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TRANSCRIPT
MAGAZINE October 2016 Sharadiya Sankhya
Contents
1. Kabita Magna Aachhi Arun Kumar Chakraborty Page 1
2. Essay Hitler Again Dipak Bhattacharya Page 2 – 7
3. Essay Making of Mahishasura Mardini Indira Basu Page 8 – 10
4. Travelogue Mount Kilimanjaro Nihar Kanti Ray Page 11- 14
5. Prabandha Kaliyuge Bhabitabya Phalguni Purakayastha Page 15 –16
6. Prabandha Buro Dipak Bhattacharya Page 17 –19
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1
HITLER AGAIN
Dipak Bhattacharya
After having taken retirement from service in an office, one of the ways that I use for passing
time is reading books. One of my favourite topics is Hitler.
Recently, in social media, a snippet in Bengali concerning a deep infatuation that young
Hitler had for a girl named Stefanie Rabatsch (nee Isak) has been in circulation. In BEC69
WhatsApp group Dipankar forwarded this article sometime back. It has been implied in this
snippet that, because this Jewish girl spurned Hitler, the latter started to bear a life-long
hatred against the Jews. The snippet is not exactly correct in the sense that the girl was not a
Jew after all, but the name sounded Jewish!
A few days ago, the President of Philippines Rodrigo Duerte is learnt to have wanted to do an
act similar to Hitler. He would like to eliminate 3 million or so of the Philippines drug
addicts, like what Hitler did for 3 million Jews!
All these mean that, even after more than 70 years since Hitler committed suicide and the
World War II came to an end, our interest in Hitler has not ceased. We see new books being
written, analyzing him as a person, and discussing military aspects of the War - some even
wondering whether Hitler could have won the war had he not made certain mistakes, and if
he had listened to his generals and allowed the military decisions to be taken based on
military strategies and not based on his political philosophy. These analyses purportedly use
fresh perspectives – not used earlier - in order to unravel Hitler’s image which is still
mystified. From the early phase of his political career, there has been a deliberate attempt to
create a mystic aura around Hitler – initially by his mentors, and later by himself and his
sycophants such as Goebbels, when he consolidated his position in the Nazi party. This aura
was retained till his death. Because of this, and because he was the head of the defeated
country responsible for widespread destruction and genocide in much of Europe, he has been
perceived and condemned as a demon. This “demonization” of Hitler has been an
impediment to a fuller understanding of him and of the Nazi phenomenon. We have not been
able to think or accept that Hitler could have traits that many of us have. In 1973, when a
documentary “Swastika” based on movie footage taken by Eva Braun, was premiered in
Cannes film festival, the audience was outraged, booing and whistling at the screen, with
2
cries of “Assassins!” The presentation of Hitler as a friendly uncle, a petit bourgeois figure
in a suit and tie, popping in and out of a family gathering, was intolerable (Ref: on-line
version of Guardian, January 27, 2013). Things appear to be changing now. A statue of
Hitler praying on his knees in the Warsaw ghetto has been installed a few years ago at the
site of the infamous Warsaw ghetto (Ref: on-line version of Guardian, 28 December, 2012).
The statue cannot be seen from the front, but is visible from a hole in a wooden gate and
viewers can only see the back of the small figure praying in a courtyard. Poland's chief rabbi
did not oppose the installation – though, understandably, there have been adverse reactions
and comments from Jewish groups and organizations. Fabio Cavallucci, director of the
Centre for Contemporary Art, which oversaw the installation has said: "It's an artwork that
tries to speak about the situation of hidden evil everywhere." This is a very important
statement, because it can be valid in any country and society, and under any political set up.
Logically, it leads to the question - if evil is commonplace – hidden or otherwise – what make
them dangerous to others and when? For example, does one have to be an intelligent and a
daring person like Professor Moriarty – adversary of Sherlock Homes - to become and act
evil?
