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Tyler Harris 8.10.2012 The Image of Austin
Abstract
Following the research methods outlined in Kevin Lynch’s seminal work, The Image of The City, this study seeks to evaluate the legibility—the ease with which a city’s parts can be recognized and organized into a coherent pattern—of Austin, TX by gathering and interpreting the mental images of the urban environment held by a sample of citizens. Forty study participants conveyed their individual image of the city through interviews and mental map sketches, which were compiled into a single map produced with ArcMap GIS software. The map is then interpreted with the following research questions in mind: How legible is Austin? Which of the city’s physical features are most significant in forming the image, and why? Preceding the map interpretation is an overview of Lynch’s concept of legibility and empirical methods, and a brief review of academic criticism by those who have revisited his work. Taking this criticism into account, the study outlined here seeks to visualize the “Image of Austin” in a way that remains true to Lynch’s methods, yet departs from them in significant ways in order to address shortcomings identified in the literature, and to experiment with contemporary mapping techniques (GIS). A history of Austin’s urban morphology is provided to establish context, while an overview of current trends in Austin’s growth and development gives the project significance. The study concludes with a discussion of The Image of Austin, and how the city’s legibility could be changing as a result of major urban redevelopments. Introduction: Legibility Defined
“…a particular visual quality…the ease with which a city’s parts can be recognized and organized into a coherent pattern.” – The Image of the City, p. 2
For Lynch, legibility is essentially about a cohesive perception of the city, “a certain unity,
connectedness, or organization in the urban environment allowing the inhabitant to sense
the whole” (Lynch, 1960). As a city dweller moves through the city, satisfaction can be
derived from the ability to orient himself in time and space using physical features of the
built environment. Lynch categorized these features into five different elements—paths,
edges, districts, nodes and landmarks—that taken together constitute a legible city.
Additionally, he employed a concept related to legibility which he called “imageability,” the
quality in a physical object that evokes a strong or weak image in a given observer.
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“A highly imageable city would seem well formed, distinct, remarkable; it would invite the eye and the ear to greater attention and participation. Such a city could be apprehended over time as a pattern of high continuity with many distinctive parts clearly interconnected. The perceptive and familiar observer could absorb new sensuous impacts without disruption of his basic image, and each new impact would touch upon many previous elements. He would be well oriented, and he could move easily. He would be highly aware of his environment.” – The Image of the City
Imageability is closely tied to legibility; the more imageable elements existing within a city,
the more likely they are to be cognitively organized into a legible urban environment. And
so, legibility can be defined as a measure of perceptual understanding of a city’s physical
form, which depends on the strength of mental images that people associate with the
physical features constituting a city.
Lynch’s Methods & Review of Criticism
In order to assess legibility, Lynch and his colleagues conducted interviews with samples of
urban populations in three different cities—Boston, Jersey City and Los Angeles. The
interviews consisted of a request for a sketch map of the city, a description of trips made
through it, and a listing of physical elements in the city felt to be most significant. What
they sought was “a thread running constant through people” that would “reveal some basic
elements of urban perception shared by all…”(Ellis, 2010). Although Lynch was aware that
“the image of a given reality may vary significantly between different observers” (Lynch,
1960) the source of his strongest criticism is that the sample of people participating in his
study consisted mainly of upper middle-‐class professionals, and was thus not
representative of the city as a whole (Zmudzinska-‐Nowak, 2003). Other critics have
focused on legibility as an ideological concept, arguing that by emphasizing the five
physical elements as tools for wayfinding, the definition of legibility “is reduced to a
perceptual knowledge of physical form” that implies “use of the environment only through
movement…whereas people’s conception of urban environments is formed of a
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functionalist element, on the basis of what they do there” (Madanipour, 1996). This
functionalist perspective has merit in that the images compiled for this study appear to be
largely determined by each citizen’s mode of operation in the city; that is to say, each
individual’s situation, in terms of location, housing, career, interests, etc. influences how
they engage the city, and thus how they imagine it. For example, a University of Texas
student who rents an apartment within walking distance of campus will likely have a much
different image of the city than someone who commutes via highway from their South
Austin home to a job downtown. It is important to recognize here that Lynch did indeed
focus on urban legibility in terms of wayfinding, but this does not negate the fact that
certain physical elements within a city are more imageable than others. For Lynch, the
imageability of an element depends on three components: identity, structure, and meaning.
