marissa rosati cool // portfolio of graduate work
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Portfolio in Interior DesignGraduate Works
Marissa Rosati Cool
Embracing daylighting, social and cultural contexts, along with innovation and creativity to create sustainable, comfortable & unique spaces.
Personal Statement
Defining Sense of Place Through Daylight & Historic Structures
“Architecture is the very mirror of life. You only have to cast your eyes on buildings to feel the presence of the past, the spirit of a place; they are the reflection of society.”-I. M. Pei
“The city...does not tell its past, but contains it like the lines of a hand, written in the corners of the streets, the gratings of the windows, the banisters of the steps... every segment marked in turn with scratches, indentations, scrolls.”-Italo Calcino
“The window must be considered both from the point of view of the effect it has on the exterior appearance of a building- the building form- and the function served by it, associated with the interior appearance of the spaces it lights.”
-Derek Phillips
“ I can’t define a space really as a space unless I have natural light... all spaces worthy of being called a space need natural light. Natural light gives mood to space by nuances of light in the time of day and the season of the year as it enters and modifies the space.”-Louis Kahn
“Buildings are the physical manifestation of memory- it is memory that makes places significant.”
-Donovan Rypkema
Table of Contents
PorchesRestaurant Design
Press 21Office Design
Community Enrichment CenterColfax, WA
Master’s Thesis ResearchDaylighting for Human Habitat
Master’s Thesis ProjectPublix Hotel
2
18
38
NotablesSkills & Contact Information
46
26
1221
2
ProblemA national restaurant chain desired to revamp its menu to focus on healthier and environmentally sustainable food, and have a design aesthetic that reflects the new brand identity.
Design SolutionWhen food is grown locally it retains more nutrients and cost less to transport, and highlights America’s regional food culture. The design of the restaurant highlights local food production and signals to consumers that this restaurant takes pride in serving fresh locally sourced food. Each restaurant location will have a porch that reflects the vernacular architecture of that region. Interior elements will also reflect regional architectural features and locally made furniture and wares.
Porches National Restaurant with Regional Flare
Applicable SkillsRevit [Night Rendering & Rendering with Revit Cloud] - Concept Mapping- Branding & Logo Design
3
Porches
Regional Restaurant Design
Seattle Res
taur
ant
4
Before the age of nutrition , food science, and industrialized Food...
...there were traditions, rituals, spirituality, & inherited food wisdom.
American Food Culture?
5
Evolved from the simple stoop, porches
became recognized as spaces for social
interaction and served as both formal
and informal spaces.
Concept Mapping
American Architectural Traditions?
Res
taur
ant
6
Regional Vernacular Architecture
Revenue Generators
Local/Regional Food
-Money stays in local economy, greater multiplier effect.
-Fresher more nutritious ingredients.
-Decreased transportation costs, decreased CO2 Emissions.
-Pays homage to our American Culture through the built environment.
-Signals to the consumer that Porches honors local regionalism.
The Porch
The Pantry
There is no better way to draw customers in than people! The wrap-around porch invites people in, and to linger, therefore drawing more customers to capture more revenue.
Porches’ own spice mixes, house-made sauces, ready-to-go-meals, seasonal arrangements, and regional housewares from local artisans serve to influence Americans to take pride in their own food traditions when not patronizing Porches. This will increase brand loyalty, and encourages people to stop by on the way home from work to pick-up.
Increasing Profits by Promoting American Regional Culture
- A place for social Interaction.
Features
Family Dining:
Retail Area:
Dining Area: Seats 129
Seats 26
Porches Pantry sells signature goods & ready-made meals.
Dress-up or Down, Porches is elegant casual. Great for any occasion.
Finish your meal, and your sentence, while your children enjoy themselves at Porches one-of-a-kind play areas.
Porch Dining: Seats 90Porches invites you to linger... grab a drink or maybe dessert.
Bar & Lounge:Seats 100Porches is a place for you and your friends to enjoy a drink or a bite to eat together -day or night.
$$$
Applied ConceptA Plan for Maximizing Revenue
Res
taur
ant
8
Porches Pantry- In addition to family-style meals of American Regional Cuisine, patrons will be able to purchase Porches’ own spice mixes and house-made sauces, seasonal arrangements, and regional housewares from local artisans.
