IDC 1/7intro

P1 Perspective view facing the Goodman Theater from the north side of the main atrium.

IDCINDUSTRIAL DRAMA COMPLEX

program requirements

The client, Industrial Artists, Inc., a repertory company of actors, playwrights and directors needs a permanent home to pursue its mission to advance the vitality and diversity of the American dramatic theater.

IAI wishes to convert the former IRT power plant located at 59th St. & 11th Ave into their new home. The facility is to be a collection of performance spaces of various sizes and types for dramatic performances. The facility is to also include ancillary spaces and amenities to support the theatrical productions, staff and audiences.

Design solution

The design solution for the IDC embraces the industrial aesthetic of the original structure and incorporates the drama and energy of the New York theater scene and the city itself. Interior structures are covered in LED signage creating interior billboards providing excitement, color and informational graphics for patrons while providing a dynamic and high-tech contrast to the industrial aesthetic of the original structure.

2/7 IDC plans + sections

IDC 3/7plans + sections

Site pictures from top to bottom:

Illustration of the original facade of the IRT Power Plant as designed by McKim, Mead & White (1904).

Image from Google Earth showing the location of the building between 58th and 59th Streets and 11th and 12th Avenues alongside the Hudson River and the West Side Highway.

Engraving showing a cross-section facing west of the original configuration of the IRT Power Plant (1904).

Photo showing the machinery in the north bay of the IRT Power Plant (1904).

Inspiration & prototype for the sliding doors leading to the black box theaters

This bench is used in the center of the main atrium. Small connector pieces allow the units to be arranged in different configurations.

Inspiration for the LED signage that wraps around the elevators and theaters.

Proposed seating for the Perkins Playhouse.

Inspiration for the bookstore.

Prototype for bookstore shelving Proposed screen system for the costume atelier. The screens provide both visual and acoustical privacy inside the glass studio.

Chairs to be used in the costume atelier.

Proposed seating for the Goodman Theater. Proposed seating for the Robert A. King Amphitheater.

Proposed seating for the stairs in front of the Goodman Theater.

Proposed color scheme for seating in the Goodman Theater.

Prototype for elevator interiors

Inspiration for kiosk and sky bridge lighting in main atrium

This LED lighting system serves as both a luminaire and a suspended ceiling. It provides illumination while hiding duct work from view. It is used in the costume atelier and the book store.

Fluorescent factory lights were the inspiration for using these sleek modern interpretations. The chandeliers (left) and floor lamp (center) will be used in the theater lobbies. The hanging fixtures (right) are featured in the center of the main atrium. They will also be used along the main walkways were they will be hung horizontally.

The remainder of the seating shown is used in the lobby and lounge areas of each of the theaters

Typical Interior for the black box theaters Prototype for the staircases in the main atrium space. The railings will be filled with a steel cable mesh as shown in the detail at left. The treads will have a textured vinyl floor covering, instead of the wood finish shown here.

Prototype for the staircases inside the theaters. Railings are filled with glass.

The glass in the ceiling skylights is embedded with solar cells. The energy captured during the day helps to power the interior signage at night.

Detail of the cable system supporting the glass walls of the Costume Atelier, Bookstore and Set Shop.

Materials used in the project are a mix of both rough and sleek industrial products. Gritty elements include rough concrete, access panels (manholes) and exposed bricked walls leftover from the

demo of the original structure. Sleek elements include metal acoustical panels (used as cladding on the exterior of the theaters), polished metal on the window frames of the exterior walls and

the greenhouse roof, and metal mesh panels used in some of the theaters’ interior spaces as wall coverings. Some items are a mix of both. Much of the ground floor areas are covered in polished

concrete. The main atrium and trafficked walkways are covered in a high-tech metal floor system set over a rubber base to insulate noise. The metal floor features a dark raw unfinished patina.

4/7 IDC materials, furnishings + existing site conditions

Perspective illustrations clockwise from top left:

P3 Perspective view from the north entrance looking south across the main atrium. The Goodman Theater is on the right.

L1 Light study of the main atrium. View is from the recessed stairs in front of the Goodman Theater facing towards the north side of the center atrium and the Brandt Black Box Theater (same view as P1).

L2 Light study of the main atrium. View is from the south entrance looking toward the Lowenthal Studio Space, the Korman Costume Atelier and the Drama Bookstore.

L3 Light study of the main atrium. View is from the north entrance looking south (same view as P3).