“A workable image requires first the identification of an object…its distinction from other
things (identity)…second the image must include the spatial relation of the object to the
observer (structure)…Finally, this object must have some meaning for the observer,
whether practical or emotional” (Lynch, 1960). Madanipour’s functionalist perspective
emphasizes practical meaning. He continues, “environmental cognition is essentially a
social product, as it is learnt by individuals and is shaped and conditioned by their social
environment. In other words, mental maps of individuals largely depend on their real or
perceived place in social and economic hierarchies” (Madanipour, 1996). If this is the case,
then there is good reason to map these images in order to better understand how societal
roles decide what parts of the city are experienced by different people.
“If it is our purpose to build cities for the enjoyment of vast numbers of people of diverse backgrounds—and cities which will also be adaptable to future purposes—we may be wise to concentrate on the physical clarity of the image and let meaning develop on its own.” – The Image of the City
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Lynch’s mental mapping technique has also been criticized in that it “privileges the
detached, abstracted distance of the aerial standpoint…as a research method, the focus on
drawn and mental maps tends to generate knowledge which suppresses the nuances and
contingencies of people's diverse ways of experiencing and acting in space, overstating the
similarities among findings” (Stevens, 2005). I disagree—the aerial standpoint is a familiar
perspective, as evidenced by the fact that study participants were not instructed to sketch
maps in any particular format, yet most drew from this perspective of their own accord.
One need only scan through several of the sketched maps included in the appendix to see
that nuances are not suppressed; rather they are accommodated even in sometimes wild
divergence. Furthermore, the plan view provides a consistent perspective from which the
compiled images can be visualized. A final criticism of the mental mapping approach is that
when applied to urban design, the maps themselves “are another attempt to impose some
form of imaginary order on the urban fabric” (Madanipour, 1996). Stevens echoes this
sentiment, claiming that Lynch’s findings “have become a justification for producing
visually well-‐ordered, ‘Hausmannized’ urban social space” (Stevens, 2005). Although there
may be examples of Lynch’s concepts being applied in such a manner, this was not his
intent. For Lynch, city design is a “temporal art.” A legible city is one that not only tells us
where we are (in time), but where we have been and where we are going and at what
speed (Ford, 1999, paraphrased from Lynch’s What Time is this Place?). To this effect, a city
should be designed so that it is symbolic of its time in a coherent way, yet also with some
degree of foresight so that it can adapt to the changing purposes and perceptions of its
citizens. I maintain that by gathering and compiling the mental images of a city conveyed by
a representative sample of citizens, we can begin to understand the cognitive significance
of certain physical features and their role in forming a legible urban environment.
Furthermore, by mapping the physical elements most significant in the collective mental
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image of a city, we can identify areas that contribute most to a city’s identity. This is
especially important for a rapidly growing city such as Austin. Over the course of the last
century, the population of Austin has consistently doubled every twenty years (Emergent
Urbanism). Planners and designers have proposed projects and initiatives to absorb this
growth sustainably while preserving and enhancing Austin’s unique identity. I would argue
that over time, a city’s identity is manifested in its built environment, and expressed
through the experiences people share within it. If this is the case, then a city’s identity is
strengthened through higher legibility of urban form, which offers greater potential depth
and intensity of human experience, therefore reinforcing a city’s identity. For this reason in
particular, I have chosen to conduct a study that closely follows the empirical methods
pioneered by Lynch. I believe that as Austin continues to evolve, it is important to assess its
legibility, to identify its most imageable components, and to understand what they
contribute to Austin’s image, and ultimately its identity. The goals of the study that follows
are: 1) to compile and visualize (map) the Image of Austin, 2) to identify this city’s most
imageable features, and 3) assess the legibility of Austin through an interpretation of the
map.
