konturen anonym
DESCRIPTION
scoreTRANSCRIPT
Konturen I
Trio for violin, cello & piano
hepar
PERFORMANCE NOTES
GENERAL
Acciaccature: always right before the main note or the chord following them (in levare)
crescendo from-to complete silence
gradual change from one playing technique to another
quarter tones
Accelerando within a determinate tempo
Highest possible note
PIANO
Symbols for sticks, mallets and other percussive objects:
Glass
Hard xylophone stick
Soft timpani mallets
Pick
Soft rubber tube
Ebow
SB
Palm
Superball
Every numeral indicates a region inside the piano. See tablature on score.
- “x” headed notes indicate to hit the frame with a hard mallet on the corresponding area:
- Normal noteheads indicate to play on the strings within the corresponding area:
Damped string. Before the performance the three lower
strings (A0, Bb0 & B0) must be damped by using blu-
tack adhesive or alike.
Chromatic cluster
Glissando on the strings
Harmonics: touch the appropriate node of the given string
inside the piano lightly before touching the key (change
the fundamental if necessary in order to get the harmonic)
Glissando with one/two soft rubber tubes along the
approx. indicated strings. Change pressure as indicated
Place an Ebow on the indicated string. Use the superball
to distort the pitch by bouncing the rubber head on
different nodes of the string.
STRINGS
ST Sul tasto
SP Sul ponticello
MST Molto sul tasto
MSP Molto sul ponticello (almost on the bridge)
ord. Ordinario
NV non vibrare
NP
Overpressure (sudden)
Heavy pressure
Light pressure
Normal pressure
Tremolo alternating normal and harmonic
pressure
Bowing on top of the bridge
Bowing behind the bridge
q = 46
q = 46
Konturen I
Violin
Violoncello
Piano
6
Vln.
Vc.
Pno.
Quasi liberamente
ST
p
NPord
ppp3
ST
p
NPord
ppp
3
* Place an overturned crash cymbal on the strings
VIVIV
pp
*Hit the frame with a hard mallet
Inside the piano
p
3* remove the cymbal
Inside the piano
p
*
gliss.3
IIIIIIppp pp
ppp
On the Keys
ppp
Inside the piano
�mf�
III
mf ppp
ord.NP ST
pppp
mf
SP
ppp
ST
mf
SP
NP f
ord. ST
ppp
III
ppp
ST
mf
ord.NP
p
NP
mf
p
NP
mf
l.v.
*
mf
l.v.
Gp
l.v.
Gpp
l.v.
ppp
l.v.
*) Harmonics: touch the appropriate node of the given string inside the piano lightly before pressing the key (change the fundamental if necessary in order to get the harmonic)
f
Inside the piano
l.v.
11
Vln.
Vc.
Pno.
Più mosso q = 60
Più mosso q = 60
17
Vln.
Vc.
Pno.
mf
NPMSP
f
ord.
p
NP ST
f
ord.
p
NP
mf
SP ST
p
p
ord.
mf
NP ST
MSP
f
NPord.
mf
SP
p
ord.
mf
NP p
SP ST
ppp
MSPf
ord.NP
p
Inside the piano
ppp
l.v.
ppp
MSP
f
3NPord.
p
pp
NP
mf
p f
MSP
f
NP ord.
p
ord.
mf
NP sfz
NP
p
ff
5 7
l.v.
mf3
l.v.
mf
p
pp ppp
5
p
p
3 3
2
21
Vln.
Vc.
Pno.
25
Vln.
Vc.
Pno.
pp f p ppp
3
pp
NP
f pp ppp
III II
p
3
pppp p
pp ppp pp ppp
3 7 5 5
ff pp f
p
ppp
3 3
p
fff
MSP
ord
p
ST
pppp
fff
MSP
ord
p
ST
pppp
3
p
fff
depresssilently
ton. ped
3
3
29
Vln.
Vc.
Pno.
32
Vln.
Vc.
Pno.
ord.
mf
NP
ord.
ppp f
5
p mf f
ton. ped
depress silently
ppp p
pp
5
p
mf p
IIIII
ppp ff
I
ppp
mf
NP
p ppp
IIIII
ff
NP
ppp
IV
mf
ppp f
ppp ff
p ppp
5
ppp
ff
depress silently
ton. ped
mf p5
4
35
Vln.
Vc.
Pno.
37
Vln.
Vc.
Pno.
III
mf p
jeté
ff
NP
p mf
ppp
ff
III
mf
pppp ff
5 6 3
depress silently
ton. ped
5 6 3
pp
III
f p
IIIII
f
sfz
pp
IIIII
ff
NP
p f
sfz
p pp p pp
p mf
p
mf
ppp p
3 3
5
39
Vln.
