mccoytyner jazz giants artist transcriptions 123
TRANSCRIPT
A RTT ST
PIAN( '
Transcribed bv Bob Leso
n l cGoy TyrterÏRANCRIPTIOI{S'
Front Cover Photo by Gene Martin
tsBN 0-7935-0747-2
-znHAL.LEoNARD'l - - c o I R P o R A - r I o N7 7 7 7 W . B L v e M o v N D R D . P . o . B o x t 3 8 Í 9 M t L w a u K E E . w l 5 3 2 1 3
Copyright @ 1992 by HAL LEONARD CORPORATIONlnternational Copyrlght Secured All Righls Reserved
For all works contained herein:Unaurhoiized copyins, arransins,
"?,iljil;l? #',lLiJ [x::: fn"J,:|.#""ce is an inÍrinsement ot copyrishl
McGoy TyneÍ. GoNTENTS
Biography
TITLE
Fly With The !íind
Folk
For Tomorrow
High Priest
ls land Birdie
Just In Time
La Habana Sol
fhe Havana Sun)
Man From Tanganyika
Theme For Nana
Prelude To A Kiss
Sefror Carlos
You Stepped Out Of A Dream
RECORDING
FIy !íith The !íind (Milestone M-9067)
Echoes Of A Friend (Milestone M-9055)
lnner Voices (Milestone M-9079)
Tender Moments (Blue Note 85T84275)
Looking Out (Columbia BL 38053)
Dimensions (Elektra - 60350-1-E)
La Leyenda De La Hora (Columbia AL37375)-ffhe Legend Of The Hour)
Tender Moments (Blue Note 8ST84275)
Focaf Point (Milestone M-9072)
Dimensions (Elektra - 60350-1-E)
Looking Out (Columbia BL 38053)
Fly !í ith The V/ind (Milestone M-9067)
22
7
32
47
46
56
71
78
85
92
112
100
BIOGRAPHY
McCoy Tyner Í i rst exploded on the scene as a part of John Coltrane's early '6Os quartet,
certainly one of the most innovat ive and inf luent ial groups in jazz history. Over the past decade
he's carved a most impressive niche for himself as a composer, arranger, band leader and most
signi f icant ly a pianist whose unique and forceful style has inspired and inf luenced a whole new
genera t ion o f mus ic ians . H is impact on the mus ic o f the '70s and 'BOs and cont inu ing th rough the
'90s is comparable to Coltrane's on the music of the '60s.
McCoy was born in Ph i lade lphra on December 11 , 1938, the o ldes t o f th ree ch i ld ren . He was
encouraged to study piano by his mother. He Í inal ly began studying the piano at age 13 and
within two years, music had become the focal point in his l i fe.
In the beginning McCoy pract iced on a neighbor 's piano. When his family bought one, he
began host ing jam sessions. Among his fr iends and neighbors were a number of young musicians
who would go on to make their marks in jazz, such as trumpeter Lee Morgan, saxophonist Archie
Shepp, pianist Bobby Timmons, and bassist Reggie Workman. "Bud and Richie Powel l moved into
my neighborhood. Bud was a major inf luence on me during my early teens. He was very
dynamic." In addit ion, Thelonious Mond and Art Tatum were young McCoy's major inf luences.
McCoy, obviously a very fast learner, at age 1 5 led his first band, a 7 piece band that played
the rhythm and blues hi ts. He studied at the West Phi iadelphia Music School and later at Granoff
Music School, also in Phi ladelphia where he learned theory and harmony. At age 17, whi le
playing at a local c lub cal led the Red Rooster, with a band led by trumpeter Cal Massey, also
known to few close friends as "Folks", he first met.John Coltrane.
Coltrane was in Phi ladelphia between gigs with Mi les Davis. The saxophonist , whose
dist inct ive style was st i l l in i ts formative stages and whose reputat ion was on the r ise, had no
working group of his own, but secured a few engagements in and around Phi ladelphia, with
McCoy often in his rhythm section.
McCoy later recal led that Coltrane hadn't developed the way he would later on, but "aÍter I
heard him play, I knew he was someone exceptional." The rapport between the two was so
apparent, that Coltrane made i t c lear that he hoped to eventual ly have a regular band with McCoy
Tyner in i t .
