mcmillan w6a1

LLindsey McMillanINTA302,W5A2

Building Style: Pueblo Revival

Home Away From Home Transitional Housing for Women and Children2299 N Silverbell RdTucson, AZ 85745

LLindsey McMIllanINTA302, W5A2

Table of Contents Title page 1

Table of contents 2

Adjacency matrix 3

Research of historic and transitional housing 4-16

Concept statement 17 Color palette excercise 18-20 Furniture, finish, and lighting specification sheets 21-41 Code Study 42-45

Perspective Illustrations 46-48

Cost-estimating table 49

Process drawings: Schematic floor and furniture plans, built-in 50-59 ideation sketches, and floor and ceiling sketches Final Drawings 60-66 Justification of the Solution 67

Begin by researching general information about the historic style. Fill in the chart with images, notes and web links. The chart will expand as you insert images and type in the information.

Style Name: Country: United States Years Spanned: 1900-1940

Overview of Style

Image(s) Notes Web Link

Standard Color Palette (show examples)

Neutral-colored stucco walls in creamy white, light gold or soft caramel; Earth-tone colors -- forest green, slate blue, adobe red, dusty beige, muddy brown, rich salmon-often colors seen in a southwest landscape.

http://www.behr.com/colorfullybehr/southwestern-style-adobe-homes/#sthash.wfijtDba.dpbs

Typical elements used (list: columns, pilasters, arches, pediments, medallions plaster, etc.)

Exterior: Stucco; Roof Rafters called Vigas; Projecting Canales; Roof is slightly sloped or flat- usually hidden behind a parapet wall; Heavy doors with arched tops; Sheltered courtyards and patios enclosed by low walls, utilized built in benches called Bancos which protrude from the walls.

http://www.dahp.wa.gov/styles/pueblo-revival

Typical Interior Materials (list:wood types, stones, metals)

Hand-painted tiles in brightly colored patterns

Pine wood

Wrought iron

http://www.theplancollection.com/house-plan-related-articles/the-southwest-style-home-traces-of-spanish-colonial-and-native-american-designs

Typical Textiles (list and show: fabric types and patterns)

Santa fe colored paisley prints, very geometric aztec like prints. Repeating character patterns. Brightly colored similar to colors you would find in a landscape in this area. Many woven fabrics.

http://fivegraces.com/

Research the historic style in more detail. For each category, research a total of 4 different details. Record the image, description of the detail and web links in the chart below. The chart will expand as you insert images and type in the information.

Wall Details Identify typical:

Colors Fabrics if

used Wall paper

patterns Applied

ornamentation details

Wainscot details

Crown molding

Base molding

Dado design Added

railings

Image Description Web Link

Detail 1

Decorative baseboard tiles https://www.pinterest.com/pin/145241156706663783/

Detail 2 Built in stucco coves for artifacts and artwork. Alcove ceiling.

http://www.houzz.com/photos/3298442/Desert-Pueblo-southwestehome-office-phoenix

Detail 3 Built in, cove like areas for knick knacks. Visible wood support beams.

http://janetbrooksdesign.com/santa-fe-interior-design/

Detail 4 Visible wood support beams. Walls look to almost be carved out rather than support structures.

http://adcnetwork.org/images/residential/dining_rooms/highend_luxning_rooms/pueblo-revival-dining-room_sm.jpg

Ceiling Details Identify typical:

Colors Crown

molding Applied

ornamentation details such as: medallions,bosses, plaster designs

Wood


Detail 1

Wooden beams; Coffers http://www.losgriegosstudio.com/case_studies.php?project_id=46

beams Coffers

Detail 2

Stucco ceiling http://www.tchochkes.com/wordpress/wp-content/uploads/2009/03/pueblo-kitchen.jpg

Detail 3 Ornate wood carving ceiling http://www.wsj.com/articles/SB10001424052970203960804577239513261870968

Detail 4

Neat grid like wooden beam ceiling.

http://www.sothebyshomes.com/Santa-Fe-Real-Estate/sales/0563366

Flooring Details Identify typical:

Floor material


types such as tile, wood, stones

Design patterns

Carpeting types

Area rugs style and material

Base molding design

Detail 1

terra-cotta tiles in a honey or adobe color

http://www.mindenegybenblog.hu/kreativ-kutyuk/a-valyoghazat-nem-csak-nagyanyaink-2