P1 Perspective view facing the Goodman Theater from the north side of the main atrium.

P2 Perspective view facing east and the Brandt Black Box Theater from the recessed stairs in front of the Goodman Theater.

IDC 5/7plans + elevations

P3

L3

L2

L1

P2P1

program requirements

The Family Planning Research Institute (FPRI) is an independent non-profit corporation, studying public policies regarding voluntary fertility control and population issues. FPRI studies focus on issues related to pregnancy and birth, contraception, abortion, sexual behavior, and sexually transmitted diseases. It supports reproductive health programs offering policy analysis, public education, and research. FPRI’s mission is to find facts, present them clearly and forcefully, and keep them in the forefront of the public consciousness.

FPRI’s board of directors has recognized that its current downtown facilities are inadequate. They plan to move to a midtown office building, 1177 Avenue of the Americas (between 45th and 46th Streets), to take advantage of affordable rents offered by the building’s landlord who is developing the building as a center for nonprofit organizations in exchange for state and federal tax benefits. FPRI will be one of the first nonprofit tenants occupying the 20th and 21st floors.

The 62-person staff is divided into 4 main divisions: Research, Communications &

ABOVE View of the main circulation path including the stairs and workstations opposite the library on the 20th floor.

RIGHT Existing conditions on the 20th and 21st floors.

FPRI 1/7 + intro

2/7 IDC plans + legend

Lighting Systems clockwise from top left:

Armstrong’s Techzone Ceiling System is used throughout the facility.

Zumtobel’s Slotlight is used in the reception area & the library.

Zumtobel’s Airboard Suspended Lighting is used in the reception area and the library. It provides sound absorbing acoustics as well as both direct and indirect lighting.

Zumtobel’s Ceilos Light Panels are located over the stairwell and the double height space along the library and conference rooms.

FPRI 3/7reflected ceiling plans + lighting

Development, Publications, and Finance & Administration. The Institute is overseen by a 42-member board of directors, which meets at FPRI three times a year. There is also a 12-member science advisory panel, which meets once a year. While the conference room must be large enough to accommodate the large board it also must be flexible enough to be partitioned into smaller spaces that can be used simultaneously by smaller groups on a daily basis. The institute also maintains its own private library to aid its researchers.

Design solution

The core of the floor is mainly devoted to office services such as the mail room, IT and storage facilities. In addition two of the largest and most important areas, the conference room and the library, are also located there. While both these spaces are recessed into the interior of the building, they are also located in the middle of the circulation path and are directly linked together by the main interior staircase. This arrangement makes the passageways in front of these spaces key thoroughfares where worker interaction can take place spontaneously and fortuitously throughout the day. The other chief advantage of this arrangement is that it allows for the placement of the maximum number of offices and workstations at the perimeter of the building.

The work areas were planned with an emphasis on the comfort of employees. While companies like to promote interaction, individual worker satisfaction relies heavily on having a space of one’s own for quiet contemplation. This is especially true in an organization in which the core business is scholarly research.

This design provides two out of three workers with their own office. All but 13 of those offices are on the perimeter and have access to at least one window. The remaining third of the employees work in cubicles. However all of the cubicles are located on the perimeter of the east façade and enjoy an uninterrupted vista through the windows onto the canyon of office buildings on Sixth Avenue.

NEAR RIGHT The center conference room looking out onto the open workspace on the 21st floor

FAR RIGHT View of the main circulation path including the stairs and workstations opposite the library on the 20th floor.

4/7 IDC sections + perspectives

ABOVE View of the library on the 20th floor.

LEFT Typical office interior (office #33)

FPRI 5/7 + perspective illustrations

TEKNION’S District Workstations for open work area on the 20th floor

ETEL ALTAGAMMA SCRIVANIE desk and cabinet for executive offices

FRITZ HANSEN LISSONI sofa for reception & informal lounge areas B&B ITALIA WORD chairs & side table for reception and informal lounge areas

KNOLL OPEN UP task chair for executive offices

FRITZ HANSEN OXFORD executive guest chair

B&B ITALIA SINA conference table for executive offices

ESTEL LIBRA shelving for executive offices

TEKNION’S XM Workstations for open work area on the 21st floor KNOLL’S OPEN UP task chair for workstations and offices FRITZ HANSEN’S VICODUO guest chair for offices

HAWORTH’S PATTERN ELEMENTS filing cabinets for the north hallways

SDR+ REGAL SYSTEM 606 bookshelves for the libraryInspiration for conference room Inspiration for glass staircase Glass bridge that links the center conference room to the main workspace on the 21st floor