Porches Signature Picnic Baskets Seattle location will feature Native Salish designs
Porches inspires Americans to take pride in their own food traditions when not patronizing Porches. This will increase brand loyalty, and encourages people to stop by on the way home from work to pick-up.
Dining-in or taking-out
9
Illuminated by daylight or glowing after sundown
Res
taur
ant
10
Furniture & Materials
11
Always a good time at Porches
Res
taur
ant
12
ProblemA graphic design firm needs an office design that incorporates its values and brand identity. It is to lease an 6700 sqft on one floor of the existing cast-in-place concrete warehouse known as the Fuller Building in Spokane, WA. The space has great daylight but glare could be a potential problem for this office design.
Design SolutionPress 21 is a graphic design firm that applies new technologies to the printing press. The printing press inherently has a low impact on the environment, due to the fact that they are human powered and use environmentally friendly inks and papers. A sustainable office design reinforces the ethic of the printing press. Inspiration for the design will take objects from the 20th century and appropriate them for today’s use. The office space serves to function appropriately, extend human capability, and enhance productivity; it will also serve as an aesthetic image of the company’s mission. The adaptive reuse of this space honors the original daylight intent of the building to enhance occupant wellbeing and comfort.
Office DesignPRESS 21
Applied SkillsRevit - Construction Documents - Rendering with Revit Cloud- Daylight Modeling [Physical Models, High Dynamic Range & False Color Photography] - Branding & Logo Design
13
PRESS 21
LETTER PRESS // GRAPHICS // WEB DESIGN
OPrinting Press for the 21st Century
"... if you design a room with the full consideration for all of the aspects of the environment, why, you don't really design one room, you design a thousand rooms within a single room " - Paul Thiry
PRESS 21
LETTER PRESS // GRAPHICS // WEB DESIGN
O
Offi
ce
14
Programmatic Assessment
Utilizing Daylight for Maximum Comfort
Above: Fuller Building Warehouse before renovation
Below: Fuller Building Warehouse after renovation
15
South facing windows with no light shelves or light well
South facing windows with light well only
South facing windows with light well & light shelves
Daylight Modeling
Problem: Hot spots along south facing windows and dark patch in core of building.
Solution: North facing light shaft brings even daylight into core of the space.
Solution: Light shelves eliminate hot spots & distribute daylight deeper into space.
Daylight Zone = 2 x window head height = People Zone
Offi
ce
16
Operable Windows
Daylight- Optimized Venetian Blinds
Light shelves
Occupant & Daylight sensors
Curved ceiling capture & redistribute daylight
Reflectivity of Surfaces- Ceilings: 80%, Walls: 50%, Floor: 20%
Interior Daylight Strategy:Harnessing Daylight for Occupant Health & Welfare
Task Lamps
Circulation Aisle
17
North Facing Windows:Even, indirect daylightGreat for conference rooms
Goals:
South Facing Windows:Lots of Light = Lots of Heat
Must use space for periodic use. (Kitchen)
South East Corner:Wonderful morning light, great for lounge area
Maximize DaylightReduce Energy ConsumptionIncreased Occupant Comfort
Computers should be perpendicular to window wall
Skylights needed for reception area
Need to watch GLARE!!!
Daylight Assessment
Abundant Daylight must be controlled with shades and light shelves
Daylight Potential Benefits & Problems
Offi
ce
18
Design SolutionThrough the community meetings it was decided that the space would house a digital photography tourism center which would help draw and support tourism to the Palouse for its natural scenic beauty. When not in use by photography classes the lab could be used by town citizens as a digital library resource. A gallery space was incorporated to house regional art. Since this building housed the old drugstore with a soda fountain, that feature is to be replicated and will serve as a leasable business space to generate revenue, a sense of community pride and social interaction.
ProblemColfax is a bedroom community, and in need of a place that would foster community interaction after working hours and on weekends. The community would like a space that encourages tourism to the small rural town and generates revenue to the community.
