little bo peep - group 7 presentation new

7/31/2019 Little Bo Peep - Group 7 Presentation New

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Christy Brocklesby-Weller, Robyn Armstrong, Dana Zvarova, Laura Dack & Sophie Jones

GROUP 7


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CONCEPT

S U M M A R Y

For this project we wanted to take a character from the realmof nursery rhyme into the realm of fashion creating acontemporary twist on the fictional figures of our childhood.

Our fashion shoot narrative tells a coming-of-age story of acharacter drawn from a fantasy land into the real world. Our

character is Bo Peep, who in her youth has come to a point of indecision and uncertainty. She is a young teen, faced with

the concept of sexuality, identity and societal class.

We have placed her in a woodland clearing as a psychological space, as its depth and claustrophobic framing

is representative of her searching herself so deeply that inthis time of self expression and experimentation, her own

confusion has lead her to become lost as once were her flock.


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MODERNREFERENCES

TRADITIONAL

REFERENCES


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G T E A R S H E E T


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C A S T I N G


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M O D E

L

Dress size: 8/10Shoe size: 5/632D cup sizeHeight: 5"5

MeasurementsUnder Bust: 29 1/2 inchesWaist: 28 inchesHips: 37 inchesInstep: (outside) 41 inches(inside) 31 1/2 inchesShoulders: 37 1/2 inches

ChloeSargeantson


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P O S E S &

P O S T U R E


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- U P

R E F E R E N C E S


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E R E F E R E N C E

KristinStewart-MarioTestino

AlexanderMcQueen

VivienneWestwoodPerfume

AlexanderMcQueen

AlexanderMcQueen

VivienneWestwood


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FINALMAKE

-UP

C O S T U

M E

Dre Hair

Fullshot


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Day one. Floor down,flats up, grid madeands secured andfirst tree up as thecentre to work form

Grid made.Will besecuredto thefrom tothe of theflats

Day two:Set Built.Flooringneeded tobe put in.but logs,

trunks etc.up. Startingto playaround withlights andpositioning's.

Leaves down on the floor. Show lighting

arrangement starting to take place willchange over the day or next.

Spotlightto createthe haloon themodelbeingtested


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120mm LensShot 4.5m from model

at F.8 at 1/8 s

We did a series of portrait and landscape

photos, but decided on a landscape image forour final choice. As we felt it visually increasedvastness of the forest, whereas portraitemphasized her scale within the forest more.

A

M E R A O P E R A T I O N


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M A I N L I G H T I N G

R E

F E R E N C E

Lighting on ModelLighting on Forest &

Flooring

Our main lighting influence was from Alexander McQueensshow at London Fashion Week. We liked the way the lightfell on the model directly from above, creating showshadows on the face and dress. Also how the light created acircle round the model like a spotlight, but still catching thesurrounding leaves. We also liked the way the flooring wascreated with real leaves and lit in a certain way to make it


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Final Lighting PlanFinal Lighting withFog Machine Test

Final Lighting Choice

F I N A L L I G

H T I N G

Exposure: f.8 at1/8 s


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C O M

P O S I T I O N


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E D I T O R I A L

S E L E C T I O N

1.

2.

3. 4.

X body postureX dressX knee

X sullen faceX overhangingbranch

X gazeX awkward handsX shadow on thebackX distant gaze

X dress and effect

X stiff arm and handX overhanging branch

X lightingX hotspotX Cant see themakeupX too much


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1 s t c h o

i c e -

W H Y ?

: posture: lighting: dense trees: claustrophobicfeeling: li ht and shade

Unedited Image

Final editedImage


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EDITINGOFTHEFINAL

I M A G E


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5 If you were to work on a fashion shootagain, how & what would you change?

L E S

S O N S L E A R N T 1 What has been the most significant challenge o

unit? Change?

3 Working within a group, how would youmanage yourself, others & the productiondifferently?

2 what is the most important learning foryou?

4 what aspect of your shoot productions

do you need to reflect upon and why?

little bo peep - group 7 presentation new

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