march–june 2013 art classes at the mendocino art center · nancy collins success with succulents...

20 Mendocino Arts Magazine

ceramics03/9–10Doug JohnsonCrystalline Glazes

03/16–17Elena Zachary & Shannon ToveyIntroduction to Mold

Making

04/1–6John Dix & Nick SchwartzContemporary Wood-

Fire Practices

04/8–22John Dix & Nick Schwartz Advanced Wood-Fire

Intensive

05/4–5 Benjamin JonesFeast Bowls: Discover

Your “Inner Wild Cat”

05/10–12 Alicia Reyes McNamaraExploring Paper Clay

05/18–19 Melanie Knox Cut Loose –

A Throwing Class of Sorts

05/25–26 Ehren Tool“Hand to Hand”

Cups as Social Consciousness

06/1–2Susan MakovkinSlab and Handbuilding

Techniques

06/14–16Jessica Rae ThompsonNarrative Sculpture:

Telling the Whole Story

06/23–29Bill van GilderMaking and Firing:

Wood and Soda

fiber arts03/16–17Carol R. WittichExperimenting Dye

Techniques

04/6–7Melinda diSessaPainting Floor Rugs

04/20–21Carolyn Carleton Boxes & Bowls in Felt

04/26–28Mickie McCormicSurface Design with

Photos

05/18–19Diane Coughtry Nature’s Art –

Contemporary Ikebana

05/20–24Jo BrittonBrave New Rag

05/27–31Rose Hughes Stitching Personal

Landscapes

06/17–21Merridee Smith Nature, Design, Technique – Felt!

fine art03/2–3Nancy CollinsSuccess with

Succulents

03/15–17Cynthia SchildhauerEncaustics: A Creative

Approach

03/23–24Seamus BerkeleySeeing the Dark

03/22–24Jeannie Vodden Translucent Layers of

Magic in Watercolor

04/5–7Ed Fenendael People and Places

04/6–7Maeve CroghanThe Soulful Landscape

en Plein Air

04/8-12Birgit O’ConnorSpring Flowers and

Coastal Blooms in Watercolor

MARCH–JUNE 2013 ART CLASSES at the MENDOCINO ART CENTER

Please visit the Mendocino Art Center’s Web site at www.MendocinoArtCenter.org for complete

descriptions of all workshops.707 937-5818, ext. 10

04/13–14Karen BowersWatercolor: Wet on

Wet

04/13–14Peggy MagovernRealistic Portraiture in

Pencil

04/20–21 Cayen RobertsonExploring Press-Free

Monoprinting

04/20–21 Beth ChangstromMixed Media Collage:

A Fresh Look

04/26–28Susan Gross Reinvention & Play

Through Collage

05/4–5Mira M. White All About Graphite

05/4–5Miriam Davis Acrylic Painting

Without a Brush

05/18–19Rosemary AllenIntroduction to

Abstraction in Oil

05/18–19Victoria Brooks Mendocino Plein Air

Oil Painting

05/25–27Erin Dertner Paint “Big” Small

Oil Paintings

06/17–21Kenneth VallastroPainterly Scenes with

Figures in Oil

06/25–29Jeanne VoddenEnchanted Translucence

jewelry

03/15–17Nancy Gardner Recycling Your

Precious Metals

03/22–24Jennifer MonroeHydraulic Die Forming

04/5–7Mary Neuer LeeIt All Hinges on Metal

Clay

04/12–14Cynthia Rohrer Ring Triathlon

04/20–22Nikki Couppee Drawing & Painting

with Enamel

04/26–28Tara TurnerBeginning Jewelry

Fabrication

05/3–5Marge Stewart and John CornacchiaCreating Champleve

Jewelry Using Laser Etched Models

05/11–12Alison B. AntelmanFabricating Clasps

06/2–4Dana DriverDiemaking and

Embossing

06/7–9Rene RobertsMaking Unsoldered

Handmade Chains

06/17–21Barry Schrager Casting 2

sculpture

03/15–17 Chris ShookKnife Making from

Recycled Materials

04/13-14Rebecca DeerwaterSculpting in Paper

Mâché

04/20–21Alexis MoyerStack it Up in Clay

05/18–19Gert RasmussenBeginning

Blacksmithing

06/8–9Leona WaldenCarving Cast Cement

Fall 2012–Winter 2013 21

MARCH–JUNE 2013ART CLASSES at the MENDOCINO ART CENTER


Novelist and playwright Jody Gehrman’s eclectic inter-ests have led her to stints as a massage therapist and

cocktail waitress, studying Japanese, and living in locales far flung from her native California: Washington, Texas, Spain, Canada, and Japan.

