lee thompson portfolio 2012

LEE THOMPSONgraphic design portfolio

02-03

“Lee is a pleasure to work with. Inventive, thoughtful, instinctive. He works brilliantly to brief but is never afraid to demonstrate his extensive creative flair. He has strong ideas but is also flexible and collaborative and he always exceeded my ambitions for the design of the projects. He is also fantastic at working to incredibly tight deadlines without ever letting the quality slip. I couldn’t recommend him highly enough.”

Claire Parker, Kudos Film and Television

“I’ve worked with a lot of designers and seldom if ever come across one who can match Lee’s combination of talent and adaptability. His ideas are brilliant, sparkling, and he has an uncanny ability to interpret exactly what is required almost before you have given him the brief. At the same time he is always open to suggestion and happy to make whatever changes are required. He will bust a gut to meet deadlines – plus he is a dab hand with snappy copy, too. I would use him for all my work if I could!”

Sally Partington, Simon & Schuster

“Lee is an incredibly talented designer and I have thoroughly enjoyed working with him. Innovative, easygoing, knowledgeable, more than able to stick to deadlines (hurrah!) and packed full of thoroughly original and interesting ideas, he is a commissioning editor’s dream. Give him work immediately (but not too much, I’ll be needing him to do lots more books for me!).”

Sarah Emsley, Bantam Press/Transworld

LEE THOMPSON graphic design portfolio

THE EXTRAORDINARY ADVENTURES OF SHERLOCK HOLMES,

the world’s most famous detective, have been extensively chronicled

by his companion and assistant throughout many of his most

intriguing cases, Dr John H Watson.

Watson’s enthralling accounts of Holmes’s endeavours were based

on the copious notes he took during the investigations and the evidence

that he and Holmes gathered. These Case notes, therefore, take the

form of a scrapbook, fastidiously maintained by Watson, that provides

a unique perspective on Holmes’s work and methods of detection.

the cases covered in

THE CASE NOTES OF SHERLOCK HOLMES are:

a The Hound of the Baskervilles a

a A Scandal in Bohemia a

a The Red-Headed League a

a The Boscombe Valley Mystery a

a The Dancing Men aa The Final Problem a

For those familiar with the investigations covered in this volume, the

notes, letters, official documents, artefacts and items of evidence will add

a compelling new dimension to each case. For those who have not studied

Watson’s reports before, The Case notes are an excellent way to examine

all of the crimes featured, and even review crucial items of evidence

first hand. Watson’s notes and comments, along with photographs and

illustrations, amount to 64 pages, with a separate

section devoted to each case.

Carefully filed in special evidence bags secured within the pages of THE CASE NOTES

are no less than 18 items that include:

a A photograph of the only woman ever to outwit Holmes a

a The signed confession of a murderer a

a A chilling letter predicting Sir Henry Baskerville’s demise a

a The scrap of paper that broke the ‘Dancing Men’ code a

a A newspaper report about one of Holmes’s cleverest adversaries a

a The final note Holmes left for Watson before facing a fight to the death with the

evil Professor Moriarty! a

OFFICIALLY ENDORSED BY THE

ESTATE OF SIR ARTHUR

CONAN DOYLE

£19.99

www.andredeutsch.co.uk

aa

ISBN: 978-0-233-00289-7

9 780233 002897

10+ years experience with Adobe Photoshop 8+ years experience with Adobe InDesign & Quark Xpress7+ years experience with Adobe Illustrator

Also skilled in Dreamweaver, with HTML and CSS coding experience. Good working knowledge of JavaScript, PHP and MySQL integration. Expert-level Microsoft Office knowledge including Word, Excel, Access & Powerpoint. Highly proficient on both Apple Mac and PC platforms.


LIFE ON MARS

Life on Mars: The Official Companion, (volumes one and two).

The Rules of Modern Policing (1973 Edition) and The Future of Modern Policing (1981 Edition).

Responsible for pitching the initial book concepts directly to production company.

Art direction, design, photography and illustration on all four titles.

06-07

Various paperback and hardbak book covers and concepts produced for Kudos Film & Television, Fremantle, BBC Books, Humdrumming, Telos, Hirst Books and Metrostar.

08-09

THE EXTRAORDINARY ADVENTURES OF SHERLOCK HOLMES,

the world’s most famous detective, have been extensively chronicled

by his companion and assistant throughout many of his most

intriguing cases, Dr John H Watson.

Watson’s enthralling accounts of Holmes’s endeavours were based

on the copious notes he took during the investigations and the evidence

that he and Holmes gathered. These Case notes, therefore, take the

form of a scrapbook, fastidiously maintained by Watson, that provides

a unique perspective on Holmes’s work and methods of detection.

the cases covered in

THE CASE NOTES OF SHERLOCK HOLMES are:

a The Hound of the Baskervilles a

a A Scandal in Bohemia a

a The Red-Headed League a

a The Boscombe Valley Mystery a

a The Dancing Men aa The Final Problem a

For those familiar with the investigations covered in this volume, the

notes, letters, official documents, artefacts and items of evidence will add

a compelling new dimension to each case. For those who have not studied

Watson’s reports before, The Case notes are an excellent way to examine

all of the crimes featured, and even review crucial items of evidence

first hand. Watson’s notes and comments, along with photographs and

illustrations, amount to 64 pages, with a separate

section devoted to each case.

