks, 26cm diameter

647 Philip Gibson for Moorcroft, an Inglewood vase, circa 2004, baluster form, impressed and painted marks, 19cm high

648 Sally Tuffin for Moorcroft, Mamoura pattern cache pot, flared cylindrical footed form, impressed and painted marks, 17cm high

649Philip Gibson for Moorcroft, Limited Edition Rhapsody vase, cylindrical flared form, impressed and painted marks, 17/250, dated 2001,

25.5cm high

650 Rachel Bishop for Moorcroft, a Carousel vase, angled baluster form, impressed and painted marks, 30cm high

651 Sally Tuffin for Moorcroft, a Mamoura vase, circa 1997, baluster form, impressed and painted marks, 19cm high

652Anji Davenport for Moorcroft, Limited Edition Desert Ivory vase, baluster flared form, impressed and painted marks, 151/300, dated

2003, 32cm high

653Sarah Brummell-Bailey for Moorcroft, Blakeney Mallow twin handled vase, inverse baluster form, impressed and painted marks, dated

2001, 26cm high

654Emma Bossons for Moorcroft, Butterfly and Berry pin dish, circa 2002, and four other similar examples including artists Nicola Slainey

and Rachel Bishop. (5)

655 Shirley Hayes for Moorcroft, a Saadian vase, circa 2001, squat baluster form, impressed and painted marks, 11cm high

656Rachel Bishop for Moorcroft, a Squirrel Year plate, circa 1995, Limited Edition, circular form, impressed and painted marks, 333/500,

22cm diameter

657 Nichola Slaney for Moorcroft, an Amazon Twilight lamp base, circa 1998, ovoid shouldered form, on turned wooden base, 36cm high.

658Nicola Slaney for Moorcroft, geometric flowers and leaves plate, circa 2008, circular dished form, impressed and painted marks, 28.5cm

diameter

659Rachel Bishop for William Moorcroft, a Tree Bark Thief limited edition vase, inverse baluster form, number 121 of 250, impressed marks

and signatures, 37cm high, boxed

660Philip Richardson for Moorcroft, a Fairy Rings bowl, circa 1987, squat ovoid shouldered form with everted neck, impressed marks and

underglaze green monogram, 30cm diameter

661 Rachel Bishop for Moorcroft, a Carousel charger, circa 1997, circular form, impressed and painted marks, 35.5cm diameter

662 Lisa B Moorcroft, a pink and green lustre Holly vase, circa 1980, elongated inverse baluster form, monogram, 36cm high

663 Walter Moorcroft, Bermuda Lily on brown, ovoid baluster form, printed and painted marks. 24cm high

664 Walter Moorcroft, hibiscus cache pot, cylindrical form, impressed and painted marks, 13cm high

665 Walter Moorcroft, Bermuda Lily vase, baluster form, impressed and painted marks and factory label, 19cm high

666 Walter Moorcroft, a Grape and Plum jardinière, circa 1980, footed beaker form, 18cm high

667 Walter Moorcroft, a Magnolia plate, circa 1960, blue ground, impressed marks and underglaze green signature, 26cm diameter

668William Moorcroft for James MacIntyre, a pair of Aurelian blue and white poppy vases, circa 1898, gourd form, highlighted in gilt, printed

marks, 14cm high (2)

669William Moorcroft for James MacIntyre, a Florian Daisy vase, circa 1902, twin handled inverse baluster form, yellow on blue, printed

marks and underglaze green signature, 26cm high

670William Moorcroft for James MacIntyre, a Florian Poppy pedestal vase, circa 1902, shouldered ovoid and footed form, yellow on blue,

printed marks and underglaze green signature, 31.5cm high

671 William Moorcroft for James MacIntyre, an Alhambra vase, circa 1903, twin handled inverse baluster form, printed marks, 25.5cm high

672William Moorcroft for James MacIntyre, a pair of Florian Iris vases, circa 1900, conical double gourd form, with butterflies to the necks,

printed marks and underglaze green monograms, 24.5cm high (2)

673William Moorcroft for James MacIntyre, a large Iris vase, circa 1901, slender elongated inverse baluster form, underglaze green

monogram, 41cm high

674William Moorcroft for James MacIntyre, a Green and Gold Florian biscuit barrel, circa 1903, ovoid shouldered form, with etched silver

plated mount and lid, printed mark, underglaze green monogram, 26.5cm high

675William Moorcroft for James MacIntyre, an Iris vase, circa 1903, ovoid form, yellow on blue, printed mark and underglaze green

signature, 23cm high

676William Moorcroft for James MacIntyre, a Prunus bowl, 1912, squat angled bulbous form, green ground, underglaze green signature and

date, 20cm diameter

677William Moorcroft for James MacIntyre, a Prunus lustre bowl, circa 1907, twin handled Skyphos form, with cylindrical foot, incised

signature, 24cm wide

678William Moorcroft for James MacIntyre, a blue on blue Landscape vase, circa 1902, cylindrical bulbous form, printed marks and

underglaze green signature, 30cm high

679William Moorcroft for James MacIntyre, a pair of Cornflower vases, circa 1912, twin handled conical form, printed marks and underglaze

green signature, 20cm high (2)

