Lisa Temple-CoxStudio 9, Cuckoo Farm Studios, Boxted Road, Colchester, Essex CO4 5HH, UK

t: 0044(0) 7980 357418 e: lisatemplecox@gmail.com www.lisatemple-cox.co.ukCurriculum Vitae

Education

MA 'Arts in a Social Context'(Distinction)

Colchester Institute School of Art / University of Essex 2009-2011

Certificate of Education,Lifelong Learning Sector

Colchester Institute / University of Essex 2010-2011

E.A.R.A.C. Diploma 'Applied Arts' Colchester Institute School of Art 1988-1990Fine Art Foundation course Suffolk College School of Art 1986-1987 Selected solo/collaborative exhibitions

2016 “Excavations” Gallery 5, Ipswich Art School Gallery, Ipswich, Suffolk.2013 “An Order of Things” (selected works) Department of History, University of

Liverpool.2011 “Interstice/Confluence” (with Anne Barclay) Benham Gallery, Colchester, Essex.2010 “An Order of Things” Minories Gallery, Colchester, Essex.2009 “The Double-Skinned Shed” St. Martins' Church, Colchester, Essex.2008 “The Wearable Vanitas and other work” Platform Gallery, Mistley, Essex.2007 ‘'Day of the Triffids’' (with Natasha Carsberg) Cunlhat, France.2006 “Everything and More” Benham Gallery, Colchester, Essex.2005 “Everything and More” Chateau de Sacy, France. Selected group exhibitions

2016 “Depth and Detail” Sentinal Gallery, Wivenhoe, Essex.“ArteCorporis: Exploring the Anatomical Body” MacMaster Gallery, School of Visual Art and Design, University of South Carolina, USA“Outside 16: A Sense of Place” Cuckoo Farm Studios, Colchester, Essex.

2015 “Post Mortem: Vesalius tussen kunst en wetenschap” The Rommelare Institute, Ghent, Belgium.“Connections and Tensions” (Collaboration with David Watkins) commissioned by Essex Network of Artist Studios (ENAS). Gibberd Gallery, Harlow, Essex.“Year of the Salamander” Art Science Gallery, Austin, Texas, USA

2014 "Fabrica Vitae" (touring show) Zykanthos, Greece; Riga, Latvia; and Atlanta, USA“Image-Text-Object:Practices of Research” Level 4 Gallery, University of Southampton"The Body is the Instrument of the Soul" Old Operating Theatre, London“Out of the Box” Fringe Arts Festival, Bristol and No Format Gallery, London

2013 “Conversa…Informação…Comunicação” CECAL, Loulé, Portugal2012 “Curious Pursuits” Portico Library, Manchester

“Journey to the Podium” Beecroft Gallery, Westcliffe on Sea, Essex2011 “Retrofuturology” Observatory, Brooklyn, New York, USA

“The Text is the Text” Patriot Hall, Edinburgh“The Wheel Turns” Embrace Arts Centre, University of Leicester“Fluxface in Space” Digital exhibition. The Museum of Contemporary Art, Chicago, USA

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2010 “Conversations” Minories Gallery, Colchester, Essex“Paradiso Contrapasso” Observatory, Brooklyn, New York, USA“Women Artists in 2010” New Brunswick, Canada

2009 “Art2Wear: Accoutrements” Ontario International Airport, Los Angeles, USA“Long Nights” William Angel Gallery, London

2008 “Secrets” The Foundry, London“Wearable Expressions” Palos Verdes Arts Centre, California

2004 “Dust to Dust” Arts on 5 Gallery, University of Essex. Artist residencies

2017 Artist-in-Residence Oregon State University, USA (upcoming)2016 “Probably Roman, Likely Female” Studio residency in Gallery7, visual and

osteological research of human remains from Ipswich Museums' archaeological store. Interacting with public during gallery opening hours. Ipswich Art School Gallery, Suffolk.

2016 Transfert-Collé Workshops for BIOMAB (Biological and Medical Arts in Belgium) during the Antwerp Medical Student's Conference. Universiteit Antwerpen, Belgium.

2014 “Exchanges2” With Natasha Carsberg, commissioned by Suffolk Artlink in collaboration with Suffolk Young Carers Association. Changing Room Studios, University College Suffolk.

2011 Wood Institute Research Residency Mutter Museum/College of Physicians. Philadelphia, USA.

2008 “Rainforest/Essex” Writtle College Centre for Art and Design in the Environment, Writtle, Essex.