Detail 2 Woven, Native American area rugs in square, stripe or chevron patterns

http://www.losgriegosstudio.com/case_studies.php?project_id=46

Detail 3 Brick, wood, or flagstone floors

http://casasdeloso.com/pueblo-revival/

Detail 4

Beautiful pinewood flooring


Door Details Identify typical:

Interior features and sizes Wood types, grains, and

colors Frame molding and

applied ornamentation Design of brackets and

escutcheons if used Design of sidelights if

used Design of transom if used


Detail1

Intricate painted indoor archway http://www.jenniferashtoninteriors.com/blog/2013/11/1/interior-design-with-emilie-floge-in-mind

Detail 2

Painted and carved door panel http://www.tchochkes.com/wordpress/design-styles-pueblo-revival/

Detail 3

Door panel, painted and carved. Also it includes a wrought iron pull. Typically wrought iron was used in Pueblo revival styles.

http://www.tchochkes.com/wordpress/design-styles-pueblo-revival/

Detail 4

Again brightly colored, painted door with wrought iron details. This door is also hand carved.


Window Details Identify typical:

Window styles and sizes

Drapery fabrics, colors, patterns

Wood types used Applied

ornamentation details Applied metals used

for accessorizing


Detail 1

Very colorful stain glass window.


Detail 2

Another colorful stain glass window. These were often found in large rooms within the adobe style structures such as a sitting room or kitchen.


Detail 3 Windows carved out and set back in a bathroom with very pretty decorative tile. Typical of Pueblo revival style.


Detail 4 Wooden beam ceiling and carved out, set back windows in an alcove area inside the living area.


Furniture Details Identify typical:

Upholstery


fabrics, colors, patterns

Wood types Applied

ornamentation details

Applied metals Feminine vs.

masculine

Detail1 rugged wood pieces, such as dining and accent tables, armoires and chairs with a distressed finish and decorative metal accents

http://www.examiner.com/article/trend-alert-turquoise-decor-and-furniture-is-all-the-rage

Detail 2 Warm wood tones resonate in Southwest furniture design, and they are often mixed with painted pieces in vibrant colors, such as cobalt blue, lemon yellow or terra-cotta red

http://www.greatswfurniture.com/taos-southwestern-dining-furniture-fabrics-lamps.htm

Detail 3

Upholstery materials in leather, suede or woven fabrics shout Southwestern design for sofas, loveseats and chairs

http://azarchitecture.com/listing/pueblo-revival-perfection/print/

Detail4

Custom made entertainment center made from Juniper wood


Art & Collectibles Details Identify typical:

Colors Finishes Shapes & sizes


Detail 1

Wall hangings, native clothing, woven blankets or Southwest-inspired paintings adorn interior walls; Interior accents, such as earthen pottery, wrought-iron lamps and candleholders, pots of cactus, rock specimens and ceramic lizards

https://feralchats.wordpress.com/2015/05/12/enchanted-more-or-less-bandelier-national-monument-part-one/

Detail 2 Masks, artwork, animal carcass heads

http://www.zillow.com/homedetails/9820-E-Thompson-Peak-Pkwy-UNIT-604-Scottsdale-AZ-85255/8065280_zpid/

Detail3 Woven hanging rugs. This was typical of Pueblo Revival style.


Detail 4 Animal carcass heads and woven rugs were great symbols of art to the Pueblo people.

http://homeguides.sfgate.com/identify-southwestern-design-77286.html

Lighting Details Identify typical:

Color Style of design Lamp shades Forms Finished materials


Detail 1 Handmade metal lamp shade. With intricate carving detail.


Detail 2 Handmade wrought iron lamp sconce.


Detail 3

Handmade metal lamp shade for an outside sconce.


Detail 4

Metal lampshade, handmade as a chandelier piece.


PART 2- DESIGN CONCEPT

In building 2, Pueblo revival style will ring true. The building will be comfortable and built keeping the Southwest design in mind. Neutral creamy white or ivory walls with colorful accents. Terra cotta and bright turquoise will make an excellent statement. The warm colors will provide a cozy feel while the strong accents will help to bring it all together. Natural elements such as animal references, pottery, and woven rugs will be integrated into the space to allow for those comfort feelings of home. The addition of succulent plants in a terrarium space or just as decorative accents will provide another natural element and promote a feeling of being alive. Wooden beams and references to wood will be worked into the design. The design will offer all the comforts of the traditional Pueblo revival style with chic updates. When women and children come in a feeling of home will come over them and they will feel safe remembering those elements. They will also feel very energized and alive from all of the modern aspects that will promote growth.