680William Moorcroft for James MacIntyre, a small Hesperian Lilac vase, circa 1902, rounded conical form, printed mark and underglaze

green signature, 9.5cm high

681William Moorcroft for James MacIntyre, a Florian Daffodil vase, circa 1899, rounded with inverted rim, printed mark and incised

monogram, 12cm diameter

682William Moorcroft for James MacIntyre, a small Violet and Forget Me Not Christmas and New Year Greetings vase, circa 1904, twin

handled footed trumpet form, printed mark and underglaze green monogram, 6.5cm high

683William Moorcroft for Liberty and Co., an Iris plate, circa 1903, circular with narrow rim, green and blue, printed marks and underglaze

green signature, 20.5cm diameter

684William Moorcroft for Liberty and Co., an Iris plate, circa 1903, circular with narrow rim, green and blue, printed marks and underglaze

green signature, 20.5cm diameter

685William Moorcroft for Liberty and Co., a Pomegranate on ochre ginger jar and cover, circa 1912, shouldered form, printed marks and

underglaze green signature, 12cm high

686William Moorcroft for Liberty and Co., a Claremont pomander, circa 1905, squat ovoid form with reticulated screw lid, printed marks and

underglaze green signature, 14cm diameter

687 William Moorcroft, a small Pansy on blue vase, circa 1925, baluster form, impressed marks and underglaze blue monogram, 12cm high

688 William Moorcroft, a small Pomegranate vase, circa 1920, angled inverse baluster form, impressed marks, 9.5cm high

689William Moorcroft, a Late Florian vase, circa 1915, inverse baluster form, impressed Burslem marks and underglaze green signature,

22.5cm high

690William Moorcroft, a Poppy and Forget Me Not vase, 1913, slender inverse baluster form, underglaze green signature and date, 32.5cm

high

691William Moorcroft, a Spanish box and cover, circa 1928, cylindrical drum form, impressed marks and underglaze blue monograms,

17cm diameter

692William Moorcroft, a pair of Pomegranate candlesticks, circa 1925, Tuscan column form, impressed marks and underglaze blue

monograms, 21cm high (2)

693William Moorcroft, a Flambe Late Cornflower vase, circa 1936, knop necked bulbous bottle form, impressed marks and facsimile,

underglaze green monogram, 33cm high

694William Moorcroft, a large salt glazed Leaf and Berry vase, circa 1930, shouldered form, impressed marks and underglaze blue

signature, 42cm high

695William Moorcroft, a Flambe Banded Pomegranate vase, circa 1925, baluster form, impressed marks and underglaze blue signature,

18.5cm high

696 William Moorcroft, a small Wisteria on blue vase, circa 1925, waisted form, impressed marks, 9.5cm high

697William Moorcroft, a small Pansy on white vase, circa 1914, inverse baluster form, impressed Burslem marks and underglaze green

signature, 10.5cm high

698 William Moorcroft, a small Wisteria on blue vase, circa 1928, shouldered form, impressed marks, 9cm high

699 William Moorcroft, a small Pansy on blue vase, circa 1925, bulbous form, impressed marks, 10cm high

700 William Moorcroft, a small Pomegranate vase, circa 1920, globe and shaft form, impressed marks, 10cm high

701William Moorcroft, a small Pansy on blue and white vase, circa 1914, inverse baluster form, impressed Burslem marks and underglaze

green monogram, 10.5cm high

702 William Moorcroft, a small Flambe Leaf and Berry vase, circa 1935, spherical form, impressed marks and facsimile, 8cm high

703William Moorcroft, a Leaf and Blackberry plate, circa 1930, circular with everted rim, impressed marks and facsimile signature, 26cm

diameter

704 William Moorcroft, a Pansy on blue vase, circa 1920, bulbous baluster form, impressed marks and underglaze blue signature, 23cm high

705 William Moorcroft, Cornflower on powder blue bowl, squat baluster form, impressed and painted marks, 12.5cm high

706A W N Pugin (attributed) for Minton, a Gothic Revival encaustic tile, brown white and beige foliate and quatrefoil motifs, 15cm square,

framed

707 AWN Pugin for Minton, A group of 21 encaustic tiles, circa 1880, geometric Gothic Revival style foliate designs, 15cm square (21)

708A pair of Copeland Aesthetic Movement tiles, Shakespeare series, circa 1880, blue and white with gold ground, Slender Anne Page and

Dromis, 20cm square (2)

709James Hadley for Royal Worcester, an Aesthetic Movement Japanesque cup and saucer, 1876, relief moulded butterfly handle and

tooled gilt and silvered decoration of maple leaves and storks, 14cm diameter

710

John Hopewell (attributed) for Royal Worcester, two bird painted twin handled Japanesque vases, 1878, square form, decorated with

birds, insects and foliage on light celadon ground, on four scroll acanthus feet, impressed mark 399 and gilder mark JD (Josiah Davis) to

both, puce and green printed mar ...[more]

711

James Hadley for Royal Worcester, an Aesthetic Movement Japanesque incense burner, 1874, the bowl with relief moulded tree

branches, supported on three elephants mask feet, the lid reticulated with prunus, magnolia and maple , surmounted by a resting

elephant finial, impressed mark, 22cm high

712

A Minton Aesthetic Movement porcelain novelty basket and cover with cockerel heads, model 2048, 1876, in Majolica colours, relief

moulded with hens and cockerels poking out of a twin handled wicker basket, the lid with central hole, highlighted in gilt, impressed

marks, 13cm high

713A Moore and Co. Aesthetic Movement twin handled vase, circa 1870, shouldered form with lobed handles, slip decorated and painted

with prunus and tree over interlocking panels in the Japanesque style, highlighted in gilt, impressed and printed marks,