Vc.
Pno.
41
Vln.
Vc.
Pno.
NP
ppp
NP
p pp mf pp mf pp
pp
ppp
mfppp
5
p
5
ppp p pp
f mf ff
sfz
IIIIV
NP
ppp
f
33 3
f mf ff
sfz
NP
pp ppp pp
col legnomf
ord
f5
l.v.
pppp
3 3
3
p
h
f
mf
f
33 3
3
6
43
Vln.
Vc.
Pno.
45
Vln.
Vc.
Pno.
mf
NP
mf
fff
NP
p
IIIII
pp
ff
sfz
3
mf fff p
III II I II
ff
sfz
6 6
fff pp p f
3 3 3 3 3 6
p
p ff
3 3 3
NP
pp f
sfz p
NP
ppp mf
ordNP
NP
pp f
IV sfz
III
p
NP
ppp p
ppp p
ppp mf
pp
pppp
p
SB(sweep the rubber head along the indicated strings)
7
50
Vln.
Vc.
Pno.
54
Vln.
Vc.
Pno.
ST
pppp
f
SP
pppp
ST
MSP
f
VIVIV
* hard xiliphone stick
hit the frame
f
l.v.
mf
l.v.
* soft timpani sticks
IIIIII
f
l.v.
l.v.
mf
ST
p
f
MSP
ST
p
f
SP
ord.
p
f
SP
l.v.IIIIII
* hard xiliphone stick
hit the frame
f
pp
f
8
57
molto rall.
molto rall.
Vln.
Vc.
Pno.
60
Tempo primo q = 46
Tempo primo q = 46
Vln.
Vc.
Pno.
ST
p
MSP
f
ST
p
SP
f
ord.
p
VIVIV
pp f p
IIIIII
SB
p
ord. MSP
f
NP
p
IIIII
ordNP
mf
SP
MSP
f
ST
ordNPIII
IV
mf
SP
mf p
* sweep the rubber head along the metal frame in the indicated area
f
IIIIII
ff
SB *
f p mf p
9
64
Vln.
Vc.
Pno.
68
Vln.
Vc.
Pno.
ordNP
p
SP
ordNP
p
pp
SP
IIIII
ordNP
mf
SP
IIIII ord
NP
p
SP
pp
ordNP
pp
p pp p pp
mf p p pp pp
pp
ordNP SP
ppp
MSP (almost on the bridge)
p
NPbowing on top of the bridge
pp
ppp
SP MSP (almost on the bridge)
p
NPbowing on top of the bridge
pp
Gppp
pp
ppp
VIVIV
pp
IIIIII
* soft timpani sticks
pp
10
73
molto accel.
molto accel.
Vln.
Vc.
Pno.
77
Vln.
Vc.
Pno.
IIIIIST
mf
NP
pp
ppp
SP
III ST
mf
NP
pp
* Gliss. with one soft rubber tube along the approx. indicated strings. Change pressure as indicated
mf pp
NP l.v. mf pp
NP
Inside the piano
mf pp
NP l.v.
mf pp
NP
SP
mf
NP
pp ppp
ST
III
mf
SP
NP
pp
ST
SP
ppp
ST
mf
NP
pp
ppp
SP ord
pp
l.v.
mf p
NP
l.v.
mf pp
NP
l.v.
mf p
NP
11
81
Vln.
Vc.
Pno.
84
Vln.
Vc.
Pno.
f
SP
NP
p
ST
mf
SP
NPST
p
SP
mf
NP
p
ST
SP
f
NP
p
pp
ST
l.v.
f
NP
p
f
l.v.
f
NP
p
l.v.
f
ST
f
p
NPSP
pp
f
SP
ST
f
NP
p
SP
pp
SPIII
f
NP
p
ord
NP
mf
l.v.
f
NP
p
l.v.
NP
mf
l.v.
sfz
f
NP
p
l.v.
12
87
Vln.
Vc.
Pno.
90
Vln.
Vc.
Pno.
p
STNP
q = 82
ff
SP
p
NPST SP
ff
p
NPST
ST
IIISP
ff
NPord
p ppp
ST SP
ff
NPord
p
q = 82
ff
NP
p
l.v. ff
NP
p
ff
ff
ppp
ff
SP
NP
p
ST
ppp
III ST
ff
ordNP
p
ppp
ST ST
ff
ord
p
NP ppp
SP III ST
ff
ordNP
p
ff p
NP
l.v.
ff
NP
p
l.v.ff
ff
l.v.
ff
13
93
Vln.
Vc.
Pno.
96
Vln.
Vc.
Pno.