As per A.N. Wilson (“Hitler”, Basic Books, 2012), it is surprising that a mediocre person like
Hitler could dominate the world. As per his analysis, Hitler could not succeed as an art
student. (The Bengali snippet in social media referred earlier is not very truthful). He was
reluctant to take up a paid employment. As a soldier in World War I, Hitler was only a -
message-running corporal. No doubt - he was a diligent person, but not intelligent enough to
consider that he had leadership skills. This analysis is supported in another recent book by
Brigitte Hamman (“Hitler’s Vienna”, Tauris Parke Paperbacks, 2010). As an example, on
page 403-404, under a subheading “A Political Career considered Impossible”, she writes:
“Hausler and Hanisch, Dr Bloch, Kubizeck and Samuel Morgenstern, his (Hitler) former
fellow residents in the Men’s hostel (in Vienna), and his schoolmates in Linz were astonished
by Hitler’s political career in Germany, which began in 1919. Not one of them would have
considered anything like that possible. His former colleagues understood even less why the
same person who had once gotten along with Jews especially well, was now all of a sudden
supposed to be a leading German anti-Semite….What was most conspicuous about him were
his mental rigidity, his inflexibility and inhibition, his fear of women, and his inability to be
merry and have a good time with others…”Neither did anyone notice the “compelling force”
3
of Hitler’s blue eyes, which later became proverbial, or any other power of suggestion in him.
It seems likely that Hitler, who had oratory training with an actor, and who practised his
gestures in front of a mirror and had them photographed so he could improve them, also
practised the supposedly irresistible power of his eyes…To these deliberately developed
skills must have been added a considerable degree of autosuggestion, a fanatical belief in
himself…This must have added up to the impression of Hitler as a man of suggestive power –
the German people’s saviour.” The fanatical belief in himself later changed to self-delusion.
Timothy W Ryback, the author of another recent book (“Hitler’s private Library – books that
shaped his life”, Vintage Books, 2010), talking of a situation in 1942- writes : “Hitler had
built a career on deluding others with his lies, illusions, and false promises, but by age fifty-
three he had also mastered the art of self delusion …. so much so that he could take comfort
in believing that the current borders of his empire were as fixed as the history of his
empire...” (page-217). Interestingly, the quick successes in Poland in 1939 and France in
1940 convinced many of the Generals that Hitler was indeed a genius (The Storm of War -a
new history of the Second World War, by Andrew Roberts Harper/HarperCollins Publishers.
2011). Some of them openly said so. This also might have aided to enhance the sense of self-
delusion. It would also be interesting to note what was written in the 18 August, 1941 issue of
‘Life’ in an article -‘Nazi Germany after two years of war’) -‘After eight years of steady and
thunderous successes, Hitler thinks himself as a superman who can make no mistakes…. It
has become increasingly difficult for the higher officials to get an audience with
Hitler….When after weeks he can see them .. he is apt to rant at them on some idea of his
own, and often they leave without having had a chance to bring up the pressing matter… No
one now questions Hitler in his presence….Thus when Hitler decided to attack Russia, not
even his Generals dared to tell him that, it would take more than three weeks to annihilate
Russia…’
Ryback’s book is a book about books. Hitler was a voracious reader. It seems he was
conscious of his lack of formal education. He dropped out of high school in 1902 and
took a crash course in political ideology in 1919 at Munich University. Probably, to
overcome this deficiency, he used to read books every night – sometimes completing the
reading in one night’s time. The books covered many subjects - military history, arts &
architecture, political philosophy, German history, and even on matters of occult, body
and soul. His total collection of books exceeded 16,000. Initially, he used to buy them.
Later, when his political stature ascended, he used to receive books from his admirers
4
and friends. It is reckoned that Hitler was able to read about 10% of the books that he
possessed. He read some of them from cover to cover, with extensive comments in the
margins. He had photographic memory and could reproduce details from a book
without any error. In the article in ‘Life’ referred earlier, the following information is
available: ‘Usually he goes to the bedroom about 2am and he hates to get up before 11. He is
said to sleep only about four hours but spends the rest of the time brooding and reading.
People who know him say he reads or looks through two books daily, many of them technical
books about armaments and military history. He reads rapidly and has a photographic
memory.’ Hitler could effectively use his photographic memory while discussing military
strategy with his Generals and to impose his own ideas on the latter. From what he had read
in the available literature, he could store in his memory exact numbers of different types
naval ships, tanks etc which was possessed by different countries, and the annual rates of
productions etc and could bring them out from his memory at his will. This was also another
reason why the Generals were impressed with Hitler – at least in the initial phase of the war.
Ryback has chosen ten books and connected the roles that these books had Hitler’s
course in life at different periods - from his days as a messenger man in World War I to
his final months in the underground bunker in Berlin.