714Christopher Dresser for Old Hall, an Aesthetic Movement salad bowl, pink ground, transfer printed with a band of prunus and birds,

above a geometric stylised bindweed border, highlighted in gilt, the plated mount by Hukin and Heath, 24cm diameter

715Christopher Dresser for Old Hall, a pair of Aesthetic Movement vases, square section baluster form, with gilt elephant mask handles,

transfer printed and coloured with Japanesque roundels and fans in a prunus ground, printed marks, 23.5cm high (2)

716Christopher Dresser for Minton, a Chinoiserie Cloisonne butterfly dish, 1870, blue ground with central enamelled butterfly within a lobed

border of X and jewelled dots, on three ball and claw feet, impressed marks, 12cm diameter

717A Burmantofts Aesthetic Movement art pottery vase, of fan form, model T1723, relief moulded and yellow glazed, impressed marks,

20cm high

718A Watcombe art pottery slip decorated jug, spherical form with shaft neck and moulded acanthus handle, painted with daisies,

impressed and printed marks, 18cm high

719 Wemyss for Thomas Goode, a large pottery mug, painted with plums, impressed and printed marks, 14.5cm high

720 Wemyss for Thomas Goode, a rose painted pottery pen tray, together with Bon Jour cockerel jug and bowl, 24cm long (3)

721Carlo Manzoni, an art pottery vase, ring necked conical form, sgraffito decorated with peacock feather and heart scroll cartouches,

below geometric bands, incised marks, 23.5cmhigh

722Carlo Manzoni, an art pottery vase, bulbous form with knopped neck, sgraffito decorated floral strands above bands of wave and

Persian cartouches, incised marks, 15.5cm high

723Charles Collis for Della Robbia, an art pottery vase, shouldered gourd form, incised with floral rosetted between foliate tendrils and

scrolls, below a lappet border, majolica glazed, incised marks, 504, 20cm high

724

John Fogo and Tom Hall for Della Robbia, an art pottery fruit or jam jar, ovoid form, sgraffito decorated with a banner reading

Raspberry, the three panelled ground bordered with foliate spears and scrolls, the central section decorated with a trefoil lobed headed

cartouche with floral sprig and hus ...[more]

725Jessie Sinclair and Liz Wilkins for Della Robbia, an art pottery jug, squat drum with pinched heart shaped rim, slip decorated with leaves

and flowers, incised and painted marks, 10.5cm long

726Annie Davis for Della Robbia, an art pottery bowl, squat inverse baluster form, sgraffito decorated with a trailing flowering vine between

lappet and ring borders, painted marks ADs, 16cm diameter

727Willie Williams for Della Robbia, an art pottery vase, slender shouldered form, sgraffito decorated with iris or lily motifs to each side,

incised marks W 29cm high

728Tom Hall for Della Robbia, an art pottery bowl, ogee form with everted rim, sgraffito decorated with a briar rose and spiral motifs, incised

marks TH ELL, 63, 20cm diameter

729Charles Collis for Della Robbia, an art pottery vase, shouldered ovoid form, slip decorated with ivy leaves and berries, incised marks,

531, C, 20cm high

730Charles Collis for Della Robbia, an art pottery vase, flared trumped form, sgraffito decorated with ivy leaves and spiral motifs, incised

marks, 229, C, 13cm high

731Annie Jones for Della Robbia, an art pottery vase, ovoid form with shaft neck, incised and slip decorated with leafy fronds within foliate

cartouches, between berries, the neck with Persian style scroll lappets, incised W and painted AJ, 22.5cm high

732Annie Smith for Della Robbia, an art pottery vase, 1896, double gourd form incised with foliate lappets, S scrolls and wave and ring

motifs, incised marks AS, 17.5cm high

733Tom Hall for Della Robbia, an art pottery bowl, wide brimmed hemispherical form, sgraffito decorated with briar roses and spiral motifs,

incised marks TH, 112a, 13cm diameter

734John Pearson, an Arts and Crafts painted bowl, in the Delft style, blue and white putti and fruiting festoons within a lappet border of fruit

and flowers, the base with a cornucopia and monogram, 33cm diameter

735

Fred Passenger (attributed) for William De Morgan, a large Sands End Fulham pottery Persian vase, circa 1890s, globe and shaft form

with knopped neck, painted with stylised flower heads within a foliate lappet ground, below a geometric neck, impressed mark and

painted part monogram, 55cm high

736Robert Wallace Martin for Martin Brothers, a stoneware vase, 1899, bottle form, incised with bands of alternating rosettes and floral

cartouches in the Mannerist style, incised marks, 23cm high

737Mary Butterton for Doulton Lambeth, a pair of faience vases, pedestal shouldered form painted with roses, on a green ground, printed

and impressed marks, 36.5cm high (2)

738Hannah Barlow for Doulton Lambeth, a stoneware tyg, sgraffito and pate sur pate decorated with short horn cows, above a flame leaf

border, and three handles, impressed marks and monograms to the body and the base, 16.5cm high