COLOR SCHEME FROM IMAGE

CUSTOM COLOR SCHEME FOR PROJECT

JUSTIFICATION

When I look at the photo, I see rustic charm with southern southwest flair. It is strong with many years behind it and many in front of it. The feeling is that of a sun that sets now and has set. It reminds me of long summer days and cool summer nights when friends and family are together. The deep red chestnut brings in the beams from the ceiling and all the heavy woods. The soft sable is a cozy neutral. It evokes calm. The ivory/white also creates a calming environment.

Specification Sheet

PROJECT Pueblo Revival Building

DESIGNER Lindsey McMillan

ITEM KEY CODE: CH1

ROOM / LOCATION: Gathering Space/Apartments

USE: Moveable table

MANUFACTURER: Ligne Roset New York

COLLECTION: Flax

PATTERN (STYLE) NAME & NO:

COLOR NAME & NO: American Walnut

WIDTH / SIZE: H 30 ” W 30 ” D 31 ½ ” SH 15 ”

http://www.lignerosetny.com/products/catalog_download.htm

FIBER CONTENT Solid American Walnut

PATTERN REPEAT:

FLAMMABILITY: n/a

COST PER UNIT: - *Call for quote

UNITS NEEDED: - 8

TOTAL COST: - *Call for quote

DESCRIPTION:

REMARKS:

Specification Sheet



ITEM KEY CODE:

ROOM / LOCATION: Apartments

USE: Sofa/ Extra Bed


COLLECTION: Ploum


COLOR NAME & NO:

WIDTH / SIZE: H 31”xW 80 ¼”x D 43 ¾”; SH 15 ¼”


FIBER CONTENT

PATTERN REPEAT:

FLAMMABILITY:


UNITS NEEDED: - 4


DESCRIPTION: A single piece of upholstery, encompassing two layers of high resilience Bultex® foam quilted together with thick polyester wadding between them, covers the entire piece, including the feet. Its slightly inward angle creates a cozy arrangement suitable for sitting, stretching out, and lying down. Ploum is quite remarkable in terms of both style and comfort.Sustainability- n/a

REMARKS:

Specification Sheet



ITEM KEY CODE:


USE: Bed


COLLECTION: ruché Inga Sempé


COLOR NAME & NO:

WIDTH / SIZE: 63” x 79”


FIBER CONTENT : Thin 3D aerated polyester weave. Lower layer: 4”–5” (10–13cm) thick CMHR Bultex® polyurethane foam. Upper layer: 3½”-4½” (9-11cm) thick upper viscoelastic foam (innovative memory foam, particularly flexible, minimum pressure on the body, greatly improves circulation). Cover: 64% polyester, 30% viscose and 6% elastane. Overall height: 9” (23cm).

PATTERN REPEAT:

FLAMMABILITY: n/a


UNITS NEEDED: - 4


DESCRIPTION: Low Foot/ Low Headboard combination. Each version is supported by a thin frame in varnished natural-, anthracite-, or red-stained beech, with the signature ruched stitching along the frame and headboard.

REMARKS:

Specification Sheet



ITEM KEY CODE:


USE: Armoire/Storage


COLLECTION: lumeo


COLOR NAME & NO: ebony stained oak veneer or white, mastic, or argile lacquer with aluminum lacquer details.

WIDTH / SIZE:


FIBER CONTENT : White lacquer on oak veneer

PATTERN REPEAT:

FLAMMABILITY: n/a


UNITS NEEDED: - 4


DESCRIPTION: This modular wardrobe system features a customizable width. Its signature feature is the alternating grain on the square woodpanels

REMARKS:

Specification Sheet



ITEM KEY CODE:


USE: Hanging Storage/Display


COLLECTION: Space


COLOR NAME & NO: Available with matte white lacquered or natural varnished cherry wood side panels.Open unit frames are available in brilliant black chrome, brilliant copper, or satin white lacquered.

