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  • Resource Paper: June 2012 1

    What is recount writing? Recounts are used to relate experiences or retell events for the purpose of informing, entertaining or reflecting. Recounts can be personal, factual or imaginative.

    Personal recount retelling an activity that the writer has been personally involved in and may be used to build the relationship between the writer and the reader e.g. anecdote, diary journal, personal letter

    Factual recount reporting the particulars of an incident by reconstructing factual information e.g. police reconstruction of an accident, historical recount, biographical and autobiographical recounts

    Imaginative recount applying factual knowledge to an imaginary role in order to interpret and recount events e.g. A Day in the Life of a Roman Slave, How I Discovered Radium

    Procedural recount recording the steps in an investigation or experiment and thereby providing the basis for reported results or findings

    Literary recount to retell a series of events for the purpose of entertaining

    What do students need to know about recount writing? Students need to know how language is used to structure the text and how the language features are used in recount writing to achieve the purpose.

    Students also need to develop an understanding of how different audiences and purposes of recount texts determine the language choices they make. This language is influenced by:

    Purpose what do I want my writing to do/achieve? e.g. accurately retell an incident

    Audience for whom am I writing? e.g. my teacher, peers Identity whom am I writing as? e.g. an authority/expert Attitude how will I make my audience feel? e.g. informed,

    happy, sad

    Engaging in and Exploring Recount Writing A

    This resource paper has been designed to assist classroom

    teachers to review and refine the teaching of recount writing.

    Genre writing papers are available from www.decd.sa.gov.au/literacy/

    A practical guide for classroom teachers

    Key terms:

    Genre refers to any staged, purposeful social activity which is accomplished through language.

    Genres may also be referred to as text types. Genres are used for specific purposes with each genre having specific language features and schematic structure.

  • Resource Paper: June 2012 2

    What do students need to know about the structure of recount texts?

    RECOUNTS Personal Recount The language creating the structure of the text is italicized. The language features

    of recount texts are detailed on page 3. Title My Holidays Year 3/4 text Orientation - provides the reader with background information needed to understand the text. e.g. who, when, where

    During the holidays, our family went to Victor Harbor. We stayed in a holiday apartment. There were nine other apartments where we stayed.

    Sequence of events series of events typically ordered in chronological order. In this example it is appropriate to include personal comments and evaluative remarks throughout the text.

    After we unpacked our things, we went to the beach. At the beach we met our cousins and played with them. Later on, Mum went shopping with my brother to buy some groceries. While she was shopping, Dad and I went fishing. The next day we went to Greenfields Adventure Park. It was really crowded. Every day we went to the beach. Sometimes while we were there, we went fishing with Dad.

    Re-orientation A summary statement/an evaluative comment/a return to the starting point.

    On the last day of our holiday, we all went fishing again. We caught lots of fish. It was really cool fishing with Dad.

    The language creating the structure of the text is italicized. The language features

    of recount texts are detailed on P3. Title May Gibbs Year 7 text Orientation-provides the reader with background information needed to understand the text e.g. who, when, where

    Cecilia May Gibbs or Mamie as she was sometimes called was born in England on 17th January, 1877. When she was four years old her family migrated to Australia. Mays interest in art was obvious from an early age. Her parents encouraged her to attend school at the Art Gallery of Western Australia. Later, when May was twenty three her parents sent her to London for art classes. During the next nine years May visited London three times. On her third visit May took along some manuscripts for childrens books, but they were rejected because publishers said they were more suitable for Australian children. She returned to Australia in 1913 where she illustrated a series of childrens books. By 1918 May Gibbs was famous for her beautiful watercolour pictures of gumnuts and gum blossoms, which culminated in The Tales of Snugglepot and Cuddlepie. This childrens book was an immediate success. May married in 1919 and lived in her home Nutcote on the shores of Sydney Harbour, where she gained inspiration from her natural bush garden, She published two childrens comic strips and a series of short stories. One of the comic strips gained popularity nation-wide.

    Sequence of events series of events typically ordered in chronological order.

    May continued to draw cartoons until she was ninety years old. Through a love of the Australian bush, which was displayed in her artwork and stories, she has encouraged young Australians to care for their natural environment.

    Re-orientation rounds off the sequence of events. This may take the form of a summary statement/an evaluative comment/a return to the starting point.

    May Gibbs left a legacy to all young Australians. Even today children enjoy reading the stories and looking at the illustrations of the unique Gum Nut characters.