In 1959 McCoy, who had been work ing main ly in and around Ph i lade lph ia , wasof fe red h is
Í i rst ful l - t ime job in music with the Jazztet, a group co-led by Art Farmer and Benny Golson.
McCoy stayed with the group 6 months, long enough to make his recording debut on the album
Meet The Jazztet, but left when Coltrane íinally left Miles Davis to form his own group.
*É:,8;
#
The chemistry between Coltrane, Tyner and drummer Elvin Jones was immediately apparent.
Coltrane went through a number of bassists beíore sett l ing on Jimmy Garr ison. That chemistry can
be heard on the group's f i rst recordings for At lant ic Records in 1960, which include the classic, "My
Favori te Things." Coltrane was searching Íor ways to extend the boundaries of jazz, including a
denser harmonic structure, a mult i - layered approach to rhythm, and a greater rel iance on scales
and modes as a basis for improvisat ion, and McCoy was r ight there with him.
The pianist part ic ipated in numerous histor ical recording sessions with Coltrane, including
Africa Brass, A Love Supreme, and Áscension, to name a few, during his six year tenure with the
quartet. He also began recording on his own, occasional ly in a tr io context (his Í i rst album was
lnceptÍon, recorded in 1962 for lmpulse, which had become Coltrane's label) , and tended roward
a somewhat more melodic and conservat ive approach than he displayed in the context of
Coltrane's group.
As close as his musical relationship with Coltrane was, it was inevitable that Mccoy would
eventually want to form his own group. His split from his mentor, which was an amicable one, was
hastened by the fact that Coltrane, whose music was moving in an increasingly free-form direction,
had added a second saxophonist (Pharoah Sanders) and a second drummer (Rashid Ali). McCoy was
simply having difÍiculty hearing himself play.
Unfortunately, for the next few years, he encountered di f f icul ty making a l iv ing playing his
music. He cont inued to record as a leader, making a ser ies of impressive albums for the Blue Note
label, and he worked as a sideman with the great Art Blakey and his Jazz Messengers. lt took
McCoy several years to establish himselÍ as a leader.
In 1971 McCoy signed a recording contract with Milestone Records, at which time things began
to improve. His first album for the label. Sahara, released the following year, received two Grammy
nominat ionsand was named "Album Of TheYear" inthe Down BeatCri t ics Pol l . Subsequent Lp'sÍor
the label found him strelching out in a wide variety oÍ musical contexts. He recorded with strings,
with large horn sections, with voices; with all-star ensembles, with tightly-knit trios, and solo; in
clubs, in concert, and in the studio. In '78 he teamed with Sonny Rollins, Ron Carter and Al Foster ro
tour the U.S. as the Milestone Jazzstars. The tour, documented on a live double Lp set, was one of the
most extensively-promoted eyerby an acoustic jazz ensemble.
Throughout the'70s, his art and inf luence ccnt inued to grow. His readi ly ident i f iable piano
style - forceful , percussive, dense, but also capable oí tender lyr ic ism - came more clear ly into
focus. 5o did his inf luence; there are few jazz pianists on the scene today, including the veterans,
whose styles have not in some way been touched by his. This inf luence has been fel t also in the
contr ibut ions of the many outstanding musicians who have gained valuable school ing as members
of his band, such as the late !íoody Shaw, Sonny Fortune, Alphonse Mouzon, Azar Lawrence, Gary
Bartz, George Adams, Joe Ford, John Blake, Benny Maupin, and Gui l lherme Franco to name a Íew.
McCoy's dedication to the acoustic piano and reÍusal to convert to electricity has been an
inspiration to many.
The worldwide awards and accolades are too numerous to list. SuÍfice to say that he rs
recognized by musicians, cr j t ics and l isteners al ike as a major force of the'60s, '70s, 'BOs and now
t h e ' 9 0 s .