739Mark V Marshall for Royal Doulton, an Art Union of London stoneware bowl, tubelined and dimpled with Art Nouveau style foliate

poppies, incised monogram, 21cm diameter

740 A Ruskin souffle lustre vase, circa 1930, shouldered cylindrical form, pink glaze, impressed marks, 26cm high

741 A Ruskin pottery High Fired vase, 1932, shouldered form, red and cram with green spots, impressed marks, 22cm high

742A Ruskin Crystalline glazed lampbase, circa 1932, shouldered form with waisted neck, on hexagonal footed base, mottled turquoise

over orange bands above a matte blue glaze, impressed marks, 40cm high

743Walter Slater for Shelley, Late Foley, an Intarsio vase, shouldered form, painted with peacock feather and artichoke design with

interlocking tendril scrolls, 27cm high

744Carter, Stabler and Adams, a Poole pottery V pattern vase, shouldered ovoid form, painted with abstract flowers, impressed marks,

19.5cm high

745 Charlotte Rhead for Crown Ducal, a Lotus Leaves charger and four plates, tubeline, signed and numbered 2682, 36cm diameter (5)

746 Charlotte Rhead for Bursley Ware, a TL14 Tulips Pattern lamp base, shouldered ovoid form, 17cm high

747 Clarice Cliff for Wilkinson, a Biarritz plate, painted with lustre, red and black geometric design, printed Bizarre marks, 23.5cm long

748Clarice Cliff for Newport Pottery, a House and Bridge vase, shape 265, footed barrel form with everted rim, printed Bizarre marks,

15.5cm high

749 Clarice Cliff for Wilkinson, a Newlyn vase, shape 572, waisted form, Delecia interior, printed Bizarre marks, 10cm high

750 John Spencer for Pilkington, a Royal Lancastrian figure group of two penguins, circa 1936, black glazed, impressed marks, 16.5cm high

751Donald Gilbert for Bourne Denby, a Danesby Ware relief moulded fish lamp base, modelled leaping, mouth open, printed marks, 27cm

high with fitting

752Keith Murray for Wedgwood, a black basalt bowl, circa 1933, footed conical form with incised band to the rim, impressed marks and

printed facsimile, 10.5cm high

753Keith Murray for Wedgwood, a black basalt vase, circa 1933, footed trumpet form with fluted bands to the upper body, impressed marks

and printed facsimile, 20.5cm high

754Millicent Taplin for Wedgwood, a resist lustre dish, circa 1940s, painted with alternating panels of poppies and trellis around a central

three flower poppy, in platinum lustre, printed mark, 24cm diameter

755Jessie Tait for Midwinter, a Zambesi coffee service, circa 1956, including two coffee pots, six cups and saucers, milk and sugar, black

and white zebra stripes with red highlights, printed marks, 23cm high

756 A Minton pot pourri basket and cover painted with spring flowers, circular form with weave handle and pierced lid, 5.5cm high

757A Minton vase and cover, circa 1860, Sevres style, urn form, relief moulded with painted roundels of alternating marine and landscape

views, within a blue ground of oak garlands and ropes, the reticulated lid with pinecone finial, impressed mark, 32cm high

758E O Ball for Coalport, a trio of small vases, painted with Scottish loch scenes, Loch Katrine, Loch Ness and Loch Lomond, within gilt

feathered and foliate cartouches, on blue and cream grounds, bottle and inverse baluster forms, 10.5cm high

759William Powell for Royal Worcester, a cabinet plate decorated with wading flamingos in a misty river landscape, within raised fruiting

vine pale green border, puce marks and date code 1914, 23cm diameter

760Brian Leaman for Royal Worcester, still life study of fruit painted vase, elongated baluster form, signed, shape number 2491/2, 14cm

high

761 William Bee for Royal Worcester, still life study of fruit, painted plaque, circular form, circa 1930, signed, 6.5cm diameter

762 Gwendolen Parnell for Royal Worcester, Chinoiserie figure 'Laughing Boy', circa 1951, shape number 3354, 12.5cm high

763William Powell for Royal Worcester, a cabinet plate decorated with wading flamingos in a misty river landscape, within raised fruiting

vine pale green border, puce marks and date code 1914, 23cm diameter

764James Stinton for Royal Worcester, pheasants in landscape painted vase, 1931, conical form with crimped gilded rim, signed, shape

number G957, 8cm high

765Charles Baldwyn for Royal Worcester, a blush ivory bird painted vase, 1883, bulbous and shaft form with twin handles, painted with

woodpeckers and swifts in the moonlight, printed marks, 40cm high

766John Hopewell (attributed) for Royal Worcester, a pair of bird painted and gilded dessert plates, 1874, impressed and printed marks,

23cm wide (2)

767 Hadley's Worcester, a daffodil painted jug, scroll handle and gilt rims, printed marks, 14cm high

768 W Powell for Royal Worcester, a Bullfinch soup bowl, painted with a bird in brambles, gilt border, 21cm diameter

769Harry Chair for Royal Worcester, a floral painted cabinet plate, the central bouquet within a raised gilt foliate scroll ground, 26cm

diameter

770 James Hadley for Royal Worcester, two Kate Greenaway type figures, including girl on a chair and boy sugar sifter, 18cm high (2)

771 F Gertner for Royal Worcester, figures including Peter Pan and Dutch Boy, together with Buttercup by Anne Acheson, 21.5cm high (3)

