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Mårten Jansson
SACREDCHORAL WORKS
Bärenreiter
Now with new publications2016 / 2017
2
De sancto Pelagio et sancto TheodoloSATB and Organ, LatinBA 8523
This piece is a transcription of a composition originally
conceived for choir and large orchestra. The texts, which
stem from the liturgical chants “Cantionale” by Thomas
Kress, serve as a medieval sacred counterpart to the texts
of Carl Orff’s “Carmina Burana”. The composition tries to
capture the same archaic feel as “Carmina Burana” but with
a more solemn sacral atmosphere.
Two PoemsSATB, Swedish/EnglishBA 8524
The two poems “Triptyk” (Triptych) and “Mörkblå tillit”
(Dark Blue Trust) are written by hospital chaplain/author
Kerstin Dillmar. In “Mörkblå tillit” the key message to trust
that we will be received after passing away in sleep is
effectively expressed by the music. “Triptyk” on the other
hand describes a journey within a person in three stages
depicted by music which starts with a dark-searching
tonality and then describes the simple beauty of trust
through to a joyful expectation of hope ending with a
strong conviction.
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BärenreiterBA 8523
Mårten Jansson
SATB and Organ
de sanctopelagio et sancto
theodolo
BärenreiterBA 8524
Mårten Jansson
SATB
two poems
3
Missa brevis in E-fl at minorSATB, LatinBA 8521
This work for mixed choir a cappella has been composed
in the tradition of the short Mass (without Credo) and
can be easily managed by most choirs. Thanks to its
conciseness, it is suitable for use in church services, while
its delightful harmonic layout and consciously simple
melodies (with clear allusions to folk music) also make it
perfect for concert performance.
Ingenting utanförNothing BeyondSSMezAA, Swedish/EnglishBA 8522
“Ingenting utanför / Nothing Beyond” is a collaboration
between Mårten Jansson and the Swedish poet Einar
Askestad. This a cappella choral work deals with
sorrow and loss. After a forceful, harmonically
ambiguous section and a clear break in the music,
the piece ends with a comforting decrescendo of
reconciliation. It was commissioned by the Uppsala
female choir “La Cappella” and is dedicated to its
choral director Tony Margeta.
BärenreiterBA 8521
Mårten Jansson
in E flat minor / es-MollSATB
missa brevis
BärenreiterBA 8522
Mårten Jansson
ingenting utanförnothing beyond
SSMezAA
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4
Missa PopularisSSA (TB ad lib.), String quartet (Double bass ad lib.), LatinScore BA 7420Vocal score BA 7420-90Parts in slipcover BA 7420-22
As the name suggests, the “Missa Popularis” has its musical
roots in folk music. This becomes clear in the very fi rst
bars of the Kyrie, where the violin plays a melody in the
style of a Swedish folk tune above a bass ostinato. The
musical charm of the Mass derives from the combination of
choir [SSA(TB)] and string quartet. The choral parts enable
performances by female choir or mixed choir. In the latter
case the string quartet is reinforced by a double bass.
Mårten J
SSMA
fear tho
BärenrBA 74
NEW 2016
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BA 7420
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samples on
5
Jansson
AA
ou not
eiter411
Mårten Jansson
the choir-master's burial
SSATBB
BärenreiterBA 7413
Mårten Jansson
SATB
maria (iv)
BärenreiterBA 7412
Fear Thou NotSSMezAA, EnglishBA 7411
The Choirmaster’s BurialSSATBB, Latin SSA/English TBBBA 7413
Maria (IV)SATB, Swedish/English BA 7412
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Sample score
SPA 227
Download at
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6
BärenreiterBA 7414
Mårten Jansson
cantatedomino
SSAATTBB
BärenreiterBA 7415
Mårten Jansson
i neversaw a moor
SSMMAA
BärenreBA 741
Mårten Ja
cantdom
TTB
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Cantate DominoSSAATTBB, LatinBA 7414
I Never Saw a MoorSSMezMezAA, EnglishBA 7415
Cantate DominoTTBB, Latin BA 7416
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samples on
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eiter16
ansson
tatemino
B
BärenreiterBA 7417
Mårten Jansson
in the lightof god
SMezATB
BärenreiterBA 7419
Mårten Jansson
god rest yemerry, gentlemen
Arrangement · SATB
BärenreiterBA 7418
Mårten Jansson
es ist ein rosentsprungen
lo, how a rosee’er blooming
Arrangement · SSAATTBB
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In the Light of GodSMezATB, Swedish/EnglishBA 7417
God Rest Ye Merry, GentlemenArrangementSATB, English BA 7419
Es ist ein Ros entsprungenArrangementSSAATTBB, German/English/SwedishBA 7418
NEW !
Sample score
SPA 227
Download at
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com
“My music is my own and I have never tried to be original. That has always
been my motto and I have only tried to use music to express all the feelings
which life has to off er. This has led people to describe my music as ‘so sad
that it sounds like birds who have lost their wings’ but also as ‘the happiest
classical music that we have ever heard’.
My compositions are almost all sacred. They express not only my own
faith but also my appreciation and respect for the timeless texts that have
been used for centuries and centuries.”
BÄRENREITER · 34111 Kassel · Germany · www.baerenreiter.com · [email protected]
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Errors excepted, price changes and delivery terms subject to change without notice. Printed in Germany · 2/1701/2 · SPA 50_64
Mårten Jansson (*1965), elected member of the Föreningen svenska tonsättare (the Society of Swedish
Composers), graduated from the Kungliga Musikhögskolan (Royal College of Music), Stockholm with a MFA
degree in Music Education, Dalcroze Eurhythmics and Voice. For more than ten years he was the music
director and conductor of “Carmen”, one of the most prominent women's vocal ensembles in Sweden.
Working with this choir gave Jansson the impetus to write many of his early compositions for female choir.
“The knowledge that what I wrote at night would be tested the next evening was a driving force that not so
many other composers were lucky to have”.
Jansson currently teaches choral conducting as well as music theory and gives vocal tuition at the
Bolandgymnasiet and Musikskolan in his home town of Uppsala.
He has established himself as a composer of sacred choral works. Since 2014 many of his compositions have
been published by Bärenreiter and have been well-received within the international choral scene.
Sample pages of all works available for download:www.baerenreiter.com