In late November 1915, Hitler bought a book titled ‘Berlin’ by written by Max Osborn.
This was an architectural guide to the city of Berlin. “…to pay… for a book on artistic
treasures of Berlin, when cigarettes, schnapps, and women were readily available for
more immediate and palpable distraction, can be seen as an act of aesthetic
transcendence….” – (even if we consider that, since Hitler was not a frontline soldier,
but only a messenger, he could get some free time once in a while and read a book). After
the war, “Hitler arrived in Munich with his (affected) eyesight and a slightly battered
copy of the book on Berlin…that he was to keep with him for the rest of his life.” Hitler
was not a painter of high level. He was also not qualified to get admission in a college
that taught architecture. Perhaps, this type of book provided Hitler some kind of
fulfilment for his aspiration to become a good artist than he actually was, or to become
an architect that he could not formally study.
In the autumn of 1921, Dietrich Eckart presented Hitler a copy of a five-act and verse-
based play, “Peer Gynt” written by Henrik Ibsen. Eckert (1868-1923) was an anti-
Bolshevik and anti-Jew journalist and a playwright. Among the plays he produced, “Peer
Gynt” was an important one. He was a participant in the unsuccessful Beer Hall Putsch
5
that was a failed attempt by the Nazi party headed by Hitler to seize power in Munich.
Hitler came into contact with Eckart in 1919, and the latter became a patron, mentor and
father figure to the former. Hitler hailed Eckart as the “polar star” of Nazi movement.
Hitler dedicated the second edition of Mein Kampf. Hitler wrote at the end of this book -
"Together with those, and as one of the best of all, I should like to mention the name of a man
who devoted his life to reawakening his and our people, through his writing and his ideas and
finally through positive action. I mean Dietrich Eckart".
(http://thirdreichocculthistory.blogspot.in/2011/07/dietrich-eckart-hitlers-
mentor.html)
Dietrich Eckert was a man of strong appetites – for women, alcohol and morphine – and
even stronger opinions – when it came to the Jews. On December 26, 1923, Eckert died
of heart attack due to an overdose of morphine. Before this, he was largely responsible
to make Hitler the supremo in the Nazi Party with dictatorial powers. Hitler read ‘Peer
Gynt’, and saw the play. One can only make conjecture as to what influence the book and
the play might have made on the mind of Hitler. It is also curious to note that Eckert
presented the book to Hitler about two years after he met him. The play had first been
staged much earlier.
In the first scene of the first act of the book, Peer, a wayward son tells his mother : “ I will
be a king, a Kaiser” (http://www.niteowl.org/Classical/peer1-1.html). He journeys across
Europe and Morocco, through the magical world of trolls and into the courts of kings,
leaving ruined lives and betrayed promises in the wake, only to return home at the end of
his life in ruin and shame. There he finds his abandoned but faithful lover, Solveig,
waiting for him and offering him salvation. It is interesting to note what Eckert wrote in
the introduction to his stage adaptation of Peer Gynt :’His idea of becoming the king of
the world should not be taken literally as the “will to “power”. Hidden behind this is a
spiritual belief that he will be ultimately pardoned for all his sins.’
Hitler was awed by Eckart’s stature. Eckart was impressed with Hitler – particularly with his
oratory power. Hitler possessed the passion and frontline credentials Eckart had long been
seeking. Once Eckert told: “We need someone to lead us who is used to the sound of a
machine gun. Someone who can scare the shit out of people…“I don’t need an officer. The
common people have lost all respect for them. The best would be a worker who knows how
to talk. He does not need to know much. ..“Give me a vain monkey who can give the Reds
6
their due and who won’t run away as soon as someone swings a chair leg at him.” ..”He has
to be a bachelor, then we’ll get the women votes. (P-31, Ryback’s book). Many stalwarts in
the fledgling Nazi Party warned Eckert against promoting Hitler without restraint. “Hitler
was certainly the agitator who knew how to bring in the masses, but not the architect who
envisions a plan and form a new building and undertakes the actual work of placing one stone
on top of the next with calm resoluteness…He required someone larger behind him whose
orders he could carry out.” (P-52, Ryback’s book). “I like and value Hitler, but his striving
for total power concerns me…It is going to come to a bad end if he doesn’t change his ways
and allow others to share power. We have to keep in mind that violence and cronyism scare
away the best comrades and cripple the best forces, and in doing so empower the less
desirable elements.” (p-54, Ryback’s book)
Some may argue why we should consider Hitler as a demon. He was and is a demon to the
Europeans whose countries suffered directly at the time of World War II. He was a demon to
the Jews who were subjected to mass extermination. Actually, Churchill should be
considered a demon by us because, it was his decisions and actions that were primarily
responsible for the great Bengal famine in 1943 when 3 million innocent lives perished in
Bengal (Churchill’s Secret War, Madhusree Mukherjee, Basic Books, August 2010). Former
British PM Cameron, when he was in India in the recent past, should have tendered apology
for Churchill’s crime. However, discussion about Hitler is important and topical for us in
order to continually remind ourselves that a Hitler like leader ultimately thinks about himself,
and not for the people he leads. Towards the end of the war, when it was clear that there was
no hope for a victory for Germany, Hitler openly told that the Germans as losers did not have
a right to exist.