Community Enrichment Center Photography Tourism, Community Space & GalleryColfax, WA
Applied SkillsRevit - Hand Rendering over Revit - Conceptual Drawings - Daylight Modeling - Historic and Community Research - Logo Design
Photography Tourism Community Center
& Gallery
Community Enrichment Center
RCDIa community/university collaboration
Com
mun
ity C
ente
r
Inspiration for the Whitman County Community Enrichment Center is derived from the concept of the lens. The lens was chosen due magnifying quality in which it can capture and highlight an object. The lens has captured past, present moments in Colfax and will be an influential force to help capture and shape the future. The Colfax Community sees itself in a critical moment
where the choices it makes today can have a powerful, lasting influence on its future.
Concept: The Lens
Current Storefront of Hamilton Drug
Design Workshop with Commuity Members
Com
mun
ity C
ente
r
Hamilton Building during 1910 flood
Hamilton Building during 1910 flood
Hamilton Building during Late 1920’s
Proposed Restoration of Historic Storefront of Hamilton DrugResearch & Revit Drawing by Marissa Cool
Hand Rendering over Revit by Amanda Bilberg
Drug Store Soda Fountain
22
Historically Inspired
Window Design Gives Ambient
Illumination with Privacy and
Security.
Awning during summer days or sunny mornings
Uncovering the Daylight
Chamber Desk
Classroom
Conference
Storage
Art Storage
Digital Photo Lab
Women’s
Men’s
Fountain Storage Chamber
Storage
Gallery Space
Fountain
Floor Plan N
Interior Translucent
Door Glazing to Allow Occupants
to Connect to Natural Light
and Views
Borded-up storefront transoms
Current Alley Entrance
Dropped ceiling & fluorescent lighting
Com
mun
ity C
ente
r
Renovations from the 1970’s removed or truncated daylight
Historic Daylight Strategies Illuminate New Use
24
Furniture & Materials
Whitman County’s Living Room
Com
mun
ity C
ente
r
26
BackgroundHistorically, buildings used a variety of strategies to capture and distribute daylight to provide ambient lighting to the interiors. As electric lighting became widely available, the necessity for daylighting disappeared, along with much of the knowledge base. Presently, it is common to find alterations in historic daylighting strategies with ramifications on interior environmental quality. This graduate research specifically looks at daylit buildings from the time period 1900-1920. The intent is to build a knowledge framework that supports designers in reclaiming daylighting during rehabilitation and adaptive reuse of historic buildings. The research is grounded in a broader objective of advancing daylighting as a sustainability initiative, recognizing benefits to occupants in terms of health and productivity along with energy savings and passive survivability.
Results and RelevanceThis research examines historic features of buildings that were designed with a knowledge base of nearly a century ago. It was this knowledge base utilized daylight to illuminate interior environments. Moreover, investigation into the alterations tell a story of multiple forces -- aesthetic, functional, social, cultural, economic -- that led to changes that ultimately impact the interior luminous environment. A fuller understanding of these conditions arms the designer with knowledge that will enable a more informed approach to reclaiming daylighting features in historic building while preserving and enhancing interior environmental qualities.
Daylighting for Human Habitat: Lessons from the Past - Designs for the Future PurposeTo Analyze the interiors of historic buildings to recognize patterns of successful daylight strategies, the forces that have altered these strategies, and to bring insight to projects of adaptive reuse.
27
Mas
ter’s
The
sis
New York’s Grand Central Station
28
PROBLEM
Historically, buildings used a variety of strategies to capture and distribute daylight to
provide ambient lighting to the interiors. As electric lighting became widely available, the
necessity for daylighting disappeared, along with much of the knowledge base.
29
Da
yl i
gh
t in
g f
o r Hu m a n H a b i t a t
Sunl
ight
B
ioph
ilia
Shaping Spaces
HumanHabitat
PURPOSE
Original framework by author
Mas
ter’s
The
sis
The intent of this project is to encourage modern-day designers to create human-
centered environments that reduce energy use, celebrate daylit interiors, provide a
connection to the natural environment, and to foster social interaction.
