life event stories episodic interviews detailed narrative accounts of particular experiences in...
TRANSCRIPT
Life Event Storiesepisodic interviews
• Detailed narrative accounts of particular experiences
• In connection with life histories - standing alone
• Interview-style ranging between more open-ended and structured (semi-structured)
• Topics: chronic pain, my first kiss, divorce � Work with some DATA (Betty tells her story)
Why analyzing stories?
• GUIDING QUESTIONS– What are narratives?– What are they used for?– Identity and identities– Identity analysis
What are narratives?
• Narratives in narratology– Narratives as texts– Narratives as themes
• Narratives as discourse– as talk-in-interaction– as actions that do jobs
• Narratives as ‘sense-making devices’<<ambiguous - slippery --- but interesting>>
Dimensions (Ochs & Capps, 2001)life event approaches vs small stories
• Tellership• one teller versus multiple co-tellers
• Tellability• high versus low tellability
• Embeddedness• detached versus contextually and situationally embedded
• Moral stance• certainty versus uncertainty
• Linearity, temporality, causality• closed temporal + causal order versus open arrangements
What are narratives used for?
• they engage in projects such as» Tellership
» Tellability
» Embeddedness
» Moral stance
» Linearity, temporality, causality
– They are making <more informed> claims about who I am
• in WHAT is said & HOW it is said
– They are producing Speaker-Audience relationships
– They <interactively> establish IDENTITY
Identity and Identity Analysis
• Constructions of answers to ‘who are you?’• In all talk-in-interaction• With narratives as talk in social interactions
• Analysis of such constructions• Analysis of narratives <forms>• Analysis of social contexts <functions>
• Narratives as tools // heuristics• For the analysis of subjectivity and selves• For the analysis of interactive situations
• Linking subjectivity and social interaction into the empirical site where both are emerging
Implications for narrative analysis <micro-genesis>
• No direct access to selves and identities through the stories of story tellers
• Indirect access to how story tellers want to be understood ‘here + now’ <locally>
• Starting with the story– Analyzing the construction of characters in space + time of the
story-realm
• Adding the interactive context– Analyzing the discursive context of telling the story
Micro-genesis vs. Macro-genesis
• Microgenesis– As a form of analysis
• Bottom-up
• Selves in interaction as agents
• Analysis of interactive structures
• Advantages + disadvantages
• Macrogenesis– As a form of analysis
• Top-down
• Macrostructures as social agents
• Analysis of social structures
• Advantages and disadvantages
Positioning & Positioning Analysis
• Level 1:• Positioning characters in the story (referential plane of what
the talk is about) --- (characters can be ‘I’ and ‘you’)
• Level 2:• Positioning myself as speaker vis-à-vis my interlocutors
• Level 3:• Positioning myself vis-à-vis myself --- drawing up a position
vis-à-vis dominant discourses (master narratives)
• Analysis proceeds from level 1 to 3
Some DATAthis morning
• Sequencing exercise• What are events - what is a sequence?
• Betty positioning her friends & herself• What is the sequence of events?
• What is the theme?
• What does her story mean?
• Positioning with Davie Hogan• Stories about others - embeddedness - tellability
This afternoon
• Positioning self + gays (by way of a girl)
• Stories about self + others - embeddedness
• Positioning self + Linda Larssen• Stories about self - embeddedness - who am I?
• Role of the interviewer in group interactions• Doing ‘research agenda’ - question of authenticity