man who mistook his wife for a hat
TRANSCRIPT
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Schrott Center for the ArtsFriday, August 21 at 8 PM
Saturday, August 22 at 7:30 PMSunday, August 23 at 2:30 PM
Michael NymanPerformed in English
Man Who Mistook His Wife For A Hat
Title Page
Program Notes
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The case of Dr. P. is one that reminds us of the mystery and fragility of human experience. Everything that is most dear to us - our personalities, values, relationships, emotional life, sensory perception - is dependent upon a delicately tuned web of synapses and neurons in our brains that can be instantly altered by any number of traumas or diseases. When the brain loses its ability to put an object or experience into context, many questions are raised about what exactly it means to be human.
In bringing this story to life, we (like Dr. S., whose character is based on the renowned neurologist Oliver Sacks) wanted to understand what it's like to see the world through Dr. P's eyes, or rather, through his brain. We began the process by consulting with a team of neurologists who enthusiastically shared their time and expertise with us, offering guidance at every stage of the production process, from the way the sets are designed, to the way Dr. P. negotiates his way through a room. This was a perfect match for GLMMR's wholistic creative approach - allowing the most central ideas of the piece to find their voice through every element of the production.
Another aspect we wanted to explore is the wife's role as a caregiver. She is perhaps the most relatable character in the opera, and serves as a conduit for the emotional distress resulting from Dr. P's disorder. Within the scope of this story, she experiences a journey from denial to realization, acceptance, and ultimately gratitude for every single moment that is left with Dr. P.
Brian Joyce Dr. S., the neurologist
American tenor Brian Joyce, recognized for his distinctive characterizations, has performed with opera companies in Europe and the United States. After the Austin Lyric Opera production of Michael Nyman’s chamber opera, The Man Who Mistook His Wife for a Hat, the Austin Chronicle complimented the “subtle gestures and expressions that revealed the depths of (the character’s) feelings”. The Metro Pulse’s review of Knoxville Opera’s La Fanciulla del West proclaimed him “a real standout here, both vocally and dramatically, in the role of Nick the bartender.” Recently, he has appeared in a wide variety of roles. Performances have included
Pagliacci and Madama Butterfly with New Rochelle Opera, Les Contes d’Hoffmann with Regina Opera, Don Quichotte with Empire Opera, and Die Fledermaus with Knoxville Opera. A frequent performer with Austin Lyric Opera, he has sung roles in La Traviata, Rigoletto, Turandot, L’Étoile, Die Fledermaus, and the American premiere of Philip Glass’ Waiting for the Barbarians.
http://brianjoyce.org
Tony Dillon Dr. P., a singer/music professor
The vocal and dramatic versatility of American bass Tony Dillon has been commended throughout the United States, Russia and Central America. His repertoire of over seventy operatic roles ranges from the works of Peri and Cavalli to premiering the operas and song cycles of Earnest, Mlyn, Fink and others. He has had the pleasure of performing under the baton of Yves Abel, Scott Bergeson, Leonard Bernstein, Anton Coppola, Sir Colin Davis, and Kent Nagano. A former recipient of the Opera Renaissance Award, Mr. Dillon is recorded on Delos International with "The Voices of Ascension," National Public Radio's Of Mice and Men from Glimmerglass Opera, Summer and Smoke from
Artist Bios And Creative Team
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Central City Opera Association, Vanessa from The Washington National Opera, Gianni Schicchi with the Los Angeles Opera, and the recently released via Decca Music Group, Washington National Opera telecast of La Rondine on PBS "Live from Kennedy Center".
http://www.dillonbass.com
Emily Pulley Mrs. P., his wife
Famed soprano Emily Pulley’s radiant voice and electrifying acting have won her international acclaim on operatic stages. As Minnie in La fanciulla del West with Glimmerglass Opera, “she shone as Minnie, the pistol-packing, soft-hearted heroine of La fanciulla del West, capturing the crowd with burnished sound and straightforward, unaffected acting.” New York Magazine proclaimed, “Emily Pulley explores most every facet of this volatile character with a useful soprano that can deliver a power punch as well as a caressing phrase, and she gives a compelling performance.” As the Governess in The Turn of the Screw with Boston Lyric Opera, Opera News exclaimed, “Emily Pulley was outstanding as the embattled Governess. The role fits Pulley’s voice like a glove, and she
captured the psychological complexity and heartbroken innocence of one of Britten’s great tragic characters.”