Detail of glass joints used in stairs, catwalk & railings

FRITZ HANSEN T-NO.1 table for the library

WIESNER-HAGER FLEX conference tables provide efficient storage and flexibility when reconfiguring the conference rooms

SIDE TABLE / STOOL in the main corridor on the 20th floor

FRITZ HANSEN PK80 BENCH in the main corridor on the 20th floor

STEELCASE KART FOLDING CONFERENCE CHAIRS provide efficient storage and flexibility when reconfiguring the conference rooms

BULO’S TAB chairs for the library

6/7 IDC furnishings + materials

Materials clockwise from top left:

Fabrics for office and lounge furniture.

The dark charcoal grey carpet is the main floor covering used throughout both floors. The light grey vinyl flooring is used in the library and conference room. The white marble is used under the glass stairs and in reception area.

Fabrics for office and lounge furniture.

The synthetic fabrics are used for wall coverings, furniture panels and window shades. Laminates in white, black & greys, in both matte and reflective finishes, are used on various surfaces. Stainless steel is used in the staircase, railings, & assorted hardware.

Ribbed glass partition walls are used to separate the office interiors from the circulation hallways. The ribbed glass allows the maximum amount of light to filter through the space and create a sense of openness, while maintaining an appropriate amount of privacy.

FPRI 7/7furnishings + materials

THE WHOLE WOMAN is a lingerie store that caters to women who have had a mastectomy. The concept is to provide a bright, warm, upscale environment and sensitive, well-trained, professional service for customers who are dealing with this difficult physical and emotional issue. The fashionable boutique atmosphere and service is intentional and is meant to stand in stark contrast to any negative preconceived feelings the customer may have concerning the product.

Each floor has a distinct emphasis. The second floor is primarily for first time customers. Removed from the hustle and bustle of foot traffic from the street, the second floor is calm, quiet and secluded. Seating is provided for customers waiting to be served or if they merely need to rest. The service here is one on one. The dressing suites can graciously accommodate the salesperson, the customer and a companion. Indirect cove lighting in the dressing rooms, shows customers at their best in a warm, soft light that avoids glare and harsh shadows. A stockroom is located between the suites to facilitate efficient service.

The ground floor is for repeat customers. These are women who have shopped here before, know what they need and want to get in and out quickly.

THE WHOLE WOMAN 1/5 + intro

2/5 THE WHOLE WOMAN floor plans +

THE WHOLE WOMAN 3/5 + sections

Chairs located in the 2nd floor waiting area and dressing rooms

Wood veneer used on the walls and display cases

Terrazzo flooring contains clear and white glass used on both floors

Inspiration for the cove and indirect lighting used throughout the store

Table located in the 2nd floor waiting area

Brushed silver finish metal used for the window mullions as well as the stair and balcony railings

Terrazzo flooring contains black glass used as a border on the ground floor

Sconce used in the 2nd floor changing areas

Bench located in the 2nd floor dressing rooms and on the 2nd floor balcony by the front window

TOP RIGHT Aerial view of top floor from outside of the store.

MIDDLE RIGHT View of top floor from the front looking back.

BOTTOM RIGHT View of top floor from the back looking toward the front. Here you can see through the cutout in the floor down to the first floor.

Warm bronze metal finish used on the casework

Terrazzo flooring contains amber glass used as a decorative inlay on the ground floor

4/5 THE WHOLE WOMAN furnishings + materials

LEFT View of the facade from the street.

ABOVE TOP View of the ground floor from the back looking front. The cutout in the ceiling creates a double high space that extends to the second floor.

ABOVE View of the first floor from the street just outside the windows, looking toward the back of the store.

THE WHOLE WOMAN 5/5 + perspective sKetches

THE VERTIGO LOUNGE is an upscale bar with a hip, glam, nightclub feel. It is a meeting place for young singles looking for something new and different. The most striking physical feature is the mezzanine. Constructed of steel and glass and accessed by a staircase of the same materials, the mezzanine with its glass floor is meant to evoke the edgy feeling of the bar’s name.

Another dramatic feature of the space is the light sculpture over the bar. Inspired by a Harry Bertoia screen, this sculpture is made of mixed media including, but not limited to, glass, stone and metal. LED lights embedded in some of the glass elements create its sparkling light.