WIDTH / SIZE: H 13½” W 27¼” D 14” (med chest w/ drawers); Medium Chest with Drop Flap H 13½” W 27½” D 14; Double Unit Metal Frame H 13½” W 27¼” D 14”; Open Chest H 13½” W 27¼” D 14” http://www.lignerosetny.com/products/catalog_down

load.htmFIBER CONTENT : natural varnished cherry wood/ brilliant copper

PATTERN REPEAT:

FLAMMABILITY: n/a


UNITS NEEDED: - 4


DESCRIPTION: series of tables and semi-modular storage solutions comprises completely open or closed boxes in three standardized sizes

REMARKS:

Specification Sheet



ITEM KEY CODE:


USE: Double Bookcase


COLLECTION: Oka


COLOR NAME & NO: Walnut Veneer

WIDTH / SIZE: H 84 ¾” W 28 ¼” D 12 ½”


FIBER CONTENT : walnut Veneer

PATTERN REPEAT:

FLAMMABILITY: n/a


UNITS NEEDED: - 4


DESCRIPTION: Oka is a modular, highly-structured bookcase that defies convention. Choose from a single or double bay; each piece can stand alone, or be placed together seamlessly to accommodate any book collection or dress up any wall. Mix colors and materials to add a personal touch. The single-bay bookcase is available in white, mastic, argile, elephant, lavender blue, or moutarde lacquer, or walnut veneer. The double bay bookcase is available in all but lavender blue lacquer. Oka must be fixed to a wall.REMARKS:

Specification Sheet



ITEM KEY CODE: T1

ROOM / LOCATION: Gathering Space

USE:Side table

MANUFACTURER: La Lune Collection

COLLECTION: Side tables

PATTERN (STYLE) NAME & NO: n/a

COLOR NAME & NO: Natural with pine top

WIDTH / SIZE: W18 L18 H18 http://www.lalunecollection.com/rustic-furniture/tables/table-3236-3242/

FIBER CONTENT Willow table with Willow Top

PATTERN REPEAT: n/a

FLAMMABILITY: - n/a

COST PER UNIT: - $633.00

UNITS NEEDED: - 4

TOTAL COST: - $2532.00

DESCRIPTION:Sustainability- Eco friendly with sustainable practices

REMARKS:

Specification Sheet



ITEM KEY CODE: T2


USE: Coffee Table


COLLECTION: #3578

PATTERN (STYLE) NAME & NO: N/a

COLOR NAME & NO:

WIDTH / SIZE: W36 L36 H18 http://www.lalunecollection.com/rustic-furniture/tables/coffee-table-3578-3582/

FIBER CONTENT

PATTERN REPEAT:

FLAMMABILITY:


UNITS NEEDED: - 1


DESCRIPTION: Rustic Table; Adds comfort to every room.

REMARKS:

Specification Sheet



ITEM KEY CODE: T4


USE: Dining Table- Extendable


COLLECTION: Dining Table

PATTERN (STYLE) NAME & NO: #3089

COLOR NAME & NO: n/a

WIDTH / SIZE: Dia. 48 H30

http://www.lalunecollection.com/rustic-furniture/tables/table-3089/

FIBER CONTENT Pine top and locally harvested willow, poplar, cedar, pine, or oak woods

PATTERN REPEAT: n/a

FLAMMABILITY: n/a


UNITS NEEDED: - 5

TOTAL COST: - $12,000

DESCRIPTION: All locally harvested in Wisconsin,

REMARKS: Eco Friendly; uses sustainable practices.

Specification Sheet



ITEM KEY CODE: T3


USE: Dining or Work Table


COLLECTION: #3146


COLOR NAME & NO: Gold Leaf finish; Light pine top

WIDTH / SIZE: W44 L44 H30

http://www.lalunecollection.com/rustic-furniture/tables/square-or-retangular-table-3146-3154/

FIBER CONTENT locally harvested willow, poplar, cedar, pine or oak woods

PATTERN REPEAT:

FLAMMABILITY: n/a


UNITS NEEDED: - 3


DESCRIPTION: The beautiful rustic simplicity of this Table, with the interesting branch design on its base and legs, will bring a sense of warmth to your gatherings.

REMARKS: ECO FRIENDLY: La Lune harvests only fast growing and invasive wood species such as poplar and willow for the production of all its products. All woods are harvested near the factory in Wisconsin, thereby reducing the negative impact and inefficiency of transportation and eliminating any impact on the rainforests of the world where much lumber is harvested by the furniture industry. All harvesting is done by hand by La Lune employees in order to maintain complete control and supervision of the harvesting process. La Lune’s unique yet low-tech and low-processing manufacturing methods are eco-friendly and efficient. The turn of the century La Lune factory buildings and machinery have been carefully re-cycled and re-stored incorporating high efficient use of energy. La Lune carries no inventory of furniture and manufactures “just in time” as items are sold. All La Lune finishes are non-polluting, non-toxic, non-flammable, water-based finishes which are locally manufactured exclusively for La Lune. La Lune furniture is designed and constructed to last for generations, will become tomorrow’s valuable antiques, and thereby will reduce negative environmental impact and landfill waste associated with cheaply made, disposable, non-degradable furniture. La Lune’s human sustainability is an important part of its environmental sustainability; in 1986, La Lune relocated its operations to an abandoned factory building in a central city neighborhood now called Riverwest. La Lune’s furniture, factory, and company history provide a perfect educational tool to teach others about eco-friendly manufacturing.