Hbitat [hab - i- tat] (n):
place that is natural for the life
and growth of an organism:
30
1891 1913
Carpenter & Wilson-Short Halls
Corbus
ier- A
Mac
hine f
or Li
ving
Cheap
Abundan
t
Energ
y1881
Chicag
o Buil
ding C
ode a
ddress
light
venti
lation
& p
lumbing
Adolf Lo
os- O
rnam
ent &
Crime
1908 1916
New Yo
rk to
restr
ict he
ight, ar
e and
land
use
of buil
dings
HVAC- T
he M
ilan B
uilding
in S
an A
ntonio
, TX -
1st
fully
air co
nditio
ning of
fice b
lock (
still “
U”-sha
ped)
Fluor
esce
nt Lig
hts
1928 1939
Penici
llin &
Stre
ptomyc
in
Advanc
emen
ts in
Pharm
aceu
ticals
replac
e des
ign for
healt
h, lig
ht an
d natur
al
venti
lation
1943-45 195019271885
First
Sanato
rium C
onstr
ucted
in th
e
State o
f New
York
Thompson Hall
General Motors Office Building Marshall-Field Wholesale Building
DAYLIGHT NARRATIVE 1890’s to Present
Wilson- Short Hall
Max. Dist. to Perimeter: 32 ft
Percentage of Area Within 20’ of a Window: 90%
Max. Dist. to Perimeter: 23 ft
Percentage of Area Within 20’ of a Window: 96%
Thompson Hall
This timeline gives a narrative how economic, social-cultural shifts and technology impact our building designs over the last century. The biggest impact on daylight design has been cheap abundant energy. This allowed building design to turn away from illuminating interior spaces with daylight and relying on electric light.
With energy cost rising and impacts to our natural environment mounting today, the need for daylight to be a part of building design is crucial.
Day
light
Pat
tern
Gui
de -
New
Bui
ldin
gs In
stitu
te
Day
light
Pat
tern
Gui
de -
New
Bui
ldin
gs In
stitu
te
31
Mas
ter’s
The
sis
1958 1971 2006
Renovation of Wilson-Short Hall
Renovation of Carpenter Hall
Daylight Assessment of Carpenter & Wilson Short Hall
1991
Electro
magne
tic Lo
cks
Perso
nal C
ompute
r
Post M
oder
nism
2005
Acous
tic C
eiling
Tile
& Mod
ular C
eiling
System
with
mod
ular &
grid
Energ
y Cris
is
Green
Buil
ding M
ovem
ent
2014
1958A S
ilent
Spring- R
ache
l Car
son
1962WA P
ublic
Buil
ding to
Mee
t LEED S
ilver
2008
CA Gre
en B
uilding
Cod
es-
Holland Library
Smith Center
Aon Center Tower Terry Thomas Building
Holland LibraryMcEachern Residence Center
Education Addition
Maximum Distance to Perimeter: 92’-6” ft
Percentage of Area Within 20’ of a Window: 39%
Maximum Distance to Perimeter: 19 ft
Percentage of Area Within 20’ of a Window: 100%
Max. Dist. to Perimeter: 56 ft
Percentage of Area Within 20’ of a Window: 65%
Seagrams Building
Penici
llin &
Stre
ptomyc
in
Advanc
emen
ts in
Pharm
aceu
ticals
replac
e des
ign for
healt
h, lig
ht an
d natur
al
venti
lation
Day
light
Pat
tern
Gui
de -
New
Bui
ldin
gs In
stitu
te
Day
light
Pat
tern
Gui
de -
New
Bui
ldin
gs In
stitu
te
Day
light
Pat
tern
Gui
de -
New
Bui
ldin
gs In
stitu
te
32
A DAYLIT SPACE- provides daylight as the primary source of daytime illumination to accommodate the occupants’
visual demands, is experienced as a visually and thermally comfortable space connected to outdoor phenomena, and
persistently maximizes electric light energy savings while minimizing peak energy demand.
-Van den Wymelenberg (2008)
DAYLIGHT AS A HUMAN NEED21st Century Zeitgeist
The benefits of daylit spaces on human health and
wellness have only recently been understood through
research:
- Worker productivity
(Heschong, 2003),
- Healing rates in hospitals
(Ulrich, 1984; Walch et al. 2005),
- Retail sales
(Heschong, 1999)
- Improved test scores in schools
(Heschong, 2002)
- Reduction of Stress
(Heerwagen, et al. 1998)
- Health - physical and psychological
(Edwards and Torcellini. 2002)
33
Mas
ter’s
The
sis
RESEARCH QUESTIONS
Daylight Strategies of the Past - 1906
Alterations to Daylight Strategies with Interior Ramifications - 1960’s
Applying Historical Knowledge - 2013
SEATTLE’S KING ST. STATION1. How did past generations employ fenestration and other design
strategies to capture and distribute daylight to provide
ambient lighting to interiors for occupant need?