Carefully filed in special evidence bags secured within the pages of THE CASE NOTES

are no less than 18 items that include:

a A photograph of the only woman ever to outwit Holmes a

a The signed confession of a murderer a

a A chilling letter predicting Sir Henry Baskerville’s demise a

a The scrap of paper that broke the ‘Dancing Men’ code a

a A newspaper report about one of Holmes’s cleverest adversaries a

a The final note Holmes left for Watson before facing a fight to the death with the

evil Professor Moriarty! a

OFFICIALLY ENDORSED BY THE

ESTATE OF SIR ARTHUR

CONAN DOYLE

£19.99

www.andredeutsch.co.uk

aa

ISBN: 978-0-233-00289-7

9 780233 002897

4

5

Sherlock Holmes seemed delighted at the idea of sharing his rooms with me. “I have my eye on a suite in Baker Street,” he said, “which would suit us down to the ground. You don’t mind the smell of strong tobacco, I hope?”“I always smoke ‘ship’s’ myself,” I answered.“That’s good enough. I generally have chemicals about, and occasionally do experiments. Would that annoy you?”“By no means.”

“Let me see -- what are my other shortcomings? I get in the dumps at times, and don’t open my mouth for days on end. You must not think I am sulky when I do that. Just let me alone, and I’ll soon be right. What have you to confess now? It’s just as well for two fellows to know the worst of one another before they begin to live together.”

I laughed at this cross-examination. “I keep a bull pup,” I said, “and I object to rows because my nerves are shaken, and I get up at all sorts of ungodly hours, and I am extremely lazy. I have another set of vices when I’m well, but those are the principal ones at present.”“Do you include violin playing in your category of rows?” he asked, anxiously.“It depends on the player,” I answered. “A well-played violin is a treat for the gods -- a badly played one --”“Oh, that’s all right,” he cried, with a merry laugh. “I think we may consider the thing as settled -- that is if the rooms are agreeable to you.”

sherlock holmes

Holmes on Modesty: “I cannot agree with those who rank modesty among the virtues. To the logician all things should be seen exactly as they are, and to underestimate one’s self is as much a departure from truth as to exaggerate one’s own powers.”

Our rooms in Baker Street

32

33

Dear Mr. Holmes,

I am writing to you as a desperate man, hopeful that you may be able to help in the matter of my beloved wife. Let me first admit that I am far from rich, though my family has resided here at Riding Thorpe in Norfolk for five centuries. I met Elsie, a young American lady, last year while visiting town for the Jubilee. You will think it mad when I tell you that I was to be married to this woman - of whom I knew not one jot of history - only one month later. If you were to meet her then you would understand, she is a woman of singular beauty. She was most honest with me,

,,I have

had some disagreeable associations in my life,,, she

would say, insistent that she had nothing in herself to be ashamed of but that she would nonetheless not countenance enquiries into her past. I was to take her as a blank slate or not at all. A year passed and we were blissfully happy but then, at the end of June, came the arrival of a letter from America. I have no idea as to its contents (I noted the stamp before it were burnt in the fire but no more) and have not asked, though Elsie would do well to

trust me I am a man of my word and I haven,t forced an enquiry. Since that letter she has known no rest, she is fearful I am sure of it. Then, matters turn queer, Tuesday of last week I came upon the attached line of dancing figures scrawled in chalk on one of the window-sills. On mentioning it to my wife she became deeply distressed and insisted I let see anymore that might appear. For a week none did and then, yesterday morning I found the accompanying piece of paper. I showed it to Elsie and she fainted clean away. Clearly this is not a matter that I can allow to continue, I have no idea what these curious figures might mean but mean to do whatever I can to find out. I shall call on you tomorrow morning so that we might discuss your initial suspicions.

Yours Faithfully,

Hilton Cubitt

That last message was to be repeated, this time on a scrap of paper found by the sun dial. Cubitt, by now quite beside himself over the curious affair, resolved to lie in wait by the window, revolver in hand, determined to catch the elusive scribbler. His wife was quite beside herself at the notion and begged him to reconsider. He would not do so. Upon spotting a figure in the moonlight, Elsie Cubitt fought to stop her husband from challenging the man. Mr. Cubitt was delayed long enough for the stranger to vanish but not before he left yet one more sequence of dancing figures:

The Third Message drawn upon the black wooden door of the Tool House

After the third message was rubbed out this fourth line of hieroglyphics appeared in the same place

the dancing menWednesday, July 27th to August 10 th and Saturday, August 13th, 1898

The first appearance of the mysterious ‘dancing men’, copied from the note supplied by its discoverer, Mr Hilton Cubitt

Holmes had once written a monograph on decrypting cyphers, so took a great interest in what appeared to be a coded message

further figures have been found. i shall arriveat liverpool st 1:20 and hasten towards yourrooms as soon as possible thereafter.