Specification Sheet

PROJECT Building 2


ITEM KEY CODE: CH2

ROOM / LOCATION: Gathering Area

USE: Seating


COLLECTION: Seating

PATTERN (STYLE) NAME & NO: #1294

COLOR NAME & NO: Natural Finish

WIDTH / SIZE: W20 D25 H42

http://www.lalunecollection.com/rustic-furniture/seating/side-chair-1294-and-arm-chair-1295/

FIBER CONTENT n/a

PATTERN REPEAT: n/a

FLAMMABILITY: - n/a


UNITS NEEDED: - 20

TOTAL COST: - $13,160

DESCRIPTION: Tight upholstered seat and back, Also available with loose seat cushion and tie-on back pad for outdoor use

REMARKS: N/a

Specification Sheet

PROJECT Building 2- Tucson, Arizona


ITEM KEY CODE: P2

ROOM / LOCATION: Bedroom

USE: Wall paint

MANUFACTURER: Benjamin Moore

COLLECTION: Aura Interior Paint


COLOR NAME & NO: Mexicali Turquoise 662

WIDTH / SIZE: n/a http://www.benjaminmoore.com/en-us/paint-color/mexicaliturquoise

FIBER CONTENT 100% Acrylic

PATTERN REPEAT: n/a

FLAMMABILITY: Class A (0-25) over non-combustible surfaces in accordance with ASTM E-84

COST PER UNIT: $69.99 gal

UNITS NEEDED: n/a

TOTAL COST: *Get quote*

DESCRIPTION: Mirroring the beauty of Mexican turquoise and the clear waters of Cancun, this pretty shade shimmers like beach glass. Extreme hide and coverage, Mildew resistant, Color Lock technology for exceptional color, No color rub-off, Stains wash off easily, Easy application, Paint and primer together, Seamless touch-ups, Excellent in high-traffic areas, Long-lasting, fresh look, Easy cleanup, Zero VOC*

Sustainability: Green Seal (GS-11), MPI(Master Painters Institute), Green Guard, CHPS-California Collaborative for High Performance Schools), LEEDREMARKS: Clean with Soap and water

Specification Sheet



ITEM KEY CODE: P1

ROOM / LOCATION: Dining Room, Living Room

USE: Wall paint

MANUFACTURER: Benjamin Moore

COLLECTION: Off-White


COLOR NAME & NO: Calming Cream- OC105

WIDTH / SIZE: n/a http://www.benjaminmoore.com/en-us/paint-color/calmingcream

FIBER CONTENT Aura Interior Paint; Semi-Gloss

PATTERN REPEAT: n/a

FLAMMABILITY: Class A (0-25) over non-combustible surfaces in accordance with ASTM E-84

COST PER UNIT: $69.99 gal

UNITS NEEDED: n/a

TOTAL COST: *Get quote*

DESCRIPTION: Paint and Primer Together, Extreme hide, Low VOC/low odor so you can return to using your room more quickly, Provides a mildew resistant coating, Color Lock® Technology, no color rub-off, Stains wash off easily, Excellent touch up, Self priming, Easy application, Long lasting fresh look appearance, Easy clean up.

Sustainability: Green Seal (GS-11), MPI(Master Painters Institute, Green Guard, CHPS-California Collaborative for High Performance Schools, LEED.

REMARKS:

Specification Sheet



ITEM KEY CODE: - L2

ROOM / LOCATION: Living Room

USE: Overhead Lighting

MANUFACTURER: WAC Lighting

COLLECTION: HR-2LED-T309S-27CB Copper Bronze 2" 2700K High Output LED Recessed Light Pinhole Trim

PATTERN (STYLE) NAME & NO: BCI2276935

COLOR NAME & NO: Copper Bronze

WIDTH / SIZE: Adjustable 0 Degree To 30 Degree Round Trim; 15 Degree Beam Angle, 2” recessed rims

http://www.lightingdirect.com/wac-lighting-hr-2led-t309s-27-2-2700k-high-output-led-recessed-light-pinhole-trim/p2276935#techspecs

FIBER CONTENT n/a

PATTERN REPEAT:Lamping: LED bulb, 11.7W per bulb, Avg. hours

50,000; CRI=85;CT 2700K, Lumens 521FLAMMABILITY: n/a

COST PER UNIT: $162.00

UNITS NEEDED: 12

TOTAL COST: $1,944.00

DESCRIPTION: Copper Bronze recessed lighting with pinhole trimSustainability: LED bulb will help to bring energy costs down and also produce less heat.