2. What were the forces that led to the alterations of historic
daylighting strategies, the loss of this knowledge base, and the
ramifications on interior environmental quality?
3. Given the cultural zeitgeist of sustainability today, how can the
historical knowledge of daylighting be utilized to support
occupants in the built environment?
34
N
Historic Floor Plan Features
Shallow floor plate Interior windows
Tall Windows
Occupants Placed in Daylit Areas
Walls Placed Not to Impede Daylight
Transom Windows
Glass Paneled Doors
Wide Trim to minimize contrast
Historic Floor Plan Features
SHAPING SPACESLessons - Historical Construction of Carpenter Hall & Wilson Short Hall
Historic Floor Plan reveals programming to support daylight and interior glazing & light reflecting and diffusing finishes
35
Mas
ter’s
The
sis
SHAPING SPACESLessons - Historical Documentation
"Experience has demonstrated that all spaces within the enclosure of four walls which are not well lighted by sunshine or at least direct daylight, are in office buildings nonproductive. Further, optimum building depth has, been found in Chicago to be not more than 24 feet, assuming the height of the story to be about eleven, and the window to be placed close to the ceiling.”
- John Wellborn Root, Architect 1890 Excerpt from Alphabetical City by Steven Holl
• Light (daylight) to enter classroom at pupils left, never from the front
• “Keep window head height close to ceiling as practicable”
• Net glass area to be 20% of the floor area
• Walls & Ceiling to be panted with light colors
Architectural Standards:
36
Foot Candles9am Blinds Open
Foot Candles 9am As-Is
SUNLIGHT - HARNESS & CONTROLLessons - Illuminance Mapping of Carpenter Hall
5
10
20
30
50
75
100
150
1000
Carpenter Hall Exterior
High Dynamic Range Photograph
False Color Imaging Photograph
South
North South
North
Acceptable Range for Occupant Comfort
37
BIOPHILIALessons- Interior Observations and Occupant Interviews Wilson-Short Hall
“I work in my office 12 hrs a day almost every day of the week. I ask the person in the office across the hall if they can leave their door open so I can have a view to the outside. I also take walks to see what is going on outside.”
“BIOPHILIA - The inherent human affinity to affiliate with natural systems
and processes. - Wilson (1984)
Sam received a giant box with which to play. Sam hid in it for a little while. That
got boring then she broke through the other and voila a tunnel was formed. The tunnel was fun but then she asked to use the scissors, doors and window were carved out and voila a suitable dwelling.Sam grew up, did well in school and decided to get a doctoral degree. Once again she was given a box of her very own. This time she spent nearly 12 hours in her box six days a week. Sadly there were no scissors for her box. Sam did everything she could to make her little box habitable. She brought in lamps, left the door open with the hope to get a view out of her neighbor's box, which was placed across from hers, and had a window with a pleasant view. Sam loved having a box to call her own, but she had to take breaks and walks to get out and see what was happening outside- was it afternoon or evening? What was the weather doing? Then she would make a stop by her friend's box to say hi and catch up since the last time they saw each other.
S a m ' s Story
Mas
ter’s
The
sis
Interior Office- No Access to Daylight
38
Mas
ter’s
The
sis
THE PUBLIX HOTELA Story of Life and Light
“Everybody needs beauty as well as bread, places to play in and pray in, where Nature may heal and cheer and give strength to body and soul alike. This natural beauty-hunger is made manifest in the little window-sill gardens of the poor...”
Small 10 x 10 rooms,
illuminated by daylight, and
prompted the residents to
utilize communal spaces.