Hilton Cubit, NorfolkTo: Sherlock Holmes & Dr Watson, 221b Baker Street, London

Norwich P.OLDN96

R Lannigan

//

Received

NOR96

Swift delivery

i have new designs with me.

m

artifactThe first Dancing Men message is included in the glassine bag on page 37.

Sherlock Holmes221b Baker Street, London

John Watson c/o Baskervile Hall, Grimpen

For swift deliveryPdnt P.O

GRIM11

P. Derry

LDN1 DAR23

25

Please

1-/3d

continue most excellent reports

they are deeply instructive.

may as wellI

be no

more than a few hundred

yards from your front door!

This page: Cover, interior and removable artefact designs for The Annotated Case Notes of Sherlock Holmes by Dr John Watson, published by Carlton books. Book concept, with removable artefacts, was originally pitched to the estate of Sir Arthur Conan Doyle and well-received.

Right: interior designs for an official Hustle companion guide book, and a complete history of Dangermouse, from concept to cartoon, including updated graphics in the Cosgrove Hall style.


JAMES SAXON

RED CHAMBER JAMES SAXON

from headline to thriller in a month

REDCHAMBER

from headline to thriller in a monthLondon paralysed by snow. A corruption scandal in the

House of Lords. A Russian oligarch with plans to control the British media. Reporter Tom Stuart thinks he has the story – but when one of the lords commits spectacular suicide, he finds himself in a race against an assassin. Someone is trying to change the way British politics works, one corpse at a time. As the evidence expands to include blackmail, the IRA and the KGB, Tom Stuart realises he’s being framed. Can he uncover the truth before he’s arrested for the murders he’s trying to prevent?

_________________________________________________________

With a story torn from the headlines, Red Chamber has been written to test a new way of creating exciting, fast-moving fiction. The fact you’re holding it is proof it works. Paige-Turner & Company can write, edit, design, proof-read and publish a 100,000-word thriller in a month. We can do it every month. We can do it for you. We’re Paige-Turner. This is our email: [email protected] The ball’s in your court.

jaime murrayon stacie monroe

Venibh esequam venis am, quis nonse te velit ut duis nonsent

eum alisi tatie molore conse modolortis niamcon sequisi.

Delendrem at. Ut wisiscipisis nulla facilla augiam, susci esequis

aliquate digniamcor illuptat vulla aliquat. Amet adionse quisit ex exer

ipsummodio odignim ipisl il dolore dolenis et vullam ex eu feu feugiam

dignis digniam, sendre del exerit augiam ercipit lobortin henim vel

ipit nonsectem nonum quam dolor acincip sumsand ipismolor at.

Ratum vel ero enis non ulput dui bla alit, quam iurercillum ad ea alis

aut at. Agna consendipit prat lobore con velesed er iusciliquisl dolor

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zzriuscil dolenibh eriuscincil in venim nissit nostrud dignisl dolorem

in utetum exercipsusci tem augiam zzril eugiat, volestincil in ullandit

ad et ad modolor autat inisisi scipit do dolorpe riustrud do ex et nisi

blam quipisit ea acil do odo estrud tem dolorerit prat atincipisis eugait

nonsequat velit dolore diamet ulput prat niam, vent lorem augueriure

veniam delenibh etum ipis eu faci te duis niatuero odolutat augue

dolendiat. To conse diamconsequi enis nulput alit, vulla commy

nullaore eugait, veniamet, commy nonsectet el eugue veliquipit iriure

velit ing esecte do consequisi ea facillu mmolent irit wisis nibh etueril

dolortinim dolorem inim zzril dit nonsectem do consed do odit lutat

eugait, sed tat. Duisl utatuer ad te commy nullaor iniam, sectet, volorer

cipisit adip elit vulputatio dunt vel inci blamcorem in ulput auguerat

duis er autpat. Ut augait, vulputat at. Duis nonsequam, volobore tat.

Duis nit pratem delit vulputat. Ut volobor periure con vel ese feuis er

sisl ip eugueros eugue facipis sissectem dolutat, vulputatin henim dolor

summy nulluptat. Ut amet, vel exerosto core modolobortis nit lutpatuer

sendreros dunt dolor ad tet laore tatum autpat. Ut

22 | hustle : the official companion

Venibh esequam venis am, quis nonse te velit

ut duis nonsent eum alisi tatie molore conse

modolortis niamcon sequisi.