Freely9va- - - - -
roll
FOLKSBy McCOY TYNER
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Internat ional Copyr ight Secured
Mus ic CompanyOf The Wor ld
Al l Rights Reserved
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21
FLY WITH THE WIND
BDm9
G7D AhmajT
ADmajT GTsus
By McCOY TYNER
nbr:bs Ebe
Bhn9 sVTMr
DhmajT
G7 C9sus
Cmtrem.
DhnajTBrightCm
Rock/Fusion tempoDhnajT Cm DhmajT
Copyr ight @ 1976 AishaAdministered by Music
lnternat ional Copyr ight Secured
Cmtrem.
Music CompanyOf The World
Al l Rights Reserved
- ) u ,
a
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trxCm9 F13 ebmq rlhbs AbrnajT CZils
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f Rock/Fusion feel
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obsts
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31
FOR TOMORROWModerate Jazz Waltz
rJ f ,
(D played as J ) )N.C.
Cm7
Copyr ight @ 1978 AishaAdministered bv Music
Internat ional Copyr ight Secured
Music CompanyOf The Wor ld
All Rights Reserved
nbmtt Eh
By McCOY TYNER
ll,l luaoay sung by ensemble)
omzbs G7
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34
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35
Dm9lC tem. Cml l
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37
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DDmajT lBb -S lhns- J
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3 ----
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r
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41
P
HIGH PRIESTModerate Swing
(D played as J ) )
ffl lurnay phyed by ensemble 2nd and 3rd times)
EW
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Copyr ight @ 1974 AishaAdministered bY Music
International CoPYright Secured
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13
t . - ' V -
t >D? I-
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42
[C soto'
nbsfirrFine I
lst Chorus
C7
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tcl 3rd chorusED13 -D7b
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. 2 2 2 . 2 2- - - - , - - ^ - -
IJ3 3
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f +trr chorus. - 3 - - 3 - - 3 -
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- 3 -:>
- 3 - - 3 -
- 3 - - 3 - - J -> > > > >
- 3 - - 3 -: > : > >
D.C. al Fine(take both endings)trem.
45
ISLAND BIRDIEBright Calypso Tempo(Intro played once on D.C.)
Eb Fm7
fS lanUay phyed by steel drum and alto sax)
Fm7 BFTsos
Copyr ight @ 1982 AishaAdminis tered bv Music
Internat ional Copyr ight Secured
Fm7 BbTsus
Music CompanyOf The Wor ld
All Rights Reserved
Fm7 nhsus
By McCOY TYNER
Eb
I aa)
N
Eb
46
Ecblrb chnz
a t ? , ? J ,bbT T, V
cbrnz cbg
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lE I Solo: lst Chorusn r ll"' Fm7 Btr7sus ED
--.--\/,,,_r-..-\
48
ED- J -
BD9sus
fcl lbssus lbtl
Fm7 c7fisftem. I
)41
,---.-3/-:e
roll -
49
b*v*, *-
Abgsus,,- . .. i " " - - - - - - - - -
ch"z
cbrnz CW
Fm7 sbr: chmz- 3 -
CW
Abgsus>
T T " fa)
- l
t ) / - - \02 a.-
f z"o chorusEb
nbr:Fm9trem.^ = -
tr ED Fm9 BD9sus8va - - - - - - - - - - - -
Eb
51
-Ahs.s . ---------------------l
cb'rz Cry
tr Absus
cDmT cbe
AD9sus
_ J
I
Pc ,' f;'- C t 0 C C
í . t t - - -
-= . - . 4 à
r l,---<'-jb|-_4' -L j'; e
vt
rbo: i^t- r
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= 1 = J : + t -J J ' O é
l -
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52
GD
bv&
M"b BDTsus m
I
Fm7 - BD9sus^ - v - - v -
==I
I)-1=
a t-J t-J t-J t-J r-J t-J t-J t-J
----------{
3 - - 3 -
53
Cm9 F13h tren't
V
:rem.
