literary theory and methodology session five: the ethics of reading
TRANSCRIPT
Literary Theory and Methodology
Session Five: The Ethics of Reading
Agenda
• Appetizer: Oscar Wilde, ”Preface”
• What is ethics?
• Ethical criticism and narrative
• Ethical reading: from liberal humanism to structuralism and poststructuralism
• Examples
Appetizer: Oscar Wilde, ”Preface”
• John Stuart Mill and Matthew Arnold: literature as saviour
• Oscar Wilde and aesthticism or art for art’s sake
What is ethics?
• Ethics = moral philosophy
• Universalism, relativism, pluralism– Good / bad– Right / wrong– Virtuous / sinful
Ethical criticism and narrative
• Why narrative?
• Story / plot: patterns of cause and effect
• Character / characterization: motivation
• Point of view: comments, judgements, evaluation.
• Wayne C. Booth, The Rhetoric of Fiction → The Company We Keep: An Ethics of Fiction (1988)
Ethical criticism
• Liberal humanism
• The author (and the text)– Complex experience of life– Moral intensity, moral intelligence– Spiritual health
Ethical criticism
• The tradition of liberal humanism (universalism)– Characters = real human beings– Motivations, actions, consequences– Thought and speech: inner and outer– Evaluations and discussion
Ethics of reading / ethical criticism
• Feminism
• Postcolonialist theory
• Gay, lesbian and queer theory
• Green reading / ecocriticism
• Poststructuralism and deconstruction– The openness of the text– The signifier rather than the signified
The ethics of reading / ethical criticism
• Formalism and aestheticism
• Structuralism:– Sign systems rather than authors– Characterization rather than character
• The new criticism: the poem as an object
Mary Wollstonecraft Shelley, Frankenstein; or, The Modern
Prometheus
• The title
• The epigraph
• The frame structure
Mary Wollstonecraft Shelley, Frankenstein; or, The Modern
Prometheus
• The dangers of excessive ambition
Did I request thee, Maker, from my clayTo mould me man? Did I solicit theeFrom darkness to promote me?
John Milton, Paradise Lost
James Joyce, ”The Dead”
• How does Gabriel go wrong in imagining an identity for Gretta?
Jeanette Winterson, Written on the Body
• ”It’s the clichés that cause all the trouble”
• The narrator-protagonist’s invention of Louise
• Louise’s invention of herself
Nadine Gordimer, ”The Moment Before the Gun Went Off”