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The Urban Morphology of Austin
“Like a piece of architecture, the city is a construction in space, but one of vast scale, a thing perceived only in the course of long spans of time. City design is therefore a temporal art…”– The Image of the City, p. 1
At the root of Austin’s urban morphology is Edwin Waller’s plan from 1839, which laid out
the new town in a classic grid pattern (refer to map on opposite page). The plan framed
640 acres within natural features: Waller Creek to the east, Shoal Creek to the west, and the
Colorado River along the southern edge. Formally bisecting the plan is Congress Avenue,
which was built between the creeks along the path of a drainage swale, and has become a
center of social, economic, political and cultural activity in downtown Austin. At the head of
this civic axis is the Capitol building, located symbolically on a hilltop, and the ceremonial
grounds that surround it. Other defining features are four equidistant public squares,
arranged symmetrically on either side of Congress Ave. The symmetry, planned sight-‐lines
and intentionally placed landmarks of Waller’s plan surely made for a legible place, at least
in terms of navigation. One can only imagine if this formal scheme had been applied to
subsequent development, but would this have made Austin a more legible place? 1839 was
the same year that the government of the Republic of Texas moved from Houston to Austin,
establishing it as a center of government and political activity. The permanent Capitol
Building was completed in 1888, and has become the central landmark of the city. In 1883,
The University of Texas opened its doors, having been built on another hilltop site just
north of the Capitol. Because of these events, Central Austin is now composed of three
adjacent districts, arranged north to south: The University of Texas Campus, The State
Capitol Complex, and the Central Business District (refer to Basemap). This orchestration of
various land uses, surrounded by diverse neighborhoods, gives the city its unique identity
and character (Black, Sinclair. “The DNA of Austin”. Emergent Urbanism). Perhaps Austin is
more legible this way, having evolved organically through time.
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Compiling the Images of Austin This study basically follows the research methods described in The Image of the City, but
differs significantly in their execution. For example, Lynch and his colleagues conducted 30
verbal interviews (that included a map sketching component) with citizens of Boston, a
sample that was admittedly homogenous in terms of social status and affluence. For this
study I conducted 40 interviews including sketches from what could be considered a
slightly more representative sample of the city’s population, and so there is greater variety
in the mental images gathered. However, the sample used in this study contains some bias
of its own—of the 40 interviews I conducted in Austin, about half were with University of
Texas students who generally live in the same areas, engage the city in similar ways, and
thus have similar mental images. I attempted to balance the sample by dedicating the
remaining interviews to residents of Central East Austin, South Austin, West Austin, and a
handful of people actually living downtown. This introduces another difference between
Lynch’s methods and my own—the study area for Austin was not limited to 2.5 x 1.5 miles,
as suggested by Lynch. This made for some wildly divergent images of the city, but overall a
more complete one.
Mapping the Collective Image of Austin
There are also significant differences between Lynch’s methods and my own in terms of
production and visualization of the mental map. Lynch’s maps are apparently hand drawn
on mylar. They are diagrammatic, with features abstractly symbolized, and with
hierarchical variations of symbols to indicate the frequency at which features appeared in
interviews and sketches. The map of Austin was created with ArcMap software, and began
with downloaded shapefiles (vector lines and polygons) that represent streets, building
footprints and natural features. The features are not abstracted, but rather mapped as they
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actually appear in plan view (from above). Like Lynch’s maps, the features in the map of
Austin are symbolized according to their frequency of appearance in interviews and
sketches, but are not strictly classified into the five elements described by Lynch—paths,
edges, districts, nodes and landmarks. Rather, each feature on the map is attributed a
frequency value within the GIS software, and a simple white to black color gradient
indicates the prominence of each feature in the collective mental image. This symbolization
scheme applies to all features, except those that cover relatively large areas such as
neighborhoods. For these larger features, a similar symbolization scheme of diagonal
hatching with varying density is used. I chose not to use Lynch’s classification of elements
with the hope that by symbolizing all features consistently, the more vaguely defined
elements such as “node” and “district” would emerge simply by virtue of the frequency
values attributed to the features that compose them. For example, a node on the map
would become apparent if a group of particular buildings around a street intersection all
had high frequency values. Another reason for not following Lynch’s classification method
is the ambiguity associated with defining many features as strictly one type of element or
another. Here again, by not classifying each feature prior to mapping, there is potential for
features to classify themselves based on their frequency values, and those of other features
around them. For example, Interstate 35 obviously functions as a major path, but
considering its high frequency value and the relative lack of features mapped to the east,
the highway might be better categorized as edge. This and other instances of features
classifying themselves will be explored in more detail later. A final difference between
Lynch’s visualization methods and my own is that Lynch produced separate maps from the
interview material, sketches and field analysis, whereas I produced a single map of Austin
including features compiled from all interviews and sketches, with the results of my own
field analysis included as an additional interview. Both maps include only the features
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mentioned or drawn by interviewees. Creating the map of Austin involved extensive
tracing and clipping of downloaded shapefiles so that the map included only features
mentioned by study participants.