És L % +- E : t - E
-
e ^ C C ,t t - t
d I
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le C^C ,ei2: i-c'l: l^ry; --
trEb
Dm7b5 G7susD13 Cm9
EDmaj9
lFl ,| ̂ | AfTsus GDmT>z^\
CW GVnT
Fm9
Bb cbrnz
bbbl*-*uw
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I
II,.1
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à-+-ï
tlt lt l
+-+f,
=___lII- l
=lv l
^l l.-_l C.
t t - 3 - , - \DA 2-'
Fm7 Bt13
55
JUST IN TIMEModerately Fast Swing
r J t
(t played
BblF
A S J ) )
sbe pF
Words by BETTY COMDEN and ADOLPH GREENMusic by JULE STYNE
CmTlF
D7alt.
EbmajTlF
chhr Fr3firb)trE'
BD
Copyr ight @ 1956 by Bet ty Comden, Adolph Green and Jule StyneCopyright Renewed
lnternational Copyright Secured All Rights ReservedUnauthor ized copying, arranging. adapt ing, recording
or publ ic per formance is an in Í r ingement of copyr ight .In Í r ingers are l iab le under the law
56
F9sus F6le Fm7
mff;:
r
E2* *
I
2i ,,tt ?
t l - J l
4 ht fÊi *=
E"' Gm(maj7)/Ff;sbmartt F/Ab^
mfd l
f.' j^t'
' > , ^ .02,,-'-2' t , ' t) C
sbr:flrt
Ab13 gva
0=e
6=
mpI
l tr lE ,*rv
a _a' I
'-2'2
$ .+il+Í2)
2 21) D-
57
nbrrfit at:ftt ot9-- Gl3 To Coda$
tE flrE' h bt t 8 !o " - - - -q* 7 0c
lc' l Soto' lst Chorus
r;h|is nzbts($s) G9sus-3
h- 1
- J -
Èi \Ft ê \ti=, t í ;n:p
2,btf-- blfr'. \iaI
2 -t
ht h
I
a-
l*' !r: 8 -t h Ft 3i__E-
- a - t O - 2
Bbsus sbr: nhns Bhïs sh"s
t--.........r3
rC
3
Í^*?E l t : be a,--
trG Gm(maj7)/Ff
i-
59
pzbr:(fs) p*ntbl
t > - r )
b't-t vu,
'l b.la: 4h h- I r h
t u D t
trlp: 2.^.-e )
- - - r$Ê:
I
' / - \2 ^ - a - i 2 -- C - , . -
r . t\. r. ,Èt-. .t ll lt ' Gr.r C
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ru
^t,Ê: t tr ie2 .r, !r ' , .- Á t t - - -
e - e _ J r
f
I l'! -. e^
^ t l t h"->.' , 'L L I
t - - - \DE::;
@ z"aBW
Chorus
nbrs -^r, ehils ozbrlpy rhlg/ a / l a @
ozbrs(f,s) Dm6/9
lÊ: b
C9 C9sus
4._t2 qÊ- ,4
l-l- e
a
|'. ^ \ l l. 2 ' ,
r o l l #.---\a:-....-.---t:
Ehils
bG
czilstfisl rzfis2
@ :.4 chorusnbgsus BD9 Ehng
' l e - - e :o - ' - . ' 1
63
G9sus G13- 3 - - 3 -
Y
\a
r
C
r
l r fA* hC Cn
E.-
h7_
lbt:
G13- 3 -
65
Cm9tem.
lihïrt c7f,soe) Cm7
BblF EbmajTlF
F7alt.
G13 nzbs@ry BD
SoloE
a t I
^ t l 2 i - t i - .- - - , - , - 7 - ' =
-decresc.
í l
u ;-- -: i-.