These days, Gehrman makes her home in a sunny cottage in Potter Valley with buttercup walls, polished hardwood floors, and a view of the Northern California hills. She nests here with husband David Wolf and their cats Max and Fang to whom, like characters in her novels, she assigns distinct personality traits. “Max is old and fat and very cynical. Fang is spry and puppyish, not super smart but very sweet.”

Gehrman’s discovery of playwriting at the University of California, Santa Cruz, cultivated an enduring love of theater. At various times, she’s been a singer-songwriter and an actress, spurring her to create the Women’s Theater Ensemble in Bellingham, Washington, where she wrote and performed her one-woman show, Stone Sisters. She was presented the 1996 New Women Playwrights award for Tribal Life in America, and the 2007 New Generation Playwrights Award for a one-act play, Jake Savage, Jungle P.I. that she co-wrote with her husband.

The Ticking Clock, with an all-women cast, was per-formed on the Mendocino College stage in Ukiah, and at the 6th Street Theater in Santa Rosa to rave reviews. It also

received a staged reading by Chicago’s Artemisia Theatre in September 2012. Taste: A Wine Country Pygmalion, a modernized re-imagining of George Bernard Shaw’s play, had a well-attended staged reading at 6th Street Theater in March. Her addiction to the arts, she believes, is a direct byproduct of her Bohemian upbringing, where she spent weekends away from her hometown of Healdsburg hanging out with her dad’s anarchist friends in a commune in Berkeley.

Dreaming up ideas is never difficult for Gehrman, but finding the time to pursue them all is often much more chal-lenging. She tries to write every morning, but as an English professor at Mendocino

By Natasha Yim

Potter ValleyAuthor and Playwright

JODY GEHRMAN

Jody Gehrman (r.) with director Bronwen Shears working on a staged reading at 6th Street Playhouse in Santa Rosa. Dianna Brooks photo.


College in Ukiah, pushes herself much harder during school vacations when she’s not teaching. If she’s on a roll, she’ll sometimes write up to ten hours a day.

This discipline has paid off. Her first novel, Summer in the Land of Skin, was pub-lished in 2004 by Red Dress Ink, an imprint of Harlequin, and marketed as chick lit at the height of this genre, a categorization that Gehrman has never been completely comfortable with. However, Red Dress Ink offered her a three-book deal and her debut was quickly followed by Tart (2005) and Notes from the Backseat (2008).

In 2008, Gehrman once again reinvented herself with the publication of her first young adult novel, Confessions of a Triple Shot Betty (Dial Books for Young Readers/Penguin, 2008), a modern retelling of Shakespeare’s Much Ado About Nothing set in a drive-through espresso stand.

“It just felt like a story that had to be told from the perspective of a teen charac-ter, thus a new YA author was born!” Gehrman says. Once she tried writing from a young adult point of view, she realized how right it felt, and she’s remained with that audience since. She is fascinated with youth culture and appreciates the freshness and openness of teen readers.

“Teens don’t judge books based on stiff, pretentious ideas they’ve acquired about ‘great lit-erature’,” Gehrman says. “They’re eager to get lost in stories, and their imag-inations are still vivid. YA literature these days is in the midst of a true renais-sance, and I love being a part of that world.”

Confessions was fol-lowed by its sequel, Triple Shot Bettys in Love (Dial Book for Young Readers/

Penguin, 2009) and 2011’s Babe in Boyland.Having established the kind of publishing success that most writers can only

dream about, Gehrman has embarked on her next literary adventure – self-publishing. Her current YA novel, Audrey’s Guide to Witchcraft, tells the story of a teenage witch who must learn to harness her powers to uncover the truth to her mother’s disappearance and defeat the evil necromancer intricately connected to her mother’s secret past. It has just been released as an ebook via Smashwords and is available for download on the Smashwords web site, www.smashwords.com/books/view/177500, and on Amazon, www.amazon.com/dp/B008G7L6TS. It’s also available as a paperback through Amazon’s CreateSpace.

With the help of her husband David, Gehrman has relished having total control of the self-publishing process: hiring her own cover model, obsessing over fonts, and pouring over Photoshop tutorials. She’s now attacking the marketing aspect with the same gusto.

“There’s a real skydiving-esque thrill to all of this,” Gehrman says. “The outcome is uncertain, but I’m taking the plunge. It’s very liberating!”