Interpretation of the Map; Assessment of Legibility
Although I have previously stated a goal of having features classify themselves by virtue of
their frequency values and spatial relationships to other featuers, my interpretation of
Austin’s legibility begins with the three districts delineated on the Basemap (The
University of Texas Campus, The State Capitol Complex, and the Central Business District).
These districts are predefined as such, because they have previously been identified by
Austin urban scholars (multiple authors of Emergent Urbanism) and because they allow for
the interpretation to be broken down into logical sections before assessing the legibility of
Austin as a whole.
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The University of Texas Campus Within the orange boundary of the campus we see a cluster of landmarks; the Tower, rising
307 feet from its hilltop location, is among the most prominent landmarks in the city, as is
the Darrell K. Royal Memorial Stadium (both are visible from IH-‐35 and other vantage
points). Both buildings exhibit strong imageability; their distinct, symbolic forms prompt
identification, they are prominent spatially, and they hold great significance (meaning) as
structures with specific, institutional purposes. Additionally, are the sites of celebrated
traditions such as the orange illumination of the Tower. It is notable that very few of the
campus buildings directly adjacent to the tower, those that radiate out in roughly cardinal
directions to form the four malls, are represented on the map. Perhaps the Tower is so
powerful a landmark that nearby buildings are relatively insignificant in the mental image
of the campus. A number of other landmarks punctuate the campus, including Dobie Mall,
the Harry Ransom Center, the Union, the Flawn Academic Center, the Blanton Museum of
Art and the Perry-‐Castaneda Library. This comes as no surprise considering that these
buildings experience high student use, but I find it interesting that they are also all unique
in form relative to the mostly consistent architectural style of the campus. Along the
western edge of campus runs the Drag, a section of Guadalupe St catering to students that
is among the most walked paths in the city. Its already strong image will be reinforced as
the improvements associated with Austin’s Great Streets program have slowly begun to
materialize. Dean Keeton St, another arterial roadway, is represented with a 25%
frequency, and like Guadalupe St, it brings both visibility and accessibility to the campus for
students, faculty and other Austin residents alike. Speedway, a major pedestrian
thoroughfare, is also well represented. It is also notable that Disch-‐Falk Field, although
subtly represented, is one of few landmarks mapped to the east of IH-‐35.
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The State Capitol Complex Directly adjacent to the south of the UT Campus is the State Capitol Complex, which marks
the transition into downtown Austin. Notice that this 122-‐acre area on the north side of the
Capitol is almost completely absent from the mental image, save for the Capitol building
itself. This “monumental, single-‐purpose district” consists of vast expanses of asphalt
connecting one “lifeless office block” to the next (Emergent Urbanism: The DNA of Austin),
with no public space to break the monotony (excluding the underused Capitol grounds).
Seemingly everywhere one looks is another parking garage or office tower, all of them
massive, brown and dull. Surveying the area from the top level of one parking garage, I was
struck by the amount of land dedicated to parking. The distinctly single-‐purpose nature of
the area renders it eerily lifeless after 5:00 p.m. Even during working hours there is little
evidence that life exists somewhere behind the brick or polished stone facades (some of
them windowless) other than parked cars or pitiful seating areas in the residual spaces of
set-‐backs. While the relatively recent construction of the Bob Bullock Texas State History
Museum and the Blanton Museum of Art at the intersection of Congress and MLK has
invigorated the northern edge of the district, they fall short in certain regards. For example,
neither building draws significant pedestrian traffic, and both are isolated among the
“uninspiring, repetitive, and mono-‐cultural office buildings.” This “black hole” in the city
represents “the greatest single problem of Central Austin’s built environment, and is the
“depressing result of a short blast of taxpayers’ money in the 1960s, which eradicated
existing traditional neighborhoods (Emergent Urbanism: The DNA of Austin). This
unfortunate transition was “performed practically overnight in an autocratic manner, with
little forethought and no public involvement.” (The georeferenced aerial imagery included
in the appendix illustrates the drastic changes). This intervention not only destroyed
existing neighborhoods, it now cuts off the Capitol grounds from the University of Texas
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Campus, and the parking garages along San Jacinto Boulevard encroach on one of Austin’s
most undervalued resources, the Waller Creek Greenbelt. The State Capitol Complex will
“remain a scale-‐less, inhumane, and inactive black hole until leadership emerges to
cultivate mixed-‐use, walkable areas. This redevelopment will increase economic
development, breathe new and authentic life into an existing blighted area, and reinvent
the connectivity between the University and Austin’s CBD” (Emergent Urbanism: The DNA
of Austin). Though it leaves much to be desired in terms of urban design quality and public
activity, the Complex is at least distinctive as a cluster of brown, monolithic office mid-‐rises
and parking garages. Perhaps if the population sample interviewed for this study included
more people employed at the State Capitol Complex, there would be more features
represented in the mental image. Plans to redevelop the area are being explored by the
Texas Facilities Commission, who is seeking to consolidate the state offices in order to
provide space for more balanced development. This goal of promoting “a broader diversity
of uses beyond office to contribute to a more vibrant mixed-use district" is reflected in
the City’s Downtown Austin Plan, developed by ROMA Design Group.