REMARKS: Direct Lighting

Specification Sheet



ITEM KEY CODE: - L4

ROOM / LOCATION: Master Bedroom

USE: Overhead Lighting; Temperature Control

MANUFACTURER: Craft made

COLLECTION: Craftmade MI52AGVM Aged Bronze / Vintage Madera Custom Blade Options 44" 5 Blade Indoor Ceiling Fan - Light Kit Included

PATTERN (STYLE) NAME & NO: BCI1021257

COLOR NAME & NO: Aged Bronze

WIDTH / SIZE: 44” Blade Span http://www.lightingdirect.com/craftmade-mia-custom-blade-options-44-5-blade-indoor-ceiling-fan-light-kit-included/p1021257#techspecsFIBER CONTENT n/a

PATTERN REPEAT:Lamping:

n/aE26 Med, Bulb included, Compact Fluorescent, Energy Efficiency 78, 120V,98Watts, 13Watts per bulb

FLAMMABILITY: n/a


UNITS NEEDED: 4

TOTAL COST: $780.00

DESCRIPTION: Lifetime Limited Warranty; Pull chain control; Direct Lighting.Sustainability: Energy Efficient.

REMARKS:

Specification Sheet



ITEM KEY CODE: - L1

ROOM / LOCATION: Dining Room

USE: Over Table light

MANUFACTURER: Miseno

COLLECTION: Zulli

PATTERN (STYLE) NAME & NO: 94MLIT823OCH4AB; 4 light

COLOR NAME & NO: Antique Bronze finish; lght.umber glass shade;

WIDTH / SIZE: - 20Hx 22W http://www.lightingdirect.com/miseno-mlit-8230-ch4-zulli-four-light-chandelier/p2732650

FIBER CONTENT - n/a


00” V x 00” HUses Med E26; Compact Fluorescent CUL Listed

FLAMMABILITY: - Listed for Dry Location


UNITS NEEDED: 4

TOTAL COST: $536.00

DESCRIPTION: Antique Bronze 4 light chandelierSustainability: n/a

REMARKS: SAVE 10% during March Sale, Free Shipping. Dimmable, Life warranty, out of box installation, Steel construction. Direct Lighting-Uplighting

Specification Sheet



ITEM KEY CODE: - L5

ROOM / LOCATION: Master Bedroom

USE: Wallchiere; Add ambience to the bedroom area.

MANUFACTURER: Maxim

COLLECTION: Barcelona

PATTERN (STYLE) NAME & NO: Maxim 13419AIOI Oil Rubbed Bronze / Amber Ice 1 Light 22" Tall Wall Sconce from the Barcelona Collection

COLOR NAME & NO: Oil Rubbed Bronze/ Amber Ice

WIDTH / SIZE: 22”H X 7”W http://www.lightingdirect.com/maxim-13419-1-light-22-tall-wall-sconce-from-the-barcelona-collection/p2689269#techspecsFIBER CONTENT Iron base with cream glass shade


n/aE26 Med; Incandescent w/ optional compatible LED. 1150 lumens, no bulb incl., 120v, uplighting, Avg. hours=2500, CRI 2700K, Dimmable, Manufacturers Warranty= 1yr.

FLAMMABILITY: n/a


UNITS NEEDED: 8

TOTAL COST: $512.00

DESCRIPTION: Fully covered under Maxim's 1 year warranty; Requires (1) 100 watt Medium (E26) base bulb (Not Included); Amber Ice glass shade; Rated for dry locations. INDIRECT LIGHTINGSustainability: LED for energy efficiency.