The premiere of The Ticking Clock. L to r: Jan Michele, Corinna Rogers, Carrie Hardman.


L andscape painter William Keith, one of the “Big Three” Western artists of his time, with Thomas Hill and Albert Bierstadt, made a comeback in the

1960s and ‘70s after decades in the shadow of modernism. As more and more land in the West was lost to freeways and housing developments in the post war boom, the environmental movement grew, heightening appreciation for our natural places. Collectors and museum curators once again embraced Keith, who chronicled both the sublime and pastoral in his 19th and early 20th century Western landscapes.

One such curator, Marvin Schenck, had the good for-tune to come in close con-tact with William Keith’s work in the 1990s while serving at the Hearst Art Gallery at Saint Mary’s College, which holds an extensive collection of his paintings. Schenck, long-time curator at the Grace Hudson Museum, h a s b r o u g ht “ T h e Comprehensive Keith: A Centennial Tribute” to Ukiah for a run from

August 26 through January 27.“I got to choose all my favorites to bring to Mendocino

County, from a grand Tamalpais canvas to his lovely little pieces,” says Schenck.

As a landscape painter himself, Schenck claims that Keith is hard to resist.

“William Keith had a love of nature and, whether painting in realistic fashion or his later expressionistic-spiritualistic style, he had the ability to see and convey the wonder of it all,” explains Schenck.

This description captures the essence of William Keith as an artist. Born in 1838, just a decade after Albert

Bierstadt and Thomas Hill, Keith came under the influence of both. He shared their enthusiasm for the wild beauty of the West and their penchant for painting grand land-scapes on an epic scale. A hallmark of the Hudson River School style, the monumental landscape was the rage by the 1860s when Keith began paint-ing. Also, the fact that he,

William Keith in Ukiah: A Centennial Exhibit

By Dot Brovarney

Peaceful Valley, 1882. William Keith portrait, c. 1870s.

Grand Forest Interior, c. 1900–1911.


Hill, and Bierstadt all settled in San Francisco in early 1872 (Bierstadt temporarily) certain-ly reinforces the idea of artistic cross-pollination.

Following trips to study art in Europe in the 1870s and 1880s, William Keith adopted the moodier, more intimate look and modest subject mat-ter of the French Barbizon School. Although he stated his preference for this avant-garde impressionistic style over the more traditional detailed topographical approach of the Hudson River artists (“artists too often make the mistake of finishing every rock and tree and bank”), he was willing to use both. He even set about to learn portraiture in the 1880s when public interest in land-scapes declined. Mastering a variety of skills contributed to his longevity as one of the West’s foremost painters.

Good connections also factored in to Keith’s success. He frequently trekked and sketched in the wilderness with mountaineer and fellow Scot, John Muir. The painter’s relationship with the Sierra Club founder lasted a lifetime and their forays into the Sierra led to many paintings of its snow-crowned peaks, roiling rivers, and verdant meadows.

Besides his close alliance with Muir, Keith developed a long-standing friendship with Rev. Joseph Worcester, a clergyman who had a passionate interest in art and nature. Worcester delighted in the artist’s softer, more subjective inter-pretations of nature’s elements, which lent them a visionary quality.

To his credit, William Keith embraced all these perspectives – Hudson River sublimity, Barbizon subtlety, Muir’s topo-graphical accuracy, and Worcester’s spiri-tuality. He could paint to each and, in many cases, incorporated all into his own artistic style.

“The Comprehensive Keith: A Centennial Tribute” provides a strong

show of William Keith’s versatility and, at the same time, offers an opportunity to glimpse life in a more bucolic California than the one we now inhabit.

The exhibit takes us from the Pacific and its bays – Stinson Beach, Santa Cruz, and San Francisco Bay, inland to oak-studded valleys and hills – Lake County, Napa Valley, and San Anselmo, and up to the Sierra’s mountains, meadows, and lakes – Donner, Tuolumne, and Yosemite Falls.

One Sierra painting, Keith’s Hetch Hetchy Valley (1907–10), takes on special significance 102 years after it was completed. The artist painted this view following

a 1907 trip to Hetch Hetchy with Muir. Keith’s paintings contributed to the natu-ralist’s campaign to save the valley from flooding, which ultimately failed. But a 21st century campaign to drain the flooded valley and restore its former grandeur has succeeded in placing an initiative on the November ballot in San Francisco.