772 F Doughty for Royal Worcester, three figures including Sea Breeze, Young Farmer and Babes in the Wood, 20.5cm high (3)

773 F Doughty for Royal Worcester, a Children of the Nations figure, Japan, 1958, 8.5cm high

774Albert Shuck for Royal Worcester, a fruit painted plate, 1912, six panels within tooled and raised gilt vine and tendril borders in the Art

Nouveau style, 23cm diameter

775 F Doughty for Royal Worcester, four Children of the Nations figures, including Greece, Italy, India and China, 14cm high (4)

776James Stinton for Royal Worcester, a pheasant painted silver mounted hand mirror, silver mount Sanders & Mackenzie, Birmingham

1929, signed, 23.5cm long

777John Stinton for Royal Worcester, a Highland cattle plaque, 1918, with a named view Llugwy to reverse, signed, puce mark, 24.5cm

wide

778John Stinton for Royal Worcester, a Highland cattle plaque, 1917, with a named view Lock Lomond to reverse, signed, puce mark,

24.5cm wide

779Doris Lindner for Royal Worcester, a porcelain model of a Clydesdale Stallion, 1976, raised on oval ceramic base surmounted by a

wood plinth, number 285, black printed factory marks to base, 28cm high

780 James Stinton for Royal Worcester, a pheasant painted oval plaque, 1934, signed, puce mark, 14.5cm long

781 James Stinton for Royal Worcester, a pheasant painted plaque, 1928, signed, puce mark, 11cm long

782E Townsend for Royal Worcester, a pair of fruit painted vases, 1935, waisted form, decorated with plums and apples with cherries

grapes, puce marks, 19cm high (2)

783Ricketts for Royal Worcester, a fruit painted cup and saucer, circa 1916, the cup interior with plums and rose hips, the saucer with

pears, blossom and damsons, puce marks, 14cm diameter

784James Hadley for Royal Worcester, a figure of a water carrier, modelled as a standing woman with blue dress, highlighted in gilt, puce

marks 1810, 17cm high

785 Doris Lindner for Royal Worcester, a porcelain model of Hog Hunting, number 3164, black printed factory marks to base, 17.5cm high

786Arnold Mikelson for Royal Crown Derby, a pair of novelty salt and pepper shakers in the form of an owl and hornbill, circa 1948, with

stoppers, 9.5cm high (2)

787 A Royal Crown Derby miniature Imari flat iron on stand, 1913, pattern 6299, 7.5cm long

788 Two Royal Crown Derby figures, Marjorie and The Huntsman, F469 and F472, circa 1930, 20cm high (2)

789 A pair of Royal Crown Derby miniature Imari Japanese bottle vases, 6299 pattern, 6cm high (2)

790A pair of Royal Crown Derby Imari 1128 potpourri vases and covers, acorn form, on three foliate scroll legs and tricorn platform bases,

pierced lids, 13.5cm high (2)

791Three Royal Crown Derby miniature tea cups and saucers, Imari 2451, together with a miniature trefoil hors d'oeuvres serving dish,

6299, 6.5cm diameter (4)

792Four Royal Crown Derby Imari 1128 miniature vases, including a pair of inverse baluster vases, a footed example and a shouldered

bottle, 8.5cm high (4)

793 A Royal Crown Derby miniature three piece tea set, Imari 6299, including teapot, sugar and jug, 7.5cm long (3)

794A Royal Doulton Burslem vase, circa 1885, ovoid form with raised gilt decoration and everted rim, painted daffodils and foliage on a

deep blue ground, signed Phillips, printed marks, 31.5cm high

795 Royal Doulton Series ware, Old English Carnivals jardiniere, circa 1925, printed marks, 20cm diameter

796 A.E. Simpson for Doulton Burslem, a pair of Blue Children plaques, gilt rim, signed, printed marks, 35.5cm high (2)

797A Royal Doulton Kingsware Bonnie Prince Charlie whisky jug, bulbous ovoid flagon form, with original contents and stopper, printed

marks, 18cm high

798Charles Noke for Royal Doulton, an Isaac Walton series ware jug and bowl, the jug with pinched lip, the bowl with a band of Imari

decoration to the rim, 20.5cm diameter (2)

799A Royal Doulton Bunnykins Royal Family special edition figure, Harry the Herald DB115, circa 1985, painted in yellow and green with

silvered trumpet, 9.5cm high

800 A large Royal Doulton figure of a fox, HN2634, modelled sitting, 26cm high

801 Leslie Harradine for Royal Doulton, a Sea Sprite figure, HN1261, designed circa 1927, modelled as a girl with towel, 13.5cm high

802 Leslie Harradine for Doulton Lambeth, a Dutch peasant woman figure, modelled carrying a basket, impressed marks and H9, 21cm high

803Charles Noke for Royal Doulton, a Jack Point figure, HN610, designed circa 1924, modelled as Henry Lytton in the role, painted marks,

17cm high

804 A Beswick Charolais Cow figure, model 3075A, beige colourway, 20cm long

805 A Beswick Silver Dunn Galloway Bull figure, modelled standing, in beige colourway, 19cm long

806A Coalport commemorative election mug, General Election 1892, Members for Shropshire and their Majorities, cylindrical form,

underglaze blue printed decoration, 13cm high

807 A Prattware cottage money box, circa 1820, modelled as a house with two figures, central chimney, 13cm high

808 An English Delft dish or bowl, mid 18th century, painted with floral sprigs and geometric bands, 26.5cm diameter

809 An English Delft pottery clock face, mid 18th century, with Arabic numerals, 24cm diameter

810 An English Delft flower brick, blue and white painted bird and prunus design, with reticulated top, 14cm wide, 9cm high, 7cm deep