Delendrem at. Ut wisiscipisis nulla facilla augiam, susci

esequis aliquate digniamcor illuptat vulla aliquat. Amet

adionse quisit ex exer ipsummodio odignim ipisl il dolore

dolenis et vullam ex eu feu feugiam dignis digniam, sendre

del exerit augiam ercipit lobortin henim vel ipit nonsectem

nonum quam dolor acincip sumsand ipismolor at. Ratum vel

ero enis non ulput dui bla alit, quam iurercillum ad ea alis aut

at. Agna consendipit prat lobore con velesed er iusciliquisl

dolor iriustrud euguerci ea consectetum dolorti nciliquat

at nonsequi tem zzriuscil dolenibh eriuscincil in venim

nissit nostrud dignisl dolorem in utetum exercipsusci tem

augiam zzril eugiat, volestincil in ullandit ad et ad modolor

autat inisisi scipit do dolorpe riustrud do ex et nisi blam

quipisit ea acil do odo estrud tem dolorerit prat atincipisis

eugait nonsequat velit dolore diamet ulput prat niam, vent

lorem augueriure veniam delenibh etum ipis eu faci te duis

niatuero odolutat augue dolendiat. To conse diamconsequi

enis nulput alit, vulla commy nullaore eugait, veniamet,

commy nonsectet el eugue veliquipit iriure velit ing esecte

do consequisi ea facillu mmolent irit wisis nibh etueril

dolortinim dolorem inim zzril dit nonsectem do consed do

odit lutat eugait, sed tat. Duisl utatuer ad te commy nullaor

iniam, sectet, volorer cipisit adip elit vulputatio dunt vel

inci blamcorem in ulput auguerat duis er autpat. Ut augait,

vulputat at. Duis nonsequam, volobore tat. Duis nit pratem

delit vulputat. Ut volobor periure con vel ese feuis er sisl

ip eugueros eugue facipis sissectem dolutat, vulputatin

henim dolor summy nulluptat. Ut amet, vel exerosto core

modolobortis nit lutpatuer sendreros dunt dolor ad tet laore

tatum autpat. Ut augait irilisim dolut alit wis ero dolenim iril

ea con exercin essi tis nibh ent voloreet wisl ullandre do odit,

consed euis auguer irillam, consed magna feuguer iureet irit

inibh eumsandigna faccumsan velit num verate doloboreet,

sis nulla adit lam vent dit nim nos alit praesequis nullan

ercing esectem et vel inis nonsequipis.

commy nosto consequat vel ip estio cortion senisis essed te

vullutat lut nullum zzriliquat. Duipis acillumsan henisit ate

molortis eugue elit dolorem doluptatet accummod er alit

illum in henim vulla alismod dionsectem dio dit alit la core

dolore dolore estio od digna facidui ssequis dolore tio od

ero delenissent nibh esto odignis ad endiam iustrud tisl ulla

ad tatum accum num dolore vendre minismolore facilit vent

voleniat. Ipsum eugue minim.Opposite Page: Stacie Monroe, the lure, a core member for Mickey’s gang of grifters.

Above Left: As the right-hand woman to Mickey’s record-producer role in Series 3, Episode 1 con

Above Middle: Lara Croft meets Mission Impossible when the crew hustle the Star of Africa diamond

Above Right: Admiring the view from Trafalgar square, where Micky & Danny have just been

i’m sure i must

have used up most

of the costume budget!

jaime murray | 25

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eum alisi tatie molore conse modolortis niamcon sequisi.

Delendrem at. Ut wisiscipisis nulla facilla augiam, susci esequis

aliquate digniamcor illuptat vulla aliquat. Amet adionse quisit ex exer

ipsummodio odignim ipisl il dolore dolenis et vullam ex eu feu feugiam

dignis digniam, sendre del exerit augiam ercipit lobortin henim vel

ipit nonsectem nonum quam dolor acincip sumsand ipismolor at.

Ratum vel ero enis non ulput dui bla alit, quam iurercillum ad ea alis

aut at. Agna consendipit prat lobore con velesed er iusciliquisl dolor

iriustrud euguerci ea consectetum dolorti nciliquat at nonsequi tem

zzriuscil dolenibh eriuscincil in venim nissit nostrud dignisl dolorem

in utetum exercipsusci tem augiam zzril eugiat, volestincil in ullandit

ad et ad modolor autat inisisi scipit do dolorpe riustrud do ex et nisi

blam quipisit ea acil do odo estrud tem dolorerit prat atincipisis eugait

nonsequat velit dolore diamet ulput prat niam, vent lorem augueriure

veniam delenibh etum ipis eu faci te duis niatuero odolutat augue

dolendiat. To conse diamconsequi enis nulput alit, vulla commy nullaore

eugait, veniamet, commy nonsectet el eugue veliquipit iriure velit ing

esecte do consequisi ea facillu mmolent irit wisis nibh etueril dolortinim

dolorem inim zzril dit nonsectem do consed do odit lutat eugait, sed

tat. Duisl utatuer ad te commy nullaor iniam, sectet, volorer cipisit

adip elit vulputatio dunt vel inci blamcorem in ulput auguerat duis

er autpat. Ut augait, vulputat at. Duis nonsequam, volobore tat. Duis

nit pratem delit vulputat. Ut volobor periure con vel ese feuis er sisl

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summy nulluptat. Ut amet, vel exerosto core modolobortis nit lutpatuer

sendreros dunt dolor ad tet laore tatum autpat. Ut

robert vaughnon albert stroller

robert vaughn | 19

it’s good fun, my boy, some of the best i’ve ever had!