A number of Keith’s works, par-ticularly from the 1880s and 1890s, are unidentified as to locale. Keith’s depic-tion of Indian hop-pickers in the 1880s

Polemics, 1884.

Twilight at Cazadero, circa 1910–1911.


17 Mendocino County Artists!

• Ceramics

• Sculpture

• Paintings

• Jewelry

• Mirrors

• Photography

Open Daily 10am–5pm 356 N. Main St., Fort Bragg 95437www.edgewatergallery.net

707-964-4668First Friday reception 5–8pm each month!

at a still unknown site leaves one to wonder: Could this be a Mendocino County location? This and other pieces with titles such as Dazzling Clouds, Evening Glow, Cattle at Edge of Meadow reflect the artist’s more subjective and intimate relationship with nature.

The similarity of some of Keith’s pieces in subject and tone to Grace Hudson’s landscapes is not lost on Curator Schenck. Both artists painted quiet pastoral landscapes, often including figures – Indians, farmers, herders and grazing animals. Further, both lived in San Francisco in the same period – Keith a well-established artist by 1880 when 15-year-old Grace Carpenter began her four-year study at the San Francisco Art Association’s School of Design. Even if she never met Keith, she surely viewed his work.

Accordingly, the Curator hopes to find a spot to hang a Grace Hudson land-scape amongst the 53 paintings by the man considered Northern California’s master landscape artist.

Yosemite Falls, c. 1870s or early 1880s.

For more information about “The Comprehensive Keith: A Centennial Tribute,” visit www.gracehudson-museum.org or call 707-467-2836. Alfred C. Harrison Jr.’s essay, “The Art of William Keith” was an invaluable source for this story.

November

MAIN GALLERY

Mendocino Eco Artists

A Benefit for Mendocino Land Trust’s Big River Watershed Restoration Projects

GALLERY TEN

Jacquelyn Hewitt, “Looking Out”

December

MAIN GALLERY

Partners Group Show

NICHOLS GALLERY

Fourth AnnualWooden Toy ShowMendocino Coast FurnitureMakersHandcrafted Wooden Toys

John

Hew

itt

Paul

Reib

er

Second Saturday Artists’ Receptions each month at 5:00pm

December

ABRAMSON GALLERY

MAC Education Coordinators

GALLERY TEN

John Hewitt, “Coast to Coast”Paintings of America

January & February

MAIN GALLERY

Members’ Juried ExhibitAll Media

March

MAIN GALLERY

Marine Wildlife ExhibitFeaturing David L. Cross

GALLERY TEN

Sunshine Taylor

Suzi

Marq

uess

Lon

g

mendocino art centerON EXHIBIT – November through March

Open Daily 10:00am–4:00pm

mendocino art center45200 Little Lake Street at Kasten Street, Mendocino707 937-5818 • 800 653-3328www.MendocinoArtCenter.org

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Just steps to the beach anda stroll to fine restaurants, galleries

and the Mendocino Art Center.ocean views • decks • fireplaces

An enchanting refuge for rest and renewal...

On Main Street at EvergreenMendocino Village

800 780-7905 • 707 937-5150www.oceanfrontmagic.com

OCEANFRONT INN& COTTAGES

“MORE USED BOOKS, PLEASE”

MAIN ST. BOOKSHOP

990 MAIN ST. MENDOCINO937-1537

OPEN DAILY

“THE ONLY USED BOOKSTORE IN TOWN”

Art Center UkiahA Community Art Center

Corner GalleryAn Artist Cooperative

www.artcenterukiah.org

201 S. State StreetUkiah, California707-462-1400

Tuesday–Saturday 11:00am–5:00pm

EVENTS · EXHIBITSWORKSHOPS · ART WALK


Art and Office Supplies withStyle

344 NORTH FRANKLIN, FORT BRAGG

707 964-2416

RACINESFORTBRAGG.COM

Art Explorers, Inc.A nonprofit program with studio and gallery. Offering unique and affordable art, hand-made crafts

and cards.