811 A pair of Wedgwood figures, Roderick Dhu and Lady of the Lake, painted with tartan shawls and titled to the bases, 21cm high (2)

812 An English North Country slipware jug, circa 1816, inscribed and dated T B March 1816, 14cm high

813 19th Century Staffordshire porcelain model of a Spaniel, recumbent on a rococo scroll and gilded base, 4cm high

814An early 19th century slipware baking dish, circa 1810, brown combed decoration on a mustard yellow ground, with piecrust edge, 30cm

x 23cm

815 A mid 18th Century delftware wall pocket, Liverpool, moulded with masks and scrolls, pierced twice for hanging, 20cm high

816Early 19th Century Staffordshire blue and white meat platter, Bristol Harbour, printed 'Bristol' verso, and impressed '20', circa 1825,

51cm length

817A Spode Staffordshire blue and white oval meat platter, Caramanian Series, Castle of Boudron in the Gulf of Stancio, circa 1810,

impressed marks, 48cm length

818A Ralph Hall, Staffordshire blue and white oval platter, circa 1822,St Woolston's Hall, Kildaire, printed and impressed marks, 38cm

length

819 A Swansea blue and white meat platter, early 19th century, Cows crossing a stream, impressed mark '16', 42cm length

820 A Patterson blue and white wine jug and cover, Bacchanalian cherub pattern, circa 1840, 25cm height

821A Staffordshire Whieldon barrel Toby jug, circa 1790, blue and white with frothing jug and barrel between the feet, 26cm high

Provenance: Sotheby's London, 1st August 1972, lot 94; Harland Collection sticker to base

822 A Prattware, pot lid 'Genuine Bears Grease'

823Prattware, a Great Exhibition lid, A Fix, gold banded rim and matching base, together with eleven other pot lids, decorated with various

scenes, some with bases (12)

824 Prattware, ten pot lids including the Belle Vue Tavern with cart lid, decorated with various scenes, some with bases (10)

825A set of five Staffordshire Durham Ox Series blue and white soup plates, early 19th century, transfer printed with cattle within a floral

border, 25cm diameter (5)

826A small Wedgwood Portland Vase, circa 1839, blue and white Jasperware, with draped figures, after the Antique, impressed mark,

10cm high

827 Two Wedgwood style portrait plaques, Nelson and Josiah Wedgwood, modelled in relief in brown basalt, bust form in profile, 9cm x 7cm

828 A Wedgwood black basalt relief moulded portrait plaque of William Pitt, circa 1780, bust form, impressed marks, 9.5cm x 7.5cm

829A Staffordshire pearlware commemorative punch bowl, George III and Queen Charlotte, circa 1808, the exterior transfer printed with

Chinoiserie motifs, 29cm diameter

830A Staffordshire blue and white scalloped strawberry dish, early 19th Century, cows watering in landscape with country house, 26cm

length

831

A Wedgwood blue and white plate, Blue Claude pattern, together with a similar plate, 25cm diameter; a Staffordshire blue and white

tureen and cover, Windy Road pattern, 23cm wide; and a Staffordshire blue and white covered sauce tureen and stand, river scene,

19cm wide, together with a Davenport bl ...[more]

832 A creamware transfer printed Trafalgar jug, circa 1805, 21.5cm high

833Wedgwood and Bentley, a black basalt relief moulded portrait plaque of Charles Pratt, Lord Camden, circa 1779, bust in profile,

impressed marks and name, 8.5cm x 6.5cm, framed

834 Two Staffordshire Toby jugs with stoppers, one with yellow hat, 27cm high (2)

835 A Staffordshire warty face Toby jug, circa 1810, modelled with overflowing jug of ale, yellow breeches and C scroll handle, 23cm high

836 A Staffordshire Toby jug, circa 1820, modelled with frothing jug and spotted face, on green base, 25cm high

837A commemorative George Washington treacle glazed flask, 19th century or earlier, moonflask form, relief moulded with portrait

medallion within emblems of war, to each side, 15cm high

838Wedgwood and Bentley, a black basalt relief moulded portrait plaque of Linnaeus, circa 1778, bust in profile, impressed marks and

name, 8.5cm x 6.5cm, framed

839A pair of 19th Century stoneware, silver lustre and drabware wall brackets, angular stepped pediments above rococo styled terminals,

14cm high (2)

84018th Century English delftware pottery blue and white footed bowl, decorated with a figure in continuous trellis, flowering branch and

river frieze, puce lined decoration to interior, circa 1750, 27cm diameter

841 A Pottery hound head stirrup cup, English, circa 1820, decorated in coloured and gilt enamels, 16 cm long, 10cm high

842A Wedgwood black basalt vase, circa 1840, cylindrical spill form, sprigged in relief with alternating acanthus lappets and entwined bell

flowers, below rams' head and floral garland swags, bordered with a band of foliate and floral scrolls, impressed marks, 25cm high