The Capitol Building is the redeeming feature of this district; it serves a powerful symbolic
function, and provides a visual link from the University to the Central Business District.
Additionally, a mix of state legislature and city planning initiatives that produced The
Capitol View Corridors, which restricts building heights within 30 protected views of the
Capitol dome, has ensured that it will remain a prominent visual landmark as downtown
Austin continues to redevelop. This should contribute to Austin’s legibility, as the Capitol
Building is more than a purely visual landmark; it is also highly imageable for it’s
symbolism of political activity, which is a significant part of Austin’s identity.
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The Central Business District (Downtown Austin)
The CBD is not particularly legible as a whole, but consists of several distinct areas, many of
which are subject to current planning and development initiatives that could contribute to
a more cohesive downtown experience. Note the prominence of I-‐35, the E 6th St axis, Lady
Bird Lake and South Congress Avenue (these features all hold frequency values of %80 or
more). Not surprisingly, I-‐35 was mentioned almost unanimously in the interviews and
was often the first feature to be drawn in sketches. As is the case in many American cities,
this major urban highway is an immense barrier, dividing the city both visually and
physically. Although its primary function is that of a major pathway, I-‐35 might be more
appropriately labeled as edge, considering the lack of features mapped to the east. The
second most prominent feature is Lady Bird Lake (formerly Town Lake). Along with IH-‐35,
it forms Downtown Austin’s definitive edge. That said, Lady Bird Lake is probably the most
difficult feature to classify – surely it is an edge, but it serves equally as a landmark. As it
has evolved from its original function as a holding pond for the Holly Power Plant (now
closed), into the center of daily recreation, Lady Bird Lake might best be classified as node.
Newer civic and cultural institutions such as the Palmer Events Center and the Long Center
for the Performing Arts on the southern bank have reinforced connections from downtown,
across the lake and into the distinctive neighborhoods of South Austin.
Along the southern edge of downtown, new high-‐rise residential and mixed-‐use buildings
now dominate the skyline, while recent redevelopments such as the 2nd Street District have
breathed social life into the core. The new W Hotel, the AMLI, and the iconic architecture of
City Hall, flanked by the twin Computer Sciences Corporation buildings, combine to form a
new image of downtown that reflects planning efforts to revitalize and densify the core of
the city. In fact, the 2nd Street District is among few downtown landmarks represented on
the map; considering how recent this development is, its representation is telling of the
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impact that redevelopment and infill projects can have in the mental image of a city. Cesar
Chavez St, a prominent path along the southern edge of downtown, connects several
landmarks from east to west: the Convention Center, One Congress Plaza, the 2nd Street
District, and the extraordinary Seaholm Power Plant (which is undergoing adaptive
redevelopment). Congress Avenue, the historic civic axis, is probably the most imageable
area in the entire city, particularly where it intersects the entertainment district along 6th
St. Aside from the bars and live music venues, the Driskill Hotel, the iconic Frost Bank, and
the historic Paramount Theater carry some weight in the collective conscience. There are
surprisingly few other landmarks represented in the area. Toward the western edge of
downtown, a major node exists at the intersection of 6th St and Lamar Blvd. Here, Waterloo
Records, REI and Book People serve Austin’s diverse interests, while the headquarters of
Whole Foods is among the most prominently featured landmarks in the city. Nearby
landmarks include Republic Square, home to a nationally recognized farmer’s market, and
Wooldridge Square, which has become a haven for the homeless. Both are part of the 1839
Waller Plan. A block east of Republic Square is another minor node along a section of 4th St
in the warehouse district. Another node worthy of note is centered at 7th and Red River,
where many of Austin’s largest and most popular music venues are located. This area is of
particular interest, because it too is slated for redevelopment under the Waller Creek
Tunnel Project and Master Plan, the goal of which is to encourage investment in property
released from the creek floodplain by the tunnel. This project has massive potential to
transform Austin’s legibility, and will be discussed in detail in the following section. Despite
the imageability of the features mentioned above, the majority of downtown Austin
remains “an empty vessel.” This condition should be considered with optimism, as the
perceived emptiness presents great opportunities for Austin to become a highly legible city.