SP
ppp
SP
f
p
ordNP SP
ff
ordpp
ff
SP
ppp
SP
III SP
f
p
ordNP
SP
ff
pp
ord SP
ff
ppp
NP
p
IIIII
VIVIV
*short and rapid upwards and dowwards gliss. very close to the tunning pins within the indicated area. (Use a pick)
pp
NP
p ff
ff
ppp
ord
SP
ff
ordNP
p
SP
ff
pp
ord NP
mf
I
SP
ff
IINP
ord
p
SP
ff
pp
ordNP
mf
ff
pp f
On the Keys
pp
Inside the piano
ff
depress silently
ton. ped
14
99
Vln.
Vc.
Pno.
102
q = 82
q = 82
poco accel.
poco accel.
Vln.
Vc.
Pno.
ppp
IISP
ff
IIINP
p
ST SP
f
ppp
ord
IIIII
ord
p
NP
ppp
ST SP
f
p
SP
ff
ppp
NPord
p
ff
SP
ST
p
SP
ff
ppp
VI
VIV
pp ff
ff p
NP
ff
SP
pp
ord
IIIII
fff
ST
ordNP
p
SP MSP
sfffz
pp
ord
ff
SPNP
p
III
ST
fff
NPord
p
SP MSP
sfffz
ordNP
Isffz
II
p
NP
ff
pp p
*short and rapid upwards and dowwards gliss with the palms
ff
gliss. VI
VIV
p
Gliss. on the strings with the fingers
ff
gliss.
15
105
Vln.
Vc.
Pno.
108
q = 110
q = 110
Vln.
Vc.
Pno.
fff
pp
NPIIIII MSP
ff
pp
NPord SP
f
ST
pp
SP
fff
p
ordNP SP
fff
pp
IVfff
MSP
III
pp
ord
fff
MSP
pp
ord
SP
sfz
NP
pp
ST
pp ff
fff p
NP
NP
p
ppp
ST
IIIII
fff
MSP
NPord
pp
SP
ff
III
ST
pp
SP MSP
sfffz
II
I
fff
MSP
pp
ordNP ST SP
ff
STp
SP MSP
sfffz
pp
fff
fff p
NP
16
111
rall.
rall.
Vln.
Vc.
Pno.
114
Vln.
Vc.
Pno.
ordNP
ST
p ff
ordNP
p
SP
ff
ST
p
MSP
ff
STNP
p
SP
f
ord
p
NP SP
ff
ST
ord
p
NP SP
ff
ST
MSP
ff
ff
VIVIV
IIIIII
SB
p ff
pp
SB* * Two SB mallets
MSP
ff
NPST
p
SP
f
MSP
ff
STNP
p
SP
f
MSP
ff
STNP
pp
ord
mf
NPST
MSP
ff
ordNP
mf
ST
MSP
ff
ordNP
mf
ST
MSP
ff
SB
ff p
SB
ff p
ff
SB
pp ff
17
117
Vln.
Vc.
Pno.
q = 60
q = 60
120
Vln.
Vc.
Pno.
MSP
ff
ordNP ST
pp
MSP
ff
ordNP ST
pp
ordNP
pp
ST
MSP
ff
ord
p
NP SP
f
ST
p
MSP
ff
ppp
SB*
ff
MSP
f
ord
pp
NP
ord
f
pp
NPST ord
mf
pp
STNP
ST
mf
ordNP
pp
ordNP
p
ord
mf
pp
NPST ord
mf
pp
STNP ST
mf
pp
ordNP ST
mf
ordNP
pp
SB
f p
mf p f p mf p f p mf p
18
124
molto rall.
molto rall.
Vln.
Vc.
Pno.
127
Vln.
Vc.
Pno.
ST
q = 82ST
mf
p
ordNP SP
ST
mf
ord
p
NP SP
q = 82
* Use the superball to distort the pitch by bouncing the rubber head on different nodes of the string.
Ebow on the indicated string
SB*
ST
mf
p
ordNP SP
ST
mf
ord
p
NP SP
19
130
q = 46
q = 46
Tempo primo
Tempo primo
Vln.
Vc.
Pno.
134
Vln.
Vc.
Pno.
ST
mf
pp
ordNP SP
III
SP
f
IordNP
ST
mf
ordNP
pp
SP
III
SP
f
II
ordNP
SP
ppp
III
ST
pppp
MSP
ppp
SPIII ST
pppp
MSP
* Damp gradually with a cloth
20
138
Vln.
Vc.
Pno.
141
Vln.
Vc.
Pno.
bowing on top of the bridge
III
bowing behind the bridgeMSP
pppp
bowing on top of the bridge
III
bowing behind the bridgeMSP
pppp
fff
sfffz
fff
sfffz
* Undamp gradually
* Damp gradually
l.v. until the sound completely fades out
21