843A Wedgwood Queens Ware figure of Psyche, after the Sevres original by Falconet, circa 1840, cream glazed, impressed mark, 21cm

high

844A Staffordshire relief moulded commemorative jug, for Marquis Wellington and General Hill, circa 1813, painted with half length portrait

busts to each side, 13cm high

845

A Pair of English Delftware blue and white vases with covers, circa 1700, of baluster form and decorated in panels with leaf and foliate

designs and stylised borders, the reeded covers decorated with panels of floral motifs and with shaped feather patterned finials, and

raised on hexagonal bases, 32 ...[more]

846 A transfer printed commemorative plate, Queen Adelaide, blue feather edged border, 24cm diameter

847A George III relief moulded commemorative jug, painted in Pratt colours, portrait roundels of George III and William and Mary to each

side, 17cm high

848

A Bristol Delft drug jar, ovoid form, circa 1710, decorated in blue with a scrolling strapwork label inscribed THER: LOND.(polypharmacy

London compid), surmounted by a basket of fruit and cherubs with trumpets, a further cherub's head and wings below flanked by

stylised floral swags, 17.5cm high

849

A London Delft wet drug jar, globular form, spreading foot with squat spout to rear, circa 1760, decorated in blue with a scrolling

strapwork label inscribed OL: AMYGD.D, surmounted by a scallop shell, floral sprays and cherubs, a further cherub's head and wings

below flanked by stylised flowers, 19 ...[more]

850A Lambeth Delft drug jar, ovoid form, circa 1670, decorated in blue with a scrolling strapwork label inscribed AD:STEABIENM,

surmounted by an angel with outspread wings, 18cm high

851A Lambeth Delft drug jar, ovoid form, circa 1670, decorated in blue with a scrolling strapwork label inscribed SALVIA, surmounted by an

angel with outspread wings, 18cm high

852A Lambeth Delft drug jar, ovoid form, circa 1675, decorated in blue with a scrolling strapwork label inscribed U:ROSAR, surmounted by

an angel with outspread wings, 19.5cm high: Sampson and Horne label verso

853A Lambeth Delft drug jar, ovoid form, circa 1670, decorated in blue with a scrolling strapwork label inscribed THER ANDR, surmounted

by an angel with outspread wings, 18cm high

854

A London Delft wet drug jar, globular form on a spreading foot, loop handle and squat spout, circa 1720, decorated in blue with a

scrolling strapwork label inscribed S.ALTHAEAE.(syrup of mallow), surmounted by a scallop shell, floral sprays and cherubs, a further

cherub's head and wings below flanke ...[more]

855

A London Delft wet drug jar, globular form on a spreading foot, loop handle and squat spout, circa 1720, decorated in blue with a

scrolling strapwork label inscribed S: LIMONIOR.(syrup of lemon oil), surmounted by a scallop shell, floral sprays and cherubs, a further

cherub's head and wings below fl ...[more]

856

A London Delft drug jar, ovoid form, circa 1720, decorated in blue with a scrolling strapwork label inscribed V:POPVLNEVM,

surmounted by a basket of fruit flanked by birds with laurel sprays, a further cherub's head and wings below flanked by stylised floral

swags, 18cm high

857A pair of Southwell Delft pill jars, ovoid form, circa 1680, decorated in blue with a scrolling strapwork label inscribed T.ALKEKENG

(winter cherry berries), other T. DE. CARABE (lozenge amber) surmounted by an angel with outspread wings, 10cm high (2)

858

A London Delft pill jar, ovoid form, circa 1720, decorated in blue with a scrolling strapwork label inscribed P.HIER: CUM:A, surmounted

by a basket of fruit flanked by birds with laurel sprays, a further cherub's head and wings below flanked by stylised fruit and floral swags,

9.5cm high

859

A London Delft pill jar, ovoid form, circa 1740, decorated in blue with a scrolling strapwork label inscribed P:DE: STYRACE:, surmounted

by a basket of fruit flanked by birds with laurel sprays, a further cherub's head and wings below flanked by stylised floral swag, marked

IX to base, 9.5cm high

860

A London Delft pill jar, ovoid form, circa 1720, decorated in blue with a scrolling strapwork label inscribed T: MYRRH:, surmounted by a

basket of fruit flanked by birds with laurel sprays, a further cherub's head and wings below flanked by stylised floral swag, 9cm high :

Sampson and Horne label ve ...[more]

861

A London Delft drug jar, ovoid form, circa 1740, decorated in blue with a scrolling strapwork label inscribed E: LENITIU:(mild purgative),

surmounted by a scallop shell, floral sprays and cherubs, a further cherub's head and wings below flanked by stylised flowers, 20cm

high

862

A Mortlake Delft drug jar, ovoid form, circa 1720, decorated in blue with a scrolling strapwork label inscribed C: Prun:SYL.(syrup of sloe),

surmounted by a scallop shell, floral sprays and cherubs, a further cherub's head and wings below flanked by stylised flowers, 18.5cm

high

863

A London Delft pill jar, ovoid form, circa 1740, decorated in blue with a scrolling strapwork label inscribed P: RUDI:, surmounted by a

basket of fruit flanked by birds with laurel sprays, a further cherub's head and wings below flanked by stylised floral swags, base marked

with a star, 9.5cm high ...[more]

