logo design

54
Logo Design Logo Design Introduction

Upload: aulii

Post on 06-Jan-2016

22 views

Category:

Documents


0 download

DESCRIPTION

Logo Design. Introduction. John Deere. Mercedes Benz. PBS. Apple. Target. McDonald’s. Adidas. Carhart. AT&T. Batman. Atari. Netscape. Penn State. Nike. Obama Campaign ‘08. Michael Jackson Productions. Dr. Seuss. Evolution of the Pepsi Logo. Why redesign a logo?. New leadership - PowerPoint PPT Presentation

TRANSCRIPT

Page 1: Logo Design

Logo DesignLogo DesignIntroduction

Page 2: Logo Design
Page 3: Logo Design
Page 4: Logo Design
Page 5: Logo Design
Page 6: Logo Design
Page 7: Logo Design
Page 8: Logo Design
Page 9: Logo Design
Page 10: Logo Design
Page 11: Logo Design
Page 12: Logo Design
Page 13: Logo Design
Page 14: Logo Design
Page 15: Logo Design
Page 16: Logo Design
Page 17: Logo Design
Page 18: Logo Design
Page 19: Logo Design

John DeereJohn Deere

Page 20: Logo Design

Mercedes BenzMercedes Benz

Page 21: Logo Design

PBSPBS

Page 22: Logo Design

AppleApple

Page 23: Logo Design

TargetTarget

Page 24: Logo Design

McDonald’sMcDonald’s

Page 25: Logo Design

AdidasAdidas

Page 26: Logo Design

CarhartCarhart

Page 27: Logo Design

AT&TAT&T

Page 28: Logo Design

BatmanBatman

Page 29: Logo Design

AtariAtari

Page 30: Logo Design

NetscapeNetscape

Page 31: Logo Design

Penn StatePenn State

Page 32: Logo Design

NikeNike

Page 33: Logo Design

Obama Campaign ‘08Obama Campaign ‘08

Page 34: Logo Design

Michael Jackson Michael Jackson ProductionsProductions

Page 35: Logo Design

Dr. SeussDr. Seuss

Page 36: Logo Design

Evolution of the Pepsi Evolution of the Pepsi LogoLogo

Page 37: Logo Design

Why redesign a logo?Why redesign a logo?New leadershipFinancial reasonsProspective analysis of the

marketMergersWhat do you get when FedEx and

UPS merge?FedUP!

Page 38: Logo Design

How to create a logoHow to create a logoLineShapeFigure groundPatternLetterformContrastImage fieldPerception

Page 39: Logo Design

LineLineThe way in which

a line is drawn can evoke different moods or meanings.

Right angles produce a very sharp and potentially dangerous situation, whereas a soft, sensuous line implies a gentle, nonaggressive attitude.

Page 40: Logo Design

ShapeShapeA square is the

most visually stable. Next are the circle and the triangle.

Rectangles, both horizontal and vertical, and ellipses are the most visually unstable.

Page 41: Logo Design

Figure GroundFigure GroundWhen positive

and negative shapes interact to provide a mental puzzle.

Page 42: Logo Design

PatternPatternWhen creating a

pattern using geometric shapes, it is tempting to create a pattern using elements of the trademark. This leads to a less unique logo.

Page 43: Logo Design

LetterformLetterformUsing common

letterforms to create unique configurations can create simple, but effective logos.

Page 44: Logo Design

ContrastContrastVariations of the

letterform weight and size also help create a subtle meaning in the wordmark that could not be obtained otherwise.

Page 45: Logo Design

Image FieldImage FieldThe area around

the object can define it as well as a literal drawing of it.

Page 46: Logo Design

PerceptionPerceptionSimple linear

and geometric forms can convey completely different meanings with the slightest modifications.

Page 47: Logo Design

Criteria for DevelopmentCriteria for DevelopmentVisibility

◦Will it stand out in its surroundings to provide quick and memorable identification.

Application◦How well can the symbol be used in

a variety of applications?

Page 48: Logo Design

Criteria for DevelopmentCriteria for DevelopmentDistinctiveness

◦Will the application distinguish itself from its competition?

Simplicity/Universality◦Is the symbol’s concept easy to identify?

Retention◦If a symbol is too easy to read, the

viewer will feel no sense of discovery and thus no personal equity with the mark.

Page 49: Logo Design

Criteria for DevelopmentCriteria for DevelopmentColor

◦A good symbol must work in a number of technologies.

Descriptiveness◦Does the symbol reveal to some

extent the nature of the company or product?

Timelessness

Page 50: Logo Design

Criteria for DevelopmentCriteria for DevelopmentModularity

◦Will the potential mark be adaptable to numerous applications?

Equity◦The age, use, and recognition of a

mark is also a primary consideration in its development.

Page 51: Logo Design

Three Categories of logosThree Categories of logosDescriptive Marks

◦Uses visual imagery relating to the clients product or service.

Symbolic Marks◦Takes the descriptive mark one step

further, literally incorporating a figurative element.

Typographic Marks◦Letterforms as a starting point.

Page 52: Logo Design

Case Study / ProcessCase Study / ProcessSesame WorkshopOriginal Logo

New Logo

Final Logo

Page 53: Logo Design

Logotype SketchesLogotype Sketches

Page 54: Logo Design

A Creative MarkA Creative Mark