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Map 1 The remaining maps show Austin as a whole at three different scales. In the first, we see
Austin at the same scale and frame of view as the Basemap. Moving north to south, we can
see the prominence of the UT Campus as a district, while the State Capitol Complex stands
out as an almost featureless area between the relatively legible campus and downtown.
This signifies the importance of redeveloping in a way that promotes connectivity across all
three of these major districts.
Features not yet discussed include Pease Park and the Shoal Creek Greenbelt, which is a
heavily utilized and important linear park system. It’s adjacency to N Lamar Blvd, among
the most travelled arterial roads in the city, links it to surrounding residential areas. By
comparison, Waterloo Park, adjacent to the State Capitol Complex, is more subtly
represented on the map at only 10% frequency. Both parks are located along creeks and
major thoroughfares, but one is significantly more prominent in the mental image of the
study participants. This indicates the importance of visibility and access for the
imageability of features within a city.
Highlighted in magenta on this map is the approximate boundary of the Waller Creek
Tunnel Redevelopment Project, which will transform a historically neglected resource (the
creek) into a vital component of urban infrastructure. How this transformation will appear
remains to be seen, as the project is still currently in the design competition phase. Based
on the goals defined by the Waller Creek Conservancy (stewards of the project) and the
reputations of the competing design teams, the completed project will likely emphasize
ecological restoration of the riparian corridor, linear connectivity between and
revitalization of existing green space, and the creation of a new urban destination catering
to diverse interests. The potential impact of this project on Austin’s legibility cannot be
overstated. Not only will it promote connectivity across all three of the city’s primary
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districts, it will accelerate a shift in development eastward that is already underway. This
shift and its effects on Austin’s legibility will be further discussed in the next section.
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Map 2
The second map scales out from the Basemap, revealing Zilker Park and Barton Springs,
arguably Austin’s most prized amenities. Also now in view are several of Austin’s distinct
neighborhoods; the most frequently mapped being West Campus and Hyde Park, which
probably reflects the somewhat biased sample population. That said, I consider both
neighborhoods to be highly imageable in their own ways. The image of West Campus is one
of densely packed houses, mid-‐rise student housing and parking garages linked by a grid of
streets often crowded with students commuting back and forth to campus. For all its
density and connectivity, it is interesting that West Campus is devoid of landmarks or other
features appearing frequently enough to be mapped. Perhaps the replication of mid-‐rise
apartment complexes throughout this area has made for a lack of distinctly identifiable
elements. Hyde Park, historically a “suburban escape” connected to downtown via a
streetcar line, is now one of Austin’s most imageable neighborhoods. Single-‐story
bungalows are the dominant housing type, many of which exceed 50 years of age and sport
quirky paint schemes. The population here consists of a mix of students, young
professionals and families who take advantage of the many bus routes and bike lanes
through the neighborhood. A thriving node at 43rd and Duval (Duval Center) consisting of
restaurants, a grocerty store, a café/bakery and small businesses contributes to a sense of
community in Hyde Park that other urban neighborhoods lack.
This map also emphasizes the prominence of IH-‐35 and the relative lack of features
mapped to the East. The three parallel streets extending east from the I-‐35 are E 11th,
which leads the way into Central East Austin, and E 5th and 6th Streets, both of which serve
as alternative extensions of Austin’s primary entertainment districts along 6th St. The
representation of these streets could indicate them as facilitators of gentrification, with
increasing demand for housing near these emerging entertainment districts.