r I l ; - -
Y /
a-, )'t s l _ L F
mp
a13 Abr3
66
Drum Break
GmTlE C7 F7ils sbt:
iL
1
C
a
C
v - = -
| 6;)1 , b 4 q L E
G132 - á >
7\eC>
Drum Break
BD9sus 413 lbr:
+ codaF
F13
D.S. al Coda
roll-
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68
Cm9
.tbgsus- 3 -
GTsus- 3 -
G133
69
ebr: lrs nbr:
I
Cm Dm EDmajT cb9 rzbs nbr{hl) Drum Break
------------z\rh
70
LAModerately, Lafin Feel
(Played by ensemble)N.C. Db
HABANA(The Havana Sun)
soL
fd (uaoay phyed by ensemble)t t I
> aDlAD Cm/BD -
By McCOY TYNER
CmTPb.r.b-7cb Yfrr:1$
Copy r i gh t @ 1981 A i shaAdminis tered bv Music
Internat ional Copyr ight Secured
Mus ic CompanyOf The Wor ld
Al l Rights Reserved 71
cb sb.z/Á,b
E "'n,
., Fm9 BD7 cmzhs csils Ff,m7 BTsus
2 , e l l r ï _
lrá-a
c ' r ' vTl-= |
c v 7 ' 1 1 4 - a ct- |
Itta tO
c 1 ' | -
l v I a + l -t l t t ' t ' t
L ^
7
a["lcb r;bffiltbc^tBb
-6b1fi cm/Bb
lst Chorus
nbr:@ soto,
Ahsus
cbr:Abgsus abt:c13C9sus
,bt 2t - t : a C
n r 1 2 - -It:&: t t u*
roll -
74
tr Gm7 Fm9 BD13 C9sus
l >2 C t h r A
@ zna chorus
f--h-b,.ebe'-
76
BbTsus sht: Gm9
AbTsus
D.C. al Fine
77
MAN FROM TANGANYIKA
African feel (12/8 feel)
By McCOY TYNER
- J -
mf-3 -'t r{- , T3 -r - 3 - 3 T 3 :- 3 1 - 3 -
E.@ {urUay phyett by Jtute and piano)
G- 3 - - J -
Copyr ight O 1973 Aisha Music CompanyAdminis tered by Music Of The Wor ld
Internat ional Copyr ight Secured Al l Rights Reserved
- 3 - - 3 -> : >
tr" D m -J -- G7sus "nhilr- J -
o - u -- J -
FmajT C13> >
79
% - Bhfil- J -
To Coda SFmajT C13
>
@ soto: lstGm
- d -
Chorus
3 -
.---=3 ----- -3 -----=3 ---'- -J
80
@ s*ing feel (ll
EDmajT
ptayed * j"j I
81
fE-l Afri"un feel 2nd Chorus-Gm -J ------=- J
- ? - - 3 4
,-Fc *- . ? -
- C "--ZÉry,
82
El s,oingEDmajT
f :.0 chorus
- 3 - - 3 -
a Eti \ t , l r r r 3
- 3 -
, Gfr-3-^ ---
,€cÊ-
83
a)
^ - 3 - 3 n ' -^fi"Ft Ê Ê r fr C íT
nbt: cgsusfeel
Ebsusll SwingEWnzjT
- 3 -
Fl3 Gm6
D.S. al Coda- 3 -
'0 codati'n 3C1
atQ: a C r02
Il
= -
2?
f
84
f stowty
THEME FOR NANA(Melody played by flute)
cf;-z cFflrrtbsl Df'/ cfl*e clt chz
(mf
Df/sus Dfr',/
Double-time swingcfm
feelGhus
Copyr ight @ 1976 AishaAdminis tered by Music
Internat ional Copyr ight Secured
Music CompanyOf The Wor ld
Al l Rights Reserved
l,-a ^ ^ 1
-ï_T
- ^ , t
E_l Ë Tempo 1nf-riltttfsl cf,m7
cfirnz cFfitttbsl Bmaj9
ffi
l 1 4 l
7 r^V'l Hg
|_
tz- 6 - - F { P f i x J - l ' I
, , 1 / )
xa q t
}ffié
86
cfr"z
cils
cfTflrrtf,sl cillril B9
Double-time swing feelGflsus
t 7 - - t
!D l ( ,To Coda O
-Solo'
cfmT
3a) rl
3
7 - 1 7 - -
- J . r J
) a
r c - E : í - t
,, ,,_.-4 I
:t''F#5-
Gf,m7
E6le Dfi7fie
cfilcf cfm tr3
\--z
:
,crenf=
)-r
chnT cf"ot
BTsus trem.