The Making of a programme: Mahisasura Mardini:
With the early-morning broadcast of Mahisasuramardini on the All India Radio, the countdown to the
Durga Puja assumes a frenetic pace. A lot of it has to do with the one-and-a-half hour musical drama,
which for legions of Bengalis, plays the perfect prelude for the grand occasion.
The genesis of the crack-of-dawn programme goes back to 1930. The renowned musician, actor and
regular programmer of the Calcutta Radio Station (henceforth CRS), Hirendranath Basu, had recorded a
musical play Prabhate Ashram Drisya for the Dacca unit of the Gramophone Company of India in 1929.
Nripendranath Majumdar, the director of Bengali programmes for the CRS requested Hirendranath to
broadcast similar programmes for the station. Hirendranath’s first morning programme for the CRS was
aired on June 15, 1930 named as ‘Prabhati Utsav’. Betar Jagat, the Bengali-in-house journal of the CRS,
announced the broadcasting of the second ‘Prabhati Utsav’ on the Mahalaya day in 1930 and from then
on it came to be known as Prabhati Utsav (1931), Pratyush Mangal (1932, on the Masasthi day),
Jaganmatar Bandana (1933), Saradiya Bandana (1934) and Prabhati Anusthan (1935). In 1936 it was
christened ‘Mahisasura Badh’ and was broadcast on the day of Mahasasthi. In 1937, however, it was back
to its old schedule of the Mahalaya day this time with yet another new title Mahisasuramardini. The
name stuck and so did the day of the programme.
In his book Mahisasuramardini (1959), Banikumar talks about his contribution to this ever-popular show.
He had based his script on Markandeya Chandi or Saptasati Chandi, a part of the Markandeya Purana,
containing seven hundred slokas, extolling the magnanimity of Devi Chandi, forms the backbone of
Banikumar’s literary effort. The famous musician Raichand Baral came along to compose the music.
Banikumar had a tough task at hand. The story with its complex characters and several twists and turns
had to be simplified for the average Bengali listener. The story of Chandi begins with king Surath who
had lost his kingdom meeting a down-on-his-luck trader called Samadhi in a forest. Together they visit
the hermitage of sage Medhas in search of peace. The sage told them about the power of the goddess
Chandi in overcoming distress.
Banikumar got substantial help from Pandit Ashokkumar Sastri while negotiating through the slokas. Till
the early sixties when Mahisasuramardini used to be a live programme, the script was bound to be
changed from the previous year in its details here and there. This variation in programme was also an
attraction to the listeners and broke the monotony of repetition.
Mahishasuramardini owes a lot of its appeal to the enduring voice of Birendrakrishna Bhadra, the
narrator of the musical drama. Bhadra was so deeply involved that he had once said his narration was an
offering to the goddess, not a mere recitation. Taking bath early in the morning, clad in dhoti of garad
silk, he would prepare himself for the programme. With profound skill in both oratory and music, he
maintained a fine balance, tuning his voice to reflect the myriad moods depicted in the script.
Pankajkumar Mallick was associated as one of the music directors along with Raichand Baral and
Harishchandra Bali during the early years of the programme. While the association of the other two was
short-lived, he stayed on to compose music and select the singers.