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ut duis nonsent eum alisi tatie molore conse

modolortis niamcon sequisi.

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esequis aliquate digniamcor illuptat vulla aliquat. Amet

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dolenis et vullam ex

eu feu feugiam dignis

digniam, sendre del

exerit augiam ercipit

lobortin henim vel ipit

nonsectem nonum quam

dolor acincip sumsand

ipismolor at. Ratum vel

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bla alit, quam iurercillum

ad ea alis aut at. Agna

consendipit prat lobore

con velesed er iusciliquisl

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tem zzriuscil dolenibh

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in utetum exercipsusci

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et ad modolor autat inisisi

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do consequisi ea facillu mmolent irit wisis nibh etueril

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pratem delit vulputat. Ut

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laore tatum autpat. Ut augait

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auguer irillam, consed magna

feuguer iureet irit inibh

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20 | hustle : the official companion

10-11

This page: Fully designed and illustrated ‘in-world’ humour book for Dad’s Army, complete with very enthusiastic approval from the show’s creators Perry & Croft.

Right top: Cover and layout designs for a crowd-funded satirical edition of Huckleberry Finn, with robots.

Right bottom: Concept site design and branding elements for a trans-media treasure hunt, with a very glossy vegas/lottery inspired theme.


� ROBOTIC EDITION �

MARK TWAIN

Adventures ofHUCKLEBERRY FINN

Edited byGABRIEL DIANI and ETTA DEVINE

Illustrated byE. W. KEMBLE and DENISE DEVINE

Adventures of H

uckleberry Finn

ROBOTIC EDITION

MA

RK

T

WA

IN

$24.99

Published by Diani & Devine Presswww.dianidevine.com

Also availble as an eBook on amazon.com and the Apple iBookstore

Mark Twain has been criticised for his use of the term “Robot” to describe the mechanically created people who worked as unpaid drudges. Some MechPeople regard the term as off ensive. Other MechPeople, like myself, see it as important to understand the world in which our ancestors lived and toiled. And this telling of Huckleberry Finn and of Robot Jim and his quest for Freedom speaks to all of us: human and mechanical.

- NEIL GAIMAN Author of “American Gods” and noted MechPerson

How do you challenge a wrong-headed bowdlerization of a great novel? Diani’s & Devine’s response is inspired: suggest an even more preposterous one. In the spirit of some of the over-the-top satire in which Twain himself occasionally indulged,

the Robotic Huck Finn is designed to get readers to see why “improving” the words of a writer as careful as Twain is such terrible idea.

- SHELLEY FISHER FISHKINJoseph S. Atha Professor of Humanities and Professor of English, Stanford University

Huckleberry Finn was boy with no home. Jim was a runaway robot in search of freedom. Together they embarked upon the adventure of a lifetime.

Mark Twain’s classic text has been a lightning rod for controversy since its fi rst publication in the late nineteenth century, and has consistently been one of the

most banned books in schools and libraries across the United States. In an eff ort to fi ght the censorship of this iconic piece of literature, editors Gabriel

Diani and Etta Devine have removed every instance of the word “n-word” and replaced it with the word “robot.” Complete and unabridged (except for bits here and there), with E.W. Kemble’s original illustrations painstakingly altered by artist

Denise Devine to include robots, this bold new edition makes Twain’s timeless work accessible to a whole new generation of readers … without being bogged down by

what he wanted to say about racism.

Adventures of HUCKLEBERRY FINN

� ROBOTIC EDITION �

7256017809849

ISBN 978-0-9847256-0-1

52499 >

12-13

DWPeople Magazine, the staff publication for the Depart-ment for Work and Pensions. Monthly issue, 120,000+ reader-ship. Art direction on entire magazine, including photography commissioning, often on a tight budget.

865

Use this to increase your INTELLIGENCE by 3000.

River had a big, blue leather-bound diary which was full of

her adventures with the Doctor – but he hadn’t met her yet!

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The servile Ood turned on their human masters as the Giant Ood Brain broke free of the psychic barrier restricting it.

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Search your deck for a SONTARAN card and add it to your hand.

These pods are one-man spaceships used by the Sontarans in their 50,000-year-long war with the blobby Rutans.

S O N TA R A N P O D

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AGILITY

STAMINA

SPECIAL ABILITIES

FEAR FACTOR

Caan saved Davros from the Time War, but the last of the Cult

of Skaro betrayed the Daleks, realising how evil they were.

7800

200

9200

8200

6700

7600

200

9000

7800

6900

D A L E K C A A N

062/250C

DALEK(SCARRED BY TIME WAR)

908

INTELLIGENCE

AGILITY

STAMINA

SPECIAL ABILITIES

FEAR FACTOR

The ruler of the Daleks, he wanted to destroy everything with

a Reality Bomb so that only the Daleks existed in the universe.