90
D.S. al Coda
- J - - d -
S coda
Emajel3 nFflstflql Ghus
Gliss onblack keys
,. Gliss on black keys .-
PRELUDE TO A KISSFreely I
ED6 DhnajT EhnajT DbmajT
QuicklyC
By DUKE ELLINGTONIRVING GORDON and IRVING MILLS
rcbe AhtajTGbmajT Fm7 nsbs
3 ::--f
813f,11 nbr A13f,113
f'l
abr:#n cr3flu cbr:#rr nbnfirr
mf'lk r
, l \ . t l 'ó J t t h )
by M i l l s Mus i c , I nc .Al l Rights Reserved
Copyr igh t @1938 (Renewed)ln te rna t iona l Copyr igh t Secured
c13fl11roll *
obr:fir nr:frr
nb
lTl not"toAm7
c13 cfi6-3
Dl3hr(b)- 3 -
Am7
II
nbmZ Libs Dm
Steady Stride ( rfI
Dm9 GjWtr
Aalt. Am7 D7 Gm7ba, -^-
--/
3
cl3f,u Bl3fil sbrfrr
r:r-
93
cf,sf,tt FmajTflrl st:fitt nbt:firt ar:fiu
- 3 -
sbffi Nb-3 - , I . - : ,
b\!* bbl*\
Dm A78
5--:3 -----
Ggsus cil6,-3
Am7 > D13h1(Pe) D/Fflh
nhnZ lbmZ- J -
FfmT73 --1
Straight 8th's
94
6-1 Steady
- F'6lg
r 3 r
Stride (I played as J))Cf;dim7 A7
r 3 -
Bm7 87b13(f;9)-3- , -3=1--
stblnide) Em7 Al3hl
nf*z 87b13(ile)
Eo-s
rf-z- 3 -
- 3 -t t : >
_ 2t à u -
--o
-= . i l t tQ Ft Flt- 3 - -
cfaimz- 3 -
FmajTf,ll
ch:f,rr
cr/3 - - 3 -
G13 Gf,62 - à
:>
Br3hl rbr:flrr Ar3hl
C+
l+lí
nbmZ L7E Dm L1W Dm9
.:--J -
Gm9 -- J -
-f
95
Am7
-'-j-:D13fi1 D
- 3 -
Dm9
roll *
G alt.
-3 - roll *
obr:ilrrroll -ba.
tEl--Á:m7Fmajg{l1 Bm9 ̂ Bhmg ̂ A7 -
- J - - J - - t -
- 3 - - J
Glb Gf,oim
nbrsilrr Ar3*11
D G 9
- 3 - - 3 -
Cf,9- 3 -
C- 3 -
cTbstrAm
mf
3 3 3-. ï - -3- -3-- - - -
Br3$ll Bbl3h1 shrz- 3 n
l't)
Al3hrr - 3 '
GTsus Gfm6 ,tsus- 3
> > >
Dr3hr(b)
AD6. : -3- -/-\-3-
bjl2 4
l'-í-)- 2 - - 2 53--
-=--f' 1 - 3 -
Steady Stride ( ,[] played as J ) )
E6ls cilsÍjr r FC*e
rf-z--3 ----
nzbr:(fis).-3
F7- 3 -
Ff,'/- 3 -
A7 Bh- 3 -
B 7 - C 7- J -
^ t)-rJ / ( r l l /
- 3 - - 3 -
lH l | |-Am7 D7DI3(D9) Cm7 C7
rhne B7b13(f,e) nbr:f,rt
3 --- -3
Ar3f,l1
f decresc.
Am7 3bnbr: azbr1br; ^7b Dm Gsus
Abmal7fin lr,ful(bl
Pbmsl >Deb,
0
Faster , ?u' :ii;T nbe $enbelt rbeltobm"jz A16 te Dbmaj, Ètflï,td8va (both hands)-__ba,b
-J - .. -3 ---l Dl3D9 D7
-t-- #fuo-1--
pt l lo v -
-^fj
-\ - í -
"mp
l a
e
rubato !1_L-t--
-::-?- -bt b{P. + 8)'o---
bir: - - tv9't
, r^',t b5í
--Da r-r-
v ) 'r bÍ b-t w ' oí-.-
e ^ - e=
r n l l
"04t È r l
w--m p p
l< - : - ^ '
--+
99
YOU STEPPED OUT OF A DREAMWords by GUS KAHN
Music by NACIO HERB BROWN
Moderately
CTsus
trE'C
Copyr ight O 1940 (Renewed 1968) by LEO FEIST, lNC.Al l Rights Contro l led and Adminis tered by EMI FEISï CATALOG lNC.