    Adapted from Targeting Text (Middle Level) Blake Education, Glebe, NSW

  • Resource Paper: June 2012 3

    What do students need to know to make appropriate language choices for recount texts? An annotated example of a Recount - Topic: May Gibbs Year 7 text. Text Structure TEXT Language features examples Orientation- provides the reader with background information e.g. who, when, where

    Cecilia May Gibbs or Mamie as she was sometimes called was born in England on 17th January, 1877. When she was four years old her family migrated to Australia

    Topic Word: Cecelia May Gibbs Past Tense: called, was born, migrated Circumstances of time:: 17th January, 1877, when she was four years old

    Sequence of events-typically ordered chronologically.

    Mays interest in art was obvious from an early age. Her parents encouraged her to attend school at the Art Gallery of Western Australia. Later, when May was twenty three her parents sent her to London for art classes.

    Nominalisation: interest Verb: encouraged (sensing) Time Connective: Later Noun group: the Art Gallery of Western Australia Circumstance of time:: when May was twenty three Circumstance of purpose: for art classes

    During the next nine years May visited London three times. On her third visit May took along some manuscripts for childrens books, but they were rejected because publishers said they were more suitable for Australian children. She returned to Australia in 1913 where she illustrated a series of childrens books.

    Circumstance of time: During the next nine years Noun groups: her third visit, some manuscripts for childrens books Binding conjunction: because Topic specific vocabulary: manuscripts, publishers, illustrated. Verbs: illustrated, were rejected Comparative: more suitable

    By 1918 May Gibbs was famous for her beautiful watercolour pictures of gumnuts and gum blossoms, which culminated in The Tales of Snugglepot and Cuddlepie. This childrens book was an immediate success. May married in 1919 and lived in her home Nutcote on the shores of Sydney Harbour, where she gained inspiration from her natural bush garden. She published two childrens comic strips and a series of short stories. One of the comic strips gained popularity nationwide.

    Time Connective: By 1918 Noun group: her beautiful watercolour pictures of gumnuts and gum blossoms, two childrens comic strips, a series of short stories Reference items: her, this, she, one Evaluative language: beautiful Relative Clause: which culminated in Nominalisations: inspiration, popularity Topic specific vocabulary: comic strips

    May continued to draw cartoons until she was ninety years old. Through a love of the Australian bush, which was displayed in her artwork and stories, she has encouraged young Australians to care for their natural environment.

    Foregrounding human element: May Conjunction: until Verb group: continued to draw Relative Clause: which was displayed

    Re-Orientation - rounds off the sequence of events. This may take the form of a summary statement/an evaluative comment/a return to the starting point.

    May Gibbs left a legacy to all young Australians. Even today children enjoy reading the stories and looking at the illustrations of the unique Gum Nut characters

    Foregrounding of human element: May Gibbs Conjunction: even Sensing verb: enjoy Evaluative language: enjoy, unique

  • Resource Paper: June 2012 4

    What teachers need to know to support students with recount texts

    Recount texts have logically sequenced stages. Supporting students to order their thoughts chronologically and develop circumstances will assist them to produce recount texts. Oral language activities that build vocabulary and provide authentic purposes enable students to develop the range of language skills for recounts. Scaffolding students with a planned and logical sequence of activities through a teaching and learning cycle that provides a gradual release of responsibility will support students to confidently construct a recount. Assessment processes that provide explicit feedback and use assessment as, for and of learning help students to understand the criteria for a successful recount and to reflect on their work and improve their skills.

    A Teaching and Learning Cycle: a systematic and explicit approach to teaching writing

    1. Setting the context find out what students already know,

    engage students and establish a purpose

    2. Deconstruction and modelling examine the structure of

    modelled texts and model text production

    3. Joint construction work with students to

    jointly produce a text as a scaffold

    4. Independent construction support students to

    produce their own text and provide explicit feedback on how to improve.

    In what curriculum areas do/could you explicitly teach recount texts? How might you build students vocabulary to develop the language of

    recount? What oral language activities could support students to develop

    language skills to chronologically sequence events, thoughts, ideas? What teaching and learning cycle will you provide to scaffold learners? How will you explicitly teach the structure and language features for

    recount texts? What assessment processes will you use to support students and make

    expectations clear to learners?