- John Muir, 1912
Mrs. Hashiwara
39
Mas
ter’s
The
sis
Daylighting for Human HabitatLessons from the Past - Designs for the Future
Applied Thesis to The Historic Publix Hotel Seattle, WA
Sunlight - Rooftop Refuge
Biophilia - Residential Floors
Shaping Spaces - Basement Cavern
PROJECT OVERVIEWPotential for Daylighting to Create Human Habitat
Da
yl i
gh
t in
g f
o r Hu m a n H a b i t a t
Sunl
ight
B
ioph
ilia
Shaping Spaces
HumanHabitat
Though the whole framework will be applied throughout the redesign of the Publix, priorities
are given to the primary need of each space. For example the basement does not currently
have any access to daylight. In this case the framework will be applied to address glazing,
materials, wall placement, ceiling design and programmatic needs to capture and reflect
light so that the basement can be illuminated by daylight.
Views
Harness Control
Social Connection
Connection to Nature
Glazing Views Walls Materials Programing
41
Mas
ter’s
The
sis
N Original Single Room Occupancy Floor Plan
The Publix Hotel fits Stephen Holl’s “E” Type building from his Pamphlet Architecture Publication of Alphabetical Cities.
The wings of the floor plate are kept narrow and allow daylight to penetrate throughout the building.
Da
yl i
gh
t in
g f
o r Hu m a n H a b i t a t
42
SAKURA COURTYARDBiophilia- Diurnal & Seasonal Rhythms
Social ConnectionViewsDaylight
Views
Social Connection
Connection to Nature
A courtyard is created in the spaces between the wings of the building and acts l ike a pocket park for the tenants. This courtyard is east facing and receives morning l ight. A community lounge is placed in the middle wing to connect the north and south courtyards to foster social interaction.
Community Lounge
43
Courtyard in the Spring Morning Light Courtyard After Sundown
Courtyard Rhythm of the Day - Spring Equinox
Connection to Nature
4 pm8 am Noon11 am 2 pm1 pm10 am9 am 6 pm3 pm 5 pm AfterSundown
The use of semi-dwarf Japanese maple and cherry blossom trees pays homage to the Japanese residents of the past, and del ineates the seasonal t ime. Morning sunlight and evening electr ic l ight activate the spaces at the beginning and end to the day.
Mas
ter’s
The
sis
44
BASEMENT REFUGEShaping Space - Glazing, Programming, Materials, Ceiling & Walls
Glazing
Walls
Ceiling
Programming
Materials
Prismatic Glass it illuminate space
Light in color and place not to inhibit the flow of daylight
Tall ceilings and light colored
Recreation room limited to the daylight zone
Furniture and finishing capture, and reflect daylight, and are suited to the space
Finishes capture, and reflect daylight, and furniture is suited to the space.
45
Prismatic Vault Light
Community Recreation RoomStorage Area
SHAPING SPACE WITH DAYLIGHTShaping Space - Glazing, Programming, Materials, Ceiling & Walls
Shaping space was critical in daylighting this basement to make it an enjoyable place for the tenants to occupy and have a place to socialize. The use of prismatic glass maintained the historical context of the site but also allowed for an under utilized space to be habitable. The are not illuminate with daylight is reserved for storage for each unit.
Mas
ter’s
The
sis
46
Nature, People & ArchitectureSince 2000 I have been traveling every chance I can. I first used color slide film exploring Europe, Fiji, Tonga & New Zealand as well as hiking in the North Cascades. Like my interior designs I look for great light quality to illuminate my object whether it is a person, landscape or a structure.
Travel Photography
Fiji, Tonga & New Zealand
The Netherlands, Italy & France
Photography Not
able
s
48
Life Experience
Residential Restoration - Restored Douglas-fir floors, restored and updated kitchen cabinets, space planning to maximize small living area, refurbished wood windows to allow for natural light & ventilation, installed period lighting fixtures & hardware.
Not
able
s
1038 Broadview Dr. Tacoma, WA 98466 www.marissadesign.blogspot.com
Phone: 253-592-3153Email: missrosati@gmail. com
Revit, AutoCad, SketchUp, PhotoShop, InDesign, Hand Drafting & Rendering, Daylight Modeling, Photography
Skills
Marissa Rosati Cool
Awards
Master’s Thesis
Poster Presenter
Notables
Washington State University’s Wiley Research Expo Liberal Arts & Design 2nd place for presentation of thesis research
Margaret Hard Award for M.A. Thesis
Daylighting for Human Habitat: Lessons from the Past - Designs for the Future
Interior Design Educators Council’s 2014 Conference