International Copyright Secured AII Rights Reserved100
trem.
O t ' - - - a ? ? ,
I
7 r a 2 -/ _
Il-------ít_ lL
cósr
f-f-
- 3 - - 3 - Dm9D5 G7alt.
ffi zJ--_-_t--r# --.< r--1rt
w r a " b 7 J t
fa e *l*: Lh ---
v - \ 1 C - J
l - - .
) L t r - P 2 - 3)-
101
gc
To Coila Scbsilrr
trDmsbs
102
CTsus-rà17k
, rí\ bjí)b J r l , - , 1 -- . ' E - h t r
e
trC
Solo: lst ChorusCTsus
sbr: I-13h!
E c*zbs ctb ^- J -
- 3 -b
4a .t
Ee .' bn 2l t -
-=Í:'-i:-
c -.3 -J ,n , - { - Tb ' . - tb
d -- ----------ï_---------------a
_J_ - J : - - ^ - J_^_ -3
*=
ADI3
trCIG
CTsus/G ctbslr o l l -.1 f t - - l
Àz-,,b. ,. lal
105
abr: czfis(f,tt)
:c frbbrÊ b!fr \# 3 €*) { ,
f z"a chorus
106
cósl
o | -
b*=*ff* fr b*: 6* ft
c6le=>
roll-
a l
-)r-- [=
r
trr t f t - fz,
> 7
e
D.S. al Coda
+M
Coda
omgbs
Cmaj9 Ar13 roll -
ta
?' -----
? Q2- 2- r ên1 2'-i- ttê t2 t).
-:--r-l^:-r=-
109
SEN
s
Freelv' Fml1
A
Íà.
F9sus Fm7A
OR GARLOSnbspp
X (Uaoay phyed by guitar and piano)Fm7
Ebsus/Bb
e€tr
By McCOY TYNER
s8vb--- --
mf2,-t
l|2.
Copy r i gh t @1982 A i shaAdminis tered by Music
lnternat ional Copyr ight Secured
Music CompanyOÍ The World
All Rights Reserved
Fm7EbDb
a) 4e
- . =_= '
7 - a
112
ett
?Eo 2
=?E
aE
)Z
T
eo ?={e .á
,urdurdLw)ll".Ía
--- J- l, n
l
?E
22=E
?E
d-tb-,,!C
.i- '7oÀ
obp
nbrnajzftt
114
DDmaj9
DbmajT Cm7 Fm7Fm
r D - h Jr, j -
d -
I
7- J_A ae
L - I V U À ' a
" P ' ) ) I €a) n
IIe a
a4e
l t
E N.c.
@ Soto, lst ChorusFm9 DD9 DbgrutT
t ;
a O
fF14- tt f*:*, \F
) ï f f i
1 1 6
nb*s lbr:
t -tlrl#
",^fr \* b* e,-
?-
c7w
Cm7
Fm7 DD
nbTc cTbs Fm9 rbtns lbt:
Fm619
> >/-\
Dhgsus Db
DD619
EbDbFm
- H_____+___+_
- 4q* b\"1k bt; 2-f
q t I -
7 d ' 7 - a a ' | / :
lJ.-
:Ê_Ê G:*, r
e l
ia ta j - t - ,4Q-
r "- --va--Zr-
et-ur ,ffi
117
[rem.
2 a 2 ?
Y
' - - i - e I
o_e
2.,'
A12D , '
1 1 8
@ z"a chorusFm7
nblc cTbs nbms AD13
Dbgsus Db9 BblcF _ ?
>
\t baáz
Db9sus Db9
Dv619
\t *blaa 4 {
r r
'* * *s-s a tí-- - ^GI#J
1 1 9
trem.h Ití
' 2 2 l ^ l c. b D D ^ D '
é-u
a)
? ' ho !ft Í - t t {b^, t2
>,-r 8va D.S. al Fine
120