LIVING CREATURE PRINTLINOLEUM

SCREEN PRINT

BRAINSTORM IDEAS FOR LINOLEUM PRINT

Drill:

1. Which ‘living creature’ do you want to use as your print? People, animals, plants, etc…

2.Draw some ideas.The PRINT SHOW is DEC 11th. We have 5 class period until the PRINT SHOW. This also excludes the Towson field trip. You can always stay after school and work on your prints. Steven Burke

COULD IT BE ONE OF YOUR FIGURES?COULD IT SHOW ONE OF THE ART21

THEMES?

DRAW 2-4 SKETCHES OF IDEAS

Käthe Kollwitz

Ignaz Epper

Jacob Steinhardt Mervin Jules

LINOCUT PROCESS

1. Brainstorm and draw ideas.2. Create a drawing that is the exact

size as the linoleum.3. Put pencil on the back of the

drawing.4. Transfer drawing to linoleum 5. (or just draw it on the linoleum)6. Draw with black sharpie on the lines

and shapes that you want to print.7. Carve the negative space away.8. Use lines and mark-making to create

textures and value.

PRINTS ON ETSY

• https://www.etsy.com/listing/127861560/coffee-with-riley-hand-pulled-linoprint

QUESTIONS TO EXPECT:

1. What type of art do you like to create?

2. What is your artistic medium of choice? Why?

3. Choose an artwork that most represents you and why?

4. Whose work do you relate to most? Who inspires you? What motivates or inspires your work?

5. Describe yourself in one word? Why that word?

6. Where do you see your work taking you?

7. What do you consider to be some of your greatest strengths and weaknesses?

8. How do you think/want other people to respond to your art?

INS AND OUTS OF PRINTMAKING

Objective: You will review printmaking procedures in order to apply a series of steps and creativity to your prints.

Thinking Drill:

1. What do you know about printmaking already? What is your experience?

2. What are some creative options?

3. What is an edition? How do you label them?Permission slips for thurs- towson trip

WHAT DO YOU KNOW?

Henri Matisse

CREATIVE OPTIONS:

CREATIVE OPTIONS:• Colored inks

• Variety of paper to print on- watercolor, abstract paint, collage, brayer roll, writing, etc…

• Altered prints

• Print on larger paper

• Make an image out of the prints.

• Print multiple times- deconstruct and reconstruct

• Print in multiple directions

MULTIPLE PRINTS ARE CALLED AN EDITION:

• In printmaking, an edition is a number of prints struck from one plate, usually at the same time.

• This may be a limited edition, with a fixed number of impressions produced on the understanding that no further impressions (copies) will be produced later

• An open edition limited only by the number that can be sold or produced before the plate wears.

• Most modern artists produce only limited editions, normally signed by the artist in pencil, and numbered as say 67/100 to show the unique number of that impression and the total edition size.

/100 /100

/100 /100

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DRY POINTS BY ANGIE HOFFMEISTER

COLLAGRAPH- PRINTING FROM A COLLAGE

• Collagraphy (sometimes spelled collography) is a printmaking process in which materials are applied to a rigid substrate (such as paperboard or wood). The word is derived from the Greek word koll or kolla, meaning glue, and graph, meaning the activity of drawing.

• The plate can be intaglio-inked, inked with a roller or paintbrush, or some combination thereof. Ink or pigment is applied to the resulting collage, and the board is used to print onto paper or another material using either a printing press or various hand tools. The resulting print is termed a collagraph. Substances such as carborundum, acrylic texture mediums, sandpapers, bubble wrap, string, cut card, leaves and grass can all be used in creating the collagraph plate. In some instances, leaves can be used as a source of pigment by rubbing them onto the surface of the plate.

• Different tonal effects and vibrant colours can be achieved with the technique due to the depth of relief and differential inking that results from the collagraph plate's highly textured surface. Collagraphy is a very open printmaking method. Ink may be applied to the upper surfaces of the plate with a brayer for a relief print, or ink may be applied to the entire board and then removed from the upper surfaces but remain in the spaces between objects, resulting in an intaglio print. A combination of both intaglio and relief methods may also be employed. A printing press may or may not be used.

Jet James

STEPS FOR PRINTING:

1. Roll brayer in ink.

2. Roll on your printing plate.

3. Put paper on printing plate.

4. Roll on back with soft brayer.

InkNewspaper

PRINTING PLATE

PAPER

WANT TO ZOOM IN?Objective: You will describe your goals in order to create a game plan and make art with figures.

DRILL:Which artwork(s) do you want to work on between now and Christmas Break? Make a plan. 6 class periods

~ Figure on canvas ~ Large figure~ charcoal ~ choose from tins

~ zoom in ~

printmaking excitement~ Inspiration- Contemporary and Master artist~ experiment and get creative

What did you like about Towson’s Studio spaces?Did you find any inspiration?Let’s have meetings to plan for things you want to learn- painting eyes, drawing figures, abstract art, etc… First 3 on Wed.

Sketchbook spreads due after Break- Contemporary and Master Artist.