Open Tuesday, Thursday and Friday 9–3; Saturday 12–3

305 E. Redwood Ave., Fort Bragg

707 961-6156

Paws, Michelle Aliotti, acrylic on canvas


WESTPORTGALLERY THIS! @ THE WESTPORT HOTEL38921 N. Highway 1707 964-3688

FORT BRAGG ART EXPLORERS305 E. Redwood Avenue707 961-6156

THE ARTISAN VILLAGE1800 N. Highway 1707 961-6033

BRAGGADOON435 N. Main Street707 964-5050

DAN HEMANN SCULPTURE AND THE GREEN DOOR STUDIO121 E. Laurel Street707 964-6532

EDGEWATER GALLERY356 N. Main Street 707 964-4668

ERIN DERTNER STUDIO137 E. Laurel Street707 964-7781

FAMILY HANDS200 Redwood Avenue707 961-0236

FRAME MILL ARTWORKS116 Laurel Street707 964-6464

GALLERIE DEPOT-VENTE300 Depot Mall707 961-6273

THE GALLERY MUSEUM225 E. Redwood Avenue707 961-0360

GARDEN ART & GIFTS 1230 N. Main Street707 964-7897

GLASS FIRE ART GLASS GALLERY18320 N. Highway 1 707 962-9420

HEADLANDS COFFEEHOUSE120 E. Laurel Street707 964-1987

LOST COAST CULTURE MACHINE190 E. Elm Street707 961-1600

MENDO BISTROCompany Store at N. Main707 964-4974

MENDOCINO COAST DISTRICT HOSPITAL700 River Street707 961-4610 MENDOCINO COAST PHOTOGRAPHER GUILD & GALLERY 344 N. Main Street707 964-4706

NORTH COAST ARTISTS362 N. Main Street707 964-8266

PARTNERS GALLERY335 N. Franklin Street 707 962-0233

PIACI PUB & PIZZERIA120 W. Redwood Street707 961-1133

RACINES OFFICE SUPPLY344 N. Franklin Street707 964-2416

RUBAIYAT BEADS222 E. Redwood Avenue707 961-0222

TOTO ZAIDA142 E. Laurel Street707 964-8686

V’ CANTO 124 E. Laurel Street707 964-6844

MENDOCINOAMERICAN PIE45050 Main Street707 937-3235

ARTISTS CO-OP OF MENDOCINO45270 Main Street707 937-2217

THE ATTIC OF MENDOCINO10481 Lansing Street707 937-2360

CELTIC CREATIONSAbove Gallery Books707 937-1223

DAZZLING LITES ON THE COAST 42580 Little Lake Road707 937-0837 707 226-2815

GALLERY OF THE SENSES45104 Main Street707 937-2021

GARTH HAGERMANNature Photography Gallery45021-C Little Lake Street707 937-1987

HIGHLIGHT GALLERY45052 Main Street707 937-3132

ICONS10483 Lansing Street707 937-1784

MENDO BURGERS10483 Lansing Street707 937-1111

MENDOCINO ART CENTER45200 Little Lake Street707 937-5818

MENDOCINO CAFÉ10451 Lansing Street707 937-6141

MENDOCINO GEMS10483 Lansing Street707 937-0299

FIRST FRIDAYS IN FORT BRAGGMost galleries and businesses holding First Friday art openings are open from 5:30–7:30 p.m.

SECOND SATURDAYS IN MENDOCINOMost galleries and businesses holding Second Saturday art openings are open from 5:00–7:30 p.m.

FIRST FRIDAYS IN UKIAH Opening art receptions the First Friday of every month from 5:00–8:00 p.m.

LAST SATURDAYS IN WESTPORTGalleries and businesses holding Last Saturday art openings are open from 5:30–7:00 p.m., February through December.

MendOCinO COunTy Gallery Guide

JohnFishersculptureThe Three Ages of

WomanNewgalleryexhibitseach

monthfeaturingemergingandestablishedartists.Opendaily

10:00am–4:00pm.

MendocinoArtCenter.org

MENDOCINO ART CENTER45200 Little Lake Street,

Mendocino707 937-5818

MENDOCINO COAST PHOTOGRAPHER GUILD

& GALLERY 344 N. Main Street, Fort Bragg

707 964-4706

The Bald Eagle byRonLeValley

Devoted to inspiring photographic excellence on

California’s North Coast.

OLD GOLD6 Albion Street, Mendocino

707 937-5005

Where you will find beautifully detailed jewelry fabricated in the original art

form of die striking and hand chasing.


