lonely scapa flow

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Lonely Scapa Flow Words and melody by Alexander Windwick Solo for soprano and pianoforte and choral SATB arrangements by Clive Strutt ES Verlag es

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Lonely Scapa Flow

Words and melody by

Alexander WindwickSolo for soprano and pianoforteand choral SATB arrangements by

Clive Strutt

ES Verlag

es

© 2009 and 2013 Clive Strutt and 2016 ES Verlag, Zollikerberg All rights reserved.

Cover Illustration: A watercolour on paper entitled Leaving ScapaFlow (c. 1940) by Eric Ravilious.Notes and research: Edward W. Watson

Scapa Flow

The location of the sea anchorage Scapa Flow, Orkney

The subject of the song is island-surrounded Scapa Flow, a shelterednatural sea anchorage in Orkney with an easy access to the NorthSea and the Atlantic Ocean. This body of water is c. 125 sq. mls ( c.325 sq. km ) in area and has an average depth of 98-131 feet (30 - 40m). It has played a prominent role throughout the ages in the historyof Orkney especially during the First World War. According to Dr Ragnhild Ljosland1 the name scapa comes fromthe Old Norse skalp-eið, the eið element being a common genericterm in Orkney place names that means an isthmus. In this case, it isthe isthmus or thin strip of land that separates the East and WestMainland, between Scapa itself and the City and Royal Burgh of Kirk-wall, Orkney’s capital. The element skalp has a double meaning bothof which can apply in this context. It can either refer to a long hollowor depression in the land, or something that cleaves a terrain in two,

1 At the Centre for Nordic Studies, Orkney College of the University of the Highlands andIslands (UHI).

in this case the Mainland. The Old Norse for Scapa Flow was Skalpa-flói which simply means ‘the bay of the long isthmus.’ Scapa Flow was utilised for shipping even in Viking times andthere are references to it the Orkneyinga Saga wrtitten c. 1230. In1198 it states that a fleet of ships used Scapa Flow when EarlHaraald Maddadsson raised a great force to resist a rival’s claim tohalf of the earldom. Another historical narrative, the The Saga ofHaakon Haakonarson records that in 1263 King Haakon of Norwayanchored some of his fleet in Scapa Flow for the winter though hehimself died in the December of that year at the Bishop’s Palace inKirkwall. Later in 1650 during the wars of the Three Kingdoms GeneralJames Graham (the 1st Marquess of Montrose) — a Royalist —moored his ship, the Herderinnan in Scapa Flow while preparing toraise a rebellion in Scotland that ended in failure and rout at theBattle of Carbisdale. In 1912 it was decided that Scapa Flow was to be the main baseof the British Grand Fleet in the event of a European war and in July,1914 the fleet moved to these waters. In 1918 the German fleetscuttled itself and sank beneath the waves. The song Lonely Scapa Flow, however, refers to the Second WorldWar when British naval vessels were often to be seen at anchor there,and more specifically to the immediate post-war period when shippinghad gone and Scapa Flow reverted to its normal appearance of soli-tude. It is for this reason that the song has ‘lonely’ in its title.

Lonely Scapa Flow was first recorded in 1972 on an LP issued byGrampian Records Ltd (Wick, Caithness, Scotland) entitled Memoriesof Hamnavoe by the Hamnavoe Scottish Dance Band. The vocals wereby Pete Davidson. Along with the song Partans in his Creel on an LPissued in New York in 1978 Allie Windwick started to acquire interna-tional recognition. Clive Strutt’s choral (SATB) arrangement of Lonely Scapa Flowwas premièred on 1st February 2013 by the Mayfield Singers directedby Denise Stout in Stromness Town Hall, Orkney, for an Orkney ArtsSociety Foy commemorating the centenary of Allie Windwick’s birth.

Alexander (Allie) Windwick

name Scapa Flow c

The Orcadian composer Alexander (Allie) Windwick (front l. with mandolin). The man to his l. is Hugh Inkster The musicians on the back row ( l. to r.) are Nancy Cassell, Billy Jolly and Ingrid Jolly. The photograph is from a descriptive leaflet that was sold with the 1978 Folkway Records LP Music of the Orkney Islands.

Allie Windwick (1913 to 1999) was a poet writing in the Orkney dia-lect and true songsmith with forty traditional songs to his name.Hewas born in Edinburgh of Orcadian parentage and after a few monthsmoved to Orkney. The descriptive notes that came with the Music ofthe Orkney Islands LP state that Allie Windwick was in reality twopersons. One was a local linotype operator for The Orcadian — thelocal weekly paper that has recorded Orkney news since 1854 and theother, a musician and composer. For many years he was a member ofthe Orkney Strathspey and Reel Society and he has played severalinstruments though the mandolin always seemed to be his favourite.

Clive Strutt

Clive Strutt in 1991 on his way to play theorgan for Divine Service at Old St Mary’s Church,

Burwick, South Ronaldsay.

Clive Strutt (b. Aldershot 1942) is an English composer with a largeranging œuvre who has spent a considerable part of his life in Orkneywhere he now lives with his wife Jill. He has taken a great interest inthe culture and traditions that are specific to the Northern Isles andhis collection the Orkney Songbook in four volumes is an importantcontribution of this. Lonely Scapa Flow is song number 3 in thesecond volume of this compilation entitled From an old Orkney Croft.Other Orkney inspired compositions are the Communion Service forthe Day of St Magnus,Earl of Orkney and Martyr (1982), At the Tomb ofthe Sea-Eagles (1986) and the Symphony No. 8 ‘Orkney ChoralSymphony.’ The arrangements of some of the songs that appear in the OrkneySongbook came originally from the local Orkney choir, the Mayfield

Singers. Its then director Neil Price approached Allie Windwickfor permission to arrange his songs in choral versions, initially by twocomposers who happened to also be singers in the choir: WilliamGlimour and Clive Strutt himself. Not long after William Glimour moved away from Orkney butClive Strutt went on to arrange five of the six songs that Neil Pricehad obtained permission from Allie Windwick to use. Later stillClive Strutt made arrangements for solo soprano with pianoaccompaniment of these songs including Lonely Scapa Flow. Thesoprano was a local singing student Hannah Bown and her pianistwas another member of the Mayfield Singers, Peter Stephenson.

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Lonely Scapa Flow

Words and melody by Alexander Windwick

arranged by Clive Strutt

Solo version

for soprano and pianoforte

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ORKNEY SONGBOOK

Clive Strutt

This is a collection of original settings, and arrangements of Orkney-related songs by Clive Strutt in four volumes

Volume I

From Verse on Orkney Subjects —in three parts:

1 Orkney Anthem: The North is Our Home ― by way of

introduction 2 The Nine Orkney Variant Poems of Robert Rendall 3 Thirty-six Choral Partsongs on Orkney Subjects

Volume II

From an old Orkney Croft ― six choral harmonisations by

Clive Strutt of Song-tunes and words by Alexander Windwick, and five solo with piano accompaniment versions from these.

Volume III From Balfour Castle ― nineteen Ancient Orkney Melodies from the Collection of Col. David Balfour, in choral harmonisations by Clive Strutt.

Volume IV

From Orkney Folksingers — five traditional Orkney folksongs in SATB choral arrangements by Clive Strutt.