REMARKS: Indirect Lighting

Specification Sheet



ITEM KEY CODE: - L3

ROOM / LOCATION: Living Room

USE: Sconce for softer ambience in the room. Wall washer

MANUFACTURER: Minka Lavery

COLLECTION: Tofino

PATTERN (STYLE) NAME & NO: 6767-211 Tofino Bronze 1 Light Wall Sconce

COLOR NAME & NO: Tofino Bronze

WIDTH / SIZE: 8.5”Wx15”H http://www.lightingdirect.com/minka-lavery-ml-6767-1-light-wall-sconce-from-the-tofino-collection/p347788#techspecsFIBER CONTENT Glass cone shade


n/aE26 Med, Incandescent, 100W, 120v

FLAMMABILITY: UL listed for dry location


UNITS NEEDED: 8

TOTAL COST: $767.20

DESCRIPTION: Mabre Grabar glass cone shaped shade; Designed to cast light in an upward direction; Can be mounted facing upwards only

Sustainability: Can use possibly equivalent LED bulb instead of incandescent.

REMARKS: Indirect Lighting

List the code in this column (there may be more than one relevant code that pertains to your

project)

In this column provide evidence from plan to support compliance; or describe

any updates needed to meet code requirements

Stairways shall not be less than 36 inches (914 mm) in clear width at all points above the permitted handrail height and below the required headroom height.Tread width of stairs are 38" .

Guards shall be located along open-sided walking surfaces, including mezzanines , equipmentplatforms , stairs , ramps and landings that are located more than 30 inches (762 mm) measured vertically to the floor or grade below at any point within 36 inches (914 mm) horizontally to the edge of the open side. Guardrails will be installed on 2nd story landing of stairway.

An approved pictorial sign of a standardized design shall be posted adjacent to each elevator call station on all floors instructing occupants to use the exit stairways and not to use the elevators in case of fire. The sign shall read: IN CASE OF FIRE, ELEVATORS ARE OUT OF SERVICE. USE EXIT STAIRS.

Where the air infiltration rate of a dwelling unit is less than 5 air changes per hour when tested with a blower door at a pressure of 0.2 inch w.c (50 Pa) in accordance with Section N1102.4.1.2, the dwelling unit shall be provided with whole-house mechanical ventilation in accordance with Section M1507.3.Where the air infiltration rate of a dwelling unit is less than 5 air changes per hour when tested with a blower door at a pressure of 0.2 inch w.c (50 Pa) in accordance with Section N1102.4.1.2, the dwelling unit shall be provided with whole-house mechanical ventilation in accordance with Section M1507.3.Every dwelling unit shall have at least one habitable room that shall have not less than 120 square feet (11 m2) of gross floor area. Smallest residence has 457 gross square feet of space.

All dwellings shall be provided with a means of egress as provided in this section. The means of egress shall provide a continuous and unobstructed path of vertical and horizontal egress travel from all portions of the dwelling to the exterior of the dwelling at the required egress door without requiring travel through a garage. An egress door is installed along the West wall, near all residents.

Where the air infiltration rate of a dwelling unit is less than 5 air changes per hour when tested with a blower door at a pressure of 0.2 inch w.c (50 Pa) in accordance with Section N1102.4.1.2, the dwelling unit shall be provided with whole-house mechanical ventilation in accordance with Section M1507.3.

Household fire alarm systems installed in accordance with NFPA 72 that include smoke alarms, or a combination of smoke detector and audible notification device installed as required by this section for smoke alarms, shall be permitted. The household fire alarm system shall provide the same level of smoke detection and alarm as required by this section for smoke alarms. Where a household fire warning system is installed using a combination of smoke detector and audible notification device(s), it shall become a permanent fixture of the occupancy and owned by the homeowner. The system shall be monitored by an approved supervising station and be maintained in accordance with NFPA 72.

Justification

The principles of design that are elements of the design are line, color, light, texture, balance and harmony. The line is important to the design because it determines the harshness of the design. If the line is very strong then it can come off as being very modern and too futuristic. If the line is too weak it may not support the design in that the style won’t meld together or stand out on its own. In this case, neither were true. The line rang through like it should have. The concept of line in this design was to be smooth but in a modern way and to create a sense of openness while also incorporating a need for gathering and being with friends and family.

Color was very important to this design because there is so much significance in the colors that are used in the Spanish culture. Turquoise jewelry and pottery as well as animal carcasses and rugs are all very important to the Spanish Pueblo Revival Style.

Texture of the stone wall, brick, and stone flooring all play an important role in adding texture and tradition to the space. Balance must be a priority in the design choices that are made as well as the design as a whole. If the design is not balanced this many times is quite obvious. If it is that obvious to us then imagine how much easier it will be for a client to notice. Harmony in the patterns, colors, finishes, furniture, and accessories is crucial. If none of the items listed above exist, the design fails. Everything that we have worked for in our design must register to a potential client or the work was done for naught.