To be listed in this Guide contact:

COAST Steven P. Worthen 707 964-2480, 707 813-7669

INLAND Jill Schmuckley 707 391-8057

MENDOCINO JEWELRY STUDIO45104 Main Street707 937-0181

MENDOCINO SANDPIPER 45280 Main Street707 937-3102

MOODYS ORGANIC COFFEE BAR & GALLERY10450 Lansing Street707 937-4843

OLD GOLD6 Albion Street 707 937-5005

PANACHE ON MAIN45120 Main Street707 937-0947

PRENTICE GALLERY45110 Main Street707 937-5205

REFLECTIONS KALEIDOSCOPES 10400 Kasten Street 707 937-0173

RUBAIYAT BEAD & RUG GALLERYCorner of Lansing & Little Lake Streets707 937-BEAD

STANFORD INN BY THE SEAHwy 1 & Comptche-Ukiah Road707 937-5615

THE MOOSSE CAFÉ390 Kasten at Albion Street707 937-4323

WILLIAM ZIMMER GALLERYCorner of Lansing and Ukiah Streets707 937-5121

WISDOM HOUSE GALLERY45280 Main Street707 937-3360

THE WORLD OF SUZI LONG611 Albion Street – Watertower 707 937-5664

ZACHA’S BAY WINDOW GALLERY45110 Main Street707 937-5205

LITTLE RIVER & ALBION GLENDEVEN INN8205 N. Highway 1, Little River707 937-0083 LEDFORD HOUSE3000 N. Highway 1, Albion707 937-0282

LITTLE RIVER INNHighway 1, Little River707 937-5942

STEVENSWOOD FINE ARTS8211 N. Highway 1, Little River 707 937-2810

ELKARTISTS’ COLLECTIVE OF ELK6031 S. Highway 1707 877-1128

GUALALAALINDER STUDIO GALLERY39140 S. Highway 1707 884-4884

BLUE CANOEAnchor Bay707 884-1800

THE DOLPHIN GALLERY An associate of Gualala Arts Center39225 Highway 1707 884-3896

GUALALA ARTS CENTER46501 Old State Highway, off Highway 1 707 884-1138

HENLEY’S ART & INTERIORSCypress Village707 884-1531

STUDIO 39139102 Ocean Drive707 884-9065

HIGHWAY 128JOHN HANES FINE ART GALLERY14051 Highway 128, Boonville707 489-0981

MAPLE CREEK WINERY20799 Highway 128, Yorkville707 895-3001

REBECCA JOHNSON ART1200 Highway 128, mm15.08Philo707 895-9205

ROOKIE-TO GALLERY14300 Highway 128, Boonville707 895-2204

UKIAHART CENTER UKIAH201 S. State Street707 462-1400Classes: Adult & ChildrenRotating Exhibits

ARTS COUNCIL OF MENDOCINO COUNTY309 E. Perkins707 463-2727

THE BEAT ART GALLERY109 W. Perkins Street707 462-4180

BELLA VIDA COLLECTIVE405 W. Mill Street707 462-3446

CORNER GALLERY201 S. State Street707 462-1400A cooperative gallery featuring24 local artists. Visual arts, photography, ceramics, metal work, textiles, and more.

CRAFTSMAN ESTATEFINE ART & ANTIQUES396 N. State Street 707 463-3900

GRACE HUDSON MUSEUM431 S. Main Street 707 467-2836

GRACES ON MAIN/HOYMAN-BROWE STUDIO323 N. Main Street707 462-5911 707 468-8835

NOMAD’S WORLD GALLERY290 S. School Street707 463-2949

N. PAISLEY STUDIO312 N. School Street 707 468-7936

UKIAH VALLEY ARTISTCOOPERATIVE GALLERY518 E. Perkins (Pear Tree Center)

WESTSIDE RENAISSANCE GALLERY 1003 W. Clay707 462-0083

WILLITSBLUE SKY GALLERY21 S. Main707 456-9025

WILLITS CENTERFOR THE ARTS71 E. Commercial Street707 459-1726

LAKE COUNTYDIEGO’S GALLERY9495 Main Street, Suite 3Upper Lake707 350-4209 THE GOURD GALLERY6197 E. Highway 20, Lucerne707 274-2346

GRACIOUS LADIES9460 Main Street, Upper Lake707 275-2307

LAKE COUNTY ARTS COUNCIL &MAIN STREET GALLERY325 N. Main Street, Lakeport 707 263-6658

LAKESIDE ART6195 E. Highway 20, Lucerne707 739-7010

LIGHTNING ROD GALLERY 9475A Main Street, Upper Lake 707 275-8018

POMO FINE ART GALLERY6199 E. Highway 20, Lucerne707 348-6045

SERENDIPITY ART & BOUTIQUE6193 E. Highway 20, Lucerne 707 245-7512

march–june 2013 art classes at the mendocino art center · nancy collins success with succulents...

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