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That said, entertainment and cheaper housing are not the only factors leading to significant
changes in East Austin. Currently in development by the City’s Planning Commission is The
2035 Sustainable City Initiative (SCI). This initiative proposes that Austin should absorb
the next 30 years of population growth within its current city limits and ETJ. To achieve
this goal will require intense densification in the “Desired Development Zone,” which is
based on watershed protection and happens to be primarily east of IH-‐35. The IH-‐35
corridor has already seen increasing development, particularly mid-‐rise housing on the
east side. This eastward shift in development will begin to balance Austin’s primarily
North-‐South orientation, but could end up hurting its overall legibility if the distinct,
historically ethnic neighborhoods there are not preserved.
South Congress, historically a seedier part of town, has become a prominent tourist
destination, as well as a popular strip marked by posh hotels, eclectic shops, small
businesses and chic restaurants. This image has bolstered further development in the
Bouldin Creek and Riverside neighborhoods, which could be considered the anchors of
downtown’s expansion to the south.
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Map 3
This final map is scaled to show most of Austin’s city limits. Viewing Austin at this scale,
some important features come into view. The Barton Creek Greenbelt, among the city’s
vital natural recreation areas is featured prominently. Its 55% frequency value speaks to
the importance of this type of natural area to Austin’s identity as a city with easy access to
the outdoors. On the other hand, high-‐end shopping destinations such as Barton Creek
Mall, the Arboretum and retail/mixed-‐use developments such as the Domain come into
view at this scale as well. Linked to suburban areas via major highway, these developments
reflect another side of Austin’s identity, that of sprawling city that ranks relatively low on
walkability rankings despite an image of eco-‐friendliness. The prominence of the ring of
major highways surrounding Austin, and the lack of features they contain speaks to the
automobile dependency of contemporary American culture, and is a visual expression of
the idea that travelling in cars reduces the depth of meaningful human experience with the
city. Austin’s fledgling urban rail line has helped push momentum for the planning of a
complete system, but Mayor Lee Leffingwell has recently excluded urban rail from the 2012
bond package. Our eventual decision to approve or disapprove this system will have a huge
impact on Austin’s future development, and ultimately its legibility as the city approaches a
more metropolitan scale.
The Image of Austin – Legibility in a Changing City
As shown in the maps, Austin’s most imageable areas are dispersed, with many “black
holes” in between. If Austin is to become a truly legible city, one that is imageable as a
whole, then these gaps must be filled. Considering the number and magnitude of
development projects occurring in Austin, I see immense potential for it to become a
world-‐class city; one that can sustainably absorb explosive growth, while maintaining a
cohesive identity. So far, I believe planners and designers have been wise to focus on
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densifying the central downtown area, and redeveloping underutilized space. As the
Seaholm Power Plant and Green Water Treatment Plant redevelopments are realized, the
southern edge of downtown will be able to support the density levels advocated in many of
the city’s planning initiatives, and begin to exhibit legibility that will complement the
already highly imageable Lady Bird Lake. Once completed, the Waller Creek Tunnel
Redevelopment Project may usher in a new era of legibility for Austin, one that is defined
by highly imageable areas connected by equally imageable pedestrian corridors. Projects
such as this could also encourage similar redevelopment along the other creek networks
that link suburban areas, something that should be considered as Austin continues to grow
rapidly. Imagine if the awareness of natural features and the specificity of site that Edwin
Waller applied to his plan for Austin in 1839 had been applied to subsequent development
in surrounding areas. Austin’s image could eventually be that of a park-‐metropolis linked
by linear greenbelt systems along creek corridors, exhibiting legibility on previously
unknown scales.
21
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Urban Form, Texas. University of Texas.
Ellis, Henry. Revisiting The Image of the City: The Intellectual History and Legacy of Kevin
Lynch’s Urban Vision. Honor’s Thesis, Wesleyan University 2010
Ford, Larry R. Lynch Revisited – New Urbanism and Theories of Good City Form. Elsevier
1999.
Lynch, Kevin. The Image of the City. Cambridge, MA: Harvard University Press, 1960.
Madanipour, Ali. Design of Urban Space. John Wiley & Sons 1996.
Stevens, Quentin. The shape of urban experience: a reevaluation of Lynch's five elements. The
Bartlett School of Planning, University College London, 2005. Environment and
Planning B: Planning and Design 2006, volume 33
Zmudzinska-‐Nowak, Magdalena. Searching for Legible City Form: Kevin Lynch’s Theory in
Contemporary Perspective. Journal of Urban Technology, Volume 10, 2003.