As a practical matter the curved walls are designed to cover the protruding attached columns that run along the length of the structure. As a design feature the fabric-lined, curved surfaces soften the space visually and acoustically and also speak to the curves found in the stairs and the mezzanine.

Three staircases facilitate traffic: one to the basement kitchen, one to the mezzanine for service staff and another for patrons. The service stairs are separated from the main area by a double height frosted glass panel. The mezzanine staircase for patrons is prominently and dramatically featured at the main entrance.

THE VERTIGO LOUNGE 1/5 + intro

2/5 THE VERTIGO LOUNGE plans + sections

THE VERTIGO LOUNGE 3/5plans + sections

furnishings, materials + perspectives4/5 THE VERTIGO LOUNGE

CAFE TABLE WITH GLASS TOP AND STEEL BASE

BAR STOOL WITH LEATHER SEAT AND CHROME BASE

THE OUTDOOR SEATING IS MADE OF A SEMI-TRANSLUCENT PLASTIC AND LIT FROM WITHIN.

THIS TABLE TOP BY INGO MAURER IS THE INSPIRATION FOR THE MEZZANINE FLOOR. THE FLOOR TILES, WHICH ARE MADE OF DARK TINTED, TRANSPARENT GLASS EMBEDDED WITH LED LIGHTS, GIVE THE BAR ITS VERTIGINOUS EDGE.

THIS HARRY BERTOIA SCREEN IS THE INSPIRATION FOR THE SELF-ILLUMINATED SCULPTURE ABOVE THE BAR.

THE STEEL GRID THAT SUPPORTS THE MEZZANINE IS ANCHORED TO THE EAST WALL AND IS SUSPENDED FROM THE CEILING BY STEEL CABLES.

THE LOUNGE SEATING IS MADE OF A SEMI-GLOSS WHITE PLASTIC.

LOUNGE SEATING WITH LEATHER UPHOLSTERY AND CHROME BASE.

THE WALLS ARE LINED WITH A WARM GREY TEXTURED FABRIC TO SOFTEN THE SPACE VISUALLY AND ACOUSTICALLY.

VIEW OF THE MAIN STAIRCASE AND THE MEZZANINE FROM JUST INSIDE THE MAIN ENTRANCE.

VIEW FROM THE BACK OF THE LOUNGE LOOKING NORTH TOWARDS THE FRONT. VISIBLE HERE, TO THE RIGHT OF THE IMAGE, IS THE REAR SERVICE STAIRCASE BEHIND THE FROSTED GLASS WALL

AERIAL VIEW OF THE MEZZANINE FROM THE NORTH EAST CORNER LOOKING SOUTH TOWARDS THE BACK OF THE LOUNGE.

VIEW FROM THE FRONT OF THE LOUNGE LOOKING SOUTH TOWARDS THE BACK.

THE VERTIGO LOUNGE 5/5 + perspectives

Perspective Drawing of Living Area Facing East

56 CROSBY STREET DUPLEX LOFT 1/7 + intro

56 Crosby Street Duplex Loft

program requirements

The clients are a family with some very special requirements. The household is headed by a couple in their late 30’s with two children, a daughter of 8 ½ years and a son of six. The wife is a very successful stockbroker and the husband is an art historian and teaches at private college uptown. Both share an intense interest in art. The clients will not be bringing any of their current furnishings with them except for two important pieces of art. The two art pieces are Jackson Pollack’s “One: Number 31” and Alexander Calder’s “Snow Flurry, I”.

The wife’s father who has just turned seventy will be living with the family. He is a retired music teacher. He is in good health and spends a lot of time with his grandchildren He also gives piano lessons a few times a week at home. However a recent problem has confined him to a wheel chair, a factor that impacted the design of the apartment

The space that they plan to develop is on the top floor of a former light-industrial loft building and includes a mezzanine level. The unit offers more space than they need. They are therefore planning to create a rental apartment with at least 3,600 S.F., however they do not want the rental apartment to include more than half the mezzanine level. The design must include egress for both units that conform to city fire codes. Other than setting aside space for the rental unit no further design is required at this time.

Design solution

Special attention was paid to accessibility. The elevator interior is 5’ x 5’ allowing a wheelchair to turn around, and eliminating the need to back in or out. The kitchen counter along the windows is designed to be at desk height. This is due in part to the low sill height of the windows but it also is designed to offer the grandfather a full work surface, which

ensures his self-sufficiency. The counter is also a benefit to the whole household as it doubles the functionality of the entire kitchen no matter who is cooking. The “rug” in the living area is actually vinyl flooring trimmed in leather, which is set flush into the floor to provide a level surface for ease of mobility. Half the outdoor patio is paved to provide easy wheelchair access. In fact, from the front door to the far ends of the upper level there are very few parts of the apartment that a wheelchair cannot navigate.