8700

7800

8200

8700

8000

8800

7700

8200

8300

8100

D A L E K S U P R E M E

083/250

C

DALEK

924

INTELLIGENCE

AGILITY

STAMINA

SPECIAL ABILITIES

FEAR FACTORCloned by the Sontarans, this duplicate became their spy, even stopping UNIT’s nuclear strike. But the Doctor wasn’t fooled!

7400

3000

5300

6100

4800

7500

3200

5000

6000

5000

M A R T H A J O N E S

099/250

C

(SONTARAN CLONE)MONSTER

949

INTELLIGENCE

AGILITY

STAMINA

SPECIAL ABILITIES

FEAR FACTOR

Regretting not joining the Doctor in the TARDIS, Donna started

looking into possible alien events, hoping to find him again.

5300

5300

4900

2900

3100

4800

4900

4600

2500

2900

HERO

124/250

C

D O N N A N O B L E(INVESTIGATOR)

929

INTELLIGENCE

AGILITY

STAMINA

SPECIAL ABILITIES

FEAR FACTOR

In the world where Donna had never travelled with the Doctor, Rose had to convince Donna to change history back.

5800

6400

7200

6100

2200

9300

6800

6900

5600

2700

HERO

R O S E T Y L E R

104/250C

(TRANS-UNIVERSE TRAVELLER)

Doctor Who: Battles in Time collectable trading cards, produced in tandem with a partwork magazine by GE Fabbri.

‘Devastator’ was the fourth set of over 250 collectable cards to be released.

Personally responsible for over 300 card designs, including cards requiring specialist printing techniques (embossing, spot uv lamination, lenticular printing).

Also suggested and created the collect-and-build nine card set (pictured bottom right), along with packaging designs for the poster, card foil pack and point-of-sale packaging.

1005

INTELLIGENCE

AGILITY

STAMINA

SPECIAL ABILITIES

FEAR FACTOR

The Doctor’s joy at having enough people to fly the TARDIS properly was short-lived – he had to take them all home…

9100

6500

7900

8900

4800

8600

6900

7400

9000

4500

HERO

T E N T H D O C T O R

180/250C

(TARDIS CREW)

1035

INTELLIGENCE

AGILITY

STAMINA

SPECIAL ABILITIES

FEAR FACTOR

Rose helped the two Doctors pilot the TARDIS back, then had to say goodbye to one of them once more in Bad Wolf Bay.

5800

6400

7200

6100

2200

9300

6800

6900

5600

2700

HERO

R O S E T Y L E R

210/250C

(TARDIS CREW)

1049

INTELLIGENCE

AGILITY

STAMINA

SPECIAL ABILITIES

FEAR FACTOR

After the Daleks’ Crucible was destroyed, Mickey helped the Doctor tow the Earth back to its correct position in space.

4700

6000

5600

2500

900

5200

6300

5100

2700

1400

HERO

M I C K E Y S M I T H

224/250C

(TARDIS CREW)

1070

INTELLIGENCE

AGILITY

STAMINA

SPECIAL ABILITIES

FEAR FACTOR

When the Doctor had finally gathered enough people to fly the TARDIS properly he didn’t let Jackie near the controls!

2000

2700

700

500

2200

2500

3000

1000

700

1700

HERO

J A C K I E T Y L E R

245/250C

(TARDIS CREW)

842

INTELLIGENCE

AGILITY

STAMINA

SPECIAL ABILITIES

FEAR FACTOR

After beating Davros and the Daleks, the TARDIS was packed with the Doctor’s friends – including his old ally Captain Jack.

7400

7500

9100

9300

5900

7400

7800

9300

9300

5900

HERO

C A P TA I N J A C K

017/250C

(TARDIS CREW)

INTELLIGENCE

AGILITY

STAMINA

SPECIAL ABILITIES

FEAR FACTOR

Armed with her sonic lipstick, Sarah Jane helped the Doctor defeat the Daleks then helped fly the TARDIS back home.

6800

5200

5000

2200

1200

7000

4800

5400

2300

1700

026/250C

(TARDIS CREW)HERO

S A R A H J A N E S M I T H890

INTELLIGENCE

AGILITY

STAMINA

SPECIAL ABILITIES

FEAR FACTOR

After almost using the Osterhagen Key to blow up the planet Martha was happy to be back in the TARDIS with everyone.

8200

7600

7800

6100

6000

8300

7700

7800

6200

6200

HERO

M A R T H A J O N E S

065/250C

(TARDIS CREW)

910

INTELLIGENCE

AGILITY

STAMINA

SPECIAL ABILITIES

FEAR FACTOR

Filled with the mind of a Time Lord, Donna didn’t realise that the journey back to Earth would be her last in the TARDIS.

9300

4800

7000

4800

3800

8800

5200

7100

5200

3900

HERO

D O N N A N O B L E

085/250C

(TARDIS CREW)

971

INTELLIGENCE

AGILITY

STAMINA

SPECIAL ABILITIES

FEAR FACTOR

This human copy of the Tenth Doctor knew exactly how to fly the TARDIS – he had all the same memories as the real Doctor.