http://www.uzanartists.com/portfolio/emily-pulley/
GLMMR Stage Direction
GLMMR [Giving Light Motion + Memory + Relevance- is an NYC-based art collective founded by David Adam Moore and Vita Tzykun. Contributing members include artists from a diverse range of disciplines who have distinguished themselves internationally in their respective fields of performance, design for stage and film, composition, cinematography, photography and graphic art. Its body of work includes design for opera, dance and theater, concert visuals, film, commercial design, and gallery installations.
http://www.glmmr.org
David Adam Moore &Victoria (Vita) Tzykun Set, Costume and Video Designers
A renowned interpreter of contemporary music, David Adam Moore has created roles for some of today’s most important living composers, while simultaneously garnering critical acclaim for his interpretations of classic works from the Baroque, Classical, and Romantic eras. Also notable for his work as a composer and multimedia artist, Moore co-founded two NYC-based arts collectives - GLMMR and Choreo Teatro - with whom he has created music, video, and performance works in
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venues including the 92nd St. Y, .NO Gallery, Anchorage Opera, and The Cell. Most recently, his multimedia production of Schubert's Winterreise, with visuals by GLMMR, has been enthusiastically received at venues in NYC and throughout the U.S. It will be presented in a new production by
Atlanta Opera in 2015.
http://www.davidadammoore.com
VICTORIA “VITA” TZYKUN [tsee-‘koon] has designed sets, costumes, and projections for companies such as Norwegian Opera, LA Opera, Seattle Opera, Dallas Opera, Opera Philadelphia,The Kennedy Center, Wexford Opera Festival (Ireland), Boston Lyric Opera, Kristiansund Opera (Norway), Bard Summerscape, Lyric Opera of Kansas City, Utah Opera, Gotham Chamber Opera, Juilliard Opera, Wolf Trap Opera, Theatro Imeras (Athens), 3LD Art Media Center, NY Classical Theatre, Cherry Lane Theatre, and 92nd Street Y. Her numerous film and tv credits include art direction for Lady Gaga’s ABC Thanksgiving Special, production design for several award winning feature films and shorts, and commercials for leading companies such as PBS,
DirectTV, Axe, Bulova, Qualcomm, and the U.S. Army. A founding member of GLMMR, Tzykun is native of Odessa, Ukraine, and Tel-Aviv, Israel, Tzykun holds an MFA from NYU’s Tisch School of the Arts, and a BFA from Tel-Aviv University.
http://www.vitavision.net
Maxwell BowmanLighting Designerhttp://www.maxwellbowman.com
Amanda BaileyWig & Make-Up Designer
Nina LudwikStage Manager
Michael NymanAs one of Britain's most innovative and celebrated composers, Michael Nyman's work encompasses operas and string quartets, film soundtracks and orchestral concertos. Far more than merely a composer, he's also a performer, conductor, bandleader, pianist, author, musicologist and now a photographer and film-maker.
Nyman first made his mark on the musical world in the late 1960s, when he invented the term 'minimalism' and, still in his mid-twenties, earned one of his earliest commissions, to write the libretto for Birtwistle's 1969 opera Down By The Greenwood Side. In 1976 he formed his own
ensemble, the Campiello Band (now the Michael Nyman Band) and over three decades and more, the group has been the laboratory for much of his inventive and experimental compositional work.
His most notable scores number a dozen Peter Greenaway films, including such classics as The Draughtsman's
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Contract and The Cook, the Thief, His Wife & Her Lover; Neil Jordan's The End Of The Affair; several Michael Winterbottom features including Wonderland and A Cock And Bull Story; the Hollywood blockbuster Gattaca - and, of course, his unforgettable music for Jane Campion's 1993 film, The Piano, the soundtrack album of which has sold more than three million copies. He also co-wrote the score for the 1999 film Ravenous with his friend and sometime protégé, Damon Albarn. Most recently his music was used in the 2009 BAFTA award winning and Oscar nominated film, Man on Wire.
Dr. Oliver SacksOliver Sacks, M.D. is a physician, a best-selling author, and a professor of neurology at the NYU School of Medicine. The New York Times has referred to him as “the poet laureate of medicine.”
He is best known for his collections of neurological case histories, including The Man who Mistook his Wife for a Hat, Musicophilia: Tales of Music and the Brain and An Anthropologist on Mars. Awakenings, his book about a group of patients who had survived the great encephalitis lethargica epidemic ofthe early twentieth century, inspired the 1990 Academy Award-nominated feature film starring Robert De Niro and Robin Williams.