864

A pair of Liverpool Delft wet drug jars, globular form, spreading foot with squat spout to rear, circa 1760, decorated in blue with a

scrolling strapwork label inscribed MEL: ROSAR( honey of rose), other S: CROCI (syrup of saffron)acanthus leaf scrolls above and

below, 19cm high (2): Jonathan Horne ...[more]

865A Mortlake Delft drug jar, ovoid form, circa 1750, decorated in blue with a scrolling strapwork label inscribed ELE:LENITIV, surmounted

by a scallop shell, floral sprays and cherubs, a further cherub's head below flanked by stylised flowers, 23cm high

866

A pair of London Delft pill jars, ovoid form, circa 1730, one decorated in blue with a scrolling strapwork label inscribed T: VIPERAR (tinct

of viper), other T:DE RHAB (tinct of rhubarb) surmounted by a spray of flowers, flanked by cherubs with laurel, a further cherub's head

and wings below flanked ...[more]

867

A group of four London Delft pill jars, cylinder form, circa 1750, one decorated in blue with a scrolling strapwork label inscribed

Ex.GENISTAE, next Ex.QUASSIAE, next Ex. SENEKA, next EX: HELLER surmounted by a scallop shell, flanked by cherubs with laurel,

a further cherub's head and wings below f ...[more]

868

A Lambeth Delft wet drug jar, ovoid form, loop handle and squat spout, circa 1690, decorated in blue with a scrolling strapwork label

inscribed O:SOLANV, surmounted by Apollo head, flanked by peacocks and laurel, a further cherub's head and wings below with floral

garlands, 21cm high

869

A Lambeth Delft wet drug jar, globular form on a spreading foot, loop handle and squat spout, circa 1690, decorated in blue with a

scrolling strapwork label inscribed S:DE:MECON, surmounted by Apollo head, flanked by peacocks and laurel, a further cherub's head

and wings below with floral garlands, ...[more]

870

A London Delft drug jar, ovoid form, circa 1720, decorated in blue with a scrolling strapwork label inscribed C:LUJULAE surmounted by

a basket of fruit flanked by birds with laurel, a further cherub's head and wings below flanked by stylised fruit and floral swags, 19cm

high

871

A London Delft drug jar, ovoid form, circa 1730, decorated in blue with a scrolling strapwork label inscribed LOHOCH: SANU.(compound

cough medication), surmounted by a basket of fruit and cherubs with trumpets, a further cherub's head and wings below flanked by

stylised floral swags, 18.5cm high

872

A London Delft drug jar, ovoid form, circa 1720, decorated in blue with a scrolling strapwork label inscribed ROB:CYNOSBAT:

surmounted by a basket of fruit flanked by birds with laurel, a further cherub's head and wings below flanked by stylised floral swags,

20cm high

873A London Delft drug jar, ovoid form, circa 1740, decorated in blue with a scrolling strapwork label inscribed U:BASIL:N. surmounted by a

scallop shell, floral sprays and cherubs, a further cherub's head and wings below flanked by stylised flowers, 20cm high

874A London Delft drug jar, ovoid form, circa 1720, decorated in blue with a scrolling strapwork label inscribed C:CARYOPHIL: surmounted

by a basket of fruit flanked by birds with laurel, a further cherub's head and wings below flanked by stylised floral swags, 20cm high

875A London Delft pill jar, cylinder form, circa 1760, decorated in blue with a scrolling strapwork label inscribed PHILON:LOND surmounted

by a scallop shell, flanked by cherubs, a further cherub's head and wings below flanked by stylised floral swag, 10cm high

876

A London Delft wet drug jar, globular form, spreading foot with spout to rear, circa 1740, decorated in blue with a scrolling strapwork

label inscribed S: PECTORA surmounted by a basket of fruit, flanked by birds and laurel, a further cherub's head and wings below

flanked by stylised flowers, 18cm h ...[more]

877

A London Delft wet drug jar, globular form, spreading foot with squat spout to rear, circa 1740, decorated in blue with a scrolling

strapwork label inscribed S:CROCI, surmounted by a scallop shell, floral sprays and cherubs, a further cherub's head and wings below

flanked by stylised flowers, 19cm h ...[more]

878

A Lambeth Delft wet drug jar, globular form on a spreading foot, loop handle and squat spout, circa 1720, decorated in blue with a

scrolling strapwork label inscribed S.MORORU: (syrup of mulberry), surmounted by a basket of fruit, floral sprays and cherubs, a further

cherub's head and wings below fl ...[more]

879

A London Delft drug jar, ovoid form, circa 1750, decorated in blue with a scrolling strapwork label inscribed EL:LENITIV surmounted by

a scallop shell, floral sprays and cherubs, a further cherub's head below flanked by stylised flowers, 24cm high: Alistair Samson label

verso

880

A set of six Newton Hall Delft wet drug jars, globular form on a spreading foot, loop handle and squat spout, circa 1750, decorated in

blue with a scrolling strapwork label inscribed S.DIACOD: next S:ex ALLIO next S:eSPIN:CERV next S:ROSAR:SOL next S:BALSAMI:

next S:CROCI surmounted by a basket of f ...[more]

881

A Liverpool Delft drug jar, ovoid form, circa 1750, decorated in blue with a scrolling strapwork label inscribed CONS: CYNOSBAT

(conserve of tip of wild rose), surmounted by a scallop shell, floral sprays and cherubs, a further cherub's head below flanked by stylised

flowers, 20cm high