Rehearsals during the live-programme years started a couple of months before the show. The matter of
attendance was accorded utmost importance and even star-performers had to be punctual. Other than
Birendrakrishna Bhadra and Pankaj Kumar Mallick, the names of participants kept changing. The names
of performers began to appear from 1938 in the Betar Jagat. The first published list included Harimati,
Abhabati and Parul Chaudhury - three extremely popular singers of the era. In 1940, Anil Das,
Hemanta Mukhopadhyay, Kalpana Hajra, Saila Devi, Ila Ghosh and Suprabha Ghosh took part in the
show. The first solo song of the programme ‘Bajlo tomar alor benu’ was allotted to Ila Ghosh. She was
later replaced by Supriti Ghosh. Similarly, the solo ‘Jago tumi jago’ in male voice was first sung by
Hemanta Mukhopadhyay and after him (when he left for Mumbai) by Dwijen Mukhopadhyay. Over the
years, Akhilbandhu Ghosh, Pannalal Bhattacharya, Manabendra Mukhopadhyay, Rabin Bose, Bimal
Bhusan, Utpala Sen, Sandhya Mukhopadhyay, Shymal Mitra, Dhiren Bose, Pratima Mukhopadhyay lent
their voices.
In the beginning Surendralal Das popularly known as ‘Thakurda’ who served the CRS from 1936 - 1942,
was in charge of the orchestra. A team of instrumentalists called ‘Jantrisangha’ established by him
accompanied the programme. There were Sarengi player Munshi Ahmed Hussein, Khushi Ahmed in
harmonium, Dakshinamohan Thakur in esraj, Raichand Baral in Piano, Abani Mukhopadhyay and
Taraknath Dey in violin, flute-player Gaur Goswami, sitar player Sailen Das and many others associated
with the programme at various stages. Bela Dey wrote in her autobiography the conch-blowing of
Mrityunjay Badyopadhyay at the beginning of the programme. Later, the sound used to be created in
clarionet by Saileswar Chattopadhyay.
The schedule time of the morning programme was not 4 a.m. in the beginning. It used to begin at 6 a.m.
till 1937, at 5.30 since 1938 and at 5 a.m. since 1941. The programme began to be broadcast at 4 a.m.
only from early 1950s. The duration of the programme also varied from one to two hours and was
standardized to one and a half hour in late 40s. If one goes through the pages of the early Betar Jagat, it is
not hard to find special programmes on the occasion of other Hindu festivals like Dol-yatra, Janmastami,
Sivachaturdashi, Saraswati puja. There had been programmes like ‘Akal Bodhan’, ‘Uma Haimabati’,
‘Ma Elo re’ on the occasion of Durgapuja in 30s and 40s. But none of these programmes did sustain for
so many years as Mahisasuramardini. What was the reason? Was it the time chosen for the program?
Morning programme in early years started at 6 a.m. or 5.30 a.m. and did not collide with the regular
programmes. Gradually, with the popularity, the programme was fixed at 4 a.m. – a safe time for special
broadcasting without any question of adjustment with other programmes. The one to two hours
programmes on Sivachaturdashi or Saraswati puja day in the evening of 30s had to be abandoned and
substituted with 15 minutes programme in later years.
In the end, what remains to be singled out is the spirit of the programme. From 1937 onward, the
programme was portrayed as ‘Bodhan’ meaning performance of ritual for awakening of the goddess
Durga. That very word put the programme in a different genre for both the listeners and performers and
that’s why till date radio is switched on in most of the Bengali household on the particular day and time in
spite of multiple options of radio and television channels and availability of the programme in disks and
cassettes.
Roof of Africa: Mt. Kilimanjaro
August 17, 2012, 8:08am
In 2012, after running thirty-two marathons including Seven Continents Marathon Race, I was searching
for a new challenge. Finally, in March 2012, I decided to climb Mount Kilimanjaro (elevation: 5895
meter) in Tanzania, even though I had no experience in hiking or camping or high altitude living.