Dr. Sacks is a frequent contributor to the New Yorker and the New York Review of Books.
August Opera 2015
Matthew Kraemer Conductor
Recognized for his “musical sensitivity” and “energized sense of interpretation”, conductor Matthew Kraemer has led many of the nation's finest orchestras and currently serves as music director of the Indianapolis Chamber Orchestra, Butler County Symphony and Erie Chamber Orchestra. He has also served as associate conductor of the Buffalo Philharmonic and the Virginia Symphony Orchestra. http://www.matthewkraemer.com
1st Violin (3)Davis Brooks CM
Irina Mueller Pamela Close
2nd Violin (3)Lisa BrooksAlfred Abel
Ginny Womack
Viola (2)Csaba ErdélyiByron Plexico
ICO Personnel
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Cello (4)Marjorie Hanna
Dennis McCaffertyPeter Opie
Anna Thompson-Danilova
Harp(1)Wendy Muston
Personnel ManagerDaniel Golando
Stage Manager/LibrarianAmylou Porter
The Indianapolis Chamber Orchestra advances and promotes music composed for the small orchestra through professional concert performances and educational programs. The 2015-2016 season welcomes Maestro Matthew Kraemer as Music Director of the ICO. James Aikman continues as Composer- in-Residence and Emily Glover is the Concertmaster. Mr. Aikman is the ICO’s first Composer-in-Residence and Ms. Glover is the third Concertmaster in the ICO’s 31-year history. This is the fourth season for the ICO as professional orchestra-in-residence at the Howard L. Schrott Center for the Arts located at Butler University.
Comprised of 34 professional musicians, the ICO annually presents a concert series of seven performances. In the addition to the annual concert series, the ICO also provides orchestral accompaniment for many local arts and educational organizations. The ICO serves as Orchestra-in-Residence for the Indiana State University Contemporary Music Festival and annually conducts a national competition for the composition of new works. The ICO Radio Broadcast airs each Monday evening at 10 p.m. on WFYI. The ICO offers a full range of educational programs for ages pre-kindergarten through adult.
http://www.icomusic.org
Kevin Patterson,General Director
Indianapolis Chamber Orchestra
Indianapolis Opera Staff
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Carol U. Baker,Manager
Jan Need,Director of Development
Jill M. Vandegriff,Director of Marketing and Communications
Stephen Goldberg,Operations Manager
Hannah Wheeler,Patron Relations Assistant
Alisia Morales,Accountant
Welcome to Indianapolis Opera! With this new production and a new theater, the Schrott Center for the Arts, we are excited to be back on stage presenting Michael Nyman’s The Man Who Mistook His Wife for a Hat.
This production marks a new chapter for both Indianapolis Opera and the community. We are a brand new company in terms of leadership and artistic direction. It is with a new mission that we seek to educate, inspire and entertain through the creation and presentation of musical storytelling for the Indiana community. Not just an opera company or an organization that produces educational programming for the local schools, we will strive to deliver more.
Driving our artistic vision are the core beliefs that the human voice is capable of the greatest range of expression. We believe the stage is a community forum for engagement and communication, and that it is only through the telling of stories that we truly define our humanity. With these beliefs as our foundation we invite you to take a journey with us that will engage, inspire, transform and entertain you.
The Man Who Mistook His Wife for a Hat asks us to consider the question of who is normal in our society and by what definition? Is someone who experiences the world in a different way an outcast? What happens to the people around an individual who is labeled as different? The neurologist Oliver Sacks spent his entire career exploring a greater narrative and not just the medical deficit of a given individual. Indeed, it is our ability to strive to overcome any perceived deficit that makes us human. This story blended with the beautiful score of composer Michael Nyman presents a compelling theatrical experience.
Welcome
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We are grateful to this cast, the talents of GLMMR, the Indianapolis Chamber Orchestra under the new direction of Matthew Kraemer, the staff of the Howard Schrott Center of the Arts, and the very fine crew from IATSE. We look forward to many more years of great storytelling ahead.
A voice, a stage, a story to tell. We are Indianapolis Opera. Welcome!
Kevin PattersonGeneral & Artistic Director
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2014 - 2015 Board Of Directors
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Indianapolis Opera2014 - 2015 Board of Directors
PresidentArnold C. Hanish,
Eli Lilly & Co. (retired)
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KPMG
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Butler University
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Simon Property Group (retired)
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Eli Lilly & Co.