The art pieces greatly influenced the design due to their large size, which called for even larger display spaces. Their pedigree, as well as their size, suggested the prominence of their placement.

Pre-existing Site Conditions from top: Section Facing North, Mezzanine Level and Top Floor Plan

2/7 56 CROSBY STREET DUPLEX LOFT existing conditions +

Duplex Main Floor Plan

56 CROSBY STREET DUPLEX LOFT 3/7 + plans

Duplex Upper Floor Plan

Section Through Master Suite and Terrace Facing North

Section Through Entrance Hall Facing North

2/7 56 CROSBY STREET DUPLEX LOFT sections +

Section Through Girl’s Bedroom Facing West, including custom bed and sleeping nook

Section Through Boy’s Bedroom Facing South, including custom loft bed and tv/game area

Preliminary Study of Living Area Facing West

Preliminary Study of Entrance Hall Facing West

Section Through Entrance Hall Facing South

56 CROSBY STREET DUPLEX LOFT 5/7sections + sKetches

10/30/07 6:46 PMUsona Home - Detail

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6/7 56 CROSBY STREET DUPLEX LOFT furnishings + materials

Bernhardt bench in the entry foyer

Texture of the exposed brick wall in entry hallway Riga light fixture from Flos is used on the brick wall in the entry hallway

Calder scuplture, Snow Flurry I, hung in the double height stairwell

Damier adjustable sofa placed below the Calder sculpture.

Jackson Pollack painting, One: Number 31, hanging on the north wall of the living area. To “frame” the artwork the wall directly behind the painting is plastered and painted a warm off-white.

Vent hood and suspended shelf with built in LED lighting over the kitchen island.

Side table next to lounge chair in the master bedroom.

PK 33 stool in front of lounge chair in the master bedroom

Vintage lamp next to the lounge chair in the master bedroom

Book shelves behind the bed in the master bedroom

Mark Rothko painting that hangs above the bed in the master bedroom

Adjustable reading lamps alongside the bed in the master bedroom

The bed in the master bedroom from Porro. Benches located at the foot of the bed in the master bedroom

Hans Wegner desk chair located in the office adjacent to the master bedroom

Inspiration for custom-built kitchen island. Lighting used over the desk-height kitchen counter along the south wall of the kitchen.

Roche Bobois free-standing bookcase that divides the kitchen from the dining area.

Murano Chandelier that hangs over the dining table.

The dining table. Hans Wegner side-chairs used in the dining area.

Finn Juhl arm-chairs used in the dining area.

Wall-mounted buffet hung on the south wall of the dining area.

B&B Italia modular seating unit used in the living area. “I-Beam” coffe table. Polished stainless steel base and dark granite top.

Hans Wegner Flag Halyard lounge chair used in the living area.

Stool used in the living area. Poul Kjaerholm side table. Mies side chair in the living area. Mark Rothko painting that hangs over the buffet in the dining area.

Boffi tub, facet and sinks used in the master bathroom. Mirror and glass ceiling mounted light fixture in the master bathroom.

Cantilvered toilet in the master bathroom.

Hans Wegner CH07 Shell lounge chair in the master bedroom

11/6/07 10:56 AMMarcel Wanders Studio, blits

Page 1 of 1http://www.marcelwanders.nl/wanders/pages/blits_3_9_grouppage.shtml

space

blits

great for a date

photocredits:Inga Powilleit, styling Tatjana Quax

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«BRINDILLES is arepresentation of thelink between the con-crete and the imaginary.This creative mix offersan unimaginable imageof light.» François Azambourg

L I G N E R O S E T 2 0 0 7

Lighting160_

Light is like music that plays around you and sets themood. So is a light an instrument? Of course -- if youare talking about François Azambourg’s ‘BRINDILLES’.We have more chords to capture your interest.