My group of ten trekked to a camp at 4300 meter, feeling no reaction to the low oxygen. But then
several members began to notice light headaches and nausea. The next day, August 17, we trekked to
the base camp at 4750 meter. Some of the climbers turned back at this point, unable to cope with the
conditions at this elevation. But with only few hours rest, the remaining members started our journey
to the summit shortly after midnight. We used head-torches to navigate a zigzag trail on rough volcanic
sand and loose stones, with a temperature of about -20 degree Celsius and strong wind. I faced an
unusual issue with low oxygen. I lost appetite and as such within few hours of starting the climb, my
sugar level started dropping rapidly. I consumed all five of my trail mixture bars within an hour or two,
although it was still a long way to the peak. For the rest of the climb, I essentially begged for food and
drinks from my guides, and they shared what little they could spare. My biggest concern at this point
was thinking, ―even if I reach the summit, how will I make it back down?
Around 5:40am red lights peaked over the horizon, indicating sunrise, which gave me the determination
to continue. Finally, at 8:08am, I reached the summit (5895 meter) along with five other members of
the original ten-person team. (Kilimanjaro National Park says the success rate is only 41 %.)
Coming down was much more treacherous than going up because of the loose stones and uneven rocks.
Our group reached base camp at 11:48am. Within two hours, we packed again and continued down—
trekking about 17 hours that day, August 17. The next day, we reached the park headquarters, Marangu
Gate, at 1900 meter. At that point, I started to enjoy food again!
I give entire credit to my success to my marathon training and marathon race mind set, without which it
would be impossible for me to cope with the brutal condition. Let’s not forget world famous tennis star
Martina Navratilova had to be airlifted because of water accumulation in her lungs. In fact, water
accumulation in lungs is quite common in high altitude low oxygen environment. Finally, I must point
out to aspiring candidates not to take this adventure lightly. In fact, death rate here is higher than
Mount Everest. Unfortunately, there is no way to predict for anyone’s success for this mountain
irrespective of age or physical abilities. There is no system for carrying artificial oxygen like Mount
Everest and that creates major unknowns to the outcome.
Figure 1: Before reaching the summit, Kilimanjaro peak on my back
Figure 2: At the Kilimanjaro Summit
Figure 3: Exiting the park gate after a successful summit
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~'Sll EXTRACTS FROM EPIC liTERATURE
We the in the: Kall ti1ga • in a \\Orld infested \\ 1th 1mpuritie~ and \ 1ces. People possessing gcn1al v1rtue:. are d1minishing da) by day. Ploods and famine, \\ar nnd crime, deceit and duplicity charactcme this age. But, 5a)
the scriptures. final emancipation IS possible only m this age. /\ali >itga has t\\O ph!i!>c:. · hud first. humans • having lost the knowledge of the two higher selves- had knO\\ ledge of the 'breath body' span from the physical self. During the second phose even this kno\\ ledge has deserted mankind, leaving us only with the a\\&reness of the gross physical body. This explams why we are now more preoccupied w1th our physical self than anything else. Due to our preoccupation with our ph) sica I bodies and our lower selves. and because of our emphasis on the pursuit of gross materiah:.m. this age h~ been termed the 'Age of Darkness' · an age when \\e ha\·c lost touch'' 1th our mncr sehes. an age of profound ignorance! The Scriptures of Ramayana & Malrablllmltu. ha\c also spoken about the A.ali }uga In the Tula.tt Ramayana. \\e rind kakbhushund1 lorctelhng. 'In the Kaft luga. the hot·bed of' sin. men and \\Omen arc: all steeped in unrighteousness and act conlraJ) to the Vcd3S .. every virtue had bcen engulfed b) the sins of /\ali ruga;
all good hooks had disappeared. impostors had promulgated a number of creeds, which they had in vented out of their own Y.it. J'he people had all fallen pre) to delusion and oil pious acts had been S\\aiiO\\ed b) greed.' In the Mahablrarata (Santi Pan•a) fudhishtlrir says.' The ordinances of the Vedas disappear gradual!) in every succeSSI\C age ... the duties in the Kali age are entirely of another kind. II seems, therefore. that duties have been laid down lor the respective age according lo the powers or human beings in the respective ages.' The Saga Vyasa later on dan ties: 'In the Kali litga, the duties of the respective order disapp~ar and men become atflicted b) mequity.' So the big question! Whatll!lppens Ne\t? It is predicted that at the end ofthe Kalt litga. the universe \\ill be destroyed and all the physical body would undergo a great transformation After such dissolution. Lord would recreate the un1versc and mankind will become the 'Beings ofTrulh' once again. The Satya jug will stan again!
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