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Jamie Gibbs,Jamie Gibbs and Associates
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Barbara Hayford,Breadsmith (retired)
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Opera’s Rising Stars
Upcoming Events
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Featuring Winners of the Metropolitan Opera National Council Auditions & the Indianapolis Chamber Orchestra
Schrott Center for the ArtsSaturday, January 30 at 7:30 PMSunday, January 31 at 2:30 PM
Mansfield ParkJonathon Dove
Performed in English
Schrott Center for the ArtsFriday, March 18 at 8 PM
Saturday, March 19 at 7:30 PMSunday, March 20 at 2:30 PM
Crescendo@White River State Park
The Farm BureauInsurance Lawn
Friday, May 27 at 7:30 PM
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Mr. and Mrs. Jim James
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In Memory of Illene Maurer
Mrs. Patti Curran
In Memory of Ruth T. Hall
Mrs. Patti Curran
In Memory of Glenna Gibbs
Mrs. Patti Curran
Mr. and Mrs. Jim James
In Memory of Charity Clark
Mr. and Mrs. James Lootens
In Memory of Patricia Katterjohn
Ms. Anne Pearson
In Memory of Deborah Fortune
Mrs. Patti Curran
In Memory of David Nagler
Mr. and Mrs. Jim James
In Honor of P.E. MacAllister
Mr. Arnold Hanish
In Honor of Matt Mindrum
Mr. and Mrs. Richard Michal
Basile Opera Center
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An ideal setting for weddings, parties and corporate events and meetings, the Basile Opera Center is conveniently located at 40th and Pennsylvania Streets -- 4011 N Pennsylvania St in the park-like setting of the Meridian Kessler neighborhood. The facility has both indoor and outdoor meeting and event spaces, as well as ample onsite and street parking.
The Recital Hall can seat up to 250 individuals in permanent setting and includes a balcony suitable for small musical ensembles and photography. Adjacent to the Recital Hall is a 1600 square foot Reception Room that includes a small finishing kitchen. The Recital Hall is a popular venue for non-sectarian weddings and corporate meetings.
The 5200 square foot, free span Great Room can accommodate 30 or more round tables, depending on layout of food service and dance floor. Adjacent to the Great Room is a 1000 square foot catering kitchen. The Great Room is often used for large parties and wedding receptions.
Outdoor space includes a 2000 square foot walled Terrace, adjacent to the Great Room and also provides access to the 2600 square foot, walled courtyard, adjacent to the Recital Hall.
The Basile Opera Center offers ample and flexible space for indoor, outdoor or combined events. Or, plan an outdoor event and know that you have an indoor backup plan.
For more information please contact Stephen Goldberg at 317.283.3531 Ext. 1006 or [email protected] .
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Sundays at the Basile | Resident Artist Company in Concert
Join Indianapolis Opera's Resident Artist Company on a musical journey through the dramatic, ecstatic, lustful and delicate sides of opera, art song and Broadway.
Sundays at 2 PM | Ticket Price: $20 general admission LOCATION: Basile Opera Center, Recital Hall 4011 N Pennsylvania St Indianapolis, IN 46205 FMI: Contact Carol Baker at 317--283--3531
[email protected] | www.IndyOpera.org
On July 18, 2015 Indianapolis Opera hosted LOBSTER PALOOZA, a casual evening of unique entertainment, live music and fantastic food! Supported by co--chairs Dinah and Larry Bird, this popular event SOLD OUT and all
proceeds benefitted the educational programs of Indianapolis Opera.
Sundays At Basile
The Annual Lobster Palooza
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Thank you to Dinah and Larry Bird, sponsors, individual supporters and to everyone made this a night to remember!
SAVE THE DATELOBSTER PALOOZA 2016
Saturday, July 23, 2016
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INDIANAPOLIS OPERA4011 N Pennsylvania StIndianapolis, IN 46205
Monday-Friday 8:30 AM – 5 PM
Contact Information
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Office: 317-283-3531Fax: 317.923.5611
Email: [email protected]
Website: www.IndyOpera.org
Purchase Tickets at www.IndyOpera.org
or call 317-283-3531
Performance Space: Schrott Center for the ArtsOn the campus of Butler University46 th and Sunset Ave, Indianapolis
Box Office opens two hours prior to curtain.
INDIANAPOLIS OPERA MISSION STATEMENT:The mission of Indianapolis Opera is to educate, inspire and entertain through the creation and presentation of
musical storytelling for the Hoosier community.
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