The design reflects the culture in the furniture styles with rustic charm, the poufy organic shapes that allow for the body to just sink in giving the feeling of the all too familiar built in bench. The Spanish tiles and brick are reminiscent of this Pueblo Style. The design respects the diversity of the future inhabitants in that it allows for them to add their own flair. The walls are ivory with pops of turquoise, dark brown, rust orange, or sand colored accessories. These things are all easily changed.

The furniture meets the needs of women and children in that it is safe. It is very sturdy and promotes a feeling of closeness with some of the round tables and the short tables creating opportunities to chat. The lighting also offers a cozy feel without being too dark. Sometimes the lighting can look really great but still feel like there is no light in the house. I am not sure about the budget. I feel that we went over budget, but on some materials I did not.

Codes and Universal design played a large role in these schematic plans. Although ADA compliance is a given, especially in this day and age, it is hard at times to make sure it is noted on the plan and that you can in fact move things around to make it easier for anyone with a wheelchair to be able to move around in a living space that accommodates everyone. Ecological and sustainable choices were made when applicable. This means Incandescent vs LED, or most of the furniture wood being forested with sustainable practices and being sustainable as a finished product. So many things in this design came from nature making them in most cases sustainable as long as they can come back just as strong in nature and aren’t harmed.

Reflection

In this class, I learned how important it is to include justification for your designs. I forgot that one justification and I think we were both confused as to where the design was heading. It is so important because in a real life scenario the client may get upset or not understand what the designer is trying to do and it could be disastrous. I could see in a few cases possibly getting replaced for not justifying the thoughts behind the concept. Clients are the number one priority. They need to feel as if we know exactly what their design is about at all times. They need to feel confident that we have their wants and needs in mind with everything we choose for them. I know from now on that things like this can get confused easily and that it is very important not to ever forget it.

In this class, I feel I received a better understanding about how the schematics of a floor plan work and why all the markings on the drawings are important and why they have purpose. This is something I wished I learned early on. I didn’t understand all the markings on the construction documents or floor plans. I was never taught how to read one, just how to make one. These are two totally different concepts. However, I feel that the school lumps the making one into learning about one and it is really hard to do both at the same time. This class was more about the fixtures and styles and therefore I was really able to focus on the plans and see how everything comes together to create a final presentation. This is definitely something that would help the beginner so they feel like they are learning something. It can definitely be overwhelming but now seeing it complete, it was worth it.

One other thing that I learned more about was the need for unobstructed paths. In the past although I knew what colors and fixtures I wanted and maybe some furniture, I still didn’t understand where to place them on a plan. I was just sticking it wherever and hoping that I didn’t have it wrong. I felt insecure about placing furniture because I didn’t understand the overall goal of making sure that there was enough room to walk freely throughout without walking into chairs upon entry and so forth. Now I know so it will be a little easier now. I won’t be a pro at it for sure, but it will make a little more sense.

I didn’t work as a team in this project because I did mine solo, but I will talk a short time about how working on a team is important as I have done it in many past experiences. I am not one who likes to work as a team. I do much better when working alone. I am very opinionated in my designs and I prefer to perfect them as I move through if need be. I guess in some ways I picked the wrong profession because I usually go with my gut on the first try and I am not one who likes brainstorming. When I get an idea it usually sticks with me. If I can’t justify it or if I find out early on that it won’t work then I scrap it and think of something new, but in most cases my instinct leads the way. I am a perfectionist so I don’t give up and I don’t turn away from a challenge. This is one good thing that helps me design- I think sometimes so far out of the box that it tends to (whether I want it to or not) push me into a leader role rather than a follower and so I become this trendsetter that unfortunately has to make her own decisions without depending on anyone else.

From a team aspect though- they can be important for certain people. They help people to talk things out and brainstorm. It allows you to not have to carry the burden of necessarily designing everything on your own. Working as a team gives you the opportunity to inform everyone at once, see things from someone else’s eyes, get feedback and hopefully honest feedback about your design. Working as a team for some people is really great because it allows them to shine in a group rather than being on the forefront which can make some people fairly uncomfortable. It offers a certain security that if something went wrong in the design phase hopefully someone would catch it before it is too late. Working as a team now will help us to be equal players in a firm run by someone else after graduating and give us the opportunity to move up by showing our superiors that we have the ability to listen and give criticism where it is due as well as give and receive praise when it is due. Interior design has many parts and many parts have to come together to create one in order for them all to work together to create something great. This is something that I can stand behind and bring into not only future classes, but also my future design endeavors.

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