BRINDILLES_François Azambourg, 2006 3 Page 163

moooi, the unexpected welcome

Phillipe lounge

Marcel Wanders, 2001

Specifications

Bridging the gap between the outdoors and the in. Phillipe excels within every space and becomes a great alternative to summer seating. Material: galvanised and powder coated steel with PE plastic webbing, stainless steel legs Colours: white, silver, bronze Dinner chair: 75 x 55 x 57 cm (h x w x d) Seating height: 47 cmLounge chair: 61 x 78 x 82 cm (h x w x d) Seating height: 30 cm

This item is discontinued.

photographer: Maarten van Houten

http://www.moooi-online.com/index.php?page=collections&item=8 [11/26/2007 7:15:51 PM]

.:: DESIGNLUSH ::.

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moooi, the unexpected welcome

Dickies

Anthony Kleinepier, 2004

Specifications

With the Dickies, Anthony likes to raise more questions than answers so the expectations and codes of our daily environment become vague. This makes people wake up to the fact that they are entitled to an interpretation of their own. I think it is time again to use all our senses and not only believe in what we see.

Material: Polypropylene laminated with polyester and nylon with styro-foam filling Colours: Dark Grey, Heather and Brown Dimensions: 120x105cm (hxd) Dimensions table: 40x90x90cm (hxwxd)

photographer: Maarten van Houten

http://www.moooi-online.com/index.php?page=collections&item=83 (1 of 2) [11/26/2007 7:16:59 PM]

Breuer Collection Laccio tables

As a Bauhaus apprentice in 1925, Marcel Breuer conceived the low table as a companion to the Wassily chair, the first tubular steel design based on the tubed frame of a bicycle.

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Every piece has an individual number of identification and authenticity

KnollStudio logo and Marcel Breuer's signature are stamped into the base of the table

Available on the KnollStudio 20 day program

Dimensions

Small low table dimensions are 21 ¾" W x 19" D x 17 ¾" H

Large low table dimensions are 53 ½" W x 19" D x 13 ½" H

Finishes

Table top features a satin finish, smooth plastic laminate in either black or white

Frame and legs are seamless tubular steel in polished chrome finish

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56 CROSBY STREET DUPLEX LOFT 7/7furnishings + materials

Reproduction bronze desk in the girl’s bedroom.

Moveable nestng tables in the children’s playroom.

Foam covered poufs for seating and play in the children’s playroom.

Plastic worktable for the children’s playroom.

Bookcase/shelving system in children’s playroom and boy’s bedroom

Pendant light in boy’s bedroom.

Bed in the grandfather’s bedroom.

Richard Shultz 1966 lounge chairs located on the lawn just outside the master bedroom.

Stone bench located in lawn seating area. Moooi lounge chairs located in lawn seating area.

Outdoor tables located in lawn seating area.

Giacometti sculpture, Figure in a Garden, located on the patio.

Reed light fixtures, located in the lawn seating area.

Bronze planters alongside the dining area. The large round planters on the lawn have the same finish.

These lights are hung as pendants in the dining area on the patio.

Tokyo Pop chaise located in lawn seating area. Bertoia chairs located in patio dining area.

Outdoor dining table located in patio dining area.

Tuuci Razor Shade located alongside the lounge chairs on the lawn just outside the master bedroom.

The poster art in the grandfather’s bedroom reflects his love of music and sense of humor.

Vintage desk in the grandfather’s bedroom. Knoll guest chair in the granfather’s bedroom.

Desk light in boy’s bedroom. Desk in boy’s bedroom. B&B Italia desk chair in boy’s bedroom.

Felt-covered beanbag chair in boy’s bedroom from Moooi.

Wall covering/storage on north wall in boy’s bedroom.

Bookcase in the children’s playroom.

Desk lamp made of mirrored aviator sunglasses in the girl’s bedroom.

Desk chair for girl’s desk is from B&B Italia.

White powder-coated metal side chair in the girl’s bedroom.

Reading lamp next to side chair in the girl’s bedroom.

Lamp over the bed in the girl’s bedroom.

Inspiration for the floral mural in the girl’s bedroom.

FURNITURE DESIGN

FURNITURE DESIGN 1/5intro

2/5 FURNITURE DESIGN adjustable table +

FURNITURE DESIGN 3/5lounge chair

4/5 FURNITURE DESIGN chair +

FURNITURE DESIGN 5/5chest of drawers / desK

Lawrence Chabra Design790 Riverside Drive, Suite 1E

New York, NY 10032Tel 917-658-9812 Fax 212-491-9932Email Lawrence.Chabra@verizon.net

All original drawings and designs are the property of Lawrence Chabra and may not be reproduced in any form without permission of the designer.

© 2009