2008 Workshop Leader residency at John C. Campbell Folk School, Brasstown, North Carolina, USA.

2007 Chantiers des Arts: Mon Arbre Cunlhat, France. 2005 Artist-in-Residence Chateau De Sacy, Picardie, France. 1998 “Wavering” Group arts/music residency/installation. Chelmsford, Essex.1997 Artist-in-Residence Nation of Damanhur, Piedmont, Italy. Selected Public Arts projects

2015 “Innovation Internship” Design for a National Memorial for Tissue Donation. Commissioned by NHS National Tissue Bank and Faculty of Health Sciences, University of Southampton.

2013 “I Advance Masked” part of Sensation Festival Sculpture Trail. Chelmsford, Essex.2012 Reminiscence Points: Murals. Ghyll Grove high dependency unit (BUPA), Basildon,

Essex.2011 “Our Histories: The Old inside the New” Window/box assemblages. Outpatients

corridor, Peterborough City Hospital. Commissioned by Peterborough City Hospital Trust.George Yard Memory Box Commemorative assemblage. George Yard Shopping Centre, Braintree, Essex.

2008 “Creative Conveniences” Box assemblages and design, public toilets in Colchester and Dedham. Commissioned by Colchester Arts Development/Colchester Borough Council.Monkwick Bunker Project Community Mural on WW2 bunker. Monkwick Estate, Colchester.

2007 Rowhedge Village Hall Local Heritage community commemoration mural. Lisa Temple-Cox CV 2

Rowhedge, Essex.2005 Riverside Living Project Assemblage, Interpretation panel. Design informed by

workshops with local Mencap groups. In consultation with Mencap, Colchester and Braintree Museums, and River Colne Conservation Group.

Curatorial Projects

2016 Open Season: Selection, curation and display of three-part series of open exhibitions. Ipswich Art School Gallery, Ipswich, Suffolk.

2015 Art/Science/Life: Commissioning and curation of new works for exhibition; commissioning an Artist-in-Residence; creating a supplementary programme of talks, workshops and activities. Ipswich Museum and Gallery, Ipswich, Suffolk.

2014 Colours: Exhibition of objects selected by colour from Ipswich Museum stores. Ipswich Art School Gallery, Ipswich, Suffolk.

2012 Outside 12: Un Lieu de Memoire: Curation of new site-specific work by tenants of Cuckoo Farm Studios, Colchester, Essex.

2011 Outside 11: Artist as Outsider: Cross-mentoring project with Kateryna Denysova. Commissioning and curation of international artists for site-specific work. Cuckoo Farm Studios, Colchester, Essex.

Awards and Prizes

2008 Best in Show: Accessory at “Wearable Expressions”, Palos Verdes Arts, California, USA.

2008 Winner, Art in the Built Environment: Colchester2020 and RIBA Architectural award, for ‘Creative Conveniences, Lion Walk'.

2008 Runner-up, Art in the Built Environment: Colchester2020 and RIBA Architectural award, for'Monkwick Bunker Project'.

Public Collections

Colchester Arts Centre, Essex, UKColchester Central Library, Essex, UKEast Contemporary Arts Collection: UCS, Suffolk, UKFluxmuseum: Fort Worth, Texas, USAMorbid Anatomy Library: Brooklyn, New York, USAMutter Museum: Philadelphia, USAWildgoose Memorial Library, London, UK Arts & Research Grants

2013 firstsite Research Bursary. firstsite, Colchester, UK2011 Wood Institute Research Fellowship award. Mutter Museum and Historical Medical Library,

College of Physicians, Philadephia, USA.2011 Grants for the Arts: Arts Council, England for “Outside 11: Artist as Outsider" Publications

“Pathological Anatomy and Self Portraiture” Co-authored with Dr Glenn Harcourt, in Dynamis Vol.36 (1) 'Modelos Anatómicos: Cuerpos y Objetos en la Ciencia

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Contemporánea' 2016“Poor Thing” in InterDisciplinary.Net: Volume 4, Number 1 (Summer), Themed Issue on Monstrous Science 2014'"Making myself a Monster: Self-portraiture as Teratological Specimen" in 'Twisted Mirrors: Monstrous Reflections of Humanity’. Eds. Seth Alcorn and Steven A. Nardi. Interdisciplinary Press (e-book) 2012

Articles

"Mind the Gap" by Ruby Ormerod, Green Pebble Magazine, Winter 2009/2010 Other Work

Current: Artist Ranger at Ipswich Museum, Colchester and Ipswich Museums Service (CIMS) March 2015 – February 2017. Post funded by Arts Council England.

'Alice in Vesalius: A graphic novel' with Dr Glenn Harcourt (in progress) Cover illustration for 'The Fate of Anatomical Collections'. Eds. Rina Knoeff and Robert

Zwijnenberg. Ashgate 2014

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