    Self review reflecting on your literacy practices Some useful resources: http://thewritingsite.org

    http://teacher.scholastic.com

    www.orangeusd.k12.ca.

    www.writingfun.com

    Examples of Recount Literature:

    http://www.librarything.com/

    Setting the context Read texts by May Gibbs and view

    her illustrations Construct a time-line of her life

    with students. Add significant world events at the time she was illustrating and writing

    Have students working in groups to discuss and describe her illustrations

    Assessment for learning Observe learners engagement and provide feedback.

    Model/ deconstruction Identify text structure and language

    features of historical recounts Use cut up texts to sequence events, cloze

    activities to develop language, and word banks extend vocabulary

    Develop and present role play of aspects of May Gibbs life

    Highlight circumstances and noun groups of the May Gibbs text

    Assessment as learning- teacher and students collaboratively develop an historical recount rubric

    Joint construction

    Teacher and students jointly reconstruct the introduction of another authors life

    Complete the recount in groups Assessment as learning- teacher and students collaboratively assess progress against criteria

    Independent construction Make a timeline or PowerPoint of an authors life Assessment of learning- teachers make judgements of student achievement over time

    A teaching/learning cycle for topic: MAY GIBBS

  • Resource Paper: June 2012 5

    Sequencing recount writing with increasing complexity Engagement with recount texts across the year levels should be guided by these continua to make choices about the complexity of the task

    Expressing ideas What is the topic?

    Everyday, concrete

    Interacting with others Who is involved?

    Peers Creating coherent text How is the message conveyed? Oral language is central to communicating thoughts and ideas in sequence

    Examples Years R-3 Years 4-6 Years 7-9 Years 10-12 Sample learning area and possible topics

    Simple recount related to personal experience

    Recounts related to historical events and procedures

    Recounts dealing with historical events and procedures

    Recounts dealing with national and international concerns requiring technical, political, and social science knowledge:

    Studies of Society and Environment

    My school and community

    History of communication

    Explorers Natural Resources

    History My Family Diary of a convict Post Cards from the Silk Road

    Letters from WW2

    Science Growing beans Observing and growing moulds

    Ecosystems

    Sustainability

    English Swimming Week Imaginative recount based on a fairy story

    Literary recount based on a real life event

    Biographical recount of a significant Australian public figure

    Language features Connectives to to organise text

    yesterday, this week, today

    in 1890, the next stage, once the spell had been broken

    after five long days, ecosystems, during this time

    at this moment, as a consequence, following her graduation

    Noun groups my little brother the wet soil, my kickboard

    the clanking chains the soft white mould, the jewel encrusted, silver goblet

    the fragrant aroma of spices, the fragile river community, the unrivalled Olympic Games opening,

    the stench of decaying bodies, the gradual reduction of greenhouse gases, his generous and ongoing donations to the Australian War Museum

    Relational verbs - to show relationship

    have, has, is are, were, has

    became, turned into, grew

    had been, comprised, represented, encompassed

    possessed, symbolised, represents, Is equal to

    Verbs action and mental

    went, splashed, sprouted, was born

    whipped, stole, changed, wished for

    journeyed, recycled, remembered, discovered, show-cased

    contemplated, hoping, develop, designed, deliberated, impacted upon

    Evaluative Language

    love, enjoyed, was fun felt, miserable, looked repulsive, the cruel wizard

    exotic selection of spices, an absolute travesty

    unwavering dedication to, This hell hole of a place, has proven to be an environmental catastrophe

    Nominalisations weather growth, freedom, transformation

    arrival, conservation, research

    desperation, development, prominence

    Circumstances of place or time: in the water, at my nannas, on the window ledge

    of place or time: in the hold of the ship, on a slice of bread, by the end of the third day

    of place, time or cause: out of direct sunlight, once the ban was lifted, due to engine failure

    of accompaniment: (with whom and manner) crept furtively, with a view to consistency, in the company of her colleagues

    Modality to express certainty, usuality, frequency

    hope, sometimes mightnt, want, probability, must

    typically, certainly perhaps, would

    frequently, would, absolutely

    Foregrounding - of human and non human participants at the beginning of sentences and paragraphs

    Pronouns: My, I, We Today

    In 1868 After a long, hot day

    The next stage of the journey The Opening Ceremony of the Sydney Olympics

    Opening your letters The final stage of this development Cecilia May Gibbs

    Formal written structure which may include recount writing within another genre

    Technical, abstract

    A range of audiences including formal contexts