9400

6400

6000

4800

4700

8600

6800

6400

5300

4700

HERO

H U M A N D O C T O R

146/250C

(TARDIS CREW)


t h e d e f i n i t i v e d v d c o l l e c t i o n

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t h e d e F i n i t i V e C o l l e C t i o n

Lead designer and series consultant on the development of a Spooks DVD-and-magazine partwork.

Responsible for design and art direction across all items, including DVD cases, the spine-build, magazine cover and page design as well as extensive photo retouching.


Never miss an issue!Place a regular order with your newsagent today...

fold

Never Miss aN issue!

Call 0871 277 6723www.spooksdvdcollection.com

Five Great Gifts aBSOlUTElY FREE!

look inside to find out more!© 2002–3 Kudos Film & Television Ltd. All rights reserved. Licensed by Kudos Rights Ltd 2007. Authorised user GE Fabbri Ltd © 2007.

suBsCriBe today

The candid auTobiography

of a former mi5 boss

original, full-lengTh

spooKs soundTracK

on cd

Keep all your dVds TogeTher

in This slipcase

sTylish binder for

all your magazines

handy Key ring

wiTh builT-in Torch

Our Customer Guarantee DEDICATED CUSTOMER SERVICE: Our customer service team will answer all your questions by phone, email or post. If you subscribe online, you can check on deliveries and change payment and delivery details online, too.

SECURE INFORMATION: All the financial details on the subscription form are destroyed under secure conditions. All electronic financial records are stored by a specialist data-hosting company with state-of-the-art physical and virtual security.

++++++++++++++If your DVD is missing, please contact your newsagent++++++++++++++

COLLECT THIS AWARD-WINNING BBC SERIES ON DVD

COmpLETE EpISODES ON DVD

www.spooksdvdcollection.com

• GO BEHIND THE SCENES WITH THE SpOOkS CAST AND CREW

• DISCOVER HOW SpIES OpERATE IN THE REAL WORLD

• pLUS Spy TECHNOLOGy REVEALED

£2.99

RegulaR pRice: £

6.99pART 1

2

As seen on BBC

Film and Television

As seen on BBC

It's a question of intelligence

so your opinionhas very little

relevance

18-19

I'm notstupidI'm notexpendableand I'm not going!

2011 CALENDAR

30TH ANNIVERSARY

A wide array of design work for B7 Media on both classic and contemporary Blake’s 7 brands, including development of merchandise and apparel designs and design for CD covers, used on physical media, digital downloads and for BBC7 radio listings.

“Anything happens

to this motor and I

and stamp on all your toys,

over your houses

got it?

20-21

“Anything happensto this motor and I

and stamp on all your toys, over your houses

got it?

my problemwould rock

your world

trust the

gene genie

Advertising, merchandise and apparel designs for Life On Mars, plus development of promotional microsite and facebook application.


Concepts, sales materials and merchandise mock-ups for Viz, MI High, The Mighty Boosh and Weber barbecues. Produced for MQP, Metrostar, Kudos Film and Television and Baby Cow.

22-23

This page: sample pitch documents for various television and feature film pitches for B7 Media, showing a fully-themed approach to sales and investor materials, often setting the overall tone and style for the final production.

Right: illustration and photo retouching examples.

24-25

This page: Branding development for the British

Fantasy Society; various poster treatments for the

indie film ‘The Selling’.

Pablo Riofor high-end color and finishing from digital capture to multi-screen deliverables, Pablo Rio will revolutionize your workflow, not just evolve it. we’re defining the future. let’s build it together.

quantel.comtwitter.com/quantelfacebook.com/quantelonlineIBC 2012 - stand 7.A20

see it all at IBC on stand 7.A20

high frame-rate support

integrated mocha tracker

stereo3d multi-layer timelineopen storage

complete finishing toolset

multi-gpu architecture

choice of software or turnkey system

productive and creative color

High quality color, finishing and stereo3D, available as software and out-of-the-box solutions

choice of panels - neo or neo nano

data-centric pipeline

red arri f65 phantom si canon support

software from Quantel

QTube Einloggen, Anschauen und Editieren, egal wo Sie sind. QTube verkürzt die Arbeitswege - weltweit!

Pablo PA Die Conforming- und Preparation-Software für den optimalen Workflow in der Postproduktion ist auf jedem PC einsetzbar

QTube & Pablo PA auf der Digitalen Cinematographie

5. - 6. Juli 2012 Quantel am dve-Stand

H07-H09

quantel.comtwitter.com/quantel

facebook.com/quantelonline

This page: Selection of print and digital work for Quantel, including exhibition

stand design, GUI development (desktop and iOS), print advertising, microsite

design and sales brochures.

26-27

CVAdobe Photoshop Expert level 10+ yearsAdobe InDesign/Quark Expert level 9+ yearsAdobe Illustrator Expert level 7+ yearsAdobe Dreamweaver Highly competent 6+ yearsHTML, CSS Highly competent 6 years

Javascript, PHP, mySQL, Flash Good working knowledge 4 yearsWord, Excel, Access, Powerpoint Expert level 10+ yearsPC/Mac Hardware support Expert level 12+ years

LEE THOMPSON 9 Butterfield House, St John’s RoadNewbury, Berkshire RG14 7AD

07738 012750

[email protected]

Job Title:Creative Director

Dates: May 11 - Present

Employer:Quantel Ltd

Location:Newbury, Berkshire

Responsible for driving the creative output of the marketing department for a leader in the high-end television broadcast and post-production technology industry, covering many creative areas of marketing, promotions and branding.

Key Responsibilities: • GUI development/New iOS

app development• Branding development• Interior design and

furnishing during an extensive office refurbishment

• Media production for promotional films, online video (including commissioning, directing, producing and editing high-level content and motion graphics)

• Large-scale Exhibition stand design for worldwide venues

• Design and production for printed promotional materials

• Mentor to marketing team on creative topics, social media, marketing best practices

• Promoting a consistent and cohesive approach to the look and feel of marketing and promotional endeavours, both up and down the company hierarchy, and across all business areas from production and manufacture to training and support.

Job Title:Lead Graphic Design Manager and Senior Art Editor, Internal Communications.

Dates: Sept 08 - April 11

Employer:Dept. for Work and Pensions

Location:Westminster, London

Responsible for design and layout of a monthly 64 page magazine with a readership in excess of 100,000 employees, along with various other ad-hoc design requests for internal communications products such as posters, information booklets, intranet items and internal campaigns.

Key Responsibilities:• Design, layout and pre-press

sign-off on DWPeople, our in-house magazine

• Photography management - from taking photos to commissioning photographers, implemented an improved photographic library and enforced branding and legal requirements for clearance

• Working closely with branding teams and external comms teams to ensure consistency and compliance

• Introduced several initiatives to lower technology, print and outsourcing costs whilst still improving communications content.

• Extensive consultation with audience research teams and focus-groups to improve employee engagement and feedback in to the design process.

Job Title:Freelance Graphic Designer

Dates:June 06 - April 11

Employer:Self Employed

Location:London

Self-employed, working on a variety of design projects for various television, publishing and web clients.

Design and Art Direction on:• Life on Mars: The Official

Companion Vol 1 & 2 (Simon & Schuster)

• Blake’s 7: The Audio Adventures & Blake’s 7: The Early Years (B7 Media)

• The Rules of Modern Policing: 1972 Edition (Transworld)

• The Future of Modern Policing: 1981 Edition (Transworld)

• The Wit & Wisdom of DCI Gene Hunt (Transworld)

• John Watson’s Casenotes of Sherlock Holmes (Carlton)

Key Responsibilities:Design, layout and pre-press sign-off on various book and magazine titles for BBC Books, Simon & Schuster, Carlton Books, Kudos Film and TV, Bantam Press, GE Fabbri and DeAgostini.

Book Projects included: The Torchwood Archives

Magazine Projects included:Doctor Who: Battles In TimeSpooks: The Definitive Collection The Elvis Collection

Multimedia Projects including merchandise and online presence:Casino RoyaleSpider-Man 3Surf ’s UpLife On MarsVizGavin & StaceyMighty BooshHustleDangermouse

Also undertaken:Exhibition stand design, micro-site design and Facebook application development for various products.

Job Title:In-house Design & Branding Manager

Dates:Sept 03 - June 06

Employer:Taskforce Sales Solutions

Location:Bournemouth, Dorset

Responsible for company branding, collateral, promotional materials and communications; plus ad-hoc technical support and training.

Key Responsibilities:• Production of over three

dozen direct-mail advertising campaigns; national press advertising; development of cost-effective alternative advertising for promotion/recruitment purposes.

• Assisting with client acquisition through presentation design and concept graphics.

• Developed complete branding for a new-business arm of the company.

Prior Work Experience:Jul 03 – Sept 03Disney Cruise LineNassau, BahamasRetail crew member Apr 03 – Jun 03Office Angels & Adecco Bournemouth, Dorset Various admin temp positions.

Apr 02 – Mar 03Walt Disney World Co.Orlando, Florida, USA Cast Member on the WDW International Program, July 01 – Apr 02JPMorganChase & Co.Bournemouth, Dorset Communications Assistant and Intranet Project Manager Aug 00 – July 01Chase Manhattan BankBournemouth, Dorset, UK Fee Billing Analyst


A highly skilled, award-winning and widely-experienced creative director, senior graphic designer, and communications specialist, with experience in public and private sector companies, as well as extensive freelance contracts. Extremely adaptable strong communicator, with

years of client-facing, presentation and senior-management interaction.

lee thompson

graphic designer&creative director

9 butterfield house, st john’s road, newbury, berkshire rg14 7ad

0773 801 2750

[email protected]

www.lee-thompson.co.uk

lee thompson portfolio 2012

Documents

holmes aa

baskervilles aa

case notes of sherlock

watsons notes

murderer aa

bohemia aa

dancing men aa

copious notes